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THANK YOU TO OUR SPONSORS!
Greens T E A M
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BFDG PRODUCTION DESIGN AWARDS 2020
BFDG PRODUCTION DESIGN AWARDS 2020 THE NOMINATIONS 12 THE PETER LAMONT AWARD SPOTLIGHTING NEW TALENT 17 COMMERCIAL 18 SHORT FILM 19 LIGHT ENTERTAINMENT TV PROGRAMME 22 INDEPENDENT TV DRAMA INCLUDING MINI SERIES, TV MOVIE OR LIMITED SERIES 23 INTERNATIONAL TV DRAMA INCLUDING MINI SERIES, TV MOVIE OR LIMITED SERIES 24 INDEPENDENT FEATURE FILM — PERIOD 25 INDEPENDENT FEATURE FILM — CONTEMPORARY 28 INTERNATIONAL STUDIO FEATURE FILM — PERIOD 29 INTERNATIONAL STUDIO FEATURE FILM — FANTASY 32 OUTSTANDING CONTRIBUTION TO THE ART DEPARTMENT 33 LIFETIME ACHIEVEMENT THE NOMINATIONS
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WELCOME BFDG PRODUCTION DESIGN AWARDS Who could have known, while we sat In our finery at the Sheraton, what the year ahead had in store… It has been a difficult time for us all. Uncertainty has engulfed our industry, with travel plans thwarted, productions halted, and waves of creatives confined to their attics and offices. We wondered if things could ever be the same again. And yet, true to form, we showed that our resistance knows no bounds. Art departments across the country are dealing with each Covidinduced hurdle with the ease and grace of a ballerina – armed of course, with our sharpies in hand. The Guild, despite the circumstances, has continued to thrive, with a plethora of online events including our design forums and portfolio surgeries. We have also furthered our reach with our induction of student memberships and heightened our focus on inclusivity by working with a range of amazing organisations such as the Creative Access project. We want to thank you for your engagement and support throughout these extraordinary times. I am incredibly proud to know that our members persist with their efforts to instil and uphold the incredible standards the art department has always represented. 2021 has also brought an enriched awards programme with the arrival of three new award categories: Commercial, Short Film and Outstanding Contribution. Celebrating design in all its forms, our awards recognise the skill of communicating a story in 30 seconds (Commercial), celebrating those working with restricted budgets or potentially at the beginnings of their careers (Short Film) and shines a light on the importance of peer recognition for their overall contribution to the Art Department process (Outstanding Contribution). This year’s awards have of course faced challenges, but our management team and events committee have taken these obstacles in their stride. Tonight, they bring you, what I know, will be an entertaining evening, full of exciting surprises and more ‘winkwink-nudge-nudges’ than you can shake a colour chart at. I’d especially like to thank Mads, Ali and the rest of the committee, as well as Mike Battle, Mark Farley, and our generous sponsors, for helping us create a ceremony for the history books! I wish you all a wonderful evening and every success for the coming year.
Sonja Klaus BFDG Chairperson 08
BFDG PRODUCTION DESIGN AWARDS 2020
Greens T E A M “We love what we do and strive to produce the best and most natural looking film sets anywhere in the world”
Whether you need an elaborate swamp, a well-maintained garden, a weed-ridden village or anything else, Greens Team take outdoor areas and turn them into glorious, visually impressive spaces.
greens-team.com — jon@greens-team.com — peter@greens-team.com — justin@greens-team.com Jon Marson 07929 155237 — Peter Hooper 07768 254284 — Justin Richards 07725 161420 SECTION TITLE HERE
Based at Pinewood Studios
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SPONSORS CREDITS & ACKNOWLEDGEMENTS The BFDG would like to thank all of our sponsors this evening. Without their help and support our Production Design Awards 2020 would not have been possible.
Thank you to all of our Headline Sponsors BGI Supplies for your support as well as producing our wonderful awards again this year; Compuhire for generously producing all the on screen data and visuals and providing technical expertise and financial support; Data Repro for your generosity and providing props for our virtual awards filming plus print for our actual event.
Greens T E A M
A huge thaks to all of our Major Sponsors Palmbrokers, UP, Greens Team, Pinewood, Stockyard, TLO, Vectorworks and Warner Bros. for your substantial and generous on-going support.
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BFDG PRODUCTION DESIGN AWARDS 2020
Thank you to all of our Associate Sponsors With SPECIAL MENTION to Farley – Mark and the team at Farley are always generous but this year, they kindly gave the BFDG awards team free rein to “run amok” over many hours on a cold Saturday in March, to use their warehouse to film this virtual awards show in – thank you so, so much... KAYS, thank you so much and for your marketing support and ongoing financial helpv; Eccentric Trading Company and Superhire; ASAP, Classic Prop Hire and Seasons Textiles for your wonderful financial support. And ASL for their generous and ongoing loan of printing machines.
Thank you to all our Business Sponsors For their wonderful financial support, without your help, tonight’s event would not have been possible. We thank you most sincerely!
CREDITS & ACKNOWLEDGEMENTS
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THE PETER LAMONT SPOTLIGHTING NEW TALENT AWARD
This award’s intention is to highlight the future stars of the next generation of filmmakers it has been renamed in honour of Production Designer and BFDG member Peter Lamont, who sadly passed away in December 2020. Peter was always keen to help and support young talent in the Art Department and as this award’s intention is to highlight the future stars of the next generation of filmmakers the BFDG thought it would be a fitting tribute to dedicate this award to him.
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BFDG PRODUCTION DESIGN AWARDS 2020
DAISY BRADLEY SPOTLIGHTING NEW TALENT 2020 I think film remains a medium dedicated to human narrative, although it can be fantastical or epic there must always be a sensitive quality to the work that allows it to resonate. I feel proud to be part of an industry that is dedicated to keeping storytelling an imperative and important part of our culture. I have a very tangible approach to working, I love being the person on the ground who is running around and I especially love trying to hunt down an item at a market or antique store, I think this has served me quite well when I comes to an eye for detail. My growing list of weird and wonderful contacts, as well as my growing list of weird and wonderful colleagues, continue to broaden my view on the world, from art to architecture, to the domestic and the historical. Learning how to research through varied sources and weaving together these fragments of ideas has become something I love. I would like to continue to learn more about what it takes to make a technical and creatively competent set, I think there is a certain playfulness and assurance that comes with time that I hope to achieve working in this field, with the end results being credible, sensitive and artistic.
THE NEVERS Tina Jones — Set Decorator
Daisy Bradley — Petty Cash Buyer Smalls & Furniture Before (Left) & After (Right).
Dressing a Set Shop Window (Left), Dressed Hardware Store (Middle) & Grocery Store (Right).
SPOTLIGHTING NEW TALENT 2020
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EMMA FORD SPOTLIGHTING NEW TALENT 2020 In a small village in Bradford West Yorkshire, I was asked what I saw myself doing in the future. Working in a creative industry wasn’t considered a real job where I was from, but I was fascinated by film and decided going to college to study art & design was a step in the right direction! Fast forward to Film School I specialised in Production Design and wrote essays on filmmakers, I could never dream I would one day work with. After lots of pestering and being tireless to learn on placements and courses, I have been fortunate enough to work on some beautiful TV dramas, commercials, and short films, but it was “Tom & Jerry” where Set Decorating became the department for me. I love how Set Dec presents unique backdrops that are challenging and daring. It demands attention to detail, imagination, vision, historical context, and reason while working in harmony as a team in a pressured environment. It brings stories to life and turns magic and fantasy into reality with props, fabrics, colours patterns and textures. It has everything I like and more! I’m incredibly lucky to be working with the most prestigious and renowned HOD’s and Art Departments that I learn from every day, and my 10-year-old self’s Harry Potter dreams were made working on Fantastic Beasts! Sometimes I can’t believe this is my job! Years from now I’d like to be a HOD, making creative decisions and to work more integrally with other departments. I’m also very passionate about improving and challenging the holistic side of the industry that involves changing certain cultures around employees’ well-being and making a more balanced working environment.
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BFDG PRODUCTION DESIGN AWARDS 2020
LIBBY HOGGARD SPOTLIGHTING NEW TALENT 2020 During a career talk with a tutor at college, the Design for Film and TV course at NTU was suggested to me. It wasn’t until I walked into their design studio at an open day that I not only realised what I wanted to do, but I also found a place that I felt my creativity belonged. Life from then seems a bit of a whirlwind; I have learnt so much and loved every minute. From my first television job at Eastenders as the Art Department Archivist to my current role as Graphic Designer on Midsomer Murders, I have met a myriad of wonderful people who have been incredibly keen to share their knowledge and so encouraging of the development of my skills and designs. It was on my second job, The Capture, that I discovered my love for graphics. From the moment I read a script and begin to imagine the variety of things I will get to design, to researching existing graphics and how they are made, to learning new skills that allow me to produce convincing designs and finally, seeing the finished product set, I feel an ever-expanding enthusiasm to push myself, my work and my creativity that I didn’t think was possible from a job. I love what I do, not just because of the people I work with and the variety it brings to each day, but also because it allows me to constantly develop my skills and challenge myself. I hope the future brings more work with encouraging teams of creatives who help nurture my creativity and expand my world.
THE CAPTURE AutoCad Model of Police Badge. Designed by Caroline Sandford-Muir (Left) Bus Depot Software (Right)
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C E L E B R AT I N G Y O U A N D A L L T H O S E W H O H AV E K E P T O U R INDUSTRY GOING THROUGHOUT THIS CHALLENGING TIME P R O U D TTO O S U P P O RT RT THE BRITISH FILM DESIGNERS G U I L D AWA R D S 2 0 2210
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BFDG PRODUCTION DESIGN AWARDS 2020
BEST PRODUCTION DESIGN COMMERCIAL AMAZON ALEXA IRONING
PRODUCTION DESIGNER DAVID LEE ART DIRECTOR TOMAS HOMOLKA STYLIST LEOS FRIDRICH
AMAZON ALEXA OPERA DIVA
PRODUCTION DESIGNER DAVID LEE ART DIRECTOR TOMAS HOMOLKA STYLIST LEOS FRIDRICH
ARGOS CHRISTMAS PRODUCTION DESIGNER ADVERT DAVID LEE ART DIRECTOR GRANT BAILEY STYLIST POPPY LUARD
THE NOMINEES
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BEST PRODUCTION DESIGN SHORT FILM AFFECTION
PRODUCTION DESIGNER MAY DAVIES
DAD WAS
PRODUCTION DESIGNER LILI LEA ABRAHAM SUPERVISING ART DIRECTOR CHARMAINE GILBERT
EXPENSIVE SHIT
PRODUCTION DESIGNER JAMIE LAPSLEY ART DIRECTOR GORDON ROGERS SET DECORATOR IMOGEN TONER
LOLA
PRODUCTION DESIGNER MAY DAVIES
THE CAMERA IS BROKEN
PRODUCTION DESIGNER OLAVO ABRANTES
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BFDG PRODUCTION DESIGN AWARDS 2020
BEST PRODUCTION DESIGN LIGHT ENTERTAINMENT TV PROGRAMME AFTERLIFE SERIES 02
PRODUCTION DESIGNER RICHARD DREW ART DIRECTOR JO WHITE SET DECORATOR JANE DUNDAS
RED DWARF: THE PROMISED LAND
PRODUCTION DESIGNER DOMINC ROBERTS ART DIRECTOR GREG HEWITT SET DECORATOR ELIZABETH SLATER
SEX EDUCATION SERIES 02
PRODUCTION DESIGNER SAMANTHA HARLEY SUPERVISING ART DIRECTOR SAMANTHA JAY CLIFF SET DECORATOR MIRI KATZ ALEXANDRA SLADE
THE NOMINEES
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BUILT BY FILMMAKERS FOR FILMMAKERS BFDG PRODUCTION DESIGN AWARDS 2020
THE NOMINEES
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BEST PRODUCTION DESIGN INDEPENDENT TV DRAMA INCLUDING MINI SERIES, TV MOVIE OR LIMITED SERIES A CHRISTMAS CAROL
PRODUCTION DESIGNER SONJA KLAUS SUPERVISING ART DIRECTOR NICK DENT SET DECORATOR MIKE BRITTON
AGATHA AND THE CURSE OF ISHTAR
PRODUCTION DESIGNER PAUL BOOTH ART DIRECTOR NICK CHAPMAN SET DECORATOR CHRIS CUNNINGHAM
DRACULA
PRODUCTION DESIGNER ARWEL W JONES SUPERVISING ART DIRECTOR HARRY TROW SET DECORATOR HANNAH NICHOLSON
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BFDG PRODUCTION DESIGN AWARDS 2020
BEST PRODUCTION DESIGN INTERNATIONAL TV DRAMA INCLUDING MINI SERIES, TV MOVIE OR LIMITED SERIES AVENUE 5
PRODUCTION DESIGNER SIMON BOWLES SUPERVISING ART DIRECTOR STUART KEARNS SET DECORATOR LIZ GRIFFITHS
BLACK NARCISSUS
PRODUCTION DESIGNER KAVE QUINN SUPERVISING ART DIRECTOR ANDREA MATHESON SET DECORATOR STELLA FOX
BRIDGERTON
PRODUCTION DESIGNER WILL HUGHES-JONES SUPERVISING ART DIRECTOR DOMINIC DEVINE SET DECORATOR GINA CROMWELL
THE NOMINEES
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BEST PRODUCTION DESIGN INDEPENDENT FEATURE FILM PERIOD AMMONITE
PRODUCTION DESIGNER SARAH FINLAY SUPERVISING ART DIRECTOR RICHARD FIELD SET DECORATOR SOPHIE HERVIEU
EMMA
PRODUCTION DESIGNER KAVE QUINN SUPERVISING ART DIRECTOR ANDREA MATHESON SET DECORATOR STELLA FOX
THE PERSONAL PRODUCTION DESIGNER HISTORY OF DAVID CRISTINA CASALI COPPERFIELD SUPERVISING ART DIRECTOR NICK DENT SET DECORATOR CHARLOTTE WATTS
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BFDG PRODUCTION DESIGN AWARDS 2020
BEST PRODUCTION DESIGN INDEPENDENT FEATURE FILM CONTEMPORARY CALM WITH HORSES
PRODUCTION DESIGNER DAMIEN CREAGH ART DIRECTOR TARA O’REILLY SET DECORATOR ANNALISA ANDRIANI
I AM THINKING OF ENDING THINGS
PRODUCTION DESIGNER MOLLY HUGHES SUPERVISING ART DIRECTOR MERISSA LOMBARDO SET DECORATOR MATTIE SIEGAL
THE GENTLEMEN
PRODUCTION DESIGNER GEMMA JACKSON SUPERVISING ART DIRECTOR MARTYN JOHN SET DECORATOR SARAH WHITTLE
THE NOMINEES
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BFDG PRODUCTION DESIGN AWARDS 2020
SAY GOODBYE TO LIMITATIONS AND HELLO TO POSSIBILITY. A flexible suite of tools and commands built to empower your creativity. Get your free trial at VECTORWORKS.NET/2021
THE NOMINEES
THE 91ST ACADEMY AWARDS | COURTESY OF KORINS AND DREW DOCKSER
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BEST PRODUCTION DESIGN INTERNATIONAL STUDIO FEATURE FILM PERIOD 1917
PRODUCTION DESIGNER DENNIS GASSNER SUPERVISING ART DIRECTOR NIALL MORONEY SET DECORATOR LEE SANDALES
ENOLA HOLMES
PRODUCTION DESIGNER MICHAEL CARLIN SUPERVISING ART DIRECTOR CHOI HO MAN ADAM SQUIRES (ADDITIONAL PHOTOGRAPHY)
SET DECORATOR LISA CHUGG
REBECCA
PRODUCTION DESIGNER SARAH GREENWOOD SUPERVISING ART DIRECTOR NICK GOTTSCHALK SET DECORATOR KATIE SPENCER
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BFDG PRODUCTION DESIGN AWARDS 2020
BEST PRODUCTION DESIGN INTERNATIONAL STUDIO FEATURE FILM FANTASY STAR WARS EPISODE IX THE RISE OF SKYWALKER
PRODUCTION DESIGNER RICK CARTER | KEVIN JENKINS SUPERVISING ART DIRECTOR PAUL INGLIS SET DECORATOR ROSEMARY BRANDENBURG
TENET
PRODUCTION DESIGNER NATHAN CROWLEY SUPERVISING ART DIRECTOR TOBY BRITTON (ESTONIA, UK, ITALY, NORWAY, DENMARK)
EGGERT KETILSSON (ESTONIA, INDIA)
JENNE LEE (US)
SET DECORATOR KATHY LUCAS (INTERNATIONAL)
EMMANUEL DELIS (ESTONIA)
ANNA PINNOCK (UK)
THE MIDNIGHT SKY PRODUCTION DESIGNER JIM BISSELL SUPERVISING ART DIRECTOR HELEN JARVIS SET DECORATOR JOHN BUSH
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GARY TOMKINS OUTSTANDING CONTRIBUTION TO THE ART DEPARTMENT After studying Interior Design at College, my first job in the film industry was Krull in 1982, designed by Stephen Grimes. One of my roles as an Art Department Assistant, (along with the usual making tea and issuing drawings), was to build a white card model of a Castle. Little did I know that many years later another, a much more famous model castle would occupy so much of my time! I’ve been very lucky to work with so many great Designers and Art Directors over the years, on projects taking me from the Jungles of Costa Rica on 1492, to the searing heat of the Abu Dhabi desert on Star Wars-The Force Awakens. Not to mention the oh so glamourous location shoots with Madonna at Peckham Public Baths, (‘Shanghai Surprise’), and with Tom Cruise at an Essex Sewage works, (Edge of Tomorrow)! Part of the joy of working in the Art Dept is the sheer variety of subjects we are called upon to work with, and then attempting to become some kind of short-term expert in those subjects, be it the architecture of Hogwarts Castle on the Potter films, the engineering of a WW1 tank for Warhorse or the dark art of ‘Greeblie’ dressing on a Star Wars Speeder! From period films like Hope and Glory and Sleepy Hollow, to Sci Fi productions such as ‘The Fifth Element’ and Judge Dredd, I have enjoyed every one of the challenges that every subject matter has demanded over the years. One of the things I enjoy most about our job is passing knowledge on to the next generation of Art Dept crew. I’ve worked with so many wonderful people who have helped, encouraged and advised me over the years that I’m keen to pass that same knowledge onto those starting out, both through formal mentoring with various universities and organisations and informally within the Art Department, like simply sweetening the line of a Junior’s drawn moulding by using the phrase, “have you got a bit of trace?”. It’s always very rewarding to see those people move up the ladder and then help others themselves. I’ve been a member of the BFDG for almost as many years as I’ve been in the industry, and I feel humbled that the Guild has honoured me this evening.
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BFDG PRODUCTION DESIGN AWARDS 2020
JOHN KING LIFETIME ACHIEVEMENT My journey in the film industry started before my 16th birthday at Shepperton Film Studios where my father was employed. There were a number of trade apprenticeships available and I opted for carpentry as it involved working in technical drawing which was my underlying passion. In addition to my tech course, I did an additional draughting course that was to put me in good stead for the future. On completion of my apprenticeship, fast forward to 1976 when I started drawing sets for several commercial art directors in various studios – one of whom was Brian Morris who gave me my first start as draughtsman on the 1978 John Schlesinger film 'Yanks'. Following on from 'Yanks', I had the good fortune to work with Dick Sylbert on 'Reds' whose style and finishing techniques from LA gave me a better insight in set design and finishes. A designer whom I worked with again 13 years later on a production called 'Ruby Cairo' in Berlin, Athens, Cairo and Los Angeles. After working on Pink Floyd's 'The Wall' which had some of the most surreal sets to draw, I received a call from Stuart Craig, as you know one of the most talented designers to work on 'Greystoke'. This would be the first of 17 films in which I have worked under Stuart Craig to name some: The Mission, Memphis Belle, Secret Garden, Mary Reilly, Notting Hill, Harry Potter 1 & 2, Fantastic Beasts. I have also had the pleasure of working on 3 Ridley Scott Movies: Gladiator, Kingdom of Heaven and Prometheus. Drawing so many incredible sets from Ridley's concepts and imaginative ideas. There are so many great design projects that I have been involved in – some 74 film productions to date, too many to mention, and have collaborated with so many wonderful art department people, far too many to name both past and present. I am truly flattered beyond words to be singled out for this award by so many talented people in the Guild. I will treasure this award. Thank you all.
OUTSTANDING CONTRIBUTION & LIFETIME ACHIEVEMENT
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AD 13 — Eccentric
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BFDG PRODUCTION DESIGN AWARDS 2020
REMEMBERING THOSE WE HAVE LOST The BFDG would like to pay tribute to those talented friends and colleagues who we sadly lost in 2020. PETER LAMONT (1929–2020) PRODUCTION DESIGNER Peter is best known for his long association with the Bond franchise working on a total of 18 films. In 2006 he was nominated for a BAFTA for Casino Royale (2006). Other work includes: Sleuth (1972), The Boys from Brazil (1978), Chitty Chitty Bang Bang (1968), Aliens (1986), Ture Lies (1994) and Titanic (1997) for which he won an Academy Award with Set Decorator Michael Ford. He had previously been nominated for his work on Fiddler on the Roof (1971), The Spy Who Loved Me (1977) and Aliens (1986).
ALAN TOMKINS (1939–2020) SUPERVISING ART DIRECTOR Alan worked on more than 100 films during his career, including: 2001: A Space Odyssey (1968), A Bridge Too Far (1977), Lawrence of Arabia (1962), Summer Holiday (1963), Batman Begins (2005), Saving Private Ryan (1998), Memphis Belle (1990), Robin Hood: Prince of Thieves (1991), seven Bond Films, including Casino Royale (2006); Star Wars: Episode V – The Empire Strikes Back (1980), for which he was Academy Award nominated, and Gulliver’s Travels (1996) for which he won an Emmy award in 1996.
REMEMBERING THOSE WE HAVE LOST
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Kays www.kays.co.uk®
In Print • On-Line • On App
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BFDG PRODUCTION DESIGN AWARDS 2020
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Rosco is proud to support the British Film Designers Guild.
Formerly Geerings Film specialist suppliers to the TV and film industry. Short and long term hire of photocopiers, printers and plotters etc. File storage.
Congratulations to all of tonight’s winners and nominees.
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BFDG VIRTUAL AWARDS CREDITS Sonja Klaus Host & Queen Bee
Andy Coles Footballer
Mike Battle Writer / Director & Ringmaster
Dermot O’Leary Presenter
We are Indebted to
Mark Kermode Film Critic and Presenter
Filmed on location at Farley with kind permission of Mark Farley Farley — farley.co.uk On Screen Graphics by Mark Jordan & Team Compuhire — compuhire.com Drape supplied by Sue Toone Seasons Textiles — seasonstextiles.co.uk Props & Print by John, Paul and the Team Data Repro — datarepro.co.uk Awards Supplied by Stuart, Neil & Team BGI Supplies — bgisupplies.co.uk
BFDG Production Team Mads Bushnell — As Her Harassed Self Ali O’Neill — As Her Calm Self & Perfume Princess Blair Barnette — Actor & Stylist Adam O’Neill — Bell Boy Extraordinaire Sarah Horton & Neil Lamont — Graphics Advisers Jonathan P Green & Simon Bowles — Talent Bookers Chris Bushnell — General Dogs Body Virtual Awards Production
Virtual Awards Presenters in Order of Appearance
Natasha Russell Producer — natasharussell.co.uk
Producers Michael G Wilson & Barbara Broccoli
Alicia Barriga Visiedo Producer’s Assistant — natasharussell.co.uk
Data Reprographics John Lindsay & Paul Taylor
Dale Campbell Director of Photography — stillmovingmedia
Mark Oliver TLO
Ratheka Patel First Assistant Camera
Andrew Howe-Davis Stockyard
Kofi Skingley Gaffer
Sally Debonaire Director of Global Productions ITV Studios / BFDG Patron
Jordan McGibney Camera Operator
Kate Crowe Producer / BFDG Patron Dean Baker Producer / BFDG Patron Matthew Cambell Palmbrokers Mark Jordan Compuhire Sara Wan Classic Prop Hire Sue Toone Seasons Textiles
Niru Rajendran Sound Engineer Tim Perrett Editor — timperrett.co.uk Sash Pochibko Virtual Production — pahire.com Hair and Make Up Debbie Storey — debbiestorey.co.uk Katrina Flavell — makemebridal.co.uk Awards Voting / Graphics & Everything Website Anna-Roisin Bowles & Tom Brooks — intervivos.co.uk
Marilyn Monroe Isabella Bliss — isabellabliss.co.uk
Ben Cooper Graphic Designer — ben@ben-cooper.co.uk
Tim Robbins Actor
Jason Osbourne & Suzanne Waters Additional Graphics
Hugh Lawrie Comedian & Actor
BFDG AWARDS 2020 PRODUCTION TEAM
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JOIN THE BFDG CALLING ALL FILM & TELEVISION ART DEPARTMENT PROFESSIONALS! WHY JOIN? Ever wished your rapidly increasing skill sets could be recognised for what they are beyond the show you’re working on? Ever wondered how you can stand out from the crowd? The British Film Designers Guild is the industry standard-bearer of Art Department professionalism in quality and dedication to the job…and the BFDG membership accreditation sought after. So why not be recognised in your field by becoming a recognised and certified member? BENEFITS →
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PROFIT from various networking events held throughout the year. Discuss methods and madness at regular Q+A forums and talks. Take part and give a presentation of your recent work. PROMOTE your latest work by uploading it to the BFDG website, and on your own personal profile.
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CONNECT with other members, let them know what you’ve been working on by posting on the BFDG Facebook page.
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CELEBR ATE the talent of the Art Department at the BFDG Awards held annually in central London. Entries cover all genres of Film, Television and Commercials.
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BROADEN your UK horizons in these post-Brexit days. Use the BFDG membership of Artscenico, the European federation of Art and Costume Department Guild, as a networking tool for local crew and intel in Europe.
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BENEFIT from our unique worldwide 365 accident insurance plus (UK based full members).
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LOOKING FOR NEW CREW? Get to know new Art Dept personnel through Portfolio Surgeries held several times a year. The talent comes to you and saves you time.
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STILL LOOKING FOR CREW? Use the BFDG website availability list, social media platforms and weekly update and regular newsletter to get a list of accredited members who are available in all Art Department grades and who can hit the ground running.
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LOOKING FOR WORK? Find out what new jobs are on offer through the Facebook group, Forum and our Rumour Mill list. We only advertise Jobs that adhere to agreed Art Department levels of pay and associated allowances.
HOW TO JOIN Make your life simpler and celebrate your skills and professionalism by becoming a member of the British Film Designers Guild today… www.britishfilmdesigners.com/membership/becoming-a-member
FARLEY ARE PROUD SPONSORS OF THE BFDG BEST OF LUCK TO ALL THE NOMINEES WWW.FARLEY.CO.UK SECTION TITLE HERE
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