Barridoff Auction - Summer 2024 International Fine Art Auction

BARRIDOFF AUCTIONS

Cover: (Detail) Lot 134 Joel Babb

SOUTH PORTLAND, MAINE

Bernard Langlais (Am. 1921-1977), Seagull, 1970

A Maine landmark that hung on the facade of 3 Main St., Bar Harbor, Maine for 50 years and was restored in 2013. Acquired by Barridoff in 2020, and now on display at our facility in South Portland.

TABLE OF CONTENTS

INFORMATION ABOUT BARRIDOFF

BARRIDOFF AUCTIONS BIDDING EXPERIENCE

Barridoff Auctions conducts live auctions in which a buyer can bid in person, over the telephone, by absentee registration or online through the Barridoff App or on several third-party marketplace websites. Our auctions are simulcast so buyers can bid remotely for convenience or safety reasons, but please be advised online bidding, including on the Barridoff App, is subject to a surcharge. Also, as the auction happens in real time, remote bidders need to pay attention to the progress of the auction.

REFERRAL PROGRAM

Do you know of any friends or family who may have Fine Art for sale? Barridoff Auctions offers a generous referral program for any new leads of available Fine Art that result in a sale. Please contact us for more information.

FREE VALUATION DAY

As a service, Barridoff Auctions provides free valuation days for your artwork so you can know what your art is worth. Barridoff does not require you to consign your art with our auction in order to receive the estimate, but if the piece is appropriate we may offer to put it in our sale. Also, look for our next regularly scheduled Free Valuation Day announced on our website or through our email messaging. To sign up for our email list or for more information, please go to Barridoff.com.

CONSIGN WITH BARRIDOFF

Barridoff Auctions is always accepting consignments of Fine Art. To inquire about submitting works of Fine Art for an upcoming sale, feel free to call us, email or go to Barridoff.com/sell.

BARRIDOFF MOBILE APP

Download our Barridoff App to peruse the catalog, watch the auction live or to bid. Available at the Apple App Store or at the Google Play Store.

QR CODE

To view the mobile version of this catalog, please scan the QR code directly to the right with with your phone’s camera to be taken directly to our online catalog.

SUMMER 2024

INTERNATIONAL FINE ART SALE 1:00 PM EDT

SATURDAY, AUGUST 17, 2024

PREVIEW DATES & HOURS

AUGUST 10 - 17, 2024

Monday - Thursday | 10am - 5pm Friday | 10am - 8pm

AUGUST 17, 2024

Saturday | 10am - 1pm

LOCATION

BARRIDOFF AUCTION HOUSE

312 Gannett Drive | South Portland, Maine 04106 | (207) 772-5011

BARRIDOFF AUCTIONS

SOUTH PORTLAND, MAINE

MEET THE TEAM

We at Barridoff Auctions seek out and find compelling, beautiful, relevant works of art. For us, it’s never just another auction. It’s an opportunity to help buyers and sellers of Fine Art realize their dreams by establishing that special connection in their appreciation of Fine Art.

Peter Coccoluto, Auctioneer

Rhylee R. Cole, Registrar

Lindsey DeArmond, Graphic Designer

Jeremy Fogg, Owner / Fine Art Consultant

Jennifer C. Graham-Famiglietti, Collections Manager

Darin R. Leese, Fine Art Specialist

William Milliken, Owner / Auctioneer

Glenn Morin, Owner / Accountant

Deirdre Nice, Owner / Expeditor

Kincaid Pearson, Production Specialist

Nickolas Smith, Production Specialist / Photographer

Travis Wilcox, Logistics Specialist

Hannah Day, Production Specialist

FINE ART TERMS & CONDITIONS

CONDITIONS OF AUCTION SALE

The following Conditions of Sale, including the appended notes and other information, whether printed or online, as they may be amended by any posted notices or oral announcements before or during the auction sale constitute the entire agreement between Barridoff Auctions, representing its consignors, and Bidder relative to the item being sold and the conduct of the sale. Unless the context otherwise indicates, the terms “Barridoff Auctions” and “auctioneer” are interchangeable, “consignor” and “seller” are interchangeable, and “buyer” means the winning bidder. By registering for or participating in the auction sale, all bidders agree to the terms hereof.

1.THE SALE

The contract for sale for any item purchased at auction is between the consignor (seller) and the winning bidder. Barridoff Auctions acts as the consignor’s agent only, unless Barridoff Auctions is selling the item as principal. The sale of every lot of one or multiple items constitutes a separate sale under Maine law and the Uniform Commercial Code. Bidding on a lot starts when the lot is opened for bidding by the auctioneer. Items are sold with reserve and starting bids may start below the reserve price. The auctioneer may reject any bid below the reserve. The auctioneer may bid on behalf of the consignor or of Barridoff Auctions. If an item does not reach its reserve price, the auctioneer may pass the item. Barridoff Auctions may withdraw any item at any time before its actual sale. Bids must be consistent with the standard bidding increments and may be varied only upon permission from the auctioneer. A bid received between two increments may be rejected or reduced to the next lowest increment at the discretion of the auctioneer. Bidder may not make consecutive bids if there is an opposing bidder and there must be at least one increment/other bidder separating Bidder’s bids in that instance, except by permission of the auctioneer. The auction is a live sale and not a timed sale, and absentee and pre-auction bids submitted prior to the sale are not considered made until executed by the clerk administering the bid during the bidding for that lot and recognized by the auctioneer. The auctioneer will recognize bids as they are made and does not give preference to either bids made by bidders in the room or remote bids. A clerk administering a remote bid is deemed a bidder present in the room for that bid and will be recognized by the auctioneer equally to all other bidders. The buyer is the highest bidder acknowledged by the auctioneer upon the fall of the hammer, which indicates the completion of the sale. In the event of a tie bid, the first bid recognized by the auctioneer has precedence. In the event of a bid received as the hammer is falling, it is in the auctioneer’s discretion whether to accept the bid or declare the sale complete. Barridoff Auctions has authority to decide any disputes over the auction process in Barridoff Auctions’ sole discretion, whose decision is final and binding. Bidder understands that any dispute regarding a purchased lot is between the consignor and the buyer unless the dispute concerns the conduct of the sale or other issue within the sole responsibility and control of Barridoff Auctions. The actual results of the sale are not final until confirmed as such by Barridoff Auctions subsequent to the auction.

2. REGISTRATION BY BIDDER. Bidder must provide accurate information, including Bidder’s name, residential address (not P.O. Box), proper contact information and credit card information owned or authorized to be used by the bidder. Bidder understands that any credit card information provided may be used to comply with any condition of these terms and conditions, including for payment of items won, if Bidder does not provide another payment method pursuant to these terms and conditions. Barridoff Auctions may require further information regarding Bidder’s financial ability and condition as a condition of registration or at any time prior to the auction, during the auction or subsequent to the auction. Barridoff Auctions reserves the right to deny registration, bidding or cancel a sale and/or seek damages if a Bidder violates the conditions of this paragraph. Barridoff Auctions requires bidders who bid over $10,000 on any one item to provide more detailed evidence of their financial capacity.

3. REMOTE BIDDING. As a convenience to clients who cannot attend a sale in person, absentee bidding, telephone bidding and online bidding options are available, but Barridoff Auctions is not responsible for technical difficulties, mistakes or other issue that may occur with those bidding methods. Barridoff Auctions strongly suggests that bidders be present in the room. Remote methods and absentee or other pre-auction bids do not take precedence over bidding in the room. The clerk administering a remote bid is deemed a bidder in the room and bids made by that clerk are subject to recognition by the auctioneer as any other bidder. The auctioneer will not advance an increment for an absentee or pre-auction bid that is currently holding the increment one below the maximum amount authorized by that bidder. Barridoff Auctions strongly recommends remote bidders who wish to bid pre-auction or absentee complete the absentee registration form, not submit the bid through an online bidding platform, and indi-

cate “+1,” which will protect the absentee bidder if another bidder lands on the absentee bidder’s maximum amount by allowing the clerk to bid one increment higher than the maximum. Each remote bidding platform/method will order tie bids received within that platform/method giving the first received bid precedence. This bid will be the bid presented to the auctioneer by the clerk for that platform/method. An absentee or pre-auction bid submitted that is less than half of the low estimate of an item will be rejected by Barridoff Auctions. Absentee and telephone bidding registration forms may be found on the Barridoff Auctions website. Any pre-auction, absentee or telephone safety bid given that is not consistent with the published bidding increments may be rejected or rounded down to the next lowest increment. Online bidding may be available on the Barridoff website and one or more online auctioneering websites as announced by Barridoff Auctions, and absentee or pre-auction bids left on those platforms do not take precedence over other bids. Mistakes made by Bidder are the responsibility of Bidder and may not be cause to rescind a sale. Barridoff Auctions is not responsible for errors and omissions made in connection with absentee, telephone, Internet or other remote bidding methods. Online bidding may indicate a winning bid or other confirmation that is erroneous based upon what happens in the room (bid comes after fall of hammer, auctioneer recognizes another bid given simultaneously, mistake made by remote clerk, etc.) and the official sale results are the results confirmed as such by Barridoff Auctions under paragraph 1. Online bidders may have to wait to purchase and retrieve won lots until after confirmation of official sale by Barridoff Auctions.

4. MISTAKES BY BIDDER. Under Maine Law and the Uniform Commercial Code, the bidder with the highest bid recognized by the auctioneer upon the fall of the hammer becomes the owner of the item, even if the bid was made by mistake or otherwise unintentional. Barridoff Auctions takes no responsibility nor will rescind or refund a sale in which the winning bidder claims to have won unintentionally or by mistake. Attention to the item being bid on and the conduct of Bidder’s bidding is the sole responsibility of Bidder. A person who has not registered who bids on and wins an item at the auction sale is deemed to be a bidder and agrees and is subject to these terms and conditions.

5. INFORMATION PROVIDED BY BARRIDOFF AUCTIONS. Provenances are included in the catalog to the extent they are available. Estimates are included with each lot (See note on estimates in paragraph 13). Statements of condition may be provided. However, these provenances, estimates and statements of condition and any other information provided by Barridoff Auctions or its staff are merely the opinion of Barridoff Auctions and may not be taken as statements of fact to substitute research regarding and inspection of the item by Bidder, more fully described in paragraphs 6 and 7. However, Barridoff Auctions endeavors to provide the most accurate and complete information on an item and to answer to the fullest extent possible any reasonable question, subject to the disclaimers herein. An item may be described as an attribution or “attributed to,” “school of,” or “circle of” indicating that the authenticity of the item cannot be definitively determined (also see Disputes on Grounds of Authenticity in Notes and Other Information, below). Barridoff Auctions and the auctioneer may make corrections and provide additional information as available up to and during the time of sale.

6. DISCLAIMER FOR ERRORS AND OMISSIONS; ITEMS SOLD AS IS; BIDDER RESPONSIBILITY TO INSPECT AND PERFORM DUE DILIGENCE. Barridoff Auctions is not responsible for errors or omissions contained in the catalog, provided by Barridoff Auctions or presented by the auctioneer or in any other information detailed in paragraph 5. Barridoff Auctions makes no representation or warranty with respect to and is not responsible for the description, quality, condition or authenticity of any items sold, and makes no warranty as to merchantability or fitness for a particular purpose. All items are sold “AS IS.” Prospective bidders bear sole responsibility to inspect an item before bidding and perform other due diligence to determine the item’s authenticity, condition, size and whether or not the item has been repaired or restored. No representation or warranty is made as to copyright of any item or whether Bidder acquires any reproduction rights of the item.

7. OPPORTUNITY FOR INSPECTION BY BIDDER; NO OBLIGATION TO INSPECT OR TEST BY BARRIDOFF AUCTIONS Barridoff Auctions offers the opportunity for prospective bidders to examine an item and Barridoff Auctions assumes no obligation to Bidder for Barridoff Auctions to examine, investigate or carry out any tests, either in sufficient depth or at all, to establish the authenticity or accuracy or otherwise of any description or opinion of Barridoff Auctions, whether given orally, in writing, on its website or any published catalog or literature. Bidder should not assume that any such examination,

investigation or test has occurred. Barridoff Auctions does not make or agree to make any representation of fact and undertakes no obligation or duty, whether in contract or in tort, with respect to the accuracy or completeness of any statement or representation made by Barridoff Auctions or on Barridoff Auctions’ behalf that is in any way descriptive of any item or as to the anticipated or likely selling price of any item. No statement or representation by Barridoff Auctions or on Barridoff Auctions’ behalf in any way descriptive of any item or any estimate is incorporated into these terms and conditions or agreement for sale with Bidder.

8. BUYER’S PREMIUM. Barridoff Auctions charges the winning bidder a premium to be added to the hammer price on each item purchased. This premium is equal to 22% of a hammer price up to $500,000, and 17% of a hammer price above $500,000. A surcharge above this premium may be assessed for online sales, including on the Barridoff website or the Barridoff app, the amount of which may vary depending on the specific online platform or app on which the bidding is being conducted, which will be noted in the terms for that specific platform. The online surcharge pays for the online service and is not retained by Barridoff Auctions. A 2% discount of the premium will be given for any item paid for and removed by the end of auction day.

9. COMPLETION OF SALE; PAYMENT BY BIDDER. Upon the fall of the auctioneer’s hammer, the sale is complete and title to the item passes to the highest bidder, subject to the terms hereof including payment in full, who is bound by the sale and assumes full risk and responsibility thereof. The buyer authorizes Barridoff Auctions to sign a sales record, which is conclusive as to the terms of the sale, on the winning bidder’s behalf. When the buyer bids on an item, the buyer represents that the buyer has the funds available at that time to pay for the item upon the completion of sale. Payment is due upon completion of the auction and, unless alternate payment arrangements have been made and agreed to in writing by Barridoff Auctions, Barridoff Auctions reserves the right to charge any credit card or other financial account of the buyer on file or provided by buyer with Barridoff Auctions at that time or any time thereafter for any amounts owed. All items must be fully paid for, including any additional amounts owed Barridoff Auctions under paragraph 11 or otherwise, and removed from the premises of the auction by the buyer at the buyer’s expense within 24 hours of the day of sale unless other specific arrangements have been made and agreed to in writing by Barridoff Auctions. Barridoff Auctions may cancel a sale and buyer may be deemed to have forfeited a won item if payment or arrangements for payment are not made pursuant to this paragraph. Payment for each item purchased must be made before the item is removed. Only cash, certified check, wire transfer or verified credit card are acceptable as payment methods unless other suitable arrangements have been made with Barridoff Auctions at least five days before the auction. Barridoff Auctions reserves the right to reject any particular payment method by Bidder. All sales are final and no refunds will be given with the limited exception of circumstances under paragraph 12. Buyer agrees that by registering to bid under these terms and conditions, buyer waives the right to charge back buyer’s credit card or otherwise reverse or stop any payment given, with any violation of this provision resulting in liquidated damages in the amount of double the chargeback or reversed or stopped payment owed Barridoff Auctions by buyer if Barridoff Auctions has to enforce this provision. Sales of over $10,000 may not be paid by credit card 10. POST-SALE RESPONSIBILITIES OF BIDDER. Barridoff Auctions is not responsible for any loss by a buyer as a result of the damage, loss or theft of an item subsequent to the completion of the sale for that item and encourages the buyer to pay for and remove purchased items immediately after the sale. If an item won at auction is not paid for and removed from the premises within 5 business days after the sale, additional charges under paragraph 11 may apply. Shipping, packing, storage and any related expense of an item are the sole responsibility of the buyer of the item.

11. BIDDER COMPLIANCE WITH TERMS AND CONDITIONS; REMEDIES AVAILABLE TO BARRIDOFF AUCTIONS. If buyer does not comply with an applicable term or condition herein, including not timely making payment or arrangements for payment under paragraph 9, Barridoff Auctions and the consignor have one or more of the following nonexclusive rights and remedies, in addition any other remedy available at law or in equity, without notice: a) to hold the buyer liable for the total purchase price plus interest of 1 1⁄2 % per month, compounded monthly; b) to cancel the sale and retain as liquidated damages all payments made by the buyer; c) to cancel the sale and resell the item, in which case the buyer is liable for any deficiency, cost, including handling and storage charges, the expenses of both sales, premiums or commissions on both sales and all other charges and incidental damages; d) to charge 1% of the total purchase price per month, with a minimum charge of 5%,

to handle any item not timely removed; e) to exclude the buyer and buyer’s agents or affiliates from all future auctions; f) to charge a reasonable storage fee; g) to set off any amounts Barridoff or consignor may owe the buyer; h) to ship items owned by the buyer to the buyer at buyer’s expense; or i) to charge buyer’s credit card on file with or available to Barridoff Auctions for any amounts owed Barridoff Auctions. If a purchased item is left and not collected by buyer after six month’s from auction date, Barridoff may declare buyer to have forfeited the item with ownership of the item passing to Barridoff Auctions and no refund or any other recompense due the buyer. A buyer is deemed to have granted to Barridoff Auctions or its consignor as collateral for buyer’s obligations hereunder a security interest in any item of the buyer purchased at a Barridoff auction sale, and Barridoff Auctions and the consignor have all of the rights of a secured party in Maine and the law of the location of the item. Barridoff Auctions has all of the rights of the consignor to pursue all rights and remedies hereunder, and Barridoff Auctions and its consignor are entitled to all of their costs, including reasonable attorney’s fees, court and collection costs, in enforcing their rights and remedies hereunder. Buyer waives any and all rights it may now or in the future have under any Maine law governing unclaimed or abandoned property. 12. DISPUTES ON

GROUNDS OF AUTHENTICITY.

Disputes on the grounds of authenticity subsequent to sale must be made within 15 days of receipt of the item by the buyer and must be supported by the written testimony of at least one recognized expert of the specific artist involved, or two recognized experts of the general field or genre in which that artist belongs. Only if the disputed item is in the same condition as when sold will a rescission of the sale be considered. In the event Barridoff Auctions agrees to rescind the sale, the decision of which is at Barridoff Auctions’ sole discretion, an amount up to the purchase price, plus sales tax if appropriate, may be refunded to the buyer. Such rescission and refund is exclusive and in lieu of any other remedies which might otherwise be available as a matter of contract or law. In no event does Barridoff Auctions’ or its consignor’s responsibility under this paragraph exceed the purchase price and sales tax of the item sold. Recission of sale or any refund under this paragraph does not apply to any item listed as “attribution,” “attributed to,” “school of,” “circle of” or any other term qualifying authenticity.

13. ESTIMATES. The high and low estimate given for an item are solely a guideline based upon Barridoff Auctions’ approximation as to the range within which an item may be purchased at auction. An estimate is not a statement of value or selling price of an item and Barridoff Auctions makes no guarantee, representation or agreement as to the value or selling price of an item other than Barridoff Auctions’ opinion of the item’s possible auction price.

14. SALES TAX. All purchases are subject to Maine sales tax (5.5%) or Massachusetts sales tax (6.25%) unless the buyer is located in another state and shipping is arranged by Barridoff Auctions or the buyer provides a sales tax exemption certificate issued by or acceptable to Maine Revenue Services or the Commonwealth of Massachusetts, respectively, and a valid, signed copy of which is presented to Barridoff Auctions. Maine or Massachusetts sales tax is applicable to the full purchase price, which includes the hammer price plus the buyer’s premium and surcharges under paragraph 8. Purchases made from other states or jurisdictions may be subject to a sales or use tax for that state or jurisdiction.

15. USE OF IMAGES. The images and descriptions used in the catalog may not be reproduced in any manner without the written authorization of Barridoff Auctions.

16. APPLICABLE LAW; JURISDICTION OF DISPUTES; REGULATORY AUTHORITY. Title 11, Section 2-328 of the Uniform Commercial Code and Title 32, chapter 5-B of the Maine Revised Statutes apply to auction sales conducted by Barridoff Auctions. These terms and conditions of sale are governed by and shall be interpreted under Maine law, and any conflicts hereunder shall be decided in the state and federal courts located in Cumberland County, Maine, and all bidders submit themselves to the jurisdiction thereof. The regulating authority of this auction is the Board of Licensing of Auctioneers, 35 State House Station, Augusta ME 04333-0035.

17. MAINTAIN CURRENT CONTACT INFORMATION AND TIMELY RESPOND TO BARRIDOFF COMMUNICATIONS. Bidder must provide and maintain current contact information that allows Barridoff Auctions to communicate with Bidder and timely respond to Barridoff Auctions inquiries, requests and other communications as required by Barridoff Auctions. Failure to do so may result in denial of registration, right to bid or the cancellation of the sale subsequent to the auction or other remedies under Section 11..

18. FORCE MAJEURE. Notwithstanding anything to the contrary contained herein, Barridoff Auctions is not liable for any delays or failures in performance resulting from acts be-

yond its reasonable control including, without limitation, acts of God, acts of war or terrorism, shortage of supply, breakdowns or malfunctions, interruptions or malfunction of computer facilities, or loss of data due to power failures or mechanical difficulties with information storage or retrieval systems, labor difficulties or civil unrest. Notwithstanding the foregoing, in the event of such an occurrence, each party agrees to make a good faith effort to perform its obligations hereunder.

19. APPLICATION OF TERMS AND CONDITIONS. Unless agreed otherwise in writing between Barridoff Auctions and Bidder, these terms and conditions, whenever applicable, apply to all private sales, post auction sales and any other transaction between the parties not conducted at the auction sale that occur while these terms and conditions are posted by Barridoff Auctions.

NOTES AND OTHER INFORMATION ABBREVIATIONS

l.c. lower center

l.l. lower left

l.r. lower right

u.c. upper center

u.l. upper left

u.r. upper right

b. born

c. circa Am. American Br. British Can. Canadian Chn. Chinese

Eur. European Fr. French Ger. German It. Italian Jap. Japanese Rus. Russian Swe. Sweden Sp. Spanish h. height w. width l. length d. depth

DESCRIPTIONS ALL DESCRIPTIONS AND NOTES OF SIGNATURES, TITLES, DATES, labels, inscriptions and other notable features of an item are assumed to be of the front “recto” unless otherwise noted. If a notable feature is described to be on “verso,” that indicates it is on the back or reverse of the item. If a feature is described to be on the stretcher, it is on verso unless otherwise indicated. Signatures, initials, dates and titles, etc. may be noted but not quoted in the description unless there is an unusual or noteworthy characteristic of the signature, initial, date or title, etc. If an item description does not note a signature or that the item is signed, it should be assumed that the item is not signed. If there is an exhibition label but no exhibition listed, that means the label does not identify the exhibition. All paintings on canvas or other fabric are assumed to be stretched unless specifically noted “unstretched.” For items described as “under glass,” the type of glass is unspecified unless otherwise noted. A collateral item mentioned such as a certificate of authenticity, letter referencing or photograph showing the listed item, book or catalog depicting or referencing the listed item, etc., are not part of the description of the item for purposes of sale of that item unless specifically noted.

SHIPPING Shipping arrangements and all packing and shipping charges are the responsibility of the buyer. Barridoff Auctions assumes no responsibility of any kind for providing this service. For buyer’s convenience, Barridoff Auction’s in-house partner Eastern Art Services is available to provide a quote to pack and ship items purchased at the auction.

Eastern Art Services provides an art shuttle within a 300 miles radius of the auction facility (to New York City). Buyer should inquire if buyer is eligible to use the shuttle services. If buyer is not using Barridoff Auction’s in-house shipping partner and has arranged collection of buyer’s item by a third party or other shipping service, once arrangements have been made with the third party or shipping service of buyer’s choice, buyer should send an email to fineart@ barridoff.com releasing the item to be shipped to the third party or shipping service and include the lot number and any additional pertinent details. After Barridoff receives the release, Barridoff will coordinate the details of pick-up with the third party or designated shipper. Buyer will receive an email confirmation when the item(s) has been retrieved.

FRAMES If a frame is thought to be original to the work of art or of some other particular interest based upon its history, value or beauty, it may be illustrated; but the illustration is in no way to be considered a guarantee of same unless information about the frame is included in the catalog description.

OLD MASTERS Unless otherwise noted, all works by Old Masters, including school, manner and other related information including dates are now by policy offered as attributions because, in the opinion of Barridoff Auctions, there has been too little or no known opportunity for a consensus, extensive research or singular expertise or because such opportunities often result in significant changes and varied opinions. However, all attributions are, in the opinion of Barridoff Auctions, appropriate as cataloged.

CONDITION REPORTS Condition reports may be in the catalog and are available upon request. However, as more fully described in paragraph 5, a condition report is in no way a guarantee, nor should it be considered an expert opinion. All lots should be examined by potential bidders. Because few lots are examined by Barridoff Auctions out of their frames, potential bidders should assume that condition reports only include areas that are clearly visible unless otherwise stated. Barridoff will remove a work from its frame if requested and if removal does not appear

to threaten to damage the piece or otherwise present an impracticality or other similar reason. SIZE. Unless otherwise noted, the size of each item is measured height by width in inches and does not include the frame. Sizes are approximate. The term “actual” means the actual size of the artwork without any frame or other appendage, “framed” means the size of the item including the frame and “sight” means the visible portion of the item when the actual size is covered or obscured and unable to be determined. All prints (etchings, lithographs, silkscreens, etc.), to the best of Barridoff Auctions’ knowledge, have full margins unless otherwise noted. The terms regarding information in paragraph 4 apply to information regarding sizes provided by Barridoff Auctions.

LIVE PHONE BIDDING AND ONLINE BIDDING Phone bid registrations are allowed on a limited first-come, first-served basis. Phone bidders must make arrangements in advance. Barridoff Auctions provides phone bidding as a service for bidders who cannot attend the auction, but phones are not the perfect medium for bidding at an auction under any circumstances and mobile phones, while useful, can be particularly difficult. Bidders should be mindful of these limitations if choosing to bid by phone, and Barridoff suggests that phone bidders leave a “safety” bid, or emergency absentee bid, in the event the telephone call is disrupted, dropped or otherwise unable to be connected through to the completion of bidding for that lot. Bidding may also be available online in real time at barridoff.com, bidsquare.com, invaluable.com and liveauctioneers.com. Bidders are advised to familiarize themselves with the rules and procedures provided for whatever platform Bidder is using prior to bidding. Online bidding platforms may charge a surcharge over and above the buyer’s premium for an item, including bidding through the Barridoff website or App. Barridoff Auctions is not responsible for any difficulties, technical or otherwise, that may be experienced through bidding other than in person. Mistakes made by Bidder, including mistakenly bidding on and winning an item not intended by Bidder, is Bidder’s sole responsibility and Barridoff Auctions will not refund or rescind a sale that Bidder claimed was made by mistake or unintentional.

ADDITIONS AND ERRATA. Additions consigned or errors discovered too late to be included in the bound copy of the catalog may be found on a continually updated separate sheet and on the online catalog to the extent possible. All additions and errata will be included on the final sheet available at the auction and be placed sequentially at the end of the sale. Online catalogs are updated daily. Lot numbers correspond with the printed catalog and additions sheets. Errata are also published in the updated sheet listing any corrections of inaccuracies or additional information concerning the original catalog. Online updates may happen without notice by Barridoff Auctions, so Bidder should refer to the most current posted auction information to remained accurately informed. The auctioneer may announce errors, omissions or changes at the commencement of or during the auction sale.

PROVENANCE Provenance is listed insofar as it is known or is allowed to be published by the consignor, who is ultimately responsible for the accuracy of any provenance information given. The conditions regarding information in paragraph 5 apply to any provenance information provided by Barridoff Auctions.

TITLES Titles are provided for most items in the sale. A title bounded by quotation marks indicates that it is the official title of the item. A title not bounded by quotation marks is an unofficial title or a brief description of an untitled item used to identify the item.

OFFERS FOR PREVIOUS SALES Barridoff Auctions accepts offers for items purchased at former auctions on behalf of present or former buyers. If Barridoff Auctions receives and determines suitable a bona fide offer for an item, Barridoff Auctions will relay the offer to the buyer for consideration and rejection, acceptance or counter-offer. If the buyer accepts the offer, a counter-offer or makes a counter-offer that is accepted, the applicable terms and conditions of sale herein apply to the transaction.

MAJOR CREDIT CARDS ACCEPTED Barridoff Auctions accepts as payment the credit cards Visa, Mastercard, Discover or American Express, subject to paragraph 9, but is not obligated to accept any particular credit card presented by Bidder. Bidder acknowledges that all sales are final and for the privilege of paying by credit card, Bidder waives any right to perform a chargeback or otherwise stop or reverse payment for an item for which Bidder was acknowledged as the winner by the auctioneer. Barridoff Auctions reserves the right to refuse payment by credit card or a particular credit card by any particular bidder or for sales over $10,000.

DISCOUNT FOR PAYING FOR/REMOVING PURCHASED ITEMS ON AUCTION DAY Barridoff Auctions offers a discount on the buyer’s premium under paragraph 8 an amount equal to 2% of the hammer price for items paid for and removed from the auction premises the day of the auction. For remote buyers, removal includes arranging shipping or delivery by Eastern Art Services prior to the end of auction day.

AUCTIONEER William J. Milliken. ME license number AUC1627

Copyright © 2024

LOT 2

BERNARD LAMOTTE (Fr. 1903-1983)

Paris Street Scene

Watercolor and charcoal on paper, framed under glass

Estate stamp l.l., Knoke Fine Arts label and signed by estate representative on backing verso 14 7/16" x 10 11/16" sight, 22 1/8" x 18 3/4" framed

ESTIMATE: $300 - $500

Provenance: Private Collection Georgia

LOT 1

MORRIS HENRY HOBBS (Am. 1892-1967)

Nine Nudes with Floral Names, 1946 Etching, framed under glass

Each panel: signed in pencil l.r., titled and dated in pencil l.l. Each panel: 2 9/16" x 2" sight, entire piece: 19 1/8" x 17 1/8" framed

ESTIMATE: $600 - $800

Provenance: Private Collection Cumberland Foreside, Maine

LOT 3

BERNARD LAMOTTE (Fr. 1903-1983)

Paris Scene with Eiffel Tower

Watercolor and graphite on paper, framed under glass

Estate stamp l.l., Knoke Fine Arts label on backing verso 10 1/2" x 7 15/16" sight, 18 5/8" x 15 3/4" framed

ESTIMATE: $300 - $500

Provenance: Private Collection Georgia

LOT 5

JEAN-BAPTISTE-CAMILLE COROT

(Fr. 1796-1875)

Personnage de comédie

Pencil on paper, framed under glass

Vente Corot stamp l.l., Galerie Schmit exhibition and inventory labels on backing verso 5 5/8" x 3 3/8" sight, 10 3/4" x 8 5/8" framed

ESTIMATE: $1,000 - $2,000

Provenance: The Leroy Collection Literature:

A. Robaut, L'Œuvre de Corot: catalogue raisonné et illustré, Paris 1905, vol. IV, no. 3066, carnet 29, p. 92 (one of 52 sheets).

Exhibited:

Paris, Galerie Schmit, Corot dans les collections privées, 24 April - 9 July, 1996

LOT 4

JEAN-LOUIS FORAIN

(Fr. 1852-1931)

Le Lever Ink on paper, framed 12 15/16" x 10 5/8" actual, 18 1/8" x 15 3/4" framed

ESTIMATE: $400 - $600

Provenance: The Leroy Collection Other Notes: This piece will be included in the forthcoming catalogue raisonné

LOT 6

JEAN-BAPTISTE-CAMILLE COROT

(Fr. 1796-1875)

Etude de trois ménagères

Pencil on paper, framed under glass Vente Corot stamp l.r., Galerie Schmit exhibition and inventory labels on backing verso 3 1/2" x 5 5/8" sight, 8 5/8" x 10 3/4" framed

ESTIMATE: $1,000 - $2,000

Provenance: The Leroy Collection Literature:

A. Robaut, L'Œuvre de Corot: catalogue raisonné et illustré, Paris 1905, vol. IV, no. 3066, carnet 29, p. 92 (one of 52 sheets).

Exhibited:

Paris, Galerie Schmit, Corot dans les collections privées, 24 April - 9 July, 1996

LOT 8

ANDERS ZORN

(Swe. 1860-1920)

Dal River, 1919

Etching, framed under glass

Signed in pencil l.r., dated in plate l.l.

6 5/8" x 4 1/4" image, 21 5/8" x 18 5/8" framed

ESTIMATE: $1,000 - $1,500

Provenance: Private Collection Maine

LOT 7

ODILON REDON (Fr. 1840-1916)

Princess Maleine (The Little Madonna)

Drypoint etching, unframed

4 3/4" x 2 1/2" image, 7 1/2" x 5 1/2" sheet

ESTIMATE: $400 - $600

Provenance:

Private Collection Maine

Other Notes:

Another instance of this etching is currently on display at the Art Institute of Chicago

LOT 9

CHILDE HASSAM (Am. 1859-1935)

The Old Mulford House, Easthampton, 1926

Etching, framed under glass

Dated and artist's monogram in plate l.r., artist's monogram in pencil l.c.

8 1/4" x 10 3/4" image, 14 7/8" x 19 1/8" framed

ESTIMATE: $1,200 - $1,800

Provenance: Private Collection Maine

LOT 10

LOT 5

LOT 11

JOSEPH STELLA IT./AM. 1877-1946 Tree

PETER HURD (Am. 1904-1984)

The Sentinel, Santa Fe Trail

Lithograph, framed under glass

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

MARSDEN HARTLEY (Am. 1877-1943)

Waxenstein

Lithograph, framed under glass

Signed and dated in pencil, l.r., titled and editioned "#47" in pencil l.l. 16" x 11 3/8" actual

$600-800

Signed in pencil l.r., titled and editioned "17/500" in pencil l.l., informational tag and newspaper article attached verso 13" x 19 3/8" image, 21 5/8" x 27 5/8" framed

Provenance: Private Collection New Hampshire

ESTIMATE: $1,000 - $1,500

Provenance: Private Collection Maine

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection Maine

LOT 12

THOMAS HART BENTON (Am. 1889-1975)

Loading Corn, 1945

Lithograph, framed under glass

Signed in pencil l.r., informational label attached verso 10" x 13 1/4" sight, 16 1/4" x 19 1/2" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Private Collection Maine

LOT 13

THOMAS HART BENTON (Am. 1889-1975)

Jesse and Jake

Lithograph, framed under glass

Signed in pencil and signed in plate l.r., inscribed "To David and Alfred Olivetti from Jessie P. Benton - 1945" in pencil l.l. 13 1/4" x 9 7/8" image, 21 1/8" x 17 1/8" framed

ESTIMATE: $2,500 - $3,500

Provenance:

Private Collection Maine

LOT 14

THOMAS HART BENTON (Am. 1889-1975)

The Music Lesson, 1943

Lithograph, framed under glass

Signed in pencil l.r., signed in plate l.l., biographical article attached to backing verso

10 1/16" x 12 13/16" image, 12 5/8" x 15 1/8" sheet, 17 1/2" x 19 7/8" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Private Collection Sparr, Florida

LOT 15

THOMAS HART BENTON (Am. 1889-1975)

Slow Train Through Arkansas, 1941

Lithograph, framed under glass

Signed in pencil l.r., signed in plate l.l.

9 7/8" x 12 7/8" image, 12" x 15 5/8" sheet, 17 5/8" x 19 7/8" framed

ESTIMATE: $3,000 - $5,000

Provenance:

Private Collection Sparr, Florida

LOT 16

LOT 5

WILHELM ALEXANDER MEYERHEIM (Ger. 1815-1882)

JOSEPH STELLA IT./AM. 1877-1946 Tree

LOT 17

19TH CENTURY GERMAN SCHOOL

Playing in the Snow Oil on canvas, framed

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

Signed l.l., N.L. Lepke label on stretcher verso

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

10 1/2" x 13 1/2" actual, 18 1/4" x 21 1/2" framed

$600-800

ESTIMATE: $600 - $800

Provenance: Private Collection New Hampshire

Provenance:

Private Collection Portsmouth, New Hampshire

Under Shade on the Docks Oil on board, framed

Signed indistinctly l.r., inscribed "Augustin Palme 1808-1897" verso 7 7/8" x 13 3/4" actual, 13 9/16" x 19 3/8" framed

ESTIMATE: $400 - $600

Provenance:

Private Collection Rye Beach, New Hampshire

LOT 18

MARK FISHER (Am. 1841-1923)

The Chalk Pit Oil on canvas, framed

Signed l.l., partial exhibition label on stretcher verso

30 5/8" x 23 3/4" actual, 34 5/8" x 28" framed

ESTIMATE: $1,000 - $1,500

Provenance:

From the Collection of Mrs. Charles Churchill, London, United Kingdom to Private Collection New Hampshire

LOT 19

MARK FISHER

(Am. 1841-1923)

The Forge, 1899 Oil on canvas, framed

Signed and dated l.l., collector's label verso

31 1/8" x 25" actual, 35" x 29" framed

ESTIMATE: $800 - $1,200

Provenance:

From the Collection of Mrs. Charles Churchill, London, United Kingdom to Private Collection New Hampshire

LOT 20

CHARLES LEICKERT (Belgian 1816-1907)

Riverside Scene Oil on canvas, framed

Signed l.r., Lyman Bros. label atached verso

11 1/4" x 14 1/4" actual, 17 1/2" x 20 1/2" framed

ESTIMATE: $3,000 - $5,000

Provenance:

Private Collection Portsmouth, New Hampshire

Private Collection New Hampshire

LOT 21

SCHOOL OF BONAVENTURA PEETERS (Belgian 1614-1652)

Port City

Oil on canvas, framed

26 1/4" x 34 1/4" actual, 29 3/4" x 37 3/4" framed

ESTIMATE: $2,000 - $4,000

Provenance:

Private Collection Yarmouth, Maine

LOT 22

LATE 17TH CENTURY EUROPEAN SCHOOL

Ships at Port Oil on canvas, framed

25 3/8" x 42 1/8" actual, 30" x 46 7/8" framed

ESTIMATE: $2,000 - $4,000

Provenance: Private Collection Yarmouth, Maine

LOT 23

19TH CENTURY CHINA TRADE SCHOOL (POSSIBLY LAI FONG)

The Ship Lyndhurst Under Full Sail Oil on board, framed

16 7/8" x 22 3/8" actual, 20 1/8" x 25 5/8" framed

ESTIMATE: $800 - $1,200

Provenance:

Private Collection Darien, Connecticut

LOT 24

JOHN CHRISTIAN SCHETKY (Br. 1778-1874)

Action Between Lively and Glorioso off Caidz Oil on canvas, framed

LOT 25

GORDON GRANT (Am. 1875-1962) Two Sailing Ships Oil on panel, framed Signed l.r.

11 1/2" x 15 1/2" sight, 14 5/8" x 18 5/8" framed

ESTIMATE: $800 - $1,200

Provenance: Private Collection Maine

Inscribed "Lively and Glorioso (Spanish) off Cadiz by Shetky" verso 15 7/8" x 24" actual, 19 3/16" x 27" framed

ESTIMATE: $1,200 - $1,800

Provenance: Private Collection Bedford, Hew Hampshire

LOT 26

GORDON GRANT

(Am. 1875-1962)

Mending the Nets

Watercolor on paper, framed under glass

Signed l.l.

14 1/8" x 20 3/4" sight, 24 3/4" x 31 1/8" framed

ESTIMATE: $500 - $700

Provenance:

Private Collection Darien, Connecticut

LOT 27

ANTONIO MATTEI

(Am. 1900-1956)

Fishermen on the Cove, 1948

Tempera on paper, framed under glass

Signed and dated l.r.

15 1/2" x 23 3/4" actual, 18 7/8" x 27 3/4" framed

ESTIMATE: $400 - $600

Provenance:

Private Collection Rye Beach, New Hampshire

LOT 28

HAYLEY LEVER

(Australian/Am. 1876-1958) Summer, Breton, France

Watercolor on paper, framed under glass

Signed l.r.

8 3/4" x 18 1/4" sight, 16" x 25" framed

ESTIMATE: $700 - $900

Provenance:

Private Collection Darien, Connecticut

LOT 29

EGBERT CADMUS (Am. 1868-1939) Three Works

1] "Provincetown" 1926 2] "Provincetown" 1927 3] "Provincetown Mass" 1927 1] 2] 3] Watercolors on paper, unframed

1} Signed, titled and dated l.r. 2] Signed l.r., titled and dated verso 3] Signed, titled and dated l.r.

1] 16 1/2" x 20 1/2" actual 2] 16 1/2" x 20 1/2" actual 3] 17 7/8" x 22 1/8" actual

ESTIMATE: $800 - $1,200

Provenance:

Private Collection Ypsilanti, Michigan

LOT 31

BERENICE ABBOTT (Am. 1898-1991)

The El, 2nd & 3rd Avenue Lines, Bowery and Division Street, Manhattan, 1936

Gelatin silver print, matted

Signed on mount in pencil l.r., editioned "4/40" on mount in pencil l.l., Berenice Abbott Retrospective stamp on backing verso 23 1/8" x 18 1/4" actual, 37 1/8" x 32" matted

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection Maine Other Notes: Published by Parasol Press Ltd., 1982

LOT 30

BERENICE ABBOTT (Am. 1898-1991)

Yuban Coffee Warehouse, Water and Dock Streets, Brooklyn, 1936

Gelatin silver print, framed under glass

Signed on mount in pencil l.r.

15 1/4" x 17 3/8" actual, 27 1/2" x 28 3/4" framed

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection Maine

LOT 32

ELIOT PORTER

(Am. 1901-1990)

Two Photographs from the China Portfolio

1] Bamboo Forest, 1980 2] Scene in China, 1984

1] 2] Dye transfer prints, framed under glass 1] 2] Signed in pen l.r.

1] 14 1/16" x 11 9/16" image, 21" x 17" framed Dye transfer print, framed under glass Signed in pen l.r.

11" x 14 1/4" image, 18 3/8" x 21 3/4" framed

ESTIMATE: $1,500 - $2,500

Provenance: Private Collection Maine

LOT 33

ELIOT PORTER

(Am. 1901-1990)

LOT 34

ERNST HAAS (Austrian/Am. 1921-1986)

Two Photographs from the Creation Portfolio

1] Surtsey Volcano, near Iceland, 1965

2] Lake Huntington, Kenya, 1970 1] 2] Dye transfer prints, framed under glass 1] 2] Signed in pencil l.r.

1] 12 5/8" x 19 3/8" actual, 20 3/4" x 26 3/4" framed

2] 12 1/2" x 19 1/4" actual, 20 5/8" x 26 5/8" framed

ESTIMATE: $1,000 - $1,500

Provenance: Private Collection Maine

Portfolio Two: Iceland

Twelve dye transfer prints, framed under glass

1] Tarn and Cotton Grass

8 1/8" x 10 3/8" actual, 21 1/8" x 16 1/16" framed

2] Pinks on Glacial Moraine

10 3/8" x 7 7/8" actual, 21 1/8" x 16 1/16" framed

3] Small Stream in Cinders

10 3/8" x 8 1/8" actual, 21 1/8" x 16 1/16" framed

4] White Flowers in Black Ash Cliff

10 3/8" x 7 7/8" actual, 21 1/8" x 16 1/16" framed

5] Ice in Glacial Lake

10 3/8" x 7 7/8" actual, 21 1/8" x 16 1/16" framed

6] Lichens on River Stones

10 1/2" x 8 1/8" actual, 21 1/8" x 16 1/16" framed

7] Fractured Obsidian

10 3/8" x 8" actual, 21 1/8" x 16 1/16" framed

8] Steam Vent

10 5/16" x 8" actual, 21 1/8" x 16 1/16" framed

9] Sea-weed at Low Tide

10 3/8" x 8" actual, 21 1/8" x 16 1/16" framed

10] Wind Eroded Volcanic Ash

8" x 10 5/8" actual, 21 1/8" x 16 1/16" framed

11] Abandoned Farm

8 1/8" x 10 5/8" actual, 21 1/8" x 16 1/16" framed

12] River Canyon Junction

10 1/2" x 8" actual, 21 1/8" x 16 1/16" framed

ESTIMATE: $4,000 - $6,000

Provenance: Private Collection Vermont

Other Notes:

This lot is accompanied by the original portfolio sleeve

LOT 5

JOSEPH STELLA IT./AM. 1877-1946

Tree

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

$600-800

Provenance: Private Collection New Hampshire

LOT 35

LOT 35

JOSEPH STELLA IT./AM. 1877-1946

Tree

LOT 5

LOT 36

EDWARD WESTON (Am. 1886-1958)

JOSEPH STELLA IT./AM. 1877-1946

JOSEPH STELLA IT./AM. 1877-1946

Tree

Shell, 1927

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

Gelatin silver print, framed under glass

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

Titled, dated, stamped "Negative by Edward Weston" and signed in pencil by Cole Weston, the artist's son, on backing verso 9 1/4" x 7 1/8" actual, 18" x 13 3/4" framed

$600-800

Provenance: Private Collection New Hampshire

LOT 36

LOT 36

Tree

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

$600-800

$600-800

Provenance: Private Collection New Hampshire

ESTIMATE: $1,500 - $2,500

Provenance: Cole Weston to Private Collection Maine

Provenance: Private Collection New Hampshire

EDWARD WESTON (Am. 1886-1958) "Nude" (Charis, Santa Monica), 1936

JOSEPH STELLA IT./AM. 1877-1946

Tree

Gelatin silver print, framed under glass

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

Titled, dated, stamped "Negative by Edward Weston" and signed in pencil by Cole Weston, the artist's son, on backing verso 9" x 7 1/2" actual, 17 1/8" x 14 1/8" framed

$600-800

Provenance: Private Collection New Hampshire

ESTIMATE: $3,000 - $5,000

Provenance: Cole Weston to Private Collection Maine

LOT 37

ANSEL ADAMS (Am. 1902-1984)

"Mount Williamson from Manzonar"

Gelatin silver print, framed under glass

Signed in pencil on mount l.r., titled in pen and artist's stamp on mount verso 15 3/8" x 19 1/4" actual, 24 7/8" x 28 3/16" framed

ESTIMATE: $25,000 - $35,000

Provenance: Private Collection Maine

LOT 38

OSCAR BLUEMNER

(Am. 1867-1938)

River View with Aqueducts

Crayon on paper, framed under glass

Monogrammed l.l., artist's notation verso, Sid Deutsch Gallery, New York City label on backing verso

5 1/16" x 6 3/4" actual, 10 3/4" x 12 9/16" framed

ESTIMATE: $400 - $600

Provenance: Private Collection Falmouth, Maine

LOT 39

EDWARD HOPPER (Am. 1882-1967)

Study of Men's Hats and a Window

Pencil on paper, framed under glass

Berta Walker Gallery label on backing verso

4 1/8" x 6 3/16" actual, 13 1/4" x 15 3/4" framed

ESTIMATE: $6,000 - $8,000

Provenance: The Leroy Collection

JOSEPH STELLA IT./AM. 1877-1946

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

$600-800

LOT 40

ROCKWELL KENT (Am. 1882-1971)

LOT 5

JOSEPH STELLA IT./AM. 1877-1946 Tree

Ship and Icebergs

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

Pen and ink on paper laid to board, unframed Artist's stamp and inscribed "page 6" l.r., "The original drawing remains to property of Rockwell Kent, Ausable Forks, N.Y., and must be returned to him." stamped verso 4 3/4" x 6" actual, 7 3/16" x 9" laid to board

$600-800

Provenance: Private Collection New Hampshire

ESTIMATE: $4,000 - $6,000

Provenance: Private Collection Maine

LOT 41

ROCKWELL KENT (Am. 1882-1971) "Alaska Panorama"

Pen and ink on paper, framed under glass Signed l.c., titled and additional composition verso 2 1/2" x 7 1/8" sight, 13 1/2" x 18 1/8" framed

ESTIMATE: $6,000 - $8,000

Provenance: Tom Veilleux Gallery to Private Collection Maine

Other Notes:

This lot is accompanied by an exhibition catalog from Tom Veilleux Gallery in which it is illustrated

LOT 42

ROCKWELL KENT

(Am. 1882-1971)

LOT 5

Illustration from the Tales of Tom Thumtack

JOSEPH STELLA IT./AM. 1877-1946 Tree

Wood engraving with hand lettering and collage on paper laid to board, unframed

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

Artist's stamp l.r.

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

4 1/16" x 3 3/8" actual, 6 1/8" x 5 1/16" laid to board

$600-800

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection New Hampshire

Provenance: Private Collection Maine

Literature:

Possibly an unused illustration from Frederic Squires, Architec-Tonis The Tales of Tom Thumbtack (New York: The William T. Comstock Company, 1914).

LOT 43

ROCKWELL KENT

(Am. 1882-1971)

Sermilik Fjord, Greenland

Color lithograph, framed under glass

Signed in pencil l.r., exhibition label attached to backing verso 13 1/8" x 18 3/4" image, 20 3/8" x 26" framed

ESTIMATE: $1,200 - $1,800

Provenance: Private Collection Guilford, Connecticut

LOT 44

WALTER GRIFFIN

(Am. 1861-1935)

Dory, Coast of Maine, c. 1889

Graphite on paper, framed under glass

Signed l.r., exhibition label verso

8 5/16" x 13 3/8" sight, 14 5/8" x 19 3/4" framed

ESTIMATE: $300 - $500

Provenance:

Private Collection Brunswick, Maine

LOT 45

CHARLES WOODBURY

(Am. 1864-1940)

Dutch Village Pencil on paper, matted Inscribed "Holland" l.r., estate stamp verso 11" x 15" actual, 15 1/2" x 18" matted

ESTIMATE: $300 - $500

Provenance:

Private Collection York, Maine

LOT 46

WILLIAM ZORACH

(Am. 1887-1966)

Portrait, 1934

Pencil on paper, framed under glass

Signed and dated l.r.

10 3/4" x 8 1/8" sight, 17" x 14 1/2" framed

ESTIMATE: $500 - $700

Provenance:

Private Collection York, Maine

LOT 47

WILLIAM ZORACH

(Am. 1887-1966)

New Hampshire, 1919

Watercolor on paper, framed under glass

Signed and dated l.r., J. Whatman blind stamp l.l., Hirschl & Adler Galleries, Inc. label, Tom Veilleux Gallery label and Barridoff Galleries tag verso

15 1/4" x 10 7/8" sight, 26 1/2" x 20 3/8" framed

ESTIMATE: $3,000 - $5,000

Provenance: Barridoff Galleries August 4, 2017, lot 91 to Private Collection Vermont

LOT 48

WILLIAM ZORACH (Am. 1887-1966)

Slaughtering a Pig, 1917

Watercolor on paper, unframed

Signed and dated l.r. 11" x 8 1/2" actual

ESTIMATE: $1,200 - $1,800

Provenance: The Leroy Collection

LOT 49

WALDO PEIRCE

(Am. 1884-1970)

"Becky Hypnotized by TV" 1968 Oil on canvas, unframed

Initialed and dated l.r., signed, titled, dated and inscribed "Newburyport" verso 16" x 12" actual

ESTIMATE: $400 - $600

Provenance:

By descent in the Artist's family to Private Collection Cambridge, New York Other Notes:

The subject, Becky, was the sister of Alzira Boehm Peirce, one of the Artist's wives

LOT 51

THOMAS NADEAU

(Am. 20th Century)

Portrait of a Lady Oil on canvas, framed Signed l.r.

35 1/8" x 25" actual, 39 5/8" x 29 7/16" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Private Collection Shirley, Maine

LOT 50

WALDO PEIRCE (Am. 1884-1970)

Little Alzira Reading a Comic Oil on canvas, unframed Initialed l.r.

12 1/8" x 9 1/16" actual

ESTIMATE: $400 - $600

Provenance:

By descent in the Artist's family to Private Collection Cambridge, New York Other Notes:

The subject, Little Alzira, was a niece of Waldo Peirce

Portrait of a Lady is a wonderful example of Thomas Nadeau’s meticulous use of visual symbols. The subject of the painting is a personal acquaintance of Nadeau’s who has overcome much hardship and trauma, and the objects in the painting represent her life story and journey of healing. The mountains and bridge over troubled water in the background represent the challenges that the subject has had to face and overcome. She finds her way off the bridge and learns to place herself on a pedestal. The tree behind her shows that even after a long dark winter, the bright green leaves were always there waiting to be let out. As the clouds clear, she is able to find love and friendship, represented by the red and white roses as well as inner peace, represented by the dove. Nadeau’s use of symbols comes from a long standing tradition in portraiture of revealing details about the sitter and their life through other elements in the piece.

BARRIDOFF AUCTIONS

LOT 52

NICOLAI CIKOVSKY (Rus./Am. 1894-1987)

Young Girl in Pink Gouache on paper, framed under glass Signed l.r., Christie's East label on frame verso 22 1/8" x 18" sight, 27 3/8" x 23 1/2" framed

ESTIMATE: $700 - $900

Provenance: Private Collection Vermont

LOT 53

PHILIP EVERGOOD (Am. 1901-1973)

Portrait of Richard Carline, Esquire - Painter, 1963 Oil on canvas, framed Signed and dated l.l., inscribed "Richard Carline Esquire - Painter" on stretcher verso, Gallery 63 Inc. label verso, Skinner label on frame verso 44 1/8" x 24 1/8" actual, 52 1/8" x 32 1/8" framed

ESTIMATE: $2,000 - $3,000

Provenance: Skinner May 20, 2005, lot 433 to Neal Auction Company July 16, 2016, lot 160 to Private Collection Vermont

LOT 54

ELLEN EMMET RAND (Am. 1875-1941)

Portrait of Emily Bedford, 1933

Oil on canvas, framed

Signed and dated u.r., Red Fox Fine Art label verso

29 1/4" x 20 1/8" actual, 31 5/8" x 22 3/4" framed

ESTIMATE: $3,000 - $5,000

Provenance:

Mr. E.T.B. Davie Jr., grandson of the sitter, to Mr. Bruce E. McCashin, great-nephew of the sitter, by descent

Other Notes:

This lot is accompanied by an exhibition catalog in which it is illustrated

LOT 55

JOSEPH GREENLEAF COLE (Am. 1806-1858)

Portrait of Nathaniel Warren, Portland, Maine, 1826

Oil on paper stock, framed

Signed, dated and inscribed "Mr. Nat G. Warren to Mrs. Mary Ellen

Warren Scott to Mrs. Anna Warren Scott Pearce" verso

28 1/2" x 20 7/8" actual, 34 1/8" x 26 11/16" framed

ESTIMATE: $800 - $1,200

Provenance:

Private Collection Maine

Other Notes:

This lot is accompanied by historical and biographical information on the artist and subject

LOT 56

RUSSELL CHENEY (Am. 1881-1945)

Les Enfants Pendus (The Hung-Up Children), 1927-8 Oil on canvas, framed Signed and artist's insignia l.r.

60 3/4" x 72 1/8" actual, 65 3/16" x 77 1/8" framed

ESTIMATE: $8,000 - $10,000

Provenance:

Private Collection Portsmouth, New Hampshire

Literature:

Illustrated in F.O. Matthiessen, Russell Cheney: A Record of His Work (New York: Oxford University Press, 1947) 74. Exhibited:

Russell Cheney: Artist of the Piscataqua, Portsmouth Athenaeum, The Randall Room, June 20 - August 17, 1996

LOT 57

IRVING RAMSAY WILES (Am. 1861-1948)

Woman in Frothy Dress

Oil on canvas, framed

Signed u.r.

14 1/8" x 12 1/8" actual, 17 1/8" x 15 1/8" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Private Collection California

Other Notes: Conservation report available upon request

LOT 58

WALT KUHN (Am. 1877-1949)

The Clown, 1931

Tempera on paper laid to board, framed under glass

Signed and dated c.r.

17 1/4" x 12 1/2" actual, 22 1/2" x 17 7/8" framed

ESTIMATE: $7,000 - $9,000

Provenance:

Private Collection Vermont

LOT 59

GEORGE DE LYRA (Am. 1929-1999)

Figure in Brown

Oil on panel, framed

Signed l.l., exhibition label attached to strainer verso 23" x 31 1/2" actual, 25 1/8" x 34 1/8" framed

ESTIMATE: $700 - $900

Provenance:

Private Collection Vermont

LOT 60

CHRIS HUNTINGTON (Am. b. 1938) "Oct 1st" Stacyville, ME, 1994 Oil on panel, framed

Signed l.r., titled l.l., signed, titled and artist's label verso 12" x 18" actual, 17 3/8" x 23 3/8" framed

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection Portsmouth, New Hampshire

LOT 61

CHARLES GOODHUE (Am. 1915-2005)

Lavender Sunset Oil on canvas, framed

Signed l.r., estate stamp verso and inventory number "O-154" on stretcher verso 15 7/8" x 20" actual, 18 1/4" x 22 1/4" framed

ESTIMATE: $400 - $600

Provenance: Private Collection Yarmouth, Maine

ARTIST CORNER

STEPHEN ETNIER & ALBERT MILCH

Photo Credit: Courtesy of https://stephenetnier. com/cv.html

STEPHEN ETNIER

StephenMorgan Etnier was born on September 11, 1903, into a wealthy family in York, Pennsylvania. His grandfather, S. Morgan Smith, was an industrialist, inventor, and the first president of the corporation that would become Johnson Controls before founding his own company, one of the early manufacturers of turbines.

Growing up in a privileged household where art was always present, Etnier was particularly influenced by a Hudson River School painting by Fredrick Church that hung in his home. Though his parents expected him to follow his father into the family business, Etnier disliked the idea of being confined to indoor work and often rebelled against authority, leading to his removal from several private preparatory schools. By high school, he was copying paintings in the school library in pen and ink and was exposed to Western art during trips with his mother to the Grand Canyon, Lake Louise, and the 1915 San Francisco Exposition. After high school, he deferred college to travel to South America with his sister and mother. Upon returning, he enrolled at Yale University to study art but found the program "very stuffy." Outside of class, he painted Western and South American landscapes from memory. A significant moment came when his hockey coach showed him a Van Gogh painting, the first modernist work he had ever seen, which he described as not "stuffy and brown." Etnier was eventually expelled from Yale due to poor grades and later studied at the Pennsylvania Academy of the Fine Arts. He

committed to painting full-time, traveling extensively and studying with Rockwell Kent. Etnier became known as a realist painter, focusing primarily on marine scenes and landscapes.

In 1953, the Farnsworth Art Museum hosted a retrospective of his works. His paintings have been widely exhibited and are held in the permanent collections of the Boston Museum of Fine Arts, the Metropolitan Museum of Art, and the Bowdoin College Art Museum, which awarded him an honorary doctorate in 1969. In 1964, he received the Gold Medal from the National Academy of Design. Barridoff has sold upwards of 250 paintings by the artist since 1978 and is proud to continue his strong legacy in the art market, particularly in Maine.

Photo Credit: Courtesy of https://maineboats.com/print/issue-187/ david-etnier%E2%80%99s-sense-place-and-people

STEPHEN ETNIER IS HIS HARPWELL STUDIO

LOT 62

STEPHEN ETNIER (Am. 1903-1984)

Hoisting Sail, Jewell Island Harbor, 1959 Oil on canvas, framed

Signed and dated l.c., The Milch Galleries label on backing verso 20" x 36" actual, 30 1/2" x 46 1/2" framed

ESTIMATE: $8,000 - $12,000

Provenance:

Barridoff Auctions August 6, 2004, lot 52 to Private Collection Vermont

LOT 63

STEPHEN ETNIER

(Am. 1903-1984) "Low Tide" 1966

Oil on panel, framed

Signed and dated l.l., signed, titled and dated verso, signed and titled on backing verso

14" x 24" actual, 23 1/4" x 33 1/4" framed

ESTIMATE: $3,000 - $5,000

Provenance:

Galleries April 25, 2012, lot 255 to Private Collection Vermont

LOT 64

STEPHEN ETNIER

(Am. 1903-1984) "Seiners" 1954

Oil on canvas, framed

Signed and dated l.r., signed, titled, dated and Milch Galleries label on stretcher verso

9 7/8" x 14 1/8" actual, 16 3/4" x 20 3/4" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Barridoff Galleries August 4, 2006, lot 256 to Private Collection Vermont

Barridoff

LOT 65

WILLIAM THON (Am. 1906-2000) Harbor Scene

Watercolor on paper, matted

Estate inventory number verso 12" x 15 3/4" actual, 15 1/2" x 20 1/2" matted

ESTIMATE: $300 - $500

Provenance: Private Collection York, Maine

LOT 66

WILLIAM THON (Am. 1906-2000) Sailboats

Watercolor on paper, matted 10" x 13 1/2" sight, 14 3/4" x 18 1/16" matted

ESTIMATE: $400 - $600

Provenance: Private Collection York, Maine

LOT 67

WILLIAM THON (Am. 1906-2000)

Sketchbook

Pen and ink and watercolor on bound paper sheets

Additional information on this lot is available upon request 9 1/16" x 12 3/16" actual

ESTIMATE: $500 - $700

Provenance: Private Collection Ypsilanti, Michigan

LOT 68

LOT 5

LOT 69

JOSEPH STELLA IT./AM. 1877-1946 Tree

WILLIAM THON (Am. 1906-2000)

Sloop Susan

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

Watercolor on paper, framed under glass

Signed l.l., Midtown Galleries label, Frost Gully Gallery label, Barridoff Galleries label and partial Payson Art Enterprise label on backing verso 17 1/2" x 23" sight, 24" x 29 3/8" framed

$600-800

Provenance: Private Collection New Hampshire

ESTIMATE: $1,000 - $1,500

Provenance: Barridoff Galleries Ocober 19, 2019, lot 36 to Private Collection Vermont

WILLIAM THON (Am. 1906-2000)

"Mist in the Trees"

Oil on masonite, unframed

Signed l.r., titled verso 22 1/16" x 35 7/8" actual

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection Ypsilanti, Michigan

LOT 70

CARL SPRINCHORN (Am. 1887-1971)

Man with Axe

Crayon on paper, framed under glass

Initialed l.r., William Kelly Simpson label on backing verso

11 7/8" x 8 7/8" actual, 21 3/8" x 17 3/8" framed

ESTIMATE: $600 - $800

Provenance:

Private Collection New York City, New York

LOT 72

LOT 71

CARL SPRINCHORN (Am. 1887-1971)

The Seduction Ink and brush on paper, framed under glass

Signed l.r.

17" x 12" sight, 25 3/4" x 19 5/8" framed

ESTIMATE: $600 - $800

Provenance:

Private Collection New York City, New York

CARL SPRINCHORN (Am. 1887-1971)

Man with Curly Hair

Pastel and ink wash on paper, framed under glass

Signed l.r., Tom Veilleux Gallery label on backing verso 8" x 5" actual, 16 1/16" x 12 1/16" framed

ESTIMATE: $300 - $500

Provenance:

Private Collection New York City, New York

LOT 74

CARL SPRINCHORN

(Am. 1887-1971)

Bird

Oil on canvas laid to board, framed

Signed verso, Heydenryk framing label on frame verso

12 1/4" x 16" actual, 22 3/16" x 25 7/8" framed

ESTIMATE: $1,200 - $1,800

Provenance: Private Collection Ypsilanti, Michigan

LOT 73

CARL SPRINCHORN

(Am. 1887-1971)

Swaggering Laborer

Watercolor and pastel on paper, framed under glass

Initialed u.r., Swann's label and Helicline Fine Art label on backing verso

12 3/4" x 9 3/4" sight, 19 3/4" x 16 3/4" framed

ESTIMATE: $1,500 - $2,000

Provenance:

Swann Galleries June 20, 2019, lot 229 to Private Collection New York City, New York

LOT 75

CARL SPRINCHORN (Am. 1887-1971)

Bridge, 1914

Oil on masonite, framed

Signed and dated l.l., additional composition verso

9 3/4" x 12 1/2" actual, 17 3/16" x 20" framed

ESTIMATE: $1,000 - $1,500

Provenance:

Private Collection Amesbury, Massachusetts

LOT 76

KATHERINE BRADFORD (Am. b. 1942) Juggler, 2023

Acrylic on paper, framed

Signed, titled and dated verso, original envelope from New York Studio School of Drawing, Painting & Sculpture and photocopy of verso inscription attached to frame verso 5 3/16" x 5" actual, 12 1/4" x 11 15/16" framed

ESTIMATE: $3,000 - $5,000

Provenance:

Private Collection Maine

LOT 77

KATHERINE BRADFORD (Am. b. 1942) "Lady by her Pool" 2023

Acrylic on paper, framed

Signed, titled and dated verso, original envelope from New York Studio School of Drawing, Painting & Sculpture and photocopy of verso inscription attached to frame verso 5" x 5" actual, 12 1/4" x 12" framed

ESTIMATE: $4,000 - $6,000

Provenance:

Private Collection Maine

LOT 78

Acrylic on wood construction, unframed Signed and dated verso 16 3/16" x 11 5/16" x 2 1/2" actual

ESTIMATE: $8,000 - $12,000

Provenance:

KATHERINE BRADFORD (Am. b. 1941)

Superman, M Shirt, 2014

LOT 80

ARTHUR DIMAMBRO (Am. 1928-2016) Trees, 2011

Oil on panel, framed Initialed and dated l.r. 12" x 16" actual, 13" x 17" framed

ESTIMATE: $600 - $800

Provenance:

LOT 79

KATHERINE BRADFORD (Am. b. 1942) "Lights" 1994 Oil on canvas, framed Signed, titled and dated verso, Victoria Munroe Fine Art label on stretcher verso 16 1/8" x 21 15/16" actual, 16 3/4" x 22 1/2" framed

ESTIMATE: $4,000 - $6,000

Provenance: Private Collection Ypsilanti, Michigan

LOT 81

ARTHUR DIMAMBRO (Am. 1928-2016)

Landscape with Orange Fields Oil on panel, framed Initialed l.r.

14" x 18 1/8" actual, 18 3/4" x 22 7/8" framed

ESTIMATE: $600 - $800

Provenance: Private Collection Portsmouth, New Hampshire

Private Collection Portsmouth, New Hampshire

LOT 82

ARTHUR DIMAMBRO (Am. 1928-2016)

Abstraction in Blue and Orange, 2013 Oil on masonite, unframed

Initialed and dated l.r.

36 1/4" x 48" actual

ESTIMATE: $800 - $1,200

Provenance: Family of the Artist

LOT 83

ARTHUR DIMAMBRO (Am. 1928-2016)

Abstraction in Red and Black Oil on masonite, unframed

Initialed and dated indistinctly l.r.

48 3/16" x 23 13/16" actual

ESTIMATE: $800 - $1,200

Provenance: Family of the Artist

LOT 84

(Am. 1928-2016) Bathers in the Sun Oil on masonite, unframed 48" x 48" actual

ESTIMATE: $2,500 - $3,500

Provenance: Family of the Artist

ARTHUR DIMAMBRO

LOT 85

WAYNE BEAM MORRELL (Am. 1923-2013)

Beachscape with Bathers and Sailboats Oil on canvasboard, framed Signed l.l.

17 1/4" x 11 3/4" sight, 22 5/8" x 16 7/8" framed

ESTIMATE: $600 - $800

Provenance: Private Collection East Boothbay, Maine

LOT 86

GUSTAVE CIMIOTTI (Am. 1875-1969) "Monhegan" Oil on canvasboard, framed Signed l.r., signed and titled verso 15 7/8" x 19 7/8" actual, 21 3/16" x 25 1/16" framed

ESTIMATE: $900 - $1,200

Provenance: Private Collection Massachusetts

LOT 87

CALEB STONE (Am. 21st Century) Fish Beach, Monhegan Oil on board, framed Signed l.l., Barridoff Galleries tag verso 12" x 16" actual, 18 13/16" x 22 7/8" framed

ESTIMATE: $400 - $600

Provenance: Barridoff Galleries August 4, 2017, lot 183 to Private Collection Vermont

LOT 89

LEO BROOKS (Am. 1909-1993)

Crashing Surf

Watercolor on paper, framed under glass Signed l.r.

17 1/2" x 24 1/8" sight, 23 3/4" x 30" framed

ESTIMATE: $800 - $1,200

Provenance:

Private Collection Cape Elizabeth, Maine

LOT 88

CALEB STONE (Am. 21st Century)

"Behind the School House" Monhegan, 1996

Oil on canvas laid to panel, framed Signed l.r., titled and dated verso

10 7/8" x 14" actual, 19" x 22 1/2" framed

ESTIMATE: $900 - $1,200

Provenance:

Private Collection Hallowell, Maine

LOT 90

LEO BROOKS (Am. 1909-1993) Man with Pink Fish

Watercolor on paper, framed under glass

Signed l.r.

21 7/8" x 29 1/4" sight, 32 5/8" x 39 1/2" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Private Collection Cape Elizabeth, Maine

LOT 91

LOT 5

LOT 92

JOSEPH STELLA IT./AM. 1877-1946 Tree

LEO BROOKS (Am. 1909-1993)

Gull on the Pier, Monhegan, 1984

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

Watercolor and ink on paper, framed under glass

LEO BROOKS (Am. 1909-1993) Sunbath

Watercolor on paper, framed under glass

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

Signed and dated l.r.

21" x 29" sight, 30 1/8" x 37 11/16" framed

$600-800

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection New Hampshire

Provenance:

Private Collection Cape Elizabeth, Maine

Signed l.r.

20 1/2" x 28 5/8" sight, 30 1/4" x 37 5/8" framed

ESTIMATE: $1,500 - $2,500

Provenance:

Private Collection Cape Elizabeth, Maine

LOT 93

ELENA JAHN

(Am. 1938-2014)

Lobster Cove #2

Pastel on paper, framed under glass

Signed l.r.

27 3/4" x 40 3/8" actual, 32 1/4" x 45 3/16" framed

ESTIMATE: $600 - $800

Provenance:

From the Artist to Private Collection South Freeport, Maine

LOT 94

ELENA JAHN

(Am. 1938-2014)

Monhegan Sunset (From Sky/Sea Series), 1990 Oil pastel on paper, framed under glass

Signed l.r., signed, dated and inscribed "Monhegan Island, ME 04852 Sky/Sea Series" verso

7 3/4" x 8 11/16" sight, 9 7/8" x 12 7/8" sheet, 16 5/8" x 16 9/16" framed

ESTIMATE: $300 - $500

Provenance: From the Artist to Private Collection South Freeport, Maine

LOT 95

ALEX MINEWSKI

(Am. 1917-1979)

Cliffs, Monhegan

Watercolor on paper, unframed

Signed l.l., artist's stamp verso 10" x 14 1/16" actual

ESTIMATE: $300 - $500

Provenance:

Lupine Gallery Monhegan Island, Maine to Private Collection Massachusetts

LOT 97

ALEX MINEWSKI (Am. 1917-1979)

"Surf" Monhegan Island

Oil on panel, unframed

Signed l.r., signed and titled verso 12" x 16" actual

ESTIMATE: $700 - $900

Provenance:

Estate of the Artist to Private Collection Massachusetts (purchased from Natalie Minewski, the artist's spouse)

LOT 96

ALEX MINEWSKI (Am. 1917-1979)

"Monhegan Cliffs" 1950

Oil on canvas laid to panel, unframed

Signed l.l., signed, titled, dated and artist's stamp verso

10 1/4" x 14 1/4" actual

ESTIMATE: $600 - $800

Provenance:

Estate of the Artist to Private Collection Massachusetts (purchased from Natalie Minewski, the artist's spouse)

LOT 98

ALEX MINEWSKI (Am. 1917-1979)

Wreck Fragments, Monhegan

Oil on masonite, framed

Signed l.l., signed, inscribed "128 E 16th St NYC -3" and "Monhegan Island, Maine" and Barridoff Auctions label verso

11 15/16" x 15 7/8" actual, 15 3/4" x 19 3/4" framed

ESTIMATE: $800 - $1,200

Provenance: Private Collection San Diego, California

LOT 99

MORRIS SHULMAN

(Am. 1912-1978)

Monhegan Abstraction, c. 1955

Casein on paper, framed under glass

Signed l.r.

9 7/8" x 13 7/8" sight, 18 1/4" x 22 1/8" framed

ESTIMATE: $1,000 - $1,500

Provenance:

Private Collection Lawrence, New York

LOT 100

EDMUND FRANKLIN WARD

(Am. 1892-1991)

"Squeaker's Cove" The Wreck of the St. Christopher, Monhegan, 1949 Oil on canvasboard, framed Signed l.r., signed, titled, dated and estate stamp verso 12" x 14 1/2" actual, 13 15/16" x 16 5/16" framed

ESTIMATE: $400 - $600

Provenance:

Private Collection San Diego, California

LOT 101

MORRIS SHULMAN

(Am. 1912-1978)

Untitled Abstraction, c. 1958

Casein on paper, framed under glass

Signed l.r.

22 1/4" x 30 1/4" actual, 35" x 42 9/16" framed

ESTIMATE: $800 - $1,200

Provenance:

Private Collection Lawrence, New York

LOT 102

MORRIS SHULMAN

(Am. 1912-1978)

Untitled Abstraction, 1953 Casein on board, framed Signed and dated l.r.

25 1/2" x 35 1/2" sight, 30 7/8" x 40 7/8" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Private Collection Lawrence, New York

LOT 103

MORRIS SHULMAN

(Am. 1912-1978)

View Toward Gull Hill, 1948 Pastel on paper, matted Signed and dated l.r.

18 1/4" x 25 1/4" sight, 23 9/16" x 30 9/16" matted

ESTIMATE: $1,200 - $1,800

Provenance:

Private Collection Lawrence, New York

LOT 104

MORRIS SHULMAN (Am. 1912-1978) "Brambles" c. 1949

Watercolor and pastel on paper, framed under glass Signed, titled, dated and Barridoff Galleries tag on backing verso

20 3/4" x 28 1/2" actual, 28 3/8" x 36 1/8" framed

ESTIMATE: $1,200 - $1,800

Provenance:

Private Collection Lawrence, New York

LOT 105

ALICE KENT STODDARD (Am. 1884-1976) Rocky Shore Oil on canvas, unframed Signed l.r., signed l.l., estate stamp and Rago label on stretcher verso 25 1/8" x 30 1/8" actual

ESTIMATE: $1,200 - $1,800

Provenance: Private Collection Ypsilanti, Michigan

LOT 106

JACQUELINE HUDSON (Am. 1910-2001) "Island Cliff"

Monoprint, framed under glass Signed in pencil l.r., titled in pencil l.l. 19 1/8" x 13 1/4" image, 27 13/16" x 20 15/16" framed

ESTIMATE: $400 - $600

Provenance: Private Collection Hallowell, Maine

LOT 107

MABEL MAY WOODWARD (Am. 1877-1945)

Summer Day

Oil on board, framed

Signed l.l.

8 1/4" x 10 1/8" actual, 12 7/8" x 15" framed

ESTIMATE: $800 - $1,200

Provenance:

Private Collection Darien, Connecticut

LOT 108

PAULINE PALMER (Am. 1867-1938)

The New Model

Oil on canvas laid to panel, framed

Signed l.l., Chicago Artists Thirty-Fifth Annual Exhibition, 1931 labels attached to and Hindman labels on frame verso

41 7/8" x 35 7/8" actual, 46 3/16" x 40 1/4" framed

ESTIMATE: $5,000 - $7,000

Provenance:

Private Collection Ypsilanti, Michigan

Literature:

Catalogue of the Thirty-Fifth Annual Exhibition by Artists of Chicago and Vicinity, The Art Institute of Chicago; p. 36, #145

Exhibited:

Thirty-Fifth Annual Exhibition by Artists of Chicago and Vicinity, January 29 - March 1, 1931, The Art Institute of Chicago

Other Notes:

This work depicts the artist painting outside of her home in Provincetown

LOT 109

MARCIA OAKES WOODBURY (Am. 1865-1913)

Musicians

Oil on canvas, framed

Inscribed "Musicians by Marcia Oakes Woodbury" on stretcher verso 8" x 10" actual, 18 5/8" x 20 5/8" framed

ESTIMATE: $700 - $900

Provenance:

Collection of India Woodbury, wife of the Artist's son David, to Private Collection Farmington, Maine

LOT 110

CHARLES WOODBURY (Am. 1864-1940)

Three Women on the Beach

Watercolor on paper, framed under glass

Letter to original buyer and Barridoff Galleries tag attached to backing verso

14 3/8" x 9 7/8" sight, 23" x 18 1/2" framed

ESTIMATE: $1,500 - $2,500

Provenance:

Barridoff Galleries October 19, 2019, lot 89 to Private Collection Vermont

LOT 111

PABLO PICASSO (Sp. 1881-1973)

Picador et Tareau

Ceramic

Empreinte Originale de Picasso stamp on underside

Approx. 3 3/4" x 3 3/8" x 1/4" actual

ESTIMATE: $500 - $700

Provenance:

Private Collection New York

LOT 112

PABLO PICASSO (Sp. 1881-1973)

Medallion with Bird Sterling silver

Madoura Empreinte Originale Picasso stamp verso

Approx. 1 1/2" x 1 1/2" x 1/16" actual

ESTIMATE: $1,000 - $1,500

Provenance:

Private Collection New York

LOT 113

PABLO PICASSO (Sp. 1881-1973)

Taureau sous l'arbre, 1952

White earthenware ceramic with oxidized paraffin decoration

Inscribed "Edition Piccaso" and stamped "Edition Picasso" and "Madoura Plein Feu" on underside

8 1/2" x 8 1/2" x 3/4" actual

ESTIMATE: $2,000 - $3,000

Provenance:

Private Collection New York

Other Notes: This work is an edition of 500

LOT 114

Approx. 15 1/4" x 12 3/8" x 1 1/2" actual

ESTIMATE: $8,000 - $12,000

Provenance:

PABLO PICASSO (Sp. 1881-1973) Visage d'homme, 1953 Ceramic

Madoura Plein Feu stamp and Edition Picasso stamp on underside

LOT 115

PABLO PICASSO (Sp. 1881-1973)

"Hibou" A.R. 253

Ceramic

Inscribed "Edition Picasso" and "Madoura", "Edition Picasso" and "Madoura Plein Feu" stamps on underside

Approx. 9 5/8" x 4 1/2" x 7 1/4" actual

ESTIMATE: $5,000 - $7,000

Provenance: Barridoff Galleries August 4, 2017, lot 1 to Private Collection Vermont

LOT 116

AFTER JOAN MIRO (Sp. 1893-1983)

Platter with Figures and Stars

Ceramic

Inscribed "Miro" near outer edge

Approx. 15 1/2" x 15 1/2" x 2 1/2" actual

ESTIMATE: $400 - $600

Provenance: Private Collection New York

LOT 117

AMOS FERGUSON

(Bahamian 1920-2009)

Pine Cone

Pine cone, enamel, plaster and glitter

Signed on underside

Approx. 2 1/2" x 1 3/4" 2 1/4" actual

ESTIMATE: $500 - $700

Provenance:

Property of the Vanguard Museum Collection, Bahamas

LOT 118

AMOS FERGUSON (Bahamian 1920-2009)

Leaf

Plaster, enamel and glitter

Approx. 13 1/2" x 9 1/2" x 2" actual

ESTIMATE: $600 - $800

Provenance:

Property of the Vanguard Museum Collection, Bahamas

LOT 119

JOHN BISBEE (Am. b. 1965)

Untitled (Spiral), 1999

Welded nails

Approx. 29 1/2" x 14" x 11" actual

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection Maine

LOT 5

JOSEPH STELLA IT./AM. 1877-1946 Tree

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

$600-800

Provenance: Private Collection New Hampshire

LOT 120

RICHARD ESTES

LOT 5

JOSEPH STELLA IT./AM. 1877-1946

(Am. b. 1932)

Tree

LOT 121

RICHARD ESTES (Am. b. 1932)

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

Pressing Machinery from Urban Landscapes Portfolio No. 2, 1979

Screenprint in colors, framed under glass

Big Diamonds from Urban Landscapes Portfolio No. 2, 1979

Screenprint in colors, framed under glass

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

Signed in pencil l.r., editioned "49/100" in pencil l.l., Domberger

Screenprint blind stamp l.l.

Signed in pencil l.r., editioned "49/100" in pencil l.l., Domberger

Screenprint blind stamp l.l.

$600-800

19 5/8" x 13" image, 27 7/16" x 19 5/8" sheet, 28 1/2" x 20 3/8" framed

Provenance: Private Collection New Hampshire

ESTIMATE: $1,200 - $1,800

Provenance:

Private Collection Sparr, Florida

19 5/8" x 13" image, 27 7/16" x 19 5/8" sheet, 28 1/2" x 20 3/8" framed

ESTIMATE: $1,200 - $1,800

Provenance:

Private Collection Sparr, Florida

LOT 5

JOSEPH STELLA IT./AM. 1877-1946 Tree

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

$600-800

Provenance: Private Collection New Hampshire

LOT 122

ADOLPH GOTTLIEB (Am. 1903-1974)

Two Bars, 1969

LOT 5

JOSEPH STELLA IT./AM. 1877-1946 Tree

Colored lithograph, framed under glass

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

Signed and dated in pencil l.l., editioned "11/100" in pencil l.r., exhibition label verso

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

29 1/8" x 20 5/8" sight, 29 5/8" x 21 1/4" framed

$600-800

ESTIMATE: $1,200 - $1,800

Provenance: Private Collection New Hampshire

Provenance: Private Collection Amesbury, Massachusetts

LOT 123

ANDY WARHOL (Am. 1928-1987)

Birmingham Race Riot from Ten Works by Ten Painters, 1964

Screenprint on Mohawk Superfine paper, unframed 20" x 24" actual, 24" x 28" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Freemans/Hindman to Private Collection Ypsilanti, Michigan

Literature: Feldman & Schellmann II.3

Other Notes:

From the edition of 500; this lot is accompanied by pages from the original portfolio, including numbered page.

LOT 125

DAHLOV IPCAR

(Am. 1917-2017) "Odalisque"

Woodblock print, framed under glass

Signed in pencil l.r., titled and editioned "8/100" in pencil l.l.

15 3/8" x 26 1/2" image, 25 3/4" x 36 3/4" framed

ESTIMATE: $1,000 - $1,500

Provenance: Private Collection Maine

LOT 124

FAIRFIELD PORTER (Am. 1907-1975)

6th Avenue I

Color lithograph, unframed

Signed in pencil l.r., inscribed "A.P." l.l.

21" x 29" image, 23 3/4" x 30 1/2" sheet

ESTIMATE: $700 - $900

Provenance:

Private Collection Maine

LOT 126

FRÉDÉRIC BRULY BOUABRÉ (Ivorian 1923-2014)

Collection of 40 Drawings

Colored pencil and ink on card

Each drawing: Signed and dated verso, inscription along outer edges

Each drawing: Approximately 7 1/2" x 5 7/8" actual

ESTIMATE: $2,000 - $3,000

Provenance:

From the Artist to Private Collection Abidjan, Côte d'Ivoire

Other Notes:

Please contact fineart@barridoff.com for further information and discussion

JASON BERGER (Am. 1924-2010)

Street Scene with Palms

Watercolor on paper, framed under glass

23 1/2" x 17 3/4" sight, 31 3/16" x 25 9/16" framed

ESTIMATE: $700 - $900

Provenance:

Private Collection Massachusetts

LOT 128 LOT 127

ABRAHAM WALKOWITZ (Rus./Am. 1878-1965)

Swimmers at the Quarry Watercolor on paper, matted Signed l.c.

16 3/8" x 19 1/4" actual, 20 1/4" x 23 1/2" matted

ESTIMATE: $400 - $600

Provenance:

Private Collection Freeport, Maine

ARTIST CORNER

THE SCHOOL OF THE MUSEUM OF FINE ARTS, BOSTON: A LEGACY OF EXCELLENCE

Founded in 1876 as The School of Drawing and Painting, the School of the Museum of Fine Arts (SMFA) in Boston quickly became a cornerstone of the artistic community. Among its early students was the impressionist painter Edmund Tarbell. Together with Frank Benson, Tarbell assumed leadership of the school in 1890, marking the beginning of a highly influential period for the arts in Boston and New England.

A decade after Tarbell and Benson’s directorship began, Fredrick Bosley enrolled at SMFA. An exemplary student, Bosley’s talent was recognized in 1904 when he won the Sears Prize for Portraiture. Three years later, he was awarded the Paige Traveling Fellowship, enabling two years of study in Europe.

Alice Ruggles Sohier, another distinguished student of Tarbell and Benson, joined SMFA in 1904 after studying under Lucius Wolcott Hitchcock at the Art Students League in Buffalo, New York. She won the Sears Prize in 1905 and the Paige Traveling Fellowship in 1907. By 1910, Sohier exhibited at the Museum of Fine Arts, Boston, and went on to have nearly 30 exhibitions nationwide, including at the Pennsylvania Academy of Fine Art, the Art Institute of Chicago, and the Corcoran Gallery in Washington, D.C. She held solo shows at the Guild of Boston Artists in 1916, 1922, and 1925. In 1992, the Butler Institute of American Art in Youngstown, Ohio, hosted a retrospective of her work, which is now part of the permanent collections of the Massachusetts State House and the Metropolitan Opera House in New York. In 1912, Bosley succeeded Tarbell as the Director of SMFA, a role he held for eighteen years. Following World War I, the school’s enrollment surged. In the 1940s, SMFA partnered with Tufts University to broaden its academic offerings, and in the 1950s, it began awarding bachelor’s degrees. By 1960, SMFA introduced Master of Fine Arts degrees.

THE SCHOOL OF THE MUSEUM OF FINE ARTS, BOSTON

Photo Credit: Courtesy of https://maineboats.com/print/issue-187/davidetnier%E2%80%99s-sense-place-and-people

BOSLEY, STUDENTS AND CLASS, AT THE MUSUEM SCHOOL. CIRCA 1925

Photo Credit: Courtesy of William Brewster

SMFA PAINTING CLASS IN 1908.

Bosley’s accolades include a bronze medal from the 1915 Pan-Pacific Exhibition in San Francisco and the 1915 Locust Club gold medal from the Pennsylvania Academy. Today, his paintings are held in the permanent collections of the Museum of Fine Arts, Boston, and the Farnsworth Art Museum, among others.

The School of the Museum of Fine Arts continues to thrive, building on its rich history of nurturing artistic talent with contemporary artists like Joel Babb. Babb completed his MFA at the school and went on to

teach painting and drawing there, and several Boston area schools, for three decades. He now has works in numerous private and public collections, including the Museum of Fine Arts, Boston, and the Portland Museum of Art. With its commitment to providing comprehensive education and fostering creativity, SMFA remains a pivotal institution in the art world, dedicated to shaping the future of fine arts through its innovative programs and distinguished alumni.

Photo Credit: Courtesy of https://smfa. tufts.edu/about/our-history

LOT 129

FREDERICK BOSLEY (Am. 1881-1942)

Portrait of a Woman

Oil on canvas, framed 21 1/16" x 17 1/8" actual

ESTIMATE: $2,000 - $3,000

Provenance:

From the Estate of Elizabeth Bosley Brewster

LOT 130

FREDERICK BOSLEY (Am. 1881-1942)

Woman with Hat, 1904

Oil on canvas, framed

Signed on School of the Museum of Fine Arts label l.l., signed, dated and School of the Museum of Fine Arts labels verso 30" x 22" actual, 33 1/2" x 25 1/2" framed

ESTIMATE: $2,000 - $3,000

Provenance:

From the Estate of Elizabeth Bosley Brewster

LOT 131

ALICE RUGGLES SOHIER (Am. 1880-1969)

Nude with Bracelet Oil on canvas, unframed

Signed and inscribed "Handle with Care" "Deliver to Miss Alice Ruggles 3 Draker St. Dorchester Mass." verso 35 7/8" x 48 1/8" actual

ESTIMATE: $2,500 - $3,500

Provenance: From the Estate of Elizabeth Bosley Brewster

LOT 132

GERTRUDE FISKE

(Am. 1879-1961)

Country Church Oil on canvas, framed

Initialed "AFW" verso (most likely by the Artist's nephew Andrew Fiske Willis), Michael Johnson Gallery label and exhibition and sale information attached to backing verso 10 1/4" x 14 1/8" actual, 13 5/8" x 17 5/8" framed

ESTIMATE: $3,000 - $5,000

Provenance:

Francis Bealey Gallery, Essex, Connecticut to Private Collection Ypsilanti, Michigan

LOT 134

JOEL BABB

(Am. 20th/21st Century)

Port Clyde: (Harbor at Low Tide), 2001

Oil on canvas laid to panel on strainer, framed

Signed l.l., Intimate Wilderness: Maine Landscapes by Joel Babb

exhibition label attached verso 10" x 24" actual, 15 1/8" x 29 1/8" framed

ESTIMATE: $3,000 - $5,000

Provenance:

Collection of Bob and Jackie Laskoff to Private Collection Vermont Literature:

Intimate Wilderness: Maine Landscapes by Joel Babb, Bates College Museum of Art, 2002, illustrated on the back cover Exhibited:

Intimate Wilderness: Maine Landscapes by Joel Babb, Bates College Museum of Art, Olin Arts Center, October 25 - December 29, 2002

Other Notes:

We would like to thank Christopher Schiff of the Bates College George and Helen Ladd Library for his assistance in cataloging this lot; this lot is accompanied by a copy of the exhibition catalog within which it is illustrated.

LOT 133

GERTRUDE FISKE

(Am. 1879-1961)

Turbat's Creek

Oil on canvas, framed

Signed and collector's labels on backing verso

20 1/2" x 27 1/8" actual, 30 1/4" x 37" framed

ESTIMATE: $15,000 - $25,000

Provenance:

Estate of the Artist to Tom Veilleux Gallery to Private Collection Michigan to Barridoff Galleries August 15, 2020, lot 27 to Private Collection Vermont

Exhibited:

Gertrude Fiske: American Master, Portsmouth Historical Society, April 6 - September 30, 2018

LOT 136

JOHN LAURENT (Am. 1921-2005) "Lobster Buoy" Oil on masonite, framed

Initialed l.r., Kraushaar Galleries label verso, artist's label on frame verso

24" x 12 1/2" actual, 28 1/4" x 16 3/4" framed

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection Maine Exhibited:

Kraushaar Galleries, New York City, New York, January - February, 1956; John Laurent, Ogunquit Museum of American Art, May 2 - June 22, 2014

LOT 135

JOHN LAURENT (Am. 1921-2005) Men with Horses Oil on canvas, framed Signed l.r., collector's label on stretcher verso 23 7/8" x 29 1/2" actual, 31 1/8" x 37" framed

ESTIMATE: $2,000 - $3,000

Provenance: Barridoff Galleries February 22, 2020, lot 67 to Private Collection Vermont

LOT 137

JOHN LAURENT (Am. 1921-2005) "Underwood" Duco paint and sand on masonite, unframed Initialed l.l., titled in composition 20" x 36" actual

ESTIMATE: $2,500 - $3,500

Provenance: Private Collection Maine Exhibited: John Laurent, Ogunquit Museum of American Art, May 2 - June 22, 2014

HAMILTON EASTER FIELD

(Am. 1873-1922)

Fishing at Chase's Pond Oil on canvas, unframed

Initials and "Chase's Pond" incised on strainer verso

12 1/16" x 16 1/8" actual

ESTIMATE: $2,000 - $3,000

Provenance:

Private Collection Maine

LOT 139 LOT 138

HAMILTON EASTER FIELD

(Am. 1873-1922)

Moonlight on Chase's Pond Oil on canvas, framed

Collector's label on strainer verso

12 1/8" x 16" actual, 15 1/2" x 19 1/2" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Private Collection Maine

LOT 140

JAMES FITZGERALD (Am. 1899-1971)

Old Tree, c. 1930

Watercolor on paper, framed under glass

Signed l.l.

18 1/4" x 24 5/8" sight, 27 9/16" x 33 11/16" framed

ESTIMATE: $4,000 - $6,000

Provenance:

Private Collection Sutton, Massachusetts Literature:

James Fitzgerald Legacy Catalogue Raisonné, #1223

LOT 141

JAMES FITZGERALD (Am. 1899-1971)

Morning, Katahdin, c. 1960

Watercolor and Chinese ink with charcoal on paper, framed under glass

Signed l.l.

19 5/16" x 24 5/16" sight, 27 7/16" x 32 7/16" framed

ESTIMATE: $4,000 - $6,000

Provenance:

Estate of the Artist by descent to Anne M. & Edgar F. Hubert to Private Collection Massachusetts Literature:

James Fitzgerald Legacy Catalogue Raisonné, #0680

LOT 142

MAURICE FREEDMAN (Am. 1904-1985) "Fisherman's Return" Oil on canvas, framed

Signed l.l., titled on stretcher verso 30" x 20" actual, 36" x 26" framed

ESTIMATE: $8,000 - $12,000

Provenance:

Margie Wolcott May of St. Louis (married to Morton D. May, head of May Department Stores and friend/collector of Freedman) by descent to her daughter; purchased from the Estate of Laura G. Bramlette

LOT 143

MAURICE FREEDMAN

(Am. 1904-1984) "Gray Sea" 1959 Oil on panel, framed Signed and dated l.l., signed, titled and dated verso

30 1/8" x 16" actual, 38 3/8" x 24 3/8" framed

ESTIMATE: $5,000 - $7,000

Provenance:

Eldred's to Private Collection Maine

LOT 145

EDWARD BETTS (Am. 1920-2008) Offshore Light Gouache on paper, framed under glass

Signed l.l.

11 3/4" x 16 1/2" sight, 19 7/8" x 24 1/8" framed

ESTIMATE: $600 - $800

Provenance:

Barridoff Galleries October 19, 2019, lot 85 to Privae Collection Vermont

LOT 144

CLARENCE CHATTERTON (Am. 1880-1973)

Nubble Lighthouse, c. 1930 Oil on canvas, framed Signed l.l., exhibition label on frame verso

16 1/8" x 20 1/8" actual, 22" x 26 1/8" framed

ESTIMATE: $3,000 - $5,000

Provenance: Private Collection Maine

LOT 147

EDWARD BETTS (Am. 1920-2008) "Sea Flow"

Oil, wax and fiber on masonite, framed Signed l.r., signed and titled verso 35 1/2" x 59 3/8" sight, 37 3/16" x 60 7/8" framed

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection South Portland, Maine Literature:

Illustrated in Edward Betts, Master Class in Water Media (New York: Watson-Guptill Publications, 2003) 50.

LOT 146

EDWARD BETTS (Am. 1920-2008) High Terrain Lacquer on masonite, framed

Signed l.l., Art Lending Service of the Museum of Modern Art NYC label and partial Midtown Galleries label verso 22 1/2" x 32 1/4" actual, 25 1/2" x 35 1/4" framed

ESTIMATE: $1,500 - $2,500

Provenance:

Private Collection New York City, New York

LOT 148

EDWARD BETTS (Am. 1920-2008)

Two Works; 1] Camp Site 2] Street in France, 1945

1] 2] Watercolors on paper, framed under glass

1] Signed l.l. 2] Signed and dated l.r.

1] 7 1/2" x 11 1/2" sight, 13 1/2" x 17 1/2" framed

2] 7 1/2" x 11 1/2" sight, 13 1/2" x 17 1/2" framed

ESTIMATE: $400 - $600

Provenance:

Private Collection Ypsilanti, Michigan

LOT 5

JOSEPH STELLA IT./AM. 1877-1946

Tree

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

$600-800

Provenance: Private Collection New Hampshire

LOT 149

LEON KROLL

LOT 5

JOSEPH STELLA IT./AM. 1877-1946

(Am. 1884-1974)

Rocks, Monhegan

Tree

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

Oil on panel, framed

Card inscribed "Matthew Christmas 1987" attached verso

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

18 7/8" x 14 1/4" sight, 24" x 19 3/8" framed

$600-800

ESTIMATE: $4,000 - $6,000

Provenance: Private Collection New Hampshire

Provenance: Private Collection Vermont

LOT 150

WILL HUTCHINS (Am. 1878-1949)

Maine Coast

Oil on panel, framed

Estate stamp and Barridoff Galleries tag verso 12" x 18" actual, 19 1/2" x 25 9/16" framed

ESTIMATE: $1,200 - $1,800

Provenance: Barridoff Galleries May 17, 2018, lot 156 to Private Collection Vermont

$600-800

Provenance: Private Collection New Hampshire

LOT 151

WILL HUTCHINS

LOT 5

LOT 152

JOSEPH STELLA IT./AM. 1877-1946 Tree

(Am. 1878-1949)

"Cape Rosier" 1938

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

Oil on board, framed

Signed, titled, dated, estate stamp and Barridoff Galleries tag verso 11 7/8" x 24 1/16" actual, 18 1/8" x 30 1/8" framed

$600-800

ESTIMATE: $1,500 - $2,500

Provenance: Private Collection New Hampshire

Provenance:

Barridoff Galleries August 4, 2017, lot 67 to Private Collection Vermont

WILL HUTCHINS (Am. 1878-1949) Sunset Afterglow

Oil on canvas, framed

Estate stamp attached verso 12" x 18" actual, 18" x 24 1/16" framed

ESTIMATE: $800 - $1,200

Provenance:

Barridoff Galleries August 15, 2020, lot 161 to Private Collection

LOT 153

RALPH EUGENE CAHOON JR. (Am. 1910-1982) Hong Kong, Three Miles Oil on masonite, framed Signed l.r. 16" x 20" actual,

ESTIMATE: $800 - $12,000

Provenance:

Bonhams Skinner Inc. September 22, 1995 lot 414 to Private Collection New Hampshire to Northeast Auctions August 16, 2014 lot 232 to Private Collection Massachusetts to Private Collection Maine

LOT 154

ANTHONY THIEME (Dutch/Am. 1888-1954) "New England Seacoast Town" Oil on canvas, framed Signed l.l., titled and Barridoff Galleries tag verso, Rockport Art Association exhibition label on stretcher verso 25" x 30" actual, 34" x 39" framed

ESTIMATE: $8,000 - $12,000

Provenance: Private Collection Vermont

LOT 155

IRMA KOEN (Am. 1883-1975) Boats in Harbor Oil on board, framed Signed l.l. 12 1/4" x 12 1/4" actual, 17 3/4" x 17 3/4" framed

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection Ypsilanti, Michigan

LOT 156

JOHN DE MARTELLY (Am. 1903-1979) Boats Oil on canvas, framed Signed verso 16" x 20 1/16" actual, 21 3/4" x 25 3/4" framed

ESTIMATE: $1,200 - $1,800

Provenance: Private Collection Ypsilanti, Michigan

LOT 158

WILLIAM IRVINE

(Am./Scottish b. 1931)

Harbor

Oil on panel, framed

Signed l.r.

17 7/8" x 23 3/4" actual, 23 9/16" x 29 5/8" framed

ESTIMATE: $1,200 - $1,800

Provenance:

LOT 157

CLAUDE MONTGOMERY

(Am. 1912-1990)

Harbor at Low Tide Oil on canvas, framed

Signed l.l.

21 3/16" x 37 5/16" sight, 27 3/4" x 43 3/4" framed

ESTIMATE: $1,000 - $2,000

Provenance: Private Collection Maine

LOT 159

FREDERICK WAUGH

(Am. 1861-1940)

Caribbean Shore, 1920 Oil on panel, framed

Signed and initialed "C.W." (Coulton Waugh) l.r., inscribed "This picture was painted by my father, Frederck J. Waugh, during a trip to the West Indies in 1920 -- Coulton Waugh" verso, Bernard Black Gallery on backing verso

11 3/4" x 15 1/2" sight, 18 3/4" x 22 1/2" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Private Collection Darien, Connecticut

Barridoff Galleries February 22, 2020, lot 63 to Private Collection Vermont

LOT 160

SCOTT MOORE

(Am. 20th/21st Century)

"Indian Creek, Inlet" (Vinalhaven)

Oil on linen, framed

Signed l.r., titled on tacking edge verso

28 1/8" x 42" actual, 34 1/16" x 48 1/8" framed

ESTIMATE: $1,500 - $2,500

Provenance:

Private Collection Cumberland Foreside, Maine

LOT 161

KARL KNATHS (Am. 1891-1971)

Beachcomber's Return

Pastel on paper, framed under glass

Everson Museum of Art label on backing verso 17" x 15 1/8" actual, 25 5/16" x 22 7/16" framed

ESTIMATE: $500 - $700

Provenance:

Private Collection New York City, New York

LOT 162

HOWARD RUSSELL BUTLER (Am. 1856-1934)

Sunset, York, ME

Pastel on paper, framed under glass

Signed l.r.

6 5/8" x 9 5/8" sight, 12 1/4" x 15 3/8" framed

ESTIMATE: $500 - $700

Provenance:

Private Collection Darien, Connecticut

LOT 163

GEORGE M. HATHAWAY (Am. 1852-1903)

Whitehead, Cushing Island, ME

Oil on canvas, framed

Signed l.r., titled on frame verso

14" x 22" actual, 16 3/8" x 24 5/16" framed

ESTIMATE: $1,500 - $2,500

Provenance:

Private Collection Virginia

LOT 164

(Am. 1833-1905)

Crashing Surf, 1903

Oil on canvas, framed

Signed and dated l.r.

25 1/8" x 20 3/16" actual, 33 1/2" x 28 5/8" framed

ESTIMATE: $12,000 - $18,000

Provenance:

Sotheby's March 17, 1988, lot 41 to Private Collection Maine BARRIDOFF

WILLIAM TROST RICHARDS

LOT 165

WILLIAM TROST RICHARDS (Am. 1833-1905)

Seascape, 1900

Oil on panel laid to panel, framed

Signed and dated l.l. 9" x 16" actual, 20 3/8" x 27 7/16" framed

ESTIMATE: $8,000 - $12,000

Provenance:

Purchsaed Portsmouth, New Hampshire c. 1980 to Private Collection Barrington, New Hampshire to the Carolyn S. Bedford Revocable Trust to Private Collection Maine

LOT 166

GEORGE S. WASSON (Am. 1855-1932)

"Mouth of the Harbor" Isle au Haut, Maine

Oil on carved wooden panel, unframed

Signed l.l., titled verso 4 15/16" x 9 1/2" image, 10 3/16" x 15" panel

ESTIMATE: $1,500 - $2,500

Provenance:

Private Collection New Hampshire

LOT 167

LLAURENCE SISSON (Am. b. 1928) Shoreline

Watercolor on paper, framed under glass Signed l.l.

21 3/8" x 28 7/8" sight, 29 1/8" x 36 1/4" framed

ESTIMATE: $500 - $700

Provenance:

Private Collection Cape Elizabeth, Maine

LOT 168

LAURENCE SISSON (Am. b. 1928) Light

Watercolor on paper, framed under glass Signed l.l., Guido stamp on frame verso

22" x 29" sight, 28 5/8" x 35 11/16" framed

ESTIMATE: $500 - $700

Provenance:

Private Collection Cape Elizabeth, Maine

LOT 169

JAY CONNAWAY (Am. 1893-1970) "Sea Power" 1960 Oil on masonite, framed Signed and dated l.r., signed, titled and additional composition verso 25" x 30" actual, 32 1/2" x 37 1/2" framed

ESTIMATE: $3,000 - $5,000

Provenance:

Private Collection South Portland, Maine

LOT 170

GEORGE HALLOWELL (Am. 1871-1926) "Grand Pitch" Oil on canvas, framed

Signed l.r., Vose Galleries label and Memorial Exhibition of Works by George Hallowell, St. Botolph Club label verso, titled and artist's label on stretcher verso, "R.C. Vose Boston" incised on frame verso 29 1/4" x 36 1/4" actual, 33" x 39 3/4" framed

ESTIMATE: $6,000 - $8,000

Provenance: Private Collection South Portland, Maine

LOT 171

DWIGHT WILLIAM TRYON (Am. 1849-1925) Morning Light Oil on panel, framed Signature incised verso

6 1/4" x 9 9/16" actual, 8 13/16" x 12" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Private Collection East Boothbay, Maine

LOT 172

MARGARET GERDING

(Am. 20th/21st Century) Color Bands Oil on linen, framed Greenhut Galleries label verso

30" x 60" actual, 32 3/8" x 62 1/4" framed

ESTIMATE: $1,500 - $2,500

Provenance:

Private Collection Cumberland Foreside, Maine

LOT 173

JOHN HELIKER (Am. 1909-2000) Cat on Bedspread Oil on canvas, framed

Signed l.r., Kraushaar Galleries label and Barridoff Galleries label on backing verso

20 1/8" x 24 1/8" actual, 21 1/2" x 25 1/2" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Purchased directly from Kraushaar Galleries in New York, New York on October 4, 1988 to Barridoff Galleries October 19, 2019, lot 3 to Private Collection Vermont

LOT 174

JON IMBER

(Am. 1950-2014)

"View of Grog Island" Oil on panel, framed Signed l.r., signed, titled, dated and Greenhut Galleries label verso 38" x 38" actual, 39 9/16" x 39 9/16" framed

ESTIMATE: $2,500 - $3,500

Provenance: Private Collection Cumberland Foreside, Maine

LOT 175

EMILY MUIR (Am. 1904-2003) Sailors Sketching Pencil on paper, framed Signed l.r. 9" x 11 7/8" actual, 12 1/8" x 15 3/16" framed

ESTIMATE: $300 - $500

Provenance: Private Collection Maine

LOT 176

EMILY MUIR (Am. 1904-2003)

Seagulls on Beach Oil on masonite, framed Signed l.l. 12" x 35 3/4" actual, 16 3/4" x 40 1/8" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Barridoff Galleries February 22, 2020, lot 123 to Private Collection Vermont

LOT 177

MARGUERITE ROBICHAUX (Am. b. 1950) "The Katahdin Triptych" 1999 Oil on hinged birch panels, unframed Signed, titled and dated verso 36" x 36" closed, 36" x 72" open

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection South Portland, Maine

LOT 178

ALFRED CHADBOURN (Am. 1921-1998)

"Marginal Way - Portland" 1979

Oil on canvas, framed

Signed l.l., signed, titled, dated and Barridoff label on stretcher verso 12" x 16" actual, 13 3/16" x 17 1/8" framed

ESTIMATE: $1,500 - $2,500

Provenance:

Collection of Mr. Paul A. Plante to Barridoff Galleries October 28, 2016, lot 78 to Private Collection Falmouth, Maine

Literature:

Illustrated and discussed in Painting with a Fresh Eye (copyright 1987) by Alfred C. Chadbourn, pp. 124-125

Other Notes:

This lot is accompanied by a copy of the book in which it is illustrated

LOT 179

ALFRED CHADBOURN (Am. 1921-1998)

"Main St. Stonington" 1991

Oil on linen, framed

Signed l.r., signed, titled, dated and Frost Gully Gallery label on stretcher verso 16" x 16" actual, 17 1/8" x 17 1/8" framed

ESTIMATE: $2,000 - $3,000

Provenance: Private Collection Falmouth, Maine

LOT 180

ROBERT SOLOTAIRE (Am. 1930-2008)

Boulevard Florist II Oil on paper, framed Signed and inscribed "DW" l.r. 18" x 24" actual, 23" x 26 3/4" framed

ESTIMATE: $1,200 - $1,800

Provenance:

Private Collection New York City, New York

LOT 182

ROBERT SOLOTAIRE (Am. 1930-2008)

Crane V Oil on panel, framed "Courtesy of Gleason Fine Art" label on backing verso 30 5/16" x 35 3/4" sight, 32 3/8" x 37 13/16" framed

ESTIMATE: $1,200 - $1,800

Provenance:

Private Collection New York City, New York

LOT 181

ROBERT SOLOTAIRE (Am. 1930-2008) "'82 Granada" 1987 Oil on canvas, framed Signed and dated l.r., titled l.c., Barridoff label and Scarboro Used Auto Parts business card attached to backing verso 30 3/16" x 32 1/8" actual, 31 1/8" x 33 1/8" framed

ESTIMATE: $1,200 - $1,800

Provenance:

Private Collection New York City, New York Exhibited: Robert Solotaire: Recent Work, September 11-30, 1987, Barridoff Galleries

LOT 183

NEIL WELLIVER (Am. 1929-2005)

Nudes on the Grass Oil on canvas, unframed Signed l.r. 75 1/4" x 76 1/8" actual

ESTIMATE: $8,000 - $12,000

Provenance:

of the male subject, to Private Collection

Maine 92

BARRIDOFF AUCTIONS

Yasuyo Kawasaki, wife

Belfast,

MASATOYO KISHI (Am. 1924-2017)

"Opus No. 66-H-3" 1966

Oil on canvas, framed

Signed, titled and dated verso, Gump's Gallery label on frame verso

35 5/8" x 70" actual, 37 7/8" x 72 1/8" framed

ESTIMATE: $1,500 - $2,500

Provenance:

Private Collection Kennebunkport, Maine

LOT 185 LOT 184

C. MICHAEL LEWIS (Am. b. 1950)

Forty Years (Miss Portland Diner)

Acrylic on wood, framed

Initialed l.r.

36 1/4" x 80" actual, 37 1/4" x 81 1/4" framed

ESTIMATE: $4,000 - $6,000

Provenance:

Private Collection Florida to Barridoff Galleries August 15, 2020, lot 119 to Private Collection Vermont

LOT 186

GREGORY WELCH

(Am. 20th/21st Century) "Ascension XI" 1997

Acrylic and collage on paper, framed under glass

Signed l.r., signed, titled and dated verso, signed and titled on backing verso

11 1/4" x 8 1/8" actual, 17 3/16" x 15 1/4" framed

ESTIMATE: $300 - $500

Provenance:

Private Collection South Portland, Maine

LOT 187

GREGORY WELCH

(Am. 20th/21st Century) Drift

Oil on canvas, framed

Signed l.l.

39 1/2" x 30" actual, 40 1/8" x 30 5/8" framed

ESTIMATE: $600 - $800

Provenance:

Private Collection South Portland, Maine

LOT 188

DONALD TRAVER (Am. b. 1957)

Skeleton (Self Portrait), 2014 Oil on canvasboard, unframed Signed and dated c.l.

24" x 19 15/16" actual, 25" x 21" framed

ESTIMATE: $600 - $800

Provenance: Private Collection Massachusetts

LOT 189

BOB DUNCAN (Am. 20th Century)

Rain, 1970

Oil on canvas, framed

Signed and dated l.r., signed and Barridoff Galleries label on frame verso 11 7/8" x 18" actual, 16 3/16" x 22 1/4" framed

ESTIMATE: $300 - $500

Provenance: Barridoff Galleries October 19, 2019, lot 60 to Private Collection Vermont

LOT 190

JON LEGERE (Am. 1944-1996)

Norm's Pantry, 1980 Oil on board, framed Signed and dated l.r.

36" x 60" actual, 42 3/4" x 66 1/2" framed

ESTIMATE: $1,000 - $1,500

Provenance:

Private Collection Portsmouth, New Hampshire

LOT 192

WILLIAM HART (Am. 1823-1894)

Mountain Landscape with Cows Oil on canvas, framed Signed l.r., Shannon's label on frame verso 21" x 17" actual, 33 7/8" x 30" framed

ESTIMATE: $3,000 - $5,000

Provenance:

Collection of Charles Henry Hulburd Chicago, Illinois, descended in the family to Winter Auctions Plainville, Connecticut June 9, 2014, lot 192 to Shannon's May 2, 2019, lot 91 to Private Collection Bedford, Hew Hampshire

LOT 193

ATTR. TO BENJAMIN CHAMPNEY (Am. 1817-1907)

Mt. Washington View from North Conway Oil on canvas, framed

Inscribed "Champney - N. Conway" on strainer verso 20 1/16" x 24 1/8" actual, 27" x 31" framed

Estimate: $500 - $700

Provenance: Private Collection Bedford, Hew Hampshire

LOT 194

19TH CENTURY AMERICAN SCHOOL

Leading Cattle Oil on masonite, framed

17 1/8" x 22 1/4" actual, 25 3/16" x 30 3/8" framed

ESTIMATE: $400 - $600

Provenance:

Private Collection Cape Elizabeth, Maine

LOT 195

GEORGE M. HATHAWAY

(Am. 1852-1903)

"Newbury Meadows" 1895 Oil on canvas, framed Signed and dated l.l.

16" x 20" actual, 21 5/8" x 25 3/4" framed

ESTIMATE: $800 - $1,200

Provenance: Private Collection East Boothbay, Maine

LOT 196

SAMUEL LANCASTER GERRY

(Am. 1813-1891)

Horse Ride Through the Valley Oil on canvas, framed Signed l.c.

14 1/8" x 20 1/8" actual, 19 9/16" x 25 1/4" framed

ESTIMATE: $1,200 - $1,800

Provenance:

Private Collection Bedford, New Hampshire

LOT 197

WILLIAM MASON BROWN (Am. 1828-1898)

Two Works:

1] A Day on the River 2] Cattle Grazing in the Valley

1] 2] Oisl on canvas, framed

1] Barridoff Galleries label on frame verso

2] Initialed and dated l.r., Barridoff Galleries label and A.A. Childs & Co. label on frame verso

1] 8" x 10" actual, 13 1/4" x 14 7/8" framed

2] 8" x 10" actual, 13 1/2" x 15 3/16" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Private Collection Bedford, New Hampshire

LOT 198

GEORGE RIECKE (Am. 1848-1930)

Cows at Rest

Oil on canvas, framed

Signed l.l.

22" x 36" actual, 25 1/2" x 39 1/2" framed

ESTIMATE: $700 - $900

Provenance:

Private Collection Wells, Maine

LOT 199

DENNIS SHEEHAN

(Am. b. 1950) Evening Light Oil on canvas, framed Signed l.l.

11 7/8" x 16" actual, 20 5/8" x 24 9/16" framed

ESTIMATE: $700 - $900

Provenance:

Private Collection Manchester, New Hampshire

LOT 201

DENNIS SHEEHAN

(Am. b. 1950) Into the Sunset Oil on canvas, unframed Signed l.r. 18" x 24" actual

ESTIMATE: $800 - $1,200

Provenance:

Private Collection Manchester, New Hampshire

LOT 200

JAMES PATTISON

(Am. 1844-1915)

A Calm Night Oil on canvas, framed

Signed l.l., James Graham & Sons label, Pennsylvania Academy of the Fine Arts One Hundred and Third Annual Exhibition 1908 label and partial collector's label on frame verso, The Greenwich Gallery label on backing verso 26" x 31" actual, 36 1/4" x 41 1/2" framed

ESTIMATE: $2,000 - $3,000

Provenance:

Barridoff Galleries August 6, 2004 lot 135 to Private Collection Vermont Literature:

Catalogue of the One-Hundred-Third Annual Exhibition of the Pennsylvania Academy of the Fine Arts

Exhibited:

Pennsylvania Academy of the Fine Arts One Hundred and Third Annual Exhibition, January 20 - February 29, 1908

LOT 202

20TH CENTURY AMERICAN SCHOOL Approach, 1968 Oil on canvas, framed Signed indistinctly l.r., exhibition label on stretcher verso 24" x 26" actual, 24 11/16" x 26 7/8" framed

ESTIMATE: $600 - $800

Provenance: Private Collection Massachusetts

LOT 203

JOHN STEPHAN (Am. 1906-1995)

Abstract

Gouache on paper, framed under glass 19" x 26" actual, 21" x 28" framed

ESTIMATE: $600 - $900

Provenance: Private Collection Massachusetts

LOT 204

ROBERT KULICKE (Am. 1924-2007) Blue Bouquet, 1961

Watercolor on paper, framed under glass Signed and dated u.c.

7 1/2" x 8 1/2" sight, 15 3/8" x 16 3/8" framed

ESTIMATE: $400 - $600

Provenance:

Private Collection Massachusetts

LOT 205

ROBERT KULICKE (Am. 1924-2007) Pear

Watercolor on paper, framed under glass Signed l.c.

8 1/4" x 5 3/8" actual, 13 7/8" x 11 3/4" framed

ESTIMATE: $300 - $500

Provenance:

Private Collection Massachusetts

LOT 206

ROBERT KULICKE (Am. 1924-2007) Fruit

Watercolor on paper, framed Initialed c.r.

6 3/4" x 9 1/8" actual, 11 7/8" x 14 3/8" framed

ESTIMATE: $300 - $500

Provenance:

Private Collection Massachusetts

LOT 207

HENRY KALLEM (Am. 1912-1985) Flowers

LOT 5

JOSEPH STELLA IT./AM. 1877-1946 Tree

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

Acrylic on panel, framed

LOT 208

RATISLAW RAKOFF (Rus. 1904-1982) "Nature Morte" 1953

Oil on masonite, framed

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

Signed l.r.

17 1/2" x 23 3/8" sight, 22 1/8" x 27 15/16" framed

$600-800

ESTIMATE: $500 - $700

Provenance: Private Collection New Hampshire

Provenance:

Private Collection Cape Elizabeth, Maine

Signed and dated l.r., signed, titled, dated and inscribed "103" verso

13 3/4" x 10 3/8" actual, 17 1/8" x 14" framed

ESTIMATE: $400 - $600

Provenance:

Private Collection Yarmouth, Maine

LOT 209

FRANCES KORNBLUTH (Am. 1920-2014)

"The Rush of Summer #5"

Acrylic and collage on paper, framed under glass

Signed, titled and artist's card attached to backing verso

Approx. 19 3/8" x 18" actual, 27 7/8" x 27 7/8" framed

ESTIMATE: $700 - $900

Provenance: Private Collection

LOT 210

FRANCES KORNBLUTH (Am. 1920-2014) "Bouquet"

LOT 211

FRANCES KORNBLUTH (Am. 1920-2014) "Lavender Light"

Acrylic, watercolor and pastel on paper, framed under glass

Signed l.r., titled on artist's card verso 11 1/2" x 8 1/2" sight, 18 1/2" x 15 1/2" framed

ESTIMATE: $300 - $500

Watercolor and collage on paper, framed under glass

Signed l.l., titled on artist's card on backing verso 14 3/8" x 6 3/4" sight, 21 3/8" x 13 5/8" framed

ESTIMATE: $400 - $600

Provenance: Estate of Frances Kornbluth

Provenance: Estate of Frances Kornbluth

LOT 212

DOZIER BELL (Am. b. 1957) Map #8

Ink wash and collage on paper, framed under glass

Titled on backing verso

11" x 15" actual, 18 3/8" x 21 5/8" framed

ESTIMATE: $500 - $700

Provenance:

Gleason Fine Art to Private Collection Scarborough, Maine

Other Notes:

This lot is accompanied by an original sales receipt and a copy of Portland Magazine featuring Dozier Bell

LOT 213

MICHAEL TRACY (Am. 1943-2024) De Sangre

Acrylic and gouache on paper, framed under glass 23" x 31 3/8" actual, 26 5/8" x 34 3/4" framed

ESTIMATE: $400 - $600

Provenance:

From the Artist to Private Collection Scarborough, Maine

Other Notes: This lot is accompanied by a postcard from the Artist

LOT 214

PANOS GHIKAS (Greek/Am. 1917-2012) ICON - Caryatid

Gold leaf and egg tempera on primed canvas laid to wood block, unframed

Artist's labels verso 7 1/16" x 7 5/8" actual

ESTIMATE: $1,000 - $1,500

Provenance: Private Collection Portsmouth, New Hampshire

LOT 215

PANOS GHIKAS (Greek/Am. 1917-2012) Six Panels

Gouache on paper, framed under glass Exhibition label verso 8" x 17 7/8" sight, 14 1/4" x 24 1/4" framed

ESTIMATE: $300 - $500

Provenance: Private Collection York, Maine

LOT 216

PANOS GHIKAS (Greek/Am. 1917-2012) Abstraction, 1964 Oil on canvas, unframed

Signed and dated l.r. 22 1/8" x 41 15/16" actual

ESTIMATE: $800 - $1,200

Provenance:

Private Collection York, Maine

LOT 217

JOHNNIE WINONA ROSS

(Am. b. 1949)

"Tonight at Noon" 1984

Acrylic and wax on paper laid to canvas, unframed

Signed, titled and dated verso, Adams-Middleton Gallery label and Barridoff Galleries tag on stretcher verso

Approx. 51" x 60" actual

ESTIMATE: $2,000 - $3,000

Provenance: Barridoff Galleries February 22, 2020, lot 29 to Private Collection Vermont

LOT 218

FREDERICK LYNCH

(Am. 1935-2016)

The Guitar, 1985

Acrylic on wood construction

Signed u.r., signed and dated verso Approx. 43" x 14" x 2 1/2" actual

ESTIMATE: $600 - $800

Provenance: Private Collection New York

LOT 219

JAMES L. HUNTINGTON (Am. b. 1941) "Lone Diamond" 1965

Oil on canvas, framed Signed, titled and dated verso

36 1/16" x 36 1/16" actual, 37 7/16" x 37 7/16" framed

ESTIMATE: $500 - $800

Provenance:

Private Collection Yarmouth, Maine

LOT 220

JOHNNIE WINONA ROSS (Am. b. 1949)

Untitled (Portal), 1990-91

Acrylic on linen, unframed Signed, dated and inscribed "Paris N.D." verso, partial exhibition label on stretcher verso

21 5/8" x 18 1/8" actual

ESTIMATE: $1,000 - $1,500

Provenance:

Private Collection Saugerties, New York

LOT 221

TIM NICHOLS (Am. b. 1931) "Loopy Rake" 2001

Acrylic and latex on canvas, unframed Signed, titled and dated verso 42 1/16" x 46 1/4" actual

ESTIMATE: $800 - $1,200

Provenance:

Private Collection Massachusetts

LOT 222

AHRON BEN-SHMUEL (Am. 1903-1984)

Abstraction in Primary Colors, 1953 Oil on canvas, framed Initialed and dated l.r. 29 7/8" x 33 7/8" actual, 30 1/2" x 34 1/2" framed

ESTIMATE: $600 - $800

Provenance:

Private Collection Rhode Island

LOT 223

PETER BUSA (Am. 1914-1985)

Abstraction

Oil on canvas, framed Signed l.r. 10" x 8" actual, 17 3/4" x 15 1/2" framed

ESTIMATE: $1,000 - $1,500

Provenance:

Private Collection Lawrence, New York

LOT 224

JOHN KIMBALL (Am. 1929-2021) "Pucka Trebetta" 2007

Acrylic, gouache and collage on paper, framed under glass

Titled in piece l.c., signed and dated l.r.

36" x 23 1/8" sight, 51 5/8" x 35 3/4" framed

ESTIMATE: $500 - $700

Provenance: Private Collection Denver, Colorado

LOT 225

JOHN KIMBALL (Am. 1929-2021) "End of Summer" 2005

Acrylic, found object and collage on wood panel, framed under glass

Signed and dated l.l., titled on artist's label verso 42 7/8" x 24" actual, 45" x 26 1/8" framed

ESTIMATE: $500 - $700

Provenance:

Private Collection Denver, Colorado

LOT 227

ANTOINE BLANCHARD

(Fr. 1910-1988)

"Le Café de la Paix" Paris Oil on canvas, framed

Signed l.r., signed, titled, inscribed "Paris" and Burlington Paintings label verso

18 3/16" x 21 5/8" actual, 24 1/2" x 28" framed

ESTIMATE: $3,000 - $5,000

Provenance:

Private Collection Concord, Massachusetts Other Notes: This lot is accompanied by a certificate of authenticity

LOT 226

ANTOINE BLANCHARD

(Fr. 1910-1988)

Rue Royale, Madeleine Oil on canvas, framed

Signed l.r.

13" x 18 1/8" actual, 19 3/16" x 24 1/8" framed

ESTIMATE: $3,000 - $5,000

Provenance:

Private Collection Concord, Massachusetts

Other Notes: This lot is accompanied by a certificate of authenticity

LOT 228

ATTR. TO ANTOINE BLANCHARD

(Fr. 1910-1988)

Paris Street Scene Oil on canvas, framed

Erroneously signed l.r., partial exhibition label verso 20" x 24" actual, 27 13/16" x 31 13/16" framed

ESTIMATE: $800 - $1,200

Provenance:

Private Collection Concord, Massachusetts

LOT 229

WOLF KAHN (Am. 1927-2020)

Maine Cove

Pastel on paper, framed under glass

Signed l.c.

10 5/8" x 13 1/4" sight, 17 1/2" x 20 1/8" framed

ESTIMATE: $4,000 - $6,000

Provenance:

Private Collection New York

LOT 230

WOLF KAHN

(Am. 1927-2020)

Barn

Pastel on paper, framed under glass

Signed l.c.

13 1/2" x 16 3/4" sight, 20 3/8" x 23 1/2" framed

ESTIMATE: $6,000 - $8,000

Provenance:

Private Collection New York

LOT 231

STUART SHILS

LOT 5

LOT 232

STUART SHILS

JOSEPH STELLA IT./AM. 1877-1946 Tree

(Am. b. 1954)

Night House

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso

Monotype, framed under glass

(Am. b. 1954)

"Brownington Fields From a Distance" 2002

Oil on panel, framed

8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

Signed l.c.

22 1/8" x 15" actual, 23 15/16" x 16 11/16" framed

$600-800

ESTIMATE: $400 - $600

Provenance: Private Collection New Hampshire

Provenance:

Private Collection Massachusetts

Signed and dated l.l., signed, titled and dated verso 9" x 10" actual, 10" x 11" framed

ESTIMATE: $2,500 - $3,500

Provenance:

Private Collection New York

LOT 233

LOT 5

FAIRFIELD PORTER (Am. 1907-1975) "Rose, Where Did You Get That Red?"

JOSEPH STELLA IT./AM. 1877-1946 Tree

Conte’ on paper, framed. Signed l.r., titled and dated on Zabriskie and Far Gallery labels attached to verso 8 1/2” x 4 13/16” sight, 15” x 10 15/16” framed

Watercolor on paper, framed Estate stamp and alternate composition verso 11" x 14" actual, 13" x 16 1/16" framed

$600-800

ESTIMATE: $2,000 - $4,000

Provenance: Private Collection New Hampshire

Provenance:

Private Collection Connecticut

Other Notes:

This is a preliminary study for the cover art for Rose, Where Did You Get That Red?: Teaching Great Poetry to Children by Kenneth Koch, Vintage Books, 1974.

LOT 234

FAIRFIELD PORTER (Am. 1907-1975) "Domes"

Watercolor on paper, framed Estate stamp verso 11 3/16" x 18 1/8" actual, 15 5/8" x 20 7/16" framed

ESTIMATE: $3,000 - $5,000

Provenance:

Private Collection Connecticut

Other Notes:

This piece is a study for the cover art for Domes by John Koethe published for the Frank O'Hara Foundation at Columbia University Press; First Edition, 1973. The lot is accompanied by a copy of the book.

LOT 235

ERIC AHO (Am. b. 1966) "Townsend No. 2" 2003 Oil on paper, framed Signed and dated u.c., titled verso 10 3/16" x 11 1/8" actual

ESTIMATE: $2,000 - $4,000

Provenance: Private Collection Vermont

LOT 236

ERIC AHO

(Am. b. 1966) "HCP No. 22" Oil on paper, framed Signed u.c., titled verso 11" x 11 1/8" actual

ESTIMATE: $2,000 - $4,000

Provenance: Private Collection Vermont

LOT 237

AHO (Am. b. 1966) "Near

Oil on canvas, unframed

Signed u.c., signed, titled and dated on stretcher verso 12 1/16" x 24 1/16" actual

ESTIMATE: $4,000 - $6,000

Provenance: Private Collection Vermont

ERIC

Sienna" 2005

LOT 238

SABRA FIELD (Am. b. 1935) "Sea Dune"

Woodcut, framed under glass

Signed in pencil l.r., titled in pencil l.l., editioned "27/100" in pencil l.c.

11 15/16" x 11 15/16" image, 14" x 14" sight, 21 1/8" x 21" framed

ESTIMATE: $800 - $1,200

Provenance:

Private Collection Ypsilanti, Michigan

LOT 239

WILLIAM LESTER STEVENS (Am. 1888-1969)

Winter Stream

Watercolor on paper, framed under glass

Signed l.r., artist's obituary attached verso 8 3/4" x 10 3/4" sight, 15 5/8" x 17 3/4" framed

ESTIMATE: $700 - $900

Provenance:

Private Collection Massachusetts

LOT 240

(Am. b. 1951) "Bar Island" 1993

Watercolor on paper, framed under glass Signed l.r., titled l.l.

20 3/4" x 28 7/8" sight, 32" x 39 1/2" framed

ESTIMATE: $4,000 - $6,000

Provenance:

of Scott Vile, Brunswick, Maine

ERIC HOPKINS

Abbott, Berenice 30, 31

Adams, Ansel 37

Aho, Eric 235, 236, 237

American School, 19th Century 194

American School, 20th Century 202

Babb, Joel 134

Bell, Dozier 212

Ben-Shmuel, Ahron 222

Benton, Thomas Hart 12, 13, 14, 15

Berger, Jason 127

Betts, Edward 145, 146, 147, 148

Bisbee, John 119

Blanchard, Antoine 226, 227

Blanchard, Antoine (Attributed) 228

Bluemner, Oscar 038

Bosley, Frederick 129, 130

Bouabré, Frédéric Bruly 126

Bradford, Katherine 76, 77, 78, 79

Brooks, Leo 89, 90, 91, 92

Brown, William Mason 197

Busa, Peter 223

Butler, Howard Russell 162

Cadmus, Egbert 29

Cahoon, Ralph 153

Chadbourn, Alfred 178, 179

Champney, Benjamin (Attributed) 193

Chatterton, Clarence 144

Cheney, Russell 56

China Trade School (Possibly Lai Fong),19th Century 23

Cikovsky, Nicolai 52

Cimiotti, Gustave 86

Cole, Joseph Greenleaf 55

Connaway, Jay 169

Corot, Jean-Baptiste-Camille 5, 6

de Lyra, George 59

De Martelly, John 156

DiMambro, Arthur 80, 81, 82, 83, 84

Duncan, Bob 189

Estes, Richard 120, 121

Etnier, Stephen 62, 63, 64

European School, Late 17th Century 22

Evergood, Philip 53

Ferguson, Amos 117, 118

Field, Sabra 238

Field, Hamilton Easter 138, 139

Fisher, Mark 18, 19

Fiske, Gertrude 132, 133

Fitzgerald, James 140, 141

Forain, Jean-Louis 4

Freedman, Maurice 142, 143

Gerding, Margaret 172

INDEX

German School,19th Century 17

Gerry, Samuel Lancaster 196 Ghikas, Panos 214, 215, 216

Gifford, Robert Swain 191

Goodhue, Charles 61

Gottlieb, Adolph 122 Grant, Gordon 25, 26 Griffin, Walter 44 Haas, Ernst 34

Hallowell, George 170 Hart, William 192 Hartley, Marsden 11 Hassam, Childe 9

Hathaway, George M. 163, 195

Heliker, John 173

Hobbs, Morris Henry 001 Hopkins, Eric 240

Hopper, Edward 39

Hudson, Jacqueline 106

Huntington, James L. 219 Huntington, Chris 60

Hurd, Peter 10

Hutchins, Will 150, 151, 152

Imber, Jon 174

Ipcar, Dahlov 125 Irvine, William 158

Jahn, Elena 93, 94 Kahn, Wolf 229, 230 Kallem, Henry 207

Kent, Rockwell 40, 41, 42, 43 Kimball, John 224, 225 Kishi, Masatoyo 184 Knaths, Karl 161 Koen, Irma 155

Kornbluth, Frances 209, 210, 211 Kroll, Leon 149 Kuhn, Walt 58

Kulicke, Robert 204, 205, 206

LaMotte, Bernard 2, 3

Laurent, John 135, 136, 137 Legere, Jon 190 Leickert, Charles 020 Lever, Hayley 028

Lewis, C. Michael 185 Lynch, Frederick 218

Mattei, Antonio 27

Meyerheim, Wilhelm Alexander 16

Minewski, Alex 95, 96, 97, 98

Miro, Joan (After) 116

Montgomery, Claude 157 Moore, Scott 160

Morrell, Wayne Beam 85

Muir, Emily 175, 176

Nadeau, Thomas 51 Nichols, Tim 221

Palmer, Pauline 108 Pattison, James 200

Peeters, Bonaventura (School of) 021 Peirce, Waldo 49, 50 Picasso, Pablo 111, 112, 113, 114, 115 Porter, Eliot 32, 33

Porter, Fairfield 124, 233, 234

Rakoff, Ratislaw 208 Rand, Ellen Emmet 54

Redon, Odilon 7

Richards, William Trost 164, 165

Riecke, George 198

Robichaux, Marguerite 177 Ross, Johnnie Winona 217, 220

Schetky, John Christian 24

Sheehan, Dennis 199, 201

Shils, Stuart 231, 232

Shulman, Morris 99, 101, 102, 103, 104

Sisson, Laurence 167, 168

Sohier, Alice Ruggles 131

Solotaire, Robert 180, 181, 182

Sprinchorn, Carl 70, 71, 72, 73, 74, 75

Stephan, John 203

Stevens, William Lester 239

Stoddard, Alice Kent 105

Stone, Caleb 87, 88

Thieme, Anthony 154

Thon, William 65, 66, 67, 68, 69

Tracy, Michael 213

Traver, Donald 188

Tryon, Dwight William 171

Walkowitz, Abraham 128 Ward, Edmund Franklin 100

Warhol, Andy 123

Wasson, George S. 166

Waugh, Frederick 159

Welch, Gregory 186, 187

Welliver, Neil 183

Weston, Edward 35, 36

Wiles, Irving Ramsay 57

Woodbury, Marcia Oakes 109

Woodbury, Charles 45, 110

Woodward, Mabel May 107

Zorach, William 46, 47, 48

Zorn, Anders 8

NOTES

Violet behind Locusts , Wolf Kahn, pastel on paper,

5/8 x 43 inches

Fine

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