Barridoff Auctions - Spring 2024 International Fine Art Sale

BARRIDOFF

THE SPRING 2024

INTERNATIONAL FINE ART SALE

OUR GALLERY

SOUTH PORTLAND, MAINE

Bernard Langlais (Am. 1921-1977), Seagull, 1970

A MAINE LANDMARK THAT HUNG ON THE FACADE OF 3 MAIN ST., BAR HARBOR, MAINE FOR 50 YEARS AND WAS RESTORED IN 2013.

ACQUIRED BY BARRIDOFF IN 2020, AND NOW ON DISPLAY AT OUR FACILITY IN SOUTH PORTLAND.

WWW.BARRIDOFF.COM

INFORMATION ABOUT BARRIDOFF

BARRIDOFF AUCTIONS BIDDING EXPERIENCE

Barridoff Auctions conducts live auctions in which a buyer can bid in person, over the telephone, by absentee registration or online through the Barridoff App or on several third-party marketplace websites. Our auctions are simulcast so buyers can bid remotely for convenience or safety reasons, but please be advised online bidding, including on the Barridoff App, is subject to a surcharge. Also, as the auction happens in real time, remote bidders need to pay attention to the progress of the auction.

Referral Program

REFERRAL PROGRAM

Do you know of any friends or family who may have Fine Art for sale?

Barridoff Auctions offers a generous referral program for any new leads of available Fine Art that result in a sale. Please contact us for more information.

FREE AUCTION ESTIMATES CONSIGN WITH BARRIDOFF

As a service, Barridoff Auctions provides free auction estimates for your artwork so you can know what your art is worth. Barridoff does not require you to consign your art with our auction in order to receive the estimate, but if the piece is appropriate we may offer to put it in our sale. Also, look for our next regularly scheduled Free Appraisal Day announced on our website or through our email messaging. To sign up for our email list or for more information, please go to Barridoff.com.

Barridoff Auctions is always accepting consignments of Fine Art. To inquire about submitting works of Fine Art for an upcoming sale, feel free to call us, email or go to Barridoff.com/sell.

BARRIDOFF MOBILE APP

Download our Barridoff App to peruse the catalog, watch the auction live or to bid. Available at the Apple App Store or at the Google Play Store.

QR CODE

QR Code

To view the mobile version of this catalog, please scan the QR code (the funny looking black box used to scan items like a bar code) directly below with with your phone’s camera to be taken directly to our online catalog.

MEET THE TEAM

We at Barridoff Auctions seek out and find compelling, beautiful, relevant works of art. For us, it’s never just another auction. It’s an opportunity to help buyers and sellers of Fine Art realize their dreams by establishing that special connection in their appreciation of fine art.

Peter Coccoluto, Auctioneer

Rhylee R. Cole, Registrar

Lindsey DeArmond, Graphic Designer

Jeremy Fogg, Owner / Fine Art Consultant

Jennifer C. Graham, Preparator

Darin R. Leese, Fine Art Specialist

William Milliken, Owner / Auctioneer

Glenn Morin, Owner / Accountant

Deirdre Nice, Owner / Expeditor

Kincaid Pearson, Production Specialist

Nickolas Smith, Production Specialist / Photographer

Travis Wilcox, Production Specialist

FINE ART TERMS & CONDITIONS

CONDITIONS OF AUCTION SALE

The following Conditions of Sale, including the appended notes and other information, whether printed or online, as they may be amended by any posted notices or oral announcements before or during the auction sale constitute the entire agreement between Barridoff Auctions, representing its consignors, and Bidder relative to the item being sold and the conduct of the sale. Unless the context otherwise indicates, the terms “Barridoff Auctions” and “auctioneer” are interchangeable, “consignor” and “seller” are interchangeable, and “buyer” means the winning bidder. By registering for or participating in the auction sale, all bidders agree to the terms hereof.

1.THE SALE

The contract for sale for any item purchased at auction is between the consignor (seller) and the winning bidder. Barridoff Auctions acts as the consignor’s agent only, unless Barridoff Auctions is selling the item as principal. The sale of every lot of one or multiple items constitutes a separate sale under Maine law and the Uniform Commercial Code. Bidding on a lot starts when the lot is opened for bidding by the auctioneer. Items are sold with reserve and starting bids may start below the reserve price. The auctioneer may reject any bid below the reserve. The auctioneer may bid on behalf of the consignor or of Barridoff Auctions. If an item does not reach its reserve price, the auctioneer may pass the item. Barridoff Auctions may withdraw any item at any time before its actual sale. Bids must be consistent with the standard bidding increments and may be varied only upon permission from the auctioneer. A bid received between two increments may be rejected or reduced to the next lowest increment at the discretion of the auctioneer. Bidder may not make consecutive bids if there is an opposing bidder and there must be at least one increment/other bidder separating Bidder’s bids in that instance, except by permission of the auctioneer.

The auction is a live sale and not a timed sale, and absentee and pre-auction bids submitted prior to the sale are not considered made until executed by the clerk administering the bid during the bidding for that lot and recognized by the auctioneer. The auctioneer will recognize bids as they are made and does not give preference to either bids made by bidders in the room or remote bids. A clerk administering a remote bid is deemed a bidder present in the room for that bid and will be recognized by the auctioneer equally to all other bidders. The buyer is the highest bidder acknowledged by the auctioneer upon the fall of the hammer, which indicates the completion of the sale. In the event of a tie bid, the first bid recognized by the auctioneer has precedence. In the event of a bid received as the hammer is falling, it is in the auctioneer’s discretion whether to accept the bid or declare the sale complete. Barridoff Auctions has authority to decide any disputes over the auction process in Barridoff Auctions’ sole discretion, whose decision is final and binding. Bidder understands that any dispute regarding a purchased lot is between the consignor and the buyer unless the dispute concerns the conduct of the sale or other issue within the sole responsibility and control of Barridoff Auctions. The actual results of the sale are not final until confirmed as such by Barridoff Auctions subsequent to the auction.

2. REGISTRATION BY BIDDER. Bidder must provide accurate information, including Bidder’s name, residential address (not P.O. Box), proper contact information and credit card information owned or authorized to be used by the bidder. Bidder understands that any credit card information provided may be used to comply with any condition of these terms and conditions, including for payment of items won, if Bidder does not provide another payment method pursuant to these terms and conditions. Barridoff Auctions may require further information regarding Bidder’s financial ability and condition as a condition of registration or at any time prior to the auction, during the auction or subsequent to the auction. Barridoff Auctions reserves the right deny registration, bidding or to cancel a sale and/or seek damages if a Bidder violates the conditions of this paragraph.

3. REMOTE BIDDING. As a convenience to clients who cannot attend a sale in person, absentee bidding, telephone bidding and online bidding options are available, but Barridoff Auctions is not responsible for technical difficulties, mistakes or other issue that may occur with those bidding methods. Barridoff Auctions strongly suggests that bidders be present in the room. Remote methods and absentee or other pre-auction bids do not take precedence over bidding in the room. The clerk administering a remote bid is deemed a bidder in the room and bids made by that clerk are subject to recognition by the auctioneer as any other bidder. The auctioneer will not advance an increment for an absentee or pre-auction bid that is currently holding the increment one below the maximum amount authorized by that bidder. Barridoff Auctions strongly recommends remote bidders who wish to bid pre-auction or absentee complete the absentee registration form, not submit the bid through an online bidding platform, and indicate “+1,” which will protect the absentee bidder if another bidder lands on the absentee bidder’s maximum amount by allowing

barridoff auctions

the clerk to bid one increment higher than the maximum. 4. Mistakes by Bidder. Under Maine Law and the Uniform Commercial Code, the bidder with the highest bid recognized by the auctioneer upon the fall of the hammer becomes the owner of the item, even if the bid was made by mistake or otherwise unintentional. Barridoff Auctions takes no responsibility nor will rescind or refund a sale in which the winning bidder claims to have won unintentionally or by mistake. Attention to the item being bid on and the conduct of Bidder’s bidding is the sole responsibility of Bidder. A person who has not registered who bids on and wins an item at the auction sale is deemed to be a bidder and agrees and is subject to these terms and conditions.

Each remote bidding platform/method will order tie bids received within that platform/method giving the first received bid precedence. This bid will be the bid presented to the auctioneer by the clerk for that platform/method. An absentee or pre-auction bid submitted that is less than half of the low estimate of an item will be rejected by Barridoff Auctions.

Absentee and telephone bidding registration forms may be found on the Barridoff Auctions website. Any pre-auction, absentee or telephone safety bid given that is not consistent with the published bidding increments may be rejected or rounded down to the next lowest increment. Online bidding may be available on the Barridoff website and one or more online auctioneering websites as announced by Barridoff Auctions, and absentee or pre-auction bids left on those platforms do not take precedence over other bids. Mistakes made by Bidder are the responsibility of Bidder and may not be cause to rescind a sale. Barridoff Auctions is not responsible for errors and omissions made in connection with absentee, telephone, Internet or other remote bidding methods. Online bidding may indicate a winning bid or other confirmation that is erroneous based upon what happens in the room (bid comes after fall of hammer, auctioneer recognizes another bid given simultaneously, mistake made by remote clerk, etc.) and the official sale results are the results confirmed as such by Barridoff Auctions under paragraph 1. Online bidders may have to wait to purchase and retrieve won lots until after confirmation of official sale by Barridoff Auctions.

4. MISTAKES BY BIDDER. Under Maine Law and the Uniform Commercial Code, the bidder with the highest bid recognized by the auctioneer upon the fall of the hammer becomes the owner of the item, even if the bid was made by mistake or otherwise unintentional. Barridoff Auctions takes no responsibility nor will rescind or refund a sale in which the winning bidder claims to have won unintentionally or by mistake. Attention to the item being bid on and the conduct of Bidder’s bidding is the sole responsibility of Bidder. A person who has not registered who bids on and wins an item at the auction sale is deemed to be a bidder and agrees and is subject to these terms and conditions.

5. INFORMATION PROVIDED BY BARRIDOFF AUCTIONS. Provenances are included in the catalog to the extent they are available. Estimates are included with each lot (See note on estimates in paragraph 13). Statements of condition may be provided. However, these provenances, estimates and statements of condition and any other information provided by Barridoff Auctions or its staff are merely the opinion of Barridoff Auctions and may not be taken as statements of fact to substitute research regarding and inspection of the item by Bidder, more fully described in paragraphs 6 and 7. However, Barridoff Auctions endeavors to provide the most accurate and complete information on an item and to answer to the fullest extent possible any reasonable question, subject to the disclaimers herein. An item may be described as an attribution or “attributed to,” “school of,” or “circle of” indicating that the authenticity of the item cannot be definitively determined (also see Disputes on Grounds of Authenticity in Notes and Other Information, below). Barridoff Auctions and the auctioneer may make corrections and provide additional information as available up to and during the time of sale.

6. DISCLAIMER FOR ERRORS AND OMISSIONS; ITEMS SOLD AS IS; BIDDER RESPONSIBILITY TO INSPECT AND PERFORM DUE DILIGENCE. Barridoff Auctions is not responsible for errors or omissions contained in the catalog, provided by Barridoff Auctions or presented by the auctioneer or in any other information detailed in paragraph 5. Barridoff Auctions makes no representation or warranty with respect to and is not responsible for the description, quality, condition or authenticity of any items sold, and makes no warranty as to merchantability or fitness for a particular purpose. All items are sold “AS IS.” Prospective bidders bear sole responsibility to inspect an item before bidding and perform other due diligence to determine the item’s authenticity, condition, size and whether or not the item has been repaired or restored. No representation or warranty is made as to copyright of any item or whether Bidder acquires any reproduction rights of the item.

7. OPPORTUNITY FOR INSPECTION BY BIDDER; NO OBLIGATION TO INSPECT OR TEST BY BARRIDOFF AUCTIONS Barridoff Auctions offers the opportunity for prospective bidders to examine an item and Barridoff Auctions assumes

no obligation to Bidder for Barridoff Auctions to examine, investigate or carry out any tests, either in sufficient depth or at all, to establish the authenticity or accuracy or otherwise of any description or opinion of Barridoff Auctions, whether given orally, in writing, on its website or any published catalog or literature. Bidder should not assume that any such examination, investigation or test has occurred. Barridoff Auctions does not make or agree to make any representation of fact and undertakes no obligation or duty, whether in contract or in tort, with respect to the accuracy or completeness of any statement or representation made by Barridoff Auctions or on Barridoff Auctions’ behalf that is in any way descriptive of any item or as to the anticipated or likely selling price of any item. No statement or representation by Barridoff Auctions or on Barridoff Auctions’ behalf in any way descriptive of any item or any estimate is incorporated into these terms and conditions or agreement for sale with Bidder.

8. BUYER’S PREMIUM. Barridoff Auctions charges the winning bidder a premium to be added to the hammer price on each item purchased. This premium is equal to 22% of a hammer price up to $500,000, and 17% of a hammer price above $500,000. A surcharge above this premium may be assessed for online sales, including on the Barridoff website or the Barridoff app, the amount of which may vary depending on the specific online platform or app on which the bidding is being conducted, which will be noted in the terms for that specific platform. The online surcharge pays for the online service and is not retained by Barridoff Auctions. A 2% discount of the premium will be given for any item paid for and removed by the end of auction day..

9. COMPLETION OF SALE; PAYMENT BY BIDDER. Upon the fall of the auctioneer’s hammer, the sale is complete and title to the item passes to the highest bidder, subject to the terms hereof including payment in full, who is bound by the sale and assumes full risk and responsibility thereof. The buyer authorizes Barridoff Auctions to sign a sales record, which is conclusive as to the terms of the sale, on the winning bidder’s behalf. It is expected that the buyer has the funds available to pay for the item upon the completion of sale. Payment is due upon completion of the auction and, unless alternate payment arrangements have been made and agreed to in writing by Barridoff Auctions, Barridoff Auctions reserves the right to charge any credit card or other financial account of the buyer on file or provided by buyer with Barridoff Auctions at that time or any time thereafter for any amounts owed. All items must be fully paid for, including any additional amounts owed Barridoff Auctions under paragraph 11 or otherwise, and removed from the premises of the auction by the buyer at the buyer’s expense within 24 hours of the day of sale unless other specific arrangements have been made and agreed to in writing by Barridoff Auctions. Barridoff Auctions may cancel a sale and buyer may be deemed to have forfeited a won item if payment or arrangements for payment are not made pursuant to this paragraph. Payment for each item purchased must be made before the item is removed. Only cash, certified check, wire transfer or verified credit card are acceptable as payment methods unless other suitable arrangements have been made with Barridoff Auctions at least five days before the auction. Barridoff Auctions reserves the right to reject any particular payment method by Bidder. All sales are final and no refunds will be given with the limited exception of circumstances under paragraph 12. Buyer agrees that by registering to bid under these terms and conditions, buyer waives the right to charge back buyer’s credit card or otherwise reverse or stop any payment given, with any violation of this provision resulting in liquidated damages in the amount of double the chargeback or reversed or stopped payment owed Barridoff Auctions by buyer if Barridoff Auctions has to enforce this provision. Credit card payments are limited to purchases of $10,000 or less.

10. POST-SALE RESPONSIBILITIES OF BIDDER. Barridoff Auctions is not responsible for any loss by a buyer as a result of the damage, loss or theft of an item subsequent to the completion of the sale for that item and encourages the buyer to pay for and remove purchased items immediately after the sale. If an item won at auction is not paid for and removed from the premises within 5 business days after the sale, additional charges under paragraph 11 may apply. Shipping, packing, storage and any related expense of an item are the sole responsibility of the buyer of the item.

11. BIDDER COMPLIANCE WITH TERMS AND CONDITIONS; REMEDIES AVAILABLE

TO BARRIDOFF AUCTIONS.

If Bidder does not comply with an applicable term or condition herein, including not timely making payment or arrangements for payment under paragraph 9, Barridoff Auctions and the consignor have one or more of the following nonexclusive rights and remedies, in addition any other remedy available at law or in equity, without notice: a) to hold the winning bidder liable for the total purchase price plus interest of 1 1⁄2 % per month, compounded monthly; b) to cancel the sale and retain as liquidated damages all payments made by the winning bidder; c) to cancel the

sale and resell the item, in which case the winning bidder is liable for any deficiency, cost, including handling and storage charges, the expenses of both sales, premiums or commissions on both sales and all other charges and incidental damages; d) to charge 1% of the total purchase price per month, with a minimum charge of 5%, to handle any item not timely removed; e) to exclude the winning bidder and its agents or affiliates from all future auctions; f) to charge a reasonable storage fee; g) to set off any amounts Barridoff or consignor owes the winning bidder; h) to ship items owned by the winning bidder to the winning bidder at winning bidder’s expense; or i) to charge winning bidder’s credit card on file with or available to Barridoff Auctions for any amounts owed Barridoff Auctions. The winning bidder is responsible to Barridoff Auctions for the winning bidder’s premium due Barridoff Auctions under paragraph 8 separate and apart from any other remedy listed in this paragraph. A winning bidder is deemed to have granted to Barridoff Auctions or its consignor as collateral for bidder’s obligations hereunder a security interest in any item of the winning bidder purchased at a Barridoff auction sale, and Barridoff Auctions and the consignor have all of the rights of a secured party in Maine and the law of the location of the item. Barridoff Auctions has all of the rights of the consignor to pursue all rights and remedies hereunder, and Barridoff Auctions and its consignor are entitled to all of their costs, including reasonable attorney’s fees, court and collection costs, in enforcing their rights and remedies hereunder. Bidder waives any and all rights it may now or in the future have under any Maine law governing unclaimed or abandoned property.

12. DISPUTES ON GROUNDS OF AUTHENTICITY. Disputes on the grounds of authenticity subsequent to sale must be made within 15 days of receipt of the item by the buyer and must be supported by the written testimony of at least one recognized expert of the specific artist involved, or two recognized experts of the general field or genre in which that artist belongs. Only if the disputed item is in the same condition as when sold will a rescission of the sale be considered. In the event Barridoff Auctions agrees to rescind the sale, the decision of which is at Barridoff Auctions’ sole discretion, an amount up to the purchase price, plus sales tax if appropriate, may be refunded to the buyer. Such rescission and refund is exclusive and in lieu of any other remedies which might otherwise be available as a matter of contract or law. In no event does Barridoff Auctions’ or its consignor’s responsibility under this paragraph exceed the purchase price and sales tax of the item sold. Recission of sale or any refund under this paragraph does not apply to any item listed as “attribution,” “attributed to,” “school of,” “circle of” or any other term qualifying authenticity.

13. ESTIMATES. The high and low estimate given for an item are solely a guideline based upon Barridoff Auctions’ approximation as to the range within which an item may be purchased at auction. An estimate is not a statement of value or selling price of an item and Barridoff Auctions makes no guarantee, representation or agreement as to the value or selling price of an item other than Barridoff Auctions’ opinion of the item’s possible auction price.

14. SALES TAX. All purchases are subject to Maine sales tax (5.5%) or Massachusetts sales tax (6.25%) unless the buyer is located in another state and shipping is arranged by Barridoff Auctions or the buyer provides a sales tax exemption certificate issued by or acceptable to Maine Revenue Services and a valid, signed copy of which is presented to Barridoff Auctions. Maine sales tax is applicable to the full purchase price, which includes the hammer price plus the buyer’s premium and surcharges under paragraph 8. Purchases made from other states or jurisdictions may be subject to a sales or use tax for that state or jurisdiction.

15. USE OF IMAGES. The images and descriptions used in the catalog may not be reproduced in any manner without the written authorization of Barridoff Auctions.

16. APPLICABLE LAW; JURISDICTION OF DISPUTES. Title 11, Section 2-328 of the Uniform Commercial Code and Title 32, chapter 5-B of the Maine Revised Statutes apply to auction sales conducted by Barridoff Auctions. These terms and conditions of sale are governed by and shall be interpreted under Maine law, and any conflicts hereunder shall be decided in the state and federal courts located in Cumberland County, Maine, and all bidders submit themselves to the jurisdiction thereof. The regulating authority of this auction is the Board of Licensing of Auctioneers, 35 State House Station, Augusta ME 04333-0035.

17. MAINTAIN CURRENT CONTACT INFORMATION AND TIMELY RESPOND TO BARRIDOFF COMMUNICATIONS. Bidder must provide and maintain current contact information that allows Barridoff Auctions to communicate with Bidder and timely respond to Barridoff Auctions inquiries, requests and other communications as required by Barridoff Auctions. Failure to do so may result in denial of registration, right to bid or the cancellation of the sale subsequent to the auction.

18. FORCE MAJEURE. Notwithstanding anything to the contrary contained herein, barridoff auctions

Barridoff Auctions is not liable for any delays or failures in performance resulting from acts beyond its reasonable control including, without limitation, acts of God, acts of war or terrorism, shortage of supply, breakdowns or malfunctions, interruptions or malfunction of computer facilities, or loss of data due to power failures or mechanical difficulties with information storage or retrieval systems, labor difficulties or civil unrest. Notwithstanding the foregoing, in the event of such an occurrence, each party agrees to make a good faith effort to perform its obligations hereunder.

19. APPLICATION OF TERMS AND CONDITIONS. Unless agreed otherwise in writing between Barridoff Auctions and Bidder, these terms and conditions, whenever applicable, apply to all private sales, post auction sales and any other transaction between the parties not conducted at the auction sale that occur while these terms and conditions are posted by Barridoff Auctions.

NOTES AND OTHER INFORMATION ABBREVIATIONS

l.c. lower center

l.l. lower left

l.r. lower right

u.c. upper center

u.l. upper left

u.r. upper right

b. born c. circa

Am. American Br. British Can. Canadian

Chn. Chinese

Eur. European

Fr. French

Ger. German

It. Italian

Jap. Japanese

Rus. Russian

Swe. Sweden

Sp. Spanish h. height w. width

l. length

d. depth

DESCRIPTIONS All descriptions and notes of signatures, titles, dates, labels, inscriptions and other notable features of an item are assumed to be of the front (recto) unless otherwise noted. If a notable feature is described to be on “verso,” that indicates it is on the back or reverse of the item. If a feature is described to be on the stretcher, it is on verso unless otherwise indicated. Signatures, initials, dates and titles, etc. may be noted but not quoted in the description unless there is an unusual or noteworthy characteristic of the signature, initial, date or title, etc. If an item description does not note a signature or that the item is signed, it should be assumed that the item is not signed. If there is an exhibition label but no exhibition listed, that means the label does not identify the exhibition. All paintings on canvas or other fabric are assumed to be stretched unless specifically noted “unstretched.” For items described as “under glass,” the type of glass is unspecified unless otherwise noted. A collateral item mentioned such as a certificate of authenticity, letter referencing or photograph showing the listed item, book or catalog depicting or referencing the listed item, etc., are not part of the description of the item for purposes of sale of that item unless specifically noted.

SHIPPING Shipping arrangements and all packing and shipping charges are the responsibility of the buyer. Barridoff Auctions assumes no responsibility of any kind for providing this service. For buyer’s convenience, Barridoff’s in-house partner Eastern Art Services would be happy to provide a quote to pack and ship items purchased at the auction. Items shipped with EAS are shipped as-is. Additional services, including unframing, may incur additional charges.

Eastern Art Services provides an art shuttle within a 300 miles radius of the auction facility (to New York City). Buyer should inquire if wishing to use the shuttle services.

If buyer is not using Barridoff’s in-house shipping partner, once arrangements have been made with the shipping service of buyer’s choice, buyer should send an email to fineart@barridoff.com releasing the item to be shipped to that shipping service and include the lot number and any additional pertinent details. After Barridoff receives the release, Barridoff will coordinate the details of pick-up with the designated shipper. Buyer will receive an email confirmation when the item(s) have been retrieved.

FRAMES If a frame is thought to be original to the work of art or of some other particular interest based upon its history, value or beauty, it may be illustrated; but the illustration is in no way to be considered a guarantee of same unless information about the frame is included in the catalog description.

OLD MASTERS Unless otherwise noted, all works by Old Masters, including school, manner and other related information including dates are now by policy offered as attributions because, in the opinion of Barridoff Auctions, there has been too little or no known opportunity for a consensus, extensive research or singular expertise or because such opportunities often result in significant changes and varied opinions. However, all attributions are, in the opinion of Barridoff Auctions, appropriate as cataloged.

CONDITION REPORTS

Condition reports may be in the catalog and are available upon request. However, as more fully described in paragraph 5, a condition report is in no way a guarantee, nor should it be considered an expert opinion. All lots should be examined by potential bidders. Because few lots are examined by Barridoff Auctions out of their frames, potential bidders should assume that condition reports only include areas that are clearly visible unless otherwise stated. Barridoff will remove a work from its frame if requested and if removal does not appear to threaten to damage the piece or otherwise present an impracticality or other similar reason.

SIZE. Unless otherwise noted, the size of each item is measured height by width in inches and does not include the frame. Sizes are approximate. The term “actual” means the actual size of the artwork without any frame or other appendage, “framed” means the size of the item including the frame and “sight” means the visible portion of the item when the actual size is covered or obscured and unable to be determined. All prints (etchings, lithographs, silkscreens, etc.), to the best of Barridoff Auctions’ knowledge, have full margins unless otherwise noted. The terms regarding information in paragraph 4 apply to information regarding sizes provided by Barridoff Auctions.

LIVE PHONE BIDDING AND ONLINE BIDDING

Phone bid registrations are allowed on a limited first-come, first-served basis. Phone bidders must make arrangements in advance. Barridoff Auctions provides phone bidding as a service for bidders who cannot attend the auction, but phones are not the perfect medium for bidding at an auction under any circumstances and mobile phones, while useful, can be particularly difficult. Bidders should be mindful of these limitations if choosing to bid by phone, and Barridoff suggests that phone bidders leave a “safety” bid, or emergency absentee bid, in the event the telephone call is disrupted, dropped or otherwise unable to be connected through to the completion of bidding for that lot. Bidding may also be available online in real time at barridoff.com, bidsquare.com, invaluable.com and liveauctioneers.com. Bidders are advised to familiarize themselves with the rules and procedures provided for whatever platform Bidder is using prior to bidding. Online bidding platforms may charge a surcharge over and above the buyer’s premium for an item, including bidding through the Barridoff website or APP. Barridoff Auctions is not responsible for any difficulties, technical or otherwise, that may be experienced through bidding other than in person. Mistakes made by Bidder, including mistakenly bidding on and winning an item not intended by Bidder, is Bidder’s sole responsibility and Barridoff Auctions will not refund or rescind a sale that Bidder claimed was made by mistake or unintentional.

ADDITIONS AND ERRATA. Additions consigned or errors discovered too late to be included in the bound copy of the catalog may be found on a continually updated separate sheet and on the online catalog to the extent possible. All additions and errata will be included on the final sheet available at the auction and be placed sequentially at the end of the sale. Online catalogs are updated daily. Lot numbers correspond with the printed catalog and additions sheets. Errata are also published in the updated sheet listing any corrections of inaccuracies or additional information concerning the original catalog. Online updates may happen without notice by Barridoff Auctions, so Bidder should refer to the most current posted auction information to remained accurately informed. The auctioneer may announce errors, omissions or changes at the commencement of or during the auction sale.

PROVENANCE Provenance is listed insofar as it is known or is allowed to be published by the consignor, who is ultimately responsible for the accuracy of any provenance information given. The conditions regarding information in paragraph 5 apply to any provenance information provided by Barridoff Auctions.

TITLES Titles are provided for most items in the sale. A title bounded by quotation marks indicates that it is the official title of the item. A title not bounded by quotation marks is an unofficial title or a brief description of an untitled item used to identify the item.

OFFERS FOR PREVIOUS SALES

Barridoff Auctions accepts offers for items purchased at former auctions on behalf of present or former buyers. An offer for an item from a previous sale that does not exceed the purchase price for that sale will not be considered. If Barridoff Auctions receives and determines suitable a bona fide offer for an item, Barridoff Auctions will relay the offer to the buyer for consideration and rejection, acceptance or counter-offer. If the buyer accepts the offer, a counter-offer or makes a counter-offer that is accepted, the applicable terms and conditions of sale herein apply to the transaction.

MAJOR CREDIT CARDS ACCEPTED Barridoff Auctions accepts

as payment the credit cards

Visa, Mastercard, Discover or American Express, subject to paragraph 9, but is not obligated to accept any particular credit card presented by Bidder. Bidder acknowledges that all sales are final and for the privilege of paying by credit card, Bidder waives any right to perform a chargeback or otherwise stop or reverse payment for an item for which Bidder was acknowledged as the winner by the auctioneer. Barridoff Auctions reserves the right to refuse payment by credit card for any particular bidder.

DISCOUNT FOR PAYING FOR/REMOVING PURCHASED ITEMS ON AUCTION DAY

Barridoff Auctions is offering a discount on the buyer’s premium under paragraph 8 an amount equal to 2% of the hammer price for items paid for and removed from the auction premises the day of the auction.

AUCTIONEER

Copyright © 2024

William J. Milliken. ME license number AUC1627

LOT 1

REGINALD MARSH (AM. 1898-1954)

Three Works

1] Huber's Museum, 1928

Lithograph with chine collé laid on wove paper, unframed

Signed and editioned artist's proof on mount in pencil and initialed in plate l.r., inscribed "35 proofs" in pencil in mount l.l.

12 5/8" x 19 5/8" actual

2] Theatre Palais Royale

Lithograph with chine collé laid on wove paper, unframed

Signed on mount in pencil and initialed in plate l.r., editioned "30 proofs" in pencil in mount l.l.

11 1/16" x 14 7/8" actual

3] Erie R.R. Yards, 1928

Lithograph with chine collé laid on wove paper, unframed

Signed on mount in pencil, signed and dated in plate l.r., editioned "35 proofs" in pencil in mount l.l.

12 5/8" x 18 3/4" actual

$700 - $900

Provenance: Gifted by the Artist to Artemas Packard, Professor of Art at Dartmouth College c. 1930-1961. The two and their wives became friends having met and traveled together in Europe in 1928. The prints have since been in possession of Artemas Packard’s descendants.

LOT 2

MORRIS HENRY HOBBS (AM. 1892-1967)

"Boats at Plougastel Brittany"

Etching, framed under glass

Signed in pencil l.r., titled and editioned "ed/50" in pencil l.l. 9 1/8" x 9 3/8" sight, 16 1/16" x 16 1/4" framed

$400 - $600

Provenance: Private Collection Maine

LOT 3

MORRIS HENRY HOBBS (AM. 1892-1967)

"Morning", "Sun Bathing", "After the Siesta" and "Evening"

Etching, framed under glass

Each panel: Signed in pencil l.r. and titled in pencil l.l.

Each panel: 2 1/2" x 2" sight, entire piece: 14 7/8" x 14 1/4" framed

$500 - $700

Provenance: Private Collection Maine

LOT 4

MORRIS HENRY HOBBS (AM. 1892-1967)

"Mardi Gras on Royal St. Old New Orleans" 1940

Etching, framed under glass

Signed in pencil l.r., titled and editioned "Ed/100" in pencil and dated "New Orleans 1940" in plate l.l. 12 11/16" x 9 3/8" sight, 10 9/16" x 16 5/16" framed

$600 - $800

Provenance: Private Collection Maine

LOT 5

FRANK WESTON BENSON (AM. 1862-1951)

Canvasbacks, 1926

Etching, matted

Signed in pencil l.l. 6 1/2" x 12 1/4" sight, 12 9/16" x 18 1/4" matted

$300 - $500

Provenance: Private Collection York, Maine

Literature: Paff 261

LOT 6

GEORGE TOOKER (AM. 1920-2011)

The Window, 1994 Lithograph, framed under glass

Signed in pencil l.r., editioned "14/175" in pencil l.l., Charles Adams Gallery verso 25" x 21 1/16" sight, 33 5/16" x 29 3/8" framed

$1,000 - $1,500

Provenance: Private Collection Maine

LOT 7

JEAN-BAPTISTE HUET (FR. 1745-1811)

Boys Fishing by the Mill

Watercolor on paper, framed under glass

6 1/8" x 8 1/8" sight, 13 1/4" x 14 15/16" framed

$800 - $1,200

Provenance: Christie's London to Private Collection Wiscasset, Maine

LOT 8

CHARLES FRANCOIS DAUBIGNY (FR. 1817-1878)

By the Water's Edge, c. 1858-1860

Oil on canvas, framed

Signed l.l., Newman Galleries labels verso

10 1/8" x 13 3/16" actual, 15 1/8" x 18 1/2" framed

$4,000 - $6,000

Provenance: Private Collection Wiscasset, Maine

LOT 9

BERNARD LAMOTTE (FR. 1903-1983)

Bastille Day

Gouache and ink on paper, framed under glass Estate stamp l.r., signed by estate representative and Knoke Fine Arts label verso

6 1/8" x 8 1/8" sight, 14" x 16 1/2" framed

$200 - $300

Provenance: Private Collection Georgia

LOT 10

BERNARD LAMOTTE (FR. 1903-1983)

The Seduction

Ink wash on paper, framed under glass

Initialed l.r., signed by estate representative verso

8 1/8" x 6 7/16" sight, 15 3/4" x 13 1/2" framed

$200 - $300

Provenance: Private Collection Georgia

LOT 11

BERNARD LAMOTTE (FR. 1903-1983)

Paris Street Scene

Ink wash on paper, framed under glass Estate stamp l.r., estate stamp, signed by estate representative and Knoke Fine Arts label verso

12 5/8" x 10" sight, 21" x 18 3/8" framed

$300 - $500

Provenance: Private Collection Georgia

LOT 12

JEAN CHARLOT (FR./AM. 1898-1979)

Nativity Scene, 1943

Watercolor on paper, framed under glass

Signed and dated l.r.

11 15/16" x 8 13/16" sight, 14" x 10 7/8" framed

$1,200 - $1,800

Provenance: Private Collection Chester, New Hampshire

LOT 13

AFTER JEAN-FRANÇOIS MILLET (FR. 1814-1875)

Study of The Goose Girl at Gruchy

Charcoal on paper, framed under glass

Inscribed "Two cows on th hill and (?) and kid - a lot of Geese in water. Womans cap white shawl plum color waist salmon upper part of dress (?) blue dull lower dull red peticoat brownish. The whole picture a rich amber tone" along lower edge

11" x 7 3/8" actual, 19 3/16" x 16 11/16" framed

$300 - $500

Provenance: Private Collection Wiscasset, Maine

LOT 14

ALBRECHT DURER (GER. 1471-1528)

Hercules Killing Eurytos, c. 1496

Woodcut, framed under glass

Initialed in plate l.c.

15 1/2" x 11" actual, 28 7/8" x 23 1/2" framed

$4,000 - $6,000

Provenance: From the collection of George and Dadee Burk

LOT 15

ALBRECHT DURER (GER. 1471-1528)

Virgin and Child with Monkey Etching, framed under glass

Initialed in plate l.c.

7 1/2" x 4 3/4" actual, 16 7/8" x 12 7/8" framed

$2,000 - $3,000

Provenance: From the collection of George and Dadee Burk

LOT 16

LUCAS CRANACH THE ELDER (GER. 1472-1553)

Portrait of Hans Sachs, 1545

Woodcut, framed under glass

Titled and dated in plate at center of image

15 3/4" x 11 5/16" actual, 28 1/2" x 24 3/4" framed

$800 - $1,200

Provenance: From the collection of George and Dadee Burk

LOT 17

LUCAS VAN LEYDEN (DUTCH 1494-1533)

Temptation of Saint Anthony

Engraving, framed under glass

7 1/4" x 5 3/4" sight, 18 15/16" x 14 15/16" framed

$800 - $1,200

Provenance: From the collection of George and Dadee Burk

LOT 18

SALVADOR DALI (SP. 1904-1989)

Hell Canto 32: The Treacherous to their Homeland

Wood engraving, framed under glass

Signed in pencil l.r., signed in plate l.c., editioned "21/25" in pencil and embossed stamp l.l.

12 15/16" x 10 3/8" actual, 25 7/8" x 23 3/8" framed

$600 - $800

Provenance: Private Collection Cape Elizabeth, Maine

In 1950, the Italian government commissioned Dali to illustrate a 700th anniversary edition of Dante's Inferno, to be published in 1965. When the Italian public learned that Dali, a Spanish artist, was to illustrate a treasure of Italian literature, the government faced such backlash that they revoked the commission from Dali. Dali continued with the project anyway, and spent the next five years working with French publisher Joseph Forêt to create the 3,500 woodblocks that would be used to illustrate the 100 cantos of Dante's Inferno. The project was completed and published in 1963. Pictured here is a scene from Hell Canto 32, wherein Dante confronts the traitor Bocca degli Abati, whose body is frozen eternally in the river Cocytus as punishment for his treachery. When Bocca refuses to provide Dante his name, Dante pulls him by the hair until another tortured soul calls out the name.

LOT 19

ALBERT STERNER (BR./AM. 1863-1946)

Portrait of Harold Sterner

Charcoal and pastel on paper, framed under glass

Signed l.r.

16 1/2" x 11 5/16" sight, 26 1/8" x 20 1/8" framed

$500 - $700

Provenance: Private Collection Massachusetts

LOT 21

CHARLES WILLIAM BARTLETT (BR. 1860-1940)

Breton Woman, 1908

Watercolor and charcoal on paperboard, framed

Initialed and dated l.r.

20 1/16" x 16 1/8" actual, 26 3/16" x 22 11/16" framed

$600 - $800

Provenance: Private Collection Wiscasset, Maine

LOT 20

WILLIAM MORRIS HUNT (AM. 1824-1879)

Portrait of a Woman

Oil on panel, framed

Initialed l.c.

19 3/4" x 12 1/4" actual, 25 1/4" x 18 5/8" framed

$1,500 - $2,500

Provenance: Private Collection Massachusetts

LOT 22

FRANCOIS-RAOUL LARCHE (FR. 1860-1912)

Bust of a Girl

Marble

Signature incised on base

Approx. 15 1/2" x 16" x 8" actual

$800 - $1,200

Provenance: Private Collection Harrison, Maine

LOT 23

LUIGI CORBELLINI (IT. 1901-1968)

Les Baigneuses

Oil on canvas, framed

Signed l.r.

16 1/8" x 12 1/16" actual, 25 1/16" x 20 1/2" framed

$500 - $700

Provenance: Private Collection Lakewood Ranch, Florida

LOT 24

18TH/19TH CENTURY EUROPEAN SCHOOL

Weeping Christ Oil on panel, unframed 17 3/8" x 13 1/8" actual

$600 - $800

Provenance: Private Collection California

LOT 25

19TH CENTURY BRITISH SCHOOL

Una and the Lion Oil on panel, framed Titled verso

12" x 17" actual, 17 3/4" x 22 3/4" framed

$1,000 - $1,500

Provenance: Private Collection California

The legend of Una and the Lion comes from the epic poem The Faerie Queene by 16th century English poet Edmund Spenser. Una’s tale tells of a young woman who embarks on a quest to free her parents from a dragon. In her travels, she encounters a lion who intends to eat her. However, the lion is so impressed with her purity and beauty that he vows instead to accompany and protect her. The Faerie Queene is in many ways an allegory for the reign of Queen Elizabeth I, and is one of the longest poems in the English language.

LOT 26

FEDERICO ZANDOMENEGHI (IT. 1841-1917)

Violinist, 1917

Oil on canvas, framed

Signed l.r., signed and dated on stretcher verso 10 1/4" x 7 1/8" actual, 20 3/16" x 17 1/16" framed

$8,000 - $12,000

Provenance: Private Collection California

LOT 27

LUCILE BLANCH (AM. 1895-1981)

Circus Performer

Oil on board, framed

Signed l.l.

12" x 6 1/16" actual, 15 3/16" x 9 7/16" framed

$500 - $700

Provenance: Private Collection Cape Elizabeth, Maine

LOT 28

JAKUB ZUCKER (POLISH/AM. 1900-1981)

Portrait of Ann Chidsey

Oil on canvas, framed

26" x 20 1/8" actual, 31" x 26 15/16" framed

$2,500 - $3,500

Provenance: Private Collection Maine

LOT 29

ADRIANUS JACOBUS VROLIJK (DUTCH 1834-1862)

Country Scene

Oil on panel, framed

Signed l.l.

11 3/16" x 16 7/16" actual, 20 9/16" x 25 3/4" framed

$700 - $900

Provenance: Private Collection Portland, Maine

LOT 30

FREDRIK MARINUS KRUSEMAN (DUTCH 1816-1882)

Winter Landscape with Skaters

Oil on panel, framed

Signed l.r., MacConnal-Mason & Son label verso

9 3/4" x 12 5/8" actual, 14 1/2" x 17 1/2" framed

$6,000 - $8,000

Provenance: Private Collection Connecticut

LOT 31

CORNELIS CHRISTIAAN DOMMELSHUIZEN (DUTCH 1842-1928)

French Ships on Stormy Sea, 1917

Oil on linen, framed

Signed and dated l.r., Bunch Auctions tag verso

31 11/16" x 52 3/16" actual, 41 3/16" x 61 1/8" framed

$2,000 - $3,000

Provenance: Private Collection South Portland, Maine

LOT 32

JOHN KORNER (CZECH/CAN. 1913-2014)

Landscape with Ship, 1969

Oil on canvas, framed

Signed and dated l.r., signed and dated on stretcher verso 31" x 41" actual, 31 3/4" x 41 3/4" framed

$800 - $1,200

Provenance: Private Collection Yarmouth, Maine

LOT 33

19TH CENTURY AMERICAN SCHOOL

Night Scene

Oil on canvas, framed

10" x 14" actual, 17 11/16" x 21 3/4" framed

$600 - $800

Provenance: Private Collection Portsmouth, New Hampshire

LOT 34

19TH CENTURY IRISH SCHOOL

Greyhound Race

Oil on canvas, framed

35" x 34" actual, 41" x 40" framed

$1,000 - $1,500

Provenance: Private Collection California

LOT 35

FREDERICK KOST (AM. 1861-1923)

Cow Drinking at Sunset

Oil on linen, framed

Signed l.r.

24" x 28 1/16" actual, 30 7/8" x 35" framed

$1,000 - $1,500

Provenance: Private Collection Cape Elizabeth, Maine

LOT 36

JOSEPH H. DAVIS (AM. 1811-1865)

Portrait of Jonathan and Abigail Hill, 1836 Watercolor on paper, framed under glass

Inscribed "Painted at Bow Pond July 2nd 1836 by Joseph H. Davis Left Hand Painter" l.c., inscribed "Jonathan Hill. Aged 73 May 22, 1836" l.l., inscribed "Abigail Hill. Aged 71 July 8th 1836" l.r 9 5/8" x 14 5/8" sight, 11 1/8" x 16 1/8" framed

$10,000 - $15,000

Provenance: Private Collection Connecticut

Other Notes: Conservation report available upon request

Throughout his career in the mid-19th century, itinerant artist Joseph H. Davis created around 150 portraits of Maine and New Hampshire residents. As seen here in his 1836 portrait of Jonathan and Abigail Hill, his works consistently show the couple facing each other at a table that is holding objects representative of their careers and lifestyles. Despite his prolific work and distinctive style, the exact identity of Joseph H. Davis, left-handed painter, was a mystery until 1989. Art historians Arthur and Sybil Kern were able to pinpoint his identity due to the detailed information about his sitters included on each of his works. By cross-referencing the locations and dates of his sitters with records of artists named Joseph Davis, the painter was found to be a Limington, Maine farmer nicknamed “Pine Hill Joe”. Today, Davis’s work has been exhibited widely throughout New England and is prized by American folk art collectors.

LOT 37

GEORGE M. HATHAWAY (AM. 1852-1903)

Fort Gorges and Portland Breakwater Light Oil on panel, framed

Signed l.l., Barridoff Galleries labels and tag verso

8" x 20" actual, 13" x 25 1/8" framed

$1,200 - $1,800

Provenance: Barridoff Galleries June 22, 2019, lot 42 to Private Collection Standish, Maine

LOT 37A

GEORGE M. HATHAWAY (AM. 1852-1903)

Ship on Stormy Sea Oil on canvas, framed

Signed l.l.

18 1/8" x 30 1/4" actual, 26 3/8" x 38 3/8" framed

$1,200 - $1,800

Provenance: Private Collection Maine

LOT 38

AL BRULÉ (AM. 1917-2001)

Piscataqua River Scene

Acrylic on masonite, framed

Signed l.r.

23 1/8" x 37 7/16" actual, 28 1/8" x 42 3/8" framed

$700 - $900

Provenance: Private Collection Wells, Maine

LOT 39

ATTR. TO ALFRED THOMPSON BRICHER (AM. 1837-1908)

Shoreline

Watercolor on paper, framed under glass

Erroneously signed l.r.

9 1/2" x 19 1/4" sight, 20 3/16" x 30 1/8" framed

$800 - $1,200

Provenance: Private Collection Falmouth, Maine

LOT 40

ALFRED THOMPSON BRICHER (AM. 1837-1908)

Beach

Watercolor on paper, framed under glass

Signed l.l.

13 7/8" x 20 7/16" sight, 22 11/16" x 29 13/16" framed

$2,000 - $3,000

Provenance: Private Collection Amesbury, Massachusetts

LOT 41

ELISHA TAYLOR BAKER (AM. 1827-1890)

Sailing Along the Coast, June 10, 1889

Oil on panel, framed

Initialed l.l., signed and dated verso

8 15/16" x 15 15/16" actual, 12 13/16" x 19 13/16" framed

$800 - $1,200

Provenance: Private Collection Wiscasset, Maine

LOT 42

20TH CENTURY AMERICAN SCHOOL

New York City Shipyard

Oil on canvasboard, framed

11 1/2" x 15 1/2" sight, 17 5/16" x 21 3/16" framed

$400 - $600

Provenance: Private Collection Wiscasset, Maine

LOT 43

WILLIAM MATTHEWS HEKKING (AM. 1885-1970)

Monhegan Rocks

Oil on panel, framed

Signed, "My First Sketch in BLK oil from studio door" and "Property of Jim (?)" inscribed verso

12" x 16" actual, 15 3/4" x 19 5/8" framed

$500 - $700

Provenance: Private Collection Massachusetts

LOT 44

FRITZ ROCKWELL (AM. 1917-1997)

Pemaquid Lighthouse, 1974

Oil on panel, unframed

Signed and dated l.r. 40 5/16" x 71 5/8" actual

$800 - $1,200

Provenance: Private Collection Maine

LOT 45

CHARLES CARYL COLEMAN (AM. 1840-1928) "Venezia"

Oil on canvas, framed

Signed with monogram and titled l.r. 10 7/16" x 15 7/8" actual, 19" x 24 1/2" framed

$3,000 - $5,000

Provenance: Private Collection Wiscasset, Maine

Rockwell

ARTIST CORNER

ROCKWELL KENT: PRINTMAKER

( 1882 - 1971 )

Kent was born on July 21, 1882 in Tarrytown Heights, New York. From a young age he exhibited an interest in and talent for artistic endeavors, a fascination that was nurtured and encouraged by a loving aunt who was herself an artist.

After graduating from high school, he spent the summer in Shinnecock Hill on Long Island where he attended William Merritt Chase’s summer art school before entering Columbia University, where he studied architecture. He returned for several summers before Chase invited him to study at the New York School of Art, where he was a classmate of Edward Hopper and George Bellows. Always inspired by the natural world, in 1905 Kent moved from New York to Monhegan Island, where he spent five years painting, drawing and making prints.

Although he was married three times and fathered five children, Kent was something of a misanthrope. He traveled extensively, spending long periods of time in Alaska, Newfoundland, Greenland, and Tierra del Fuego. In each of these locales, he produced prints and paintings prolifically. Each of these journeys resulted in the publication of his book-length journals—Wilderness: A Journal of Quiet Adventure in Alaska (1920), Voyaging: Southward from the Strait of Magellan (1924), N by E (1930), and Salamina (1935)—each of which, like his autobiography It’s Me O Lord (1955) he illustrated with his prints. In addition to adorning his own books, his prints were used to illustrate numerous classic texts, including The Complete Works of William Shakespeare, Walt Whitman’s The Leaves of Grass, Chaucer’s

Canterbury Tales, and Herman Melville’s Moby Dick. He also produced prints for use in advertising, including a series for the American Car and Foundry Company and another for the United States Pipe and Foundry Company.

A lifetime supporter of progressive political causes—including the labor movement and opposition to fascism—he was popular in the post WWII Soviet Union. His 1950 visit to Russia caused tension with the U.S. government during the McCarthy era and his popularity waned.

He died of a heart failure on March 13, 1971 in Plattsburg, New York, and is buried on the grounds of the farm he owned there. The critic Carl Zigrosser noted that “He is an important American printmaker.” Similarly, his biographer, the artist and critic Dan Burne Jones notes that without regard to their subject matter, Kent’s prints “tell their stories in a forthright manner, with economy and precision of line and tone, with dignity and force.”

Today, Rockwell Kent’s works are represented in museums and private collections across the country including the Metropolitan Museum of Art, the Whitney Museum of American Art, the Smithsonian American Art Museum, Museum of Fine Art Boston, and the Art Institute of Chicago to name but a few. His estate donated a trove of his works to the State University of New York at Plattsburg, which holds perhaps the most representative collection of his prints, paintings and ephemera in the country.

image source: https://rockwellkentjournal.blogspot.com/

image source: https://www.loc.gov/pictures/resource/hec.47519/

LOT 46

ROCKWELL KENT (AM. 1882-1971)

"Mal (Danseuse)"

Lithograph, matted

Signed in pencil l.r. 20 1/2" x 15 3/4" actual, 22 1/8" x 16" matted

$300 - $500

Provenance: Collection of Dan Burne Jones (author of The Prints of Rockwell Kent: A Catalogue Raisonne) to Private Collection Ypsilanti, Michigan

Literature: Burne Jones 100

LOT 47

ROCKWELL KENT (AM. 1882-1971)

"Big Baby (Greenland Mother)" 1933

Wood engraving, matted

Signed in pencil l.r., titled, dated and editioned "1/150" in pencil l.l. 11 1/8" x 11 5/8" actual, 19 1/4" x 14 1/16" matted

$200 - $400

Provenance: Collection of Dan Burne Jones (author of The Prints of Rockwell Kent: A Catalogue Raisonne) to Private Collection Ypsilanti, Michigan

Literature: Burne Jones 101

LOT 48

ROCKWELL KENT (AM. 1882-1971)

Almost, 1929

Wood engraving, framed under glass

Signed in pencil l.r., collector's label and newspaper obituary attached verso 6 3/8" x 4 1/8" sight, 13 1/16" x 9 7/8" framed

$1,200 - $1,800

Provenance: Private Collection Chebeague, Maine

Literature: Burne Jones 32

LOT 49

ROCKWELL KENT (AM. 1882-1971)

"Glory Hallelujah" 1944

Lithograph, framed under glass

Signed in pencil l.r., titled in pencil l.l.

8 1/4" x 9 1/4" sight, 16 3/4" x 14 3/4" framed

$800 - $1,200

Provenance: Private Collection York, Maine

Literature: Burne Jones 134

LOT 50

ROCKWELL KENT (AM. 1882-1971)

Bowsprit, 1930

Wood engraving, framed under glass

Signed in pencil l.r.

5 7/8" x 7 3/8" sight, 12 15/16" x 14 5/16" framed

$2,000 - $3,000

Provenance: Private Collection York, Maine

Literature: Burne Jones 56

LOT 51

ROCKWELL KENT (AM. 1882-1971) "Deep Water"

Wood engraving, framed under glass

Signed in pencil l.r., titled in pencil l.l., inscribed "To Helen and SashaAffectionately, Sally and Rockwell (?) May 3, 1964" in pencil l.c.

8 13/16" x 11" sight, 13 3/16" x 15 1/2" framed

$2,000 - $3,000

Provenance: Private Collection York, Maine

Literature: Burne Jones 87

LOT 52

ROCKWELL KENT (AM. 1882-1971)

Invitation to a So-Called Tea, 1930

Linocut on woven paper, framed under glass

10 1/4" x 7 1/4" sight, 16 13/16" x 13 13/16" framed

$300 - $500

Provenance: Private Collection Maine

Literature: Burne Jones 50

LOT 54

NEIL WELLIVER (AM. 1929-2005)

"Briggs' Meadow" 1973

Silkscreen, framed under glass

Signed in pencil l.r., editioned "21/144" in pencil l.l. 37" x 37" sight, 46" x 46" framed

$3,000 - $5,000

Provenance: Private Collection Ypsilanti, Michigan

LOT 53

NEIL WELLIVER (AM. 1929-2005)

"Ducktrap" 1973

Silkscreen, framed under glass

Signed in pencil l.r., editioned " 129/144" in pencil l.l., Cigna Museum and Art Collection label verso 39 11/16" x 39 15/16" sight, 40 1/8" x 40 3/8" framed

$3,000 - $5,000

Provenance: Private Collection Ypsilanti, Michigan

LOT 55

NEIL WELLIVER (AM. 1929-2005)

"Maiden's Cliff" 1973

Silkscreen, framed under glass

Signed in pencil l.r., editioned "21/144" in pencil l.l. 37" x 37" sight, 46" x 46" framed

$3,000 - $5,000

Provenance: Private Collection Ypsilanti, Michigan

LOT 56

JOSEPH DE MARTINI (AM. 1896-1984)

Rocky Shore, c. 1938-1939

Gouache on paper, framed under glass

Signed l.r.

9 1/2" x 13" sight, 18 7/16" x 23 3/8" framed

$600 - $800

Provenance: Private Collection

Other Notes: A publication on the artist by Colin Brooks is in preparation

LOT 57

JOSEPH DE MARTINI (AM. 1896-1984)

"Surf on Rocks" Portland Head Light, c. 1940-1941 Oil on board, framed under glass

Signed l.l., signed and titled verso

11 7/8" x 16 7/8" actual, 18 7/16" x 23 3/8" framed

$1,000 - $1,500

Provenance: Private Collection

Other Notes: This work depicts Portland Head Light and evokes Marsden Hartley's The Lighthouse from the same period. A publication on the artist by Colin Brooks is in preparation.

LOT 58

(AM. 1903-1984)

LOT 59

WINTER (AM. 1869-1942)

LOT 59A

STEPHEN ETNIER (AM. 1903-1984)

"Autumn on Royal River" 1970

Oil on canvas, framed

Signed l.l., signed, titled, dated and "For Timmy Browne" inscribed on stretcher verso

15 7/8" x 32" actual, 25 3/8" x 45 1/4" framed

$4,000 - $6,000

Provenance: Barridoff Galleries August 4, 2006, lot 125 to Private Collection Vermont

LOT 59B

STEPHEN ETNIER (AM. 1903-1984)

"Into the Sun" 1963

Oil on canvas, framed

Signed and dated l.c., signed, titled and dated on tacking edge verso

14" x 22 1/8" actual, 18 11/16" x 26 7/8" framed

$3,000 - $5,000

Provenance: Barridoff Galleries April 24, 2013, lot 146 to Private Collection Vermont

LOT 59C

JAY CONNAWAY (AM. 1893-1970)

"The Wanderer"

Oil on masonite, framed

Signed illegibly l.r., signed and titled verso 12" x 16" actual, 19 1/2" x 23 1/4" framed

$2,000 - $3,000

Provenance: Barridoff Galleries October 27, 2018, lot 20 to Private Collection Vermont

LOT 59D

HAYLEY LEVER (AUSTRALIAN/AM. 1876-1958)

"New Rochelle" 1946

Oil on canvasboard, framed

Signed l.r., signed, titled, dated and Christie's label verso 15 1/2" x 19 1/2" sight, 22 1/2" x 26 1/2" framed

$8,000 - $12,000

Provenance: Christie's October 28, 2020, lot 137 to Private Collection Vermont

LOT 59E

JANE PETERSON (AM. 1876-1965)

Miami

Oil on canvasboard, framed

Signed l.r., American Art label backing verso 17 1/4" x 23 1/4" sight, 24" x 30" framed

$8,000 - $12,000

Provenance: Bonhams November 19, 2019, lot 38 to Private Collection Vermont

LOT 60

HARRY SHOKLER (AM. 1896-1978)

Provincetown Waterfront, 1926

Oil on canvas, framed

Signed and dated l.l.

20 1/16" x 24 1/8" actual, 23 1/2" x 27 9/16" framed

$800 - $1,200

Provenance: Private Collection Ypsilanti, Michigan

LOT 61

LYNNE DREXLER (AM. 1928-1999)

Chicken, 1987

Colored pencil on paper, framed

Signed and dated verso

14" x 17" actual, 21 1/8" x 25 3/16" framed

$5,000 - $7,000

Provenance: Private Collection Kennebunk, Maine

LOT 62

DAHLOV IPCAR (AM. 1917-2017) "Starry Night" 1991

Oil on linen, framed

Signed and dated u.r., signed and dated l.l., artist's label verso 34" x 34" actual, 35 1/4" x 35 1/4" framed

$20,000 - $25,000

Provenance: From the Artist to Private Collection Maine

LOT 63

DAHLOV IPCAR (AM. 1917-2017)

Horses in the Snow

Oil on canvas, framed

Signed l.r., artist's label and Sotheby's label verso, partial exhibition label and Sotheby's label on frame verso

20 3/16" x 30 1/8" actual, 25 3/16" x 35 3/16" framed

$3,000 - $5,000

Provenance: Private Collection California

LOT 64

JANE PETERSON (AM. 1876-1965)

Yellow Tulips

Oil on canvas, framed

Signed l.l., Schillay & Rehs label, Pen and Brush exhibition label and biographical information attached verso

24 1/8" x 18 3/16" actual, 29 3/4" x 23 3/4" framed

$4,000 - $6,000

Provenance: Private Collection California

LOT 65

SALLY MICHEL AVERY (AM. 1902-2003)

"Little Bouquet" 1981

Oil on canvasboard, framed

Signed and dated l.r., signed, titled and dated verso 20 1/8" x 24" actual, 21" x 25" framed

$6,000 - $8,000

Provenance: Private Collection Cumberland Foreside, Maine

LOT 66

LOWELL NESBITT (AM. 1933-1993)

"Two White Electric Iris" New York, 1980

Oil on canvas, framed

Signed, titled and dated verso

36" x 20 1/8" actual, 37 3/8" x 21 3/8" framed

$3,000 - $5,000

Provenance: Private Collection South Portland, Maine

LOT 66A

CARL SPRINCHORN (AM. 1887-1971)

Flowers Against a Winter Sky Oil on canvasboard, framed

Bertha Shaffer label, Kraushaar Galleries label and Portland Museum of Art label verso 20" x 18 1/16" actual, 25 1/2" x 23 7/16" framed

$3,000 - $5,000

Provenance: Bertha Schaefer Gallery New York City, New York to Collection of Ellen and Chris Huntington to Portland Museum of Art Portland, Maine to Kraushaar Galleries New York City, New York to Private Collection Vermont

LOT 66B

IDA TEN EYCK O'KEEFFE (AM. 1889-1961)

Roots, 1932 Oil on canvas, framed

Signed and dated verso, Christie's label on stretcher verso 20 1/8" x 26" actual, 26 1/8" x 32" framed

$8,000 - $12,000

Provenance: Christie's New York November 18, 2021, lot 71 to Private Collection Vermont

LOT 66C

MARGUERITE ZORACH (AM. 1887-1968)

Calla Lilies

Oil on canvas, framed

33" x 24 1/8" actual, 37 1/16" x 28 1/2" sight

$8,000 - $12,000

Provenance: Barridoff Galleries May 5, 2016, lot 186 to Private Collection Vermont

LOT 67

ROBERT KULICKE (AM. 1924-2007)

Bouquet, 1959

Watercolor on paper, framed under glass

Signed and dated l.r.

9 7/16" x 7 11/16" sight, 17 5/8" x 15 7/8" framed

$600 - $800

Provenance: Private Collection Massachusetts

LOT 68

ROBERT KULICKE (AM. 1924-2007)

Red Flowers

Watercolor and pastel on paper, framed under glass

Initialed l.r.

8 3/4" x 6 3/4" sight, 18 3/16" x 16 1/4" framed

$600 - $800

Provenance: Private Collection Massachusetts

LOT 69

HAYLEY LEVER (AUSTRALIAN/AM. 1876-1858)

Still Life with Apples

Oil on panel, framed Doyle label and Rockport Art Association label verso 13" x 16 3/16" actual, 15 1/16" x 18 3/16" framed

$1,200 - $1,800

Provenance: Private Collection Ypsilanti, Michigan

LOT 70

LEWIS HINE (AM. 1874-1940)

Coal Breakers, 1911

Photograph, framed under glass

The Witkin Gallery label verso

4 3/16" x 6 1/16" sight, 12 9/16" x 14 9/16" framed

$1,200 - $1,800

Provenance: Private Collecton Cumberland Foreside, Maine

LOT 71

LEWIS WICKES HINE (AM. 1874-1940)

Housing for Farm Workers, 1910

Photograph, framed under glass

Property of National Child Labor Committee stamp and inscribed "105 East 22nd Street New York Room 75, shanty L, Cranberry pickers Paul + (?) + wife live here settlement called Rome on Whites Bay, Brownsville (?) 4 sons live in next room Note the bread + other food lying around unprotected Plenty of flies" verso, The Witkin Gallery label on backing verso

6 15/16" x 5" actual, 14 3/16" x 12 1/8" framed

$500 - $700

Provenance: Private Collection Cumberland Foreside, Maine

LOT 72

LEWIS WICKES HINE (AM. 1874-1940)

Berry Pickers Leaving for Farm, 1913

Photograph, framed under glass

Property of National Child Labor Committee stamp and inscribed "Baltimore immigrants ready to start for the berry farms" verso, The Witkin Gallery label on backing verso

5" x 6 15/16" actual, 12 1/8" x 14 3/16" framed

$500 - $700

Provenance: Private Collection Cumberland Foreside, Maine

Lewis Hine was hired by the National Child Labor Committee in 1908 to document the living and working conditions of workers, including child laborers. Often dressed in disguise, Hine was able to enter factories, farms, mines, and other workplaces as well as the living spaces of American laborers to reveal the conditions and abuses they endured. With extensive handwritten notation, Hine’s photographs remain critical research tools in investigating labor rights and reforms at the turn of the century.

LOT 73

BERENICE ABBOTT (AM. 1898-1991)

Newsstand, 32nd Street & Third Avenue, Manhattan, 1935

Gelatin silver print, framed under glass

Signed on mount in pencil l.r., artist's stamp on mount verso

15 1/16" x 19 3/8" actual, 23 7/8" x 29 7/8" framed

$3,000 - $4,500

Provenance: Private Collection Maine

LOT 74

BERENICE ABBOTT (AM. 1898-1991)

Hardware Store, 316-318 Bowery, New York, 1938

Gelatin silver print, matted

Signed on mount in pencil l.r., artist's stamp on mount verso

10 1/2" x 13 1/4" actual, 20" x 16" matted

$3,000 - $4,500

Provenance: Private Collection Maine

LOT 75

BERENICE ABBOTT (AM. 1898-1991)

Stuyvesant Curiosity Shop, 1936

Gelatin silver print, unframed

Signed in pencil and artist's stamp verso

10 1/4" x 13 1/2" actual

$2,500 - $3,500

Provenance: Private Collection Maine

LOT 76

JERRY UELSMANN (AM. 1934-2022)

"Rock Tree" 1969

Gelatin silver print, framed under glass

Signed and dated in pencil on mount l.r., titled in pencil on mount l.l., Light Gallery label verso

12 3/4" x 8 1/2" actual, 20 1/4" x 16 1/4" framed

$600 - $800

Provenance: Private Collection Wiscasset, Maine

LOT 77

AARON SISKIND (AM. 1903-1991)

"The Tree #36" 1973

Gelatin silver print, framed under glass

Signed, titled and dated in pencil verso, Dean Jensen Gallery label on backing verso

12 7/8" x 12 3/4" sight, 23 1/2" x 23 3/16" framed

$1,000 - $1,500

Provenance: Private Collection Maine

LOT 78

LUCIEN CLERGUE (FR. 1934-2014)

"Pt. Lobos" 1980

Gelatin silver print, framed under glass

Signed in pen l.r., titled and dated in pencil l.l., Brentano's Gallery label verso

10 5/8" x 15 1/8" sight, 17 15/16" x 22 1/2" framed

$1,000 - $1,500

Provenance: Private Collection Maine

LOT 79

W. EUGENE SMITH (AM. 1918-1978)

Violinist from the Hitachi Symphony, 1961

Gelatin silver print, matted

Artist's estate stamp verso, Lowinsky Gallery label on mat verso 10 9/16" x 14 5/8" actual, 16 1/16" x 20" matted

$1,000 - $1,500

Provenance: Private Collection Maine

LOT 80

DENIS PIEL (FR. B. 1944)

Kelly LeBrock, Eugenie-Les-Bains, 1980

Photograph, framed under glass

Signed and dated verso 18 5/16" x 12 1/4" sight, 24 1/4" x 20 3/16" framed

$800 - $1,200

Provenance: Private Collection Wiscasset, Maine

Other Notes: This photograph was printed and signed in 1984

LOT 81

DENIS PIEL (FR. B. 1944)

Suzanne Accosta, Key West, Florida, 1979

Photograph, framed under glass

Signed and dated l.r. 14 1/2" x 19 1/2" sight, 20 1/4" x 24 1/4" framed

$800 - $1,200

Provenance: Private Collection Wiscasset, Maine

Other Notes: This photograph was printed and signed in 1980

barridoff auctions

“THE ARTISTS' ISLAND"

SELECTION OF WORKS CAPTURING THE BEAUTY OF MONHEGAN ISLAND

"Monhegan Island has some wonderful things about it… beautiful coves and grand cliffs rising high out of the sea.”

Since the mid-nineteenth century, Monhegan has been a destination for artists and is still an active art colony today. Hudson River School painter Aaron Draper Shattuck was the first recorded artist to encounter the island while on a tour of lighthouses along the Maine coast. In an 1858 letter, he described that "Monhegan Island has some wonderful things about it… beautiful coves and grand cliffs rising high out of the sea.”

image source: https://rockwellkentjournal.blogspot.com/

image source: www.historicnewengland.org/explore/collections-access/gusn/354716

LOT 82

ABRAHAM BOGDANOVE (AM. 1887-1946)

Blue House (Monhegan Wharf)

Oil on canvas in Newcomb Macklin frame

Signed l.r.

30 1/8" x 36 1/8" actual, 36" x 42" framed

$6,000 - $8,000

Provenance: Spanierman Gallery New York City, New York to Private Collection Ypsilanti, Michigan

LOT 83

ABRAHAM BOGDANOVE (AM. 1887-1946)

"'Redfield' Painting on Monhegan"

Oil on board, framed

Signed l.r., titled and Rago label verso

11 3/4" x 16" actual, 21 1/8" x 25 1/8" framed

$3,000 - $5,000

Provenance: Private Collection Ypsilanti, Michigan

Other Notes: The subject of this painting is most likely the artist Edward Willis Redfield (1869-1965)

LOT 84

EDWARD BETTS (AM. 1920-2008)

"Fishing Shacks, Monhegan" 1992

Acrylic on board, framed

Signed l.l., signed, titled and dated verso

16" x 20" actual, 20 7/16" x 24 1/2" framed

$2,000 - $3,000

Provenance: Private Collection Ypsilanti, Michigan

LOT 85

LEO BROOKS (AM. 1909-1993)

Manana

Watercolor on paper, framed under glass Bayview Gallery label verso

14 3/4" x 21 3/4" sight, 21 3/4" x 28 1/2" framed

$1,200 - $1,800

Provenance: Private Collection Cape Elizabeth, Maine

LOT 86

LEO BROOKS (AM. 1909-1993)

Cleaning Fish, Monhegan, 1984

Watercolor on paper, framed under glass

Signed and dated l.c. 21 3/8" x 29" sight, 30 1/2" x 37 7/16" framed

$2,000 - $3,000

Provenance: Private Collection Cape Elizabeth, Maine

LOT 87

JAMES FITZGERALD (AM. 1899-1971)

Fishing Boats, c. 1940

Watercolor on paper, framed under glass

Signed l.r. 18 1/4" x 23 5/8" sight, 26 1/4" x 31 3/4" framed

$5,000 - $7,000

Provenance: Private Collection Cape Elizabeth, Maine

Literature: James Fitzgerald: The Watercolors, Robert L. Stahl, Page 256, illustrated in color

Other Notes: This piece is listed in the James Fitzgerald Legacy Catalogue Raisonne #795

LOT 88

ROCKWELL KENT (AM. 1882-1971)

"Mother and Child at Monhegan"

Etching, matted

Editioned "3/30" in pencil and estate stamp l.r., titled on mat l.l. 8 1/4" x 8 13/16" actual, 19 11/16" x 14 1/8" matted

$600 - $800

Provenance: Collection of Dan Burne Jones (author of The Prints of Rockwell Kent: A Catalogue Raisonne) to Private Collection Ypsilanti, Michigan

Literature: Burne Jones 153

LOT 89

LOUIS LOZOWICK (UKRAINIAN/AM. 1892-1973)

Monhegan Island, 1946

Lithograph, framed under glass

Signed and dated in pencil l.r., editioned "2/20" in pencil l.l., artist's monogram in plate u.r., original sales receipt and additional provenance information attached to verso 13 13/16" x 9 1/4" sight, 19 3/8" x 14 15/16" framed

$2,000 - $3,000

Provenance: Private Collection Maine

LOT 90

CHARLES MARTIN (AM. 1910-1995)

Lobster Traps, Monhegan, 1979

Watercolor on paper, framed under glass

Signed and dated l.r.

15 1/16" x 22" actual, 22" x 29" framed

$1,200 - $1,800

Provenance: Private Collection Cumberland Foreside, Maine

LOT 91

LOT 92

LOT 93

ALEX MINEWSKI (AM. 1917-1979)

Three Fish

Oil on canvas, framed

Signed l.r.

17" x 30 1/16" actual, 24 13/16" x 37 7/8" framed

$800 - $1,200

Provenance: Private Collection Cumberland Foreside, Maine

LOT 94

ALEX MINEWSKI (AM. 1917-1979)

Fish Assemblage

Patinaed copper, driftwood, glass and bone

Approx. 9 1/2" x 33" x 3 1/2" actual

$400 - $600

Provenance: Private Collection Cumberland Foreside, Maine

LOT 95

RUTH LOTHROP (AM. 1923-2007)

Sunset Harbor

Oil on canvas, framed

Signed l.r.

23 5/8" x 29 5/8" sight, 25 3/16" x 31 1/8" framed

$400 - $600

Provenance: Private Collection Cape Elizabeth, Maine

LOT 97

ELENA JAHN (AM. 1938-2014)

Moontide, 1990

Pastel on paper, framed under glass

Signed l.l., Frick Gallery and O'Farrell Gallery labels verso

8 1/8" x 8 3/4" sight, 16 9/16" x 16 9/16" framed

$300 - $500

Provenance: From the Artist to Private Collection South Freeport, Maine

LOT 96

ELENA JAHN (AM. 1938-2014)

Lobster Cove

Charcoal on paper, framed under glass

Signed l.r.

15 1/2" x 19 1/2" sight, 23 1/2" x 27 1/2" framed

$300 - $500

Provenance: From the Artist to Private Collection South Freeport, Maine

LOT 98

ELENA JAHN (AM. 1938-2014)

Path to Lobster Cove #2

Oil pastel on paper, framed under glass

Signed l.r.

39 1/4" x 28" actual, 43 1/4" x 31 1/4" framed

$800 - $1,200

Provenance: From the Artist to Private Collection South Freeport, Maine

LOT 99

LEO BROOKS (AM. 1909-1993)

Cathedral Woods

Watercolor on paper, framed under glass

Signed c.r., Bayview Gallery labels verso

14 3/4" x 21 3/4" sight, 21 3/4" x 28 1/2" framed

$1,000 - $1,500

Provenance: Private Collection Cape Elizabeth, Maine

LOT 100

LEO BROOKS (AM. 1909-1993)

Cliffs and Surf

Watercolor on paper, framed under glass

Signed l.c.

10 3/4" x 14 5/8" sight, 16 9/16" x 20 1/4" framed

$500 - $700

Provenance: Private Collection Cape Elizabeth, Maine

LOT 101

WILLIAM THON (AM. 1906-2000)

Sailboat

Ink on paper, framed under glass

10 1/2" x 13 1/4" sight, 16 13/16" x 19 1/2" framed

$700 - $900

Provenance: Private Collection York, Maine

LOT 102

WILLIAM THON (AM. 1906-2000)

Night Watch

Watercolor and ink on paper, framed under glass

5 1/2" x 9" sight, 12 1/2" x 16 5/8" framed

$800 - $1,200

Provenance: Private Collection Cape Elizabeth, Maine

LOT 103

WILLIAM THON (AM. 1906-2000)

Round Tree

Ink on paper, framed under glass

Signed l.r.

17 1/2" x 23 1/2" sight, 24 7/8" x 30 7/8" framed

$700 - $900

Provenance: Private Collection York, Maine

LOT 104

WILLIAM THON (AM. 1906-2000)

Bear Island, 1966

Watercolor and ink on paper, framed under glass

Midtown Payson Galleries labels, Albright-Knox Art Gallery label, The Arts Guild of Old Forge label and the Pulsifer Award attached verso

19 3/4" x 26 1/4" sight, 27 7/8" x 34 1/8" framed

$1,000 - $1,500

Provenance: Private Collection Cape Elizabeth, Maine

Exhibited: The Adirondacks National Exhibition of American Watercolors, Old Forge, New York, 1993

LOT 105

WILLIAM THON (AM. 1906-2000)

Two Sketchbooks

Mixed media on paper

Sketchbook 1] 5" x 8" actual

Sketchbook 2] 5 1/2" x 8 1/4" actual

$400 - $600

Provenance: Estate of the Artist to Private Collection Ypsilanti, Michigan

Other Notes: Additional details available upon request

LOT 106

WILLIAM THON (AM. 1906-2000)

"Early Snow"

Oil on panel, framed

Signed l.r., Christie's labels, Midtown Galleries label and Montclair Art Museum label verso 21 1/2" x 28 3/4" sight, 29 5/8" x 36 7/8" framed

$3,000 - $5,000

Provenance: Private Collection Rye Beach, New Hampshire

Literature: Three Hundred Years of American Painting: The Montclair Art Museum Collection, 1989.

LOT 107

WILLIAM ZORACH (AM. 1887-1966)

Head of a Girl Bronze

Signature incised on underside

Approx. 5 1/8" x 4 3/4" x 5 1/4" actual, approx. 7 7/8" x 4 3/4" x 5 1/4" including base

$1,200 - $1,800

Provenance: Private Collection York, Maine

LOT 108

WILLIAM ZORACH (AM. 1887-1966)

Young Dahlov Bronze

Signature incised along base

Approx. 13" x 10 1/2" x 9" actual

$4,000 - $6,000

Provenance: Private Collection Farmington, Maine

Other Notes: This lot is accompanied by an 11 1/2" x 12 1/2" x 1 1/4" granite base

LOT 109

ATTR. TO ROBERT LAURENT (AM. 1890-1970)

Standing Figure Steel

Approx. 11 13/16" x 2 5/8" x 2 1/8" actual

$800 - $1,200

Provenance: Private Collection Portsmouth, New Hampshire

LOT 110

JOHN HELIKER (AM. 1909-2000)

Self Portrait

Oil on masonite, framed

23 15/16" x 31 3/4" actual, 32 1/4" x 40 1/8" framed

$800 - $1,200

Provenance: Private Collection Ypsilanti, Michigan

LOT 111

CHANNING HARE (AM. 1899-1976)

Country Boy, 1941

Oil on canvas, framed

Signed and dated l.r.

50" x 40" actual, 54 1/8" x 44 1/4" framed

$1,000 - $1,500

Provenance: Private Collection Hampton, New Hampshire

LOT 113

MARY BETH EDELSON (AM. 1933-2021)

Still Life with Flowers

Oil on canvas, framed

30" x 24 1/16" actual, 33 7/8" x 27 7/8" framed

$500 - $700

Provenance: Private Collection Portsmouth, New Hampshire

LOT 112

BERTRAM HARTMAN (AM. 1882-1960)

Still Life with Self Portrait Oil on masonite, framed Skinner label verso

26 1/16" x 50" actual, 41 5/16" x 55 3/16" framed

$1,200 - $1,800

Provenance: Private Collection Yarmouthport, Massachusetts

LOT 114

BERNARD LANGLAIS (AM. 1921-1977)

"Landscape with Fruit" 1953

Oil on linen, framed

Signed and dated l.l., titled and Barridoff Galleries label verso

16 3/16" x 12 3/16" actual, 20 9/16" x 16 9/16" framed

$3,000 - $5,000

Provenance: Private Collection Hawai'i

LOT 115

BERNARD LANGLAIS (AM. 1921-1977)

Trees, c. 1957

Oil on paperboard, framed

Skinner label and O'Farrell Gallery label verso

8 15/16" x 12" actual, 10" x 13 1/16" framed

$600 - $800

Provenance: Private Collection Ypsilanti, Michigan

LOT 116

BERNARD LANGLAIS (AM. 1921-1977)

Octopus

Gouache on paper, framed under glass

Signed l.r.

12 11/16" x 17 15/16" sight, 19 1/8" x 25 1/8" framed

$1,200 - $1,800

Provenance: Private Collection Bethesda, Maryland

LOT 117

GEORGE HALLOWELL (AM. 1871-1926)

Liverpool to London

Watercolor on paper, framed under glass

Signed l.r., exhibition label verso

5 1/2" x 8 3/8" sight, 13 1/16" x 16" framed

$600 - $800

Provenance: Private Collection York, Maine

LOT 118

GEORGE HALLOWELL (AM. 1871-1926)

Purple Sky

Watercolor on paper, framed under glass

Van Ward Gallery label verso

7" x 10 1/8" actual, 11 7/8" x 16" framed

$600 - $800

Provenance: Private Collection York, Maine

LOT 119

GEORGE HALLOWELL (AM. 1871-1926)

Autumn Landscape

Oil on canvas, framed

Signed l.r.

25 1/8" x 30 1/16" actual, 30 1/2" x 35 5/16" framed

$3,000 - $5,000

Provenance: Private Collection Ypsilanti, Michigan

LOT 121

WILLIAM WENDT (AM. 1865-1946)

Fox River, Illinois

Oil on canvas, framed 24" x 30" actual, 20 1/2" x 34 1/4" framed

$8,000 - $12,000

Provenance: Private Collection Berwick, Maine

Depicted here is the Fox River, a tributary of the Illinois river that runs from southeastern Wisconsin to Ottawa, Illinois. The river lies about 40 miles west of Chicago, where Wendt first settled upon immigrating to America. Before putting down roots in the California arts community, Wendt spent 26 years establishing himself on the Chicago scene. He studied briefly at the Art Institute of Chicago and exhibited his landscapes widely in Chicago galleries. With playful brushwork in the foreground and a hazy, sweeping atmosphere, this early example of Wendt’s work reveals the influence of the European Impressionists that becomes less apparent in his later work.

Source: U.S. Department of State, Art in Embassies

LOT 120

RUPERT LOVEJOY (AM. 1885-1975)

"Meandering River"

Oil on canvas, framed

Signed l.l., titled on stretcher verso

18 1/8" x 22 1/16" actual, 21 5/8" x 25 9/16" framed

$700 - $900

Provenance: Private Collection Maine

LOT 122

WILLIAM EDOUARD SCOTT (AM. 1884-1964)

Fishing Boats, Haiti

Oil on canvasboard, framed

Signed l.r.

5 15/16" x 8" actual, 12 3/8" x 14 3/8" framed

$800 - $1,200

Provenance: Private Collection Wiscasset, Maine

LOT 123

ERNEST FIENE (AM. 1894-1965)

"Autumn Road" 1943

Oil on canvas, framed

Signed

Signed

26 1/8" x 22 1/16" actual, 35 1/4" x 31 1/8" framed

$2,000 - $3,000

Provenance: Private Collection Ypsilanti, Michigan

LOT 124

ERNEST FIENE (AM. 1894-1965)

"Old Connecticut Church" Oil on canvas, framed

25 1/8" x 32 1/4" actual, 36" x 43" framed

$2,000 - $3,000

Provenance: Private Collection Cortlandt Manor, New York

l.r., signed and titled verso, California Palace of the Legion of Honor exhibition label on frame verso, Midtown Galleries label on stretcher verso

l.r., signed, dated, Doyle label and Gallery of Associated American Artists label on frame verso, titled on stretcher verso, Michael Rosenfeld Gallery label verso

LOT 125

ALFRED CHADBOURN (AM. 1921-1998)

"White House - Stonington" 1987 Oil on canvas, framed

Signed l.r., signed, titled and dated verso 10" x 12" actual, 11 3/16" x 13 1/4" framed

$1,200 - $1,800

Provenance: From the Artist to Private Collection Topsham, Maine

LOT 126

ERIC AHO (AM. B. 1966)

"Kent's Apple Tree" 1996 Oil on canvas, framed

Signed and dated l.r., titled, signed and inscribed "Gallery North Star Graton and Manchester Vermont" and "Property of Sally Smith" on stretcher verso 9" x 11" actual, 11 3/4" x 13 3/4" framed

$1,000 - $1,500

Provenance: Private Collection Roanoke, Virginia

LOT 127

LINDEN FREDERICK (AM. B. 1935)

"White on White" 1998

Oil on panel, framed

Signed l.l., signed, titled and dated verso 11 5/8" x 11 5/8" actual, 16 7/16" x 16 7/16" framed

$5,000 - $6,000

Provenance: Private Collection Falmouth, Maine

ARTIST CORNER

JOHN CALVIN STEVENS

( 1855 - 1940 )

Born on October 8, 1855, John Calvin Stevens was renowned as an architect of the Maine Coast. He designed some 1000 homes and cottages, nearly 400 in and around Portland.

Although he had aspirations of attending the Massachusetts Institute of Technology’s architecture program upon his graduation from high school, his family was unable to afford the tuition. He instead apprenticed himself to another well-known Portland architect, Francis H. Fassett.

Less well known as an artist, Stevens was nonetheless an active and accomplished painter, an art form he began to practice in childhood. Founded in 1860, he was a member of “The Brushians & Friends,” a group of some 16 men who created plein air paintings along the coast near Portland, the islands of Casco Bay, and, on occasion, New Hampshire. Two decades later he was active in the Portland

Society of Art, the precursor to the Portland Museum of Art. Stevens was close to Winslow Homer, and, in exchange for a painting, “The Artist’s Studio in Afternoon Fog” (1894), Stevens designed a rental cottage at Prouts Neck, the location of Homer’s home and studio, which Stevens had designed a decade earlier.

Stevens remained an active architect until his death on January 25, 1940. After his death, his family sold the Homer painting to Rochester University’s Memorial Art Gallery. In 2009 the City of Portland honored the artist and architect by proclaiming October 8, 2009 (the 154th anniversary of his birth) “John Calvin Stevens Day.” In 2015, the University of New England hosted an exhibition of his paintings. Today, his works are held in numerous public collections, including the Portland Museum of Art, Harvard’s Fogg Museum, and Blane House, and the Maine Governor’s residence.

image source: https://www.mainememory.net/record/15684

image source: https://library.une.edu/art-galleries/2015/04/21/the-paintings-of-john-calvin-stevens/

LOT 128

JOHN CALVIN STEVENS (AM. 1855-1940)

Birch, 1903

Oil on canvas, framed

Signed with monogram l.r., signed with monogram and dated l.l. 14 1/8" x 10 1/8" actual, 23 3/16" x 19 3/8" framed

$2,000 - $3,000

Provenance: Private Collection Portland, Maine

LOT 129

JOHN CALVIN STEVENS (AM. 1855-1940)

Seascape, November 26

Oil on canvas, framed

Signed and dated l.r., inscribed "To Robert S. Peabody with (?) of John Calvin Stevens May 18 '08" and Morrill's Auctions label on stretcher verso 14" x 20" actual, 16 5/8" x 22 3/4" framed

$800 - $1,200

Provenance: Private Collection Scarborough, Maine

LOT 130

JOHN CALVIN STEVENS (AM. 1855-1940)

"Falmouth Foreside" c. 1905

Oil on canvas, framed

Signed with monogram l.r., titled and dated verso 12 1/8" x 16" actual, 21 1/2" x 25 9/16" framed

$2,000 - $3,000

Provenance: Private Collection Portland, Maine

LOT 131

PABLO PICASSO (SP. 1881-1973)

Dance of the Faun

Lithograph, framed under glass

Signed in plate l.r.

17 1/4" x 21 1/4" sight, 25 3/8" x 29 3/8" framed

$800 - $1,200

Provenance: From the collection of George and Dadee Burk

LOT 132

PABLO PICASSO (SP. 1881-1973)

Medallion Ceramic

"Madoura Empreinte Originale de Picasso" stamped verso

Approx. 1 7/8" x 1 7/8" x 3/16" actual

$800 - $1,200

Provenance: Private Collection Old Westbury, New York

LOT 133

PABLO PICASSO (SP. 1881-1973)

Picador

Ceramic

"Edition Picasso" incised and Madoura stamp on underside

Approx. 6" x 6" x 1 3/8" actual

$1,200 - $1,800

Provenance: Private Collection Old Westbury, New York

LOT 134

PABLO PICASSO (SP. 1881-1973)

Masque Ramié 310, 1956

Ceramic, framed

Numbered K121, editioned "137/300", inscribed "Edition Picasso" and signed by Madoura Pottery Studio verso

7 7/8" x 7 7/8" actual, 11 13/16" x 11 13/16" framed

$3,000 - $5,000

Provenance: Private Collection Maine

LOT 135

FERNAND LÉGER (FR. 1881-1955)

"Le Soleil" (Étude pour une sculpture polychrome), 1953 Gouache on paper, framed under glass

Initialed and dated l.r., signed, titled, dated and inscribed "Nº G. 41" and "tres amicalement a Carlos" verso 16 1/2" x 13 11/16" sight, 24 15/16" x 21 5/8" framed

$30,000 - $50,000

Provenance: Private Collection Maine

Other Notes: This lot is accompanied by a certificate of authenticity

LOT 136

PAUL GAUGUIN (FR. 1848-1903)

La Orana Maria (Hail Mary), 1984

Lithograph, framed under glass

Albert Roullier Art Galleries label verso

15" x 11 1/16" actual, 16 1/2" x 13" framed

$1,200 - $1,800

Provenance: Private Collection Cumberland Foreside, Maine

LOT 137

KÄTHE KOLLWITZ (GER. 1867-1945)

Self Portrait Etching, framed under glass

"Munchen 22" blind stamp l.r., Galerie St. Etienne label and Ferdinand

Roten Galleries receipt verso

12 5/8" x 14 1/2" sight, 14 1/8" x 16" framed

$800 - $1,200

Provenance: Private Collection Mt. Vernon, Maine

LOT 138

KÄTHE KOLLWITZ (GER. 1867-1945)

Gedenblatt fur Karl Liebknecht, 1920 Woodcut, framed under glass

Signed in pencil l.r., conservation report attached verso

15 3/4" x 20 7/8" sight, 24 1/8" x 29 1/8" framed

$3,000 - $5,000

Provenance: Private Collection Chebeague, Maine

LOT 139

ERNEST LUDWIG KIRCHNER (GER. 1880-1938) Boy

Etching, framed under glass

Signed in pencil l.l., titled indistinctly in pencil l.r. 9" x 8" sight, 16 1/16" x 14 13/16" framed

$3,000 - $5,000

Provenance: Private Collection Chebeague, Maine

LOT 140

JOSEPH UHL (GER. 1877-1945)

Erwachen (Awakening)

Etching with aquatint, unframed

Signed in pencil l.r., "Heinr. Welleroth München gdr."

inscribed in pencil l.l. 16 1/4" x 22 3/4" actual

$600 - $800

Provenance: Private Collection Wiscasset, Maine

LOT 141

JOSEPH UHL (GER. 1877-1945)

Woman and Fairy

Etching with aquatint, unframed

Signed in pencil l.r., editioned "25" and indistinct inscription in pencil l.l. 22 3/4" x 16 3/8" actual

$600 - $800

Provenance: Private Collection Wiscasset, Maine

LOT 142

LUIGI KASIMIR (AUSTRIAN/HUNGARIAN 1881-1962

Two Works

1] New York Fog and Mist, 1936

Etching with aquatint, framed under glass

Signed in pencil l.c., dated in plate l.l., Kennedy Galleries label verso 13" x 15 1/16" sight, 20 3/16" x 21 7/16" framed

2] "Fulton Market" New York, 1936

Etching with aquatint, framed under glass

Signed in pencil l.c., titled in plate l.l., Kennedy Galleries label verso 17 3/4" x 12 3/16" sight, 27" x 19" framed

$2,000 - $3,000

Provenance: Private Collection Maine

LOT 144

20TH CENTURY AMERICAN SCHOOL

Nude Reclining

Oil on canvas, framed 24" x 29 3/4" actual, 29" x 34 3/4" framed

$600 - $800

Provenance: Young Fine Arts Auctions March 1, 1997, lot 70 to Private Collection Rye Beach, New Hampshire

LOT 143

ISABEL BISHOP (AM. 1902-1988)

Union Square Study

Pen and ink on paper, framed under glass

Signed l.r. 7 9/16" x 7 9/16" sight, 8 3/4" x 8 3/4" framed

$700 - $900

Provenance: Private Collection Wiscasset, Maine

LOT 145

FREDERICK BOSLEY (AM. 1881-1942)

Portrait of Helen Storrow

Oil on canvas, unframed Indistinct inscription verso 29 3/4" x 21 7/8" actual

$1,500 - $2,500

Provenance: From the Estate of the Artist by descent to Private Collection Kittery Point, Maine

Helen Storrow (1864-1944) was a philanthropist and early Girl Scout leader who embraced and embodied progressive politics in her work and personal life. She was married to James J. Storrow in 1891. Despite his lineage as part of Boston’s elite, James shared Helen’s progressive outlook. As a successful businessman and banker, Storrow amassed a great fortune. The couple used their wealth and influence for the public good, building playgrounds in poor neighborhoods, supporting education and civil service reform, and campaigning for religious and racial equality. Helen was particularly interested in advancing the welfare and independence of girls and women. She provided Edith Guerrier and the “Saturday Girls” with funding to establish the Paul Revere pottery line, which created enjoyable and sustainable jobs for women. Helen also became highly involved with the Girl Scouts, and in 1932 founded Our Chalet, an international Girl Scouts center in Switzerland. Today, Boston’s Storrow Drive carries James Storrow’s namesake, despite Helen’s public opposition to the roadway in favor of James’s ecological concerns.

LOT 146

FREDERICK BOSLEY (AM. 1881-1942)

Portrait of a Woman in Profile Oil on canvas, framed Indistinct inscription verso 25 1/2" x 20 7/8" actual, 33 1/8" x 29 1/8" framed

$2,500 - $3,500

Provenance: Private Collection Kittery Point, Maine

LOT 147

FREDERICK BOSLEY (AM. 1881-1942)

Woman and Children with Apples Oil on canvas, unframed 36 15/16" x 42 1/8" actual

$2,000 - $4,000

Provenance: Private Collection New Castle, New Hampshire

LOT 147A

JEAN-ANTOINE HOUDON (FR. 1741-1828)

Portrait

Pencil on paper, framed under glass

9 3/4" x 7 7/8" sight, 15" x 13 1/8" framed

$300 - $500

Provenance: Private Collection Dunbarton, New Hampshire

LOT 147B

20TH CENTURY AMERICAN SCHOOL Flapper Girl

Pastel on paper laid to board, framed under glass

Signed indistinctly l.r.

18 1/2" x 14 1/8" sight, 25 7/16" x 21 15/16" framed

$300 - $500

Provenance: Private Collection Dunbarton, New Hampshire

LOT 147C

FREDERICK LYNCH (AM. 1935-2016)

Two Women, 1976

Watercolor on paper, framed under glass

Signed and dated l.c.

22 1/2" x 30" actual, 24 5/8" x 32 1/4" framed

$700 - $900

Provenance: Private Collection Maine

LOT 147D

BERNARD KARFIOL (AM. 1886-1952)

Christina, Reclining Nude in the Woods Oil on canvas, framed

Signed l.r.

35 5/8" x 47 3/4" sight, 40 1/2" x 52 5/8" framed

$2,000 - $3,000

Provenance: Barridoff Galleries August 4, 2006, lot 177 to Private Collection Vermont

LOT 147E

BERNARD KARFIOL (AM. 1886-1952)

An Open Door Oil on canvas, framed

Signed l.l.

30 1/4" x 24 1/16" actual, 36 1/2" x 30 5/8" framed

$1,200 - $1,800

Provenance: Barridoff Galleries October 23, 2013, lot 136 to Private Collection Vermont

LOT 149

ABRAHAM WALKOWITZ (AM. 1878-1965)

Four Views of Isadora Duncan

Watercolor, ink and pencil on paper, framed under glass

Each panel: signed l.c., newspaper article attached verso

Each panel: 6 5/8" x 2 5/8" sight, entire piece: 17" x 22 1/16" framed

$1,200 - $1,800

Provenance: Private Collection Maine

LOT 148

JOSEPH SOLMAN (AM. 1909-2008)

Two Works

1] Prone Figure, 1968

Watercolor on paper laid to canvas, unframed

Initialed and dated l.l.

18 1/8" x 22 1/8" actual

2] Face, 1968

Watercolor on paper laid to canvas, unframed

Initialed and dated l.r.

22 1/4" x 18" actual

$1,000 - $1,500

Provenance: Private Collection Kennebunk, Maine

LOT 150

WILLIAM GLACKENS (AM. 1870-1938)

Portrait of a Disgruntled Man

Ink and brush on paper, framed under glass

Signed l.c.

7 1/8" x 4 3/8" sight, 12 1/8" x 9 1/4" framed

$600 - $800

Provenance: Private Collection Maine

LOT 151

LEONARD BASKIN (AM. 1922-2000)

Male Nude, 1964

Pen and ink on paper, framed under glass

Signed and dated l.r.

15 1/2" x 20" actual, 20 5/8" x 24 7/8" framed

$700 - $900

Provenance: Private Collection York, Maine

LOT 152

CHARLES BURCHFIELD (AM. 1893-1967)

Study with Sunset and Clouds

Pencil on paper, framed under glass

Signed l.r., collector's label verso

10 7/8" x 17" actual, 21 1/2" x 27 1/4" framed

$500 - $700

Provenance: Private Collection York, Maine

LOT 153

WALT KUHN (AM. 1877-1949)

"Drawing for 'Americana'"

Pencil on paper, framed under glass

Titled l.r.

17" x 22" actual, 25 1/16" x 31 1/4" framed

$600 - $800

Provenance: From the collection of George and Dadee Burk

LOT 154

WALT KUHN (AM. 1877-1949)

"The Thinkers" 1930

Watercolor and pen and ink on paper, framed under glass

Signed, titled and dated l.r., Doyle label and Salander O'Reilly Galleries label verso

7 5/8" x 12 1/2" sight, 15 1/2" x 20 1/8" framed

$1,200 - $1,800

Provenance: Private Collection Ypsilanti, Michigan

LOT 155

WALT KUHN (AM. 1877-1949)

"Chop Suey" 1929

Watercolor and pen and ink on paper, framed under glass

Signed, dated and copyrighted "1937" l.r., titled l.l., Doyle label and Salander O'Reilly Galleries label verso

8" x 10 7/8" sight, 15 7/16" x 17 7/8" framed

$1,200 - $1,800

Provenance: Private Collection Ypsilanti, Michigan

LOT 156

WALTER GRIFFIN (AM. 1861-1935)

"New England Village Church"

Pencil on paper, framed under glass

Signed l.r., titled and Portland Museum of Art stamp verso

8 3/4" x 12 1/2" sight, 14 3/4" x 18 5/8" framed

$300 - $500

Provenance: Private Collection Wiscasset, Maine

LOT 157

HUMBERTO GARAVITO (GUATEMALAN 1897-1970)

View of Lake Atitlan Oil on canvas, framed

Signed l.l.

21 1/8" x 25 1/2" actual, 27 3/16" x 31 3/8" framed

$800 - $1,200

Provenance: Private Collection Harrison, Maine

Other Notes: This lot is accompanied by an exhibition catalog

LOT 158

GRACIELA RODO BOULANGER (BOLIVIAN B. 1935)

"Musique a Bord" Paris, 2002

Oil on linen, framed

Signed and dated l.r., signed, titled, dated and inscribed "To Lily with love G. Rodo Boulanger San Francisco, October 24, 2003" verso, inscribed "To: Lily" on tacking edge verso 24" x 19 3/4" actual, 34 1/4" x 30" framed

$3,000 - $5,000

Provenance: Private Collection Hopkinton, Massachusetts

LOT 159

MARIA IZQUIERDO (MEXICAN 1902-1955)

Moonlight Scene, 1936

Tempera on paper, framed

Signed and dated l.r.

8 1/8" x 10 3/4" actual, 12 3/16" x 14 7/8" framed

$10,000 - $15,000

Provenance: Private Collection Maine

Other Notes: This lot is accompanied by documentation of authenticity

“‘Maria’s painting is not born of the mind, but of the flesh.’

There was nothing further from the truth. Since 1934 her work reflected an investigation into new subjects beyond the circus characters, the compositions showed feminine nude figures in surroundings of abysmal dimensions, in painful or introspective attitudes, in front of different objects: Christian crosses and coffins; bust and torso sculptures and dummies; mermaids, chimeras, and horses.”

QUOTE FROM THE ESSAY “MARIA IZQUIERDO: REGARDING MODERN MEXICAN PAINTING” BY PROF. LUIS-MARTIN LORZANO

IN THE EXHIBITION CATALOGUE “MARIA IZQUIERDO: 1902-1955”, MEXICAN FINE ARTS MUSEUM, CHICAGO.

LOT 159A

WALT KUHN (AM. 1877-1949)

Woman in Red Scarf Near the Seashore Oil on canvasboard, framed

Kennedy Galleries label and Christie's labels and tag verso

18" x 22" actual, 24 3/4" x 28 5/8" framed

$12,000 - $18,000

Provenance: Christie's New York November 18, 2021, lot 61 to Private Collection Vermont

LOT 159B

SALLY MICHEL AVERY (AM. 1902-2003)

"Gulls by Pale Green Sea" 1982 Oil on canvas, framed

Signed and dated l.r., signed, titled, dated, D. Wigmore Fine Art and Jody Klotz labels verso, The Milton and Sally Avery Arts Foundation stamp stretcher verso

40" x 50" actual, 45 3/4" x 55 3/4" framed

$20,000 - $30,000

Provenance: Jody Klotz Fine Art to Private Collection Vermont

LOT 159C

RACKSTRAW DOWNES (BR. B. 1939)

"80th Street and Broadway" 1976-77

Oil on canvas, framed

Initialed l.r., Hirsch & Adler Modern, Bernaducci Meisel Gallery, Betty Cunningham Gallery, Kornblee, and Meyerson + Nowinski labels verso, signed, titled and dated on stretcher verso 19 1/8" x 23 5/8" actual, 20 3/8" x 24 78" framed

$20,000 - $30,000

Provenance: Betty Cunningham Gallery New York City, New York to Private Collection Vermont

LOT 160

BO BARTLETT (AM. B. 1955)

Mainline Times, 2001

Gouache on paper, framed under glass

Signed l.r., Kristy Stubbs Gallery label verso

14 5/8" x 22" sight, 22 7/8" x 30" framed

$4,000 - $6,000

Provenance: Collection of the Artist to Kristy Stubbs Gallery

LOT 161

ANTHONY THIEME (DUTCH/AM. 1888-1954)

The Knights Met in Mid Space With a Shock Like a Thunderbolt Oil on canvas, framed

Signed l.r., Project MEAC stamp verso

30" x 20" actual, 32 1/2" x 22 1/2" framed

$2,000 - $3,000

Provenance: Private Collection Maine

Literature: Original illustration for the frontispiece of The Talisman by Sir Walter Scott, Published by Houghton Mifflin Company, Boston and New York, 1927

Other Notes: This lot is accompanied by a copy of the book in which it is illustrated

In his early career, Thieme supported himself by working as a stage designer and book illustrator. This work is his original illustration for the frontispiece of The Talisman by Sir Walter Scott, published by Houghton Mifflin Company, Boston and New York, 1927.

LOT 162

PAUL COLIN (FR. 1892-1985)

Bal Negre, a Preliminary Study for the Poster Oil on canvas, framed

Indistinct inscription verso 26 1/2" x 20 3/8" actual, 29 3/8" x 23 1/2" framed

$5,000 - $7,000

Provenance: Barridoff Auctions August 1, 2008, lot 68 to Private Collection Denver, Colorado

LOT 163

PAUL COLIN (FR. 1892-1985)

Revue Negre, a Preliminary Study for the Poster Oil on canvas, framed

Indistinct inscription on stretcher verso 25" x 17 9/16" actual, 29 3/4" x 22 3/8" framed

$4,000 - $6,000

Provenance: Barridoff Auctions August 1, 2008, lot 67 to Private Collection Denver, Colorado

In the years following World War I, Parisian art and nightlife was overtaken by a fascination with the aesthetics of Black culture. African-American performer Josephine Baker settled in Paris in 1925 and quickly became notorious for her roles in performances that parodied the lives of Black Americans and Africans. The most famous of these was La Revue Nègre, for which artist Paul Colin was commissioned to design a poster. The two oil paintings above were made into lithographic posters advertising La Revue Nègre and the nightclub Le Bal Nègre. For the full lot essay discussing these works, visit our online catalog.

LOT 164

LESTER JOHNSON (AM. 1919-2010)

"Still Life in Milford #4" 1965

Oil on canvas, framed

Signed, titled, dated and Swann's label verso 40 1/8" x 31 15/16" actual, 42" x 34" framed

$2,500 - $3,500

Provenance: Swann's Auctions September 21, 2021, lot 213 to Private Collection Massachusetts

LOT 165

ALLAN CRITE (AM. 1910-2007)

Playing Stick Ball, Boston, c. 1936

Oil on canvasboard, framed

Signed verso 10" x 7 7/8" actual, 11 3/8" x 9 1/4" framed

$2,000 - $3,000

Provenance: Young Fine Arts Gallery, 1998 to Private Collection Rye Beach, New Hampshire

LOT 166

JOHN HOYLAND (BR. 1934-2011)

Vibrant Green and Pink, 1965

Watercolor on paper, framed under glass

Signed l.r., dated l.l., The Waddington Galleries label verso 21 3/8" x 29 5/8" sight, 22 3/4" x 31" framed

$6,000 - $8,000

Provenance: Private Collection Portsmouth, New Hampshire

LOT 167

FREDERICK LYNCH (AM. 1935-2016)

"Division 30" 2002

Oil on canvas laid to panel, framed

Signed l.r., signed, titled and dated verso 32" x 24" actual, 32 7/8" x 24 7/8" framed

$800 - $1,200

Provenance: Private Collection Wiscasset, Maine

LOT 168

ANDY WARHOL (AM. 1928-1987)

Endangered Species: San Francisco Silverspot Screenprint, framed under glass

Signed and editioned "60/150" in pencil l.r. 38" x 38" actual, 45 5/8" x 45 3/4" framed

$80,000 - $120,000

Provenance: Los Angeles Modern Auctions February 17, 2019, lot 4 to Private Collection Vermont

LOT 169

PATRICK HUGHES (BR. B. 1939)

In Tents, 2005

3D Lithographical multiple with handcoloring in plexiglass case

Signed in pencil l.r., editioned "AP 5/7" in pencil l.l., "To Margaret" inscribed verso

12" x 32 3/8" x 3 3/4" actual, 17 3/8" x 37 7/8" x 6 1/8" in case

$2,500 - $3,500

Provenance: Private Collection Hopkinton, Massachusetts

LOT 170

PANOS GHIKAS (GREEK 1917-2012)

Equilibrium

Egg tempera, silver leaf and gold leaf on masonite, framed

Signed, Acme Fine Art and Design label and exhibition label verso

6" x 17 3/4" actual, 15" x 26 7/8" framed

$300 - $500

Provenance: Private Collection York, Maine

LOT 171

PANOS GHIKAS (GREEK 1917-2012)

Abstraction

Oil on canvas, unframed 22 1/16" x 36 1/8" actual

$700 - $900

Provenance: Private Collection York, Maine

LOT 172

NORIKO SAKANISHI (JAP. B. 1939)

Two Works

1] November Piece #3, 2001

Acrylic and graphite collage, framed under glass

Signed, dated and exhibition label verso

6" x 6" actual, 13 1/8" x 13 1/8" framed

2] November Piece #5, 2001

Acrylic and graphite collage, framed under glass

Signed, dated and exhibition label verso

6" x 6" actual, 13 1/8" x 13 1/8" framed

$500 - $700

Provenance: Private Collection York, Maine

LOT 173

GREG PARKER (AM. 21ST CENTURY)

Untitled Abstraction

Mixed media on wood construction, unframed

Signed and Skinner label verso

30" x 30" actual

$800 - $1,200

Provenance: Private Collection York, Maine

LOT 174

FRANK STELLA (AM. B. 1936)

Untitled (Rabat) from Ten Works by Ten Painters, 1964

Screenprint on Mohawk Superfine paper, unframed in portfolio

"FROM THE COLLECTION OF THE WADSWORTH ATHENEUMBY FRANK STELLA" inscribed in pencil verso

24" x 20" actual

$2,000 - $3,000

Provenance: Private Collection Ypsilanti, Michigan

Other Notes: This lot is accompanied by the original portfolio sleeve

LOT 175

SHEPARD FAIREY (AM. B. 1970)

Nouveau Long Play Silkscreen, framed under glass

Signed in pencil l.r., editioned "19/40" in pencil l.l. 42 1/4" x 42" actual, 58 5/8" x 51 1/2" framed

$1,000 - $1,500

Provenance: Private Collection York, Maine

LOT 176

WOLF KAHN (AM. 1927-2020)

Purple Barn

Pastel on paper, framed under glass

Signed l.l.

28 1/8" x 40 7/8" sight, 37 1/4" x 49 5/16" framed

$15,000 - $20,000

Provenance: Private Collection New York City

LOT 177

WOLF KAHN (AM. 1927-2020)

Exuberance

Pastel on paper, framed under glass

Signed l.l.

28 9/16" x 41 7/16" sight, 37 1/4" x 49 1/4" framed

$20,000 - $25,000

Provenance: Private Collection New York City

LOT 178

KATHERINE BRADFORD (AM. B. 1942)

"Lights" 1994

Oil on canvas, framed

Signed, titled and dated verso, Victoria Munroe Fine Art label on stretcher verso

16 1/8” x 21 15/16” actual, 16 3/4" x 22 1/2" framed

$7,000 - $9,000

Provenance: Private Collection Ypsilanti, Michigan

LOT 179

FRANCES KORNBLUTH (AM. 1920-2014)

"Grey Window/Grey Sun"

Watercolor and gouache on paper, framed under glass

Signed l.l., titled and artist's card verso 17 11/16" x 12 11/16" sight, 27" x 22" framed

$400 - $600

Provenance: Private Collection

LOT 181

KARL DRERUP (AM. 1904-2000)

Symbolic Painting

Enamel on copper, framed

Inscribed "Gift of Miriam + Charles Butts", "Enamel on Copper Feb '88

By Karl Drerup and John Sperling" and "JS 83" on collector's labels verso

3 3/8" x 3 5/16" sight, 6 3/4" x 6 3/4" framed

$300 - $500

Provenance: Private Collection Maine

LOT 180

FRANCES KORNBLUTH (AM. 1920-2014)

"Sunset Stage #1"

Gold leaf and tempera on paper, framed under glass

Signed l.l., titled and artist's cards verso

22 1/2" x 29 3/4" actual, 31 15/16" x 38 11/16" framed

$700 - $900

Provenance: Private Collection

Literature: Reproduced in Explorations: Frances Kornbluth by Maire McArdle, p. 14

LOT 182

MICHAEL LOEW (AM. 1907-1985)

Abstraction, 1973

Watercolor on paper, framed under glass

Signed and dated l.r.

22 1/8" x 29 1/8" sight, 24 7/8" x 32 3/8" framed

$600 - $800

Provenance: Private Collection Massachusetts

LOT 183

MODERN SCHOOL

Rhythm, 1924

Gouache on paper laid to board, framed

Signed "Robert Delaunay" and dated l.r., signed "Robert Delaunay" and dated verso

23 1/2" x 17 9/16" actual, 25" x 19" framed

$800 - $1,200

Provenance: Private Collection North Berwick, Maine

LOT 184

EMILY NELLIGAN (AM. 1924-2018)

"23 July '00"

Charcoal on paper, framed under glass

Signed l.r., titled verso

7 1/4" x 10 3/8" actual, 16 3/16" x 20 1/4" framed

$3,000 - $5,000

Provenance: Private Collection Fort Lauderdale, Florida

ARTIST CORNER

EMILY MUIR: A LIFE OF CREATIVITY AND CONSERVATION

( 1904 - 2003 )

Emily Lansingh Muir was born in Chicago in 1904, but grew up in New York where she attended Vassar College. She then attended The Art Students League of New York, where she studied with Richard Lahey and also met her future husband, the artist William Muir. Lahey would become a major influence on her art. Emily married Bill in 1928 and spent the depression as successful commercial artists designing dioramas for the Moore-McCormick steamship line.

Even with no formal architecture training her parents asked Emily to design them a home for their newly purchased property on Deer Isle, Maine. They fell in love with the area and would settle down in Stonington in 1939. She would go on to design over 40 cottages around Stonington and Crockett Cove. Her concern for the environment led to thoughtful designs that paid special attention to their surroundings and earned her an award from Design International and an honorary doctorate from the University of Maine in 1969. She would go on to donate nearly 100 acres of woods to the Nature Conservancy in 1975, now known as the Crockett Cove Woods Preserve.

After painting the official portrait of Senator Margaret Chase Smith, the Senator appointed her to serve on President Dwight D. Eisenhower’s U.S. Commission of Fine Arts in 1955, the first woman to be so honored. President Nixon would later appoint her to the advisory committee for the Kennedy Center for the Performing Arts.

Emily died in Stonington in 2003 at the age of 99. In addition to her many accomplishments, she published two books including her autobiography, “The Time of My Life”, in 2002. Muir’s paintings are in the collections of the Brooklyn Museum, the Portland Museum of Art, the University of Maine, and the Farnsworth Art Museum.

image source: https://courthousegallery.com/artist/emily-muir/#biography

LOT 185

EMILY MUIR (AM. 1904-2003)

Sketchbook

Charcoal, pencil and pastel on paper in bound sketchbook

Muir Studios stamp on each page

9 3/16" x 11 9/16" actual

$600 - $800

Provenance: From the Collection of Two Old Goats Antiques, Trenton, Maine

LOT 186

EMILY MUIR (AM. 1904-2003)

Carousel

Oil on canvas, framed

Signed l.l.

19" x 28" actual, 20 11/16" x 29 3/4" framed

$1,200 - $1,800

Provenance: Private Collection Cape Elizabeth, Maine

LOT 187

EMILY MUIR (AM. 1904-2003)

Fishermen

Oil on canvas, framed

Signed l.l. 22" x 27 7/8" actual, 27 1/16" x 33 1/16" framed

$2,000 - $3,000

Provenance: Private Collection Cape Elizabeth, Maine

LOT 187A

EMILY MUIR (AM. 1904-2003)

Goats Eating Hay

Oil on canvas, unframed

Signed l.l. 28" x 32 1/4" actual

$1,200 - $1,800

Provenance: Private Collection Maine

LOT 189

MORRIS SHULMAN (AM. 1912-1978)

Abstraction in Red, c. 1955

Oil on canvasboard, unframed

Signed l.r.

15 15/16" x 19 15/16" actual

$500 - $700

Provenance: Private Collection Lawrence, New York

LOT 188

MORRIS SHULMAN (AM. 1912-1978)

Colorful Abstraction, c. 1958

Casein on paper, framed under glass

Signed l.l.

15 1/2" x 22 1/2" actual, 24" x 31 1/8" framed

$600 - $800

Provenance: Private Collection Lawrence, New York

LOT 190

MORRIS SHULMAN (AM. 1912-1978)

Abstraction, c. 1958

Casein on board, framed

Signed l.r.

13" x 21 3/8" sight, 19 1/2" x 28" framed

$1,000 - $1,500

Provenance: Private Collection Lawrence, New York

LOT 191

MORRIS SHULMAN (AM. 1912-1978)

Abstraction, 1949

Casein on paper, framed under glass

Signed and dated l.r.

20 5/8" x 28 5/8" sight, 29 7/8" x 37 3/4" framed

$1,200 - $1,800

Provenance: Private Collection Lawrence, New York

LOT 192

MORRIS SHULMAN (AM. 1912-1978)

"Fallen Tree and Sea"

Casein and pastel on paper, framed under glass

Titled verso

20 1/4" x 27" actual, 24 5/8" x 30 9/16" framed

$800 - $1,200

Provenance: Private Collection Massachusetts

LOT 194

CADWALLADER LINCOLN WASHBURN (AM. 1866-1965)

Two Works

1] Desert Foliage

Oil on canvas, framed

Signed l.r., Barridoff Galleries label verso

15 1/2" x 19 9/16" sight, 18 3/4" x 22 3/4" framed

2] Desert Scene

Oil on canvas, framed

Barridoff Galleries label verso

15 1/2" x 19 9/16" sight, 18 3/4" x 22 3/4" framed

$1,200 - $1,800

Provenance: Barridoff Galleries June 22, 2019, lot 176 to Private Collection Rye Beach, New Hampshire

LOT 193

CARL SAMMONS (AM. 1883-1968)

Desert View

Oil on canvasboard, framed

Signed l.r.

11 5/8" x 15 1/2" sight, 13 3/4" x 17 3/4" framed

$600 - $800

Provenance: Private Collection Connecticut

LOT 195

ELIOT CLARK (AM. 1883-1980)

Autumn in the Foothills

Oil on linen, framed

Signed with monogram l.r., indistinct inscription verso

8 1/4" x 10 1/4" actual, 10 5/8" x 12 9/16" framed

$300 - $500

Provenance: Private Collection Wiscasset, Maine

LOT 196

JOHN JOSEPH ENNEKING (AM. 1841-1916)

"Autumn on a Branch of the Seine"

Oil on panel, framed

Initialed l.l., titled verso

6 7/16" x 9 1/4" actual, 11 13/16" x 14 13/16" framed

$2,000 - $4,000

Provenance: Private Collection Connecticut

LOT 197

RUSSELL SMITH (AM. 1812-1896)

Chocorua Peak, 1848

Oil on panel, framed

Informational notes attached and Barridoff Galleries label verso

7 15/16" x 12 1/8" sight, 11 11/16" x 15 15/16" framed

$2,000 - $3,000

Provenance: Barridoff Galleries May 11, 1985, lot 15 to Private Collection Brunswick, Maine

LOT 198

CARL SPRINCHORN (AM. 1887-1971)

Landscape

Watercolor, pencil and crayon on paper, framed under glass

Initialed l.r.

8 5/16" x 11 7/16" sight, 15 5/8" x 19 9/16" framed

$600 - $800

Provenance: Private Collection Wyckoff, New Jersey

LOT 199

FRANCIS ORVILLE LIBBY (AM. 1883-1961)

Mt. Mansfield, Evening Oil on canvas, framed

Signed l.r., Christopher Queen Galleries label verso

14" x 16 1/4" actual, 20 1/16" x 22 9/16" framed

$800 - $1,200

Provenance: Private Collection Massachusetts

LOT 200

JAMES FITZGERALD (AM. 1899-1971) Cutting Capers in Vermont, 1944-45

Watercolor and Chinese ink on paper, framed under glass Artist's stamp and E.F. Hubert Company Inc. label verso 19 1/4" x 24" sight, 27 1/4" x 32" framed

$3,000 - $5,000

Provenance: Private Collection Cape Elizabeth, Maine

Exhibited: Robert C. Vose Galleries 1945; Fitchburg Art Center 1948; Dartmouth Hood Museum; 1974

Literature: James Fitzgerald: The Watercolors, Robert L. Stahl, Page 220, illustrated in color

Other Notes: This piece is listed in the James Fitzgerald Legacy Catalogue Raisonne #792

LOT 201

JOHN FELSING (AM. B. 1954)

Two Works

1] Bull Moose in Water

Pen and ink on paper, framed under glass

Signed l.r.

16 1/4" x 20 9/16" actual, 17 9/16" x 23 5/16" framed

2] Bull and Cow Moose Oil on canvas, framed

Signed l.r.

11 7/8" x 16" actual, 17" x 21 1/8" framed

$600 - $800

Provenance: From the Artist to Private Collection Maine

LOT 203

JOHN FELSING (AM. B. 1954) Puffins, 1982

Watercolor on paper, framed under glass

Signed and dated l.r.

20 1/2" x 26" sight, 29 9/16" x 34 1/2" framed

$800 - $1,200

Provenance: From the Artist to Private Collection Maine

LOT 202

JOHN FELSING (AM. B. 1954)

Bull Moose with Orange Sky Oil on canvas, framed

Signed l.r.

20" x 16" actual, 27 1/8" x 23 1/16" framed

$1,000 - $1,500

Provenance: From the Artist to Private Collection Maine

LOT 204

JOHN FELSING (AM. B. 1954) Puffins, 1984

Oil on canvas, framed

Signed and dated l.l.

19 1/2" x 15 1/2" sight, 24 7/16" x 20 3/8" framed

$1,000 - $1,500

Provenance: From the Artist to Private Collection Maine

LOT 205

ARTHUR DIMAMBRO (AM. 1928-2016)

Great Bay Smelts, 2003

Acrylic on panel, framed

Initialed l.r., exhibition label verso

21 3/4" x 24" actual, 22 13/16" x 25 1/16" framed

$1,200 - $1,800

Provenance: Private Collection New Hampshire

LOT 206

ARTHUR DIMAMBRO (AM. 1928-2016)

Off Fox Point #7

Acrylic on panel, framed

Initialed l.r., titled verso

12 1/2" x 19 1/4" sight, 16 1/2" x 23 1/4" framed

$800 - $1,200

Provenance: Private Collection New Hampshire

LOT 207

ARTHUR DIMAMBRO (AM. 1928-2016)

"Salmon Penobscot River" 1984

Oil on canvas, framed

Initialed l.r., initialed, titled and dated verso

24 1/16" x 27 7/8" actual, 25 5/16" x 29 1/8" framed

$1,200 - $1,800

Provenance: Private Collection New Hampshire

LOT 208

ARTHUR DIMAMBRO (AM. 1928-2016)

River Rapids, 2013

Acrylic on panel, framed

Initialed and dated l.r.

24" x 31" actual, 25 1/4" x 33 1/4" framed

$800 - $1,200

Provenance: Private Collection New Hampshire

LOT 209

DAVID VON SCHLEGELL (AM. 1920-1992)

"Hillside in Autumn" 1953

Oil on masonite, framed

Signed and dated l.r., signed, titled and Barridoff Galleries tag attached verso

27" x 34" actual, 36 5/8" x 43 5/8" framed

$2,000 - $3,000

Provenance: Barridoff Auctions August 15, 2020, lot 96 to Private Collection Lititz, Pennsylvania

LOT 210

MARGUERITE ROBICHAUX (AM. B. 1950)

"Over Yonder" 2004

Oil on linen, framed

Signed, titled, dated and Élan Fine Arts label on stretcher verso 56" x 56" actual, 57 3/16" x 57 3/16" framed

$2,000 - $3,000

Provenance: Private Collection Kennebunk, Maine

LOT 211

MARION HUSE (AM. 1896-1967)

Sunset Landscape

Oil on canvas, framed

Signed l.l., Barridoff Galleries tag attached verso 22 1/8" x 27 7/8" actual, 26 1/4" x 32" framed

$800 - $1,200

Provenance: Barridoff Auctions August 15, 2020, lot 65 to Private Collection Lititz, Pennsylvania

LOT 212

HENRY KALLEM (AM. 1912-1985)

Seagulls

Acrylic on panel, framed

Signed l.r. 19 3/16" x 25 3/8" actual, 23 5/8" x 29 9/16" framed

$600 - $900

Provenance: Private Collection Cape Elizabeth, Maine

LOT 213

CHRIS HUNTINGTON (AM. B. 1938)

"Birches" West Bethel, Maine, 1991

Oil on linen, framed

Signed l.l., signed, titled, dated and biographical information attached verso

16" x 20 1/8" actual, 23 3/4" x 27 3/4" framed

$800 - $1,200

Provenance: Private Collection Cumberland Foreside, Maine

LOT 214

CLAUDE MONTGOMERY (AM. 1912-1990)

Country Road

Oil on canvas, framed

Signed l.l.

32" x 41" actual, 34 13/16" x 43 7/8" framed

$800 - $1,200

Provenance: From the Artist to Private Collection North Yarmouth, Maine by descent

LOT 215

FRANK HOWARD KIDDER (AM. B. 1886)

Harbor Hill

Oil on canvas, framed

Signed l.l., exhibition label verso 15 5/8" x 19 1/2" sight, 23 7/8" x 27 13/16" framed

$600 - $800

Provenance: Private Collection Maine

LOT 216

PAUL SAMPLE (AM. 1896-1974)

"Manuring the Field"

Watercolor on paper, framed under glass

Signed l.l., biographical information, newspaper obituary and letter from the Artist attached verso 10 11/16" x 14 1/2" sight, 17 1/2" x 21 9/16" framed

$1,000 - $1,500

Provenance: Private Collection Maine

LOT 217

STUART SHILS (AM. B. 1954)

Country Road, 1989

Oil on panel, framed

Signed and dated l.l.

6 9/16" x 10 3/8" actual, 9 1/2" x 13 3/8" framed

$800 - $1,200

Provenance: Private Collection Massachusetts

LOT 218

CHARLES REID (AM. 1937-2019)

Breakfast Bacaro

Oil on panel, framed

Signed l.r.

18" x 22" actual, 25" x 29" framed

$600 - $800

Provenance: Private Collection Lakewood Ranch, Florida

LOT 219

FRÉDÉRIC BRULY BOUABRÉ (IVORIAN 1923-2014)

Collection of 33 Drawings

Colored pencil and ink on card

Each drawing: Signed and dated verso, inscription along outer edges

Each drawing: Approximately 7" x 4 1/2" actual

$3,000 - $5,000

Provenance: From the Artist to Private Collection Abidjan, Côte d'Ivoire

Bouabré’s work depicts scenes and symbols of the daily life, folklore, mythology, and spirituality of the Bété people. The Bété are a group that comprise 93 subgroups throughout Côte d’Ivoire. Each card in this lot is bordered by text describing the scene within. Transcriptions of the text with English translations are available in our online catalog.

LOT 220

EDMOND MARIE PETITJEAN (FR. 1844-1925)

Hillside Village

Oil on board, framed Exhibition label verso

9 5/8" x 14 7/8" actual, 13 5/8" x 18 7/8" framed

$1,000 - $1,500

Provenance: Private Collection California

LOT 221

ATTR. TO ANTOINE BLANCHARD (FR. 1910-1988)

Steeple

Oil on canvas, framed Erroneously signed l.r.

20 1/8" x 24 3/16" actual, 22 15/16" x 26 15/16" framed

$800 - $1,200

Provenance: Private Collection Concord, Massachusetts

LOT 222

ATTR. TO ANTOINE BLANCHARD (FR. 1910-1988)

Arc de Triomphe

Oil on canvas, framed Erroneously signed l.r.

20" x 24" actual, 24 1/4" x 28 1/4" framed

$800 - $1,200

Provenance: Private Collection Concord, Massachusetts

LOT 223

ANTOINE BLANCHARD (FR. 1910-1988)

"Place du Tertre, Montmartre" 1900

Oil on canvas, framed

Signed l.l., signed, titled, dated and artist's stamp verso, Burlington Paintings label stretcher verso

18" x 21 1/2" actual, 24 1/2" x 28" framed

$2,000 - $3,000

Provenance: Private Collection Concord, Massachusetts

LOT 224

ANTOINE BLANCHARD (FR. 1910-1988)

"Notre Dame, Place St. Michel"

Oil on canvas, framed

Signed l.r., signed and titled verso, Burlington Paintings label stretcher verso

18" x 21 1/2" actual, 24 1/2" x 28" framed

$4,000 - $6,000

Provenance: Private Collection Concord, Massachusetts

LOT 225

ANTOINE BLANCHARD (FR. 1910-1988)

Madeleine, Rue Royale

Oil on canvas, framed

Signed l.r., Burlington Paintings label verso

13 1/8" x 18" actual, 18 3/4" x 23 7/8" framed

$3,000 - $5,000

Provenance: Private Collection Concord, Massachusetts

LOT 226

CARL WALTERS (AM. 1883-1955)

Hippopotamus, 1938

Ceramic

Signature, date and monogram incised on underside

Approx. 5" x 3" x 11 1/4" actual

$2,000 - $3,000

Provenance: Private Collection Maine

LOT 227

UTAGAWA HIROSHIGE (JAP. 1797-1858)

Shikishiban Surimono

Woodblock print, framed under glass

Exhibition label verso 7 11/16" x 7 3/16" sight, 14 7/16" x 13 7/8" framed

$1,500 - $2,500

Provenance: Private Collection Harrison, Maine

LOT 229

GREGORY WELCH (AM. 20TH/21ST CENTURY)

"Winter Mountains"

Oil on canvas, framed

Signed l.r., exhibition label verso, signed and dated on stretcher verso

39 15/16" x 30 1/16" actual, 41" x 31" framed

$800 - $1,200

Provenance: Private Collection South Portland, Maine

LOT 228

CHRISTOPHER THOMPSON (BR. B. 1969)

"Towards the Night"

Oil on linen, framed

Initialed l.r., signed, titled and Eleanor Ettinger label on stretcher verso

48" x 36" actual, 56 1/16" x 44 1/16" framed

$1,500 - $2,500

Provenance: Private Collection Westbrook, Maine

LOT 230

GREGORY WELCH (AM. 20TH/21ST CENTURY)

Dirigible in Purple Sky

Acrylic collage on panel, unframed

Signed verso

35 7/8" x 23 7/8" actual

$700 - $900

Provenance: Private Collection South Portland, Maine

LOT 231

J.H. GALLAGHER (AM. 20TH CENTURY)

Weeping Christ

Pencil on paper, framed under glass

Signed verso

24 5/8" x 16 1/2" sight, 36 5/16" x 28 5/16" framed

$300 - $500

Provenance: Private Collection Cape Elizabeth, Maine

LOT 232

Central

$1,000 - $1,500

Provenance: Private Collection Maine

TOM CRAIG (AM. 1909-1969)

Park, New York Watercolor

"For Alan Chidsey from Tom Craig" inscribed l.r. 10 11/16" x 14 1/2" sight, 17 5/8" x 21 5/8" framed

LOT 233

PAUL BRANSOM (AM. 1885-1979)

Battle on the Ledge

Watercolor and charcoal on paper, framed under glass

Signed l.r.

8" x 11 7/8" sight, 14 13/16" x 18 13/16" framed

$300 - $500

Provenance: Private Collection Wiscasset, Maine

LOT 234

DON STONE (AM. 1929-2015)

"Chopping Wood" 1962

Watercolor on paper, framed under glass

Signed and dated l.l., titled and artist's stamp verso 14 1/8" x 20" actual, 22 9/16" x 28 1/2" framed

$400 - $600

Provenance: From the Artist to Private Collection Falmouth, Maine

LOT 235

SABRA FIELD (AM. B. 1935)

"Church Interior, East Barnard"

Woodcut, framed under glass

Signed in pencil l.r., titled in pencil l.l., editioned "26/100" in pencil l.c. 16 1/8" x 25 7/8" sight, 24 3/8" x 33 13/16" framed

$800 - $1,200

Provenance: Private Collection Ypsilanti, Michigan

LOT 236

CHARLES MARTIN (AM. 1910-1995)

Laundry Line

Gouache on paper, framed under glass

Signed l.l.

13 1/2" x 9" sight, 20 1/8" x 15 5/8" framed

$800 - $1,200

Provenance: Private Collection Cumberland Foreside, Maine

LOT 237

AFTER EDWARD HOPPER (AM. 1882-1967)

Early Sunday Morning Oil on panel, framed 9 5/8" x 22" actual, 16 5/8" x 29 1/4" framed

$800 - $1,200

Provenance: Private Collection California

LOT 238

ROBERT SOLOTAIRE (AM. 1930-2008)

Chinatown, Boston Montage, 1988

Oil on canvas, framed

Signed and dated l.r., Gleason Fine Arts label and Barridoff Galleries label verso

16" x 40" actual, 17" x 41 1/4" framed

$1,200 - $1,800

Provenance: Private Collection Brooklyn, New York

LOT 239

ROBERT SOLOTAIRE (AM. 1930-2008)

Stone Quarry

Oil on canvas laid to panel, framed 30 1/8" x 60 1/8" actual, 31 1/4" x 62 1/8" framed

$1,200 - $1,800

Provenance: Private Collection Brooklyn, New York

LOT 240

JOHN O'NEILL (AM. 20TH CENTURY)

Still Life with Magnolia Tree Oil on paper laid to board, framed

Signed l.r. 40" x 30" actual, 40 7/8" x 31 1/8" framed

$300 - $500

Provenance: Barridoff Galleries October 19, 2019, lot 209 to Private Collection Vermont

LOT 241

CONNIE HAYES (AM. 20TH/21ST CENTURY)

Red Truck, Chebeague Island, Maine

Oil on canvas, framed

Signed l.l.

15 15/16" x 16" actual, 16 3/4" x 16 13/16" framed

$2,000 - $3,000

Provenance: Private Collection Fort Lauderdale, Florida

LOT 242

ERIK KOEPPEL (AM. B. 1980)

"Autumn Storm in Pinkham Notch" 2016

Oil on panel, framed

Signed l.r., signed, titled, dated and artist's label verso, titled and NH

Antique Co-op label on frame verso 18" x 14" actual, 26 3/16" x 22 1/8" framed

$1,200 - $1,800

Provenance: Private Collection Bedford, Hew Hampshire

LOT 243

JOHN WILLIAMSON (AM. 1826-1885)

View of Mt. Washington c. 1870

Oil on canvas, framed

"Lancaster, N. Hamp. J.W." Inscribed verso

16 1/16" x 27 1/8" actual, 22 7/8" x 33 7/8" framed

$3,000 - $5,000

Provenance: Private Collection Bedford, Hew Hampshire

LOT 244

BENJAMIN CHAMPNEY (AM. 1817-1907)

Mount Washington Valley

Oil on canvas, framed

Signed l.r., Museum of New Hampshire History

exhibition label backing verso

9 3/4" x 15 1/2" actual, 14 15/16" x 20 5/8" framed

$2,000 - $3,000

Provenance: Private Collection Bedford, Hew Hampshire

Exhibited: "Beauty Caught and Kept: Benjamin Champney in the White Mountains" Museum of New Hampshire History, March 1, 1997 - January 4, 1998

LOT 246

JOHN WHITE ALLEN SCOTT (AM. 1815-1907)

New England Valley

Oil on canvas, framed

Vose Gallery label verso

38 3/8" x 50 1/8" actual, 49 1/8" x 61 1/4" framed

$2,000 - $3,000

Provenance: Private Collection Bedford, Hew Hampshire

LOT 245

WILLIAM BOARDMAN (AM. 1815-1895)

Mt. Chocorua

Oil on canvas, framed

NH Antique Co-op label verso

20 1/16" x 16" actual, 23 5/8" x 19 9/16" framed

$1,000 - $1,500

Provenance: Private Collection Bedford, Hew Hampshire

LOT 247

FRANK HENRY SHAPLEIGH (AM. 1842-1906)

"Mt. Washington and Ellis River, Jackson N.H." 1886

Oil on canvas, framed

Signed and dated l.r., signed, titled and informational sheet attached verso, Grogan label frame verso

14 1/16" x 23 3/4" actual, 20 1/4" x 28 1/8" framed

$3,000 - $5,000

Provenance: Private Collection Bedford, Hew Hampshire

LOT 248

JOHN KNOX (BR. 1778-1845)

Shepherdess

Oil on canvas, framed

Signed l.l.

20 1/8" x 16 5/8" actual, 27 11/16" x 23 7/8" framed

$3,000 - $5,000

Provenance: Private Collection New Hampshir

LOT 249

SAMUEL LANCASTER GERRY (AM. 1813-1891)

Cows Wading in a Stream, 1857

Oil on canvas, framed

Signed and dated l.r.

26" x 36" actual, 33 3/4" x 43 11/16" framed

$2,000 - $3,000

Provenance: Private Collection Bedford, Hew Hampshire

LOT 250

SAMUEL COLMAN (AM. 1832-1920)

Cows at Pasture by the Water Oil on canvas, framed

Estate stamp l.l., Barridoff Galleries labels and tag verso, "Study of Cows (?)" inscribed on stretcher verso

8 7/8" x 16" actual, 14 1/8" x 21 1/8" framed

$2,000 - $3,000

Provenance: Private Collection Bedford, Hew Hampshire

LOT 252

ABRAHAM RATTNER (AM. 1893-1978)

Mother and Baby Acrylic on masonite, framed

Signed l.r., signed verso

23 3/8" x 17 7/8" actual, 33" x 27" framed

$800 - $1,200

Provenance: Private Collection Portsmouth, New Hampshire

LOT 253

STEPHEN SCOTT YOUNG (AM. B. 1957)

Sunday on the Corner

Watercolor on paper, framed under glass

Signed l.l., John H. Surovek label and Norton Gallery label verso 15 3/4" x 28 1/2" sight, 28 7/8" x 41 1/2" framed

$12,000 - $18,000

Provenance: Barridoff Galleries October 24, 2012, lot 68 to Private Collection Vermont

LOT 254

CARROLL THAYER BERRY (AM. 1886-1978)

"Bay Islands, Maine Coast"

Woodblock print, framed under glass

Signed in pen l.r., titled in pen and signed in plate l.l.

11 1/4" x 13" sight, 18" x 19 1/4" framed

$300 - $500

Provenance: Private Collection Fort Lauderdale, Florida

LOT 255

ERIC SLOANE (AM. 1905-1985)

Skiers in the White Mountains

Oil on canvas, framed

Signed l.l.

33 1/16" x 45" actual, 34 3/4" x 46 3/4" framed

$6,000 - $8,000

Provenance: Private Collection Dunbarton, New Hampshire

LOT 256

FREDERICK WAUGH (AM. 1861-1940)

Crashing Wave

Oil on canvas, framed

Signed l.r.

25 1/8" x 30" actual, 30 1/4" x 35 1/4" framed

$5,000 - $7,000

Provenance: Private Collection New York City, New York

LOT 258

KURT SELIGMANN (SWISS/AM. 1900-1962)

Smoky Mountains

Watercolor on board, framed

Signed l.r.

6 9/16" x 11 1/8" actual, 7 1/4" x 11 3/4" framed

$2,000 - $3,000

Provenance: Private Collection Portsmouth, New Hampshire

LOT 257

WOOD GAYLOR (AM. 1884-1957)

At the Beach, 1917

Watercolor and ink on paperboard, framed under glass

Signed and dated l.r.

10 5/8" x 14 1/2" sight, 16 9/16" x 21" framed

$500 - $700

Provenance: Tom Veilleux Gallery to Private Collection Vermont

LOT 259

ETIENNE ADOLPH PIOT (FR. 1831-1910)

Girl with Roses

Oil on canvas, framed

Signed l.l.

29 9/16" x 23 3/8" actual, 38 5/16" x 32 3/8" framed

$3,000 - $5,000

Provenance: Private Collection Dunbarton, New Hampshire

LOT 260

DALE CHIHULY (AM. B. 1941)

Free Float

Lithograph with hand work, framed under glass

Signed in plate l.c., editioned "80/175" in pencil l.r., print documentation attached verso

37" x 25" actual, 41 9/16" x 29 9/16" framed

$1,000 - $1,500

Provenance: Private Collection South Freeport, Maine

LOT 261

AMOS FERGUSON (BAHAMIAN 1920-2009)

Woman with Fruit Bowl

Enamel on paper laid to board, framed 18 1/2" x 23 13/16" actual

$3,000 - $5,000

Provenance: Property of the Vanguard Museum Collection, Bahamas

LOT 262

OSBERT LANCASTER (BR. 1908-1986)

Four Dresses, 1952

Gouache and pencil on paper, framed under glass

Signed l.r., Wright Hepburn Gallery label verso

10 3/4" x 15" sight, 15 1/2" x 19 1/2" framed

$500 - $700

Provenance: Private Collection Portsmouth, New Hampshire

LOT 263

MARTHA GROOME (AM. 20TH/21ST CENTURY)

It Was A Book Of Songs

Oil on canvas, framed

Signed verso

24 1/8" 24 1/8" actual, 24 13/16" x 24 13/16" framed

$1,000 - $1,500

Provenance: Estate of the Artist

LOT 264

ERIC HOPKINS (AM. B. 1951)

"Fish #2" 2006

Hand painted print, framed under glass

Signed and dated in pencil l.r, titled in pencil l.l., editioned "5/20" in pencil l.c.

22" x 27" sight, 29 1/2" x 34 1/4" framed

$800 - $1,200

Provenance: Private Collection Edgecomb, Maine

LOT 265

ERIC HOPKINS (AM. B. 1951)

"Gray Clouds, Pink Sky" 1991

Watercolor on paper, framed under glass

Signed l.r., titled l.l., dated l.c. 5 9/16" x 8 1/8" sight, 10 1/4" x 10 1/4" framed

$800 - $1,200

Provenance: Private Collection Maine

NOTES