A new initiative, borne by the teaming of Christies International Real Estate Southern California and Christie’s Auction House, offers both beautiful houses and the extraordinary collectibles that will transform them into unique homes. Home buyers can select from the Auction House’s collections to fill their newly purchased residences with the finest of fine art and cultural artifacts ... creating an overall masterpiece integrating art and architecture that reflects the culturally textured approach to luxury and beauty exemplified by the Christie’s brand.
See page 66 for the full story.
christiesresocal.com christies.com/en
Represented Buyer and Seller
4527 PERHAM ROAD
Corona del Mar | SP $22,500,000
Stunning Pacific Ocean Views
INNOVATIVE LUXURY
INTERIOR DESIGN
DONNA JOHNSON, IIDA, AIA
502 Begonia Avenue | Corona Del Mar Village | Sold
Transforming Orange County landscapes with timeless design and superior build quality. Sailhouse sets the standard for luxury living.
ON THE COVER
Christie’s International Real Estate Southern California offers buyers the homes of their dreams. Christie’s Auction House has long offered the world’s most desired collectibles— paintings, furnishings, object de art—to the lovers of the finest things. These two divisions are now pairing their offerings, homes and treasures to fill them with (like the above painting, Les Flamants, created by Henri Rousseau in 1910) to the world’s most savvy and selective buyers. The painting broke Christie’s previous auction sale last year when it sold for $43.5 million.
All rights reserved. The opinions expressed by the authors and contributors to Blue Door Magazine are not necessarily those of the editor or publisher.
PRINTED BY
50th Annual CdM Home Tour
Presented by VALIA Properties & Barclay Butera
The Corona del Mar Home Tour celebrated its 50th year with a sold-out event, marking its highest attendance ever. As the sole fundraiser for Corona del Mar Middle and High School, this milestone tour was a testament to the community’s unwavering support and dedication. Presented by Barclay Butera and VALIA Properties, the event showcased stunning homes and brought together residents and visitors alike.
It’s always a joy to give back to the community, and this year’s Home Tour was a shining example of that spirit, providing essential support for local education while fostering a sense of unity and pride.
Steve Sergi, Sarah Gaulke, Adisen Little, Randy Kershaw, Jason Foreman, Simon Duyungan
VALIA Properties
Home Tour Boutique at the Civic Center
VALIA Properties Presenting Sponsor
CdM High School Drum Line
226 Morning Canyon, Corona del Mar
LP $10,170,000
SOLD | Represented Buyer and Seller
LP $7,900,000 SOLD | Represented Buyer
Pure Design House works at the forefront of innovation in both style and practice. We’re constantly exploring cleaner materials, techniques and technologies for interior architecture and design. We’re creating a future of healthier custom spaces with fewer toxins created to inspire, comfort, and become a sanctum of happiness, health and wellbeing for our clients.
Dear Readers,
As we embrace the cooler weather and the arrival of Fall, I find myself reflecting on why this season holds a special place in my heart. The beaches, once bustling, now offer a serene escape, and for instance, our beloved dogs can once again frolic on the sands of Laguna. With the summer rush fading, securing a table at our favorite dining spots, like the new Oceans 48 in Fashion Island or the Michelin-starred Rebel Omakase, has become a bit easier. Each of these experiences underscores the quality of life and the ongoing investments in our community.
Speaking of investments, I am thrilled to announce two new senior hires at Blue Door Magazine: Editor Robin Keats and Head of Digital Content Maddison Raynor. Their impressive track records and dedication to their crafts promise exciting developments for our magazine.
A former editorial staffer at The New Yorker and Esquire magazines, as well as having been an Associate Editor and staff writer at GQ, Robin has also served as a correspondent for Gannett newspapers and as the executive editor of monthly magazines for Beverly Hills, Santa Monica, Brentwood and Pacific Palisades. His credits include those of being a contributing writer for Malibu Magazine, UCLA Publications, and the Southern California News Group. He has written for many national, regional and local publications. The author of three nonfiction books published by St. Martin’s Press and Avon-Camelot Books, Robin is also a creator/writer, producer and Executive Producer of nonfiction TV programming. We are pleased to bring his skills and broad range of experience to our ever-ongoing effort to enhance the quality, depth, and reach of Blue Door Magazine.
Maddison is a seasoned media professional with a career that spans high-impact roles in both broadcast and digital media. As a TV producer for NBC and Spectrum News, she developed a deep expertise in storytelling and digital content creation. Now thriving as a content manager, Maddison has refined her skills by working with prominent brands such
as Dunkin’, Baskin-Robbins, ASICS, and Mazda. In addition to her corporate roles, Maddison owns and operates RAY Design & Media which is a social media consulting and website design business that helps local businesses refine their content strategies. As Blue Door Magazine’s Head of Digital Content, Maddison leverages her extensive experience and passion for digital innovation to craft engaging content strategies that amplify brand narratives and foster significant audience interaction.
Our commitment to expanding our team reflects our dedication to enhancing your experience with us. We are excited to introduce a new digital dimension to Blue Door Magazine, featuring a monthly online edition that will complement our existing print version, which remains a cherished bi-monthly tradition. This digital edition will be a vibrant showcase of immersive content, including short films, national and local art and design stories, all presented in a format that is both engaging and luxurious.
Our goal is to provide you with an enriched reading experience that blends the best of both print and digital media. We believe this new approach will offer you more timely and relevant content, delivered in a stunning format that you’ll truly enjoy. As we prepare to launch these exciting new assets, I encourage you to stay connected with us. You can subscribe to our digital platform at no cost by visiting bluedoormagazine.com and scanning the QR code below to register your interest.
Thank you for your continued support. We hope you enjoy this new edition of the magazine and look forward to sharing more with you soon.
Best,
Justin Williams Founder
208.720.2142 justin@bluedoormagazine.com
EDITOR’S NOTE
From Robin Keats
I am so delighted to be taking the editorial reins at Blue Door Magazine and being afforded the opportunity to help shape our look at what living in Coastal Orange County means for all those fortunate enough to call it home.
The journey of a magazine editor is hopefully long, at times exuberantly joyous, on occasion complicated and arduous. I’ve had many stops along the way to my new position as Blue Door’s editor; it’s been a career that has mixed journalism with poetry, nonfiction book writing with documentary writing and producing. I’ve worked at The New Yorker and DreamWorks, at NBC and with the History Channel, for such varied American media institutions as Disney and Playboy. I hope that the mix of my love for intellectual pursuits and popular culture, for the finer things in life from literature and music to fine art, architecture and design serve to make me the right editor at the right time for such a valued readership as yours.
Looking back in time, as I connect electronically with our Publisher, Art Director, staff, and contributors to produce this issue, I find myself thinking way back to my start. Almost every writer/editor begins their professional life’s path on rocky footing. It goes with the territory; opportunities are rare, competition is enormous, challenges constant. I think back to when paper was actually pushed, when fonts didn’t matter, when erasers had a purpose, when the primary connection needed to write and read
what you wrote wasn’t between microchips and a satellite hovering above the earth but in the literal putting of pen to paper. (I have stacks of these now antiquated documents that sometimes made it from writing tablet to typewriter: feature articles and profiles, poems, prayers, pleas; scripts and stories; confessions and notes of both regrets and well-wishes to and from people whose names I no longer recall).
But what I have before me now, the very pages of this magazine on a computer screen just before they’re about to go to press, is an invigorating sight filled with beauty and revelation, with in-depth explorations and exhibitions of creativity, and information on how we might all enrich our surroundings, our lifestyles, our consciousness of the world around us.
I am invigorated, motivated, and supremely catalyzed by the opportunity to collectively revere life in our most fortunate of environments with you. We live in what may well be America’s most desirable communities. The beauty that surrounds us—inside our homes and just outside our doors—will continue to be extolled in the pages of Blue Door Magazine. That’s my commitment to you, and to myself. Please enjoy our stunning pages filled with treasures and insights. We pledge to continually improve and enhance as Blue Door delivers issue after issue to your door.
robin@bluedoormagazine.com
Photos by John Watkins
Court Appointed Special Advocates (CASA) of Orange County raised over $1 million for kids in foster care during its annual CASA Celebration at Pendry Newport Beach. The event attracted 270 supporters and surpassed its fundraising goal with over $500,000 raised during the Fund the Mission paddle raise alone.
Chaired by Karen Jordan and Jassel Kaye, the gala featured a glittering cocktail reception, silent auction, and a live auction sponsored by Lugano Diamonds. Guests enjoyed a disco-themed ballroom, and CASA CEO Regan Dean Phillips highlighted the importance of their volunteers.
Ballroom
Moti Ferder, Idit Ferder, and Josh Gaynor
Dana Strader and Patrick Strader 5. Co-chairs Karen Jordan and Jassel Kaye 6. Bart Zandbergen and Paula Steurer
8. Pat Cahill (Advocate of the Year), Regan Dean Phillips (CASA OC CEO)
9. Holly Kerslake and Mark Kerslake
Honorees included Todd Vande Hei of STARK, awarded Outstanding Corporation, and Judge Gail Andler (Ret.), recognized as Children’s Champion. CASA’s longest-serving volunteer, Pat Cahill, was named Advocate of the Year for her 28 years of service. Sapphire Sponsors included Lucy Donahue, Karen Jordan, and others, with underwriters such as Lugano Diamonds and MaxMara South Coast Plaza. 1. Lauren Wong and Michael Wong
1. Linda Young, John Nye, and Lourdes Nark
2. Azeem Dhalla and Zeena Dhalla
3. Dina Marciano
4. Todd Vande Hei (Honoree, Outstanding Corporation, STARK)
5. Disco dancer
6. Anar Patel and Sean Kennedy
7. Regina Oswald
CULTERRA, a new fine art photography gallery by Taylor O’Sullivan, celebrated its grand opening this past June. Taylor O’Sullivan’s work spans more than 60 countries, focusing on timeless, nature-inspired art. The event featured a VIP preview where guests enjoyed cocktails and viewed O’Sullivan’s nature-inspired prints. Notable attendees included Linette Dai, Dustin and Alex Morris, and Madison Sinclair. The gallery’s launch party welcomed the broader community. Vendors provided artful contributions, including photography by Anthoula Medenas and music by Penny Wild Music. Located in Laguna Beach, the CULTERRA gallery showcases museum-quality prints and emphasizes a connection with nature.
CULTERRA Gallery
1504 S Coast Highway Laguna Beach culterra.art
1. Culterra Pop-Up on Opening Night
2. Alex and Dustin Morris of Eyoh Design
3. Darlene Halaby, Taylor O’Sullivan, and Mari Garcia
4. Verna O’Toole and Rachel Bell
5. Taylor O’Sullivan and Tim Sekiguchi
6. Claudia Morales, Jeff Jones, and Carmen Ture
7. Hailley Howard
8. Jaimie Taylor and Terri Brien
9. Taylor O’Sullivan and Linette Dai
TREES
Laguna Art Museum mounts a towering exhibition of Jay DeFeo’s iconic drawings and photographs
Coinciding with Laguna Art Museum’s annual Art + Nature initiative this fall, is a multifaceted exploration of California artist Jay DeFeo’s drawings and photographs of trees. Accompanying these artworks will be a selection of archival materials highlighting the artist’s enduring fascination with trees and nature.
Curated by LAM Curatorial Fellow Rochelle Steiner, Jay DeFeo: Trees will offer a rare glimpse into the artist’s drawings produced between 1953 and 1954 in her Berkeley studio, following extensive travels in Europe and North Africa. Infused with nature’s inspiration, the drawings demonstrate DeFeo’s unique blend of representation and abstraction, marking a pivotal period in her artistic journey. Among the nine extant works from the Tree series are two pieces from Laguna Art Museum’s esteemed collection. In addition to the drawings, the exhibition will feature a group of DeFeo’s remarkable black-and-white photographs of trees taken in the Bay Area during the early 1970s.
“It is a rare opportunity to bring together these nine drawings from the 1950s and
Untitled (Tree series), 1954, by Jay DeFeo. The Jay DeFeo Foundation, Berkeley.
PHOTOS
present them in conjunction with artist’s photographs from the 1970s,” said Steiner. “Throughout her life, DeFeo observed and depicted the natural world, and this exhibition offers an opportunity to see some of her first-hand experiences and impressions of her surroundings.”
“Jay DeFeo: Trees provides us a view of an overlooked aspect of Jay DeFeo’s extraordinary body of work, inviting visitors into nature through her eyes,” said Julie Perlin Lee, Executive Director of Laguna Art Museum. “The museum’s unique commitment to sharing the California experience through art allows us to spotlight works of well-known artists in new and exciting ways.”
Born in Hanover, New Hampshire, DeFeo (1929–1989) grew up in the San Francisco Bay Area. She received her BA in 1950 and MA in 1951 from the University of California, Berkeley. Over the course of a four-decade long career, she experimented with a range of materials while exploring painting, sculpture, drawing, collage, photocopying, and photography, often in unorthodox ways.
A pivotal figure in the historic Beat community of artists, poets, and jazz musicians in San Francisco. DeFeo’s first major solo exhibition was held at the Dilexi Gallery, San Francisco, in 1959. She was included in Dorothy Miller’s historic exhibition
Sixteen Americans at New
Untitled (Tree series), 1953, by Jay DeFeo.
Laguna Art Museum; Gift of Dr. and Mrs. Merle S. Glick, 1991
Below: Untitled, 1972, by Jay DeFeo.
The Jay DeFeo Foundation, Berkeley.
Opposite: Untitled, 1972, by Jay DeFeo.
The Jay DeFeo Foundation, Berkeley.
York’s Museum of Modern Art, that same year. Championed on the West Coast by curator Walter Hopps, DeFeo was included in group exhibitions at Ferus Gallery in Los Angeles. and had a solo exhibition there in 1960. She completed her monumental work The Rose in 1966 after laboring over it for eight years. Her work has been the subject of many exhibitions and publications, including Jay DeFeo: The Ripple Effect, Le Consortium, Dijon, France in 2018, which traveled to Aspen Art Museum and Undersoul: Jay DeFeo , San Jose Museum of Art, San Jose, California in 2019. Her work is found in the collections of many museums, including the Whitney Museum of American Art, New York; Museum of Modern Art, New York; San Francisco Museum of Modern Art; de Young Museum, San Francisco; Los Angeles County Museum of Art; Art Institute of Chicago; Menil Collection, Houston; National Gallery of Art, Washington, DC; Tate Modern, London; and Centre Pompidou, Paris.
Jay DeFeo: Trees will be accompanied by an illustrated publication by Steiner, with a contribution by Elizabeth A. T. Smith. Steiner’s essay explores DeFeo’s drawings and photographs of trees in light of her unique artistic approach, while Smith contextualizes DeFeo’s work within the broader landscape of women artists during the mid-20th century. The exhibition and publication have received generous support from The Jay DeFeo Foundation and The Segerstrom Foundation.
Jay DeFeo: Trees
September 21, 2024-January 12, 2025 Laguna Art Museum lagunaartmuseum.org
Above: Untitled (Tree series), 1954, by Jay DeFeo. The Jay DeFeo Foundation, Berkeley.
Opposite: Untitled, 1972, by Jay DeFeo. The Jay DeFeo Foundation, Berkeley.
BRIDGING TRADITION AND MODERNITY
Victor Hugo, Grid Series, 2023, oil on canvas, 7 x 7 feet
PHOTO BY VALENTINA APRODA
The Collaborative Genius of Artist
Victor Hugo Zayas
Mexican painter and sculptor, Victor Hugo Zayas, knows a thing or two about the importance of synergy in art. Whether it flows between his subjects and his paint brush, or a trusted colleague, Zayas understands the significance of collaboration in creativity.
Knowing and working with Art Dealer Jeannie Denholm, of SCAPE Gallery, for over twenty years, Zayas has found a unique partnership that supports his mastery and craft. For both Denholm and Zayas, art is the foundation for creating connections. Their long history of working with one another is marked by bringing collectors and community together through collaborative, informative and lively studio receptions.
“I have known and worked with Jeannie for over two decades,” Zayas says. “I think of her as a friend and sometimes forget that she is an art dealer. That is a rare and special combination for an artist to find.” With the support Denholm, Zayas brings his audience and community into his world both figuratively and literally.
Zayas’ style cannot be isolated to one specific modality or style. Gregorio Luke, an expert on Mexican and Latin American art and culture, describes Zayas’ work as a “synthesis of many styles, including modern, expressionistic,
I have known and worked with Jeannie for over two decades. I think of her as a friend and sometimes forget that she is an art dealer. That is a rare and special combination for an artist to find.
— Victor Hugo Zayas
Jeannie and Victor Hugo
If you ask me what I came to do in this world, I, an artist, will answer you: I am here to live out loud.
— Emile Zola
abstract, and figurative. He uses a great variety of materials: oil, sculpture, watercolors, paper, even ink on napkins. He paints in bold brush strokes—creating deep, lush surfaces.”
Bondo Wyszpolski, of Easy Reader & Peninsula, has lauded his work. “He’s a modern master,” an artist who can evoke sensation and mood on a scale that’s larger than life.”
David Barton, who writes about art for the OC Weekly, says “Zayas’ representations are alive, liquid, and rushing,” which highlight his ability to infuse energy into his artwork through textured, impasto techniques.
The trajectory of Zayas’ activity is not predictable in nature. Rather, it incorporates the investigations and experiments of an active and informed mind and hand. They can seem contradictory but are very much a consistent pattern of experiment and struggle, trial and error.
Left: Victor Hugo Zayas, Baja Studio
Above: Victor Hugo, LA River Grid, 2015, oil on canvas, 7 x 7 feet
Mirroring an evolution in his artistic expression, Zayas has opened a new studio in Orange County in Costa Mesa which is an expansion of his creative workspace. His artistic journey is marked by a willingness to embrace change and challenge conventions, making his work a continuous exploration of artistic potential.
Zayas’ innovative techniques and profound connection, with both his craft and his community. make him a compelling figure in the art world. As a result of his genius, in collaboration with Jeannie Denholm’s artistic expertise, the Orange County Art Scene bears witness to the epitome of synergy in art.
Special thanks to Wade Grant, Fine Art Specialist, for writing Victor Hugo Zayas’ original biography.
Victor Hugo, Astrophysiological Series, 2023, 15 x 8 x 6 feet
Anthology Interiors is a full-service interior design firm that serves residential clients and delivers homes designed from the inside out, focusing first on function, then on design, and delivering within budget and on time. Our homes have a timeless modern design and we design in a client-centric manner so that each home is as individual as the clients within.
JOSH BUSTOS PHOTOGRAPHY
PORTRAIT OF THE ARTIST IN WORDS
A discussion about creativity with painter and movie producer Denise Di Novi
by Robin Keats
PHOTO BY HUGO LANDO GARCIA
Blue Door Magazine’s editor, Robin Keats, recently sat down with painter, and extremely prolific movie producer Denise Di Novi to explore the roots and the latest flowering of her creativity. She is well known for producing some 40 feature films, including Heathers, Message In A Bottle, Edward Scissorhands, Batman Returns, James And The Giant Peach, The Nightmare Before Christmas, Crazy Stupid Love and Practical Magic, as well as the two most recent Little Women movies. Di Novi, who has also directed some of her movies, discovered that there was a painter within her some four years ago when she turned to painting after her husband died. Since then, she has passionately and exuberantly pursued creating one remarkable painting after another with the same abundant energy, dedication, focus and inspiration she has shown throughout her prodigious film career.
RK: Your dad was a jazz musician and a musical conductor for Lena Horne, Dinah Shore, Ann-Margaret, and Peggy Lee. Your childhood home must have been an incredibly creative one.
DDN: Oh, yes it was. And my mother had been a dancer. It was such a wonderful thing to grow up with such creative people. He played piano all day, whether he was working or not. He would go to work in the evenings, travel on the road. It was an example to me of complete commitment and dedication to art. He always talked about finding something to do where you would do it whether you got paid for it or not. I took that advice to heart all my life.
RK: With both parents working in creative fields, was there parental pressure to pursue a more structured, more secure life or did they encourage your creativity from the get-go?
DDN: I didn’t know people went to offices to work! I actually had difficulty when I started working, after college, trying to kind of be a square peg fitting into a square hole. I struggled until I found the movie business where it’s a bunch of crazy creative people in every area and most of us keep it a secret, but we would do a lot of what we do for free, even if we don’t want anybody to know that. So, yes, it was a blessing to grow up with that. But it also was a bit of a struggle to figure out my path of ‘how do I be creative, how do I make a living being creative?’ So, it’s come very full circle for me now with painting in that it’s kind of more like my dad’s passion inherent in being a jazz musician—very singular, a very personal way of expressing my art, whereas filmmaking is entirely collaborative.
RK: Film production is ordered and planned out. There’s always room for improvisation, but with painting it’s just you and the canvass. When I look at your work, I think about automatic writing. It’s just flowing from you, so I think there’s a parallel with jazz. Improvisation of a different but comparable sort.
DDN: That is so interesting, Robin. You always make such fantastic connections that I have not seen before. I actually have one painting that was kind of automatic writing that I did very early on. I learned that it’s called intuitive painting. I just completely follow my intuition and my feelings and whatever’s coming up for me at that time in my life while I am painting in that moment, and that’s what brings me joy. That’s where I found my healing after my husband passed away—finding a way to express what I was going through, what I was feeling. So painting is, for me, a direct expression of that. I think finding a way to be creative in whatever way you connect with whatever situation you’re in, just life in general, is a healing thing. I think it’s a gift from the universe that we all have access to. We grow up in our society and it tells us we’re not creative. It’s a hobby. It’s not something to take
seriously or whatever. I think human beings, by nature are creative, whether it’s gardening or cooking or arranging flowers or writing or telling stories. Whatever it is, it’s essentially creativity.
RK: Do you think that the young Denise would have been surprised by the career that evolved?
DDN: Well, yes. I was not a great student.
RK: You went to Simmons College, now Simmons University. A prestigious school in Boston.
DDN: I got in, but I was not a valedictorian. I did not love school, but I loved books which have been the backbone of my filmmaking career which has involved book adaptations. I love books and I have always loved movies. After college, I worked as a print journalist and TV reporter and wrote stories about movies. I just couldn’t imagine, at the time, a way to be involved in movies. I realized I could not, would not, be a great actress. And that was the only thing I kind of knew about movies. When I did discover other aspects of filmmaking, I began to realize that there were very, if any, few women at that time in the business of film making. So, it didn’t seem like an available thing to me. I started at kind of a low level—reading scripts and developing them and very fortuitously had a lot of luck becoming a producer. But at the time I produced my first film—Heathers—there were maybe four or five, if that, women producers.
RK: Tell us a little bit more about your parents and how their careers inspired your aesthetics.
DDN: I think what I saw with my parents was the joy that comes from doing something that you’re passionate about. They both loved music. And I think that branched out into loving art, loving all aspects of art. Music, movies, paintings ... loved it all. And that was the kind of air I breathed my whole childhood. I couldn’t really imagine doing anything else. My first idea was to become a journalist because I have tremendous curiosity, and I was one of those little kids in school always raising my hand. The teacher would get annoyed with me. I ask people I meet millions of questions, and it felt very natural to me to be a journalist. But I had this kind of desire within me to be more creative, to be in a field that was more artistic.
When I had the opportunity to work on my first movie that came through my journalistic work, I became a unit publicist on a movie in Toronto, Canada, where my father had moved. The first day I set foot on a set, I was like, ‘this is it. I’m home. This is my world. This is my tribe.’ And I felt like ‘I can do this. I understand this.’
RK: Was there any kind of sign, some indication of becoming the artist you are now? Earlier in your life, did you do any doodles, any little line drawings or was it just really fresh when you picked up a palette knife or a brush some four or so years ago?
DDN: I had always loved art and painting my whole life, but I never did anything. I never took a class. I never tried it. Whenever I was in kind of group situations, at parties or things where people were doing art or doing crafts or things like that, I just felt like, oh, I’m not any good at this. But in my filmmaking career, I loved and was involved with every aspect. I mean, there are many different kinds of producers, and some producers are more hands on than others. I am still consumed when I make film or television by every creative aspect: the costumes, the set design, working with the director, the script development, honing the script, the words, the editing in post-production, the color timing, everything about it that I am involved with, even in terms of the color palettes of the films. I’ve directed, as well, and realized that the director is kind of the captain of the creative ship, but a producer is right there every step of the way.
RK: With permission to enter any of the realms.
DDN: Absolutely. I was very creative my entire filmmaking career. I felt like that was enough for me; that producing and sometimes directing is creative enough. And then, you know, life throws curveballs. And right as the pandemic started in 2020 my second husband, passed away. It was the week that the lockdown started in Los Angeles, and three days later, I started drawing and painting. I can’t really explain how or why it happened. It just happened. One day I was alone in my house, and I had some markers, like pen markers, that I don’t even remember why I had them. I don’t even know if they were left over from a school project years before, but they were there on my desk. And I started doing drawing tiny mosaic drawings ... abstract figures in movement. And it was the first moment that I
I think what I saw with my parents was the joy that comes from doing something that you’re passionate about. They both loved music. And I think that branched out into loving art, loving all aspects of art. Music, movies, paintings ... loved it all.
I want to share that art can save your life, that there’s beauty in grief, that something beautiful can come from things that are very painful, and that creativity is available and accessible to anyone.
Chaos, 2020
felt like my brain was connected to my body, that I could focus at all. And I just continued doing that. That flowed and evolved into painting with acrylics on canvas. It was such a relief to have a way to externalize what I was feeling and going through. It also felt—even in the early, very early days of painting—that I was doing something that was beautiful. I didn’t do all black and gray and dark colors. People ask me, ‘if you were going through grief, why weren’t they kind of grief looking paintings? Why weren’t they dark?’
RK: At the beginning of COVID everything was so very dark.
DDN: I think I very quickly saw how color and working with the shapes and the flow of the paint just kind of really fed my soul and it made me feel better. I would find my way through the paintings where I didn’t quite understand what I was doing exactly but as the painting evolved. And then when I would feel like, ‘this is finished.’ The painting spoke to me. I got some kind of message from it or intuitively knew what I was trying to say with it. And sometimes I would put words in the painting. A word would come to me, and I would put it into the painting.
RK: You may have had the thought beforehand, but sometimes the painting would speak to you as you were doing it and after you did it?
DDN: When I’m painting, I feel, in a strange way, collaborative with the painting. Instead of being collaborative with filmmakers, I’m collaborative with the painting speaking to me. I’m speaking to it, and it’s like a relationship evolving as I’m painting. It gives me something and teaches me something by the end. A lot of times I use knives or instruments or scrapers or sandpaper or things where I kind of destroy part of the painting, and I scrape it and do things that are very physical because I want to uncover things that are in the painting that I’m not seeing that I know are underneath other layers. And it’s really a process for me of finding what’s in the painting.
RK: When you opened up that room in your head, the room where grief resides, and at time when the world was as dark as it could be, was it somewhat filled with light? With painting not so much an escape for you as an invitation to immerse yourself in an area that somehow gave you solace. Is that right?
DDN: That is really beautifully said, Robin. You’re so eloquent. You’ve already said it better than I may say it, but I very early on saw the beauty in grief, and that’s a very hard thing to understand, and I didn’t even
understand it at the time, but I looked at the world differently. I saw color differently. I would take walks, and I would look at the tiny leaves on plants, at flower, nature in particular, the way the clouds were shaped, the way they moved. And I think I saw the beauty of the world much more intensely after I lost my husband. You know, before that we were just living our lives and complaining about this and that. Once I lost him, all that seemed so meaningless, and the things that are really, truly meaningful became very clear to me. And so, yes, I think it was an immersion into the connection between beauty and art. I think art gives everyone solace. That’s why I think art and music are God-given gifts. Can you imagine life without them?
RK: You did so many films in a row.
DDN: I did a lot of film collaboration, yes.
RK: I was wondering ‘when did she take a chance to breathe?’ When working alone, is it fair to say that the artist has to give herself time to breathe because you’re contemplating, even if it’s automatic and it’s improvisational, like jazz, the many elements of your life that have flowed together to form the artist? Did you pay attention to them, or did you just follow the impetus that they gave you?
DDN: Somebody said to me that it takes artists, many artists, trained artists, years to let go of the rules and paint freely. And I never learned the rules, so it was easy for me to let go of them because I didn’t know them. So, I think (you’re right) seeing my father be a jazz musician and improvise and kind of channel his creativity, it felt natural to me. I think that’s really kind of smart connection that you made. I didn’t know it would be painting. I would have guessed maybe that it would be writing; that I would have written a novel or poetry because I have written in the past, and I work with writing in terms of scripts. I did not anticipate that it would be painting. And I’m not 100% sure why it’s painting. I’m just so grateful that I found it, and I’m grateful that people seem to be connecting to what I was communicating to myself. If art is not shared, there’s a certain sadness about it. Like Van Gogh, who only sold one painting in during his lifetime. There’s something so heartbreaking about that. One hopes that even after an artist dies—years later or centuries late—that the art is shared. I want to share that art can save your life, that there’s beauty in grief, that something beautiful can come from things that are very painful, and that creativity is available and accessible to anyone.
RK: We’ve spoken about jazz, and you mentioned Van Gogh, and it makes me think of Emily Dickinson who published so preciously little in her life and who had so much grief and darkness. But she was later discovered and celebrated. Jazz. Poetry. Art. A triad, each holding what the beholder takes away from them.
DDN: I’ve always personally loved abstract art for the reason you’re describing, because it really, truly is something different for everyone. It’s not prescriptive about, oh, this is a, you know, this is a rendition of these mountains in the south of France or whatever. You never quite know what you’re looking at. Therefore, it gives you the ability and the opportunity to pull something from yourself in your perception of things. But how that’s perceived through our own prism—how we see the world is so unique, and that’s what’s very exciting about abstract art.
RK: I am getting the feeling that, somewhere inside of you, you’re not surprised that you became an artist.
DDN: It feels like it was kind of meant to be for me. I think you’re right. I am surprised at what a power it’s had in my life. I did not expect that, but it does feel very right to me and very natural. And I do feel the most myself, essentially myself, when I’m painting.
RK: You don’t have to trust a whole collaborative team to work. You put the trust in yourself without having to ask yourself, ‘do I have my own trust?’
DDN: That’s right.
RK: You could just forge ahead.
DDN: Yes, I do. I think the solitary nature of it is also a kind of relief after being the captain of the ship of hundreds of people on so many movies. I put on certain kind of music. I have my space. It’s just nice to have that experience after having such a different experience for so many years. And I still love making movies. I just completed making a six-hour TV series, The Veil, shooting all over Europe, and I loved every minute of it. But to also have the painting, which is such a completely solitary thing, it’s such a wonderful balance for me in my life.
RK: It’s kind of like going from a loud, clamorous, wonderful party to suddenly taking a walk in the cool all by yourself outside.
DDN: Yes, they’re both great. I think having both of those really makes somebody even better at both.
RK: Can you relate any of your past creative work to whatever artistic processing you might go through when you’re facing a blank canvas? And what I mean by that is the mental and physical prep before starting a movie. Anything similar?
DDN: I think that the thing I really love about painting is that I don’t have to think about anything, unlike with a film. Producing is so all encompassing—from the budget, the money aspect, figuring out what is this going to cost? What’s that going to cost? Who am I paying this much? All the other creative aspects, it’s a lot of thinking. It is not accidental. It’s not spontaneous. And painting is completely spontaneous. For me, when I start painting, a lot of artists have a plan, and they even test things, and I do not do that. I just go and flow.
RK: Describe the genre of your work.
DDN: My genre of painting is abstract expressionism, and I think it’s intuitive painting in that I do not plan or try to represent anything when I’m painting. And I think it’s that for a couple of reasons. One, I have no ability to do representational art. The reason I’m doing this and how it began and why I continue is emotional expression. And I feel that this is the best way where I’m completely free and liberated from any rules or expectation in my painting.
RK: The only framing that’s going to go on that deals with your painting is after you finished it, and you want to hang it on a wall.
DDN: Exactly.
RK: Talk to me about your recent exhibition in Laguna Beach. Why did you decide that it was time to have your work seen in the kind of exhibit that Honarkar Foundation mounted this summer?
DDN: I’ve been painting for over four years, and I grew up in Laguna Beach which has played a very large part in my life and in my painting ... that it’s a town dedicated to art and creativity, with the art festivals, with all the art galleries, with the history. It was founded by artists. And I love Laguna Beach so much. It’s continued to be an important place to me, even though I’ve lived all around the world, primarily in Los Angeles. I’ve had a home for many years in Laguna, and through a few circumstances, people saw my work. I met aa young woman, in town,
named Gianna Wurtzel, who works with artists and tries to help them channel their dreams of how to share their work. It’s a small town, and everybody kind of knows each other in the art world. She helped me connect to the Honarkar. I had known Peter Blake for a long time in Laguna Beach, visited his gallery many times. And they suggested this way of sharing my art. I felt like I was ready to do it because I believe that all forms of art deserve to and should be shared, whether that’s just with your family or with the public or in any way possible. I think it’s part of completing the circle of creating something. I hope and believe that the message that something beautiful can be created from grief is important. And I think the message that you never stop growing in your life and you keep going is the most important thing we can do. I hope my art communicates that. That’s why I wanted to share it.
RK: How did you feel about your showing at the Honarkar Foundation?
DDN: It was very emotional for me. I feel that the most important thing is that I feel like I’m honoring my late husband with this work. His daughter and mother and I were not able to be together, or have any kind of funeral, during the pandemic. So, I feel like this brought things full circle for me. I feel like he would be so happy about this. And that brings me a lot of joy.
RK: So, something that was grief driven, became a healing experience, and then, with the exhibition, a celebration of life.
DDN: Very well said. Yes, I think it is a celebration of my survival, of my love for my late husband, for the gift that we’re all given of finding ways to express ourselves and heal ourselves.
RK: Your ultimate goal? Greater productivity, expansion into other genres, expansion into other media? More shows? What do you have in mind?
DDN: I would love to have more shows. I have plenty more paintings. I’m painting a lot still. I’d love to have them find homes with people that love them. And, you know, I kind of put myself in the hands of the universe in terms of, what will happen next.
RK: You mentioned life in Laguna Beach. Laguna is a mecca, both for artists that come there to paint as well as people who come to see the work that’s displayed in the many galleries. Describe your connection with Laguna.
DDN: I grew up in Laguna Beach, and I’ve lived in Los Angeles for many years. But I always had Laguna Beach and my friends there help make it my touchstone, my sanctuary, my heart place. I was able to buy a little cottage about 18 years ago. I split my life between LA and Laguna. I do paint in both places. I really try to connect to the ocean in Laguna. It’s very important to me to walk along the beach ... it’s a very healing place for me. There’s an energy there that is so unique to the place. It’s in the DNA.
RK: There’s been a fervor in your career, be it in film or painting. So many films, one right after another. And you’ve described how active you are in creating one painting after another. Fair to say that each time you finish, it’s a catalyst to just jump into the next one?
DDN: Yes. I am not somebody who sits around a lot though I love to do nothing. I will have periods where I will do nothing and I’ll kind of recharge my batteries. But I really like to throw myself into life, to feel like I’m engaged and doing things that are important to me or important in general. I think that is what’s kept me going through whatever hard times I’ve encountered.
RK: From grief you’re bringing joy.
DDN: Thank you, Robin. I’m very grateful to the Honarkar Foundation for putting on the exhibition which ran from August 6 to September 14. I feel so blessed; it really does wonderful things for artists and for Laguna Beach.
RK: I don’t think there’s ever going to be a time for you to say, “this is my legacy.” Your legacy is a continuing process.
DDN: I hope so. I hope so for a long time. Fingers crossed.
RK: Just keep painting.
DDN: I will. Thank you so much, Robin. This was a pleasure.
INTERVIEW WITH A TITAN
Christie’s
Aaron
Kirman
on Confluence of Real Estate and Art
Paul Signac, Calanque des Canoubiers (Pointe deBamer), Saint-Tropez, 1896. Purchase, London, June 2023, GBP 8,015,000
Blue Door Magazine’s publisher, Justin Williams, sat down with Aaron Kirman to ask him about recent, unique developments in the story of Coastal Orange County’s real estate market. Kirman, the chairman of Christies International Real Estate Southern California (CIRE), has recruited local super agent Casey Lesher to spearhead its sales in Coastal Orange County. The addition of Lesher is the latest advance in CIRE’s total, top-level commitment to serving the needs of buyers not only for houses in our communities but for what it takes to help transform beautiful houses into one-of-a-kind beautiful homes. Christie’s pairing of its treasured art business with its real estate offerings is making CIRE a one-stop destination for those seeking to ensure their homes are as splendid within as they appear from any street view.
IN THIS ISSUE OF BLUE DOOR MAGAZINE, WE’VE SHOWCASED INCREDIBLE ART SALES ON THE FRONT COVER. WHAT INSPIRED THE DECISION TO FEATURE CIRE’S BRAND IN THIS WAY, AND HOW DO YOU BELIEVE THIS REPRESENTATION REFLECTS THE VALUES AND VISION OF CIRE?
AK: Synergy for one. By showcasing art sales alongside CIRE’s brand, the magazine highlights the intrinsic connection between the world of fine art and luxury real estate. This synergy is central to Christie’s International’s Southern California identity, as both fields require a discerning eye for quality, rarity, and beauty. Brand recognition is another. Opportunities within the art world allow us to leverage the prestigious reputation of Christie’s Auction House, instantly communicating luxury, sophistication, and heritage to the readers. It allows us to constantly align ourselves and our commitment to excellence to our clients, putting us in position to be innovative, and curate the sale of each home in a unique way that isn’t prescribed.
CIRE HAS RECENTLY MADE NOTABLE MOVES, INCLUDING THE RECRUITMENT OF CASEY LESHER FOR THE COASTAL ORANGE COUNTY MARKET AND THE ACQUISITION OF YOUR OWN COMPANY, IN LA, IN 2022. CAN YOU SHARE THE STRATEGIC OBJECTIVES BEHIND THESE TRANSACTIONS AND HOW THEY FIT INTO YOUR BROADER GROWTH STRATEGY FOR THE BRAND?
AK: Having someone like Casey Lesher join our brokerage was something we knew we wanted to have happen since we decided to come to Orange County. He brings local expertise like no other. He is a recognized expert in Coastal Orange County and brings a wealth of trust and knowledge. Very few people carry the same work ethic and values as Casey does and that shows in his clientele and day-to-day life. He allows us to really enhance the brand as an excellent brand ambassador.
ORANGE COUNTY IS KNOWN FOR ITS AFFLUENT REAL ESTATE MARKET. WHAT SPECIFIC PLANS DO YOU HAVE FOR EXPANDING CIRE’S PRESENCE AND INFLUENCE IN THIS REGION, AND HOW DO YOU INTEND TO LEVERAGE YOUR RECENT ACQUISITIONS TO ACHIEVE THESE GOALS?
AK: Just going back to our plans with individuals like Casey, we are really looking for experts and brand ambassadors throughout any of our growth. It allows us to strengthen our foothold in any market when we have the help of like-minded agents looking to help their clients, showcase a beautiful brand, and ultimately buy and sell homes.
CHRISTIE’S AUCTION HOUSE IS RENOWNED FOR ITS LEADERSHIP IN THE ART WORLD. HOW DOES CHRISTIE’S INTERNATIONAL REAL ESTATE (CIRE) ALIGN WITH THIS PRESTIGIOUS MARKET, AND WHAT UNIQUE ADVANTAGES DOES CIRE OFFER ITS CLIENTS IN THE LUXURY REAL ESTATE SECTOR?
AK: For us, the prestigious market was cultivated by Christie’s Auction House, allowing us to leverage its rich heritage and global reputation in the art world to establish a strong presence in the luxury real estate sector. CIRE benefits from the centuries-old legacy of Christie’s Auction House, established in 1766 (10 years before the United States!). This long-standing history imbues CIRE with a level of trust and recognition that very, very few competitors can match. We have a vast international presence in 50+ countries, and we leverage this global network
to provide our clients with unparalleled access to high-net-worth individuals and exclusive properties worldwide. Christie’s Auction House often includes individuals interested in luxury real estate. CIRE taps into this established client base, offering them a seamless experience when transitioning from acquiring art to purchasing high-end properties.
HOW DOES CIRE MAINTAIN ITS UNIQUE IDENTITY AND REPUTATION WITHIN THE BROADER LUXURY REAL ESTATE MARKET, AND WHAT ROLE DOES ART AND CULTURE PLAY IN ENHANCING YOUR REAL ESTATE OFFERINGS AND CLIENT EXPERIENCES?
AK: We maintain our unique identity and reputation by leveraging its prestigious association with the auction house, without a doubt. By curating a portfolio of high-end, culturally significant properties, and offering personalized, expert service, we ensure that its brand remains synonymous with luxury and technology. Additionally, our global network enables access to the diverse clientele we spoke about earlier, broadening exposure and opportunities in key markets worldwide. Art and culture play a pivotal role in enhancement without a doubt. Through art-infused marketing, exclusive events, and exhibitions, CIRE creates visually appealing and culturally rich promotional materials that attract discerning clients. Properties are often staged with fine art, and the cultural storytelling in marketing narratives adds depth and context, resonating with buyers. By integrating art and culture, CIRE not only differentiates itself but also aligns with luxury experiences, offering them a lifestyle, not just a property.
WITH THE DYNAMIC NATURE OF THE REAL ESTATE MARKET, WHAT ARE THE KEY TRENDS AND CHALLENGES YOU SEE SHAPING THE INDUSTRY, AND HOW IS CIRE POSITIONING ITSELF TO NAVIGATE THESE CHANGES EFFECTIVELY?
AK: The real estate market is always influenced by trends such as technological advancements, changing buyer preferences, and sustainability concerns. We have always embraced these trends by adopting advanced technologies like social media and data analytics, curating properties with wellness amenities and smart home features, and promoting eco-friendly and sustainable properties. This strategy us allows us to meet the evolving demands of luxury buyers and sellers and enhances the client experience. We also address challenges like market volatility, regulatory changes, and increased competition head-on through our market expertise, personalized service, and working with the prestigious Auction House. By providing informed
advice, tailored solutions, and a curated portfolio of luxury properties, we differentiate ourselves in the competitive luxury real estate market. This proactive approach positions us to continue leading and thriving amidst the dynamic nature of the industry.
CAN YOU DISCUSS ANY UPCOMING INITIATIVES OR PROJECTS AT CIRE THAT YOU ARE PARTICULARLY EXCITED ABOUT, AND HOW THEY ALIGN WITH YOUR VISION FOR THE FUTURE OF THE BRAND?
AK: Of course! Exclusive art and real estate events are something we are currently doing. The traditional model of a gallery can be challenged in our minds, and this opens various doors for us. Leveraging our association with Christie’s Auction House, we plan to host a series of exclusive events that blend art and real estate. These events will showcase luxury properties alongside fine art exhibitions, offering a unique cultural experience for our clients. This initiative underscores our dedication to creating synergies between art and real estate!
WHAT QUALITIES OR STRATEGIES DO YOU BELIEVE SET CIRE APART FROM OTHER LUXURY REAL ESTATE FIRMS, AND HOW DO YOU ENSURE THAT THESE DIFFERENTIATORS ARE CONSISTENTLY DELIVERED TO YOUR CLIENTS?
AK: I hate to say the auction house again, but the auction is something that is going to be on the list every time. Without a doubt. Another thing is for us to ensure that any differentiators are consistently delivered, we invest in ongoing training and development for its agents, maintain strict quality control standards,
and actively seek client feedback to adapt and improve services. Innovative marketing strategies and a collaborative culture also play a crucial role, and a lean into technology ensures that CIRE remains responsive to market trends and client preferences. By focusing on these strategies, CIRE Southern California continues to provide exceptional value and experiences, solidifying its position as a leader in the luxury real estate market. We are the leading luxury boutique in not just California, but in the United States for a very good reason. We are adaptable and at the same time, we set the standard on how the real estate experience for anyone should be given.
christiesresocal.com
christies.com/en
Above: Vincent van Gogh, Champs près des Alpilles. Purchase, May 2022, USD 51,915,000
Opposite: Edgar Degas, Petite danseuse de quatorze ans The Collection of Anne H. Bass. Purchase, May 2022, USD 41,610,000
WHAT MAKES TANGO TANGO?
Tapping into tapas and the vibe of Barcelona
By Allyson Cristofaro
There’s a two-story, European bistro-inspired dining experience in the heart of Laguna Beach. Tango. It has been one of the town’s bestkept secrets but, as it’s in keeping with Blue Door’s mission, we just have to tell the world about it. Owners Stacey and Drew Howitt created an immersive dining experience that’s palette-thrilling. Of course, it takes more than these two visionaries to make Tango tango. Its chef, Josh Alexander oversees the kitchen and wait staffs which are extremely coordinated teams providing a dining experience so very worthy of the community they literally serve.
Drew shared his vision and inspiration with us. “We wanted to offer a European dining experience that connects food with music, family, friends, and community. We aimed to offer locals a novel dining experience with changing, fresh, farm-to-table cuisines while showcasing tapas from various regions around the world. We wanted to create memorable moments and opportunities for neighborly connection, which inspired the design of Tango.”
Chicken empanadas with spicy cabbage slaw and chipotle crème
Left: Laguna Beach locals enjoying life during Tango’s cocktail happy hour
Tango was born from Stacey and Drew’s affinity for travel and European culture, specifically the deep appreciation for intertwining dining with music and community. “Tapas are the mix of culture, food, people, friends, laughter, humor. It’s the joie de vivre, everything that we want,” Stacey says. “The season and the vibe of life should all be found in a restaurant. Tango offers an opportunity to explore an ever-changing menu of small bites, sharing memories, laughter, and meeting new friends and neighbors.”
Chef Josh Alexander has been made a partner. “Joining Tango as a partner has been such a privilege because it allows me to bring my passion for food to the unique community of Laguna Beach. For me, as both chef and partner, it’s about creating memorable experiences for our guests and contributing to a local culture that values exceptional dining and fosters a growing community.”
Alexander assures that the menu never disappoints. “When creating dishes, I aim to highlight the natural flavors of each ingredient with the goal of letting the food speak for itself through the use of simple, high-quality ingredients,” he says. The Tango menu is always evolving, reflecting our coastal California cuisine as well as a crafted selection of European dishes that complement our well-travelled and diverse community. Alexander adds, “I look for it to reflect our coastal environment and the diverse cultures that inspire us. It’s as exciting to experiment with new flavors and techniques as it is to live in Laguna Beach, so it only makes supreme sense to keep our focus on creating dishes that are both unique and satisfying,”
Leaning heavily into the influences of European cuisine, Stacey says that when curating their rotating selection of tapas and main courses for the restaurant, “it’s really about being strategic with ingredients
Above: Chef/Partner Josh Alexander and Owner Stacey Yudin
Above left: Crispy pork belly with spiced honey mustard, baby carrots, and micro shiso
Opposite: Laguna Beach locals enjoying a Sunday funday at the ‘Alice N’ Cocktail’ outdoor dining experience
and menu items. We don’t need to overcomplicate. Josh uses great, fresh ingredients to create clean dishes and has a talent for executing an idea.”
It’s not just the food that entices with unique flavors. “Our hand-crafted cocktails, created weekly to pair with our menu, are essential to feeling the vibe of Tango and reflect the passion and spirit of Tango. We seek to elevate the senses and palate of each and every guest experience,” Stacey says. The drink menu competes with and complements the food. There’s are adventurous cocktail specialists behind the bar and watching them craft unique cocktails is part of the Tango experience. There’s an extensive selection of beautiful international wines, featuring hidden gems from regions such as Eastern Europe and Peru that other restaurants have yet to tap into.
The versatility and invitation of Tango extends beyond its menus. Local artist Diane Garreau contributed her skillful eye by designing Tango’s signature mural, tile and textiles adorning Tango’s main cocktail room, elevated dining experience upstairs, and “Alice N’ Cocktail Wonderland” outdoor dining space. Stacey spoke about the collaboration with Garreau saying, “it was imperative that because the food was going to be so bright, punchy, and constantly rotating, we wanted the design to also be adventurous. We embraced the idea of maximalism so that you felt the experience when walking through the threshold from Laguna Beach to Tango.”
Tango has a first-floor main room, with an expansive bar that serves as its focal point. Stacey worked directly with Meghan Yang Interiors to achieve her surrealist vision. The room’s openness fosters community and encourages conversations beyond the next table over. While just up the stairs, a dimly lit, moodier, late-night lounge awaits—perfect for a more intimate gathering. Outside is the patio, equipped with heaters and blankets for the cooler months, provides yet another option where guests can comfortably dine or sip throughout the year, no matter the season.
And as summer draws to a close, Tango is anything but slowing down. The restaurant will launch an all-day weekend brunch program that fuses food and drink on their cozy parklet.
Twin sisters and entrepreneurs Sophia and Isabella Hanna (pictured) highlight their commitment to sustainable brewing and organic ingredients with their brand, Phiella, and its flagship brew, Phiella Natural Beer.
By Maddison Raynor
In a market dominated by IPAs and heavy lagers that often miss the mark with female drinkers, the message from beer crafted by Phiella is clear: beer can be for everyone, not just the fellas. Local entrepreneurs and 24-year-old twin sisters Sophia and Isabella Hanna are making waves in Southern California’s craft beer scene with their brand, Phiella. The name, a blend of the sisters’ nicknames, is turning heads in San Clemente, showcasing the powerful influence women can have in reshaping industries with fresh perspectives—and a fresh approach to brewing. What began as a passion for organic farming has evolved into something distinctly original, all packaged in a sleek, slender can.
With family ties to Michigan’s agricultural industry, Sophia and Isabella have always shared an appreciation for the land and its natural resources. Visits to their family’s small farm and local beer gardens revealed a gap in the industry. “Bella and I have always loved beer, but we saw a need for a brew that appeals specifically to women,” Sophia says. “That was a major inspiration for starting Phiella.”
Combining their education—Sophia in Agricultural Business at Cal Poly San Luis Obispo and Isabella, a Sociology major at UCLA with a minor in Entrepreneurship—they began experimenting with home brewing. “We started making beer in our sophomore year of college,” Sophia recalls. “At first, it was just a fun project, but we quickly became fascinated by the process and wanted to create something that reflected our love for natural products.”
Their decision to sustainably source ingredients was affirmed by their studies abroad in Italy, where they worked at a natural winery and an organic olive grove. “Seeing the dedication to natural wine processes in Italy was truly inspiring,” Isabella says. “We wanted to bring that same philosophy to our beer.”
Using this knowledge, they experimented to develop an organic lager that is both light and flavorful—similar to Corona, but with a twist. “We combined elements of Mexican lagers, substituting traditional corn with rice.”
Their very first recipe led to the creation of what is now their flagship lager, Phiella Natural Beer, available both on tap and on shelves in Orange County. “It was our first shot at a lager, and it turned out better than we could’ve imagined. We didn’t expect it to be that good on the first try,” Isabella says with a grin.
Phiella’s clean and crisp finish comes from a natural cold fermentation process. By sourcing organic brewing materials from Germany and clarifying without chemicals, they’ve created a smooth, full-flavor drink that’s easy on the stomach. “European farming practices are incredible,” Sophia says. “Sourcing from the EU allows us to offer ‘farm to glass’ beer.”
Testing their initial product with friends and family confirmed the sisters’ decision to turn their passion into a venture. “We knew we wanted to start this as a business, so once we perfected the lager, we immediately started looking into licensing and finding a brewery that could produce it on a larger scale,” Sophia explains. Once they found a contract brewery, it was full speed ahead—and two months later their unique brew was rolling off the production line.
Since getting licensed in August 2023, Phiella has carved out a distinctive presence in the market, appealing to seasoned beer aficionados and those who typically avoid hops. “We often find that people, especially men, are surprised by the complexity of our brew,” Sophia says. “They expect it to be as light as Coors Light, but instead, they experience a fruity freshness without the heavy aftertaste.”
Looking ahead, Sophia and Isabella are eager to expand Phiella beyond their San Clemente base and collaborate with other brewers. “We’d love to collaborate with Oceanbrook Farms and Brewing,” Sophia says. “Their head brewer, Frank Harwood, is a great friend and mentor. We’re thrilled at the idea of crafting a beer with their organic lychee.”
Their goal is to expand Phiella into new markets, targeting cities like New York and Nashville for distribution within the next five years and open a taproom. Beyond that, they aim to evolve Phiella into a lifestyle brand that captures the timeless, laid-back spirit of Southern California, reflected in their merchandise. “If Phiella were a song, it would be ‘Beyond the Sea,’” Sophia says. “I love the song’s sophisticated and coastal charm. Phiella’s branding, rooted in classic style, would make it perfect for a future ad campaign.”
Until then, Sophia and Isabella are shaking up the craft beer scene, showing that women can not only compete but excel in this traditionally male-dominated industry. Their organic lager, with its perfect balance of lightness and flavor, embodies their belief that exceptional beer should be inclusive. You can enjoy Phiella at Monarch Beach Market in Dana Point, Baycrest Caps and Bottles in Costa Mesa, and on draft at Ahba in Laguna Beach. With each pour, Phiella demonstrates that great beer knows no boundaries—it’s meant to be enjoyed by everyone, and best shared with good company.
Follow Phiella’s Instagram page @phiellabeer for upcoming tastings and events—cheers!
Every case and keg of Phiella Natural Beer reflects the sisters’ dedication and hustle to promote their brand, as they host pop-up tastings and market their brew at local, coastal restaurants and bars in Orange County.
Opposite: Phiella’s sleek cans embody the sisters’ commitment to organic ingredients and a fresh perspective, drawing inspiration from their agricultural roots and a vision to craft a brew that appeals to women.
TIDELLI’S BRAZILIAN INSPIRATION
Divine design from a far-off landscape
Matteo Cibic, one of the greatest talents in contemporary Italian design, is quickly gaining global recognition for his works as he adds to his reputation for designing pieces that are both fun and luxurious. And he’s doing it in collaboration with the esteemed Tidelli Outdoor Living. Earlier this year, Tidelli and Cibic partnered to launch the Vimare collection, comprised of cabinets and rugs. Each piece is inspired by the breathtaking landscapes of Salvador, Brazil and is unmistakably reminiscent of the coast.
At the heart of Tidelli’s design philosophy is something that Cibic keys in on when he says that “developing the interaction between design and nature is much more than thinking about a product. It is humanizing the relationship between man and the environment and creating connections between people.” This thinking about the creative process shines through in Cibic’s works whose innovations embody Tidelli’s commitment to seamlessly blending design with nature.
Luciano Mandelli, a partner of Tidelli, says, “The diverse cultural landscape of Brazil is a constant source of inspiration for us at Tidelli. Matteo’s collaboration with us has brought a new perspective to our work, blending Italian sophistication with a Brazilian touch to create globally inspired pieces.”
Left: Tidelli’s latest design—Chia Daybed designed by Italian Matteo Cibic (pictured right)
Two other pieces designed by Matteo Cibic for Tidelli, Vimare rug, and Vimare armoire; Tidelli Shell chairs, Organika table, and plant vases complement the space.
So, it’s no surprise that after the launch of the Vimare collection, Cibic is continuing to bring his unique vision to their collaborative efforts by partnering with Tidelli for a second time.
Cibic describes his inspiration behind the pieces: “the warm sun, the shimmering reflection of the sea, and the vibrant shadows of the palm trees by the beach have been captured in this collection.” It holds the eye captive as patterns seem to move through our field of vision as if propelled by salty beach breezes. The weaving technique of the rug shows the fabric flowing like the motion of an ocean’s wave, all while the alternating blocks of color reminiscent of the light and shadows that dance on the sandy coast. Between the textures, colors, knitting patterns, and the energy they exude, this collection is undeniably a remarkable tribute to the coastal beauty of Brazil.
The Chia daybed, a piece from their second collaboration, is an elegant outdoor creation. Shaped like a round vessel, with a wall of plush cushions surrounding most of the bed and covered by an umbrella to provide sanctuary from a warm summer sun, the piece looks ready to transport its occupants wherever they wish to go. Whether it’s another world entered through reading a book poolside at a resort, or by engaging in an intimate conversation with a friend at a private garden party, the Chia daybed serves as a portal-like multipurpose outdoor furniture piece.
Cibic believes that the modern world has long stopped valuing downtime and instead places too much importance on business and work, forcing us to neglect our imaginations and creativity. His designs counter that, offering too much comfort and beauty for anyone to pass up on. In this way, Cibic and Tidelli’s are not only offering beautiful forms but reinforcing our positive functioning. We all need some of that downtime he speaks of.
As Tidelli and Matteo Cibic continue to push the boundaries of design, their collaborations serve as a testament to the power of creativity and the enduring beauty that emerges when nature and innovation collide.
442.227.4302
tidelli.com sales@tidelli.com
Caption
An elegant blend of vintage charm and timeless sophistication, this living space showcases a thoughtfully curated iron coffee table, embodying Laura Brophy Interiors’ dedication to creating inviting, inspiring homes tailored to the unique stories of their clients.
CREATING A VISION
Defining design while building a brand
Laura Brophy, founder of Newport Beach’s premier interior design studio, Laura Brophy Interiors (LBI), likens her team to Sherpas leading clients to the final product. “It’s not about anything in the end, except for the client, regarding how they’re going to feel and that how they’re going to live. It’s all about them feeling good.” LBI is dedicated, she says, “to creating homes that are as inspiring as they are inviting, and we are continuously exploring new avenues to expand and enhance our brand across multiple business models.”
What makes the Laura Brophy Interiors vision undeniably unique lies in its focus. “Through a thoughtful curation of bespoke treasures and
LAURA BROPHY INTERIORS
A vibrant custom banquette with a vintage dining table and chairs showcases Laura Brophy Interiors’ talent for blending eclectic elements into lively, timeless spaces that reflect the client’s unique style.
modern essentials, we bring a touch of elegance to everyday living while celebrating the joy of a well-designed life,” she says. Describing how LBI attains this vision on such a wide variety of projects, Brophy emphasizes that it comes down to communication between the client, the LBI team, the architect, and even the builder. It takes all that because LBI’s design initiatives go much deeper than the surface level.
Although much of this communication is with the teams behind-the-scenes, Brophy understands that the vision, first and foremost, “really comes from the client.” She stresses the importance of fleshing out her clients’ taste while discussing their ideas, likes, and lifestyles to ensure everything LBI does best matches who they are.
In 2023, Brophy set out on a new idea: opening a space called Brophy’s Market for the public to explore LBI’s vision that’s separate and distinct from paid design projects. “I want people to have another place to go that’s not just retail. We wanted to be able to have pieces that reflect who our clients are and not those that one might term as pieces that-fit-all. They’re not going into a retail shop where everyone has the same thing. We just don’t believe in that, “ she says. The point is so central to her vision, that she reiterates: “I think everything in someone’s house should feel special, inspiring, curated, that tells their story.” Thus, Brophy Market was born as a studio that offers a taste of LBI’s modern, artful design and a provides an intriguing peek into Laura Brophy’s visionary world.
The force behind LBI and Brophy Market has built a brand that is cohesive and intentional. She excels in translating a client’s experience in person to what they experience online. While discussing the importance of an online presence, she explains, “It’s the showcasing of our look, and we’re in a very visual industry so it’s really important that people can see from our Instagram, from our Pinterest to our website, that we’re not disjointed. I mean, it’s just like a house. I don’t want to walk into a house that’s modern and has all this traditional grandma furniture.”
Whether scrolling through LBI’s socials or strolling through Brophy Market, one is quick to embrace the vision that Laura Brophy has curated throughout her work. As Brophy’s businesses and brand continue to grow, one thing is certain: the future of LBI promises continued innovation while setting new standards in the world of design.
Laura Brophy Interiors 1537 Monrovia Avenue
949.614.0101
hello@brophyinteriors.com brophyinteriors.com
Brophy Market 1727 Superior Avenue
949.614.0101
brophyinteriors.com
ROOM(S) TO BREATHE
Transforming A Home On Costa Mesa’s Eastside
When a family of five—each with wants and needs of their own—were contemplating life in an Eastside Costa Mesa home, there was collective agreement that what they all needed was room to breathe. Each space of the home they were considering was thoughtfully viewed in terms of how they would best use it.
Every room would have its own special personality. How best to achieve this? The answer was to transform the home with a quintessential “to-the-studs” family home addition and remodeling so as to reconfigure from its basic/traditional past to Carefully Curated.
The family’s needs included not just a bit more space for their very busy and active lifestyle but a more open space with a brighter feeling. Also, on the “want list”—a relaxing and spa-like master retreat for the parents. The family was also looking for fun finishes that reflect their playfulness and their passion for entertaining. Their mission for builder Jason Jurczyk (of Jadon Construction): create a look and spirit that would be simultaneously cheerful, modern, and clean.
Left: A dramatic York wallcovering and original photography by Ari Moshayedi anchors the client’s peaceful office space.
Top right: Clean, modern and functional was the directive for the kitchen, which could be dramatically dark in an otherwise light-filled home. The island top in Copacabana Quartzite serves as the home’s main gathering place.
Bottom: With a Hydrosystems freestanding tub and Kohler Purist fixtures, the Primary Bathroom is bright and modern, creating a haven for relaxing away from the busy demands of a large family.
“Jason brought our designs to life, and honestly we had the best clients. They were eager and decisive throughout the process,” said Anna-Marie Claassen, the principal designer and owner of Anthology Interiors. She put together a major team effort, with Senior Designer Jolanta Zera-Young taking the reins in design and project management. “The clients and everyone involved couldn’t be happier with the fun, fresh, and the deeply desired family-friendly result. We are a small team that’s incredibly hands-on, and we need to be able to constantly pass the baton among ourselves in order to achieve the best results for our clients,” said Claassen.
Anna-Marie Claassen Anthology Interiors
anthologyinteriors.com 949.375.1751
Instagram: @anthologyinteriors
INTRODUCING THE “AURUM LUXE ISLAND”
The name combines the Latin word for gold with the French word for luxury.
Even though Luxe Design Showroom is the new kid on the block, it has already become synonymous with elegance, sophistication, and impeccable design. Now, with the introduction of the new DOCA kitchen island, the showroom’s stunning presentation of modern living has reached new heights. This addition is a true testament to the vision of Donna Johnson, the showroom’s founder and celebrated interior designer with over four decades of experience.
Johnson has spent years searching for the perfect cabinetry maker, one that could meet her exacting standards of quality, beauty, and craftsmanship. After a relentless quest for the finest materials and finishes, she found her answer in DOCA, a high-end Spanish brand known for its exquisite finish options and unparalleled craftsmanship.
The new DOCA kitchen island is more than just a piece of furniture; it’s a statement of elegance and functionality. Crafted with the same meticulous attention to detail as the rest of the showroom, the island seamlessly complements the existing DOCA cabinetry in the space.
The new kitchen island features a tempered glass base, which adds a modern and light feel while creating an airy elegance that enhances any space. The gold-tone aluminum in Oro Cepillado, a sleek metal finish, not only adds a touch of luxury but also offers practical benefits with its fingerprint-resistant surface. Together, these materials create a perfect blend of aesthetics and functionality, elevating the island into a centerpiece of refined design.
After decades of working with various brands, Johnson has found that DOCA’s approach to design and craftsmanship aligns perfectly with her vision for Luxe Design. The new kitchen island stands as a testament to this successful partnership, reflecting the seamless elegance that has become the hallmark of the showroom.
A FEW OF MY FAVORITE THINGS
Jessie Ann Design of Newport Beach is a sought after interior design firm, recognized for creating spaces that reflect a client’s individuality, with designs that make each home an oasis. Blue Door Magazine asked Principal, Jessie Ann, to share her thoughts on one of her recent kitchen renovation projects and the curated pieces she selected.
Jessie Ann Design
949.945.8650
jessie@jessieanndesign.com
jessieanndesign.com
@jessieanndesign
Kitchen Pendants
“The Edmund kitchen pendants from Lostine really appeal to me. They have a distinctive shape with oversized clear globes. These light fixtures make a statement while not overpowering the space.”
Kitchen Hood
“The hand-plastered kitchen hood brought another dimension and texture to this space. Our client loves to cook so we thought the hood would be the best area for this application.”
Dining Banquet
“Our custom dining banquet allowed us to open up the space and provide additional storage within the hidden fluted drawers. Incorporating this banquette allowed us to soften up the dining space with another layer of materials and fabrics that allow for a cozier feel. It was built by Hills Co. Woodworking, of Costa Mesa.”
Counter Stools
“I love these counter stools that are locally sourced and made to order. Not only are they extremely comfortable but they have a detailed woven back and a fun leather strap detail.”
LAS VEGAS LUXURY MEETS LAGUNA SERENITY
Darin and Susan Marques, the driving forces behind Virtue Real Estate Group, have quickly elevated the firm to one of Las Vegas Valley’s premier luxury brokerages. With Darin’s expertise in delivering unparalleled service and Susan’s innovative marketing background, they are now expanding their success to California. The move to Laguna Beach is a natural extension of their mission to bring exceptional real estate services to new markets, bridging the best of both Las Vegas and Southern California.
Their love for Laguna Beach began in late 2020, during a getaway that quickly turned into a deeper connection with the area. “We were immediately captivated by the natural beauty and warm community,” Susan recalls. “The experience was so positive that we knew this was where we wanted to expand our presence.”
This expansion is a strategic extension of their Las Vegas operations. “While we continue to lead Virtue Real Estate in Las Vegas, moving into Laguna allows us to better serve clients transitioning between these two regions,” Darin explains. “It’s an exciting opportunity to merge the best of both worlds.”
Darin and Susan have fully embraced the Laguna lifestyle, from discovering local favorites like South of Nick’s to enjoying the best gelato at Gelato Paradiso. “What impressed us most was the level of service and friendliness we encountered here, which matches the high standards we’ve always upheld in Las Vegas,” Darin notes. “Laguna Beach has quickly become our second home.”
As they settle into the Laguna Beach community, Darin and Susan are excited to bring their unique approach to real estate— blending professionalism with a personal touch. The community can expect to see much more of them, both in their work and as they enjoy all that life by the beach has to offer. Virtue Real Estate Group
32091 Coast Highway
Laguna Beach
Gated Oceanfront Estate
Offered at $18,000,000
Nestled among some of the most valuable oceanfront estates in California, this prime bluff-top gated property combines an understated beach elegance with a bit of classic Laguna artistry. Rarely does an oceanfront estate with such an architectural provenance, stunning locale, and gracious livability come to market.
818 Hillcrest Drive
Laguna Beach North Laguna View Home
Offered at $5,490,000
Perfectly sited and architecturally stunning, the residence at 818 Hillcrest Drive delivers the best of Laguna Beach living. The open plan and abundant glass maximize the incredible, panoramic ocean and city views from most rooms, and multiple outdoor spaces allow for the best of the indoor/outdoor living that are a hallmark of coastal Orange County.
Mesmerizing sit-down ocean views embellish this newly remodeled residence perched above Table Rock Beach. Spanning appx 3,361 square feet, the residence includes a 4-BR, 4-BA main house and a 1-BR, 1-BA detached casita. Roughly 2,000 square feet of deck space and a location adjacent to the community’s beach access are additional highlights.
31851 Paseo Cielo, San Juan Capistrano 2800 Ocean Front, Laguna Beach
31081 Coast Highway, Laguna Beach 1969 Vista Caudal, Newport Beach
385 Mermaid St, Laguna Beach
34385 Dana Strand Road #B, Dana Point
Alabama St, Huntington Beach
Skyline Drive, Laguna Beach
33811 Chula Vista Ave, Dana Point
200 Via Socorro, San Clemente
3 Morning Dove, Laguna Niguel
8 Breakers Isle, Dana Point
Rolling Wood Lane, San Juan Capistrano
64 Marbella, San Clemente
THE BEVERLY HILLS OF LAS VEGAS
THE ESTATES AT LONE MOUNTAIN
ESTATE STYLE LOTS STARTING AT: $1,100,000
Welcome to The Estates at Lone Mountain, a 35-acre community in Northwest Las Vegas that captures the essence of luxury living, much like the Beverly Hills of Las Vegas. Here, you’ll find expansive, privately gated lots—some an acre, others three-quarters of an acre—o ering the perfect canvas for the custom luxury home you’ve always dreamed of.
Located near the base of Lone Mountain, this neighborhood is ideal for those who appreciate a quiet, refined atmosphere while remaining close to the vibrant o erings of the west valley. It’s a place where privacy, security, and tranquility are seamlessly integrated into everyday life.
What truly sets The Estates apart are the two gated sub-divisions within the community, each featuring homes on spacious half-acre lots. This ensures you have plenty of room to enjoy your surroundings while being part of a prestigious and exclusive neighborhood.
Whether you seek a serene escape or simply desire more space in an elite setting, The Estates at Lone Mountain o ers a lifestyle that stands out, making it the Beverly Hills of Las Vegas.
4BED | 4.5 BATH | 3,592 SQ. FT.
Pool | Spa | Panoramic 180 degree Ocean, village and main beach views | Wrap Around Decks on Two Levels | 4 blocks to Thalia St. Beach | Close to Laguna Beach Downtown Shopping, Restaurants and Beach
302 / 302.5 LARKSPUR | OFFERED AT $4,690,000
4BED | 4.5 BATH | 3,089 SQ. FT.
Ground-up New Build - 2003
Existing Livable Sq. Ft. is 3,089 including 3 car garage
Opportunity to add additional bedroom obtaining ocean view from bedroom and balcony, adding 238 Sq. Ft.
Max allowed on lot is 3,327 Sq. Ft.
Rear unit is an upstairs 1 bed / 1bath with peek ocean view. Property is turnkey as is, with great upside if desired.
6 BED | 8 BATH | 7,709 SQ. FT.
Pool | Spa | Panoramic Ocean View | Front Row Exclusive Community of Irvine Terrace | Newer construction | Never Been Lived In | Theater | Temperature-Controlled Glass-Enclosed Wine Cellar 994 TEMPLE HILLS DRIVE | FOR LEASE AT $14,900/MO. 1207 DOLPHIN TERRACE | FOR LEASE AT $59,000/MO.
A HIDDEN GEM
By Erin Kennedy
Sun dazzled in Newport Beach
Newport Beach’s local terrain plays a significant role when an architect is formulating his vision. Case in point is the deceptively appearing custom home at 427 Santa Ana which blends seamlessly with its physical surroundings. Nestled within a charming neighborhood, just blocks from Newport Marina and Cliff Drive Park, this contemporary spec home is fronted by magnificent mature eucalyptus on a tree-lined street. It is undeniably beautiful. It’s also hiding its best features.
A wall of La Cantina doors open completely to connect the downstairs family room to the large entertaining yard
“I wanted something unassuming up front,” says architect Karl Dakteris. “There’s a one-story approach to match the quaint neighborhood. Then you walk inside and ‘boom’.” Kristine Flynn, one half of the husband-and-wife project management team, further explains, (that) “this side of Santa Ana is sloped down to the back. It makes for a unique and challenging design.”
Newport Beach’s natural elements, be it sloping lots, coastal sun or mature trees are all elements that challenge architects and designers to make the best use of what they already have long before blueprints take shape. Dakteris took all that into consideration and then began envisioning an open concept home filled with windows and light. The entry unfolds onto an expansive living/dining space with vaulted ceilings and unobstructed views down a floating glass staircase to the lower-level family room. Beyond that is a breathtaking pool behind a wall of folding glass doors. “Karl came to us with a sketch, and it was perfect,” says Flynn. “We wanted to create a home that we could see ourselves living in.”
To bring this vision to life, Flynn brought in the architect’s wife, designer Alicia Dakteris. Together they selected high-end materials with natural finishes. Legno Bastone wide-plank flooring in soft oak tones runs throughout the main level and is mirrored by matching 10-inch porcelain tile on the balcony and backyard loggia, emphasizing continuity between indoor and outdoor living. Floor-to-ceiling limestone fireplaces anchor each living area and match the limestone in the outdoor bar and seating area.
Kristine Flynn, Agent
“Kristine wanted a light space with few colors, a classical feel,” Alicia says before adding, “I also wanted certain areas to stand out.” Take the immaculate kitchen on the main level. There’s Dekton® by Cosentino counters and backsplash in gently marbled white. Both elegant and practical, providing durability and easy maintenance. The island, in matte black Dekton®, pops in contrast. Top-of-the-line Thermador appliances, including a double oven, and muted golden cabinetry combine to create a space glowing with golden light pouring in from the front wall of windows.
The quality finishes extend throughout the home. Five bedrooms are situated on the main and lower levels, each with ensuite bathrooms featuring Dekton® tile. The master suite includes his-and-her walk-in closets and another limestone fireplace. A Czech-made glass chandelier graces the entryway. But in many ways, it’s what lies beneath the surface that makes the house truly extraordinary.
“The house is completely different in person, pictures can’t capture it,” Karl says. It has five heating zones for energy efficiency, solar, tankless water heaters and water retention
Above: Relaxing primary suite bathed in natural light Right: Luxurious master bathroom
from the roof that percolates into the groundwater. It’s also fully wired, with programmable sound, security and Lutron lighting. There’s an elevator for maximum accessibility, and the sixth bedroom is currently configured as an ADU, replete with a full kitchen, living area and separate entrance. “We really tried to think of everything for quality of living,” Kristine says with the kind of look that expresses that there’s no place like home. The quality materials used by builder Milo Construction, and the execution of the project ensures that its beauty is in the eye of all its beholders.
“If you bought this lot at this location and replicated the home today, the costs would be outrageous,” Kristine points out. “It’s the best feeling when you walk through the front door and—surprise!—you can see the pool through the family room and doors open to the outside,” she muses. “It’s a dream home.” 427 Santa Ana, Newport Beach is indeed a masterpiece tucked into its neighborhood. It begins revealing its secrets as its front door opens.
A view through the inviting front door to the custom designed, handmade chandelier. Perfectly planned lighting design showcases the home at night
Right: Secondary bedrooms enjoy access to private patios and the lush yard
LIDO ISLE DREAM HOUSE
Sailhouse Builds A Waterfront Landmark
Sailhouse, the full-service real estate and development firm that designs, builds, and develops residential and commercial properties, recently shared in the dream of clients looking to make their island home in Newport Beach a waterfront landmark along with Morrison Interiors. The custom luxury home builder knew its approach to realizing their dream could be bold.
Positioned on Newport Bay, at Via Lido Nord on Lido Isle, the home is in an area known for its laidback luxury and beach-style residences. Using this as inspiration, the team combined the spirit and style of coastal living with cutting-edge features and innovative design elements. The property’s modern waterfront design seamlessly integrates natural materials and contemporary design features by extensively using glass, metal and stone on the exterior so as to distinguish it from nearby properties. There’s a floating pedestal decking system that hides the elaborate drainage system.
It’s all in keeping with Sailhouse’s credo: creating sophisticated designs that blend with the natural environment.
Warm wood accents and a view of Newport Bay make the Primary bedroom stand out in the home.
Combining modernity and convenience, the interior maximizes cutting-edge technology within the home: the integration of Control 4 Smarthome technology, solar panels and a temperature-controlled wine cellar to help achieve Sailhouse’s benchmarks of supreme sophistication and functionality.
“One of my favorite standout features is the meticulously designed temperature-controlled wine room, which not only serves as a functional storage space but also adds an element of luxury to the home,” says Pat Patterson, Sailhouse’s Founder. “It is the epitome of what Sailhouse adds to California living: modern design features to enhance life’s luxuries.”
Sailhouse’s collaboration with Morrison Interiors and architect, Eric Aust, helped ensure that the home’s modern technological elements flow well with its overall design. Standout design elements from Morrison Interiors include the use of blue as a key color, and the creation of a calming atmosphere that highlights the home’s connection to its waterfront location.
One of my favorite standout features is the meticulously designed temperaturecontrolled wine room, which not only serves as a functional storage space but also adds an element of luxury to the home…
—Pat Patterson, Sailhouse’s Founder
Right: Temperature-controlled wine room thoughtfully designed with custom cabinetry and wall mounts keeps California living in mind.
Below: Blue is used throughout the home to highlight its connection to water, as seen here in the kitchen.
By using interesting wallpaper and unique tiles, each bathroom stands out and makes a statement while still blending with the client’s style. In contrast to the home’s modern architectural lines, the overall design of the space highlights the homeowner’s preference for comfort. The primary bedroom, with its warm wood accents and cozier elements, is its own distinct oasis-within-an-oasis.
Sailhouse’s innovative construction not only enriches the community but also sets a new standard in the real estate market. The bar for constructing homes that cater to the sophisticated California lifestyle, enjoyed indoors and out, is always high. Sailhouse is committed to constantly elevating it.
Pat Patterson of Sailhouse
WOMEN CREATING SCENES
Half a millennium of women’s art
An all-encompassing, uniquely inclusive trio of exhibitions has been mounted by Tate Britain (as well as Tate St. Ives and Tate Modern) which pays fitting homage to historical and contemporary female artists. The works on view range in time, perspective and genre. They include masterpieces from more than 100 women who pioneered an aesthetic journey of 400 years through British art history, to the paintings of Brazilian artist Beatriz Milhazes as it has evolved over the past 40 years, to the photography of South African visual artist Zanele Muholi whose imagery tells stories of Black lesbian, gay, bisexual, queer and intersex lives in in her native country since the turn of the 21st century.
A Dark Pool, 1917, by Laura Knight. Estate of Dame Laura Knight. Bridgerman Images, 2024.
Now You See Us: Women Artists in Britain 1520-1920
TATE BRITAIN
London, UK
Through October 13, 2024
Tate Britain presents Now You See Us: Women Artists in Britain 1520-1920 , an ambitious group show charting women’s road to being recognized as professional artists who established what it meant to be a woman in the British art world. The exhibition covers the period in which women were visibly working as professional artists but went against societal expectations to do so.
Now You See Us begins at the Tudor court with Levina Teerlinc, many of whose miniatures have been brought together for the first time in four decades, and Esther Inglis, whose manuscripts contain Britain’s earliest known self-portraits by a woman artist. Focus is given to the 17th century and one of art history’s most celebrated women artists, Artemisia Gentileschi, who created major works in London at the court of Charles I. Included amongst her works is the recently rediscovered Susanna and the Elders 1638-40, on loan from the Royal Collection for the very first time. The exhibition also features Mary Beale, Joan Carlile and Maria Verelst who broke new ground as professional portrait painters in oil.
Women artists took part in Britain’s first public art exhibitions in the 18th century and Now You See Us includes such overlooked figures as Katherine Read and Mary Black, the sculptor Anne Seymour Damer, and Margaret Sarah Carpenter. The show also features the work of
Above: Self-Portrait, 1902, by Gwen John. Image courtesy of Tate Modern.
Photo by Mark Heathcote and Samuel Cole.
Opposite: A Modern Cinderella, 1875, by Louise Jopling. Private Collection.
Right: Wild Flowers at the Corner of a Cornfield, 1855-60, by Martha Darley Mutrie. Image courtesy of Tate Modern. Photo by Seraphina Neville.
Opposite: Self-Portrait as the Allegory of Painting (La Pittura), c. 1638-1639, Artemisia Gentileschi. Royal Collection Trust and His Majesty King Charles III.
Angelica Kauffman and Mary Moser who were the only women included among the Founder Members of the Royal Academy of Arts. It took 160 years for membership to be granted to another woman.
Women artists of this era are often dismissed as amateurs pursuing ‘feminine’ occupations like watercolor and flower painting, but many worked in these genres professionally. Needlewoman Mary Linwood’s gallery was a major tourist attraction; miniaturist Sarah Biffin, who (having been born without arms) painted with her mouth; and Augusta Withers, a botanical illustrator was employed by the Horticultural Society.
The Victorian period saw a vast expansion in public exhibition venues. Now You See Us showcases major works by critically appraised artists of this period, including Elizabeth Butler’s monumental The Roll Call. Butler’s work prompted critic John Ruskin to retract his statement that ‘no women could paint.’
Exhibit-goers will also see nudes by Henrietta Rae and Annie Swynnerton which sparked both debate and celebration. The exhibition also looks at women’s connection to activism, including Florence Claxton’s satirical ‘Woman’s Work’: A Medley 1861 which is on public display for the first time since it was painted; and an exploration of the life of Barbara Leigh Smith Bodichon, an early member of the Society of Female Artists who is credited with the campaign for women to be admitted to the Royal Academy Schools.
Above Peony, 1821, by Clara Maria Pope. Courtesy of the Natural History Museum.
Opposite: Portrait of an Unknown Lady, 1650-5, by Joan Carlile. Image courtesy of Tate Modern.
Above: Portrait of a Lady holding a Monkey, 1560s, by Levina Teerlinc. Victor Reynolds and Richard Chadwick.
Opposite: Still Life on Corner of a Mantelpiece, 1914, by Vanessa Bell. Tate Modern and Estate of Vanessa Bell.
The exhibition ends in the early 20th century with women’s suffrage and the First World War. Gwen John, Vanessa Bell and Helen Saunders played an important role in the emergence of modernism, abstraction and vorticism. Others, such as Anna Airy, who also worked as a war artist, continued to excel in conventional traditions. The final artists in the show, Laura Knight and Ethel Walker, offer powerful examples of ambitious, independent, confident professionals who achieved critical acclaim and membership of the Royal Academy.
These women artists were as varied as the works they produced. Some prevailed over genres deemed suitable for women like watercolor landscapes and domestic scenes. Some campaigned for equal access to art training and academy membership as they broke barriers. All overcame obstacles to establish what it meant to be a woman in the art world. Tate Britain’s exhibition is a monumental showcasing oil painting, watercolors, pastels, sculptures, photography and ‘needle painting’ which tell the stories of these trailblazing artists. It’s 400 years of art history that’s been mostly unrevealed until now.
Millbank
London tate.org.uk
Shop for Machining 15-inch Shells: Singer Manufacturing Company, Clydebank, Glasgow, 1918, by Anna Airy. Imperial War Museum.
Zanele Muholi
TATE MODERN
London, UK
Through January 26, 2025
While the Tate Britain mounted an exhibition spanning the course of four centuries, the Tate Modern appropriately The Tate Modern has mounted an exhibition of the ground-breaking Zanele Muholi who came to prominence in the early 2000s with photographs that tell the stories of Black lesbian, gay, bisexual, trans, queer and intersex lives in South Africa. Over 300 photographs are brought together to present the breadth of Muholi’s career to date. These images challenge dominant ideologies and present the participants as empowered individuals superbly existing in the face of prejudice, intolerance and often violence.
During the 1990s, South Africa underwent major social and political changes. While its 1996 post-apartheid constitution was the first in the world to outlaw discrimination based on sexual orientation, the LGBTQIA+ community remains a target for violence and prejudice. Muholi depicts, in the series Only Half the Picture, the complexities of gender and sexuality for the queer community including moments of love and intimacy as well intense images alluding to traumatic events in the lives of the participants.
Another of Muholi’s series included in the exhibition is a visual archive of portraits called Faces and Phases, celebrates Black lesbians, transgender and gender non-conforming individuals. Each participant looks directly at the camera, challenging the viewer to hold their gaze, while individual testimonies capture their stories. The project has become a living archive of this community in South Africa and beyond.
The exhibition presents several other key series of works, including Brave Beauties , which commemorates empowered non-binary people and trans women, as well as Being which presents tender images of couples that challenge white supremacist and heteronormative stereotypes and taboos. New works are also included from Muholi’s series of dramatic
Manzi I, West Coast, Cape Town, 2022, by Zanele Muholi. Courtesy of the Artist and Yancey Richardson, New York.
Right:Yaya Mavundla, Parktown, Johannesburg, 2014, by Zanele Muholi. Courtesy of the Artist and Yancey Richardson, New York.
Opposite: Qiniso, The Sails, Durban, 2019, by Zanele Muholi Courtesy of the Artist and Yancey Richardson, New York.
Above: Khumbulani II Room 2005
Hotel Riu Times Square New York, 2022, by Zanele Muholi. Courtesy of the Artist and Yancey Richardson, New York.
Opposite: Julie I, Parktown, Johannesburg, 2016, by Zanele Muholi. Courtesy of the Artist and Yancey Richardson, New York.
self-portraits entitled Somnyama Ngonyama (‘Hail the Dark Lioness’) Turning the camera on themself, the artist adopts different poses and characters to address issues of race and representation.
Since 2020, Muholi has expanded their portraiture practice into sculpture. Exploring intimacy, four monumental sculptures in the exhibition reckon with the relationship between public and private spheres. These larger than life-size works include three bronze depictions of the artist and a bronze representation of female sexual anatomy. The final space will focus on collectivity, including images of protest and pride marches and of life changing event. It focuses on collectivity and includes images of protests, pride marches, and of life changing events while also drawing attention to the Muholi Art Institute, Cape Town.
Tate Modern Bankside London
INSTALLATION IMAGE COURTESY OF TATE MODERN. PHOTO BY JAI MONAGHAN.
Beatriz Milhazes: Maresias
TATE ST IVES
St Ives, Cornwall UK
Through September 29, 2024
Tate St Ives is presenting a retrospective, Beatriz Milhazes: Maresias which celebrates the work of the past four decades, produced by the contemporary Brazilian artist known for her intensely colorful, large-scale abstract canvasses.
Maresias refers to the salty sea breeze that is part of Milhazes’s everyday life in her coastal city home of Rio de Janeiro. The exhibition encourages a reflection of our own relationship to the environment. Milhazes says, “my context has been surrounded by forests, mountains and coastal experiences; the development of a ‘tropical’ way of thinking.”
Milhazes, who was born in 1960, rose to prominence in the 1980s as a leading figure of the Geração Oitenta (1980s Generation). It was a pivotal Brazilian art movement that saw a return to painting as a dynamic medium for artistic expression, moving away from the conceptual art of the previous decade.
Milhazes is influenced by multiple sources including Brazilian and European modernism, Catholic iconography, Baroque colonial architecture, and the vernacular culture and heritage of Brazil. She also looks to her city’s context, its vibrant culture and social contrasts for inspiration, as well as to the spiritual experience of being in nature ... the Tijuca forest, Copacabana beach and Rio de Janeiro’s Botanical Gardens. References to art, architecture and popular culture are layered upon one another, reflecting her fascination with the ‘high low’ and the hybridity of everyday life in Brazil. Milhazes, who has a background in early childhood education, will be leading workshops with a local primary school in the area during the exhibition at Tate St Ives.
Porthmeor Beach
Saint Ives UK
tate.org.uk
OFF TO INDONESIA
Yachting Through The Magical Blue Waters of Raja Amrat
by Tiffany Bowne
As a travel advisor, I am always traveling and checking out new places, hotels and emerging destinations. Recently, I was able to take one of my personal bucket list trips. Raja Ampat, Indonesia and getting there by means of a small yacht charter has been on my radar. It is exotic, remote and truly a magical destination for lovers of amazing blue water. It is one of the top places in the world for diving and snorkeling.
I flew to Jakarta, Indonesia with a stop-over in Tokyo which cut out some of the jetlag. I connected to a local flight in that island nation’s capital city, then finally arrived in Sarong on a redeye.
Culture shock ensued almost on final touch-down. I had this little ‘where are we?’ feeling. We were driven to the local port which was very primal and not luxurious at all. My delight was obvious when I spotted the luxury vessel we were to board nestled among less appealing craft.
The welcome from the crew set the tone for an amazing journey. With only 5 staterooms, we felt pampered from the first moment. The service is 5-star, and the views incredible at every glance. The cost for chartering is very reasonable in terms of comparison to other destinations like the Caribbean or the Mediterranean. Rascal Voyages offers departures where you can reserve just a cabin and have a shared stay experience with other guests without requiring the chartering of the whole yacht.
The yacht’s amenities equate to full-scale luxury: air conditioning, 5-star linens, private chef. But, once aboard, you know you’re on a boat and not in a hotel as there slats in the floors of the bathroom to catch water, and lipstick can easily roll off the counter. But the experience,
once you get accustomed to the day-to-day rhythms on the boat, is incredibly relaxing.
The agenda: get up in the morning and have a light snack/breakfast before a hiking or experiencing a land activity; return for full breakfast; snorkel/dive; rest; lunch; snorkel/dive; sip sunset cocktails; and then dinner. Food and cocktail experiences are creatively rotated on and off the yacht each night. You see some other insanely beautiful island every day. At first, I thought how am I going to do this for five nights? By the fifth night the rhetorical, internal question of “do I really have to leave’” spun in my head.
It’s a perfect place to go with a group of friends or family. Experiencing the visual memories—the white sand beaches, the fish flitting through charmed waters, the spectacular meals—was the true takeaway of an island-to-island voyage enhanced by the luxury amenities these yachts provide.
There are other yacht charter options like Celestia that offer room for a few more people depending on your group size. Routes and itineraries change with the time of year and water conditions around Raja Ampat, the Spice Islands and Komodo National Park.
I loved seeing a remote destination that does not have the hotel infrastructure for most to even experience except by water. I highly recommend this trip for those with an adventurous spirit, a desire for the creature of comforts of luxury and, most especially, a love of crystal blue water and sandy beaches.
Transforming young lives with the help of horses and surfing
By Annette Reeves
Dr. Jillian Stewart had an extremely powerful and still resonating a-ha moment in 2018 when she got the idea to establish Surf & Turf Therapy. Stewart is a Northwestern University graduate, with a Doctor of Physical Therapy degree, who chose Hippotherapy as her specialty.
Hippotherapy involves using equine movement to engage sensory, neuromotor, and cognitive systems for functional outcomes. The movement of a horse helps patients develop balance through natural motion, which cannot be replicated by mechanical horses. Dr. Stewart uses hippotherapy to treat conditions like Autism, Down syndrome, cerebral palsy, and Angelman syndrome. She notes significant improvements in balance, tone management, and muscle relaxation.
Her interest in therapeutic riding began at age nine when she started letting children with special needs ride her horses at 4-H shows. The positive impact of equestrian movement on physical and cognitive development fascinated her. As her riding skills grew, so did her desire to help more people.
An avid surfer, Dr. Stewart noticed parallels between the use of horses and surfboards in physical therapy. She recalls working with a child with Angelman syndrome who loved water. “I thought he’d really benefit from surfing,” she says. The remarkable progress made in just two sessions prompted her to realize there could be great potential inherent in this dual-therapy approach. “Soon, I had six people on my schedule and knew this could be incredibly special.” In about a year’s time, Dr. Stewart had 28 patients while juggling three other jobs.
“I was so committed to my patients and their families, witnessing tremendous growth both physically and cognitively, that I had no choice but to fully commit to Surf & Turf.” She transitioned Surf &
Julian Zabala, student of Surf & Turf Therapy, rides his horse, Socks, next to Danielle Cupps, Barn Manager and Therapeutic Riding Instructor.
Jillian Stewart, founder of Surf and Turf Therapy, works alongside her volunteers and donor team with student Grace Sheehan atop Tomahawk to improve flexibility and motor skills using hippotherapy methods.
Turf to a full-time endeavor, establishing it as a 501(c)(3) nonprofit organization and assembling a team of dedicated staff and board members. It provides therapy services for all individuals regardless of financial need.
Dr. Allyson Blackstone, Therapy Services Manager at Surf & Turf, joined Stewart after completing her clinical internship there. Blackstone, also a Northwestern University graduate, has been honored with the Clinical Excellence Award for her work with Surf & Turf’s patients. A former dance teacher from Santa Cruz, she pairs her love for dance with her passion for the ocean.
“Our therapy is unique because it’s outdoors, social, and fun,” says Dr. Blackstone. “We take pictures, involve siblings, and laugh—giving kids a sense of normalcy compared to their peers.” She notes that while patients work hard building muscles and developing communication skills, they also enjoy their lessons. “They take pride in sharing their experiences with friends, boosting their confidence and sense of equality.”
While research on surf therapy is limited, studies show its calming effects on patients with PTSD, depression, and autism. A 2018 study published in the International Journal of Disability, Development and Education found that surf therapy reduced anxiety and improved sleep for autistic children. Dr. Stewart believes that surfing’s ebb and flow promotes natural balance, muscular strength, and coordination. “Surf therapy is similar to tummy time for babies, providing core strength in a calming environment where they learn to listen, communicate, and gain confidence.”
As a non-profit, Surf & Turf Therapy requires the support of likeminded and charitable people to sustain growth. “We’ve always grown by word of mouth; I’ve done very little purposeful marketing,” Dr. Stewart says. “Most of our marketing is to get resources. We have a wait list, and we are at capacity, we are trying to add things that we can, but we don’t want to sacrifice quality.”
Providing 85 hours of service per week, Dr. Stewart and her staff have their hands full. But she says she is blessed with an amazing group of volunteers and donors and is guided by a board of nine directors she feels blessed by. “I was very cognizant when I started this program that we must be smart and operate with mindfulness. Members of my board have very different skill sets; some who are involved in the horse community, some in the Orange County social community, and others have financial and medical backgrounds that give us a wide range of knowledge and expertise on all levels.”
“Our therapy is unique because it’s outdoors, social, and fun,” says Dr. Blackstone. “We take pictures, involve siblings, and laugh— giving kids a sense of normalcy compared to their peers.”
Board member and volunteer Dave Myrick loves what Surf & Turf Therapy does for both the individual patient and families. “I watched Dr. Stewart’s work and as each student progressed and I saw the results, it was simply magical. Watching the bond these horses have with these kids and how it impacts them individually and their families, made me want to be involved on all levels,” Myrick says before adding that “some of these families didn’t have a lot of hope about what the future would look like.”
Bergen Wood, mother of Samson, an 8-year-old Surf & Turf patient, shares how riding and surf therapy have transformed her son’s life and their family dynamic. “We wanted Samson to live a fulfilled life despite his disability,” she explains. He was born with Wolf-Hirschhorn syndrome, a genetic condition affecting various body parts and previously underwent traditional therapy. The opportunity for him to engage in typical sports activities proved to be a very significant benefit.
Wood describes the joy of seeing her son ride a horse. “It was heartwarming and inspiring. He lit up with excitement at each lesson.” Surf therapy further enriched their family life. “My husband, who loves surfing, could enjoy this activity with Samson. We discovered family beach days and saw Samson’s strength grow.” The program also improved Samson’s relationship with his siblings. “Emerson and Samson began sibling rides. Emerson was nervous at first, but Samson helped her feel at ease. Now, they enjoy riding together.” Wood emphasizes that Surf & Turf’s approach helped them feel connected and included in a broader community.
The charity’s 5th Annual Fundraising event, CHUKKERS FOR CHARITY, will be held at the Orange County Polo Club on October 24 and will feature a live polo match, silent auction, food, and entertainment. It aims to raise $150,000 for a private facility and continued program growth.
31441 Avenida De La Vista
San Juan Capistrano
949.312.7227
surfandturftherapy.org
info@surfandturftherapy.org
Grace Sheehan enjoys practicing her balancing skills by standing up while riding her trusty steed, Tomahawk.
PROPERTY DESCRIPTION: 333 Milford Dr., Corona Del Mar
3,674 sq ft | $9,295,000
PROPERTY HIGHLIGHTS: Nestled within the Cameo Shores enclave, this Mid-Century Modern home offers creek and peek-a-boo ocean views while blending its original character with contemporary design. A meticulous 2020 remodeling by Lindye Galloway and Principle Design & Construction, it has a light-filled interior with vaulted open-beam ceilings, clerestory windows, and fold-away glass doors. The residence includes four en suite bedrooms, a living room with a floor-to-ceiling fireplace, a dining room that opens to the outdoors, and a kitchen with porcelain-slab countertops, custom cabinetry, butler’s pantry, and appliances from Sub-Zero, Wolf, and Miele. The primary suite is a true retreat with a stone fireplace, floor-to-ceiling windows, and a private bath with marble countertops.
PROPERTY DESCRIPTION: 26101 Red Corral Road, Laguna Hills
5,212 sq ft | $4,750,000
PROPERTY HIGHLIGHTS: This estate in the prestigious Nellie Gail Ranch boasts elegance and rustic charm on a 26,000-square-foot lot. It features a Dutch door entry, lush landscaping, natural stone accents, copper detailing, and wooden doors. Exposed beams, hardwood floors, and custom ironwork create a warm atmosphere. The open-concept chef’s kitchen has high-end appliances, and a large island with an inlaid wood top. There’s a potential wine cellar/butler’s pantry, formal living room, an office, laundry room, and a finished storage area. Guest quarters include kitchenette and backyard access. The backyard has a covered loggia with a fireplace, pool and spa, an outdoor kitchen, and a fire pit. Upstairs offers four bedrooms, including a primary suite with a wet bar, dual walk-in closets, a private deck, and a spa-like bathroom. Despite its serene setting, the estate is conveniently located near trails, shopping, dining, beaches, and top schools in Orange County.
FROM THE AGENT: “The design of 6283 La Jolla Scenic Drive
South is a culmination of years of experience in crafting luxurious homes throughout La Jolla. The developer created an iconic masterpiece utilizing southern exposure and offering a complex cantilevered steel frame construction to provide jaw-dropping impressions. With walls of disappearing glass, and warm natural stone and woods throughout, the outdoors is invited in.”
PROPERTY DESCRIPTION: 6283 La Jolla Scenic Drive South
12,842 sq ft | .63 Acre Lot | 7Br/10Ba | Gated Private Compound | 60 ft Pool Movie Theater | Golf & Sports Simulator | Guest House | $24,995,000
PROPERTY HIGHLIGHTS: Perched high above La Jolla’s esteemed Muirlands, this iconic residence is a bold testament to architectural brilliance and luxury living. A true masterpiece of modern design, it commands attention with its monumental scale, soaring ceilings, and flawless fusion of sleek lines and warm natural accents. An unparalleled expression of contemporary elegance and timeless sophistication, it sets a new standard for opulent living in San Diego. Featuring six bedrooms, a guest house, and 10 bathrooms, you will bask in the sprawling 12,842 square feet situated on a .63 acre lot. This estate promises a lifestyle of sophistication and comfort unlike anything ever built in La Jolla.
1231 DOLPHIN, CORONA DEL MAR
$21,995,000
4 BD | 7 BA | 6,232 SQ FT HOME | 14,480 SQ FT VIEW LOT
525 EL PASEO, CORONA DEL MAR
$13,500,000
37,346 SQ FT LOT IN IRVINE TERRACE - A UNIQUE BUILD OPPORTUNITY WITH APPROVED PLANS BY BRANDON ARCHITECTS. CALL FOR A VIRTUAL REALTY IN PERSON TOUR OF THE PLANS
