APRIL 2020
Looks To I
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spring
Jump-Star tY
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DECODED
eason rS
the
FORWARD Issue
ESIRÉE DCORDERO
Peace with the Past, Looking ahead to the Future
a multicultural Celebration of Authenticity and Strong Will
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Photographer: Zach Alston Stylist: Rap Sarmiento Makeup: Jo Franco Hair: Tomoaki Sato Model: Delfina Morbelli, The Industry Model MGMT NY Photo Assist: Cameron McLeod Wardrobe Assist: Myles Colbert Location: Pier59 Studios
R E T S O P GIRL OF A
Dress: Litovskaya One piece: Sage Earrings: Jennifer Zeuner 2
Jacket: Rhoda Wong Sweater: AKNVAS Swim Bottom: Capittana Shoes: Guess 3
Jacket: Camouflaged Hoops: Jennifer Zeuner 4
Bandeau: Capittana Dress: Rhoda Wong Shoes: Sigerson Morrison Earrings: Jennifer Zeuner 5
Top: QUOD Shorts: 2WN Tie as Belt: BHLDN Shoes: Nine West Earrings: Jennifer Zeuner 6
BODE SPRING
WHAT’S
INSIDE APRIL 2020
Cover Story Photographer: TK Tatiphon Cover Model: Desirèe Cordero Cover Makeup: Paris Ariadne Cordero wears Freakbutik coat 2 Poster of a Girl 10 Logan Hollowell 18 Maggie Marilyn 26 Testing Textures 34 ELIYA The Label 42 Desirèe Cordero 52 Guiding Light 60 Dear Frances 68 MAM 76 Clean Slate 80 Rex Yu 88 World Interrupted 96 Sarah Ellison 104 Les Fleurs 110 Ali Tamposi 116 New Lands 120 A Tale to Tell Editor-In-Chief: Heather Marie Combs Creative Director: Kaylon Hardman Editor and Digital Media Director: Errin Taylor Maye
Photographer: Rex Yu Model: Malie Tremblay Stylist: Tawni Nicole Tran Makeup: Susie Salazar Hair: Lisa-Marie Powell Apathy & Anguish, page 80
Director of Sales: Caroline Penland
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EMPOWERING WOMEN. REVOLUTIONIZING TRADITION. PERFECT EXECUTION.
www.marinaraphael.com | (@marinaraphaelofficial
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his is not how I imagined releasing our April ‘20 issue. The potential of a new year came with such promise, and as we are asked to be together apart for the next while, it is with so much appreciation for every contributor, feature and Bode Magazine team member, that this issue will forever hold a place in my heart. Collectively, The Forward Issue came to life. In a time of uncertainty, this issue aims to release a platform of light and positivity in the shadows of this time. All around the world, we unite together in this time of distance, and it is with an acceptance of our past that we find peace and now choose to look to the future to move us forward.
EDITOR’S
LETTER
With this newfound downtime, I have been fortunate enough to pick up old hobbies like reading or peacefully basking in the sun in a makeshift private oasis outside my home. My latest read, The Fabulous Bouvier Sisters, takes a look inside the tragic and glamorous lives of Jackie O and Les Fleurs, page 104 her sister Lee Radziwill. Having started the novel before these unfortunate worldly effects by COVID-19, I came across a quote by Radziwill, reading: “My sister spoke a rather lovely and convincing French, but I got to live a more French life.” Re-reading this passage in this unusual time, it speaks to me more than ever and is a true testament to the mission of The Forward Issue. As I reflect on my life to this point and begin to appreciate the moments I took for granted, this point of view inspired me to approach this new normal life with a grander perspective. We have heard it many times before, all talk and no action, and to speak beautiful French is oh so different than to live a beautiful French life. As we move forward, because I know that we will, this is how I intend to aspire to live my life from now on. Appreciating every small moment – ones I once took for granted – I strive to no longer waste minutes, days, months or even years talking about doing something, instead, I am going to do. It is with this issue that I encourage you to find the light in this time of darkness and uncertainty. To remember that days may run longer and the smallest moments – like hugging a loved one – seem so big yet so far away, but by practicing social distancing now to one day come back together again, take the time to accept and find peace with your past, and look ahead to your future. Create your own mantra for how you want to live when this life-altering moment has passed, and instead of just speaking beautiful French, look to live that beautiful French life.
Heather Marie Combs
Editor-in-Chief 9
Making Jewels for the
M o Goddess e r n Logan Hollowell has had her hands in the jewelry making business since childhood. Today, that personal connection to her prized and praised gemstones make her a very sought-after woman. By Errin Taylor Maye
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Photographer: Zoey Grossman Model: Candice Swanepoel Queen Collection Jewels
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ewelry designer, writer, and alchemist, Logan Hollowell spent most of her childhood in nature raised on the outer banks of North Carolina. Instead of plastic Barbie dolls, Hollowell opted to entertain herself with gemstones and crystals. Evidence reigns true that at a very young age Hollowell loved jewelry more than any other craft. “My parents would have to drag me out of jewelry stores and crystal shops,” says Hollowell. Obsessed with the raw beauty and power of jewelry, Hollowell often fell victim to its emanating healing power. “As a child, I would sometimes sneakily dip my hands into mom’s jewelry – and sometimes get in trouble for it. I just couldn’t help myself. I needed jewelry on my body,” says Hollowell. Spending countless hours in jewelry stores, Hollowell not only took personal inventory, but expressed her interest in the various stones and impeccable craftsmanship. From that experience only, Hollowell’s intrigue has since become a part of her. “I have always been obsessed with the beauty and power of jewelry – and will always be. To this day I sleep in my jewelry,” laughs the designer. Ingesting the world around her, Hollowell sought after the life of a designer. Experienced with gems and crystals, collecting and reworking vintage pieces to make into her own, Hollowell’s jewelry designing endeavor officially took off. “[In 2014], I started designing for myself because I struggled to find jewelry on the market that I felt a connection to – pieces that held meaning, healing energy, empowerment, and tangible value,” shares Hollowell.
Queen Collection Jewels
Displaying her original designs on herself first, fulfilling her desire to fully connect to the accessory she loves most, Hollowell’s exclusive designs continuously became the must-have in public outings. Interested in the stories behind the pieces, Hollowell set up shop and started placing her first round of orders. “At that point, I started to get busy simply through word of mouth and bloggers posting organically – this being at the beginning of the blogger era. So, I knew that there was a market for women desiring jewelry that meant something. Something that could trigger a change inside of them for the better,” explains Hollowell. She coined the name Instant Heirlooms, jewelry backed by magic and intention. Officially launching in 2015, the line started out with just a few pieces that still remain bestsellers today.
Alchemy Collection & Kundalini Collection Jewels
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Queen Collection Jewels
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rom the Big Dipper Constellation Earrings, Bull Skull Necklace and the Star Set Rounded Rings, there is no coincidence that the very first designs symbolize freedom, as Hollowell credits for setting her free and inspiring the vision of the brand seen today. Hollowell’s crafted pieces are much more than what meets the eye. Whether a piece has been inscribed with a thoughtful meaning or made with a gemstone, the designer personally selects each piece, design, and gem for its energy and beauty. She designs for the modern goddess. The modern goddess is evolving. Reaching higher and raising her standards. She is thoughtful and elegant, yet adventurous. She is wise, yet playful. She honors herself and her worth. She cherishes her past, present, and future. “My muse is my customer,” says Hollowell and continues to explain, “Today’s woman deserves to have it all. I make pieces embedded with meaning to remind women of their dreams, loved ones, and memories.” Among her extensive list of influences, the designer credits Mother Nature, the moon, a rose, and the ocean. Constantly inspired by the modern goddess muse, Hollowell believes in the creative process of a muse. “Her evolution and aim to create for her and add value to her life, both physically and metaphysically. It is both challenging and exciting to have a muse that is so dynamic, which is why I am always creating something new for her,” explains Hollowell. Made in Los Angeles, pieces use 14k or 18k recycled gold, ethically sourced gemstones, and diamonds. Pieces that tell stories – created with quality metals, precious and semi-precious stones – every item can be passed down through generations. Designed to last, Hollowell’s take on the origins of the past, present, and future honors ancestry. “I always envisioned creating instant heirlooms,” says Hollowell. Admired by many celebrities – Jenna Dewan, Jennifer Lawrence, and Behati Prinsloo – Hollowell’s name and talents visually rang through high-fashion publications, paparazzi shots, and even among the geniuses at Marvel Studios. The process of Alchemy sparks inspiration for Hollowell. The story of Alchemy is found within a diamond. “Diamonds begin as black coal – through the right amount of pressure – they become light-filled diamonds, unbreakable. I believe we are all diamonds just waiting to discover our selves,” beams Hollowell. Passionate about wellness and self-healing, expression, and empowerment, the designer has since discovered the immediate connections to fashion. Hollowell continuously makes it a point to encourage women to purchase the quality over quantity – to invest in pieces that make them look and feel their best. Going beyond jewelry and spilling into one’s personal life, Hollowell invests in quality relationships and experiences that make them memorable. “I make jewelry that speaks to experiences and feelings common in every woman’s life, so I don’t see designs favored in certain places. When we do pop-ups in new cities, most customers are excited to see moonstones or use their intuition to find a gemstone they connect with,” explains Hollowell.
Inspired by a dream, realizing the divine energy of women, The Queen Collection was created. “In their own right, women deserve the best in every area of life,” says Hollowell as she describes the collection. Pieces within this collection feature gemstones, including moonstones, opals, rubies, emeralds, and diamonds, symbolizing different sources of power and healing properties – for a queen. “Our classic design from this collection is the Queen Water Drop Moonstone Ring. It features a pear-shaped moonstone and hand-set white diamonds in a 14k gold naturally textured halo,” says Hollowell. “The great thing about making fine jewelry is that gold lasts forever and can be worn over lifetimes and that in itself is sustainable. I only connect with partners that honor the principles of my core values as a creator, valuing both quality and sustainability equally,” says Hollowell. Infusing each piece with meaning – while many pieces in the industry were designed strictly for trend – the designer understood that that approach missed any form of purpose. “Jewelry to me is a physical manifestation of the stories we tell. Since I was little, I’ve believed that jewelry has a healing power when it is attached to something meaningful,” says Hollowell. Her next meaningful step will be launching a bridal collection this Summer. Having done custom engagement rings in the past, the upcoming collection will include a full line of engagement bands, rings and custom options to create the ring of any bride’s dreams. Also in the works is the launch of a capsule collection with WildAid – a wildlife conservation group dedicated to reducing the global consumption of wildlife products. The collection features diamonds, moonstones, and opals while honoring the world’s most endangered species including pangolins, sharks, elephants, lions, and rhinos. Riding on the revolving evolution of the fashion circuit, Hollowell covets her works to draw new inspiration when a new collection calls. “Right now, I am wearing the 18k Eye of Protection Coin on our Alchemy Charm Necklace with Diamond Hoop Closure. It represents strength and protection and is with the times,” describes the designer as she points out each piece with pride. Continuing, “Above that, I am wearing my Baby Unity Necklace with Pave Diamonds. I feel very connected to its meaning of the sacred balance of feminine and masculine energy,” the designer explains. Drawing inspiration from fashion trends, Hollowell is mostly inspired by the delicate fusion between designing for today and making a piece that will always be relevant. She calls it “with the times, but timeless.” Much like the adaptability of women, many pieces within her collections can easily transition by changing out a charm and mixing up lengths of chain styles. That same adaptability brings out the inner magic of any and every woman, and these pieces remind her of that with every wear. Concluding, Hollowell’s wisdom is far beyond her years and valuable in inspiring women today and every day. “I hope you take the time to honor yourself, your loved ones, and to follow your heart into the direction of your dreams. I hope you learn not to take life too seriously – that the purpose of your existence is to create and add meaning and value to your life and the lives of others.
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Queen Collection Jewels
Unity Collection Jewels 17
Feel The Breeze Dress 18
Maggie SUSTAINABLY
Marilyn
“The Maggie Marilyn girl is a dreamer. Quietly confident, strong yet sensitive. She is firm in her beliefs, kind yet never afraid to speak the truth. A feminist while openly vulnerable and excessively passionate. An environmentalist, someone who pays attention to the little things and fights for the underdog. She is a loyal friend, lover, sister, and mother. A woman who believes anything is possible.” By Gabby Davis
The scene is set along the beautifully undeveloped beaches in the Bay of Islands. A young lady with an undeniable vision for change walks her miniature dachshund Honey to her childhood home nestled in the countryside of northern New Zealand. Now twenty-five, visionary, and designer Maggie Marilyn Hewitt is championing change in a broken industry through her namesake label, Maggie Marilyn. As a little girl, Hewitt loved fashion. Getting lost in the pages of old magazines, she knew that one day she would be a part of it. Her first step was attending Whitecliffe University of Arts and Design in Auckland. It was there that Hewitt fell further in love with the mission of sustainability within a broken fashion industry. A revolution that would ultimately become the driving force behind the creation of Maggie Marilyn - a label focused on transforming the fashion industry into one that is kind to both the people making our clothing and to the planet, while striving to inspire other industries to do the same.
“The biggest struggle,” says Hewitt, “is trying to make a change in an industry that is so inherently broken. The industry has always operated behind closed doors with secrecy being the status quo and with a make-take-dispose, linear economic model. I want to create and operate within a fully transparent supply chain that is part of a closed-loop, circular economy system - No waste, no i ncineration, and no landfills. I hope that we can begin to have a regenerative impact on our planet.” A feat in itself to find fashion that is locally manufactured, sustainably made, and well, fashionable for every occasion, the brand Maggie Marilyn does just that, transcending the standards created by other designers and creating luxurious, one-of-a-kind pieces made to make women of all shapes and sizes feel beautiful, elegant, and timeless.
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s if that was not enough, the label practices a coveted exclusivity crafting every collection in New Zealand, with local manufacturers. “It’s a very special relationship for us,” says Hewitt, “our success will always be measured by the positive impact we can have in our community.” Launching first as a wholesale business in 2016, it was not long before the label gained international attention through note-worthy stockists like Net-A-Porter. At the end of 2019, Maggie Marilyn opened their first showroom in Auckland keeping the MM offices in the same space. “Working this way has been a really beautiful resource because people get to see a side of the business that not many get to see anymore,” says Hewitt. “That was our first step into retail, but the plan is definitely to open more stores in the future.” Much more than a line of beautiful apparel inspiring the women wearing it, Hewitt is positive of the industry’s desire for change. “I am starting with fashion, but that is not the end goal. Hopefully, in ten years, I always say, ‘we won’t be known as just a fashion business.’”
The Jones Dress 2.0
Designing womenswear was a natural fit for this young designer. “It stems from my desire to have these clothing that I felt was not accessible to me and my wardrobe,” shares Hewitt. “My inspiration for my designs always comes from nature. When I design, I go back up North to the Bay of Islands, to my home, to get away from the city and to be surrounded by nature.” Every collection is designed to be trans-seasonal, whether it be winter or summer, Maggie Marilyn can be worn year-round. At the end of last year, Hewitt released her new line of affordable essentials - Somewhere. “Somewhere was named after my childhood home. It is comprised of everyday essentials that I lived in as a child, it was about coming back to my roots. It utilizes organic cotton, regenerated nylon, and New Zealand grown merino wool and is fully traceable through the whole supply chain from farm to finished garment.” Hewitt’s Season 10 collection, released in February, airs traces of Somewhere’s simplicity. It is more subdued in color and texture, which we have not necessarily seen in the past. Still in the first few months of a new year, the Maggie Marilyn label shows no signs of slowing down. “We will be releasing a new addition to our Somewhere collection at the end of this year and will be expanding our mainline to cater up to a UK size 20.” Turning four this year, it is clear that Maggie Marilyn is an inspiring and beautifully-crafted force to be reckoned with in an industry ready for change. Starting first with your wardrobe, it is with an eager eye that we will remain captivated on Maggie Marilyn’s journey for change, one beautiful garment at a time.
Stronger Together Top 20
Lose Your Fear Dress 21
Lead The Charge Shirt Lead With Love Trousers in Noir 22
Together We Are One Blazer Feel The Breeze Dress 23
Picking Daisies Top Double Trouble Trousers 24
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TEXTURES 26
Photographer: Lauren Schulz Stylist: Collete Emily Makeup: Than Vo Model: Lucy Baddely, Viviens Model Management Bomber Jacket: Balenciaga Top & Skirt: Chanel
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Faux Fur: Zara Pants: Jagger and Stone 28
Bodysuit: Christian Cowan Blazer: Camilla & Marc Cuff: Chanel 29
Bomber Jacket: Balenciaga Top & Skirt: Chanel 30
Bodysuit & Couture Leg Boot Covers: Constantina Danis 31
Bodysuit: Christian Cowan Blazer: Camilla & Marc Cuff: Chanel 32
Top & Skirt: Chanel 33
Olivia Dress
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FASHION
FOR THE FEARLESS Designer and fashion maven Louise Elia is here to bring high fashion to your at-home wardrobe with her highly-coveted line, ELIYA THE LABEL. By Addison Guyette
Photographer: Lauren Schulz Model: Carla Martinez Hair and Makeup: Laura Difrancesco Stylist: Styled By Bloom (Paul Versace) Gravity Dress 35
Portia Blazer Bree Pants 36
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oming into origin, somewhat unconventionally, ELIYA THE LABEL humbly began in the home garage of founder and creative director, Elia. The Australian-based artist designs ready-to-wear statement pieces for the bold, confident, and self-aware modern women of the world. In an exclusive interview, Elia shares the inspirational story of how an industrial chemist turned a seemingly unobtainable dream-life into a thriving reality. As a young girl, Elia dreamt of a future life of glamour – becoming completely enthralled in her collection of fashion magazines. Like many, the notion to choose a more conventional and realistic career influenced her to follow a stereotypical path to “success.” Her dedication to higher education awarded her an acceptance into Monash University, where she obtained a degree in Pharmaceutical Science. Comparing herself to other classmates, Elia quickly noted the passion they had for their studies, and how she lacked that similarity. After graduating, and starting her career as an industrial chemist, her inability to feel that same passion remained unfulfilled. Seeking the council of her senior co-workers, the evolution of their careers solidified her decision to leave that industry. Instead, Elia followed her true passion – fashion. This new dedication, coupled with the encouraging support from her parents and loving partner, ELIYA THE LABEL was born.
designs. The future is female, and the fabric of ELIYA’s elaborate silhouettes found in its signature womenswear allowed her to focus on designing for women specifically to achieve that desired goal. “In the fashion world, being ‘different’ doesn’t simply mean putting a new embellishment on an old design. At ELIYA, we’ve always wanted to be bold so when I design, I like to juxtapose different elements; especially in ways that people would typically not think of.” ELIYA’s designs are made for the self-aware, empowered, confident, and trendsetting consumer. With the company having access to the modern commerce channels of social media, the sought-after label has been able to reach 12 countries and stock over 60 boutiques. Social media has gifted ELIYA with the ability to have and to design for an international audience, allowing Elia to explore deeper ranges of diversity within her designs.
“It was an incredible feeling to be complimented like that and I thought, ‘wouldn’t it be amazing if I could help others feel this way?’”
The now-designer loved planning her attire to express her unique and bold personality. Throughout her life, Elia would always take notice of what the surrounding people were wearing. When passersby would approach to compliment her outfit, Elia felt an overwhelming passion – one that had been missing during her previous career. “It was an incredible feeling to be complimented like that and I thought, ‘wouldn’t it be amazing if I could help others feel this way?’” Along with her belief that fashion is not only what you wear – but who you are – her inner call urged Elia to help women feel their most beautiful self. Further coupled with her desire to create unique pieces, Elia’s key inspiration became the muse to her intricate
Countries tends to have their own take on fashion trends, and religious affiliations that require certain criteria be met for their wardrobes; and an ELIYA design accommodates all. For her Middle Eastern customers, she offers pieces that are modest, can be layered, and are culturally appropriate while remaining true to the empowering ELIYA high fashion philosophy. In contrast, to more modest designs, Elia has several pieces that incorporate scuba and crêpe fabrics that appeal to her consumers in the United States wanting to show off their ever-coveted hourglass shapes. In an even greater effort to keep up with the fast pace of the fashion industry, Elia and ELIYA THE LABEL release a new and unique covet-worthy collection for each season. “Ultimately, we design entirely for our customers, so 2020 will simply be the year where we do more of that,” shares Elia. “I’m incredibly excited to share that I’ll be getting married in 2021, and in planning that I’ve discovered - there are so few truly gorgeous bridesmaid dresses out there. Naturally, we’ll be looking to change that with our very own Bridesmaid Capsule Collection for 2020.” Something to look forward to!
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Maryanne Dress 38
Michelle Dress 39
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www.woera.co | visit us at: @woeraofficial 41
Coat: L2R Bag: Volta Atelier
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IRE &DESIRE
Sevilla-born model Desirèe Cordero talks navigating the fashion industry, life as an influencer, and embracing her authenticity. By Errin Taylor Maye
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Photographer: TK Tatiphon Creative Directors/Stylists: Bryan Alexis & Miguel Carlos Martinez Makeup: Paris Ariadne Hair: RaĂşl Da Luz Videographer: Derek Siyarngnork Blouse: Alina Cernatescu Earrings: Raya Jewelry 43
Top & Jeans: Granted Apparel Coat: MSHEM Bag: Lovard 44
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t has been a hectic start to the Spring season. From social distancing, work-from-home, and strict travel bans, April is proving to be one for the books – but model and social media influencer Desirée Cordero is making do with the time she has at home. From demonstrating her everyday workout routine, at-home dinner dates with her boyfriend – soccer player Joaquín Correa of the Società Sportiva Lazio – and spur-of-the-moment photoshoots for her 232,000 followers, Desirée Cordero is simply just Desirée Cordero. Traveling between Los Angeles and New York City for work and her home in Rome, Cordero makes the most of her grueling modeling schedule – being a tourist. “I fell in love with New York City at first sight. People take care of each other. I love to participate in sports while I’m there, take a walk in Central Park, go out with friends, and I take any opportunity to go to fashion and cultural events. There are just a lot of open doors.” As a city known for countless possibilities, Cordero strives to be on the top of her career, and New York City is the place to get it.
open my eyes and accept me. I used to try to revindicate about the sizes in this industry, and I´d love to transmit to everyone who reads me that if you trust in yourself, everybody is going to also.” From there, Cordero has used her talents to cross industry borders, from modeling into the film industry. “I’m so proud to be a part of the upcoming film All I See Is You, starring Blake Lively and Jackson Clarke, directed by Marc Foster. What a pleasure to meet Marc. He encouraged me to start my career in film.” Now, Cordero understood the power of her newfound influence. Observing the curated content created that consumes Cordero’s Instagram feed, work saturates and is accompanied by behind-the-scenes views of her days off. “When I’m not working my days are so undefined,” says Cordero. Juggling between modeling and Instagram influencer branding, Cordero just wants to be the best that she can be. “Nowadays [social media] is a resume for this industry, and I only use it for work,” she adds and continues, “I’ve always been the same person. Humble, simple and a good person; but I learned to be less innocent or naive. Bad people are always biting.” The best advice she’s received to combat hard times: “Trust in yourself, believe in yourself and never give up. Knowing what I know now, I´d say: live your life, enjoy it, try to be positive and happy with all your problems or differences. Do whatever you want and don’t be stepped on by anybody. More importantly, always try to be in peace with your own.” When she is not participating in castings and meetings, or attending high-end social gatherings, to get her mind right, Cordero unwinds with a multitude of workouts. Streaming to her fan base, Cordero ensures every chance she gets to mix up her workout. “I mix it with Muay Thai, hot yoga, personal training, boxing or pilates,” shares Cordero. On quiet days, “I love to rest and stay in with my boyfriend or my family. I love to spend my time with them the most.”
“Trust in yourself, believe in yourself and never give up.”
“My most memorable collaboration, without a doubt, was Guess,” Cordero grins while looking back on her past works. At twenty-six, Cordero has seen the world. As a model, it comes with the territory. “It began when I was fourteen in my hometown of Sevilla.” From making a name for herself in Spain to clocking in miles around the world, she can’t seem to keep still. “I’ve moved to Barcelona, and started to travel around the world at the age of seventeen. Istanbul, Londres, Paris, Milan, Hamburg, Zurich, Miami, Los Angeles, and living between Roma and New York City, those cities I have visited the most since I got my start.” What Cordero won’t boast about is her crown. Pageant crown, that is. In 2014, Cordero competed and won the title of Miss Spain. From there, she became a household name. With the previous modeling before her crowning moment, Cordero’s stance in the fashion industry took off. But, according to Cordero, working in the fashion industry was not a reality she intended on living. “It wasn’t in my mind,” she honestly admitted. Thanks to her father’s advice, Cordero then age fourteen, decided to go for it. “Nowadays I´m so involved in it. I´m going to always be thankful for this world because it made me
Remaining strong-willed, Cordero is fully aware of the broadening markets each country has developed. Feeling hard competence in the States, the Spanish model has come to terms with what standards the beauty and fashion industries have instilled. That has not and will not stop her.
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“I push to be more hardworking. You need to be your best version and stronger.” Unapologetic, fresh, warm, and authentic to Cordero and Cordero alone. Long days and nights, endless travel and being away from the ones you love, the life of a modern model can be grueling, but Cordero refuses to change a thing. “I´m not regretful of anything. All that I have done, has made me who I am today – including my family.” With dreams of the future, “[I] want to do Sports Illustrated Swim, walk for Dolce & Gabbana, a Nike or Adidas campaign, Fenty Beauty by Rihanna, Calvin Klein, and Victoria´s Secret,” there is no dream too big for Cordero. Always looking to the future, grateful for her journey and the support she has received over the years, time will tell what we will see Cordero doing next. We can assure you, it will be huge.
Sweatshirt: Tasha Tarno Skirt: Eygló 46
Dress: Eyglรณ 47
Coat: MSHEM Bag: Lovard Jeans: Granted Apparel 48
Sweatshirt: Tasha Tarno
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Dress: Eyglรณ
Coat: FREAKBUTIK 51
Skirt: Area Silk Blouse: Notes du Nord
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GUIDING
Photographer: Douglas Mott Model: Kylie Vonnahme, Women360 Stylist: Taylor Greeley Hair & Makeup: Alicia Dane Producer: Melissa Vallas Body Suit: Love + Alicia Skirt: Stuad Pumps: Kate Spade
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Pants: Stine Goya 54
Slip: Vintage La Perla Coat: Plan C Skirt: Bcbgmaxazria Pumps: Zara
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Bustier Blouse: Hellessy Shoes: Michael Kors 56
Satin Playsuit: Self Portrait Leather Jacket: Cheyma Boots: Miista 57
Bustier Blouse: Hellessy 58
PRODUCTION & PHOTOGRAPHY RENTAL STUDIO IN EAST WILLIAMSBURG, BROOKLYN NYC THISISWAVERLY.COM | @THISISWAVERLY | STUDIO@THISISWAVERLY.COM 75 STEWART AVE, UNIT 300, BROOKLYN, NY 11237 59
DEAR
Sol Mule in Chalk
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FRANCES,
Known for creating minimalistic and redefined footwear, Jane Frances of London label - Dear Frances - discusses her itch for design at a young age, being unapologetic when keeping things simple and why she is “no plain Jane.� By Errin Taylor Maye
Driver Loafers in Tan 61
Cube Boot in Black 62
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orn by the likes of Margot Robbie, Gigi and Bella Hadid, Kendall and Kylie Jenner, Kaia Gerber, Hailey Beiber, Selena Gomez, Zoë Kravitz, Emma Roberts, Sienna Miller, and countless street style sirens, Dear Frances has established itself as more than a trending label among influencers. Launched in 2014 – based in London and handmade in Italy – Dear Frances features modern minimalism, sleek textures, architectural silhouettes, and refined details. What seemed like an easy beginning, the idea for the label looked more of a 360-degree process. With an already accomplished background in branding, Frances decided to follow her passion and retrain herself in shoe design. “I moved to Italy and went to a small design school in Milan. At the end of my studies, my teacher introduced me to an artisan shoe factory just outside the city. When I graduated, I had the chance to intern there with their family and production team,” says Frances. Taking in the opportunity, Frances was able to learn first-hand the age-old techniques of Italian shoe production from many experienced artisans in the country. It was through this process she polished her style and gravitated toward creating timeless pieces with refined and modern simplicity. While still living in Paris, Frances launched the Dear Frances label and shortly moved to London thereafter. There is an Italian saying chi fa da sè fa per tre, meaning if Sol Mule in Black you want something done, do it yourself, and founder and creative director Jane Frances, did exactly that. “I always wanted to start my label and had been interested in design from a young age,” says Frances. In her own words, she is “not a plain Jane.” Tied to Jane Frances namesake, Dear Frances was inspired by several things. Keeping Frances front and center – additionally, a play on words while living in Paris – the name reflects the start of a story, in the same sense that you would pen the start of a letter. Eventually, everything that followed became an evolution of this newfound journey. “More than ever, customers are interested in a brand’s backstory and ethos,” says Frances. Being digitally native, the team behind Dear Frances can continuously connect within their community. Noting her fortunate opportunities growing up in Australia, making a home in Italy, France, and the
U.K., Frances praises the countless perspectives living internationally has provided her. “We certainly have different best-sellers in different regions, particularly since it is always both Summer and Winter somewhere in the world. However, we find our timeless approach to design speaks to people from around the world,” she adds. That same approach has allowed her to express her creativity in a new light every time. “Inspiration can come from anywhere, but much of my research is immersed in architecture and furniture design. I enjoy many different styles of architecture, although I’m mainly drawn to modernist design and the principles of clean lines, space, and elemental materials. My inspiration for new heel structures and toe shapes often starts with furniture design – studying the curves, lines, and craftsmanship involved in anything from chairs to lamps, tables, etc,” shares the designer. The Dear Frances woman is independent and selfconfident, with an effortless and timeless sense of style. She has a modern, considered taste and invests in quality, long-lasting pieces that form the cornerstone of a classic wardrobe. To Frances, fashion is an expression. Admiring working with color and textures, the founder has found new ways to blend unusual combinations. “There is nothing more satisfying to me than seeing materials working together to create something unique – whether that’s in our work, in nature or other art forms. I have always been drawn to design and the work and detail that goes into making beautiful products, rather than the industry itself,” says Frances. That same fascination has found its way into discovering materials, lines, and proportions. Each element blending seamlessly within the label’s designs, Dear Frances’s footwear has become a very structured part of today’s fashion. The footwear niche is not like others in the fashion industry. Not like other garments or pieces of art, rather – as told by Frances, “They have a very specific purpose and function, which must be designed within technical constraints. I like working in this way. I love pushing the boundaries of shape and design, while also considering the practicality of each pair we make. I am always asking myself, ‘what is the purpose of this design? Where will our customers wear it? For how long? And how can we make this the most comfortable journey for them every time.’”
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er love of tonal colors, fine lines, and unique texture combinations have made for a particular application in fashion drawing to more uncomplicated, quiet luxury. To Frances, that is how it always has been. “Our approach focuses on the quality of materials, keeping things simple, paring back the fuss and focusing on detail, texture, and tone. Whilst I adore shoes and this is our current focus, we have always taken a wider visual approach which I feel lends Dear Frances to explore other categories in the future, when the time is right,” she reveals. Dear Frances minimally provides luxury and timelessness. The same goes for the creative director’s design process. She never strives for perfection. In a new era of fast fashion and the desire of appearing “perfect,” the label’s ethics focuses on instructing women on the importance of quality over quantity when it comes to today’s minimalism. To Frances, perfection is subjective. “We can learn from years of fast fashion, however, it creates a never-ending pressure to keep up and consume products at a rate that is not sustainable. There is something very calming about stepping back from this cycle of consumption. Investing in quality classics that are designed to last – pieces that will form the building blocks of a minimalist wardrobe. Therefore, buying less is an empowering and highly satisfying choice that we can all make,” says Frances.
craftsmanship involved in traditional Italian shoe production. With a strong emphasis on producing shoes that endure and styles that outlive trends, Frances ensures materials are sourced locally, working with tanneries and heel suppliers in the same town as their factory – helping to reduce unnecessary transportation. “Ethical production begins at the source and we trace our components right back to the raw material. Our suppliers work with small, local farmers, sharing the same social and ethical values as us,” explains Frances. Zeroing in on the use of organic and non-toxic dyes, the company minimizes waste through small run production and decreasing unnecessary transportation by sourcing locally and supporting the artisan trade in Italy. To further support that same belief – in a move towards a circular economy – Dear Frances partners with aligned organizations. One particular organization is Soles4Souls, that helps save lightly worn shoes from piling in landfills and instead distribute to people in need. As we wrap up, Frances paints a photo of her work-from-home situation, but says though she takes it one day at a time, one item has been helping her manage things more efficiently. “I’m currently reaching for our new season ‘Driver Loafer’ almost every day. The ‘Driver’ is a refined design, in which we used a technical seamless construction to rework the classic loafer with modern accents. I am finding this style so easy to wear indoors, it almost feels like a slipper made for inside and out.” Making accommodations in the middle of a global pandemic, being technologically savvy, Frances showed no alarming signs of distress when conducting our “social distancing” interview via email. Instead, responses relayed a side of understanding. “Very sadly, the global coronavirus pandemic is currently impacting so many lives as we write this. It will no doubt change our world forever,” says Frances and the reality set in again. Like so many others during this time, Frances adds, “everyone is riding this wave of uncertainty and hoping that together we will emerge from this crisis stronger and with a more united world.” As a small business, Dear Frances continues to be reminded of the support, encouragement, and loyalty of its global customers. Their reestablished focus – for now – is to inspire, uplift and accommodate customers and communities as they work their way through this unprecedented time together.
“I think there is something to be said for having a classic wardrobe that’s edited just right.”
Focusing on craftsmanship to “slow down the fashion cycle,” her initial reaction from the beginning was defining the essence of a sustainable approach. With a heightened desire to slow fashion down, Frances and her team drew upon investment pieces that could be worn time and time again, season after season. “We strongly believe in reverting to quality, long-lasting styles, with ethical material choices. I think there is something to be said for having a classic wardrobe that’s edited just right, so you always know what to reach for each day. Our factory and suppliers share the same beliefs and ethos that we do,” says Frances. Working with a 4th generation factory in Northern Italy, the Dear Frances team has established profound respect and appreciation for the techniques and
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“Our approach focuses on the quality of materials, keeping things simple, paring back the fuss and focusing on detail, texture, and tone.�
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MAMA’S Jewelry
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Five years and a barrier-breaking wooden watch, Barcelona based jewelry label – MAM – is delivering innovative styles, a distinctive aesthetic and futuristic flair showing no sign of honing it in. By Heather Marie Combs
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refreshing departure from the cookiecutter norm in adornments, co-founders and designers, Anthya Tirado and Jordi Enrique Albert debuted MAM in 2015. Anthya is creative, sensible and confident. Jordi is autodidact, charming and unstoppable; and much like their innovative take on accessories, these two are the perfect pair. First designing singular wooden watches, the designers were not meant to create in a limiting capacity. “After just one year, we managed to challenge the properties of wood and create the thinnest watch on the market, becoming a watch brand with an
innovative style and unique aesthetics,” says the founders. “We decided to keep exploring other territories based on MAM’s DNA and that’s how we came up with our first jewelry and leather goods collection. A new line designed so that each individual can create their look, adding a distinctive and groundbreaking touch to their style.” With a current motivation to continue revolutionizing the way people wear and use accessories, MAM aims to create functional and genderless pieces that provide the freedom to personalize and explore the individuality of each person in a creative way.
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More than just a to-the-point name, MAM is built on movement, art, and mission. At the ethos of this one-of-kind line, the label thrives on moving forward in product design and innovation. Supporting art and artists from all over the world, Tirado and Albert have also released the IAM project, especially catering to young urban creatives, while still staying true to their mission to be as ethical as possible with the environment. “Our goal, when we started, was to bring to the creative community a brand that reflected our vision of the world, both at the design level and sustainability. Our brand philosophy has always been respectful of the environment, and somehow, we have been always connected to this purpose. Now that we are getting more into the jewelry world, we see it is really important to be true to our values and principles, and that’s why we use recycled stainless steel and we are now working on certificate fair trade on our gold and silver,” says Tirado. Noting that the industry currently offers no ecological label or sustainable standard certifications for many processes or materials, they have made it their mission to fight against this struggle in sustainability, ensuring that all the providers they work with meet their humanitarian and sustainable standards. “We only work using 100% natural materials, recycled material and we are plastic-free. Also, we use sustainable shipping to combat Co2 emissions,” adds Albert.
Offering the industry a sustainable and personalized accessory, the Barcelona brand operates on a global scale. “We can notice differences when we talk about watches, but in jewelry, the best-sellers are similar in almost all the countries,” says Tirado. Finding inspiration in the cultures around the world, it is the country of Japan that stands above all the rest. “Kindness, love, and respect rooted in Japanese culture always leave us speechless. We are also amazed at the strong connection this culture has to art and nature and how everything super simple can become fascinating,” says Tirado in admiration. Recognized around the world as a company specific to accessories, a capsule collection with young designer Iem Thomas is introducing MAM into the world of apparel with the ITSABAG crossbody bag. “Since its launch, it has been a total success. It offers the opportunity to carry your basics comfortably,” Albert explains. Naturally, our intrigue rose at the prospect of expanding the line into more apparel, but the designer’s remained tight-lipped on the specifics we can look forward to: “Yes, we are currently working on the growth of MAM product categories, it will include some apparel, which we hope you will also love. But we can’t say more,” teased Tirado, continuing “so we recommend you stay posted.” We were able to divulge that the label is currently innovating with new materials that are vegan and 100% sustainable. “There are many exciting things to come this year. Soon you will see pieces that you will surely need to have in your wardrobe,” says Albert. As we said our goodbyes, Anthya and Jordi encourage you to “be you, express yourself and be different.”
“Our goal, when we
started, was to bring to the creative community
a brand that reflected our vision of the world.”
Designing with young entrepreneurs and fellow creatives in mind, the MAM muse is described as someone who owns her style. She is away from the mainstream when it comes to fashion with a need to feel different, to be different. “[She] is not afraid to try new and different things,” expresses Albert and adding, “At the end of the day, having a good sense of style is not about what you wear, it’s more about daring.” Daring to stand out in a niche made industry, it is with a minimal approach that MAM stays true to the people they design for. “In general, we are inspired by the beauty of the human body, in its simple shapes and forms. Each piece is designed to blend so perfectly with the extremities of the body that becomes for whoever uses it, an essential piece of beauty,” says Tirado.
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Photographer: Carmen Rose Model: Paige Henry Makeup: Mae Taylor Hair Stylist: Lauren Mackellar Stylist: Leroy Lorenzo Shirt: Siyona Brooch: Chanel Tie: Ebony Lee
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Photographer Rex Yu has always favored the timeless over the trendy, and his dynamics-inspired portfolio has “vintage� written all over it. By Julienne Steffen
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Photographer: Rex Yu Model: Malie Tremblay Agency: Elite NYC, Premier Model Management, Meraki Model Management Stylist: Tawni Nicole Tran Makeup: Susie Salazar Hair: Lisa-Marie Powell Sequin Sweater: ZARA Shorts: Honey Birdette
& APATHY
ANGUISH. A COLLECTION
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The magic of photography lies in the millisecond between the clicks of a shutter. The candid twitch of a model’s hand or a sought after flashing of emotion in the model’s eyes can make the difference between another pretty picture and the photograph that forges a connection to the viewer. Fine arts photographer, Rex Yu, has reminded us of this once again with his delightfully melancholy collection, Colored Emotions. Favoring the timeless over the trendy this series draws not from a specific era, but from a specific scenario - a woman neglected by her husband, left at home with her face on for no one to behold. Examining Yu’s work is like taking a drag off someone else’s cigarette. There is an intimacy there, a shared moment of calm amidst the chaos. In Colored Emotions, the viewer meets a woman, alone and unattended to, sharing with her a few seconds of recognition. The collection progresses chronologically, following its subject over a few hours as she deals with her abandonment. With each photograph, her anxiety grows, folding into apathy as the night comes. A few glasses of wine and a phone call later and she is angry, raging at the man who discarded her once again. She glances at the camera defiantly as if to say, “What? Something you want to say?” She knows she has been stood up. For a moment she stews in her hurt, wandering the house and swapping outfits just for something to do like a bored teenager on a rainy day. The night is wasting away and her husband is still not home. Finally, her shoes and her inhibitions abandoned, she lets go.
despite the loud wallpaper and opulent props, the focus never strays from the woman; her whirlwind of emotions demands to be seen. Rex Yu has been candid about his desire to connect people through his works. Passion as his driving force, Yu says he “never wants to look back at my work and feel like I was just doing it to put out content. I want to create with intention.” As a creator, he strives to connect his audience and his fellows with his art. Admitting that his motives were not entirely selfless, “There’s a level of trust you build quickly with those who understand your works and your ideas that is so intoxicating.” Inspired by emotion and driven to create a momentary escape to those in search of one, “I want the viewers to see me and my ideas in my work and become moved. Granted that’s a bit egotistical,” smirks the photographer as he continues, “but I think the expression of the soul’s need to create should be celebrated and my purpose is to inspire others to do the same.”
“I want the viewers to see me and my ideas in my work and become moved.”
Her cigarette burning out on a coffee table, she dances by herself to the music of an old radio. There is joy in her movements, fleeting but potent. It is a small moment of victory in the losing battle that has become her life. Colored Emotions tells a story that is neither long nor extraordinary, but it is breathtaking all the same. The viewer is given a small window in which they can glance at another life. A task difficult to achieve by the capturing party, but a task Yu embraces as his passion for photography. It is difficult not to look at the decor, the ambiance, the pastel wash, without feeling some level of awe and envy. A beautiful woman stands amongst beautiful things, and her misery is made even more potent by the backdrop. As she goes about her night, covering up and baring herself at random, the viewer is taken from the kitchen to the living room to the foyer, each room more beautiful than the next. Somehow though,
Not just for his many viewers, Yu desires to create art that moves him as well: “If you do not resonate with your work, who will right?” In an industry linked so closely with digital platforms to showcase the ingenuity, he views social media as a tool, “like a hammer. I think social media is great to connect with like-minded people that are inspiring to you and that you look up to. I think we live in an age of infinite possibilities now and it’s one of the greatest times to be alive and to be able to instantly connect, collaborate, and inspire so quickly with each other. The content and inspiration people are putting out is overwhelming, to say the least. Some of it is very ‘formulaic’ which can be the downside of it. Just like a pop song, people tend to gravitate to things that work, which creates a lack of originality. However, taking inspiration and making it your own and providing your voice is what’s important,” says Yu. He further moves to advise potential protégés to “not do it for the money. Do it because you are innately compelled to.” Now that his beautifully shattered socialite has been delivered to the world in this evocative series, what is next for Yu? “I’m interested in shooting more male models and larger projects involving Asian and African American models. I have some interesting concepts I want to explore.” His famous last words? “Be kinder and more empathetic to one another. We all have our issues, but do not forget that everyone also has theirs.” 83
Military Coat: ZARA Pumps: Steve Madden
Altair Bralette: Saturday the Label Velvet Bottom: Saturday the Label Pumps: Steve Madden
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Photographer: Sara D’Ambrosio Model: Pia Cattapan Hair & Makeup Artist: Milly Dowsett Styled by Sara D’ambrosio & Pia Cattapan Dress: Faithful The Brand 89
Necklaces: Wildthings Collectables & Mejuri Rings: Cendre Co & F&H Jewellery Earrings: Luv Aj Shirt Dress: Bamba Swimwear 90
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QUALITY. MODERN ELEGANCE. INTELLIGENT DESIGNS www.gregory.net.nz
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Noticing a market gap for originally designed and attainable furniture, Australian interior stylist and designer Sarah Ellison’s namesake studio has been setting the stage for high-quality work.
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By Errin Taylor Maye
s we all know, fashion moves and evolves at a rapid pace. Lucky for us, furniture collections have proven longevity and permanence with an allure both universal and broad. Cheating on fashion with furniture, Ellison gathered her stepping stones for interior design after a brief navigation of the pre-social media fashion world, making the gradual move into the world of fashion’s longtime sister, furniture. Launched in 2016, the Sarah Ellison Studio’s origin story was birthed in response to the designer’s observation. From enduring a lengthy career as an interior stylist at Interior Magazine to the birth of her son to grappling with the market gap for originally attainable designed furniture in Australia, Ellison knew she was in the right industry and her creative chance had finally arrived. True to this new age, headquartered in Byron Bay, Australia, Ellison works virtually alongside her co-founder Leigh - stationed in Sydney - operating remotely for high quality and original furniture. Producing and sourcing products that “don’t cost the Earth.” Yearning for permanence in her work and control of her schedule, balancing work-life and motherhood, Ellison fancied the idea of returning to square one to create actual products. At this stage, the Sarah Ellison Studio is utilizing the connections with other leading interior showrooms to advance their name in Australia – Life Interiors – and in the United States – Hawkins New York. When asked about the biggest takeaway when collaborating with other style interior creatives, Ellison’s focus was strictly on her clients. “You need to be able to incorporate the spirit of that client within your aesthetic. You always have to remember that you are not designing for yourself, but the needs and wants of someone else. Much like fashion, creatively, you go through the same process from idea to concept, design to sample and then a final product. Working out who your customer is, who you are designing for and where your ideas sit in the world are all relevant to both fashion and interiors. Essentially, it’s all storytelling.” Finding the land of the between, Ellison connects her fashion past with her interior design present. “Furniture pieces are like the investment buys in a fashion wardrobe, they must be treated with care and thought. But, if you make the right decision, you’ll love them for years to come – like your favorite designer bag or pair of leather boots.” Defining the correlation between fashion and interior trends is not as far fetched as many would think. Quality, Ellison insists, is the key. “If something is made well in a
beautiful fabric that ages well, feels great against your skin, and is a joy to use and or wear then it kind of transcends trends,” says Ellison. Innately staying abreast of trends, in both fashion and interior design, Ellison’s insatiable hunger for the new and interesting keeps her up-to-date. “I love all facets of design from architecture to fashion, graphic design to art and I find it interesting watching them all interpret trends through their lens,” shares the designer. Unapologetic for her love of the 1970s, Ellison – sans shag carpet – twists and turns her inspirations into more subtle takes. Favoriting the return of beautiful stones and marble in furniture, the interior stylist incorporates the pureness of the raw materials making them ageless. Implying one piece of advice for those more challenged in inspiration: “Make sure you are buying pieces you truly love. Do not use a Pinterest board as a literal translation of what you want. Use the platform as an inspiration and add your spin on it,” says Ellison. Her design motive: creating furniture that are statements in and of themselves, leaving room for calm and space around them. What you will not find in Ellison’s living space is industrial. “It only works well in actual industrial buildings and warehouses, it does not work in suburban renovations,” says Ellison. Cold concrete floors, subway tiles, and industrial lighting are far removed from Ellison’s lookbook. Her style is grounding, warm and sensory. Minimal and simplistic, Ellison’s modern and exclusive creative direction stems from her background in fashion design and discovering a middle ground between industries. “I began in fashion when it was still a pre-social media world,” says Ellison as she jogs her memory of her past experiences. Seasonal, competitive and generally revolving around a seemingly unattainable world, Ellison found immense difficulty when it came to cracking the system. “I had my brand but found the whole business quite impossible to navigate. I was also young and hadn’t gained much confidence in myself yet. I loved the creative process of watching an idea come into fruition through a collection. Though I believe it’s the same process no matter what the medium, the switch to interiors didn’t happen overnight. Gradual, over the years, it turns out fashion was more of a stepping stone to get me to where I needed to go.” When asked if there will be an introduction and incorporation of apparel within the Sarah Ellison Studio product design, Ellison laughed and swiftly tossed that possibility out the window. “No, definitely not. I will just stick to my lane and do what I’m good at,” Ellison concluded. 99
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Photographer: Natalie Dunn Model: Olivia Muller, Elite LA Makeup: Alaina Davenport Hair: Junie Stylist: Jessica Armstrong Photo Assist: Paolo Artymiak Blouse: Codtarellos Skirt: OTT Bracelet: Iris Trends Shoes: Vince Camuto 105
Faux Leather Coat: Apparis Crotchet Set: Sandro Booties: ShoeDazzle Earrings: NOÄ 106
Blouse: Kaftan Studio Pants: Chio Sandals: Michele Lopriore Earcuff : Alex Mika 107
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What Doesn’t Kill You,
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writer A fast look into the life, love, and soul that is songwriter Ali By Ashley Dawson
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Tamposi
Photographer: Nicholas Tamposi Styling: Lauren Smith Hair/Makeup: Marianne Tamposi Models: Ali Tamposi & Jasmine Tamposi Location: Dragonville Stables Dress: Silvian Heach Shoes: Helen’s Heart 111
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n tune with their environment and true artists in their own right, songwriters are those rare old souls, that unicorn of a person that touches everything that we as consumers of music know and love. Weaving the words together that we soak up in our happiest and darkest moments, ultimately leave a lasting impression on us in various stages of our lives. Indeed, the lyrics that we listen to shape our psyche in ways only the people who wrote them can fully understand. Ali Tamposi is one of these songwriting old souls. Writing music since her teenage years, her career has touched us all in one way or another as she has collaborated with some of the industry’s leading artists from Beyoncé to Selena Gomez to Lil’ Wayne and Kelly Clarkson — for which she received a Grammy nomination for “What Doesn’t Kill You Makes You Stronger”. If you listen to the radio, chances are you have heard her words. On the inside, though, this ocean-loving So-Cal gal is so much more than just an artist; she is also a humanitarian and lover of people. Sitting down with Ali is like sitting down with an old friend.
A firm devotee to the notion that lyrics can come from anywhere, she let us on in her process from an inspired idea to an actual lyric. “The beginning of sessions is usually like a therapy session and then I try to draw inspiration from my own life or whatever the artist I’m working with is going through. Sometimes it comes right out and other times it’s a struggle,” exposes Tamposi. “Sometimes I leave the studio thinking I’ve written the best song of my career, and then I listen back a few days later and am like, ‘what was I thinking?’” laughed the humble artist. New to the inner mind of a songwriter, I was intrigued by the relationship between the artist and the muse. Is that a relationship common in the realm of music? “I think artists can have a muse, but for me, it’s about the story. So I wouldn’t say that one particular person is the driving inspirational force behind the songs.” Now inspired by the potential of an individual, that just may warrant a musical muse. And for Tamposi, that current title is reserved for her niece — Jasmine Tamposi. “My niece is beautiful and extremely talented. She began her career as the lead singer of the band Sona Waves at age fifteen. We have collaborated on the American Dream, part of the soundtrack on the soon to be released indy movie Feral State. She has a great, fluid, urban sound and I believe she has a solid chance of having a very successful career! She recently released two more cutting edge songs on Sound Cloud,” Tamposi proudly shares.
“Just as fashion plays an important role in influencing our culture visually, music has this same power.”
As our conversation began it became my mission to discover the leading lady behind the words. Under the success, fame, and fast-paced lifestyle, who is this lyrical composer that has touched so many of our lives? Tamposi grew up in southern Florida with her first love, the ocean. A relationship she could not let go of as she later transitioned to a modern-day Southern California beach-frequenter. The waves drew her in wherever she went, ebbing and flowing like the words in the melodies of her songs. While in Florida she attended the School of Audio Engineering in Miami — introducing her to her first taste of the music industry. “[After graduation] I knew music was going to be an instrumental part of my journey as a songwriter.”
Indeed, Tamposi has always felt most at home in the studio. Initially cultivating her career as an aspiring artist, the creator rather found the opportunities as a songwriter and producer to be endless — a path in her career she never looked back on. When the opportunity arose to go behind the music and into the studio she took the chance to fully immerse herself in every aspect of the industry. “Music mirrors life, and if I can write something that evokes emotion from someone, then I’ve succeeded,” says the artist. And like most creatives, Tamposi loves to tell stories.
Switching topics from music to fashion, anyone who follows either industry knows that the two platforms form an integral relationship; both harmoniously synced to form a societal image of what we call “entertainment.” “Walking the red carpet for the Grammy’s in my early twenties was when I began to embrace fashion,” shares Tamposi. Her active attendance in music’s social scene paired with her passion for keeping up with day-to-day global style trends has influenced her career. A longtime advocate of MMA karate pants, vintage shirts, and tinted sunscreen for optimal UV protection, Tamposi is no slouch when it comes to her favorite designer household names like Alexandre McQueen, Dries Van Noten, early Tom Ford, Comme de Garcons, and all emerging designers coming out of Tbilisi, Georgia. “Just as fashion plays an important role in influencing our culture visually, music has this same power through sound. Together they paint a picture that reflects both elements,” says Tamposi.
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Fashion, music, and entertainment comprise her passion and livelihood — but as I sat across this grounded soul beautifully armored against the shallow pitfalls in the industry, I wanted to go deeper into Ali as a person. And that typical day-to-day routine is a lot like yours or mine. An early riser, Tamposi starts the day with meditation and pilates, then it is off to write or to the studio. Her days end at home with her fiancé and dog, but always in time to read before bed. Over the years Tamposi is most unapologetic for any mistakes that she has made because over time they have become learning opportunities, and sometimes even song lyrics. Like this wisdom, there is a humanitarian side to Tamposi that deserves to be lingered on.
Creative Waves Giving Fund to provide support in the arts to promote gifted and talented students in their pursuit of artistic greatness. Since its formation, we have provided the funding to build a music room for the children of migrant workers at The First Haitian Baptist Child Development Center in impoverished Belle Glade, Florida; and provided the funding for a student of music in her final year at Barry University. She will teach music to the students at Cristo Rey HS in Miami upon graduation. Our Team, including Tayla Parx and Jaimie Zeluck Hindlin, understanding the financial challenges young artists face we hope to continue to make the pursuit of artistic excellence a reality for all the up and coming artists of the future!”
Her philanthropy and dedication to helping young and struggling artists is a quality that unites her and her mother in a harmonized mission: to teach the artists of the world how to better their craft. They started their foundation — Creative Waves Giving Fund — with that simple goal in mind. “As I became successful, I donated a music studio to my alma mater, Sacred Heart, and underwrote the free organic meal program. When my mother, a high school principal, retired in June of 2019 we decided to collaborate and formed the
Keeping her focus on her Foundation and her career in songwriting, Tamposi bid us goodbye in a way she knows best, with her words: “Be kind to one another; it’s easier than you think.” These final words match the kindness and the empathy that is the base of who she is. Whether spreading art through her lyrics or happiness while riding a wave, the positivity that Tamposi chooses to focus on in life is truly contagious to those around her; indeed, her music mirrors her life, and we are all along for the ride.
Jasmine: Blazer: Silvian Heach Pants: Silvian Heach Scarf: Pucci Boots: Charles David Vintage Ali: Blazer: Akv By Adi Karni Vagt Pants: Akv By Adi Karni Vagt Scarf: Pucci
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Photographer: Marie-Louise Collins Model: Felice, Richard’s International Model Management Dog: Zuko Makeup: Heidi Cheung Hair: Jennifer Mathison Stylist: Sarah D’Arcy This Page and Opposite Page: Jumper: Zara Top: Zara Scarf: Vintage Ring: Topshop
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Cape: Zara Dress: Zimmerman Hat: Stetson Boots : Prada Belt: Vintage
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