Depuis l'Ambiguïté en Architecture by Bérénice Curt & Clément Lesnoff-Rocard

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d e P u i s l’ambiguïté en architecture “It is not possible to live in this age if

“I like complexity and contradiction in architecture… I like elements

you don’t have a sense of many contradictory

which are hybrid rather than “pure,” compromising rather than

forces. Each building has to be beautiful, but

“clean,” ambiguous rather than “articulated,” perverse as well as

cheap and fast, but it lasts forever. That is

impersonal, boring as well as “interesting,” conventional rather than

already

“designed,” accommodating rather than excluding… I am for messy

an

contradictory

incredible demands.

battery So

yes,

of

seemingly

I’m

definitely

perhaps contradictory person, but I operate in

D

e P u i s

l’ambiguïté en architecture

very contradictory times.”

Rem Koolhaas, The archiTecT planning for The fuTure, CNN WoRld, PéKiN, ChiNe,2009

vitality over obvious unity… I am for richness of meaning rather than clarity of meaning… I prefer “both-and” to “either-or,” black and white and sometimes gray, to black or white.”

RobeRt VentuRi, Complexity and ContradiCtion in arChiteCture, MoMa, new YoRk, uSa, 1966

Bérénice Curt Clément séminaire de Jacques Lucan

E.A.V.T M.L.V M.2

Lesnoff

assistant Benjamin Persitz

Paris, T&P hiver 2012

Rocard

Bérénice Curt

Clément Lesnoff-Rocard


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