Though it’s dark, still
I sing 34th Bienal de São Paulo Traveling exhibitions program Belém Belém Belém Solar da Beira and Mercado Ver-o-Peso September 29 – November 20, 2022 List of works
Statements
The Engraved Image of Coatlicue
Alexander von Humboldt
Aztec basaltic porphyry idol found under the sidewalk of the great square of Mexico City. In: Vues des cordillères, et monuments des peuples indigènes de l’Amérique. Première partie, Relation Historique, Voyage de Humboldt et Bonplant, Atlas Pittoresque [Views of the Cordilleras, and monuments of the indigenous peoples of America. Part 1, Historical Relation, Voyage of Humboldt and Bonplant, Atlas Pittoresque]. Paris, 1810. Collection: The George Peabody Library, The Sheridan Library, The John Hopkins University. Facsimile.
Antonio León y Gama
Descripción histórica y cronológica de las dos piedras: Que con ocasión del nuevo empedrado que se está formando en la plaza principal de México, 1792 [Historical and chronological description of the two stones: That on the occasion of the new paving that is being formed in the main square of Mexico]. Mexico City: Imprenta del ciudadano Alejandro Valdés, 1832 [1st edition: 1792]. Collection: Dumbarton Oaks, Washington, D.C. Trustees for Harvard University. Facsimile.
Hiroshima mon amour, by Alain Resnais
Hiroshima mon amour, 1959
4’ © Argos Films Support: Consulado Geral da França em São Paulo
Solar da Beira
Alice Shintani
Mata (series), 2022 Forest / Kill
Gouache on paper
70 pieces, 75 × 55 cm (each)
Commissioned by Fundação Bienal de São Paulo for the 34th Bienal.
Claude Cahun
Claude Cahun as Diable in Le Mystère d’Adam, 1929
Cotton paper print
40 × 50 cm
Collection: Jersey Heritage Museum
Claude Cahun as Elle in Barbe Bleue, 1929
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum Hands, undated
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
I am in training don’t kiss me, 1927
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Je tends les bras, 1932
I stretch my arms
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Self portrait (aerial view on blanket), 1928
Cotton paper print
40 × 50 cm
Collection Jersey Heritage Museum
Self portrait (aerial view on blanket), 1928
Cotton paper print 40 × 50 cm
Collection Jersey Heritage Museum
Self portrait (holding mask), 1947
Cotton paper print 50 × 40 cm
Collection Jersey Heritage Museum
Self portrait (in cupboard), 1932
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Self portrait (in robe with masks attached), 1929
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Self portrait (lying on leopard skin), 1939
Cotton paper print 40 × 50 cm
Collection Jersey Heritage Museum
Self portrait (lying on sand), 1930
Cotton paper print 40 × 50 cm
Collection Jersey Heritage Museum
Self portrait (mask obscures face), 1947
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Self portrait (naked near rocks), 1930
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Self portrait (on sea wall), 1947
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Self-portrait (reflected image in mirror, checqued jacquet), 1928
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Self portrait (seated on grass wearing long wig and leaves), 1938
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Self portrait (shaved head, material draped across body), 1920
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Self portrait (with skull and cigarette), 1947
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Self portrait as Elle in Barbe Bleue, 1929
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Self portrait crouched naked in rock pool, 1930
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Self-portrait, 1927
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Untitled (color negative), undated
Cotton paper print
50 × 40 cm
Collection Jersey Heritage Museum
Untitled (Hands and Table), 1936
Cotton paper print 50 × 40 cm
Collection Jersey Heritage Museum Gala Porras-Kim
Whistling and Language Transfiguration (WaLT), 2012
LP album, cyanotype print, sound
30,5 × 30,5 cm
Artist’s collection
Courtesy of the artist and Commonwealth and Council, Los Angeles
Leaving the Institution through cremation is easier than as a result of a deaccession policy, 2021
Printed ink on paper, ashes on napkin
Artist’s collection
Haris
Epaminonda
Participation in the 34th Bienal supported by: ifa (Institut für Auslandsbeziehungen).
Chronicles I, 2010
Digitised super 8 film 16’33’’
Artist’s collection
Chronicles II, 2010
Digitised super 8 film 26’55’’
Artist’s collection
VI, 2011
Digitised super 8 film 4’42’’
Artist’s collection
Chronicles XVI, 2012
Digitised super 8 film 1’28’’
Artist’s collection
Chronicles XXII, 2020
Digitised super 8 film 14’26’’
Artist’s collection
Jungjin Lee
Buddha 02-08, 2002
Photo emulsion on mulberry paper
99 × 122 cm
Artist’s collection
Buddha 02-09, 2002
Photo emulsion on mulberry paper
99 × 122 cm
Artist’s collection
Buddha 02-10, 2002
Photo emulsion on mulberry paper
99 × 122 cm
Artist’s collection
Buddha 02-11, 2002
Photo emulsion on mulberry paper 99 × 122 cm
Artist’s collection
Buddha 02-12, 2002
Photo emulsion on mulberry paper 99 × 122 cm
Artist’s collection
Buddha 02-14, 2002
Photo emulsion on mulberry paper
99 × 122 cm
Artist’s collection
Melvin Moti
Participation in the 34th Bienal supported by: Mondriaan Fund.
Interwoven, 2020 Video 32’
Naomi Rincón Gallardo
Resiliencia Tlacuache, 2019
Tlacuache Resilience
HD video 16’01”
Courtesy of the artist
Support: Sistema Nacional de Creadores de Arte 2019-2022 del Fondo Nacional para La Cultura y las Artes
Uýra
Retomada (series), 2021
up
Climb
Chronicles
Recovery Reencontrar To Rediscover Germinar Rebrotar To Germinate To Regrow Enraizar To Root Crescer Escalar To Grow
To
Agregar
To Add
Cobrir Espalhar
To Cover To Spread
Perfurar Romper
To Drill To Break
Florescer
To Bloom
Frutificar
To Fruit
Tudo de novo
Everything Again
Photograph
65 × 95 cm (each)
Artist’s collection
Courtesy of the artist
Photos: Matheus Belém
Commissioned by Fundação Bienal de São Paulo for the 34th Bienal
Mercado Ver-o-Peso
Marinella Senatore
Participation in the 34th Bienal supported by: Italian Council, Directorate General for Contemporary Creativity, Italian Ministry of Culture
Nos erguemos ao levantar outras pessoas, 2021
We Rise by Lifting Others
Light sculpture 1000 cm Ø
Commissioned by Fundação Bienal de São Paulo for the 34th Bienal