Badru Ahmed - Portfolio - Graduate of Architecture by Badru Ahmed

Portfolio Badru Ahmed Graduate of Architecture - University of Melbourne

RESUME | Badru Ahmed | Graduate of Architecture

Badru Ahmed Graduate of Architecture

+61 424 891 904 badru.a19@gmail.com 1/38 Pearson Street Brunswick West VIC 3055

PROFESSIONAL EXPERIENCE AUSTRALIA

INTERNATIONAL

Architectural Assistant (contract) TZ ARCHI / Ringwood VIC 3134 / January 2019 - March 2019

Junior Project Architect Archfield / Dhaka Bangladesh / January 2016 - February 2017

Project-based Engagement in Design and Construction Documentation Phases for Residential and Small Scale Commercial Projects Using BIM tools.

Involvement in All Stages of the Design and Construction Process: from Conception to Delivery for Multi-Residential and Civic Projects.

Student of Architecture Architect Hewson / Collingwood VIC 3066 / November 2017 - December

Architectural Intern Team Architrave / Colombo Sri Lanka / June 2013 - November 2013

2018

Construction Documentation, Design Input, 3D Visualization and Modeling of Residential and Civic Projects. Participation in Competition Projects.

Town Planning Application Documentation, Site Measures and Construction Documentation for Residential Projects. 3D Visualization and Modeling.

Teaching Assistant BRAC University / Dhaka Bangladesh / April 2015 - December 2015 Assisting Faculty in Research and Preparing Course Content Materials for Undergraduate Architecture Students.

EDUCATION

INTERMEDIATE PROFICIENT

Revit / ArchiCAD / Rhino AutoCAD / Adobe Suite / SketchUp

LANGUAGES FLUENT English / Bengali / Hindi CONVERSATIONAL Portuguese / French

REFERENCES Available Upon Request

Master of Architecture University of Melbourne / 2017 - 2018 Recipient of the International Postgraduate Scholarship Awards 2017

Bachelor of Architecture BRAC University Bangladesh / 2009 - 2014 Graduated with Highest Distinction

European Exchange Student Universidade de Evora Portugal / 2011 - 2012 Recipient of the ERASMUS Mobility Asia Scholarship 2011

“

SOFTWARE SKILLS

A great building must begin with the unmeasurable, go through measurable means when it is being designed, and in the end must be unmeasurable. Louis I. Kahn 1961

River Kalinga

Contents

কালীঈগা নদী

ACADEMIC PROJECTS 1-4

NIGHTINGALE: NIGHTINGALE: Generation Generation XYZ XYZ Multigenerational Housing Australian Context Multigenerational Housing in in thethe Australian Context

5-7

(in) (in)habiting habitingwithin withinwalls walls LivingUnits Unitsforforthe theJapanese JapaneseRecluses Recluses- The - TheHikikomori Hikikomori Living

8 - 11

River Meghna

The Adaptive Re-Useand of Panam Nagar Barendra Museum Research Center

েমঘনা নদী

At Bengal’s The ExtensionOld andCapital Re-UseSonargaon of Bengal’sBangladesh Oldest Museum

Barendra Museum Research Center 12 - 14 The Adaptive Re-Useand of Panam Nagar Research CenterSonargaon in AlmadaBangladesh Portugal AtMarine Bengal’s Old Capital

15 - 16

Center for Investigation at the Fort of Trafaria MarineResearch ResearchCenter CenterininAlmada AlmadaPortugal Portugal Marine

PROFESSIONAL PROJECTS 17 - 18

Suite Suite1,1,2626Ellingworth EllingworthParade ParadeBoxhill BoxhillVIC VIC3128 3128

River Rupsha

রূপসা নদী

for Dependable and Taxation AtOffice Bengal’s Old Capital Accountants Sonargaon Bangladesh

Toco Panel Australia The Adaptive Re-UsePty of Ltd Panam Nagar Brochure Drawings AtInstruction Bengal’s Manual Old Capital Sonargaon Bangladesh

Mosharraf Center for Residence Investigation at the Fort of Trafaria Private in Dhaka Bangladesh MarineResidence Research Center in Almada Portugal

ৈভরব নদী River Bhairab

Residence for Romesh and Sepali Silva Center for Investigation at the Fort de of Trafaria Private in Colombo Sri Lanka MarineResidence Research Center in Almad

Research + Publications Center for Investigation at the Fort of Trafaria Conference - BookCenter Chapter Travel Articles Marine Research in -Almad

Cover and Contents Illustration Urban study research paper published at S. ARCH 4th International Conference on Architecture and Built Environment Hong Kong 2017

River Pasur

পশূড় নদী

GRADUATE THESIS STUDIO | Nightingale: Generation XYZ | 2018

NIGHTINGALE: Generation XYZ

Multi-Generational Housing in the Australian Context Introduction: Nightingale Housing

The Nightingale Housing Model - developed by Breathe Architecture - challenges the status quo of the multi-residential housing scenario in Melbourne through committing to delivering affordable, sustainable and community-focused housing at cost.

Concept: Independent Units with Shared Spaces

Project Brief

1 out of every 5 Australian adults live in multi-generational households yet there remains significant social stigma attached to this fairly beneficial housing model. Nightingale: Generation XYZ explores the potential of the multi - generational housing model in the Australian context with the intention to adopt its positives while diminishing its negatives.

Design Approach

The units for the generations X,Y and Z are designed to function independently, yet are tied together by the common double height loft space 2 that accommodates shared living, dining and kitchen to encourage greater personal interactions between occupants.

Project Information

SITE 50-46 Pearson Street Brunswick West VIC 3055 at $3 744 595 FEASIBILITY | Total NSA 2880m2 | Price $7625 per m2 | Return on Cost at 15%

Independent Units

Shared Space

Module Multiplied

Maximised

Family 1 + Family 2

Module Repeated

Built Form + Features

Apartment Details

Each block consists of 1 1 GenX apartment, 3 1 GenY apartment and 2 1 loft shared space.

Ventilation Shaft

Courtyard 2

Frame

Wiremesh (to be covered with vegetation)

Circulation

1 3

Internal Stairs Between GenX and GenY Apts

Courtyard 1

GenXYZ Shared Space

1 GenX Independent Apt 55m 1BR +1B + Study at $419 760 2

2 Loft Shared Space XYZ 34m2 KIT + LIV/DIN at $259 250

3 GenY Independent Apt 89m2 3BR +2B at $678 725

GenX Apt

Pe a

GenY Apt

rso

tre et

GenZ Apt Retail /Commercial Circulation

Access

BOH /Services

GRADUATE THESIS STUDIO | Nightingale: Generation XYZ | 2018

Floor Plans Ground Floor Plan

Level 1 and 3 GenX + GenZ + Shared Space

Level 2 and 4 GenY + Shared Space

+1.5 Levels Warehouse

Laneway Waste + Refuse

Rentable Commercial (Yoga Studio)

Bicycle Storage

Comms Room

+4 Levels Residential

Courtyard 2 UP

Lobby 2

XYZ

Meeting Room

Bicycle Storage

Rentable Office

Entry Deck 2 UP

Cafe

Fire Hydrant

Courtyard 1

Lobby 1

+1 Level Fitness Center

+1 Level All Residential

Children Daycare UP

Cafe Entry Deck 1

Pearson Street SCALE 0

10m

LEVEL 1 + 3 TYPICAL Shared Space Residents on Foot Residents on Bicycles

GenX Apt GenZ Apt

LEVEL 2 + 4 TYPICAL Shared Space GenY Apt GenY Apt

GRADUATE THESIS STUDIO | Nightingale: Generation XYZ | 2018

Internal Courtyard

GRADUATE THESIS STUDIO | Nightingale: Generation XYZ | 2018

Sectional Perspective: Loft Shared Space XYZ

GRADUATE YEAR 1 STUDIO | (in) habiting within walls | 2017

(in) habiting within walls

PROJECT

Living Units for Japanese Recluses - the Hikikomori

CLIENT

新宿

The (non)United Association of (in)Dependent Hikikomori

引き籠り

Studio 2 Tilted

傾斜した

CONSULTANTS

Introduction

ABANDONED GYMNASIUM

ABN

Hikikomori 引き籠り are recluses who withdraw from social life, often seeking extreme degrees of isolation and confinement. The hikikomori have been described as ‘modern-day hermits’. Misunderstood and shrouded in stigma, hikikomoris participate little in society, often burdening their families.

2026

REF: Detail 01.1E

3653

S02 2017 UMEL

SUPERVISORS

Rennie Liﬀen Marijke Davey

PROJECT ARCHITECT

Badru Ahmed

TECHNICAL CONSULTANTS

UNIT FOR ALCHEMIST

01-C C.5

4420

APPENDIX A: Characters

01-A A.5

Project Brief 3654

SERVICE

01-B B.5

Set in Shinjuku Tokyo, this project explores how the hikikomori could live life and participate in society but in their own terms. The design focuses on isolated yet self-sufficient living units for five imaginary hikikomori personalities.

2680

THE COUNSEL GARDEN

UNIT FOR CATALYST

01-C C.4

OVERGROWN GARDEN

DISUSED BASEBALL PITCH

01-A A.4

2013

3565

01-D D.3

REF: Detail 01.1A +3.0m

HIKIKOMORI UNIT-3

HIKIKOMORI-2

HIKIKORMORI-3

CATALYST

ALCHEMIST

Hitomi Kyan 28/ Female/ Nagasaki

Kaoru Yamazaki 30/ Male/ Unknown

Tatsuhiro Sato 22/ Male/ Tokyo

Mrs. Kato 53/ Female/ Tokyo

Tatsuhito Takimoto 41/ Male/ Tokyo

- Ex-architect turned graphic designer who works online from home

- Once an aspiring botanist forced to study medicine by parents

- Protagonist of Welcome to the N.H.K and manga fan

- Mother of Tomohiro Kato- hikikomori turned mass murderer

- Dislikes physical interaction with clients

- University drop-out and unemployed

- School drop-out and aspiring game designer

- Reclusive since 2014 - Ventures out few times a month

- Reclusive since 2009 - Never leaves the room

- Reclusive since 2012 - Ventures out rarely at night

- Suﬀers from guilt for not being able to help her son - Cares for the hikikomori by arranging their meals

- Advocate of speaking publicly about Hikikomori in Japan to break social stigma

A.1

A.2

A.3

A.4

A.5

graphic designer

01-A A.3

B.1

1907

1657

01-B B.3

CO-SHARE GARBAGE OUTLET

1533

+1.5m

SERVICE

HAIKYO SCHOOL

01-B B.4

3440

01-C C.2

mother

writer

B.2

B.3

B.4

B.5

to thank or not to thank

not applicable

C.1

peek-a-boo

C.2

to care of not to care

C.3

to be or not to be

C.5

C.4

01-A A.4

8340

01-C C.4

01-D D.4

500

HIKIKOMORI UNIT-2

APPENDIX B: Services - Kitchen - Washroom - Laundry Area - Garbage Outlet

01-B B.1

01-D D.1

01-C C.1

Index of Solitude SCHEDULE 01-C

3 drawings - imagined as construction documentation - and inspired from the works of Atelier Bow Wow and Lab-Lab for Architecture.

gamer

01-C C.3

01-A A.4

Outcome

nature lover

- Writer of Welcome to the N.H.K - Recovering Hikikomori + has good and bad days

01-B B.4

Index of Interaction SCHEDULE 01-B

Each unit possesses its own separate access and facilities, with specially designed features to eliminate chance encounters with their facilitator: the alchemist. The void that exists between the hikikomori and the society are physically manifested into walls.

HIKIKOMORI-1

3758

01-B B.4

Index of Purpose SCHEDULE 01-A

2979

01-B B.4

Design Approach

悪い月

Mariano Lopez Miranda Holt Jarrod Haberﬁeld

Landscape Design Interior Design Presentation Consultant

01-D D.5

壁に住む

Shinjuku - Japan

LOCATION

01-A A.1

the reader

shizukesa01768

the gardener

the tomato gardener

the thinker

HIKIKORMORI UNIT-1 SHOPHOUSE-2

2550

01-A A.2

D.1

D.2

D.3

D.5

D.4

SHOPHOUSE-1 6000

Index of Rest SCHEDULE 01-D

+0.0m 4500

the dreamer

the yearner

the foetus

the insomniac

the log

OLD LANEWAY

+0.0m +3.0m OLD WILD GARDEN +1.5m

MIDNIGHT DINER

SHOPHOUSE-3

1. All hikikomori must be allowed the freedom to be themselves. 2. All hikikomori are to be considered as intelligent beings, capable of participating in society. 3. The architecture produced must be of the kind that allows the hikikomori to live and interact in their own terms.

Ref: DETAIL 01.1A I

2125

Ref: DETAIL 01.1E

914

5467

2026

SCHEDULE 01-G: Ref Dwg. No. HKM102 TRANSACTION OF PHYSICAL OBJECTS

01-A A.4

820

2653 DELIVERY

C.2

SCHEDULE 01-G: ALCHEMIST- MOMENT OF TRUTH

1415

time spent 14s

1. The invisible wall against society that hikikomori creates around themselves must be translated to physical concrete walls. 2. Three-step transitional interaction spaces to be constructed out of timber. 3. Light-wells to allow daylight whilst maintaining absolute seclusion. 4. Reverse light-well to compress space to reduce time spent in transition. 5. All basic necessities to be provided within dwelling units- consult Appendix B. 6. Degree of openness to respond to catalyst > alchemist> hikikomori. 7. Cat door to be incorporated for Hikikomori-1 unit- consult detail 01.1.

4859

4467

01-D D.3

CONSTRUCTION NOTES:

535

500

2618

01-C C.5

1813

RECOMMENDATIONS:

SHOPHOUSE-4

01-D D.5

DECISION TO RETREAT time spent 12s

01-B B.4

TRANISTIONAL INTERACTION

MOMENT OF DOUBT

time spent 5s

3053

A 01-C C.3

B time spent 1m 23s

01-A A.5

MOMENT OF DECISION time spent 5h 41s

2577

1657

01-B B.3

2935

PROJECT DRAWING TITLE

01-B B.5

SCHEDULE 01-E: Hikikomori-2

1910

1907

C.2

1533

1680

3233

820

1848

800

1110

1650

UNIT FOR HIKIKOMORI SCALE 1:50

REVISION NOTES: 1. Test prints on canson 224g paper to be apporved by supervisors. 2. Only 10% or less color recommended. 3. Project architect must remain true to the cause of the project.

4725

3293

01-A A.3

2995

UNIT FOR ALCHEMIST SCALE 1:50

DECISION TO ASSIST time spent 3h 33s

SCHEDULE 01-F: Alchemist

SCALE

(in) habiting within walls

Floor Plan 1: 75 @ A1 sheet

DRAWING NO.

HKM-101

REVISION NO.

R-04

DATE AND APPROVAL

04-November 2017

GRADUATE YEAR 1 STUDIO | (in) habiting within walls | 2017

E.2

nervous hands exerting caution

APPENDIX C.2: MATERIALS IN HORIZONTAL

APPENDIX C.1: MATERIALS IN VERTICAL EXTERIOR

E.1 relaxed in seclusion

OPERABLE ROOF PANEL 13 05h

3000

E.3

ROOF

DOOR

doubt purpose

13 09h

13 14h

curiosity doubt

activity rest

F.1 doubtful stare

F.3 unﬁnished meal from previous day

INTERIOR INSULATION spicy pork ramen

PARTITION

tired arms

F.2

Ref: Detail 02.1A The Timeline

APPENDIX E: THE TRI-PULLEY PEEP-HOLE

not to scale

PULLEY-1 1

L +3.5m

PULLEY-2 2 PULLEY-3 3 45mm

492

PEEP-HOLE PLATE 4 1

STEEL LINING 5

3 23mm

ROPE 6

1683

1169

1568

RING 7 L +3m

C-CHANNEL FLAT PLATES 8

233

THE (in) DEPENDENT 9 THE PROVIDER 10

1.5

30mm

OPERABLE GARBAGE OUTLET A

2 ° 24

APPENDIX D: FEATURES AND FURNISHING 4

GESTURES C

MECHANICAL SYSTEM D

850

THE HIKIKOMORI E 5

THE CATALYST F WALLS + STRUCTURE I

387 283 45°

1515

750

THE TRI-PULLEY PEEP HOLE

Ref: Detail 02.1B

Ref: Detail 02.1C

E.1 F.2

E.3 F.1

G.1

G.2

60°

1970

500

C.1

F.3

500 8

C.2

887

Ref: Detail 02.1B The Tri-Pulley Peep-Hole

E.2

Scale 1:2

FLOOR

PROJECT DRAWING TITLE INSIDE

SEMI-OUTSIDE

GL+79m

SCALE

(in) habiting within walls

Moment Construction 1: 10 @ A1 sheet

DRAWING NO.

HKM-102

REVISION NO.

R-07

DATE AND APPROVAL

04-November 2017

GRADUATE YEAR 1 STUDIO | (in) habiting within walls | 2017

YO IK

HA OL

HO SC AN AB D NE

DO M GY M SIU

E F C

OL ILD

W EN

GA ALC-0

HKM-1

HKM-3

HKM-2

WIDTH OF SKYLIGHT : degree of reclusiveness

1000 1250

HEIGHT OF SKYLIGHT : degree of reclusiveness

1500

SU S

2000

2500

PL AY GR OU

3000

3500

1000

APPENDIX F: OCCUPATIONAL UNITS H

D.1

1. habit - ˈhabɪt/- noun a settled or regular tendency or practice a long, loose garment worn by a member of a religious order

HIKIKOMORI-2 B

2. inhabit - ɪnˈhabɪt/- verb - noun: inhabitant (of a person, animal, or group) live in or occupy (a place or environment)

HIKIKOMORI-3 C

SH 1 E-

CATALYST: LIVING UNIT D

CATALYST: COURTYARD E A.1

TITLE NOTES:

HIKIKOMORI-1 A

3. inhabiting ɪnˈhabɪting/- verb noun gerund recurrent, often unconscious pattern of behavior that is acquired through frequent repetition an established disposition of the mind or character: a pessimistic habit customary manner or practice: an early riser by habit. 4. (in)habiting within walls ɪnˈhabɪting/ wɪðˈɪn/ wɔːls/- verb+noun preposition noun the act of the tendency to live within walls (physical or psychological) to maintain one’s state of comfort leading to the intent on living life in one’s very own terms

ALCHEMIST: LIVING UNIT F

PROJECT ALCHEMIST: SECLUSION UNIT G

DRAWING TITLE SCALE

O SH -2 SE

COUNSEL GARDEN H

(in) habiting within walls

Axonometric Projection 1: 75 @ A1 sheet

DRAWING NO.

HKM-103

REVISION NO.

R-03

M HT

G NI

RED WALLS D

04-November 2017

AY W NE

DATE AND APPROVAL

UNDERGRADUATE THESIS STUDIO | The Adaptive Re-Use of Panam Nagar | 2014

The Adaptive Re-Use of Panam Nagar at Bengal’s Old Captial Sonargaon Bangladesh Introduction

Adaptation + Addition

Existing Site

Panam Nagar is a set of forty-nine abandoned heritage houses once belonging to rich Hindu merchant families. Situated in Sonargaon, the old capital of Bengal, today this Mughal and Colonial site is the remnant of a city that flourished between the 12th-19th Century as a trading and administrative hub of Bengal.

THE MUSUEM WING

Project Brief

Panam Nagar is important by all accounts: historically, culturally and architecturally. Once an important stop at the eastern terminus of the Silk Road, today most of the buildings are abandoned and crumpling away with time. The project explores the possibilities to revive Panam Nagar through adaptive re-use. Mughal Bridge

Design Approach

The proposed functions for the adaptive re-use are deduced through careful analysis of the significance of the site with consideration such that the intervention is beneficial to both visitors and the local community.

Panam Street

Pankhiraj Canal

The extension is designed bearing in mind that it too should be ‘adaptable’ to accommodate future changes. Owing to duration constraint of the semester, 8 out of 49 buildings were selected and designed in detail to illustrate the approach.

Designed in Detail

Administration Permanent Gallery

Accolades

Classification

Entrance + Lobby

Temporary Gallery

INTERNATIONAL JURY SELECTION

Kurula Varkey Design Forum 2016 - CEPT University Ahmedabad India

PUBLISHED BOOK CHAPTER

‘ Learning from Panam Nagar: Lessons from the Transitional British Colonial Hybrid Houses ’ with Co-Author Iftekhar Ahmed In Re-Imagining Bengal: Architecture, Built Environment and Cultural Heritage ISBN 978 938 319 647

THE LEARNING CENTER TIME PERIOD Mughal Colonial Conglomerate

Library Archives Research Wing

BUILDING CONDITION Renovated + In-Use Functional + Not-In-Use Roof Collapsed

SPACE TYPOLOGY Central Hall Linear Layout Undetermined Consolidate (Hall + Courtyard)

Entrance + Lobby

Addition Existing

UNDERGRADUATE THESIS STUDIO | The Adaptive Re-Use of Panam Nagar | 2014

Plan at Level 0

B UP

DN UP

3 DN

2 UP

Central Hall

1 SCALE 0

20m

THE LEARNING CENTER

1 Souvenir Shop 2 Permanent Gallery 3 Temporary Gallery 4 Lobby 5 Outdoor Cafe 6 Service 7 Boat Dock 8 Administration 9 Courtyard 10 Activity Rooms 11 Archives 12 Library 13 Playspace

THE MUSEUM WING

Section A

UNDERGRADUATE THESIS STUDIO | The Adaptive Re-Use of Panam Nagar | 2014

+3.6m

Plan at Level 1

Terrace +3.6m

+3.6m

Library +3.6m

+4.0m

Outdoor Reading Area +3.6m

Archives

+4.0m +4.0m

Terrace

UP DN

A +4.0m

Terrace

3 10

20m

THE LEARNING CENTER

Research Center

SCALE 0

3 9

+4.0m

Open-to-Sky +3.2m

Central Hall

4 9

1 Temporary Gallery 2 Permanent Gallery 3 Administration 4 Lobby 5 Indoor Cafe 6 Service 7 Boat Dock 8 Reading Space 9 Courtyard 10 Activity Rooms 11 Archives 12 Library 13 Viewing Deck

THE MUSEUM WING

Section B

UNDERGRADUATE THESIS STUDIO | The Adaptive Re-Use of Panam Nagar | 2014

1 Museum Courtyard

2 Outdoor Reading Area

UNDERGRADUATE STUDIO | Barendra Museum and Research Center | 2014

“homage” to Barendra Museum and Research Center The Extension and Re-Use of Bengal’s Oldest Museum Introduction

“Barendra” (Varendra or Barind) was one of Bengal's most flourishing region over a span of 1500 years, reaching its peak under the Gupta and Sena Dynasty between 204-750 AD. This region is now part of present-day Rajshahi in Bangladesh. It included the ‘Pundravardhana’ or Pundra Kingdom.

Project Brief : Intention + Conception

The area's rich historical past amongst local enlightened citizens, notably Prince Sarat Kumar Roy to house history where it belongs, that is “the artifacts should be housed in the nucleus of a local museum” such that the rich remains of the past should be on native lands. With an intention as such Prince Sarat Kumar Roy set up the Barendra Research Soceity and Museum in 1910, making it the oldest existing museum in the Bengal region. The current building was built on a land donated by the Royal Family, and designed by the Prince himself, which makes it hieritage and culturally significant to the history of Bengal.

Design Approach: “Homage”

This project remains an attempt to honor the intention of the initiative - to try and preserve the knowledge of the past. This project is essentially a homage to the intention of several individuals and the institution that contributed to preserving the history of Bengal.

Existing Building

Timeline 1910

1912 -1919

1923

Formation of Barendra Research Society

Officially registered as “Barendra Research Museum” and construction of the main Museum Building begins

Major excavation of Paharpur - UNESCO World Heritage Site close to Barendra Museum

1937 -1945

1949

1961

1964

Death of founding members and new management commitee formed

Museum converted to Medical School

Present Library Wing built as extension by Medical School

Administration taken over by the University of Rajshahi

Concept: Building as an Artifact 1910 Original Museum Wing constructed designed by Prince Sarat Kumar

1961 Addition of Library and Administrative Wing

1970 - 1980s Addition of Staff Residence and Manuscript Storage

PRESERVE the 100+ years old building

DEPRESS existing disconnected courts to connect as single space

RAMP around preserved structure to allow viewing ‘building as an artifact’

Section

EXTENDED FUNCTIONS housed under ramp

3 4 SCALE 0

20m

1 Preserved Museum 2 Depressed Sculpture Court 3 Space of Retrospective 4 Permanent Gallery

UNDERGRADUATE STUDIO | Barendra Museum and Research Center | 2014

Plan at Level 0

4 +0.3m

- 3.0m

+1.0m UP

- 1.5m

- 4.5m

- 4.5m +0.0m

+1.5m

+0.0m

1 Temporary Gallery 2 Manuscript Room 3 Ramp 4 Library 5 Indoor Cafe 6 Reception

Plan at Level -1

UP DN UP

- 3.0m

12 UP

- 4.5m

- 3.0m

- 4.5m

- 6.5m

SCALE 0

20m

- 4.5m

7 Multipurpose Hall 8 Administration Wing 9 Sculpture Garden 10 Services 11 Outdoor Cafe 12 Space of Retrospective

UNDERGRADUATE STUDIO | Barendra Museum and Research Center | 2014

Sectional Perspective

Cou

se res

re lptu

ltip

e pos

Dep

ctiv

alle

Per

G ent

S The

f eo

pe ros

The Space of Retrospective The Culmination Point of Barendra Museum

‘Retrospective’ means looking back. This space is the final depressed and open-to-sky courtyard from which visitors are able to look at both the old and new building simultaneously. It is at this that visitors are able to reflect on the relation of the present with the past, the old with the new, and how each is irrelevant without the other and pay ‘homage’ to Bengal’s oldest Museum and the intent of its conception.

UNDERGRADUATE EUROPEAN EXCHANGE YEAR | Center for Investigation at the Fort of Trafaria | 2012

Center for Investigation at the Fort of Trafaria Exchange Semester at Universidade de Evora Portugal Introduction

The Fort of Trafaria is situated at the mouth of River Tagus where it enters into the mainland of Portugal from the Atlantic Ocean. Due to such a strategic location, the Fort of Trafaria has been under naval military threat numerous times in the past. The Fort of Trafaria is one of the several series of forts built by the Portuguese during the 18th and 19th Centuries to protect mainland Portugal. However, in time the Fort witnessed several historic events, such as it being used as a prison for well-known prisoners during the Carnation Revolution in 1974. Today this Fort is completely abandoned in a much declining neighborhood.

Preservation + Addition

Retained Pathways

Proposed Addition The Fluvarium

Project Brief

The location of the Fort of Trafaria at the mouth of Tagus makes it suitable to accommodate an Investigation Center for marine birds and fish. The project included taking into consideration the historical and cultural importance of the site and also proposing a new dock for the area.

Design Approach

Based on the history of the site, the approach to designing was to preserve the buildings that incorporate the most significant history, renovating them only on the interior to accommodate present day functions, but keeping the exterior just as it is. Only one new building had been added. The intention was to try and â&#x20AC;&#x153;freeze timeâ&#x20AC;?, interfering least and leave history at its natural settings.

Secondary Pathway

Preserved Structures

at 5.35m - widest pathway adjacent to Lazareto

1 The Church and Manor (Early 1800s) 2 The Prison (1831) 3 The Lazareto (Late 1800s)

1 3

Historic Maps

Preserved Fortification Path + Wall

1821

Late 1800s

Late 1900s -Present

Only Wall and Lazareto Exists

Prison and Church Added

Addition of Auxilliary Buildings

Site Location

Primary Pathway at 10.4m to 5.0m - connects Lazareto, Church and Addition

Site Plan Proposed Dockyard

SCALE 0

Fort of Trafaria

40m

UNDERGRADUATE EUROPEAN EXCHANGE YEAR | Center for Investigation at the Fort of Trafaria | 2012

Section A

Model

Manor

Lazareto converted to Marine Investigation Center

Prison converted to Fluvarium

Plan at Level 1

Plan at Level 0 1 2 3 4 5

Church

Factory

Shoreline of Tagus

Fort of Trafaria

Municipality of Almada

Church Manor Fluvarium Marine Investigation Center Visitors Center

5 A

SCALE 0

20m

PROFESSIONAL WORK | TZ Archi | February 2019

Suite 1, 26 Ellingworth Parade Boxhill VIC 3128

GENERAL NOTES

Office for Dependable Accounting and Taxation 3

DO NOT SCALE FROM DRAWING. USE MARKED DIMENSIONS. TO BE READ IN CONJUNCTION WITH ALL OTHER CONSULTANT'S DRAWINGS. THE ARCHITECT TO BE IMMEDIATELY NOTIFIED OF ANY DISCREPANCIES. COPYRIGHT ON THIS DRAWING RETAINED BY THE ARCHITECT.

CD201

ABOUT | Interior layout and joinery details of an office space for 10+ employees within an existing commercial rentable space.

LEGEND EXISTING BUILDING TO BE RETAINED SHOWN AS GREY

6531

INVOLVEMENT | Concept + Construction Documentation SOFTWARE | Revit

MOVABLE RECEPTION COUNTER

CD401

JL-01

BUILDING ELEMENT TO BE DEMOLISHED SHOWN AS RED DASHED

FF01 TIMBER FLOOR

OPEN OFFICE ENTRY TF-01

JL-04

680

WAITING AREA

PRINTER

ELECTRICAL LEGEND

CL-01

CD201

7685

MEETING ROOM 01

MEETING ROOM 02

TF-01

OFFICE 01

GENERAL PURPOSE OUTLET (DOUBLE) 300mm ABOVE FLOOR FINISH IF NOT NOTED AB=ABOVE BENCH; BB=BELOW BENCH OV=OVERHEAD; W=WATERPROOF FB=FLOOR BOX; JF=JOINERY FACE

JL-01

OFFICE 02

TF-01

NOTE: CROSS REFERENCE THIS SHEET WITH JOINERY AND INTERNAL ELEVATION DRAWINGS FOR CORRECT PLACEMENT OF ELECTRICAL ITEMS

KITCHEN ZONE

EMERGENCY EXIT SIGNS

EXIT

810

3485

PROPOSED BUILDING WORKS SHOWN AS BLACK

TF-01

JL-01

12W RECESSED LED DOWNLIGHT WARMWHITE

SCREEN

JL-03

4200

5090

12W RECESSED LED SPOTLIGHT WARMWHITE

JL-01

STORE

SELECT PENDANT LIGHT FITTING

JL-01

DIMMER ON CIRCUIT

SWITCH (GANG NO. INDICATED AS CONNECTED SYMBOLS ON DRAWING)

CD401

2-WAY SWITCH

SCREEN 3090

4800 CL

3150 CL

17000

DATA OUTLET

MODULAR TELEPHONE SOCKET

2210 CL

CD402

PROPOSED FLOOR PLAN

3750

CEILING EXHAUST FAN

CD402

SMOKE DETECTOR

ELECTRICAL SWITCHBOARD MSB=MAIN SWITCH BOARD WITH TRANSPARENT GREY LID

SCALE 1 : 50

Meeting Room 1

Meeting Room 2

AIR-CON SYSTEM CONTROL/THERMOSTAT

CD201

RETURN AIR GRILLE C - CEILING MOUNTED W - WALL MOUNTED

Office 1

D D

Office 2

D AB

EXIT

Kitchen

OPEN OFFICE

1 Revision

ENTRY

Storage

CL-01

FCL 2700

FCL 2600

WAITING AREA

OFFICE 01

OFFICE 02

FCL 2700

2 T

SCREEN

Waiting Area

SCREEN

Glass Wall

Project Address:

SUITE 1, 26 ELLINGWORTH PDE, BOXHILL

JOHN L.

Drawing Status

CONCEPT

Open Office

Drawing Title

Logo Feature Wall

Project Name :

Client :

STORE

PO BOX 1038, RINGWOOD VIC 3134 AUSTRALIA M: 0425177588 E: tzarchi@hotmail.com

OFFICE ALTERATION

FCL 2700

MEETING ROOM 02

MEETING ROOM 01

7685

CD201

TZ ARCHI

EXIT

KITCHEN ZONE

2019.02.15 Revision Date

THIS DRAWING AND DESIGN IS SUBJECT TO COPYRIGHT AND MAY NOT BE REPRODUCED WITHOUT PRIOR WRITTEN CONSENT FROM TZARCHI. ALL LEVELS AND DIMENSIONS TO BE CHECKED AN VERIFIED BY RELEVANT BUILDER OR CONTRACTOR PRIOR TO COMMENCEMENT OF ANY WORK OR ANY CONSTRUCTION. ANY DISCREPANCIES ON DRAWING TO BE ADVISED TO TZARCHI IMMEDIATELY. NOTE: DO NOT SCALE DRAWINGS.

EXIT

ISSUED FOR INFOMATION Revision Description

PROPOSED PLANS

Project Number

Drawing Number

CW18007

CD101

Revision

1 Issue Date

2019.02.15

PROPOSED AXONOMETRIC VIEW

PROPOSED CEILING + ELECTRICAL PLAN SCALE 1 : 50

1:50 @ A1 1:100 @ A3

0.5

1.5

2.5M

Suite 1, 26 Ellingworth Parade Boxhill VIC 3128

PROFESSIONAL WORK | TZ Archi | February 2019 1970

5850 30

780

750

650

750

100

650

20 20

3000 680

680

900

GENERAL NOTES

800

580

CD401

STORE

190

2160

980

5 KITCHEN ZONE

500

310

250

350

800

700

350

450

800

580

CD401 3 CD401

800

390

20 20 100

680

900

3000

KITCHEN AND STORE JOINERY PLAN

960 1000

CD101 SCALE 1 : 25

450 -

OPEN OFFICE JOINERY PLAN

CD101 SCALE 1 : 25

780

750

20 100

BULKHEAD FIXED

1000

1080

650

ADJ

ADJ.

20 20

680

BULKHEAD

680

ADJ

ADJ.

ADJ

ADJ.

FIXED

FIXED 2700

470

ADJ.

100 250

700

KICKER BOARD 780

780 2370

780

1420 1500

KICKER BOARD 20

640

CD201 SCALE 1 : 25

PLANTER BOX

20 20

680

100 5090

3000 20

680

100

400

920

680

960

400

20 2700

ADJ.

FRIDGE

800

3360

CD201 SCALE 1 : 25

SUITE 1, 26 ELLINGWORTH PDE, BOXHILL Client :

JOHN

CONCEPT Drawing Title

JOINERY DETAIL 1

30 KICKER BOARD 920

ENTRY OPEN SHELF JOINERY ELEVATION

OFFICE ALTERATION

Drawing Status

1820

1400

ADJ.

100

800 2520

Project Name :

2700

PO BOX 1038, RINGWOOD VIC 3134 AUSTRALIA M: 0425177588 E: tzarchi@hotmail.com

Project Address:

420

800

TZ ARCHI

FIXED

KICKER BOARD

2019.02.15 Revision Date

ADJ.

ISSUED FOR INFOMATION Revision Description

ADJ.

400

FIXED

100

1000

ADJ.

400

1400

FIXED

20 30

920

1 Revision

BULKHEAD

1080

EQ 2500

FIXED

100 20 20

FIXED

800 840

KITCHEN AND STORE JOINERY ELEVATION 1

400

ADJ.

680 3000 STORE

2700

100 EQ

FIXED

KICKER BOARD 650

PLANTER BOX

ADJ.

640

CD401 SCALE 1 : 25

BULK HEAD

1990 KITCHEN ZONE

OPEN OFFICE JOINERY ELEVATION

ELECTRICAL SWITCHBOARD CONCEALED WITHIN CABINET

ADJ

100

MICROWAVE

100

400

1400

BENCHTOP

1500

2700

2700 880

ADJ.

MICROWAVE

400

ADJ.

FIXED

740

400 30

420

ADJ.

FIXED

450 480

920

FIXED

2700

FIXED

BULKHEAD

400

650

ADJ

ADJ.

FIXED

3000

1990

750

400

100

780

1000

780

100

420

1000

680

20100

Project Number

Drawing Number

CW18007

CD401

1000

Issue Date

2019.02.15

KITCHEN AND STORE JOINERY ELEVATION 2

CD401 SCALE 1 : 25

Revision

1:10 @ A1 1:20 @ A3

100

200

300

500MM

PROFESSIONAL WORK | Private Client | December 2018

Toco Panel Australia Pty Ltd Instruction Manual Brochure Drawings ABOUT | Toco Panel are imported panels used as external building materials. All panels come with detailed mounting instructions for users. INVOLVEMENT | 3D Modeling + Detail Drawings as Instructions to Builders SOFTWARE | Revit

Fig. 2 Toco Panel Mounting Instruction Typical Section with Double Brick Below

Fig. 1 Single Storey Construction Isometric View of Suspended Panel Support

Fig. 3 Toco Panel Mounting Instruction Junction to Existing Piers /Stumps Existing Structure Toco Panel Makeover Hebel Render System to Specification

Top hat

Existing Clad Timber Framed External Walls

14-10 x 90mm Hex Head Type 17 Screw Toco Panel

Top of windows or external doors

External Acoustic and /or Fire Rated Paintable Sealant Refer to Fig 3.1.2

Steel Stud Frame

Top Hat Gap to Panel (typical)

250 max

Top Hat Section

Nominal 10mm

Toco Panel

10mm Ableflex or Control Rod

Det 2.1 Detail of Junction to Masonary Wall See Note Feature Moulding Block Glued and Screwed to Panel

Toco Panel (See Note)

Det 3.1

250mm max

50 mm min

Toco Panel Timber stud or steel stud frame

Existing Cladding

Control Joint

250 max

Deflection Gap (See Note Below) Engineered Timber or Steel Joist Refer to Detail 1.1

Existing Double Brickwork Deflection Gap to Allow for Shrinkages in Timber Floor

Ant Cap

Brickwork to Underside of Panel

FGL

DPC

Reinforced Concrete Footing

Reinforced Strip Footing

Existing Piers /Stumps

FGL 100

Engaged Brick Plate

New Load Bearing Beam or Frame Supported Off Existing Piers by Structural Engineer (Face to Align With Existing Facade)

Reinforced Concrete Slab

20mm Clear

Polyurethane Seal Open Cell Foam

Angle Structure to Suit Enginnersâ&#x20AC;&#x2122; Requirements

Note: Toco Instruction Manual has not yet been published. All drawings have been used with permission.

PROFESSIONAL WORK | Private Client | 2016 - 2017

Mosharraf Residence Private Residence in Dhaka, Bangladesh ABOUT | This residential project had an existing structural layout when we were approached by the client, which posed an unique issue for arranging the spaces. However, conceptualizing the spaces with an inside-out approach brought out spatial flow with the shared living space acting as the heart of the apartment. INVOLVEMENT | All stages of design and construction CO - DESIGNER | Cyrus Sohrab Khan

1 INFORMAL LIVING + DINING ROOM

PROPOSED PLAN

3'-11" 1'-0" 1'-5" 5" 1'-8"

1'-0" 1'-0"

3'-0" 3'-5"

6'-0" 6'-0" 46'-4"

4'-3" 42'-9"

5" 1'-0" 1'-0" 5'-5" 5" 3'-9" 2'-0"

3'-5" 5" 1'-0"

4'-10" 6'-1"

3'-11"

3'-3"

5" 7"

7'-2" 0"

1'-0" 1'-8"

3'-10"

6'-1"

3'-10"

11'-8"

1'-8"

1'-8" 7"

1'-8"

4'-1" 5"

1'-0"

10" 5"

8'-0" 1'-3" 2'-0"

5'-6"

5'-11" 14'-6"

9'-4"

8'-11" 11'-2"

4'-0"

1'-0"

3'-0 " 2" 6'-7"

2'-1" 2'-6"

4'-9" 4'-9"

3'-4" 5"

3'-4" 3'-9"

2'-6"

4" 3'-0 " 4" 6'-7"

6'-9"

1'-0"

11'-6"

5'-3" 5'-3"

1'-0"

5'-0"

2'-4"

7'-5"

2'-1"

4'-11" 4'-2"

8'-6"

10"

3'-4 " 1'-8"

1'-0"

2'-0" 4'-7"

3'-0" 10'-3"

6'-6"

5'-3"

2'-6"

4'-7"

20 feet

1'-7"

9'-2"

12'-4"

10'-10"

6'-5"

2'-0"

3'-4"

14'-6"

9'-2"

2 FORMAL LIVING SPACE

4'-2"

1'-7"

12'-1"

9'-6"

46'-4"

9'-3"

1'-0"

7'-1"

5'-7"

SCALE 0

2'-7"

18'-9"

1'-0"

1 6'-6"

5'-0"

6'-3"

6'-1"

9'-11"

11'-4"

7" 5"

1'-0"

8'-3" 11'-10"

1'-0"

8'-4"

5" 1'-0"

14'-1"

4'-1"

2'-9"

15'-6"

2'-2"

7'-0"

1'-0"

3'-10"

8'-7"

5'-5"

11" 5" 7'-0" 5"

3'-10"

1'-3" 5" 1'-8"

4'-3"

14'-6"

6'-1"

4'-9" 1'-0" 5"

1'-7"

12'-3"

1'-0"

4'-5

2'-6"

7'-6"

3'-4

10'-3"

8'-8"

9'-0"

5'-4" 2'-11"

2 4'-0"

4'-9"

4'-0"

1'-9"

8'-1"

2'-6"

11'-3"

3'-5"

8'-5"

11'-2" 11'-4"

8'-0"

13'-8" 11'-4"

12'-8"

4'-0" 1'-6"

5" 6'-8"

1'-8"

4'-10"

8'-5"

2'-6"

4'-10"

11'-8"

2'-5"

1'-10"

3'-5"

6'-8"

1'-0" 1'-0"

8'-3"

5'-0"

5'-5"

4'-11"

5'-0"

3'-3"

1'-1" 5"

3'-11" 3" 5"

4'-8"

4'-7"

4'-8" 3"

10"

5'-0" 5'-0"

3'-5"

8'-3"

6'-11"

1'-1"

6'-11"

3'-2"

1'-1" 1'-8"

1'-8"

1'-1"

3'-5"

1'-8"

3'-10"

5'-0"

3'-10"

5'-0"

1'-6"

2'-10"

3'-5"

3'-10" 1'-0"

1'-8"

1'-6"

4'-10"

Existing Structure

PROFESSIONAL WORK | Team Architrave Chartered Architects | 2013

Residence for Romesh and Sepali de Silva Private Residence in Colombo, Sri Lanka ABOUT | Private residence for family of 5+ members INVOLVEMENT | Design Development + Construction Documentation SOFTWARE | AutoCAD + SketchUp + Adobe Suite

TOILET WITH SKYLIGHT DETAIL

PROPOSED KITCHEN KEY

6" x 2" STEEL C-SECTION

BT - Bip Tap

2" x 2" TIMBER STRUCTURE

MT - Mixer Tap TRH - Toilet Roll Holder

GYPSUM PANEL FIXED TO TIMBER STRUCTURE

CEMENT FIBRE CEILING

HS - Hand Bidet Spray

SMOOTH PLASTER PAINTED WALL

2'-6" 4'-8"

3'-3"

7'-8" 3'-9"

1'-6"

1'-1"

1'-621 "

2'-6"

SH TRH

02. No conduits to be run in toilet, floor slabs terraces, balconies and troughs

E 1: 60

SLOPE 1: 60

10'

7'-8"

4'-8"

4'-4"

2'-11"

OP SL

1'-421 "

2'-5"

ST WB

01. Tiling on wall areas to begin from top

TRH

ELEVATION C

Towel Ring Soap Niche

03. Floor tiles to line up with wall tiles

ELEVATION D

2'-2"

Towel Rail

NO NOTES

4" THK TIMBER FRAME FOR MIRROR

ELEVATION A 6"

SN -

7'-11"

1'-5"

2'-2"

TRH

Soap Tray

TRN -

7'-7" X 4'-0" MIRROR

4" HIGH MASONRY LEDGE FOR BOTTOM SHELF 10' 4'-8"

TR -

2" THK TIMBER PLANK SHELF

ST -

10MM THK TEMPERED FRAMELESS FIXED GLASS SHOWER CUBICLE PARTITION & SINGLE SASH DOOR

MIRROR

7'-8"

3" THK RCC COUNTER FINISHED WITH GREY QUARTIZITES

GL - Gully cover

4" x 12" WALL TILES

THK, 6" HEIGHT GRANITE BACK SPLASH (GREY QUARTIZITE) 10'

3 4"

- Tap

TBH - Tooth Brush Holder

RESIDENCE FOR ROMESH AND SEPALI DE SILVA QUEEN'S AVENUE,COLOMBO 03

WORKING DRAWINGS

D12

TOILET DETAIL - 05 (TOILET 02 UPPER FLOOR)

PLAN

PROJECT CODE

ROSER

ELEVATION B 6"

DRAW BY : BADRU AHMED DATE :

DWG NUMBER

03/07/2013

ROSER/AR/WD/29

SCALE - 1' = 1/4" @ A3

7'-11"

D12

7'-2"

CHARTERED ARCHITECTS 55, 5 TH LANE, COLOMBO 03,Sri Lanka. =94.114.717196(phone), +94.114.717196(fax), architrave@eurka.lk

10MM THK TEMPERED FRAMELESS FIXED GLASS SHOWER CUBICLE PARTITION & SINGLE SASH DOOR

10'

team ARCHITRAVE

ALL DESIGNS AND DRAWINGS ARE THE PROPERTY OF team ARCHITRAVE, AND CANNOT BE COPIED OR USED IN ANYWAY WITHOUT EXPRESSED PERMISSION .

1'-10"

4" x 12" WALL TILES SMOOTH PLASTER PAINTED WALL

STAIRCASE DETAIL

PROPOSED PANTRY DOOR TO STORAGE ROOM UNDER STAIRCASE

NOTES

REVISIONS/ AMENMANDS

1 41 "DIA TIMBER RAIL FIXED TO WALL WITH S/S BRACKET

15'-11"

8'-9"

3'-721 "

3'-9"

8'-4"

9'-1" 15'-11"

D4 DATE

17'-4"

7'-2"

3'-10"

4'-121 "

RCC STAIRCASE TO FIRST FLOOR

4'-121 "

3'-9"

GROUND FLOOR PLAN LANDING TO FIRST FLOOR

+14'-4"

16'-4" BRICK WALL

4'-121 "

3'-9"

1" TIMBER FLOOR

STORE 02

+8'-10" +7'-0" 14

RESIDENCE FOR ROMESH AND SEPALI DE SILVA QUEEN'S AVENUE,COLOMBO 03

3'-11"

WORKING DRAWINGS MAIN STAIRCASE DETAIL

+0'-10" +0'-0"

DATE :

24/07/2013

DWG NUMBER

ROSER/AR/WD/DT/37

SECTION AA

SCALE - 1' = 1/4" @ A3

team ARCHITRAVE

SCALE 1'-0" = 1/4"

CHARTERED ARCHITECTS 55, 5 TH LANE, COLOMBO 03,Sri Lanka. +94.114.717196(phone), +94.114.400485(fax), team.architrave@gmail.com

17 4

PROJECT CODE

ROSER

DRAW BY : BADRU AHMED 10"

LINEN CUPBOARD

SCALE 1'-0" = 1/4"

4'-121 "

FIRST FLOOR PLAN

16 15

9'-2" 8'-4"

7'-2"

3'-10"

16'-6"

25'-4"

SCALE 1'-0" = 1/4"

ALL DESIGNS AND DRAWINGS ARE THE PROPERTY OF team ARCHITRAVE, AND CANNOT BE COPIED OR USED IN ANYWAY WITHOUT EXPRESSED PERMISSION .

PROFESSIONAL WORKS | Selected Publications + Research Projects | 2015 - 2018

Publications + Research Projects

Conference - Book Chapter - Travel Articles

CONFERENCE Hong Kong June 2017

BOOK CHAPTER Published 2018

CONTRIBUTOR TRAVEL WRITER 2015 -2017

S. ARCH 4th International Conference on Architecture and Built Environment

Re-Imagining Bengal: Architecture, Built Environment and Cultural Heritage

ICE Today Lifestyle Magazine

‘Understanding the Role of Geographic Terrain and Cultural Forces in Shaping Settlement Pattern of South Asian Tertiary Cities Through Bagerhat as a Case-Study’ Co-Author Farasha Zaman

‘Learning from Panam Nagar: Lessons from the Transitional British Colonial Hybrid Houses’ Co-Author Iftekhar Ahmed

Conference Proceedings

Book Cover ISBN 978 938 319 647

Contributed Chapter

22 Articles Published Between July 2015 - February 2017

November 2016

CONFERENCE PROCEEDING The 4th International Conference

S.ARCH 2017 07-09 June 2017 I Hong Kong

Analysis Diagrams River Network of Bagerhat

Road Network of Bagerhat

Analysis of Spatial Layers House No 16 - Panam Nagar

December 2015

August 2015

River Kalinga

কালীঈগা নদী STAIR-WELL

DOUBLE HEIGHT COVERED HALL (below)

FULL HEIGHT WINDOWSon secondary layer

River Meghna

েমঘনা নদী TERR

ACE

ADJACENT COURTYARD (with private entry)

ৈভরব নদী River Bhairab

Minimum openings along east and west facades- a characteristic highly contextual to the Bengal region

Buffer layer used as circulation

Secondary layer added to prevent driving rain- contextualization of European influences

Read full chapter here https://issuu.com/badru.ahmed/docs/sarch_2017-conference_proceeding_-_

Elevation influenced from European styles- full height windows on the exterior

Thank you. Badru Ahmed Graduate of Architecture +61 424 891 904 badru.a19@gmail.com