Naseef Cultural Center - Baraa Ghabban

ABU INABAH

CULTURAL CENTER

ALBARAA GHABBAN 1207380 ARCHITECTURE DEPARTMENT 2017-2016 SUPERVISORS: DR. MOHANNAD BAYOUMI DR. TURKI SHOAIB

TABLE OF CONTENTS To Al-Bayah Square

1.0 INTRODUCTION

To Makkah Gate

1.1 Background 1.2 Site Photos 1.3 Problem Statment

2.0 CASE STUDY 3.0 SITE ANALYSIS

Fine Art Center Noor Wali House

Souq Alalwi

3.1 Physical Analysis 3.2 Climatic Analysis 3.3 Buildings

4.0 PROGRAM

4.1 Space Program 4.2 Functional Program 4.3 Urban Stratigeis

5.0 DESIGN CONCEPT 5.1/5.2/5.3 Concept 5.4 Zoning 5.5 Concept Devalopment

6.0 BUILDING DESIGN 6.1 Ground on site 6.2/6.3/6.4 2D Drawings 6.5 Wall section 6.6 Building System 6.7 Energy 6.8 Perspictives

Project Location Nassef Cultural C.

To Sharief Gate Nassef cultural center an extension of Nasif House with many educational, recreational, cultural and environmental objectives that target many groups such as tourists, families, intellectuals and entertainment lovers.

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1.1 Background 1.2 Project Brief 1.3 Problem Statment 1.4 Cultural Center 1.5 Definitions 1.6 Vision and Goals

1.0 INTRODUCTION

1.0 INTRODUCTION 1.1 BACKGROUND

Jeddah is an important destination for many tourists from all over the world and it is one of the cities with a vast variety of different nationalities from throughout the world and the Middle East.

The project is a cultural center with many educational, recreational, cultural and environmental objectives that target many groups such as tourists, families, intellectuals and entertainment lovers.

In addition, there are rarely any cultural centers in Jeddah. The project is a continuation of the project of urban design for the Nassif area it’s also considered an extension of Nasif House

Termah

‫ﺟﺪة وﺟﻬﺔ ﻣﻬﻤﺔ ﻟﻠﻌﺪﻳﺪ ﻣﻦ اﻟﺴﻴﺎح ﻣﻦ ﺟﻤﻴﻊ اﻧﺤﺎء‬ ‫اﻟﻌﺎﻟﻢ وﻫﻲ ﻣﻦ اﻟﻤﺪن اﻟﺘﻲ ﻳﻮﺟﺪ ﺑﻬﺎ ﺗﻨﻮع ﺷﺪﻳﺪ ﻣﻦ‬ ‫ﻣﺨﺘﻠﻒ اﻟﺠﻨﺴﻴﺎت ﻋﻠﻰ ﻣﺴﺘﻮى اﻟﻌﺎﻟﻢ وﻋﻠﻰ ﻣﺴﺘﻮى‬ .‫اﻟﺸﺮق ا وﺳﻂ‬ ‫اﻟﻤﺸﺮوع ﻋﺒﺎرة ﻋﻦ ﻣﺮﻛﺰ ﺛﻘﺎﻓﻲ ﺑﺎﻟﻌﺪﻳﺪ ﻣﻦ ا ﻫﺪاف‬ ‫اﻟﺘﻌﻠﻴﻤﻴﺔ واﻟﺘﺮﻓﻴﻬﻴﺔ واﻟﺜﻘﺎﻓﻴﺔ واﻟﺒﻴﺌﻴﺔ اﻟﺘﻲ‬ ‫ﺗﺴﺘﻬﺪف اﻟﻌﺪﻳﺪ ﻣﻦ اﻟﻔﺌﺎت ﻛﺎﻟﺴﻴﺎح واﻟﻌﻮاﺋﻞ‬ .‫واﻟﻤﺜﻘﻔﻴﻦ وﻣﺤﺒﻲ اﻟﺘﺮﻓﻴﻪ‬ ‫ﺑﺎ¡ﺿﺎﻓﺔ اﻟﻰ أﻧﻪ ﻻ ﺗﻮﺟﺪ ﻣﺮاﻛﺰ ﺛﻘﺎﻓﻴﺔ ﻓﻲ ﺟﺪة إﻻ‬ ‫ وﻳﺄﺗﻲ اﻟﻤﺸﺮوع إﺳﺘﻜﻤﺎ ًﻻ ﻟﻤﺸﺮوع‬،‫ﺑﺸﻜﻞ ﻧﺎدر‬ ‫اﻟﺘﺼﻤﻴﻢ اﻟﺤﻀﺮي ﻟﻤﻨﻄﻘﺔ ﻧﺼﻴﻒ وﻳﻌﺘﺒﺮ اﻟﻤﺸﺮوع‬ .‫إﻣﺘﺪا ًدا ﻟﺒﻴﺖ ﻧﺼﻴﻒ‬

Gate

04

Nassef House

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1.0 INTRODUCTION 1.2 SITE PHOTOS

1 2

3

1 Nassef House

2 Non Historic Buildings

3 Non Historic Building

4 Historic House Class B,C

5 Non Historic Building

6 Historic House Class B

4

5 6

Nassef cultural center an extension of Nasif House with many educational, recreational, cultural and environmental objectives that target many groups such as tourists, families, intellectuals and entertainment lovers.

05

1.0 INTRODUCTION 1.3 PROBLEM STATMENT

The main problem lies in the fact that Jeddah has been a meeting place for many cultures from all over the world. This has given us a rich culture. Afterwards, less attention was given to the historic area. Therefore, the solution at the urban level was to revive and develop the Abu Anaba axis. The project is an extension of that development.

New Building

Demolition buildings and expansion space

A new building support the region contains four floors and its should be similar to the old fabric.

Remove several modern buildings of the few floors to increase Nassif space area and to find new areas and services.

Facade treatment

Highs buildings that exceed height than Nassef house treatment does not overwhelm Nassef.

Project Site The views of Jeddah and the historical region in general see the weak presence of its cultural centers, and those cultures that were formed in the historic Jeddah need total care and management from several social, economic and environmental aspects.

A new building supporting the old building that provides modern integrated and technical services Enhances the resilience of the old building without neglecting existing culture

New Building

A new building support the region contains three floors and its should be similar to the old fabric.

‫ﺗﻜﻤﻦ اﻟﻤﺸﻜﻠﺔ اﻟﺮﺋﻴﺴﻴﺔ ﻓﻲ ﻛﻮن ﺟﺪة ﺧﻼل‬ ‫اﻟﻌﺼﻮر اﻟﻤﺎﺿﻴﺔ ﻣﻠﺘﻘﻰ ﻟﻠﻌﺪﻳﺪ ﻣﻦ اﻟﺜﻘﺎﻓﺎت ﻣﻦ‬ ‫ﺟﻤﻴﻊ أﻧﺤﺎء اﻟﻌﺎﻟﻢ ﻣﻤﺎ ﻛﻮن ﻟﻨﺎ ﺛﺮوة ﺛﻘﺎﻓﻴﺔ ﻋﻤﻴﻘﺔ‬ ‫ ﺑﻌﺪ ذﻟﻚ ﻗﻞ ا ﻫﺘﻤﺎم ﺑﻤﺮﻛﺰ اﻟﻤﻨﻄﻘﺔ‬،‫وﻣﺘﻨﻮﻋﺔ‬ ‫اﻟﺘﺎرﻳﺨﻴﺔ ﻓﻜﺎن اﻟﺤﻞ ﻋﻠﻰ اﻟﻤﺴﺘﻮى اﻟﺤﻀﺮي ﻫﻮ‬ ‫ﺑﺈﻋﺎدة إﺣﻴﺎء وﺗﻄﻮﻳﺮ ﻣﺤﻮر أﺑﻮ ﻋﻨﺒﺔ وﻳﺄﺗﻲ اﻟﻤﺸﺮوع‬ .‫اﻣﺘﺪا ًدا ﻟﺬﻟﻚ اﻟﺘﻄﻮﻳﺮ‬ ‫واﻟﺮاﺋﻲ ﻟﺠﺪة وﻟﻠﻤﻨﻄﻘﺔ اﻟﺘﺎرﻳﺨﻴﺔ ﺑﺸﻜﻞ ﻋﺎم ﻳﺮى‬ ‫ وﺗﻠﻚ اﻟﺜﻘﺎﻓﺎت اﻟﺘﻲ‬،‫ﺿﻌﻒ وﺟﻮد اﻟﻤﺮاﻛﺰ اﻟﺜﻘﺎﻓﻴﺔ‬ ‫ﺗﻜﻮﻧﺖ ﻓﻲ ﺟﺪة ﻗﺪﻳﻤﺎ ﺑﺤﺎﺟﺔ إﻟﻰ رﻋﺎﻳﺔ وإدارة ﻣﻦ ﻋﺪة‬ .‫ﻧﻮاﺣﻲ اﺟﺘﻤﺎﻋﻴﺔ واﻗﺘﺼﺎدﻳﺔ وﺑﻴﺌﻴﺔ‬

Demolition the building and Build a new building Remove several modern buildings of the few floors to increase Nassif space area and link it with the small area to find new areas, buildings and services.

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New Building

A new building support the region contains one floor with high of two floors similar to the old fabric.

New Building

A new building support the region contains one floor similar to the old fabric.

1.0 INTRODUCTION 1.4 CULTURAL CENTER

Magnet Source MISSING COMPONENT

Main Intersection

Culture Center

Nassef House

Gathering Spot

LIBRARY

MUSIC ART

Nassef Food & Beverage

Breathing Spot

MUSEUM

CULTURAL CENTER

MAIN INTERSECTION DIGITAL ART

FINE ART

DESIGN

GASTRONOMY

Commercial Spot

Continuing the main idea of the project, the main points of attraction at t he points of intersection of the boundaries of the historical area with its surroundings create an attraction for the region, providing us w ith a frequency transmission within the histo r ical area. In addition, the project aims to create elements that compete the modern city by providing the missing elements in the historical area.

In addition to the fact that the site is located on the most important axes in the historical area the hub of Abu Anaba and the axis of Al-Ulwi – which is considered the heart of the historical area, Pedestrians must pass through these main streets as well as the project therefore it must be the most sensitive and major area, therefore it must be invested culturally.

In addition to the fact that the site is located on the most important axes in the historical area the hub of Abu Anaba and the axis of Al-Ulwi – which is considered the heart of the historical area, Pedestrians must pass through these main streets as well as the project therefore it must be the most sensitive and major area, therefore it must be invested culturally.

Historically, the Nassif family was a house of knowledge and culture. The general plan was to present a museum house for the region. It was necessary to provide supporting buildings for the museum, which included exhibitions and other cultural functions.

‫إﺳﺘﻤﺮا ًرا ﻟﻠﻔﻜﺮة اﻟﺮﺋﻴﺴﻴﺔ ﻟﻠﻤﺸﺮوع ﻓﺈن ﻧﻘﺎط‬ ‫اﻟﺠﺬب اﻟﺮﺋﻴﺴﻴﺔ اﻟﻤﺘﻮﻓﺮة ﻋﻠﻰ ﻧﻘﺎط إﻟﺘﻘﺎء ﺣﺪود‬ ‫اﻟﻤﻨﻄﻘﺔ اﻟﺘﺎرﻳﺨﻴﺔ ﻣﻊ ﻣﺤﻴﻄﻬﺎ ﻳﻨﺸﺄ ﻟﻨﺎ ﻗﻮة ﺟﺬب‬ ‫ ﺗﻮﻓﺮ ﻟﻨﺎ ﻧﻘﻞ ﺗﺮددي داﺧﻞ اﻟﻤﻨﻄﻘﺔ‬،‫ﻟﻠﻤﻨﻄﻘﺔ‬ ‫ ﺑﺎ ﺿﺎﻓﺔ إﻟﻰ أن ﺗﻮﺟﻪ اﻟﻤﺸﺮوع ﻓﻲ إﻧﺸﺎء‬،‫اﻟﺘﺎرﻳﺨﻴﺔ‬ ‫ﻋﻨﺎﺻﺮ ﺗﻨﺎﻓﺲ اﻟﻤﺪﻳﻨﺔ اﻟﺤﺪﻳﺜﺔ ﺑﺘﻮﻓﻴﺮ اﻟﻌﻨﺎﺻﺮ‬ .‫اﻟﻤﻔﻘﻮدة ﻣﻨﻬﺎ ﻓﻲ اﻟﻤﻨﻄﻘﺔ اﻟﺘﺎرﻳﺨﻴﺔ‬

‫ﺑﺎ ﺿﺎﻓﺔ ﻟﻜﻮن اﻟﻤﻮﻗﻊ ﻳﻘﻊ ﻋﻠﻰ أﻫﻢ ﻣﺤﻮرﻳﻦ‬ - ‫ ﻣﺤﻮر أﺑﻮ ﻋﻨﺒﺔ وﻣﺤﻮر اﻟﻌﻠﻮي‬- ‫ﺑﺎﻟﻤﻨﻄﻘﺔ اﻟﺘﺎرﻳﺨﻴﺔ‬ ‫ ﻓﺎﻟﻘﺎدﻣﻮن ﻣﻦ‬،‫ﻓﺈﻧﻪ ﻳﻌﺘﺒﺮ ﻗﻠﺐ اﻟﻤﻨﻄﻘﺔ اﻟﺘﺎرﻳﺨﻴﺔ‬ ‫ﺣﺪود اﻟﻤﻨﻄﻘﺔ اﻟﺘﺎرﻳﺨﻴﺔ ﻻﺑﺪ أن ﻳﻌﺒﺮوا أﻫﻢ اﻟﻤﺤﺎور‬ ‫اﻟﺮﺋﻴﺴﻴﺔ اﻟﺘﻲ ذﻛﺮت ﻣﺮو ًرا ﺑﺎﻟﻤﻮﻗﻊ ﻓﻜﻮن ﻟﻨﺎ ذﻟﻚ‬ ‫ ﻓﻜﺎن ﻻﺑﺪ ﻣﻦ ﺗﻮﻇﻴﻒ‬،‫ﻣﻨﻄﻘﺔ ﺣﺴﺎﺳﺔ وﻣﻬﻤﺔ‬ .‫اﻟﻤﻮﻗﻊ ﺛﻘﺎﻓ ًﻴﺎ ﺑﺸﻜﻞ رﺋﻴﺴﻲ‬

‫وإﺳﺘﻤﺮا ًرا ﻋﻠﻰ اﻟﻤﺨﻄﻂ اﻟﺬي ﺻﻤﻢ ﻟﻠﻤﻨﻄﻘﺔ ﻓﺈن‬ ‫اﻟﺘﻮﺟﻪ اﻟﻌﺎم ﻳﺨﺺ اﻟﺜﻘﺎﻓﺔ واﻟﻔﻨﻮن واﻟﺬي ﺗﻢ أﺧﺬ‬ ‫ ﻓﺎﻟﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ‬،‫ﺑﻌﺾ اﻟﻮﻇﺎﺋﻒ اﻟﺜﻘﺎﻓﻴﺔ اﻟﻔﻨﻴﺔ‬ ‫اﻟﺠﺪﻳﺪ ﻟﻠﻤﻨﻄﻘﺔ ﺳﻴﻜﻮن ﺣﻠﻘﺔ وﺻﻞ ﺑﻴﻦ اﻟﻔﻨﻮن‬ ‫ أي أﻧﻪ ﺳﻴﻜﻮن ﺑﻤﺜﺎﺑﺘﺔ ﻧﻘﻄﺔ‬،‫واﻟﺜﻘﺎﻓﺎت اﻟﻤﻮﺟﻮدة‬ .‫إدارة ﻟﻠﻤﻮﻗﻊ ﺑﺸﻜﻞ ﻋﺎم‬

‫ذﻛﺮ ﺗﺎرﻳﺨ ًﻴﺎ أن ﻋﺎﺋﻠﺔ ﻧﺼﻴﻒ ﻛﺎﻧﺖ ﺑﻴﺖ ﻋﻠﻢ وﺛﻘﺎﻓﺔ‬ ‫وﻛﻮن اﻟﻤﺨﻄﻂ اﻟﻌﺎم ﻳﻄﺮح ﺑﻴﺖ ﻧﺼﻴﻒ ﻣﺘﺤﻒ ﻋﺎم‬ ‫ﻟﻠﻤﻨﻄﻘﺔ ﻓﻜﺎن ﻻﺑﺪ ﻣﻦ ﺗﻮﻓﻴﺮ ﻣﺒﺎﻧﻲ ﻣﺴﺎﻧﺪة‬ ‫ﻟﻠﻤﺘﺤﻒ ﺗﺤﺘﻮي ﻋﻠﻰ اﻟﻤﻌﺎرض واﻟﻮﻇﺎﺋﻒ اﻟﺜﻘﺎﻓﻴﺔ‬ ‫ ﻓﻜﺎﻧﺖ اﻟﻤﻨﻄﻘﺔ اﻟﻤﺠﺎورة ﻟﻨﺼﻴﻒ ﻣﻬﻴﺌﺔ‬،‫ﺧﺮى‬º‫ا‬ .‫ﻟﺬﻟﻚ‬

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1.0 INTRODUCTION 1.5 DEFINITIONS Culture: Culture can be defined as all the behaviors, ways of life, arts, belifes and institutions of a population that are passed down from generation to generation. Culture has been called the way of life for an entire life.

Center: A place where a specified activity takes place.

A place of activity or influence.

A place where a particular activity is concerned.

A building or group of buildings where people go to do a particular.

Culture Center: Is an organization, building or complex the promotes culture and arts.

Cultural centers can be neighbrhood community arts organization, private facilities, goverment sponsored, or activist-run.

Characteristics of culture: Culture is social, shared, learnt, continuous and comulative, varies from society to society, dynamic and gratifying.

:‫اﻟﺜﻘﺎﻓﺔ‬ ‫اﻟﺜﻘﺎﻓﺔ ﻳﻤﻜﻦ ﺗﻌﺮﻳﻔﻬﺎ ﺑﺄﻧﻬﺎ ﻛﻞ اﻟﺴﻠﻮﻛﻴﺎت وﻃﺮق‬ ‫اﻟﺤﻴﺎة واﻟﻔﻨﻮن واﻟﻤﻌﺘﻘﺪات واﻟﻤﺆﺳﺴﺎت اﻟﺘﻲ ﺗﻨﺘﻘﻞ‬ ‫ واﻋﺘﺒﺮت اﻟﺜﻘﺎﻓﺔ ﺑﺄﻧﻬﺎ ﻃﺮﻳﻘﺔ ﺣﻴﺎة‬،‫ﻣﻦ ﺟﻴﻞ إﻟﻰ ﺟﻴﻞ‬ .‫ﻓﻲ اﻟﺪﻧﻴﺎ‬

:‫اﻟﻤﺮﻛﺰ‬

‫ﻣﻜﺎن ﺗﺤﺪث ﺑﻪ أﻧﺸﻄﺔ ﻣﺨﺘﻠﻔﺔ وﻳﻤﻜﻦ أن ﺗﻜﻮن‬ .‫ﻣﺒﻨﻰ أو ﻋﺪة ﻣﺒﺎﻧﻲ ﻣﺨﺘﻠﻔﺔ‬

:‫اﻟﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ‬

‫ﻣﻨﻈﻤﺔ ﺗﻌﺰز ﻣﻦ اﻟﺜﻘﺎﻓﺔ واﻟﻔﻨﻮن ﻟﻬﺎ أﻧﺸﻄﺔ‬ ‫ﻣﺨﺘﻠﻔﺔ ﻣﻤﻜﻦ أن ﺗﺪﻳﺮﻫﺎ اﻟﺤﻜﻮﻣﺔ أو اﻟﻨﺎﺷﻄﻴﻦ‬ .‫ا ﺟﺘﻤﺎﻋﻴﻴﻦ‬

:‫ﺧﺼﺎﺋﺺ اﻟﺜﻘﺎﻓﺔ‬

‫ اﺳﺘﻤﺮار‬،‫ ﺗﻌﻠﻴﻢ‬،‫ ﻣﺸﺎرﻛﺔ‬،‫اﻟﺜﻘﺎﻓﺔ ﻫﻲ اﻟﻤﺠﺘﻤﻊ‬ .‫ ﺗﺮاث وﺗﺎرﻳﺦ‬،‫وﺗﺮﻛﻤﺎت‬

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Culture keywords

Downtown on Jeddah map

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‫‪1.0 INTRODUCTION‬‬ ‫‪1.6 VISION AND GOALS‬‬

‫‪GOALS‬‬

‫ا ﺳﺘﺮاﺗﻴﺠﻴﺎت‬

‫ا ﺳﺘﺮاﺗﻴﺠﻴﺎت‬

‫ ﺧﻠﻖ ﺑﻴﺌﺔ ﺗﺮﻓﻴﻬﻴﺔ ﻟﻤﺴﺘﺨﺪﻣﻲ اﻟﻤﺮﻛﺰ‪.‬‬‫‪ -‬ﺧﻠﻖ ﺧﺒﺮة ﺟﺪﻳﺪة ﻛﻞ ﻣﺮة ﻋﻨﺪ زﻳﺎرة اﻟﻤﻨﻄﻘﺔ‪.‬‬

‫ا ﺳﺘﺮاﺗﻴﺠﻴﺎت‬

‫ ﺧﻠﻖ ﺑﻴﺌﺔ ﻣﻌﺘﻤﺪة ﻋﻠﻰ ا‪¢‬ﻧﻈﻤﺔ اﻟﻄﺒﻴﻌﻴﺔ‪.‬‬‫‪ -‬ﺧﻠﻖ ﺑﻴﺌﺔ ﻣﻨﺎﺳﺒﺔ ﻟﻤﻤﺎرﺳﺔ ا‪¢‬ﻧﺸﻄﺔ ﺑﺸﻜﻞ ﺻﺤﻲ‪.‬‬

‫اﻟﻤﻌﺎﻳﻴﺮ‬

‫ ﺧﻠﻖ ﺑﻴﺌﺔ إﺟﺘﻤﺎﻋﻴﺔ ﻟﻤﻤﺎرﺳﺔ ﻣﺨﺘﻠﻒ ا‪¢‬ﻧﺸﻄﺔ‪.‬‬‫‪ -‬ﺧﻠﻖ ﺑﻴﺌﺔ ﺗﺸﺠﻊ ﻋﻠﻰ إﺧﺘﻼط ﻛﺎﻓﺔ ﻓﺌﺎت اﻟﻤﺠﺘﻤﻊ وﻛﺎﻓﺔ اﻟﺜﻘﺎﻓﺎت‪.‬‬

‫اﻟﻤﻌﺎﻳﻴﺮ‬

‫ ﺗﻮﻓﻴﺮ ﻓﺮاﻏﺎت ﺗﺮﻓﻴﻬﻴﺔ ﻛﺎﻟﻤﻄﺎﻋﻢ واﻟﻤﺴﺎرح‪.‬‬‫‪ -‬إﺿﺎﻓﺔ ﻋﻨﺼﺮ اﻟﺨﺒﺮة ﻓﻲ اﻟﺤﺮﻛﺔ واﻟﺘﻨﻘﻞ‪.‬‬

‫اﻟﻤﻌﺎﻳﻴﺮ‬

‫ ﺗﻮﻓﻴﺮ أﻣﺎﻛﻦ ﺗﺠﻤﻊ ﻣﺨﺘﻠﻔﺔ‪.‬‬‫ رﺑﻂ اﻟﻤﺪاﺧﻞ ﻣﻊ اﻟﺴﺎﺣﺎت‪.‬‬‫‪ -‬إﺣﺘﺮام ﻫﻮﻳﺔ اﻟﻤﻨﻄﻘﺔ‪.‬‬

‫ ا ﺳﺘﻔﺎدة ﻣﻦ اﻟﺘﻬﻮﻳﺔ اﻟﻄﺒﻴﻌﻴﺔ‪.‬‬‫‪ -‬ا ﺳﺘﻔﺎدة ﻣﻦ ا ﺿﺎءة اﻟﻄﺒﻴﻌﻴﺔ‪.‬‬

‫‪Culture can be defined as all the behaviors, ways‬‬ ‫‪of life, arts, belifes and institutions of a population‬‬ ‫‪that are passed down from generation to‬‬ ‫‪generation. Culture has been called the way of life‬‬ ‫‪for an entire life.‬‬ ‫أﻛﺪت رؤﻳﺔ اﻟﻤﻤﻠﻜﺔ ‪ ٢٠٣٠‬اﻟﻌﻤﻞ ﻋﻠﻰ إﺣﻴﺎء ﻣﻮاﻗﻊ اﻟﺘﺮاث‬ ‫اﻟﻮﻃﻨﻲ اﻟﻘﺪﻳﻢ وﺗﺴﺠﻴﻠﻬﺎ ﺿﻤﻦ ﻗﺎﺋﻤﺔ اﻟﺘﺮاث اﻟﻌﺎﻟﻤﻲ‪،‬‬ ‫وﺗﻤﻜﻦ اﻟﺠﻤﻴﻊ ﻣﻦ اﻟﻮﺻﻮل إﻟﻴﻬﺎ ﺑﻮﺻﻔﻬﺎ ﺷﺎﻫﺪا ﻋﻠﻰ‬ ‫إرﺛﻨﺎ اﻟﻌﺮﻳﻖ وﻋﻠﻰ اﻟﺪور اﻟﻔﺎﻋﻞ‪ ،‬واﻟﻤﻮﻗﻊ اﻟﺒﺎرز ﻋﻠﻰ ﺧﺮﻳﻄﺔ‬ ‫اﻟﺤﻀﺎرة ا ﻧﺴﺎﻧﻴﺔ‪.‬‬

‫‪VISION‬‬ ‫‪Jeddah the capital of Arabic culture 2030‬‬ ‫ا ﺳﺘﺮاﺗﻴﺠﻴﺎت‬ ‫ ﺧﻠﻖ ﺑﻴﺌﺔ ﺗﻌﻠﻴﻤﻴﺔ ﻣﻨﺎﺳﺒﺔ ﻟﻠﻄﻼب‪.‬‬‫‪ -‬ﺧﻠﻖ ﺑﻴﺌﺔ ﺗﻌﻠﻴﻤﻴﺔ دورﻳﺔ ﻟﻠﻤﺜﻘﻔﻴﻦ وﻣﺤﺒﻲ اﻟﺜﻘﺎﻓﺎت اﻟﻤﺨﺘﻠﻔﺔ‪.‬‬

‫اﻟﻤﻌﺎﻳﻴﺮ‬

‫ ﺗﻮﻓﻴﺮ ﻓﺮاﻏﺎت ﻗﺎﻣﺔ اﻟﻤﺤﺎﺿﺮات واﻟﻨﺪوات‪.‬‬‫‪ -‬ﺗﻮﻓﻴﺮ ﻓﺮاﻏﺎت ﺗﻌﻠﻤﻴﺔ ﻛﺎﻟﻤﻜﺘﺒﺔ وﻏﺮف اﻟﻘﺮاءة‪.‬‬

‫ا ﺳﺘﺮاﺗﻴﺠﻴﺎت‬

‫ً‬ ‫ً‬ ‫وﻣﺮﻛﺰا ﻟﻠﺜﻘﺎﻓﺔ اﻟﻌﺮﺑﻴﺔ ﻋﺎم ‪٢٠٣٠‬‬ ‫ﻋﺎﺻﻤﺔ‬ ‫ﺟﺪة‬

‫ اﺳﺘﻬﺪاف اﻟﺰوار ﻣﻦ ﻣﺨﺘﻠﻒ اﻟﻔﺌﺎت ﻟﺰﻳﺎدة اﻟﺪﺧﻞ اﻟﻤﺎدي‪.‬‬‫ ﺗﺤﻘﻴﻖ ﻓﺮاﻏﺎت ﺑﺮﻳﻊ ﻣﺎﻟﻲ ﻟﺘﺸﻐﻴﻞ اﻟﻤﺮﻛﺰ‪.‬‬‫ﺗﻤﺎﻣﺎ‪.‬‬ ‫ ﺧﻠﻖ ﺑﻴﺌﺔ ﻏﻴﺮ ﻣﻌﺘﻤﺪة ﻋﻠﻰ ا‪¢‬ﻧﻈﻤﺔ اﻟﻤﻴﻜﺎﻧﻴﻜﻴﺔ‬‫ً‬

‫اﻟﻤﻌﺎﻳﻴﺮ‬

‫ إﻗﺎﻣﺔ ﻣﻌﺎرض وﻧﺪوات ﺑﺮﻳﻊ ﻣﺎﻟﻲ‪.‬‬‫ ﺗﻮﻓﻴﺮ ﻓﺮاﻏﺎت ﺗﺠﺎرﻳﺔ ﻣﺘﻨﻮﻋﺔ‪.‬‬‫‪ -‬اﻟﺪﻣﺞ ﺑﻴﻦ ا‪¢‬ﻧﻈﻤﺔ اﻟﻤﻴﻜﺎﻧﻴﻜﻴﺔ وا‪¢‬ﻧﻈﻤﺔ اﻟﻄﺒﻴﻌﻴﺔ‪.‬‬

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2.1 Morgan Library 2.3 San Pablo Cultural Center

2.0 CASE STUDY

2.0 CASE STUDY 2.1 MORGAN LIBRARY Located just one block from the zocalo of the city of Oaxaca, between the streets of Independencia and Hidalgo, is a group of houses / buildings that are part of the first Dominican convent of the city. a series of additions of little historical value that reverberated in the building not only aesthetically but because they affected Directly the structure of the old building by the enormous amount of weight it had to endure.

As the first part of the rescue, the original structure was relieved, demolishing the great majority of blows. In this way it was possible to recover practically 90% of the high and low corridors of the convent, part of the church and the total of the Chapel of the Rosary.

New York, NY, 2006

Site Model

Interior shot

Morgan Library between historic buildings

resulting from the releases was insufficient to endow the building with the cultural functions with which it was conceived and which was the motor for the rescue of this property. ‫اﻟﻤﻌﻤﺎري رﻳﻨﺰو ﺑﻴﺎﻧﻮ ﻣﻌﻤﺎري ﻟﻪ ﻃﺎﺑﻊ ﺧﺎص وﻳﻌﺮف‬ ‫ﻋﻨﻪ اﻫﺘﻤﺎﻣﻪ ﺑﺎﻟﺘﻔﺎﺻﻴﻞ وﻳﺘﻀﺢ ذﻟﻚ ﻓﻲ ﻣﻜﺘﺒﺔ‬ ‫ﻣﻮرﻏﺎن ﻓﻲ ﻧﻴﻮﻳﻮرك ﺣﻴﺚ ﻛﺎن اﻟﺘﺤﺪي ﻓﻲ إﺿﺎﻓﺔ‬ ‫ﻣﺒﻨﻰ ﺟﺪﻳﺪ ﺿﻤﻦ ﺛﻼﺛﺔ ﻣﺒﺎﻧﻲ ﺗﺎرﻳﺨﻴﺔ ﻣﻬﻤﺔ ﻓﺎﻟﻤﺒﺎﻧﻲ‬ ‫ﻣﺨﺘﻠﻔﺔ اﻟﻄﺮز ﻟﺒﻨﺎﺋﻬﺎ ﻓﻲ أوﻗﺎت ﻣﺨﺘﻠﻔﺔ ﻓﻠﻜﻞ ﻣﺒﻨﻰ‬ .‫أﻟﻮان وﻣﻮاد ﻣﺨﺘﻠﻔﺔ‬ ‫ﻛﺎن اﻟﺘﺤﺪي أن ﻳﺼﻤﻢ اﻟﻤﺒﻨﻰ ﻛﻤﺒﻨﻰ ﻣﺴﺎﻧﺪ ﻟﻠﻤﺒﺎﻧﻲ‬ ‫ﺿﺎﻓﺔ‬¤‫اﻟﺘﺎرﻳﺨﻴﺔ ﻓﻲ ﺳﺎﺣﺔ ﺗﺘﻘﺎﺳﻤﻬﺎ ﺗﻠﻚ اﻟﻤﺒﺎﻧﻲ ﺑﺎ‬ ‫ ﻣﻜﺘﺒﺔ وﻣﺪﺧﻞ ﻟﻠﻤﺒﺎﻧﻲ اﻟﺜﻼﺛﺔ‬:‫ﻟﺜﻼﺛﺔ ﻋﻨﺎﺻﺮ ﺗﺎﺑﻌﺔ‬ .‫وﺟﺰء إداري ﻣﻮاﺟﻪ ﻟﻠﺸﺎرع‬

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Site Model

2.0 CASE STUDY 2.1 MORGAN LIBRARY This new building creates, together with the east ambulatory, a useful space with an area of almost 700m2 divided into 3 levels. This satisfies the area requirements required for the o p eration of a specialized library and an exhibition area that must be in a stable climate and protected from the elements. For this, this space is divided into two areas: a reading room, w h ich is located inside the intervention, in a d i rect relationship with the courtyard of the cloister and protected from the elements by a g l ass facade that will always be under shade Thanks to a mobile cover.

And archiving / storage areas, which will be concentrated in the east ambulatory taking advantage of the massive condition of the convent. It tries to house most of the collection directly on the wall so as not to compromise with unnecessary weight the structure of the building and protect the collection of light.

Theater underground

‫ﺑﺪأ ﺗﺼﻤﻴﻢ اﻟﻤﺒﻨﻰ ﺑﺈﻳﺠﺎد ﻓﺼﻞ ﻃﻔﻴﻒ ﺑﻴﻦ اﻟﻤﺒﺎﻧﻲ‬ ‫اﻟﺘﺎرﻳﺨﻴﺔ واﻟﻤﺒﻨﻰ اﻟﺠﺪﻳﺪ واﻟﺴﻤﺎح ﻟﻠﻤﺸﺎة ﺑﺎﻟﻮﺻﻮل‬ ‫إﻟﻰ اﻟﺴﺎﺣﺔ اﻟﺪاﺧﻠﻴﺔ ﻟﻠﻤﺒﻨﻰ ﻣﻦ اﻟﺸﺎرع اﻟﺸﻤﺎﻟﻲ‬ ‫واﻟﺠﻨﻮﺑﻲ ﻟﻤﺤﺎوﻟﺔ إﻳﺼﺎل ﻓﻜﺮة ﻓﻮﺿﻰ اﻟﻤﺪﻳﻨﺔ‬ ‫ وﻓﻲ‬،‫واﻟﺤﻴﺎة اﻟﺪاﺧﻠﻴﺔ ﻟﻠﺒﺎﺣﺚ ﻣﻮرﻏﺎن ﻓﻲ اﻟﻤﺒﻨﻰ‬ ‫ﻋﻤﻠﻴﺔ اﻟﺘﻨﻔﻴﺬ ﻓﻲ اﻟﻤﻮﻗﻊ ﺗﻢ اﻟﺤﺮص ﻋﻠﻰ اﻟﺘﻨﻔﻴﺬ‬ ‫ﺑﺄﻣﺎن وﻣﺮاﻋﺎة اﻟﻔﺼﻞ اﻟﺨﻔﻴﻒ واﻟﻄﻔﻴﻒ ﺑﻴﻦ اﻟﻤﺒﺎﻧﻲ‬ .‫اﻟﺘﺎرﻳﺨﻴﺔ واﻟﻤﺒﻨﻰ اﻟﺠﺪﻳﺪ‬ ‫ﻓﺎﻟﻔﻜﺮة اﻟﺮﺋﻴﺴﻴﺔ ﻛﺎﻧﺖ إﺿﺎﻓﺔ ﻣﺒﻨﻰ ﻣﺒﻬﻢ ﻻ ﻳﺆﺛﺮ‬ ‫ﻋﻠﻰ ﻣﺎ ﺣﻮﻟﻪ واﺳﺘﺨﺪام اﻟﻮاﺟﻬﺔ اﻟﺮﺋﻴﺴﻴﺔ ﻣﻨﻬﺎ ﻓﻲ‬ ‫اﻟﻨﻬﺎر ﻓﻘﻂ ﻟﺘﻮﻓﻴﺮ ا©ﺿﺎءة اﻟﻄﺒﻴﻌﻴﺔ ﺑﻴﻨﻤﺎ ﻓﻲ اﻟﻠﻴﻞ‬ .‫ﻳﺼﺒﺢ ﺑﻮاﺟﻬﺔ ﻣﺼﻤﺘﺔ‬

Morgan Library at night

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2.0 CASE STUDY 2.2 San Pablo Cultural Center Located just one block from the zocalo of the city of Oaxaca, between the streets of Independencia and Hidalgo, is a group of houses / buildings that are part of the first Dominican convent of the city. a series of additions of little historical value that reverberated in the building not only aesthetically but because they affected Directly the structure of the old building by the enormous amount of weight it had to endure.

As the first part of the rescue, the original structure was relieved, demolishing the great majority of blows. In this way it was possible to recover practically 90% of the high and low corridors of the convent, part of the church and the total of the Chapel of the Rosary. resulting from the releases was insufficient to endow the building with the cultural functions with which it was conceived and which was the motor for the rescue of this property. ‫ﻳﻘﻊ اﻟﻤﺸﺮوع ﻓﻲ ﻣﺪﻳﻨﺔ أواﻛﺴﺎﻛﺎ ﻓﻲ اﻟﻤﻜﺴﻴﻚ ﺑﻴﻦ‬ ‫ وﻫﻲ ﻣﺠﻤﻮﻋﺔ ﻣﻦ‬،‫ﺷﺎرﻋﻲ ا ﺳﺘﻘﻼل و ﻫﻴﺪاﻟﻐﻮ‬ .‫اﻟﻤﻨﺎزل اﻟﺘﻲ ﺑﻨﻴﺖ ﻓﻲ ﻓﺘﺮة اﻟﺪوﻣﻨﻴﻜﻴﺎن ا وﻟﻰ‬ ‫وﺗﺮددت أﺻﺪاء ﻋﺪﻳﺪة ﻋﻦ اﻟﻤﺒﺎﻧﻲ اﻟﺘﺎرﻳﺨﻴﺔ ﻟﻴﺲ‬ ‫ﻓﻘﻂ ﻟﻜﻮﻧﻬﺎ ﺗﺎرﻳﺨﻴﺔ ﻟﻜﻦ ن اﻟﻤﺒﺎﻧﻲ وا ﺳﺘﺨﺪاﻣﺎت‬ ‫اﻟﻤﻮﺟﻮدة ﺑﺎﻟﻤﻨﻄﻘﺔ ﺗﺄﺛﺮ ﻋﻠﻰ اﻟﻬﻴﻜﻞ ا ﻧﺸﺎﺋﻲ‬ .‫اﻟﺨﺎص ﺑﺎﻟﻤﻨﻄﻘﺔ ﺑﺴﺒﺐ ﻛﻤﻴﺔ اﻟﻮزن اﻟﻬﺎﺋﻞ ﻋﻠﻴﻬﺎ‬ ‫وﻗﺪ أﻧﺠﺰت ﻓﻲ اﻟﻤﺮﺣﻠﺔ ا وﻟﻰ أﻋﻤﺎل اﻟﺘﺮﻣﻴﻢ‬ ‫ ﻣﻦ‬٪٩٠ ‫وا ﺻﻼﺣﺎت اﻟﺘﻲ أدت إﻟﻰ إﺳﺘﺮداد أﻛﺜﺮ ﻣﻦ‬ .‫اﻟﻤﺒﺎﻧﻲ اﻟﺘﺎرﻳﺨﻴﺔ‬ ‫وﻛﺎن اﻟﻤﺤﺮر اﻟﺮﺋﻴﺴﻲ ﻟﺘﻠﻚ اﻟﻤﺒﺎﻧﻲ واﻟﻌﻘﺎرات ﻫﻮ‬ .‫ﺗﻮﻇﻴﻔﻬﺎ ﺑﺸﻜﻞ ﺛﻘﺎﻓﻲ ﻳﺨﺪم ﺗﺎرﻳﺦ اﻟﻤﻨﻄﻘﺔ‬

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2.0 CASE STUDY 2.2 San Pablo Cultural Center This new building creates, together with the east ambulatory, a useful space with an area of almost 700m2 divided into 3 levels. This satisfies the area requirements required for the o p eration of a specialized library and an exhibition area that must be in a stable climate and protected from the elements. For this, this space is divided into two areas: a reading room, w h ich is located inside the intervention, in a d i rect relationship with the courtyard of the cloister and protected from the elements by a g l ass facade that will always be under shade Thanks to a mobile cover.

And archiving / storage areas, which will be concentrated in the east ambulatory taking advantage of the massive condition of the convent. It tries to house most of the collection directly on the wall so as not to compromise with unnecessary weight the structure of the building and protect the collection of light. ‫اﻟﻤﺒﻨﻰ اﻟﺠﺪﻳﺪ ﺑﺎ ﺿﺎﻓﺔ إﻟﻰ ا ﺻﻼﺣﺎت ﻳﺨﻠﻘﻮن‬ ‫ ﻣﺘﺮ ﻣﺮﺑﻊ ﻣﻘﺴﻢ ﻋﻠﻰ ﺛﻼﺛﺔ‬٧٠٠ ‫ﻣﺴﺎﺣﺔ ﺟﺪﻳﺪة ﺗﻘﺪر ﺑـ‬ ‫ ﻛﻲ ﺗﻮﻓﺮ ﻣﺴﺎﺣﺔ ﻣﻨﺎﺳﺒﺔ ﻟﺘﺸﻐﻴﻞ ﻣﻜﺘﺒﺔ‬،‫ﻣﺴﺘﻮﻳﺎت‬ ‫ﻣﺘﺨﺼﺼﺔ وﻣﺴﺎﺣﺔ ﻟﻤﻌﺮض داﺧﻠﻲ وﺗﻠﻚ اﻟﻔﺮاﻏﺎت‬ ‫ وﺗﻢ‬،‫وﻓﺮت ﻓﻲ أﻣﺎﻛﻦ ذات ﻣﻨﺎخ ﻣﺴﺘﻘﺮ ﻟﺤﻤﺎﻳﺘﻬﺎ‬ ‫ﺗﻘﺴﻴﻢ ﺑﻌﺾ اﻟﻤﺴﺎﺣﺎت اﻟﻤﻄﻠﺔ ﻋﻠﻰ اﻟﻔﻨﺎء اﻟﺪاﺧﻠﻲ‬ ‫إﻟﻰ ﻣﻨﻄﻘﺘﻴﻦ ﻏﺮﻓﺔ ﻟﻠﻘﺮاءة ﺑﻮاﺟﻬﺎت زﺟﺎﺟﻴﺔ ﺗﻮﻓﺮ‬ .‫اﻟﻈﻞ ﺑﺸﻜﻞ داﺋﻢ ﻟﻠﻤﻜﺎن‬ ‫واﻟﻤﻨﻄﻘﺔ ا©ﺧﺮى ﻣﻨﻄﻘﺔ ا©رﺷﻔﺔ واﻟﺘﺨﺰﻳﻦ واﻟﺘﻲ ﺗﻢ‬ ‫أﺧﺬ ا ﻋﺘﺒﺎر ﻓﻴﻬﺎ إﻧﺸﺎﺋ ًﻴﺎ ﺣﻴﺚ ﺗﻢ ﻋﺰل أﺣﻤﺎﻟﻬﺎ ﻋﻦ‬ ‫اﻟﻤﺒﺎﻧﻲ اﻟﺘﺎرﻳﺨﻴﺔ ﺣﻤﺎﻳﺔ ﻟﻬﻴﻜﻞ ﺗﻠﻚ اﻟﻤﺒﺎﻧﻲ وﺣﻤﺎﻳﺔ‬ ً ‫ﺑﻌﺾ اﻟﻤﻌﺮوﺿﺎت ﻣﻦ اﻟﻀﻮء‬ .‫أﻳﻀﺎ ﺑﺘﺨﺰﻳﻨﻬﺎ‬

14

3.1 Physical Analysis 3.1.1 Buildings 3.1.2 Existing site condition 3.1.3 Neighborhood 3.1.4 Size and area 3.1.5 Pedestrian circulation 3.1.6 View from site 3.1.7 View to site 3.1.8 View through site 3.2 Climatic Analysis 3.2.1 Wind Analysis 3.2.2 Shadow Analysis 3.3 Buildings 3.3.1 Nassef House

3.0 SITE ANALYSIS

3.0 SITE ANALYSIS

3.1.1 EXISTING SITE CONDITION Location: The project property is located at the intersection of Abu Inabah axis and Alalwi Axis.

Existing Use: The site was a houses like Nassef House and some traditional houses and non historic buildings.

Nassef House is a museum now and other buildings are destroyed and some of them is a residential. :‫اﻟﻤﻮﻗﻊ‬

‫ﻳﻘﻊ اﻟﻤﺸﺮوع ﻓﻲ ﺗﻘﺎﻃﻊ أﻫﻢ ﻣﺤﻮرﻳﻦ ﻓﻲ اﻟﺒﻠﺪ وﻫﻤﺎ‬ .‫ﻣﺤﻮري أﺑﻮ ﻋﻨﺒﺔ وﻣﺤﻮر اﻟﻌﻠﻮي‬

:‫ا ﺳﺘﺨﺪام اﻟﺤﺎﻟﻲ‬

ً ‫ﺳﺎﺑﻘﺎ ﻛﺎن اﻟﻤﺸﺮوع ﻣﺒﺎﻧﻲ ﺳﻜﻨﻴﺔ وﻣﻦ أﻫﻤﻬﺎ ﺑﻴﺖ‬ ً ‫وأﻳﻀﺎ ﺑﻌﺾ اﻟﻤﺒﺎﻧﻲ اﻟﺘﺎرﻳﺨﻴﺔ وﺑﻌﺾ اﻟﻤﺒﺎﻧﻲ‬ ‫ﻧﺼﻴﻒ‬ .‫اﻟﻤﺴﺘﺤﺪﺛﺔ‬ ‫ﻧﺼﻴﻒ ﻳﺴﺘﺨﺪم ﺣﺎﻟ ًﻴﺎ ﻛﻤﺘﺤﻒ واﻟﻤﺒﺎﻧﻲ ا ﺧﺮى‬ .‫ﻣﺘﺪﻫﻮرة وﺑﻌﻀﻬﺎ ﻳﺴﺘﺨﺪم ﻛﺠﺰء ﺳﻜﻨﻲ‬

MAIN INTERSECTION

16

3.0 SITE ANALYSIS 3.1.2 BUILDINGS DESIGN RESPONSE To Digital and Architecture Institutions Al-Alwi Axis

To Makkah Gate Nassef

To Al-Dahab Street

ah

It is clear to us that there are many strategies to deal with these buildings so that buildings can be restored, buildings can be completed and opportunities for new buildings are also available.

SITE CONDATIONS

Al-Alwi Axis

Abu Inab

The current status of the buildings is different and varied. The site contains a building of classification A, a house of Nassif, buildings of classification B and a building of classification C, while the rest of the buildings are degraded and modern.

‫اﻟﻮﺿﻊ اﻟﺤﺎﻟﻲ ﻟﻠﻤﺒﺎﻧﻲ ﺑﺘﺼﺎﻧﻴﻔﻬﺎ ﻣﺨﺘﻠﻒ وﻣﺘﻨﻮع‬ ‫ﻓﺎﻟﻤﻮﻗﻊ ﻳﺤﺘﻮي ﻋﻠﻰ ﻣﺒﻨﻰ ﻣﻦ ﺗﺼﻨﻴﻒ أ وﻫﻮ ﺑﻴﺖ‬ ‫ أﻣﺎ‬،‫ﻧﺼﻴﻒ وﻣﺒﺎﻧﻲ ﻣﻦ ﺗﺼﻨﻴﻒ ب وﻣﺒﻨﻰ ﻣﻦ ﺗﺼﻨﻴﻒ ج‬ .‫ﺑﻘﻴﺔ اﻟﻤﺒﺎﻧﻲ ﻓﻬﻲ ﻣﺘﺪﻫﻮرة وﻣﺴﺘﺤﺪﺛﺔ‬

Nassef Calss A

1

2

ah Abu Inab

‫ﻳﺘﻀﺢ ﻟﻨﺎ أﻧﻪ ﺗﻮﺟﺪ اﻟﻌﺪﻳﺪ ﻣﻦ اﻻﺳﺘﺮاﺗﻴﺠﻴﺎت ﻟﻠﺘﻌﺎﻣﻞ‬ ‫ﻣﻊ ﺗﻠﻚ اﻟﻤﺒﺎﻧﻲ ﺑﺤﻴﺚ ﻣﺒﺎﻧﻲ ﻳﻤﻜﻦ ﺗﺮﻣﻴﻤﻬﺎ وﻣﺒﺎﻧﻲ‬ َ ‫ﻳﻤﻜﻦ اﻻﺳﺘﻜﻤﺎل ﻋﻠﻴﻬﺎ وﻓﺮص ﻟﻤﺒﺎﻧﻲ ﺟﺪﻳﺪة‬ .‫أﻳﻀﺎ‬

Infil a new buildings

1

Space

Calss C

3

2 3

Calss B Calss B

Al-Alwi Axis

4 2

ah Abu Inab

1

To Shareef Gate

2

2

2

2

1 1 2

1

2

2

1- Renovation - Restoration 2- New Buildings

17

3.0 SITE ANALYSIS 3.1.3 NEIGHBORHOOD DESIGN RESPONSE Need Exhibitions

To Digital and Architecture Institutions

Gastronomy Offices

To Al-Dahab Street

Offices

Restaurant Restaura nt

Commercial

Al-Alwi Axis

Commerc ial

Space

To Makkah Gate

Commercial

Museum Music Art

Al-Alwi Axis

Fine Art

ah

‫أرض اﻟﻤﺸﺮوع ﺗﻘﻊ ﻓﻲ ﺗﻘﺎﻃﻊ ﻣﺤﻮري أﺑﻮ ﻋﻨﺒﺔ‬ ‫ وﺑﻨﺎء ﻋﻠﻰ اﻟﻤﺨﻄﻂ اﻟﻤﻘﺘﺮح ﻓﺈﻧﻪ ﻳﺤﻴﻂ ﺑﻬﺎ‬،‫واﻟﻌﻠﻮي‬ ‫ﻣﻦ اﻟﺸﻤﺎل ﻣﺮﻛﺰ ﻟﻠﻔﻨﻮن اﻟﺘﺸﻜﻴﻠﻴﺔ وﺑﻌﺾ‬ ‫اﻟﻤﻄﺎﻋﻢ واﻟﻤﺤﺎل اﻟﺘﺠﺎرﻳﺔ وﻣﻦ اﻟﺸﺮق واﻟﺠﻨﻮب‬ ‫ﺑﻌﺾ اﻟﻤﺒﺎﻧﻲ اﻟﻤﻜﺘﺒﻴﺔ وﻣﻦ اﻟﻐﺮب ﺑﻠﺪﻳﺔ اﻟﻤﻨﻄﻘﺔ‬ ‫اﻟﺘﺎرﻳﺨﻴﺔ ﺑﺎ ﺿﺎﻓﺔ إﻟﻰ ﻣﺮﻛﺰ اﻟﻔﻨﻮن اﻟﺘﻌﺒﻴﺮﻳﺔ‬ ‫واﻟﻤﻮﺳﻴﻘﻴﺔ وﻣﺴﺮح ﺧﺎرﺟﻲ ﻳﺨﺪم اﻟﻤﻨﻄﻘﺔ‬ .‫اﻟﺘﺎرﻳﺨﻴﺔ‬

SITE CONDATIONS

Abu Inab

The land of the project is located at the intersection of Abu Anaba and Alawi. Based on the proposed plan, it is surrounded by a fine arts center, some restaurants and shops, and from the east and south some office buildings and the western part of the historic district.

Space

Space

Expressive Art

Stage Space

Hotel

Project Elements should have exhibitions

Need Exhibitions

Museum Offices

ah

Common space between fine art and cultural center

Abu Inab

Music Art

Space Offices

Project

Site

Al-Alwi Axis

Fine Art

Space

Expressive Art Offices

Museum

ah Abu Inab

Offices Municipal

Space

To Shareef Gate

Should take advantages from two spaces

18

3.0 SITE ANALYSIS 3.1.4 SIZE AND AREA Within the building systems of the historical area, construction is allowed in a full amount of land area. The entire ground floor can be built by 1670 square meters. Within the general strategies of the site, it can be built into five floors, which means the total construction area of the cultural center reaches 8,350 square meters.

As for the special attitudes of buildings, public parking areas were considered in the general plan of the movement of the historical region.

SITE CONDATIONS

DESIGN RESPONSE To Digital and Architecture Institutions

To Makkah Gate 550 sqm

To Al-Dahab Street

Al-Alwi Axis

400 sqm

1,670 sqm

‫ﺿﻤﻦ أﻧﻈﻤﺔ اﻟﺒﻨﺎء ﻓﻲ اﻟﻤﻨﻄﻘﺔ اﻟﺘﺎرﻳﺨﻴﺔ ﻳﺴﻤﺢ‬ ‫ﺑﺎﻟﺒﻨﺎء ﺑﻤﻘﺪار ﻛﺎﻣﻞ ﻣﻦ ﻣﺴﺎﺣﺔ ا رض ﺣﻴﺚ ﻳﻤﻜﻦ‬ ‫ ﻣﺘﺮ ﻣﺮﺑﻊ‬١٦٧٠ ‫ﺑﻨﺎء ﻛﺎﻣﻞ ﻣﺴﻄﺢ اﻟﺪور ا رﺿﻲ ﺑﻤﻘﺪار‬ ‫وﺿﻤﻦ ا ﺳﺘﺮاﺗﻴﺠﻴﺎت اﻟﻌﺎﻣﺔ ﻟﻠﻤﻮﻗﻊ ﻓﺈﻧﻪ ﻳﻤﻜﻦ‬ ‫اﻟﺒﻨﺎء إﻟﻰ ﺧﻤﺴﺔ أدوار ﻣﻤﺎ ﻳﻌﻨﻲ ﻣﺠﻤﻮع ﻣﺴﻄﺤﺎت‬ .‫ ﻣﺘﺮ ﻣﺮﺑﻊ‬٨٣٥٠ ‫اﻟﺒﻨﺎء ﻟﻠﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ ﻳﺼﻞ إﻟﻰ‬

25m

Nassef Built-up area is 550sqm and net building area is 2,750sqm

9m 29m

7m

Nassef

16m

18m

ah

15m

Abu Inab

‫وﺑﺎﻟﻨﺴﺒﺔ ﻟﻠﻤﻮاﻗﻒ اﻟﺨﺎﺻﺔ ﻟﻠﻤﺒﺎﻧﻲ ﻓﺈﻧﻪ ﺗﻢ ا ﺧﺬ ﻓﻲ‬ ‫ا ﻋﺘﺒﺎر ﻣﻨﺎﻃﻖ ﻣﻮاﻗﻒ ﻋﺎﻣﺔ ﻓﻲ اﻟﻤﺨﻄﻂ اﻟﻌﺎم‬ .‫ﻟﻠﺤﺮﻛﺔ اﻟﺨﺎص ﺑﺎﻟﻤﻨﻄﻘﺔ اﻟﺘﺎرﻳﺨﻴﺔ‬

Space

24m

20m 16m

16m

Space

Cultural Center Built-up area is 1,670sqm and net building area up to 8,350sqm

16m 40m

16m 4m

25m

14m

Project

Site

54m

To Shareef Gate

Parking space for Cultural Center and museum on master plan circulation

19

3.0 SITE ANALYSIS 3.1.5 PEDESTRIAN C. The space which is located on the junction of the pivotal Abu Anaba and Alawi Square is always active and branches of individuals for a different number of axes including what is active and some of which is weak activity.

SITE CONDATIONS

DESIGN RESPONSE To Digital and Architecture Institutions Al-Alwi Axis

The internal arena of the cultural center is weak. One way is to connect it with the external arena and connect it with Nassif Square to be an easy accessible arena for the public.

Space

To Makkah Gate

ah

Museum

To Al-Dahab Street

Abu Inab

Also illustrated are the main entrances to the project which can be used by visitors as well as service entrances for the project.

Space

Al-Alwi Axis

Space

Space Space

‫اﻟﺴﺎﺣﺔ اﻟﺘﻲ ﺗﻘﻊ ﻋﻠﻰ ﺗﻘﺎﻃﻊ ﻣﺤﻮري اﺑﻮ ﻋﻨﺒﺔ واﻟﻌﻠﻮي‬ ‫داﺋﻤﺎ وﻳﺘﻔﺮع ﻣﻨﻬﺎ ا ﻓﺮاد ﻟﻌﺪد ﻣﺨﺘﻠﻒ‬ ً ‫ﺳﺎﺣﺔ ﻧﺸﻄﺔ‬ ‫ﻣﻦ اﻟﻤﺤﺎور ﻣﻨﻬﺎ ﻣﺎ ﻫﻮ ﻧﺸﻂ وﻣﻨﻬﺎ ﻣﻦ ﻫﻮ ﺿﻌﻴﻒ‬ .‫اﻟﻨﺸﺎط‬ ah

Space

ite

S Project

Al-Alwi Axis

Museum

Abu Inab

ah

ً ‫أﻳﻀﺎ ﻳﺘﻀﺢ اﻟﻤﺪاﺧﻞ اﻟﺮﺋﻴﺴﻴﺔ ﻟﻠﻤﺸﺮوع واﻟﺘﻲ ﻳﻤﻜﻦ‬ ً ‫وأﻳﻀﺎ ﻣﺪاﺧﻞ اﻟﺨﺪﻣﺎت‬ ‫أن ﻳﺴﺘﺨﺪﻣﻬﺎ اﻟﺰوار‬ .‫ﻟﻠﻤﺸﺮوع‬

Nassef

Abu Inab

‫اﻟﺴﺎﺣﺔ اﻟﺪاﺧﻠﻴﺔ ﻟﻠﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ ﺿﻌﻴﻔﺔ اﻟﻮﺻﻮل‬ ‫ﻓﺈﺣﺪى اﻟﻄﺮق ﻫﻮ رﺑﻄﻬﺎ ﻣﻊ اﻟﺴﺎﺣﺔ اﻟﺨﺎرﺟﻴﺔ ورﺑﻄﻬﺎ‬ ‫ﻣﻊ ﺳﺎﺣﺔ ﻧﺼﻴﻒ ﻟﺘﻜﻮن ﺳﺎﺣﺔ ﺳﻬﻠﺔ اﻟﻮﺻﻮل‬ .‫ﻟﻠﻌﺎﻣﺔ‬

Connect the spaces for pedestrain to improve spaces and circulations

To Shareef Gate

Entrance

20

Services

3.0 SITE ANALYSIS 3.1.6 VIEW FROM SITE

‫ﺣﻴﺚ ﻳﻤﻜﻦ ا ﺳﺘﻔﺎدة ﻣﻦ ﻫﺬا اﻟﺘﺼﻨﻴﻒ ﻟﺘﻌﻴﻴﻦ‬ ‫اﻟﻌﺪﻳﺪ ﻣﻦ ا ﻣﻮر ﻛﻤﺪاﺧﻞ اﻟﺨﺪﻣﺔ وأﻣﺎﻛﻦ اﻟﻤﺼﺎﻋﺪ‬ .‫واﻟﺨﺪﻣﺎت اﻟﻤﺨﺘﻠﻔﺔ ﻛﺪورات اﻟﻤﻴﺎه وﻏﻴﺮﻫﺎ‬

Open view to many outdoor space

To Digital and Architecture Institutions Al-Alwi Axis

Space

To Makkah Gate

To Al-Dahab Street

Al-Alwi Axis

ah

Nassef

Fine Art

Abu Inab

‫ﻟﻠﻤﺸﺮوع ﻋﺪة إﻃﻼﻻت ﻣﺨﺘﻠﻔﺔ ﻋﻠﻰ اﻟﺴﺎﺣﺎت‬ ‫اﻟﺨﺎرﺟﻴﺔ واﻟﻤﻤﺮات اﻟﺮﺋﻴﺴﻴﺔ ﻟﻜﻦ ﻟﻜﻞ ﺟﺰء ﻣﻦ‬ ‫اﻟﻤﺸﺮوع إﻃﻼﻟﺔ ﻣﺨﺘﻠﻔﺔ ﻣﻨﻬﺎ ﻣﺎﻫﻮ ﻳﺼﻨﻒ ﻛﺈﻃﻼﻟﺔ‬ ‫ﻣﻬﻤﺔ وﻣﻨﻬﺎ ﻣﺎ ﻳﺼﻨﻒ أﻧﻬﺎ إﻃﻼﻟﺔ ﺟﻴﺪةوﻣﻨﻬﺎ ﻣﺎ ﻫﻮ‬ .‫إﻃﻼﻟﺔ ﻳﻤﻜﻦ ﺗﺼﻨﻴﻔﻬﺎ ﺑﺄﻧﻬﺎ إﻃﻼﻟﺔ ﺿﻌﻴﻔﺔ‬

DESIGN RESPONSE

Space Stage Space

High Building

Block View Nassef Historic Buildings

ah

This classification can be used to identify many things such as service entrances, elevator places and different services such as water courses and others.

SITE CONDATIONS

Abu Inab

The project has several different views on the outer squares and main corridors, but each part of the project different views of what is classified as an important view, including what is classified as a good view and what is the view can be classified as a weak view.

Space High Building Al-Alwi Axis

Historic Buildings High Building ah

Nassef

Abu Inab

Historic Building

High Building

To Shareef Gate

Main Core and services

21

3.0 SITE ANALYSIS 3.1.7 VIEW TO SITE

ً ‫وأﻳﻀﺎ ﻧﺴﺘﻄﻴﻊ ﺗﺤﺪﻳﺪ ﻧﻘﺎط اﻟﺠﺬب اﻟﺘﻲ ﻳﺴﺘﻄﻴﻊ‬ ‫اﻟﻤﺎرة رؤﻳﺘﻬﺎ ﻟﺘﻜﻮن ﻟﻨﺎ ﻋﻨﺎﺻﺮ ﺟﺬب ﻣﻬﻤﺔ‬ ً ‫أﻳﻀﺎ ﻧﻘﺎط رؤﻳﺔ ﻟﻠﻤﺠﺎورات واﻟﻤﺒﺎﻧﻲ‬ ،‫ﻟﻠﻤﺸﺮوع‬ .‫اﻟﻤﺤﻴﻄﺔ ﺑﻬﺎ‬

Open view from out door space

To Digital and Architecture Institutions Al-Alwi Axis

Space

To Makkah Gate

To Al-Dahab Street

Al-Alwi Axis

ah

Nassef

Fine Art

Abu Inab

‫ﻣﺠﺎورات اﻟﻤﺸﺮوع ﺗﺘﻴﺢ ﻋﺪة ﻣﻌﻄﻴﺎت ﻟﻠﻨﻘﺎط اﻟﺘﻲ‬ ‫ﻳﻤﻜﻦ رؤﻳﺘﻬﺎ ﻣﻦ ﻋﺪة اﺗﺠﺎﻫﺎت ﻣﺨﺘﻠﻔﺔ ﻛﺎﻟﻨﻘﻄﺔ‬ ‫اﻟﻤﻄﻠﺔ ﻋﻠﻰ اﻟﺴﺎﺣﺔ اﻟﺨﺎرﺟﻴﺔ واﻟﺴﺎﺣﺔ اﻟﺪاﺧﻠﻴﺔ ﻣﻦ‬ ‫ﺟﻬﺔ اﻟﺸﻤﺎل واﻟﻨﻘﻄﺔ اﻟﻐﺮﺑﻴﺔ ﻣﻦ اﻟﻤﺸﺮوع اﻟﻤﻄﻠﺔ‬ . ‫ﻋﻠﻰ ﻣﺤﻮر اﺑﻮ ﻋﻨﺒﺔ‬

DESIGN RESPONSE

Space Stage Space

High Building

Public zone in ground floor

Nassef Historic Buildings From Axis

ah

We can also identify the attractions that passers-by can see to be important attractions for the project, as well as points of view for surrounding buildings and buildings.

SITE CONDATIONS

Abu Inab

Neighborhoods of the project provide several data points that can be seen from several different directions such as the point overlooking the external arena and the inner courtyard to the north and the western point of the project overlooking the axis of Abu Anaba.

Space High Building Al-Alwi Axis

Historic Buildings High Building ah

Nassef

Abu Inab

Historic Building

High Building

To Shareef Gate

Part visible to pedestrian

22

3.0 SITE ANALYSIS 3.1.8 VIEW THROUGH SITE

‫اﻟﺮؤﻳﺔ ﻣﻦ ﺧﻼل اﻟﻤﺸﺮوع ﻣﻬﻤﺔ وﻳﺠﺐ اﻟﺤﻔﺎظ ﻋﻠﻰ‬ ‫ﺑﻌﺾ اﻟﺨﺼﺎﺋﺺ اﻟﻌﻤﺮاﻧﻴﺔ اﻟﻤﻮﺟﻮدة وأﺣﺪ أﻫﻢ ﺗﻠﻚ‬ ‫اﻟﺨﺼﺎﺋﺺ اﻟﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ اﻟﺘﻮاﺻﻞ اﻟﺒﺼﺮي ﻟﻠﻘﺎدﻣﻴﻦ‬ ‫ﻣﻦ ﻣﺤﻮر أﺑﻮ ﻋﻨﺒﺔ ﻣﻊ ﺑﻴﺖ ﻧﺼﻴﻒ ﻛﻮﻧﻪ أﺣﺪ أﻫﻢ‬ .‫ﻣﻌﺎﻟﻢ اﻟﻤﻨﻄﻘﺔ‬

DESIGN RESPONSE Open view from out door space

To Digital and Architecture Institutions Al-Alwi Axis

To Makkah Gate

Al-Alwi Axis

Fine Art

Abu Inab

To Al-Dahab Street

ah

Nassef

Space Stage Space

High Building

Hights must be minimum than Nassef House

Nassef Historic Buildings

ah

The surrounding squares and orchards also have historical significance. They should be maintained in association with Beit Nasif and identify appropriate ways to develop them both physically and physically.

SITE CONDATIONS

Abu Inab

Vision through the project is important and must preserve some of the existing physical characteristics and one of the most important characteristics maintain the visual communication of those coming from the axis of Abu Anaba with the House of Nassif being one of the most important features of the region.

َ ‫أﻳﻀﺎ اﻟﺴﺎﺣﺎت واﻟﺒﺮﺣﺎت اﻟﻤﺤﻴﻄﺔ ﻟﻬﺎ أﻫﻤﻴﺔ ﺗﺎرﻳﺨﻴﺔ‬ ‫ﻳﺠﺐ اﻟﺤﻔﺎظ ﻋﻠﻰ ﺗﺮاﺑﻄﻬﺎ ﻣﻊ ﺑﻴﺖ ﻧﺼﻴﻒ وﺗﺤﺪﻳﺪ‬ .‫ﻃﺮق ﻣﻨﺎﺳﺒﺔ ﻟﺘﻄﻮﻳﺮﻫﺎ ﻋﻤﺮاﻧ ًﻴﺎ ووﻇﻴﻔ ًﻴﺎ‬

Space

High Building Al-Alwi Axis

Historic Buildings High Building ah

Nassef

Abu Inab

Historic Building

High Building

To Shareef Gate

Keep the clear View

23

3.0 SITE ANALYSIS 3.2.1 WIND The cultural characteristics of the country's identity are treated by the climate element such as wind. The current situation of the site needs to be developed. The internal area has a low ventilation rate inside, which gives us the opportunity to provide direct access to the wind for the inner courtyard.

SIMULATION FRAMEWORK

WIND DIRECTION DISTRIBUTION

DESIGN RESPONSE

Wind Vilocity - 2.5m/s Wind Direction - NW Hight - 1.75m Al-Alwi Axis

From the front square and the extension of the Abu Anaba axis, there are good opportunities for external sessions because they contain good ventilation. ‫ﻣﻦ ﺧﺼﺎﺋﺺ اﻟﺜﻘﺎﻓﻴﺔ ﻟﻬﻮﻳﺔ اﻟﺒﻠﺪ ﻫﻲ ﺗﻌﺎﻣﻠﻬﺎ ﻣﻦ‬ ‫اﻟﻌﻨﺼﺮ اﻟﻤﻨﺎﺧﻲ ﻛﺎﻟﺮﻳﺎح ﻓﺎﻟﻮﺿﻊ اﻟﺤﺎﻟﻲ ﻟﻠﻤﻮﻗﻊ ﻳﺤﺘﺎج‬ ‫إﻟﻰ ﺗﻄﻮﻳﺮ ﻓﺎﻟﺴﺎﺣﺔ اﻟﺪاﺧﻠﻴﺔ ﻧﺴﺒﺔ اﻟﺘﻬﻮﻳﺔ ﺿﻌﻴﻔﺔ‬ ‫ﺑﺪاﺧﻠﻬﺎ ﻣﻤﺎ ﻳﺘﻴﺞ ﻟﻨﺎ ﻓﺮﺻﺔ ﺗﻮﻓﻴﺮ ﻣﺪﺧﻞ ﻣﺒﺎﺷﺮ‬ .‫ﻟﻠﺮﻳﺎح ﻟﻠﺴﺎﺣﺔ اﻟﺪاﺧﻠﻴﺔ‬ ‫وﻣﻦ اﻟﺴﺎﺣﺔ ا ﻣﺎﻣﻴﺔ واﻣﺘﺪاد ﻣﺤﻮر أﺑﻮ ﻋﻨﺒﺔ ﻧﺠﺪ‬ ‫ﻓﺮص ﺟﻴﺪة ﻟﻠﺠﻠﺴﺎت اﻟﺨﺎرﺟﻴﺔ ﻛﻮﻧﻬﺎ ﺗﺤﺘﻮي ﻋﻠﻰ‬ .‫ﺗﻬﻮﻳﺔ ﺟﻴﺪة‬

Abu Inab

ah

Nassef

SITE CONDATIONS Wind need access to courtyard and need an axis to cross ventilation

Velocity m/s 5.5

Shadow zone

4 2.5 1 0

Al-Alwi Axis

Abu Inab

ah

Nassef

Good ventilation to space and axis make it a good outdoor space

24

3.0 SITE ANALYSIS 3.2.2 SHADOW One of the cultural characteristics of the country's identity is its handling of the climate component, such as lighting and shadows. By analyzing the shadow element at the site during the summer and winter solstice and the spring and autumn equinoxes, some buildings are shaded most of the year.

SITE CONDATIONS

DESIGN RESPONSE To Digital and Architecture Institutions Al-Alwi Axis

To Makkah Gate

In addition to good shading of the internal and external spaces of the project.

To Al-Dahab Street

ah

Al-Alwi Axis

Abu Inab

‫ﻣﻦ ﺧﺼﺎﺋﺺ اﻟﺜﻘﺎﻓﻴﺔ ﻟﻬﻮﻳﺔ اﻟﺒﻠﺪ ﻫﻲ ﺗﻌﺎﻣﻠﻬﺎ ﻣﻦ‬ ‫اﻟﻌﻨﺼﺮ اﻟﻤﻨﺎﺧﻲ ﻛﺎ ﺿﺎءة واﻟﻈﻼل وﻣﻦ ﺧﻼل ﺗﺤﻠﻴﻞ‬ ‫ﻋﻨﺼﺮ اﻟﻈﻞ ﺑﺎﻟﻤﻮﻗﻊ ﻓﻲ أوﻗﺎت ا ﻧﻘﻼب اﻟﺼﻴﻔﻲ‬ ‫واﻟﺸﺘﻮي وا ﻋﺘﺪاﻟﻴﻦ اﻟﺮﺑﻴﻌﻲ واﻟﺨﺮﻳﻔﻲ ﻧﺠﺪ ﺑﻌﺾ‬ .‫اﻟﻤﺒﺎﻧﻲ اﻟﻤﻈﻠﻠﺔ ﻣﻌﻈﻢ أﻳﺎم اﻟﺴﻨﺔ‬

Nassef

Those buildings are Shadowed most of the year

Abu Inab

ah

‫ﺑﺎ ﺿﺎﻓﺔ ﻟﻠﺘﻈﻠﻴﻞ اﻟﺠﻴﺪ ﻟﻠﺴﺎﺣﺘﻴﻦ اﻟﺪاﺧﻠﻴﺔ‬ .‫واﻟﺨﺎرﺟﻴﺔ ﻟﻠﻤﺸﺮوع‬

Al-Alwi Axis

Abu Inab

ah

Nassef

To Shareef Gate

Those spaces are Shadowed most of the year

25

‫‪3.0 SITE ANALYSIS‬‬ ‫‪3.3 NASSEF HOUSE‬‬

‫‪Kharjah‬‬

‫‪The construction of Nasseef House on old‬‬ ‫‪Jeddah's main street, Suq al-Alawi, began in‬‬ ‫‪1872 and it was finished by 1881 for Omar‬‬ ‫‪Nasseef Efendi, member of a wealthy merchant‬‬ ‫‪family and, governor of Jeddah at the time.‬‬ ‫‪When Abdulaziz Ibn Saud entered the city in‬‬ ‫‪December 1925, after the siege of Jeddah, he‬‬ ‫‪stayed in the Bayt Nasseef.‬‬ ‫‪During his early stays in the city he used it as‬‬ ‫‪royal residence and received guests here. The‬‬ ‫‪layout of the main rooms such as the entry hall‬‬ ‫‪in the north with the two smaller corner rooms‬‬ ‫‪to its east and west, the central hall and the‬‬ ‫‪large stairway are all traced to the floors above.‬‬ ‫‪People used to recognize Nasseef house as‬‬ ‫‪"The House with the Tree" because it was the‬‬ ‫‪only house in Balad that had one.‬‬ ‫ﻳﻌﺒﺮ ﻫﺬا اﻟﺒﻴﺖ ﻋﻦ ﺣﻘﺒﺔ ﺗﺎرﻳﺨﻴﺔ ﻣﻦ ﺣﻘﺐ ﺗﻄﻮر اﻟﻔﻦ‬ ‫اﻟﻤﻌﻤﺎري اﻟﻘﺪﻳﻢ ﻓﻲ ﺟﺪة‪ ،‬وﻫﻮ أﺣﺪ أﻫﻢ اﻟﻤﻌﺎﻟﻢ‬ ‫ا ﺛﺮﻳﺔ ﻓﻴﻬﺎ‪ ،‬وﻗﺪ اﻛﺘﺴﺐ أﻫﻤﻴﺔ ﻣﻨﺬ أن ﻧﺰل ﻓﻴﻪ‬ ‫اﻟﻤﻠﻚ ﻋﺒﺪ اﻟﻌﺰﻳﺰ ﻓﻲ ﺿﻴﺎﻓﺔ ﺻﺎﺣﺐ اﻟﺒﻴﺖ اﻟﺸﻴﺦ‬ ‫ﻋﻤﺮ أﻓﻨﺪي ﻧﺼﻴﻒ وذﻟﻚ ﻓﻲ ﻋﺎم ‪ ،١٩٢٥‬ﻳﻘﻊ اﻟﻤﺘﺤﻒ‬ ‫واﻟﺒﻴﺖ ﻓﻲ ﻗﻠﺐ ﺟﺪة اﻟﺘﺎرﻳﺨﻴﺔ‪ ،‬وﻳﻌﻮد ﺗﺎرﻳﺦ ﺑﻨﺎء اﻟﺒﻴﺖ‬ ‫إﻟﻰ ﻋﺎم ‪ ١٢٨٩‬ﻫـ وﺗﻢ اﻻﻧﺘﻬﺎء ﻣﻦ ﺑﻨﺎﺋﻪ ﻓﻲ ﻋﺎم ‪١٢٩٨‬ﻫـ‬ ‫وﺷﻬﺪ ﺑﻴﺖ ﻧﺼﻴﻒ ﺗﺤﺖ رﻋﺎﻳﺔ اﻟﺪوﻟﺔ اﻟﻌﺪﻳﺪ ﻣﻦ‬ ‫اﻟﺘﻐﻴﻴﺮات واﻟﺘﺮﻣﻴﻤﺎت اﻟﺘﻲ ﻧﻔﺬﺗﻬﺎ اﻣﺎﻧﺔ ﺟﺪة ﻋﻠﻰ ﻣﺪار‬ ‫اﻟﺴﻨﻮات اﻟﻤﺎﺿﻴﺔ ﻗﺒﻞ ان ﻳﺘﻢ ﺗﺤﻮﻳﻠﻪ إﻟﻰ ﻣﺘﺤﻒ‬ ‫وﻣﺮﻛﺰ ﺛﻘﺎﻓﻲ ﻳﻤﺘﻠﺊ ﺑﺎﻟﻤﻌﺮوﺿﺎت واﻟﻤﻘﺘﻨﻴﺎت واﻟﺼﻮر‬ ‫اﻟﺘﺎرﻳﺨﻴﺔ واﻟﻤﺨﻄﻮﻃﺎت وﻳﺼﺒﺢ ﻣﻨﺎرة ﻳﺰورﻫﺎ اﻟﺠﻤﻴﻊ‬ ‫وﻣﻜﺎﻧﺎ ﻟﻌﺮض اﻟﻌﻤﺎرة اﻟﻘﺪﻳﻤﺔ واﻟﻤﻬﺮﺟﺎت اﻟﻮﻃﻨﻴﺔ‬ ‫واﻟﻤﺤﻠﻴﺔ‪ .‬وﻳﻀﻢ اﻟﺒﻴﺖ ﺣﺎﻟﻴ ًﺎ ﻣﻌﺮﺿﺎ ﻟﻠﻤﺨﺘﺮﻋﻴﻦ‬ ‫اﻟﻤﺴﻠﻤﻴﻦ وﻣﺠﺴﻤﺎت وﺻﻮرا ﻟﻤﻠﻮك اﻟﺪوﻟﺔ‬ ‫اﻟﺴﻌﻮدﻳﺔ وﻣﺮاﺣﻞ ﺗﻮﺳﻌﺔ اﻟﺤﺮم اﻟﻤﻜﻲ‪ ..‬وﻳﺤﺘﻮي‬ ‫اﻟﺪور اﻟﺜﺎﻧﻲ ﻣﻦ اﻟﺒﻴﺖ ﻋﻠﻰ اﻟﻤﺠﻠﺲ اﻟﺬي ﻛﺎن ﻳﺠﻠﺲ‬ ‫ﻓﻴﻪ اﻟﻤﻠﻚ ﻋﺒﺪ اﻟﻌﺰﻳﺰ ﻋﻨﺪﻣﺎ ﻛﺎن ﻳﻘﻴﻢ ﻓﻲ ﻫﺬا اﻟﺒﻴﺖ‪.‬‬

‫‪04‬‬

‫‪Nassef House‬‬

‫‪West Elevation‬‬

‫‪26‬‬

3.0 SITE ANALYSIS 3.3 NASSEF HOUSE Nasseef house has 106 rooms and the art work some of the rooms contain is admirable.

Besides works on wood, others on tiles can be seen as well as Arabic calligraphy. The design style is said to be Ottoman Turkish. This rather describes more the period during which it was built than relationship to designs popular in the Umayyad and Abbasids cultural centers at this time such as Baghdad, Cordoba and Damascus .[3] The style is thought to be more related to stylistic elements found along the Red Sea, Egypt and maybe the Levant at that time.

The house has an irregular plan of rectangular rooms arranged around a central hall.[4] The main entrance to the house is from the north, while there is a second entrance from the west, that was used by the women. ‫ ﺣﻮﻟﻪ ﻣﺤﻤﺪ ﻧﺼﻴﻒ إﻟﻰ ﻣﻜﺘﺒﻪ ﺧﺎﺻﻪ‬١٩٧٥ ‫و ﻓﻲ ﻋﺎم‬ ‫ وأﺻﺪر اﻟﻤﻠﻚ ﻓﻴﺼﻞ ﺑﻦ ﻋﺒﺪ‬،‫ ﻛﺘﺎب‬١٦٠٠٠ ‫ﻛﺎﻧﺖ ﺗﺤﻮي‬ ‫ وﺟﻌﻠﻬﻤﺎ‬،‫اﻟﻌﺰﻳﺰ أﻣﺮه ﺑﺸﺮاء ﻗﺼﺮ ﻧﺼﻴﻒ وﻣﻜﺘﺒﺘﻪ‬ ً ً ‫ ﻳﺴﻤﻴﺎن ﺑﺎﺳﻢ‬،‫وﺗﺎرﻳﺨﺎ‬ ‫ﻣﻠﻜﺎ ﻟﻠﺪوﻟﺔ وإﺑﻘﺎﺋﻬﻤﺎ أﺛ ًﺮا‬ ‫ وﻗﺪ أﻫﺪى أﺣﻔﺎد اﻟﺸﻴﺦ ﻣﺤﻤﺪ ﻧﺼﻴﻒ‬،‫ﺑﻴﺖ ﻧﺼﻴﻒ‬ ‫ﻣﺨﻄﻮﻃﺎت ﻣﻜﺘﺒﺘﻪ إﻟﻰ ﺟﺎﻣﻌﺔ اﻟﻤﻠﻚ ﻋﺒﺪ اﻟﻌﺰﻳﺰ‬ ‫ واﻧﺘﻘﻠﺖ ﻣﻜﺘﺒﺔ اﻟﺸﻴﺦ ﻣﺤﻤﺪ ﺑﻦ ﻧﺼﻴﻒ‬.‫ﺑﺠﺪة‬ ‫ﻟﻠﻤﻜﺘﺒﺔ اﻟﻤﺮﻛﺰﻳﺔ ﺟﺎﻣﻌﺔ اﻟﻤﻠﻚ ﻋﺒﺪ اﻟﻌﺰﻳﺰ ﺑﺠﺪة‬ ‫ﻫـ ﺻﺪر ﻗﺮار‬١٣٩٧/٤/٢١ ‫ﻓﻔﻲ ﻳﻮم اﻟﺴﺒﺖ اﻟﻤﻮاﻓﻖ‬ .‫ﺑﺘﻜﻠﻴﻒ ﻟﺠﻨﺔ ﻟﻨﻘﻞ ﻣﻜﺘﺒﺔ اﻟﺸﻴﺦ ﻣﺤﻤﺪ ﻧﺼﻴﻒ‬ ‫ و ا¶ﻋﻤﺎل اﻟﻔﻨﻴﻪ ﻓﻲ ﺑﻌﺾ‬، ‫ ﻏﺮﻓﻪ‬١٠٦ ‫ﻳﺘﻜﻮن اﻟﺒﻴﺖ ﻣﻦ‬ ‫ و ﻫﻨﺎك ﺑﻌﺾ‬، ‫ﻋﺠﺎب ﺑﺼﻮره ﻛﺒﻴﺮه‬¹‫اﻟﻐﺮف ﺗﺜﻴﺮ ا‬ ‫ا¶ﻋﻤﺎل اﻟﺨﺸﺒﻴﻪ و أﺧﺮى ﻣﻦ اﻟﺒﻼط و اﻟﺘﺼﻤﻴﻢ ﻳﻘﺎل‬ ‫ ﺑﻌﺪ أن ﺗﺼﻌﺪ اﻟﺴﻠﻢ ﺗﺪﺧﻞ ﻓﻲ ﻗﺎﻋﻪ ﻛﺒﻴﺮه‬،‫ﺑﺄﻧﻪ ﺗﺮﻛﻲ‬ ‫ و إﻟﻰ اﻟﻴﻤﻴﻦ و اﻟﻴﺴﺎر ﻣﻦ ﻣﺪﺧﻞ‬، ‫ﺛﻢ اﻟﻘﺎﻋﻪ اﻟﻤﺮﻛﺰﻳﻪ‬ ‫اﻟﻘﺎﻋﻪ ﻫﻨﺎك ﻏﺮف أﺻﻐﺮ ﻧﻮﻋﺎ ﻣﺎ و اﻟﺘﻲ ﺗﺤﺘﻞ اﻟﺰاوﻳﻪ‬ ‫ و ﻳﻔﺘﺢ اﻟﻤﺪﺧﻞ اﻟﻐﺮﺑﻲ ﻣﺒﺎﺷﺮة‬، ‫اﻟﺸﻤﺎﻟﻴﻪ ﻣﻦ اﻟﺒﻴﺖ‬ ‫إﻟﻰ اﻟﻘﺎﻋﻪ اﻟﻤﺮﻛﺰﻳﻪ و ﺗﻮﺟﺪ ﻋﺪة ﻏﺮف ﺣﻮل ﻣﻤﺮ ﺻﻐﻴﺮ‬ .‫و اﻟﺬي ﻳﺆدي إﻟﻰ اﻟﻘﺎﻋﻪ اﻟﻤﺮﻛﺰﻳﻪ ﻓﻲ اﻟﺸﺮق‬

27

Ground Floor

First Floor

Second Floor

Third Floor

Fourth Floor

Top Floor

4.1 Space Program 4.2 Functional Program 4.3 Urban Strategies

4.0 PROGRAM

4.0 PROGRAM 4.1 SPACE PROGRAM

In addition to supporting services such as management and other services such as elevators, warehouses and others.

PROGRAM

DESIGN STANDAEDS SUPPORTING ACTIVITIES 25M

MAIN ACTIVITIES

ADMINSTRAION

SUPPORTING ACTIVITIES

SERVICES

9m 7m

2,200msq

29M

The total area of the project is 8 thousand square meters. The cultural center is multifunctional. It has a public exhibition and exhibition, a public library for users, a multi-purpose hall, a social activities area and an underground theater.

15m

MAIN ACTIVITIES 24m

‫ﺑﺎ ﺿﺎﻓﺔ ﻟﻮﺟﻮد ﺧﺪﻣﺎت ﻣﺴﺎﻧﺪة ﻛﺎ دارة‬ .‫واﻟﺨﺪﻣﺎت ا ﺧﺮى ﻛﺎﻟﻤﺼﺎﻋﺪ واﻟﻤﺨﺎزن وﻏﻴﺮﻫﺎ‬

29

LIBRARIES

THEATER

EXHIBITION AREA

MULTI PURPOSE HALL

NASSEF HOUSE

SOCIAL ACTIVITIES

RESTURANT AND CAFE

SHOPS

16m 16m

400msq

20m

‫ أﻻف ﻣﺘﺮ ﻣﺮﺑﻊ‬٨ ‫ﺗﺒﻠﻎ ﻣﺴﺎﺣﺔ اﻟﻤﺸﺮوع اﻟﻜﻠﻴﺔ‬ ‫وﻳﻌﺘﺒﺮ اﻟﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ ﻣﺘﻌﺪد اﻟﻮﻇﺎﺋﻒ ﻓﻬﻮ‬ ،‫ﻳﺤﺘﻮي ﻋﻠﻰ ﻣﻌﺮض ﻋﺎم وﻣﻌﺮض ﺧﺎص ﺑﻨﺼﻴﻒ‬ ‫وﻣﻜﺘﺒﺔ ﻋﺎﻣﺔ ﻟﻠﻤﺴﺘﺨﺪﻣﻴﻦ وﻗﺎﻋﺔ ﻣﺘﻌﺪدة‬ ‫ا ﺳﺘﺨﺪاﻣﺎت وﻣﻨﻄﻘﺔ ﻟ ﻧﺸﻄﺔ ا ﺟﺘﻤﺎﻋﻴﺔ‬ .‫وﻣﺴﺮح أﺳﻔﻞ ا رض‬

16m

18m

40m

16m 16m 4m

25m

1,760msq 14m

54m

SPACE PROGRAM Function Library

Area/Person

User

Total m2

3

345

1,090

Exhibition Theater Muilti Purpose Hall Nassef House Outdoor/indoor social activites Resturant and Cafe Shops Services Total

2.5 4 2 4 2

224 30 112 550 295

560 680 325 2,200 590

323 170 8,000 m2

655 355 1050

2 2 -

For example, the museum's relationship to the exhibition must be well interlinked, and the vertical movement elements are linked to the main entrances of the project.

And that service elements such as services and vertical movement elements are remote from users.

Main Entrance Services Entrance Reception Administrative Offices Meeting Rooms Security Room Workshops Shops Waiting Area Auditorium

‫ﻳﺤﺘﻮي اﻟﻤﺸﺮوع ﻋﻠﻰ ﻋﺪد ﻣﻦ اﻟﻮﻇﺎﺋﻒ اﻟﺮﺋﻴﺴﻴﺔ‬ ‫ﻛﺒﻴﺖ ﻧﺼﻴﻒ واﻟﻤﻜﺘﺒﺔ واﻟﻤﻌﺎرض واﻟﻤﺴﺮح‬ ‫واﻟﻌﺪﻳﺪ ﻣﻦ اﻟﺨﺪﻣﺎت اﻟﻤﺴﺎﻧﺪة ﻛﺎ دارة واﻟﻌﻨﺎﺻﺮ‬ ‫اﻟﺘﺠﺎرﻳﺔ واﻟﺠﺪول اﻟﻤﺮﻓﻖ ﻳﻮﺿﺢ ﻟﻨﺎ اﻟﻌﻼﻗﺔ ﺑﻴﻦ‬ .‫ﺗﻠﻚ اﻟﻮﻇﺎﺋﻒ‬

Small Cinema

‫ﻣﺜﺎل ﻋﻠﻰ ذﻟﻚ ﻋﻼﻗﺔ اﻟﻤﺘﺤﻒ ﺑﺎﻟﻤﻌﺮض ﻳﺠﺐ‬ ‫ واﺗﺮﺗﺒﺎط ﻋﻨﺎﺻﺮ‬،‫ﺗﻜﻮن ﻣﺘﺮاﺑﻄﺔ ﺑﺸﻜﻞ ﺟﻴﺪ‬ .‫اﻟﺤﺮﻛﺔ اﻟﺮأﺳﻴﺔ ﺑﺎﻟﻤﺪاﺧﻞ اﻟﺮﺋﻴﺴﻴﺔ ﻟﻠﻤﺸﺮوع‬

Cafe

‫وأن ﺗﻜﻮن ﻋﻨﺎﺻﺮ اﻟﺨﺪﻣﺔ ﻛﺎﻟﺨﺪﻣﺎت وﻋﻨﺎﺻﺮ‬ .‫اﻟﺤﺮﻛﺔ اﻟﺮأﺳﻴﺔ ﺑﻌﻴﺪة ﻋﻦ اﻟﻤﺴﺘﺨﺪﻣﻴﻦ‬

Lecture Room Study Room Courtyards

Restaurant Exhibitions Nassef Museum Historic Library Guest Elevators Service Elevator Loading Area Stairs Storage Mechanical

30

Mechanical

Storage

Stairs

Loading Area

Service Elevator

Guest Elevators

Historic Library

Nassef Museum

Exhibitions

Restaurant

Cafe

Courtyards

Study Room

Lecture Room

Small Cinema

Auditorium

Waiting Area

Shops

Workshops

Security Room

Meeting Rooms

Offices

The project contains a number of key functions such as the house of Nassif, library, exhibitions, theater and many other supporting services such as management and commercial elements. The attached table shows us the relationship between these jobs.

MAYBE

Administrative

4.2 FUNCTIONAL PROGRAM

Reception

SHOULD

Main Entrance

MUST

Services Entrance

4.0 PROGRAM

‫‪4.0 PROGRAM‬‬

‫‪4.3 URBAN STRATIGIES‬‬ ‫‪ .٣‬اﻟﻤﺒﺎﻧﻲ‬ ‫‪ ٣٫١‬ﻣﺒﺎﻧﻲ ﺗﺎرﻳﺨﻴﺔ ﺳﻠﻴﻤﺔ‪:‬‬ ‫ﺳﻴﺎﺳﺎت ﻋﺎﻣﺔ ﻟﻠﻤﺒﺎﻧﻲ اﻟﺘﺎرﻳﺨﻴﺔ‪:‬‬ ‫• ﺗﺼﻨﻴﻒ أ‪ :‬اﺧﺘﻴﺎر اﻟﻮﻇﻴﻔﺔ اﻟﻤﻨﺎﺳﺒﺔ ﻟﻬﺎ ‪.‬‬ ‫• اﻟﺼﻴﺎﻧﺔ اﻟﺪورﻳﺔ‪.‬‬ ‫• إﺿﺎﻓﺔ اﻟﺘﻘﻨﻴﺎت اﻟﺤﺪﻳﺜﺔ اﻟﺘﻲ ﺗﺨﺪم اﻟﻤﺒﻨﻰ ﻛﺎﻟﻤﺼﺎﻋﺪ‪.‬‬ ‫• ﺗﻘﻮﻳﺔ اﻟﺮﺑﻂ ﺑﻴﻦ اﻟﻤﺒﻨﻰ اﻟﺘﺎرﻳﺨﻲ واﻟﻤﺒﻨﻰ اﻟﺤﺪﻳﺚ ﺑﻮﺟﻮد ﻧﻘﺎط‬ ‫اﺗﺼﺎل ﺑﻴﻨﻬﻢ‪.‬‬ ‫• اﻟﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ اﻻﺗﺼﺎل اﻟﺒﺼﺮي ﻣﻊ اﻟﻤﺒﻨﻰ اﻟﺘﺎرﻳﺨﻲ‪.‬‬ ‫• ﺿﻢ اﻟﻤﺒﺎﻧﻲ اﻟﻤﺘﺠﺎورة ﻓﻲ ﺣﺎل اﻟﺤﺎﺟﺔ ﻟﻤﺸﺎرﻳﻊ ﺗﻨﻤﻮﻳﺔ‬ ‫واﻟﻤﺤﺎﻓﻈﺔ ﻋﻠﻴﻬﺎ‪.‬‬

‫• ﺗﺤﻘﻴﻖ ا‪ª‬ﺗﺼﺎﻟﻴﺔ ﺑﻴﻦ اﻟﺪاﺧﻞ واﻟﺨﺎرج ﻟﺨﺪﻣﺔ اﻟﺰوار‬ ‫وﺧﺼﻮﺻﺎ ﻓﻲ اﻟﺪور ا¸رﺿﻲ‪.‬‬ ‫واﻟﻤﺴﺘﺨﺪﻣﻴﻦ‬ ‫ً‬ ‫• ﻣﺮاﻋﺎة اﻟﺠﻮاﻧﺐ اﻟﺒﻴﺌﻴﺔ‪.‬‬ ‫• ﻣﺮاﻋﺎة اﻟﻨﺴﻴﺞ اﻟﻌﻤﺮاﻧﻲ اﻟﻘﺪﻳﻢ‪.‬‬ ‫• ﻣﺮاﻋﺎة إﻳﻘﺎع وﺗﺪرج اﻟﻤﺒﺎﻧﻲ اﻟﻤﺤﻴﻄﺔ ﺑﺎﻟﻤﺒﻨﻰ اﻟﺠﺪﻳﺪ‪.‬‬ ‫• اﺳﺘﻐﻼل اﻟﻤﺒﺎﻧﻲ اﻟﺠﺪﻳﺪة أﻓﻘ ًﻴﺎ ورأﺳ ًﻴﺎ‪.‬‬ ‫• ﺗﻌﺮﻳﻒ ﻣﺪاﺧﻞ اﻟﻤﺸﺮوع ﺑﺼﻮرة ﻣﻮﺣﺪة ﻟﻀﻤﺎن اﻟﺤﻔﺎظ ﻋﻠﻰ‬ ‫اﻟﻬﻮﻳﺔ‪.‬‬ ‫• وﺟﻮد ﻣﺮﺟﻊ ﺗﺎرﻳﺨﻲ ﻟﻠﺠﺪران واﻻرﺗﻔﺎﻋﺎت واﻟﻨﺴﺐ‪.‬‬ ‫• وﺟﻮد ﻋﻨﺎﺻﺮ ﺟﺬب ﻣﻬﻤﺔ ﻟﻠﻤﺸﺮوع ﺗﻀﻤﻦ ﻓﻌﺎﻟﻴﺘﻪ‪.‬‬ ‫اﻟﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ اﺳﺘﻤﺮار اﻟﺘﻮاﺻﻞ اﻟﺒﺼﺮي ﻣﻊ ﻧﺼﻴﻒ‪.‬‬

‫‪ ٣٫٥‬ﻣﺒﺎﻧﻲ ﺟﺪﻳﺪة‪:‬‬ ‫• اﺿﺎﻓﺔ ﻣﺒﻨﻰ ﺟﺪﻳﺪ ﻣﺴﺎﻧﺪ ﺗﻘﻨ ًﻴﺎ ووﻇﻴﻔ ًﻴﺎ ﻟﻠﻤﻨﻄﻘﺔ اﻟﺘﺎرﻳﺨﻴﺔ‪.‬‬ ‫• ﻣﺮاﻋﺎة ا‪ª‬رﺗﻔﺎﻋﺎت ﺑﺎﻟﺸﻜﻞ اﻟﺘﺎﻟﻲ‪:‬‬

‫ ارﺗﻔﺎع اﻟﻤﺒﻨﻰ اﻟﺴﺎﺑﻖ‪.‬‬‫ ﻣﺮاﻋﺎة ﻋﺪم ﺗﺠﺎوز ارﺗﻔﺎع ﺑﻴﺖ ﻧﺼﻴﻒ ﺑﺸﻜﻞ رﺋﻴﺴﻲ‪.‬‬‫ ﻓﻲ ﺣﺎل اﻟﺤﺎﺟﺔ إﻗﺘﺼﺎدﻳًﺎ ﻟﺘﺠﺎوز ارﺗﻔﺎع ﺑﻴﺖ ﻧﺼﻴﻒ ﻳﺠﺐ أن ﻻ ﻳﻨﺎﻓﺲ‬‫اﻟﻤﺒﻨﻰ اﻟﺠﺪﻳﺪ ﺑﻴﺖ ﻧﺼﻴﻒ ﻣﺮاﻋﺎة ﻟﻠﺴﻴﺎق‪.‬‬

‫• ﻧﺴﺐ اﻟﻔﺘﺤﺎت ﺑﺄن ﺗﻜﻮن ﻣﺘﻨﺎﺳﻘﺔ ﻣﻊ ﻓﺘﺤﺎت اﻟﻤﺒﻨﻰ‬ ‫اﻟﻤﺠﺎور‪.‬‬ ‫• ﻣﺮاﻋﺎة اﺳﺘﺨﺪام ﻣﻮاد ﺟﺪﻳﺪة ﻗﺪر ا¸ﻣﻜﺎن ﻣﻊ ﻣﺮاﻋﺎة ا¸ﻟﻮان‬ ‫ﻟﻜﻲ ﺗﻌﻄﻲ ﻃﺎﺑﻊ وروح اﻟﻘﺪﻳﻢ ‪.‬‬

‫‪2.1‬‬

‫‪ ٣٫٢‬ﻣﺒﺎﻧﻲ ﺗﺎرﻳﺨﻴﺔ ﻏﻴﺮ ﻣﺴﺘﻘﺮة‪:‬‬ ‫• ﺗﺪﻋﻴﻢ أﺳﺎﺳﺎت اﻟﻤﺒﺎﻧﻲ اﻟﺘﻲ ﺗﺤﺘﺎج إﻟﻰ ﺗﺪﻋﻴﻢ‪.‬‬ ‫• ﺗﺠﺪﻳﺪ اﻟﻤﺒﺎﻧﻲ ﺑﻤﻮاد ﺣﺪﻳﺜﺔ ﺗﻌﻄﻲ ﻃﺎﺑﻊ اﻟﻘﺪﻳﻢ ﻋﻨﺪ اﻟﺤﺎﺟﺔ‪.‬‬

‫ ارﺗﻔﺎع اﻟﺠﺰء اﻟﻤﺒﻨﻲ اﻟﺴﺎﺑﻖ‪.‬‬‫ ﻣﺮاﻋﺎة ﻋﺪم ﺗﺠﺎوز ﺑﻴﺖ ﻧﺼﻴﻒ ﺑﺸﻜﻞ رﺋﻴﺴﻲ‪.‬‬‫ ﻓﻲ ﺣﺎل اﻟﺤﺎﺟﺔ إﻗﺘﺼﺎدﻳًﺎ ﻟﺘﺠﺎوز ارﺗﻔﺎع ﺑﻴﺖ ﻧﺼﻴﻒ ﻳﺠﺐ أن ﻻ ﻳﻨﺎﻓﺲ‬‫اﻟﻤﺒﻨﻰ اﻟﺠﺪﻳﺪ ﺑﻴﺖ ﻧﺼﻴﻒ ﻣﺮاﻋﺎة ﻟﻠﺴﻴﺎق‪.‬‬

‫ اﺳﺘﺨﺪام اﻟﺨﺮﺳﺎﻧﺔ ﻣﻊ اﻟﻨﻮرة اﻟﺒﻠﺪي ‪ª‬ﻋﻄﺎء روح وﺷﺨﺼﻴﺔ ﻟﻠﻤﺒﻨﻰ‪.‬‬‫ اﺳﺘﺨﺪام اﻟﺨﺸﺐ ﻓﻲ واﺟﻬﺎت اﻟﻤﺒﺎﻧﻲ ‪ª‬ﻋﻄﺎء روح وﺷﺨﺼﻴﺔ ﻟﻠﻤﻜﺎن‪.‬‬‫ اﺳﺘﺨﺪام اﻟﺰﺟﺎج ﻟﺘﻌﺰﻳﺰ اﻟﺘﻮاﺻﻞ اﻟﺒﺼﺮي وﻋﺪم اﻟﺘﺸﻮﻳﺶ ﻋﻠﻰ اﻟﺰوار‪.‬‬‫‪ -‬اﺳﺘﺨﺪام ﻣﻮاد ﻻ ﺗﻄﻐﻰ ﻋﻠﻰ اﻟﻤﻨﻄﻘﺔ‪.‬‬

‫‪ ٣٫٤‬ﻣﺒﺎﻧﻲ ﻣﺴﺘﺤﺪﺛﺔ ﻗﺎﺋﻤﺔ‪:‬‬ ‫• إﻣﻜﺎﻧﻴﺔ إزاﻟﺔ اﻟﻤﺒﺎﻧﻲ ﻏﻴﺮ اﻟﻤﻬﻤﺔ ذات ا¸دوار اﻟﻤﻨﺨﻔﻀﺔ وذات‬ ‫اﻟﺘﺸﻜﻴﻞ اﻟﻌﻤﺮاﻧﻲ اﻟﻐﻴﺮ ﻣﺤﺘﺮم ﻟﻠﺴﻴﺎق اﻟﻤﺤﻴﻂ ﺑﻬﺎ وإزاﻟﺘﻬﺎ أن‬ ‫ﻛﺎﻧﺖ ﻣﺆﺛﺮة ﻋﻠﻰ ﻋﻤﻠﻴﺔ اﻟﺘﻨﻤﻴﺔ‪.‬‬ ‫• ﻣﻌﺎﻟﺠﺔ إرﺗﻔﺎﻋﺎت اﻟﻤﺒﺎﻧﻲ اﻟﺘﻲ ﺗﺘﺠﺎوز ﺑﻴﺖ ﻧﺼﻴﻒ ﺑﻄﺮﻳﻘﺔ ﻻ‬ ‫ﺗﻄﻐﻰ ﻋﻠﻰ اﻟﻤﺒﺎﻧﻲ اﻟﻘﺪﻳﻤﺔ وﻫﺪﻣﻬﺎ إن أﻣﻜﻦ‪.‬‬ ‫• ﻣﻌﺎﻟﺠﺔ واﺟﻬﺎت اﻟﻤﺒﺎﻧﻲ ﺑﺈﺳﺘﺨﺪام اﻟﻤﻮاد اﻟﻤﺤﻠﻴﺔ ﻣﻦ اﻟﻤﺒﺎﻧﻲ‬ ‫اﻟﻤﻨﻬﺎرة ﺑﻄﺮﻳﻘﺔ ﺗﻌﺒﺮ ﻋﻦ ﻫﻮﻳﺔ اﻟﻤﻨﻄﻘﺔ ﺑﻄﺮﻳﻘﺔ ﻣﻨﺴﺠﻤﺔ ‪.‬‬ ‫• ﻣﻌﺎﻟﺠﺔ ﻧﺴﺐ اﻟﻔﺘﺤﺎت ﺑﻄﺮﻳﻘﺔ ﻃﻮﻟﻴﺔ ﻣﻨﺴﺠﻤﺔ ﻣﻊ اﻟﻤﻨﻄﻘﺔ‬ ‫اﻟﺘﺎرﻳﺨﻴﺔ‪.‬‬ ‫• ا‪ª‬ﺗﺼﺎﻟﻴﺔ ﺑﻴﻦ اﻟﺪاﺧﻞ واﻟﺨﺎرج ﻟﺨﺪﻣﺔ اﻟﺰوار واﻟﻤﺴﺘﺨﺪﻣﻴﻦ‪.‬‬

‫‪ ١٫٣‬ﻣﺴﺎرات ﺿﻴﻘﺔ )أزﻗﺔ(‪:‬‬ ‫• اﺳﺘﺨﺪام ﻣﻮاد ﻟ‪Ò‬رﺿﻴﺎت ﻻ ﺗﺴﻤﺢ ﺑﺎﻟﺠﻠﻮس ﻋﻠﻴﻬﺎ ﻟﻌﺪم‬ ‫إﻋﺎﻗﺔ اﻟﺤﺮﻛﺔ‪.‬‬ ‫• ﻣﻨﻊ إﻗﺎﻣﺔ ا¸ﻧﺸﻄﺔ ﻓﻲ ا¸زﻗﺔ ﻣﻦ أﻧﺸﻄﺔ ﺗﺠﺎرﻳﺔ وﻏﻴﺮﻫﺎ‬ ‫• ﺗﻘﻮﻳﺔ اﻟﺮﺑﻂ ﺑﻴﻦ ا¸زﻗﺔ واﻟﻤﺴﺎرات اﻟﺮﺋﻴﺴﻴﺔ وﺗﺄﻛﻴﺪ ﻣﺪاﺧﻠﻬﺎ‪.‬‬

‫‪1.2‬‬

‫‪3.1‬‬ ‫‪1.2‬‬

‫• ﻧﺴﺐ اﻟﻔﺘﺤﺎت ﺑﺄن ﺗﻜﻮن ﻣﺘﻨﺎﺳﻘﺔ ﻣﻊ ﻓﺘﺤﺎت اﻟﻤﺒﻨﻰ اﻟﻤﺠﺎور‪.‬‬ ‫• ﻣﺮاﻋﺎة اﺳﺘﺨﺪام ﻣﻮاد ﺟﺪﻳﺪة ﻗﺪر ا¸ﻣﻜﺎن ﻣﻊ ﻣﺮاﻋﺎة ا¸ﻟﻮان ﻟﻜﻲ‬ ‫ﺗﻌﻄﻲ ﻃﺎﺑﻊ وروح اﻟﻘﺪﻳﻢ ﻣﺜﺎل ﻋﻠﻰ ذﻟﻚ‪:‬‬

‫‪3.4‬‬ ‫‪3.4‬‬

‫‪ .٢‬اﻟﺴﺎﺣﺎت‬

‫‪3.4‬‬

‫‪1.1‬‬ ‫‪1.2‬‬ ‫‪1.2‬‬

‫‪3.4‬‬

‫‪2.3‬‬ ‫‪3.3‬‬

‫‪3.5‬‬ ‫‪3.5‬‬

‫‪3.2‬‬

‫‪3.2‬‬

‫‪3.4‬‬

‫‪2.2‬‬

‫‪2.2‬‬ ‫‪1.2‬‬

‫• اﻟﺤﺮﻛﺔ‪ :‬ﻟﻠﻤﺸﺎة ﻣﻊ اﻣﻜﺎﻧﻴﺔ دﺧﻮل ﺳﻴﺎرات اﻟﺨﺪﻣﺔ‬ ‫واﻟﻄﻮارئ ﻓﻲ ﺑﻌﺾ ا¸ﺟﺰاء‬ ‫• إﻣﻜﺎﻧﻴﺔ ﻓﺘﺢ ﻣﺤﻼت ﺗﺠﺎرﻳﺔ‬ ‫• إﻣﻜﺎﻧﻴﺔ إﻗﺎﻣﺔ ا¸ﻧﺸﻄﺔ ﻋﻠﻰ اﻟﻤﺤﻮر ﻣﺜﻞ اﻗﺎﻣﺔ اﻟﻤﻌﺎرض‬ ‫اﻟﺨﺎرﺟﻴﺔ ﻟﻠﻔﻨﻮن او اﻣﺎﻛﻦ ﻣﺨﺼﺼﺔ ﻟﻠﺮﺳﻢ‬ ‫• ﺗﻮﻓﻴﺮ أﻣﺎﻛﻦ ﻟﻠﺠﻠﻮس ﻋﻠﻰ اﻟﻤﺤﻮر ﺑﺸﻜﻞ ﻗﻠﻴﻞ‬ ‫• ﺗﻮﻓﻴﺮ ﻣﺴﻄﺤﺎت ﺧﻀﺮاء ﺑﺸﻜﻞ ﻻ ﻳﺆﺛﺮ ﻋﻠﻰ اﻟﻔﺮاغ اﻟﻌﺎم‬ ‫• ﺗﻮﻓﻴﺮ ﻟﻮﺣﺎت إرﺷﺎدﻳﺔ ﻣﻮﺣﺪة وﻣﺘﻨﺎﺳﻘﺔ ﻣﻊ‬ ‫اﻟﺸﻜﻞ اﻟﻌﺎم‬ ‫• اﺳﺘﺨﺪام أرﺿﻴﺔ ﺧﺸﻨﺔ ﻟﺘﺴﻬﻴﻞ ﺣﺮﻛﺔ اﻟﻤﺸﺎة‬ ‫‪ ١٫٢‬اﻟﻤﺤﺎور اﻟﺜﺎﻧﻮﻳﺔ‪:‬‬ ‫• اﻟﺤﺮﻛﺔ‪ :‬ﻟﻠﻤﺸﺎة ﻓﻘﻂ‬ ‫• ﺗﻮﻓﻴﺮ ﺟﻠﺴﺎت ﻋﻠﻰ اﻟﻤﺤﻮر )اﻟﻤﺮاﻛﻴﺰ(‬ ‫• ﺗﻮﻓﻴﺮ ﺣﻴﺰ ﻓﺮاﻏﻲ ﺷﺒﻪ ﺧﺎص ﻟﻜﻞ ﻣﻨﺰل ﻋﻠﻰ اﻟﻤﺤﻮر‬ ‫ﻟﻠﺤﻔﺎظ ﻋﻠﻰ اﻟﺘﺪرج ﻓﻲ اﻟﺨﺼﻮﺻﻴﺔ‬

‫‪2.2‬‬

‫‪ ٣٫٣‬ﻣﺒﺎﻧﻲ ﺗﺎرﻳﺨﻴﺔ ﻣﻨﻬﺎرة ﺟﺰﺋﻴﺎ‪:‬‬ ‫• اﺿﺎﻓﺔ ﻣﺒﻨﻰ ﺟﺪﻳﺪ ﻣﺴﺎﻧﺪ ﺗﻘﻨ ًﻴﺎ ووﻇﻴﻔ ًﻴﺎ ﻟﻠﻤﺒﻨﻰ اﻟﻤﻨﻬﺎر‪.‬‬ ‫• ﻣﺮاﻋﺎة ا‪ª‬رﺗﻔﺎﻋﺎت ﺑﺎﻟﺸﻜﻞ اﻟﺘﺎﻟﻲ‪:‬‬

‫‪ .١‬اﻟﻤﺤﺎور‪:‬‬ ‫‪ ١٫١‬اﻟﻤﺤﺎور اﻟﺮﺋﻴﺴﻴﺔ‪:‬‬

‫ﺳﻴﺎﺳﺎت ﻋﺎﻣﺔ ﻟﻠﺴﺎﺣﺎت‪:‬‬ ‫• اﺳﺘﺨﺪام اﻟﺴﺎﺣﺔ ﻟﻠﻮﺻﻮﻟﻴﺔ‪.‬‬ ‫• اﻟﺘﺪرج ﻓﻲ اﻟﺘﻨﻘﻞ‪.‬‬ ‫‪ ٢٫١‬ﺳﺎﺣﺎت رﺋﻴﺴﻴﺔ‪:‬‬ ‫• أن ﺗﻜﻮن ﺳﺎﺣﺎت ﻣﻬﻴﺌﺔ ﻟﻠﻤﻨﺎﺳﺒﺎت وا¸ﻧﺸﻄﺔ اﻟﻌﺎﻣﺔ‬ ‫• وﻇﻴﻔﺔ اﻟﺴﺎﺣﺔ ﺗﺴﺘﺠﻴﺐ ﻟﻮﻇﻴﻔﺔ اﻟﻤﺒﺎﻧﻲ اﻟﻤﺤﻴﻄﺔ ﺑﻬﺎ‬ ‫• ﺧﻠﻖ ﺷﺨﺼﻴﺔ ﻟﻠﺴﺎﺣﺔ‬ ‫• اﺳﺘﺨﺪام أﻛﺜﺮ ﻣﻦ ﻣﺎدة ﻓﻲ اﻟﺘﺒﻠﻴﻂ ﺗﻮﺿﺢ ﻣﻨﺎﻃﻖ اﻟﺤﺮﻛﺔ‬ ‫وﻣﻨﺎﻃﻖ ا¸ﻧﺸﻄﺔ ا¸ﺧﺮى‬ ‫• إﺿﺎﻓﺔ ﻣﺴﻄﺤﺎت ﺧﻀﺮاء ﺑﺸﻜﻞ ﻻ ﻳﺆﺛﺮ ﺳﻠﺒ ًﺎ ﻋﻠﻰ اﻟﻔﺮاغ‬ ‫• اﻟﺘﻈﻠﻴﻞ ﻓﻲ ﻣﻨﺎﻃﻖ ﻣﻌﻴﻨﺔ ﺣﺴﺐ اﻟﺤﺎﺟﺔ‬ ‫‪ ٢٫٢‬ﺳﺎﺣﺎت ﻓﺮﻋﻴﺔ‪:‬‬ ‫• ﺳﺎﺣﺎت ﻣﻬﻴﺌﺔ ﻟﻠﺠﻠﻮس‬ ‫• إﻣﻜﺎﻧﻴﺔ إﻗﺎﻣﺔ ﻣﻨﺎﺳﺒﺎت ﺧﺎﺻﺔ‬ ‫• وﻇﻴﻔﺔ اﻟﺴﺎﺣﺔ ﺗﺴﺘﺠﻴﺐ ﻟﻮﻇﻴﻔﺔ اﻟﻤﺒﺎﻧﻲ اﻟﻤﺤﻴﻄﺔ ﺑﻬﺎ‬ ‫‪ ٢٫٣‬ﺳﺎﺣﺎت ﺻﻐﻴﺮة‬ ‫• ﻋﺪم وﺿﻊ ﻣﺴﺎﺣﺎت ﻟﻠﺠﻠﻮس‬ ‫• ان ﺗﻜﻮن ﻋﻨﺼﺮ ﻳﺮﺑﻂ ﺟﻤﻴﻊ اﻟﻔﺮاﻏﺎت اﻟﻤﺤﻴﻄﺔ ﺑﻬﺎ‬ ‫• ان ﻳﻜﻮن ﺗﺒﻠﻴﻂ اﻻرﺿﻴﺔ ﻧﻔﺲ ﺗﺒﻠﻴﻂ اﻟﻔﺮاﻏﺎت اﻟﻤﺤﻴﻄﺔ ﺑﻬﺎ‬

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5.1 Concept 5.1.1 Social Concept 5.1.2 Envairomental Concept 5.1.3 Functional Concept 5.2 Concept Development 5.2.1 Strategies 5.2.2 Zoning 5.2.3 Design Process 5.2.4 Mass Generation 5.3 Facade Concept

5.0 DESIGN CONCEPT

5.0 DESIGN CONCEPT 5.1.1 SOCIAL CONCEPT The visitors come from the four main axes of Albalad, intersecting with the site of the project and those coming through different experiences in the fabric of the region. The idea is to replicate that experience in the project and provide a vision area that allows the visitor to see that fabric through the project.

To North

‫اﻟﻘﺎدﻣﻴﻦ ﻣﻦ اﻟﻤﺤﺎور ا رﺑﻌﺔ اﻟﺮﺋﻴﺴﻴﺔ ﻟﻠﺒﻠﺪ ﻳﺘﻘﺎﻃﻌﻮن‬ ‫ﻣﻊ ﻣﻮﻗﻊ اﻟﻤﺸﺮوع واﻟﻘﺎدﻣﻴﻦ ﻳﻤﺮون ﺑﺘﺠﺎرب ﻣﺨﺘﻠﻔﺔ‬ ‫ﺑﻨﺴﻴﺞ اﻟﻤﻨﻄﻘﺔ ﻓﺎﻟﻔﻜﺮة ﺗﻜﻤﻦ ﻓﻲ ﺗﻜﺮار ﺗﻠﻚ اﻟﺘﺠﺮﺑﺔ‬ ‫ﻓﻲ اﻟﻤﺸﺮوع وﺗﻮﻓﻴﺮ ﻣﻨﻄﻘﺔ رؤﻳﺔ ﺗﺘﻴﺢ ﻟﻠﺰاﺋﺮ رؤﻳﺔ ذﻟﻚ‬ .‫اﻟﻨﺴﻴﺞ ﻣﻦ ﺧﻼل ﻃﻴﺮﻣﺔ اﻟﻤﺸﺮوع‬ To East

Almadinah Gate Different Experience

Different Experience

Makkah Gate

Different Experience

To West

Albahar Gate

Different Experience

Shareef Gate

33

To South

5.0 DESIGN CONCEPT 5.1.2 ENVIRONMENTAL CONCEPT One of the characteristics of Jeddah's old identity is the climate component because it benefits from the continuity of air movement (cross ventilation).

When placing ventilation openings, you are placing inlets and outlets to optimize the path air follows through the building.

Windows or vents placed on opposite sides of the building give natural breezes a pathway through the structure. This is called cross-ventilation. Cross-ventilation is generally the most effective form of wind ventilation.

Also, you can increase cross ventilation by having larger openings on the leeward faces of the building that the windward faces and placing inlets at higher pressure zones and outlets at lower pressure zones. ‫ﻗﺪﻳﻤﺎ ﻟﻬﻮﻳﺔ ﺟﺪة ﻫﻮ‬ ‫إﺣﺪى اﻟﺨﺼﺎﺋﺺ اﻟﻤﻜﻮﻧﺔ‬ ً ‫اﻟﻌﻨﺼﺮ اﻟﻤﻨﺎﺧﻲ ﻛﻮﻧﻬﺎ ﺗﺴﺘﻔﻴﺪ ﻣﻦ اﺳﺘﻤﺮارﻳﺔ‬ .‫ﺣﺮﻛﺔ اﻟﻬﻮاء‬ ‫ﻓﻌﻨﺪ ﺗﺼﻤﻴﻢ اﻟﻔﺘﺤﺎت ﻓﻲ اﻟﻤﺒﻨﻰ ﺗﻜﻮن ﻣﻮاﺟﻬﺔ‬ ‫ﻟﻠﺮﻳﺎح ﻟﺘﺠﻠﺐ اﻟﻬﻮاء ﻟﺘﺤﺴﻴﻦ ﺟﻮدة اﻟﻔﺮاغ اﻟﺪاﺧﻠﻲ‬ .‫ﺑﺎﻟﺘﻬﻮﻳﺔ اﻟﻄﺒﻴﻌﻴﺔ‬ ‫وﻳﻤﻜﻦ زﻳﺎدة اﻟﺘﻬﻮﻳﺔ ﻋﺒﺮ وﺟﻮد ﻓﺘﺤﺎت ﻛﺒﺮى ﻓﻲ‬ ‫اﻟﻤﻨﺎﻃﻖ ذات اﻟﻀﻐﻂ اﻟﻤﻨﺨﻔﺾ واﺧﺮى ﺻﻐﻴﺮة‬ .‫ﻓﻲ اﻟﻤﻨﺎﻃﻖ ذات اﻟﻀﻐﻂ اﻟﻌﺎﻟﻲ‬

Right

34

Fail

SIMULATION FRAMEWORK Velocity m/s 6 4.5 3 1.5 0

Wind Vilocity - 3m/s Wind Direction - NW Hight - 1.75m

NASSEF OPENING

5.0 DESIGN CONCEPT 5.1.3 FUNCTIONAL CONCEPT The cultural center is multi-functional cultural and entertainment must increase the element of experience and the idea that there is an element of experience between the spaces can be an internal or external visual element.

There are many options for movement through the Cultural Center, including: 1. The buildings are separated and the movement of the buildings is carried out separately.

2. The building shall be treated horizontally and the movement shall be connected between the spaces and not separated until the departure of the cultural center.

3. The building shall be treated horizontally and vertically and the movement shall be connected in parts and separated in other parts until the departure of the cultural center.

‫ﻛﻮن اﻟﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ ﻣﺘﻌﺪد اﻟﻮﻇﺎﺋﻒ اﻟﺜﻘﺎﻓﻴﺔ‬ ‫واﻟﺘﺮﻓﻴﻬﻴﺔ ﻓﻴﺠﺐ زﻳﺎدة ﻋﻨﺼﺮ اﻟﺨﺒﺮة ﻓﺘﻜﻤﻦ‬ ‫اﻟﻔﻜﺮة ﻓﻲ وﺟﻮد ﻋﻨﺼﺮ ﺧﺒﺮة ﺑﻴﻦ اﻟﻔﺮاﻏﺎت ﻳﻤﻜﻦ‬ .‫أن ﻳﻜﻮن ﻋﻨﺼﺮ ﺑﺼﺮي داﺧﻠﻲ أو ﺧﺎرﺟﻲ‬ ‫ﺗﻮﺟﺪ اﻟﻌﺪﻳﺪ ﻣﻦ اﻟﺨﻴﺎرات ﻟﻠﺤﺮﻛﺔ ﻣﻦ ﺧﻼل‬ :‫اﻟﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ ﻣﻨﻬﺎ أن‬ ‫ ﻳﺘﻢ ﻓﺼﻞ اﻟﻤﺒﺎﻧﻲ وﺗﺘﻢ ﻋﻤﻠﻴﺔ اﻟﺤﺮﻛﺔ داﺧﻞ‬-١ .‫اﻟﻤﺒﺎﻧﻲ ﺑﺸﻜﻞ ﻣﻨﻔﺼﻞ‬ ‫ أن ﺗﺘﻢ ﻣﻌﺎﻣﻠﺔ اﻟﻤﺒﻨﻰ ﺑﺸﻜﻞ أﻓﻘﻲ وأن ﺗﻜﻮن‬-٢ ‫اﻟﺤﺮﻛﺔ ﻣﺘﺼﻠﺔ ﺑﻴﻦ اﻟﻔﺮاﻏﺎت وﻏﻴﺮ ﻣﻨﻔﺼﻠﺔ ﺣﺘﻰ‬ .‫ﻣﻐﺎدرة اﻟﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ‬ ‫ أن ﺗﺘﻢ ﻣﻌﺎﻣﻠﺔ اﻟﻤﺒﻨﻰ ﺑﺸﻜﻞ أﻓﻘﻲ ورأﺳﻲ وأن‬-٣ ‫ﺗﻜﻮن اﻟﺤﺮﻛﺔ ﻣﺘﺼﻠﺔ ﻓﻲ أﺟﺰاء وﻣﻨﻔﺼﻠﺔ ﻓﻲ‬ .‫أﺟﺰاء أﺧﺮى ﺣﺘﻰ ﻣﻐﺎدرة اﻟﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ‬

35

MOVEMENT CONCEPT

F1

E

F2

E

E

Cortyards

Exhibitions

F3

Nassef Museum

F5

E

Culture

Exhibitions

Museum

Public

Cortyards

Entertainment

Auditorium

Nassef

F4 Function

ALTERNATIVE A

ALTERNATIVE B

Shared Space

Building

ALTERNATIVE C

Space

Space

Experience

5.0 DESIGN CONCEPT 5.2.1 STRATEGIES CONCEPT

Transition Of Space

Highest

Vertical Expansion

Link Between Historic And New Buildings

Visual Communication

Use Space For Movment

Entrances With One Treatment

Services In New Buildings

New Technology

Public Con

nec

Semi Public

Connect

t

Semi Private

Connect Buildings

36

5.0 DESIGN CONCEPT 5.2.2 ZONING Public

Based on the current data of the site and based on the strategies already set in the urban design project and based on the site analysis studies, some key decisions were made.

Semi Public

Zone

Historic Building Class A

Zone

Zone

‫وﺑﻨﺎء ﻋﻠﻰ‬ ‫ﻣﻦ اﻟﻤﻌﻄﻴﺎت اﻟﺤﺎﻟﻴﺔ ﻟﻠﻤﻮﻗﻊ‬ ً ً ‫ﻣﺴﺒﻘﺎ ﻓﻲ ﻣﺸﺮوع‬ ‫ﺳﺘﺮاﺗﻴﺠﻴﺎت اﻟﻤﻮﺿﻮﻋﺔ‬ ‫ا‬ ‫وﺑﻨﺎء ﻋﻠﻰ دراﺳﺎت ﺗﺤﻠﻴﻞ‬ ‫اﻟﺘﺼﻤﻴﻢ اﻟﺤﻀﺮي‬ ً .‫اﻟﻤﻮﻗﻊ ﻓﻘﺪ ﺗﻢ إﺗﺨﺎذ ﺑﻌﺾ اﻟﻘﺮارات اﻟﺮﺋﻴﺴﻴﺔ‬

Zone

Semi Private Historic Building Class C

‫ﺗﻢ إزاﻟﺔ اﻟﻤﺒﺎﻧﻲ اﻟﻤﺴﺘﺤﺪﺛﺔ اﻟﻐﻴﺮ ﺗﺎرﻳﺨﻴﺔ ﺑﺎﻟﻤﻮﻗﻊ‬ ‫واﻟﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ اﻟﻘﺸﺮة اﻟﺨﺎرﺟﻴﺔ ﻟﻠﻤﺒﺎﻧﻲ‬ ‫ واﻟﻤﺤﺎﻓﻈﺔ‬،‫اﻟﺘﺎرﻳﺨﻴﺔ ﻣﻦ ﺗﺼﻨﻴﻒ ب و ﺗﺼﻨﻴﻒ ج‬ .‫ﻋﻠﻰ ﻣﺒﻨﻰ ﻧﺼﻴﻒ‬

Zone Historic Building Class B

‫ﺑﻨﺎء ﻣﺒﺎﻧﻲ ﺟﺪﻳﺪة ﻓﻲ ا¡راﺿﻲ اﻟﺠﺪﻳﺪة وﺗﻌﺰﻳﺰ رﺑﻂ‬ ‫اﻟﺴﺎﺣﺎت ﻟﻠﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ اﻟﺘﺪرج اﻟﺬي ﻳﻌﻜﺲ‬ .‫ﻃﺒﻴﻌﺔ اﻟﻤﻨﻄﻘﺔ اﻟﺘﺎرﻳﺨﻴﺔ‬

Historic Building Class B

New Building

New Building

Zone Zone

37

t

Connect

Building new buildings in the new land and strengthening the linking of squares to maintain a gradient that reflects the nature of the historical area.

nec

Zone

The non-historic buildings on the site were removed and the external veneer of the historic buildings was preserved from classification B and classification C, and the preservation of the Naseef Building.

Con

Zone

5.0 DESIGN CONCEPT 5.2.2 ZONING

The areas around the project are designed to be user and visitor areas and according to the main activities of the project, and the design of the interior arena as well.

And enhance the spirit of the project by defining the project's inputs as materials and uses. ‫ﺗﻢ ﺗﺤﺪﻳﺪ ﺣﺪود اﻟﻤﺒﺎﻧﻲ اﻟﺠﺪﻳﺪة ﺑﻨﺎء ﻋﻠﻰ ﻣﺮاﺟﻊ‬ ‫ﻟﻠﺠﺪران اﻟﺨﺎرﺟﻴﺔ وﺗﻮﺟﻴﻬﻬﺎ ﻟﺘﻠﻚ اﻟﻤﺒﺎﻧﻲ‬ . ‫اﻟﺘﺎرﻳﺨﻴﺔ‬

Nassef Plaza forance - Entr

haded

Sitting s

Sitting shaded around Dakah Nassef

Sculpture

int

Nassef House

ace

Entrance Sp

Entranatcores - Stairs ev

n - El Receptio

ea Green Ar

Zone

Outdoor Sitting Shaded

38

i Private Plaza - Sem - Trees e ap Landsc

a

Green Are

Void to above -Ramp-

ed Sitting shad Sitting Restaurant

a

Green Are

Shaded axis

i Private Plaza - Sem - Trees e ap sc Land

Entrance

ed Sitting shad Cafe Sitting

ape

Landsc

Elevators Reception Stairs

Sitting shaded ting Cafe Sit

ed

Sitting Shad

n Gree Area

Plaza

ic Semi Publ Landscape ed Sitting shad ns Intersectio

Library - Exhibition

Theatre

Landscap - Intersections Sitting shaded

Atraction Po

Retail

Library - Muilti pourpose hall

Adminstrative - Public

Public Plaza - Seme i- Tre es

Green Area

‫وﺗﻌﺰﻳﺰ روح اﻟﻤﺸﺮوع ﻣﻦ ﺧﻼل ﺗﻌﺮﻳﻒ ﻣﺪاﺧﻞ‬ .‫اﻟﻤﺸﺮوع ﻛﻤﻮاد وإﺳﺘﺨﺪاﻣﺎت‬

Exhibition

nter

Plaza For Art Ce

‫وﺗﻢ ﺗﺼﻤﻴﻢ اﻟﻤﻨﺎﻃﻖ اﻟﻤﺤﻴﻄﺔ ﺑﺎﻟﻤﺸﺮوع‬ ‫ﻟﺘﻜﻮن ﻣﻨﺎﻃﻖ ﻟﻠﻤﺴﺘﺨﺪﻣﻴﻦ واﻟﺰوار وﻋﻠﻰ ﺣﺴﺐ‬ ‫ وﺗﺼﻤﻴﻢ اﻟﺴﺎﺣﺔ‬،‫ا ﻧﺸﻄﺔ اﻟﺮﺋﻴﺴﻴﺔ ﻟﻠﻤﺸﺮوع‬ .‫اﻟﺪاﺧﻠﻴﺔ ﻛﺬﻟﻚ‬

Resturant - Public

Shaded

es -Sculpture Landscape - Tre tions g wind - Intersec cin Fa ed ad sh Sitting

Entrance to stage

The boundaries of the new buildings have been determined based on references to external walls and their orientation to these historic buildings.

Outdoor Sitting

a - Public Welcoming Plaz

Cafe

rea Green A r Outdoo Sitting Shaded

ce Entra-nElevators

tion Recep - Services Stairs

Plaza for Retail

urant

Resta

Plaza - Semi Public Landscape - Trees Sitting shaded - Intersections

Shop Shop

5.0 DESIGN CONCEPT 5.2.3 DESIGN PROCESS

Ground Floor Zoning

First Floor Zoning

Seconed Floor Zoning

Section Zonning

Third Floor Zoning

Public Small Cinema- Museum

Museum Entrance - Lobby

Nassef Exhibition

Museum

Museum

Extension

Roof

Library - Education - Museum Exhibition

Public

Restaurant

Roof

Services

Services

Services Library - Education

Services Small Cinema

Core

Exhibition

Core

Entrance Lobby

Core

39

Cafe

Core

Retail

Public

Roof

Theatre Entrance

Theatre

5.0 DESIGN CONCEPT 5.2.3 DESIGN PROCESS

Ground Floor Zoning

First Floor Zoning

Seconed Floor Zoning

Fourth Floor Zoning

Section Zonning Adminstrative - Public

Museum Entrance - Lobby

Library - Small Cinema- Museum Culture Center Entrance - Lobby Core

Public

Nassef Exhibition

Museum

Extension

Core

Restaurant

Public Administrative

Library Core

Core

Cafe

Core

Roof Roof

Services Retail

Museum Roof

Theatre Entrance

Exhibition

Services

Education Library Roof

40

Third Floor Zoning

Services

Services Small Cinema

Library - Education - Museum Exhibition Public Theatre

5.0 DESIGN CONCEPT 5.2.3 DESIGN PROCESS

Ground Floor Zoning

First Floor Zoning

Seconed Floor Zoning

Third Floor Zoning

Fourth Floor Zoning

Section Zonning Adminstrative - Public

Museum Entrance - Lobby

Museum

Nassef Exhibition

Culture Center Entrance

Extension

Library - Small Cinema- Museum

Public

Museum

Library - Education - Museum

Roof

Exhibition Theatre Entrance

Public

Cafe Roof

Services Retail

41

Restaurant

Exhibition

Adminstrative

Small Cinema Rooms

Public Roof Library

Library - Educations Roof

Library

Theatre

5.0 DESIGN CONCEPT

First Floor Zoning

Seconed Floor Zoning

Third Floor Zoning

Fourth Floor Zoning

Section Zonning Resturant - Public

Entrance Exhibition Adminstraitave

Library Core

Core

Entrance

Outdoor Exhibition

Exhibition

Services

Services

Core

Core Atruim

Lobby

Core

Lobby

Core

Lobby

Core

Atruim

Library - Muilti pourpose hall

Core

Library - Exhibition

Services

Services

Core

Atruim

Resturant

Library

Core

5.2.3 DESIGN PROCESS

Ground Floor Zoning

Atruim

Atruim

Exhibition Entrance

Core

Resturant

Double Height

Exhibition

Kitchen

Entrance

Retail

Shop Shop

45 42

n Kitche

Cafe

Services

Triple Height

Exhibition

Lobby

Lobby

Services

Library Core

Core Services

Outdoor

Muilti Pourpose hall Lobby

Lobby

Services

Library

Teramah

Social

Core Services

Outdoor

Services

Services Core

Services Outdoor

Core

Adminstrative - Public Theatre

5.0 DESIGN CONCEPT 5.2.4 MASS GENERATION

The proposed treatment of the area of removing and adding new buildings serving the region, as well as to increase the size of some of the main squares and treatment of historic buildings and buildings based on the criteria.

URBAN DEVELOPMENT

‫إﺳﺘﻜﻤﺎﻟًﺎ ﻟﻤﺸﺮوع ﺗﻄﻮﻳﺮ ﻣﺤﻮر أﺑﻮ ﻋﻨﺒﺔ وإﺳﺘﻤﺮا ًرا ﻟﻌﻤﻠﻴﺔ اﻟﺘﻄﻮﻳﺮ اﻟﺤﻀﺮي‬ ‫ وﻓﻲ‬،‫ﻓﻘﺪ ﺗﻢ إﻋﺘﻤﺎد اﻟﺘﺼﻤﻴﻢ اﻟﻤﻘﺘﺮح ﻟﻠﻤﻨﻄﻘﺔ واﻟﺘﺼﻤﻴﻢ ﺑﻨﺎء ﻋﻠﻰ ﻣﺎﻗﺮر‬ ‫ﺑﺪاﻳﺔ ﻋﻤﻠﻴﺔ اﻟﺘﺼﻤﻴﻢ ﺗﻢ اﻟﺤﻔﺎظ ﻋﻠﻰ اﻟﻤﺒﺎﻧﻲ اﻟﺘﺎرﻳﺨﻴﺔ وازاﻟﺔ اﻟﻤﺒﺎﻧﻲ‬ .‫اﻟﻤﺴﺘﺤﺪﺛﺔ وﺗﺪﻋﻴﻢ ﺗﺪرج اﻟﺴﺎﺣﺎت‬

BUILDINGS DECISION - SPACES DECISION

Stage A new building support the region contains four floors and its should be similar to the old fabric.

2

1

Transion of space

Fine Art Center

Class A

43

Non-historic building

Historic Buildings

Public Space

Class B

1

Art Center

New Buildings

Semi Public Space

Class C

2

Stage

Demolition and Build a new building

Semi Private Space

5.0 DESIGN CONCEPT 5.2.4 MASS GENERATION

The proposed treatment of the area of removing and adding new buildings serving the region, as well as to increase the size of some of the main squares and treatment of historic buildings and buildings based on the criteria.

NEW BUILDINGS VERTICALLY - HORIZONTALLY

‫اﺿﺎﻓﺔ ﻣﺒﺎﻧﻲ ﺟﺪﻳﺪة ﻟﻠﻤﺸﺮوع ﻣﻊ إﻣﻜﺎﻧﻴﺔ ﺗﻤﺪدﻫﺎ ﺑﺸﻜﻞ رأﺳﻲ وأﻓﻘﻲ وﺗﻠﻚ‬ ‫ وﻳﻤﻜﻦ ﺗﻌﺮﻳﻒ اﻟﻤﺪاﺧﻞ ﺑﺮوح‬،‫اﻟﻤﺒﺎﻧﻲ ﻟﻬﺎ ﻣﺮﺟﻊ ﺗﺎرﻳﺨﻲ ﻛﺤﺪود وإرﺗﻔﺎﻋﺎت‬ .‫واﺣﺪة ﻟﻀﻤﺎن ﺗﺄﻛﻴﺪ اﺗﺼﺎﻟﻴﺔ اﻟﻤﺸﺮوع ورﺑﻂ اﻟﻤﺤﺎور ﺑﺎﻟﺴﺎﺣﺔ اﻟﺪاﺧﻠﻴﺔ‬

MAIN AXIES - SERVICES AXIES TO BUILDINGS AND COURTYARD

Add Axis Services Axies New Buildings

Main Axies Vertical Extension

44

Historic Buildings

Historic Buildings

Courtyard

New Buildings

New Buildings

Axis to courtyard

Basement

Entrances

Services axis

5.0 DESIGN CONCEPT 5.2.4 MASS GENERATION

The proposed treatment of the area of removing and adding new buildings serving the region, as well as to increase the size of some of the main squares and treatment of historic buildings and buildings based on the criteria.

SERVICES IN NEW BUILDINGS - LINK CENTER WITH NASSEF

‫اﻟﺨﺪﻣﺎت اﻟﻤﺴﺎﻧﺪة ﺗﻜﻮن ﻓﻲ اﻟﻤﺒﺎﻧﻲ اﻟﺠﺪﻳﺪة وﺗﺸﻤﻞ اﻟﻤﺼﺎﻋﺪ ودورات‬ ‫ واﻟﺘﺄﻛﻴﺪ ﻋﻠﻰ‬،‫ واﻟﺮﺑﻂ ﻣﻊ ﺑﻴﺖ ﻧﺼﻴﻒ وﻇﻴﻔ ًﻴﺎ ﻣﻦ ﺧﻼل اﻟﻤﻌﺮض‬،‫اﻟﻤﻴﺎه وﻏﻴﺮﻫﺎ‬ .‫اﻟﺮﺑﻂ ﺑﻴﻦ اﻟﺪاﺧﻞ واﻟﺨﺎرج ﻣﻦ ﺧﻼل ا ﻧﺸﻄﺔ اﻟﺘﻲ ﻣﻜﻦ إﻗﺎﻣﺘﻬﺎ ﻓﻲ اﻟﺴﺎﺣﺎت‬

COMMUNICATION BETWEEN OUTDOOR AND INDOOR - PUBLIC USE

Shops - Public use

Services in new buildings

Link between nassef and new buildings

Users functions

Historic Buildings

45

Courtyard

Communication between indoor and outdoor

Historic Buildings

New Buildings

New Buildings

Entrances

Public Use

5.0 DESIGN CONCEPT 5.2.4 MASS GENERATION

The proposed treatment of the area of removing and adding new buildings serving the region, as well as to increase the size of some of the main squares and treatment of historic buildings and buildings based on the criteria.

RAMP EXPERIANCE - OUTDOR ACTIVITEIS

‫اﺿﺎﻓﺔ ﻋﻨﺼﺮ اﻟﺨﺒﺮة ﻣﻦ ﺧﻼل اﻟﺮاﻣﺐ اﻟﺬي ﻳﺼﻞ ﺑﺎﻟﻤﺸﺮوع رأﺳ ًﻴﺎ وﺻﻮﻟًﺎ ﻟﻠﺪور‬ ‫ وﻳﻤﻜﻦ‬، - ‫ ﺑﺎﻧﻮراﻣﻴﺔ‬- ‫ درﺟﺔ‬٣٦٠ ‫ا ﺧﻴﺮ اﻟﺬي ﻳﺘﻴﺢ ﻟﻠﺰوار أﻃﻼﻟﺔ ﺑﺼﺮﻳﺔ ﺑﻤﻘﺪار‬ ‫ واﻻﺳﺘﻔﺎدة ﻣﻦ اﻟﺘﻬﻮﻳﺔ‬،‫ا ﺳﺘﻔﺎدة ﻣﻦ ا ﺳﻘﻒ ﻟﻠﻔﻌﺎﻟﻴﺎت ا ﺟﺘﻤﺎﻋﻴﺔ‬ .‫اﻟﻄﺒﻴﻌﻴﺔ ﻓﻲ ﺗﺼﻤﻴﻢ اﻟﻤﺸﺮوع‬

TAKE ADVANTGE FROM CROSS VENTILATION

Take advantage of cross ven.

Resturant Outdoor Activities

Atruim Ramp

Historic Buildings

46

Take advantage of cross ven.

Outdoor space

Historic Buildings

New Buildings

New Buildings

Entrances

Ventilation

5.0 DESIGN CONCEPT 5.3 FACADE CONCEPT Elevation Design 4

3

2

As well as taking into account the openings and vertical ratios in Beit Nasif, in addition to the use of small openings that provide lighting, ventilation and shading of the project.

3

ً ‫وأﻳﻀﺎ ﻣﺮاﻋﺎة اﻟﻔﺘﺤﺎت واﻟﻨﺴﺐ اﻟﺮأﺳﻴﺔ اﻟﻤﻮﺟﻮدة‬ ‫ ﺑﺎ ﺿﺎﻓﺔ إﻟﻰ إﺳﺘﺨﺪام ﻓﺘﺤﺎت‬،‫ﺑﺒﻴﺖ ﻧﺼﻴﻒ‬ ‫ﺻﻐﻴﺮة ﺗﻮﻓﺮ ا ﺿﺎءة واﻟﺘﻬﻮﻳﺔ واﻟﺘﻈﻠﻴﻞ‬ .‫ﻟﻠﻤﺸﺮوع‬

2

1

Mood Board

Small Opening Effect To increase cooling effectiveness, a smaller inlet can be paired with a larger outlet opening. With this configuration, inlet air can have a higher velocity. Because the same amount of air must pass through both the bigger and smaller openings in the same period of time, it must pass through the smaller opening more quickly.

Small openning

Outdoor

ً ‫أﻳﻀﺎ إﺳﺘﺨﺪام اﻟﺤﺠﺮ اﻟﻤﻨﻘﺒﻲ ﻛﺮوح رﺋﻴﺴﻴﺔ‬ ‫ ﻛﻮن اﻟﻤﺪاﺧﻞ اﻟﺘﺎرﻳﺨﻴﺔ‬،‫ﻟﺘﻌﺮﻳﻒ ﻣﺪاﺧﻞ اﻟﻤﺸﺮوع‬ .‫ﺗﺤﺘﻮي ﻋﻠﻰ ﺗﻠﻚ اﻟﺮوح‬

4

1

The use of coral stone as the main spirit to define the entrances of the project, because the historical entrances contain that spirit. ‫اﻟﻔﻜﺮة اﻟﺮﺋﻴﺴﻴﺔ ﻓﻲ اﻟﻮاﺟﻬﺎت ﻫﻲ ﻣﺮاﻋﺎة اﻟﺘﺪرج‬ ‫اﻟﻤﻮﺟﻮد ﺑﻲ ﺑﻴﺖ ﻧﺼﻴﻒ ﻓﺎﻟﺮاﺋﻲ ﻟﺒﻴﺖ ﻧﺼﻴﻒ ﻳﺠﺪه‬ ‫ﺑﺄرﺑﻌﺔ ﻧﻬﺎﻳﺎت وﻫﻮ ﻣﺎ ﺗﻢ ﻣﺤﺎوﻟﺔ ﺗﺤﻘﻴﻘﻪ ﻓﻲ‬ .‫اﻟﻤﺒﻨﻰ اﻟﺠﺪﻳﺪ‬

Shaburah

Provide shade, natural lighting and dust protection

47

Indoor

The main idea in the facades is to take into account the gradient located in Beit Nasif.

The façade of Beit Naseef finds it with four ends, which is what was attempted in the new building.

6.1 Plans 6.2 Section 6.3 Elevations 6.4 Product Analysis 6.5 Mood Board

6.0 BUILDING DESIGN

6.0 BUILDING DESIGN 6.1 GROUND FLOOR ON SITE

ce

ntran

rt E ine A

F

The project has four main entrances: the first is a direct entrance to Beit Nassif and the other is a private entrance to the theater down the ground, the other two are the cultural center. ‫ﻟﻠﻤﺸﺮوع أرﺑﻌﺔ ﻣﺪاﺧﻞ رﺋﻴﺴﻴﺔ ا ول ﻣﺪﺧﻞ ﻣﺒﺎﺷﺮ‬ ‫ﻟﺒﻴﺖ ﻧﺼﻴﻒ وا ﺧﺮ ﻣﺪﺧﻞ ﺧﺎص ﻟﻠﻤﺴﺮح ﺳﻔﻞ‬ .‫ أﻣﺎ اﻟﻤﺪﺧﻼن ا ﺧﺮان ﻓﻬﻤﺎ ﻟﻠﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ‬،‫ا رض‬

C

Public View

Resturant

C Services Atruim

UP UP

s

e rvic

Se

UP

Museum UP

Mechanical Room

UP UP

Services Atruim

Muilti Pourpose hall

Ser Museum

s

vice

Lobby Social Activities

Services Atruim

Exhibition

s

ice

v Ser Exhibition

Lobby

Music Art & Expressive Art Entrance

A UP

Library

Resturant

Ser

s

vice

Lobby

A

UP

B Library

UP

Services Entrance Atruim

Resturant

Nassef Museum Entrance

Ser

s

vice

UP

Entrance

Cafe Theater Entrance Retail

B

0 1 2 3 4

49

6

8

10m N

6.0 BUILDING DESIGN 6.2.1 FIRST FLOOR In the first floor of the buildings in the Eastern Block, an exhibition connected to Beit Nassif and moving in that block using a slope related to all the roles.

C

In the southern bloc, services were distributed in the new block and the historical buildings for other spatial uses were maintained.

C

Nasif House is an exhibition connected to the new East Block as an extension of the exhibition when needed.

UP UP UP

UP UP UP

‫ﻓﻲ اﻟﺪور ا ول ﻣﻦ اﻟﻤﺒﺎﻧﻲ ﻓﻲ اﻟﻜﺘﻠﺔ اﻟﺸﺮﻗﻴﺔ ﻣﻌﺮض‬ ‫ﻣﺘﺼﻞ ﺑﺒﻴﺖ ﻧﺼﻴﻒ وﻳﺘﻢ اﻟﺘﻨﻘﻞ ﻓﻲ ﺗﻠﻚ اﻟﻜﺘﻠﺔ‬ .‫ﺑﺈﺳﺘﺨﺪام ﻣﻨﺤﺪر ﻳﺘﺼﻞ ﺑﻜﻞ ا دوار‬

DN

‫ﻓﻲ اﻟﻜﺘﻠﺔ اﻟﺠﻨﻮﺑﻴﺔ ﺗﻢ ﺗﻮزﻳﻊ اﻟﺨﺪﻣﺎت ﻓﻲ اﻟﻜﺘﻠﺔ‬ ‫اﻟﺠﺪﻳﺪة واﻟﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ اﻟﻤﺒﺎﻧﻲ اﻟﺘﺎرﻳﺨﻴﺔ‬ ‫ وﻳﻌﺘﺒﺮ ا ﺳﺘﺨﺪام‬، ‫ﻟ ﺳﺘﺨﺪاﻣﺎت اﻟﻔﺮاﻏﻴﺔ ا ﺧﺮى‬ .‫اﻟﺮﺋﻴﺴﻲ ﻓﻴﻬﺎ ﻟﻠﻤﻜﺘﺒﺔ واﻟﻘﺮاءة‬

A

‫أﻣﺎ ﺑﻴﺖ ﻧﺼﻴﻒ ﻓﻬﻮ ﻣﻌﺮض ﻣﺘﺼﻞ ﺑﺎﻟﻜﺘﻠﺔ اﻟﺸﺮﻗﻴﺔ‬ .‫اﻟﺠﺪﻳﺪة ﻛﺈﻣﺘﺪاد ﻟﻠﻤﻌﺮض ﻋﻨﺪ اﻟﺤﺎﺟﺔ‬ A B Exhibition Core Exhibition UP

Core Atruim UP

Double Height

Exhibition Lobby

Services

Library Core Services

0 1 2 3 4

50

6

8

10m N

B

6.0 BUILDING DESIGN 6.2.2 SECOND FLOOR In the second floor of the buildings in the Eastern Block there is a multi-use hall.

In the southern bloc, services were distributed in the new block and the historical buildings for other spatial uses were maintained.

C

Nasif's house is a museum with two halls serving the culture of the region.

C

UP UP

‫ﻓﻲ اﻟﺪور اﻟﺜﺎﻧﻲ ﻣﻦ اﻟﻤﺒﺎﻧﻲ ﻓﻲ اﻟﻜﺘﻠﺔ اﻟﺸﺮﻗﻴﺔ ﻗﺎﻋﺔ‬ ‫ﻣﺘﻌﺪدة ا ﺳﺘﺨﺪاﻣﺎت وﻳﺘﻢ اﻟﺘﻨﻘﻞ ﻓﻲ ﺗﻠﻚ اﻟﻜﺘﻠﺔ‬ .‫ﺑﺈﺳﺘﺨﺪام ﻣﻨﺤﺪر ﻳﺘﺼﻞ ﺑﻜﻞ ا دوار‬

UP

‫ﻓﻲ اﻟﻜﺘﻠﺔ اﻟﺠﻨﻮﺑﻴﺔ ﺗﻢ ﺗﻮزﻳﻊ اﻟﺨﺪﻣﺎت ﻓﻲ اﻟﻜﺘﻠﺔ‬ ‫اﻟﺠﺪﻳﺪة واﻟﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ اﻟﻤﺒﺎﻧﻲ اﻟﺘﺎرﻳﺨﻴﺔ‬ ‫ وﻳﻌﺘﺒﺮ ا ﺳﺘﺨﺪام‬، ‫ﻟ ﺳﺘﺨﺪاﻣﺎت اﻟﻔﺮاﻏﻴﺔ ا ﺧﺮى‬ .‫اﻟﺮﺋﻴﺴﻲ ﻓﻴﻬﺎ ﻟﻠﻤﻜﺘﺒﺔ واﻟﻘﺮاءة‬

DN

A

‫أﻣﺎ ﺑﻴﺖ ﻧﺼﻴﻒ ﻓﻬﻮ ﻣﺘﺤﻒ ﻋﻠﻰ دورﻳﻦ ﻳﺨﺪم ﺛﻘﺎﻓﺔ‬ .‫اﻟﻤﻨﻄﻘﺔ‬

A B Library Outdoor Exhibition

Services

Lobby

Core UP

Core

DN

Atruim

Muilti Pourpose hall

Triple Height

Lobby

Services

Library Core Services

0 1 2 3 4

51

6

8

10m N

B

6.0 BUILDING DESIGN 6.2.3 THIRD FLOOR In the third floor of the buildings in the Eastern Block an area for external social activities.

In the southern bloc, services were distributed in the new block and the historical buildings for other spatial uses were maintained.

C

Nasif's house is a museum with two halls serving the culture of the region.

C

UP

‫ﻓﻲ اﻟﺪور اﻟﺜﺎﻟﺚ ﻣﻦ اﻟﻤﺒﺎﻧﻲ ﻓﻲ اﻟﻜﺘﻠﺔ اﻟﺸﺮﻗﻴﺔ‬ .‫ﻣﻨﻄﻘﺔ ﻟ ﻧﺸﻄﺔ ا ﺟﺘﻤﺎﻋﻴﺔ اﻟﺨﺎرﺟﻴﺔ‬

UP

‫ﻓﻲ اﻟﻜﺘﻠﺔ اﻟﺠﻨﻮﺑﻴﺔ ﺗﻢ ﺗﻮزﻳﻊ اﻟﺨﺪﻣﺎت ﻓﻲ اﻟﻜﺘﻠﺔ‬ ‫اﻟﺠﺪﻳﺪة واﻟﻤﺤﺎﻓﻈﺔ ﻋﻠﻰ اﻟﻤﺒﺎﻧﻲ اﻟﺘﺎرﻳﺨﻴﺔ‬ ‫ وﻳﻌﺘﺒﺮ ا ﺳﺘﺨﺪام‬، ‫ﻟ ﺳﺘﺨﺪاﻣﺎت اﻟﻔﺮاﻏﻴﺔ ا ﺧﺮى‬ ‫اﻟﺮﺋﻴﺴﻲ ﻓﻴﻬﺎ ﻟﻠﻤﻨﺎﻃﻖ ا ﺟﺘﻤﺎﻋﻴﺔ اﻟﺪاﺧﻠﻴﺔ‬ .‫واﻟﺨﺎرﺟﻴﺔ‬ A

‫أﻣﺎ ﺑﻴﺖ ﻧﺼﻴﻒ ﻓﻬﻮ ﻣﺘﺤﻒ ﻋﻠﻰ دورﻳﻦ ﻳﺨﺪم ﺛﻘﺎﻓﺔ‬ .‫اﻟﻤﻨﻄﻘﺔ‬

A B Library Lobby

Core

UP

Services

UP

Core

Atruim

outdoor

Lobby Teramah

Outdoor

0 1 2 3 4

52

Social

Services Core

Services

6

8

10m N

B

6.0 BUILDING DESIGN 6.2.4 FOURTH FLOOR In the fourth floor of the buildings in the Eastern Bloc an area of external view over the entire historical area.

The southern block has an external area and a mechanical room for equipment and equipment.

Nasif House is a public restaurant in the last floor, in addition to al-Tirma.

UP

UP

UP UP

‫ﻓﻲ اﻟﺪور اﻟﺮاﺑﻊ ﻣﻦ اﻟﻤﺒﺎﻧﻲ ﻓﻲ اﻟﻜﺘﻠﺔ اﻟﺸﺮﻗﻴﺔ‬ ‫ﻣﻨﻄﻘﺔ ﻟ ﻃﻼﻟﺔ اﻟﺨﺎرﺟﻴﺔ ﻋﻠﻰ ﻛﺎﻣﻞ اﻟﻤﻨﻄﻘﺔ‬ .‫اﻟﺘﺎرﻳﺨﻴﺔ‬ ‫ﻓﻲ اﻟﻜﺘﻠﺔ اﻟﺠﻨﻮﺑﻴﺔ ﻣﻨﻄﻘﺔ ﺧﺎرﺟﻴﺔ وﻏﺮﻓﺔ‬ .‫ﻣﻴﻜﺎﻧﻴﻜﺎل ﻟ ﺟﻬﺰة واﻟﻤﻌﺪات‬ ‫أﻣﺎ ﺑﻴﺖ ﻧﺼﻴﻒ ﻓﻬﻮ ﻣﻄﻌﻢ ﻋﺎم ﻓﻲ اﻟﺪور ا ﺧﻴﺮ‬ .‫ﺑﺎ ﺿﺎﻓﺔ ﻟﻠﻄﻴﺮﻣﺔ‬

B Resturant Lobby

Core

Services Core

Atruim

Outdoor

Lobby

Services Outdoor

0 1 2 3 4

53

6

8

Core

10m N

B

‫‪6.0 BUILDING DESIGN‬‬ ‫‪6.2.5 BASEMENT‬‬ ‫‪The project has four main entrances: the first is‬‬ ‫‪a direct entrance to Beit Nassif and the other is‬‬ ‫‪a private entrance to the theater down the‬‬ ‫‪ground. The other two are the cultural center.‬‬

‫‪C‬‬

‫‪The inner courtyard is used as an outdoor‬‬ ‫‪outlet for the restaurant and cafe, and it can be‬‬ ‫‪used for outdoor activities.‬‬

‫‪C‬‬

‫‪UP‬‬

‫‪UP‬‬

‫‪A‬‬ ‫‪UP‬‬

‫‪UP‬‬

‫‪A‬‬

‫ﻛﻮن اﻟﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ ﻣﺘﻌﺪد اﻟﻮﻇﺎﺋﻒ اﻟﺜﻘﺎﻓﻴﺔ‬ ‫واﻟﺘﺮﻓﻴﻬﻴﺔ ﻓﻴﺠﺐ زﻳﺎدة ﻋﻨﺼﺮ اﻟﺨﺒﺮة ﻓﺘﻜﻤﻦ‬ ‫اﻟﻔﻜﺮة ﻓﻲ وﺟﻮد ﻋﻨﺼﺮ ﺧﺒﺮة ﺑﻴﻦ اﻟﻔﺮاﻏﺎت ﻳﻤﻜﻦ أن‬ ‫ﻳﻜﻮن ﻋﻨﺼﺮ ﺑﺼﺮي داﺧﻠﻲ أو ﺧﺎرﺟﻲ‪.‬‬ ‫ﺗﻮﺟﺪ اﻟﻌﺪﻳﺪ ﻣﻦ اﻟﺨﻴﺎرات ﻟﻠﺤﺮﻛﺔ ﻣﻦ ﺧﻼل اﻟﻤﺮﻛﺰ‬ ‫اﻟﺜﻘﺎﻓﻲ ﻣﻨﻬﺎ أن‪:‬‬ ‫‪ -١‬ﻳﺘﻢ ﻓﺼﻞ اﻟﻤﺒﺎﻧﻲ وﺗﺘﻢ ﻋﻤﻠﻴﺔ اﻟﺤﺮﻛﺔ داﺧﻞ‬ ‫اﻟﻤﺒﺎﻧﻲ ﺑﺸﻜﻞ ﻣﻨﻔﺼﻞ‪.‬‬ ‫‪ -٢‬أن ﺗﺘﻢ ﻣﻌﺎﻣﻠﺔ اﻟﻤﺒﻨﻰ ﺑﺸﻜﻞ أﻓﻘﻲ وأن ﺗﻜﻮن‬ ‫اﻟﺤﺮﻛﺔ ﻣﺘﺼﻠﺔ ﺑﻴﻦ اﻟﻔﺮاﻏﺎت وﻏﻴﺮ ﻣﻨﻔﺼﻠﺔ ﺣﺘﻰ‬ ‫ﻣﻐﺎدرة اﻟﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ‪.‬‬ ‫‪ -٣‬أن ﺗﺘﻢ ﻣﻌﺎﻣﻠﺔ اﻟﻤﺒﻨﻰ ﺑﺸﻜﻞ أﻓﻘﻲ ورأﺳﻲ وأن‬ ‫ﺗﻜﻮن اﻟﺤﺮﻛﺔ ﻣﺘﺼﻠﺔ ﻓﻲ أﺟﺰاء وﻣﻨﻔﺼﻠﺔ ﻓﻲ أﺟﺰاء‬ ‫أﺧﺮى ﺣﺘﻰ ﻣﻐﺎدرة اﻟﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ‪.‬‬

‫‪B‬‬ ‫‪Core‬‬

‫‪Lobby‬‬

‫‪B‬‬ ‫‪Back stage‬‬ ‫‪Theater‬‬

‫‪Services‬‬

‫‪Core‬‬ ‫‪Lobby‬‬

‫‪Lobby‬‬

‫‪Services‬‬

‫‪10m N‬‬

‫‪8‬‬

‫‪6‬‬

‫‪0 1 2 3 4‬‬

‫‪54‬‬

6.0 BUILDING DESIGN 6.3 ELEVATIONS 0

NORTH ELEVATION

55

1

2

3

4

6

8

10m N

6.0 BUILDING DESIGN 6.4 SECTIONS In the main sections of the project, section A represents the theater site below the square, in addition to the rise of the eastern bloc and the interior facade of the inner space of the square.

SECTION A-A

Section B represents the services site in the back-end of the project as a main service area and the back-to-back heights within. ‫ﻓﻲ اﻟﻘﻄﺎﻋﺎت اﻟﺮﺋﻴﺴﻴﺔ ﻟﻤﺸﺮوع ﻳﻤﺜﻞ اﻟﻘﻄﺎع أ‬ ‫ ﺑﺎ ﺿﺎﻓﺔ رﺗﻔﺎﻋﺎت‬،‫ﻣﻮﻗﻊ اﻟﻤﺴﺮح أﺳﻔﻞ اﻟﺴﺎﺣﺔ‬ ‫اﻟﻜﺘﻠﺔ اﻟﺸﺮﻗﻴﺔ واﻟﻮاﺟﻬﺔ اﻟﺪاﺧﻠﻴﺔ ﻟﻠﻔﺮاغ اﻟﺪاﺧﻠﻲ ﻣﻦ‬ .‫اﻟﺴﺎﺣﺔ‬ ‫أﻣﺎ اﻟﻘﻄﺎع ب ﻳﻤﺜﻞ ﻟﻨﺎ ﻣﻮﻗﻊ اﻟﺨﺪﻣﺎت ﻓﻲ اﻟﻮاﺟﻬﺔ‬ ‫اﻟﺨﻠﻔﻴﺔ ﻣﻦ اﻟﻤﺸﺮوع ﻛﻤﻨﻄﻘﺔ رﺋﻴﺴﻴﺔ ﻟﻠﺨﺪﻣﺔ‬ .‫وإرﺗﻔﺎﻋﺎت اﻟﻜﺘﻠﺔ اﻟﺨﻠﻔﻴﺔ ﻓﻲ اﻟﺪاﺧﻞ‬

SECTION B-B

0 1 2 3 4

57

6

8

10m N

6.0 BUILDING DESIGN 6.5 WALL SECTION OLGYAY BIOCLIMATIC CHART

0

MATERIALS

1

2

3

4

6

8

LEGEND

White Concrete

Wood

Mangabi stone

A

1- Brick 2- Moisure Insulation 3- Reinforced Concrete 4- Thermal Insulation 5- Mortar 6- Tiels 7- Concrete 8- Stud 9- Gpsum Board 10- Beam 11- Wiers 12- Mangabi stone 13- Wood 14- Wood fraem 15- Glass 16- Air gap

Glass

C

DETAILS A

B

C B

15 8

5 3

2

8

14

3

5

2 5

4

4

11

7

3

2

7

10

10

11

4

11

9 16

14

9

12 9 15

13

D

E 2 1

F

F

5 3

4

2 6

12

2 1

4

5 1

6

5 3

4

11

6

8

8 3

9

58

E

14

D

10m

6.0 BUILDING DESIGN 6.6 BUILDING SYSTEM In the main sections of the project, section A represents the theater site below the square, in addition to the rise of the eastern bloc and the interior facade of the inner space of the square.

Section B represents the services site in the back-end of the project as a main service area and the back-to-back heights within.

UP UP UP

‫ﻓﻲ اﻟﻘﻄﺎﻋﺎت اﻟﺮﺋﻴﺴﻴﺔ ﻟﻤﺸﺮوع ﻳﻤﺜﻞ اﻟﻘﻄﺎع أ‬ ‫ ﺑﺎ ﺿﺎﻓﺔ رﺗﻔﺎﻋﺎت‬،‫ﻣﻮﻗﻊ اﻟﻤﺴﺮح أﺳﻔﻞ اﻟﺴﺎﺣﺔ‬ ‫اﻟﻜﺘﻠﺔ اﻟﺸﺮﻗﻴﺔ واﻟﻮاﺟﻬﺔ اﻟﺪاﺧﻠﻴﺔ ﻟﻠﻔﺮاغ اﻟﺪاﺧﻠﻲ ﻣﻦ‬ .‫اﻟﺴﺎﺣﺔ‬ ‫أﻣﺎ اﻟﻘﻄﺎع ب ﻳﻤﺜﻞ ﻟﻨﺎ ﻣﻮﻗﻊ اﻟﺨﺪﻣﺎت ﻓﻲ اﻟﻮاﺟﻬﺔ‬ ‫اﻟﺨﻠﻔﻴﺔ ﻣﻦ اﻟﻤﺸﺮوع ﻛﻤﻨﻄﻘﺔ رﺋﻴﺴﻴﺔ ﻟﻠﺨﺪﻣﺔ‬ .‫وإرﺗﻔﺎﻋﺎت اﻟﻜﺘﻠﺔ اﻟﺨﻠﻔﻴﺔ ﻓﻲ اﻟﺪاﺧﻞ‬

DN

UP

DN

‫ﻳﺤﺘﻮي اﻟﻤﺸﺮوع ﻋﻠﻰ ﻋﺪد ﻣﻦ اﻟﻮﻇﺎﺋﻒ اﻟﺮﺋﻴﺴﻴﺔ‬ ‫ﻛﺒﻴﺖ ﻧﺼﻴﻒ واﻟﻤﻜﺘﺒﺔ واﻟﻤﻌﺎرض واﻟﻤﺴﺮح واﻟﻌﺪﻳﺪ‬ ‫ﻣﻦ اﻟﺨﺪﻣﺎت اﻟﻤﺴﺎﻧﺪة ﻛﺎ دارة واﻟﻌﻨﺎﺻﺮ اﻟﺘﺠﺎرﻳﺔ‬ .‫واﻟﺠﺪول اﻟﻤﺮﻓﻖ ﻳﻮﺿﺢ ﻟﻨﺎ اﻟﻌﻼﻗﺔ ﺑﻴﻦ ﺗﻠﻚ اﻟﻮﻇﺎﺋﻒ‬

Supply

Return

Supply Duct

Return Duct

Air supply path

Air return path

Cold water supply

Hot water supply

V. Stack

Drainage

Rain pipe

59

UP

DN

6.0 BUILDING DESIGN 6.6 BUILDING SYSTEM

AC

AHU Chiller

PLUMBING Drainage

Shaft

Supply

Rain Pipe

Heat Exchanger

Supply Ducts

Return Ducts Drainage Pump

60

6.0 BUILDING DESIGN

Load Bearing Wall

6.6 BUILDING SYSTEM

Beam

Columons

Isometric

Plan

Atrium Structure

Reinforced Concrete columon 30X60 cm

D C B A

6m

5.1 m

7.8 m

1

7.5 m

7.5 m

1

2 2.1 m

2

3

3 7.8 m

7.8 m

A

Steel Columon

4 m

5 2.1 m

4

2.4

E

D

5

7.2 m

C I H

7.8

6

10.2 m

G

6

9.6 m

11.4 m

m

F

J

9.6 m

13

7 7.8 m

9 10

5.1 m

7

13

9

8

7.2 m

5.1 m

11

8 11.1

m

12

10 5.1 m

B J 7.8 m

I

11

11.4 m

5.4 m

H 10.2 m

8.6 m

12

G

F

Mangabi Brick shear wall 60 cm

61

Reinforced concrete shear wall 60 cm

External Mangabi Brick shear wall 60 cm

Reinforced concrete Beam 30X60 cm

E

6.0 BUILDING DESIGN 6.7 ENERGY

Curtain walls offer architects a multitude of possibilities for the integration of photovoltaic solar energy into buildings in an efficient and ecological manner.Photovoltaic curtain wall provides a multifunctional solution where not only clean and free energy is being generated in-situ, but also natural illumination is being provided implementing solar control by filtering effect, avoiding infrared and UV irradiation to the interior (enhancing thermal comfort and avoiding interior aging).The large variety in form, structure and color of transparent photovoltaic glass, combined with the aluminum frames, provides a free reign of creativity for architects so they can create designs which unite elegance, efficiency and energy saving.Onyx Solar can customize the photovoltaic glass to supply it in different sizes, colors and degrees of transparency.

These characteristics mean that it is the ideal material for installation as a photovoltaic curtain wall.

ELECTRICITY CONSUMPTION:

ONYX SOLAR PANEL

60 kWh/m2.a Devices & Lighting 15 kWh/m2.a Ventilation 5 kWh/m2.a Services

5 kWh/m2.a Elevators 65 kWh/m2.a Cooling

THE LARGEST PHOTOVOLTAIC GLASS IN THE MARKET

5,290 m2

Building Floor Area

793,500 kWh/a Total Consumption

62

Curtain walls offer architects a multitude of possibilities for the integration of photovoltaic solar energy into buildings in an efficient and ecological manner.Photovoltaic curtain wall provides a multifunctional solution where not only clean and free energy is being generated in-situ, but also natural illumination is being provided implementing solar control by filtering effect, avoiding infrared and UV irradiation to the interior (enhancing thermal comfort and avoiding interior aging).The large variety in form, structure and color of transparent photovoltaic glass, combined with the aluminum frames, provides a free reign of creativity for architects so they can create designs which unite elegance, efficiency and energy saving.Onyx Solar can customize the photovoltaic glass to supply it in different sizes, colors and degrees of transparency. These characteristics mean that it is the ideal material for installation as a photovoltaic curtain wall.

Light Transmission

Peak Power Generated

Dark 0%

62 WP/m2

M Vision 10%

44 WP/m2

L Vision 20%

38 WP/m2

XL Vision 30%

32 WP/m2

6.0 BUILDING DESIGN 6.7 ENERGY

HORIZONTAL PV

Solar Panel Efficiency: 15% Solar Slope: 0% Azimuth: South Solar panel area: 620 m2 Irradiation on PV with combined system losses: 353.7 kWh/m2 Energy supply: 620X353.7 = 219,294 kWh/a

PV GLASS -west facade-

PV GLASS -east facade-

Solar Panel Efficiency: 3.8% Solar Slope: 90% Azimuth: West Solar panel area: 280 m2 Irradiation on PV with combined system losses: 57.283 kWh/m2 Energy supply: 280X57.283 = 16,039.24 kWh/a

TOTAL CONSUMPTION vs TOTAL PV SUPPLY

Total Production = 219,294 + 16,017.68 + 16,039.24 = 250,205.42 kWh/a 31.5% of the Total Consumption

Solar Panel Efficiency: 3.8% Solar Slope: 90% Azimuth: East Solar panel area: 280 m2 Irradiation on PV with combined system losses: 57.206 kWh/m2 Energy supply: 280X57.206 = 16,017.68 kWh/a

63

6.0 BUILDING DESIGN 6.7 ENERGY

SIMULATION FRAMEWORK Velocity m/s

Wind Vilocity - 2.5 m/s Wind Direction - NW

40

1- The air speed is good and direct allowing for presence cross ventilation -Positive Pressure-

o

DBT

OLGYAY BIOCLIMATIC CHART

Unbearable above this line

5.5 4.5 3 1.5 0

1

Limit of light work

2- Wind speed is weak making it a good area for restaurant and coffee outdoor seating area

Wnd Needed

5 2

Sultry

30

3- The wind speed is high making it need to be processed by landscape

28

Too Dry

4- Negative Pressure

0.4 m/s

Comfort Zone

1

2

1 m/s

0.1 m/s

20

5- Wind flow to court

Too Humid

4

Shading need above this line

6- Historical buildings are ventilated Velocity m/s

6

10

Sunshine Needed 3

60

6

0 20

30

40

50

60

70

80

90

100

Relative Humidity %

64

3

2.1

4

1.5

2

0.8

0

10

3.3

4

5.5 1

0

Velocity m/s

7

3

0

1

6.0 BUILDING DESIGN 6.8 PERSPECTIVE

65

6.0 BUILDING DESIGN 6.8 PERSPECTIVE

66

ABU INABAH

CULTURAL CENTER

ALBARAA GHABBAN 1207380 ARCHITECTURE DEPARTMENT 2017-2016 SUPERVISORS: DR. MOHANNAD BAYOUMI DR. TURKI SHOAIB