Bode Magazine Summer 2021 by BODE Magazine

SUMMER 2021

HOME Home Away from Home to

World class pieces to live in style

Immersive Retreat and

SUMMER BLISS peaceful moments

offline and feeling free

Brooks Nader

Bombshell from the Bayou to Supermodel in New York City.

“be professional and kind in every situation.”

LIVING LIGHT

From airy dresses to lust after bikinis and lasting JEWELS: THE DESIGNER’S TO KNOW

Blouse: Rat & Boa Shorts: Cloe Cassandro Earrings: Alexandra Hakim

SAND & Sentiment

Photographer: Simon Lesley Model: Anna Lee with Milk Management London Stylist: Jack Mills Producer: Emily Evans Photography/Set Assistant: Michael Willette Makeup: Wilma Stigson Hair: Gordon Chapples Bikini: Oseree Jacket: Silked London Scarf: Cloe Cassandro Necklace: Alexandra Hakim 3

Dress: Cloe Cassandro Necklace: Amanda Wakeley Earrings: Justine Garner

Dress: Cloe Cassandro Trousers: Rat & Boa Bag: 0711Tbilisi Sandals: Maria Luca Bracelet: Mayol

Blouse: Silked London Dress: FORMÉS

MAGAZINE

Inisde

SUMMER 2021 Imagery by Monte Swim

On the Cover Photographer: Manny Roman Model: Brooks Nader

2 Sand & Sentiment 10 No Stone Unturned 16 Orion Carloto 24 Andrea Maria Kollar 32 House of CB 38 Body Language 44 Brooks Nader 54 BODE Style 66 Noble Gestures 72 Roman Plyus 78 BODE Home 84 Grace Beverley 90 Nookie Swim 96 Myraswim 102 Belle Étoile 106 Carter Eve Jewelry 112 Great Expectations 116 Cooper Phillip 122 Leave Me Breathless 126 Mai Pham 132 Life In Color 136 Kefi Editor-in-Chief: Heather Marie Combs Creative Director: Kaylon Hardman Digital Media Director: Ashley Nicole Combs Sales Director: Carson McCall

Fine Jewelry Inspired by Akan Culture. Revolutionizing Tradition. Celebrating Women.

www.aflebijoux.com | info@aflebijoux.com Designed in Germany. Produced by Artisan Jewelers in Italy.

A designer could design a collection, welcomed with a roaming eye and unappreciated in its present time, while generations later, that same designer had actually pioneered an iconic movement garnering the illusive title of “timeless” — ahead of its time, but appreciated in due time none the less. So as I prepared this issue, while also soaking up the sun in my favorite two piece bikini, the importance of time and timing can be seen and felt in the subtext of each page. While we can control so much in our life — from the decisions we make to the reactions we expel in any situation, good or bad — timing is something we cannot control.

Much like summer, it is just as important to unplug from the bustle of your life, from the things you cannot change and to trust in the timing of uncontrollable possibility because what is meant for you will always come to you. While determination and motivation is necessary and celebrated in your chosen path, so is acceptance, patience and now more than ever, understanding the delicate balance that a timeline is subjective and should be incomparable from one life to another. Summer is a season I wish could last forever, but that just cannot be. So instead, I do not rush it. After the course of 2020, appreciating the present moment and living for the now while working for the future has become of the utmost importance to me. Much like nurturing and cultivating your humble abode, finding the right couch or kitchen arrangement can take years. There is no need to rush or to compare anything in your life to another’s. Everything that is meant for you will happen in due time, so until then, work hard, play hard and remember to unplug and appreciate the present journey because while there is always tomorrow, there is also always yesterday. And how you spend and remember it is entirely up to you.

Heather Marie Combs Editor-in-Chief

EIDTOR’S LETTER

ime is defined as the indefinite continued progress of existence and events that occur in a seemingly irreversible succession from the past, through the present and into the future. But there is so much more meaning beneath the surface as it has long been an important topic of discussion, study and quandary. Especially when you expand to the convenient scapegoat that is “timing”. Something I find myself thinking a lot about as I welcome my favorite time of the year. The days are longer, the sun is warmer and the sound of freedom and opportunity is louder than ever. Maybe it is true what they say, “it is all about timing.”

UN TUR NED No

stone

Photographer: Steph Pedersen Model: Josie Musgrave Stylist: Georgina Kar Makeup: Jessica Yang Hair: Thanh Vo Assistant: Rachel Gould Assistant: Victoria Rose Moussa Assistant: Jordan Ledwell Dress: Christopher Esber

Hat: Khya 12

Dress: Christopher Esber Boots: Dazie

Dress: Khya Hat: Khya 14

The Diary of a

SA D GIRL

Multifaceted

Orion Carloto inspired by

Photographer: Alena Saz Stylist: Natasha Colvin Makeup: Francie Tomalonis Hair: Mashal Afzalzada using Oribe Videographer: Zachary Shea Retouching Assist: Sayed Mohamed Jeweler: Carter Eve Jewelry Location: Studio L Space DTLA Knit Dress: Jolie by Dia Jewelry: Carter Eve Jewelry

She is the writer, poet and unspoken style maven who has collaborated with some of the biggest names in the industry, all while keeping a diary and telling stories. Romanticizing life and playing dress up, this self-proclaimed “multifaceted sad girl” — Orion Carloto — shares with us what inspires her written art — in all forms. By Jessica Gandy

Leather Blazer: Vintage YSL Jeans: Agolde Jewelry: Carter Eve Jewelry 17

he right words have yet to come into existence to fully encapsulate the artist that is Orion Carloto. Her interests traverse various mediums from poetry to interior design, however her style is the continuous thread that connects all of her work to create Carloto’s own personal brand. Although she is just twenty-four, Carloto’s soul is deep and old, nourished by the works and the lives of poets and artists who came before her. “Early on I was inspired by the works of Sappho, [John] Keats, and [Sylvia] Plath,” begins the poet. “Later that blossomed into appreciating the works of [Samuel] Beckett, [Frank] O’Hara, and [Arthur] Rimbaud. Enamored with the lives of Patti Smith, Eve Babitz, and Anne Carson. I had no choice, but to come to the conclusion that poetry and storytelling were as much to me as the air I breathe.” When Carloto first began taking pen to paper, her stories and poems were meant for her eyes only, keeping a diary for her own musings. “Rumi once said ‘As long as I can remember, I’ve wanted you. I’ve made a monument of this loving,’” begins Carloto. “Though this was written about a lover, I’ve always felt those words ring true with my relationship to writing.” As a first generation American born from immigrant parents, Carloto always felt that she lacked a certain privilege when it came to understanding literature, but that did not stop her from drafting prose. “Poetry was a home to place all of my heartbreak,” shares the writer. “I appreciated the solitary and forgiveness poetry has.” Carloto began sharing her personal work when she was fifteen years old, still very unsure as to where she and her work would fit in. Little knowing she would one day grow up to be a published writer. Film for Her, Carloto’s latest published work, is a collage of photographs, poems and short stories consisting of compositions from Carloto’s formative years. The book started as a visual diary for herself, and as the diary grew a theme emerged. Capturing her life experiences in those various mediums showed Carloto that she had a penchant for romanticizing life. She would take mundane moments and attribute her flavor of grande splendeur to them. “My life growing up had always felt monotonous to me. In my small town I had very little friends who understood me, a dysfunctional family situation and a lust for life greater than I knew how to

handle. I found that this romanticization was bleeding into my work, taking instances I’d soon forget and noting them as much larger than they’d appear to be in the moment. In short, Film for Her was just that — a reflection of all of the instances where I found beauty in the most ordinary places. A space to acknowledge both life and death. Inspiration came naturally, I just had to look for it in the in-betweens,” shared Carloto. “Being a published writer is a greater deal to me than I think I’ve ever really spoken about. To this day, I still find myself getting emotional when I see my work on the shelves of a bookstore or in the hands of strangers — it’s almost indescribable.” Much like her fervor for writing, the poet’s personal and noteworthy style developed at a young age; and it is her style that serves as a critical component of her personality. Carloto’s specific taste is a preview to the world of the woman she is before she opens her mouth to speak or places ink on a page to write. She believes that both fashion and poetry are experimental, and the message is up to the interpretation of both the wearer and the consumer. “My recent fashion inspiration has come from researching the archives of iconic designers and labels — Rei Kawakubo, Yohji Yamamoto, Jil Sander, and Maison Margiela to name a few,” admires Carloto. The self-made stylist’s key tip to drawing inspiration from designers and incorporating them into your own personal edit is to find your preferred silhouette for your body shape. Finding the right shape that feels tailor-made for you will make cultivating your closet a much easier task. A quick glance through her Instagram feed shows that she has a particular sense of style. From the muted colors to the emotional imagery, Carloto’s point of view may be inspired by some of the greats, but it is truly unique to her. Not slowed down by the pandemic of this past year, Carloto is currently in the process of writing more books, learning new photography techniques, and — as if that isn’t enough — curating her perfect home. Even pre-pandemic, Carloto spent most of her time at home so creating the perfect space to live was of the utmost importance. “French philosopher Gaston Bachelard in his book The Poetics of Space quotes Noël Arnaud, ‘I am the space where I am,’” noted the creator. “If you want to present yourself authentically, I believe it starts at home.” Over the past few years, Carloto has taken a more refined approach to styling her abode. Once a collector, she has been downsizing and removing busy pieces to replace them with lasting pieces that she will cherish for years to come. Those pieces are found in styles ranging from the mid-century to space-age with a touch of French and Japanese influence. “Now, that sounds like it couldn’t possibly make any sense,” laughs Carloto, “but through the eras of design and architecture, I have found certain similarities between all of these approaches. Interior design is supposed to be fun even if a little experimental.”

Blazer: Frankie Shop Jewelry: Carter Eve Jewelry 19

Sweater Vest: Coach Pants: Holzweiler Shoes: Both Paris Jewelry: Carter Eve Jewelry

“

utting these styles together can feel like a challenge, but in the end, someone could walk into my space and know immediately that it belongs to me.” Much like her book, Film for Her, Carloto’s home is a collage of pieces that inspire and encourage her pursuit of living a romantic life. While continuing to push her many projects, the Angeleno is taking time to enjoy her own company while welcoming in the rising temps of the summer season. What will she be donning? “As much skin as possible,” states the porcelain skinned beauty. “Bardot bandana’s, and sun-kissed just enough to break some freckles in.” In the present time, Carloto can be found deciphering the works of Cy Twombly and Le Corbusier, cuddling with her cats, driving through the canyons of Beachwood, or really doing anything that sparks inspiration for her. However, Carloto can almost always be found where she began, in bed, at 3 a.m., diving deep into her journal. Leaving us with these late night words: “Invest in building character over worrying about what you look like. Clichés aside, it’s fundamental to enjoy your own company. Boredom is a myth.”

“I had no choice but to come to the conclusion that poetry and storytelling were as much to me as the air I breathe.”

Zebra Blazer: Vintage Gianni Versace Black Trousers: L’Agence White Vest: Tako Mekvabdize Jewelry: Carter Eve Jewelry

Portrait OF A MUSE By Andrea Maria Kollar

From a small place in cultural Vienna, enriched with baroque surroundings, the “irregularly shaped” architecture takes on new life in the form of a handcrafted ceramic sculpture. Drawing on the pure simplicity of the feminine materiality and the natural lines and curves of ceramic art, Andrea Maria Kollar, Austrian artist and founder of A.M. Kollar, evokes a full sensory experience through her art that celebrates the sensual and unique nuances of all women regardless of shape, size or color. Where constraint breeds creativity, we speak to the artist daring us to question, via her sense of empowerment and self admiration as “we are all connected, we are all one, and every woman is a goddess in her own way.”

By Ashley Nicole Combs

inding home in the countryside, modern minimalist — Andrea Maria Kollar — has crafted a burgeoning career celebrating the irrepressible power and authentic beauty of all women. “I always knew I was an artist,” heartens Kollar, “but since there are no other artists in my family, it wasn’t necessarily an easy path. And even as a child I wondered where all the women were in art. Not only in the visual arts, but also in literature, architecture, classical music. Why are most of the artists we know men? No one could ever explain that to me satisfactorily. That is why I decided all the more to become an artist.” First emerging in the fast paced fashion industry, Kollar studied fashion design at the University of Applied Arts in Vienna with Raf Simons, but the pull to her artistic side was too strong. “I worked in the fashion industry for ten years before I started my own business in art,” shares Kollar. “I was a fashion buyer in Paris, I worked as a stylist, I organized photo shoots and fashion shows and worked as an art director. It was very exciting, but also very stressful. I was on the road a lot, always where the fashion shows were. You have to be born for this pace that is in fashion. I’m glad that I can now observe fashion a bit more from a distance.”

In 2019, A.M. Kollar was officially born. “I saw my drawings as sculptures and vases in front of me before I even knew how to make it happen,” laughs the artist. “When it came to technical implementation, I found the ideal partner in the Viennese ceramics maestro, Herman Seiser. In his studio, all my ceramics pieces are created under his supervision. I model all my ceramics from clay first. Then we make a negative out of plaster. On the basis of this negative form is then a plaster positive. On it I can once again work on all the subtleties. Then the final negative molds for the porcelain casting are created. Ceramics is such a beautifully sensual material and the possibilities are endless.” Taking note of the resurgence of ceramics in recent years, Kollar recalls the less than warm reaction to her first brush with these shapely sculptures, “my colleagues in the fashion world found it very strange at that time,” admits the artist. “Fortunately, that’s completely different now. I think this trend will definitely continue. The connection between human and nature will become even stronger in all areas of art and design. This is a topic that is currently occupying many artists.” Communicating with her collectors via visual elements of soft lines and imperfect forms, this delicate architect elicits an unrestrictive emotional connection of unconditional love and self appreciation that speaks for itself. “I believe my paintings and ceramics help women love themselves. They see my art and see themselves beautiful and loved,” shares Kollar. Drawing inspiration from all the incredibly strong, loving and amazing women in her life — her friends, mother, sister and grandmother — “my ceramics are all named after them. ‘Hermione’, for example, was my grandmother. There is also a sculpture called ‘Grandmother, Mother, Daughter,’ but of course, there are many women from all different backgrounds who inspire me. My vase ‘Sophia’ is named after Sophia Lauren, ‘Mary’ after Mary Jackson, and ‘Marilyn’ after the beautiful Marilyn Monroe,” just to name a few.

“I believe my paintings and ceramics help women love themselves. They see my art and see themselves beautiful and loved.”

After working nearly sixty hours a week, the artist found solace and peace in her art, sharing her drawings and oil paintings on Instagram, never considering what possibilities this would spark. “After a few weeks, people wrote to me asking if they could buy my drawings. I will never forget that,” reminisces Kollar. “The first thing I sold was a series of drawings to New York and then it became more and more.” An inspiration for those who crave to take the road less traveled, this daring artist took the risk and quit her job confessing, “it was the only way I could fully concentrate on my art. It was a very difficult time, but I would do it again and again! Ceramics were the next logical step for me. I wanted to develop my design language further and go from the two-dimensional to the three-dimensional. I simply wanted to bring my drawings to life in three dimensions.”

Much like developing trends in the fashion world, interior design emerges in parallel with fashion. Art and decor of the home allow us to fully express how we truly view ourselves without judgement.

e surround ourselves with pieces and furnishings that make us feel safe, strong, vulnerable and elicit a sense of joy and gratitude when we are near them. Believing that less is more, this minimalist artist, devoid of over designed trends, resides in a small house in the countryside. “I don’t own a lot of furniture and accessories, but the ones I do own, I love, and they are mostly design classics or pieces I brought back from travels,” expresses Kollar. “It has evolved that way over the years. They were pieces I took with me every time I moved because my heart is attached to them. My living room table, for example, had its own seat on the plane because I discovered it in Stockholm and just had to take it with me. Luckily the seat was free anyways,” laughs the artist. Transforming each space of your home into a canvas of individual expression can be a bit arduous to some, but this seasoned craftsman shares with us her take to best express your distinct style. “Always listen to your gut and less to short-lived trends,” Kollar reveals. “You should surround yourself in your home only with things that you like from the bottom of your heart. Even if your own style changes and develops further, you have these things for a lifetime.” This approach to simplicity as seen in her work, both elegant and modern in its minimalism, is very much a common thread to her daily life. These days you will most likely find the lovely Austrian artist in one of her two studios further developing her skills as ceramic art is ever-evolving. With a passion focused in getting your hands dirty, Kollar is an admirer of the effortless yet purpose-driven styles of Belgian design. “Most of the time I am working with oil paints, plaster, clay, or porcelain, so I wear simple pieces that can get dirty and can be washed often. Not very glamorous,” blushes Kollar. “I prefer to wear overalls, both at work and when I go out. My favorite designer is Dries van Noten.” 28

As for the future, there are many new ceramic creations in the final stages for A.M. Kollar and in the autumn season, she and her team are planning a large exhibition in Vienna to showcase these exclusive pieces. As her business continues to grow, the team will plant a tree for every product sold and donate 10% of the profits to environmental organizations and non-governmental organizations that support women’s projects. As the porcelain cools and our conversation with Kollar comes to a close, the artist wants to leave you with these words: “What helped me a lot when I took the risk to start my own business with my art, even before I could really make a living out of it, was the sentence: ‘Imagine you were given a life, what would you do with it?’ At the time, I imagined my wise old self looking back on her life at eighty years old, having lived the best life of all. What would that life look like?”

“We are all connected, we are all one and every woman is a goddess in her own way.”

CB Better Together

House of with

Across the pond in a city known for its landmarks, from the Tower Bridge to Big Ben and the Buckingham Palace, London is also the home to renowned fashion house — House of CB. Solidifying its place as a fashion pillar and wardrobe staple to some of the top influencer’s in the world, Founder Conna Walker shares her journey from designing in her bedroom at seventeen to advocating for women entrepreneurship through one of the industry’s leading label’s for femininity. By Heather Marie Combs

“I love clothes, I love getting dressed up and I think it’s just a form of self care for me because it makes you feel good!”

any of us have become style experts when it comes to cozy casuals, but lately there has been a notable desire to dress up; and there is no one better than House of CB to show off every season’s standout, luxe quality pieces, beautifully feminine, affordable and signature. Conna Walker — pilates devotee, female entrepreneur and House of CB founder — had a knack at just seventeen for delivering wearable formfitting and empowering armor for real women who own their femininity. “I was at school at the time,” reminisces Walker, “so I did everything from my bedroom. The brand was originally called Celeb Boutique, so once we moved to designing all items in house we changed it to House of CB.” Beginning her craft by designing wedding dresses as a young girl, her calling evolved naturally from when she began selling her pieces at seventeen. “I love clothes, I love getting dressed up and I think its just a form of self care for me because it makes you feel good!” beams the designer.

Drawn to womenswear specifically, Walker finds inspiration for her coveted mini’s and lust worthy separates from anywhere and everywhere, as you can see in her latest summer releases — “a squeeze of lemon,” “a little sunshine” and “better together” — but at the heart of this fashion house is always “super gorgeous shapes that really highlight your femininity.” Designing for the confident woman who is powerful and living her life on her terms, it is no surprise to see the label flourish from a few sales in a teenagers bedroom to over 3 million admirers of every beautiful shape and in every corner of the world. Effortlessly enlisting its own legion of loyal ‘CB Dolls’, like the iconic Kardashian klan, “It’s amazing!” beams Walker. “A lot of the women who have worn the brand have so many options so we are super lucky to be chosen and worn by them so frequently.” Never straying from it signature shapely fit we were eager to uncover the secret to the undeniable draw women are happily powerless to. “I think it just always goes back to being pieces that make women feel good,” reveals the founder. 35

“We always focus on the waist and cinching it in. We look at trends and they influence us, but they have to work with our core design which, as I always say, is feminine and really focused on contouring the body.”

s we soak in the warmer days of the summer months, you can expect to see super pretty florals at the helm of House of CB. “I love florals right now,” shares Walker, “so expect to see a lot of them. I am also loving mesh and super sexy styles.” While the unspoken expression of apparel and empowerment of femininity is the main focus of this fashion house, encouraging women entrepreneurship is never far behind. Walker and her label are intentional to celebrate and empower women at all times. “Everything I created has been for women,” continues the founder. “Women have supported both my brands and myself and it has become the most incredible and powerful community, and this is women.” Unapologetic for being herself and for owning her femininity, the entrepreneur and women’s whisperer leaves us with this advice: “Always be ready to evolve and don’t be too stuck on something that you stagnate.” With that said, stay tuned for a lot of new product lines to be exiting the House of CB doors.

B O DY

L A N G UAG E

Photographer: Katie Sudekova Model: Irene Miley Hair & Makeup: Nicci Agency: Balistarz Bali

www.woera.co | visit us at: @woeraofficial

COVER TO COVER Lebanese fashion model and Baton Rouge native, Brooks Nader, is no stranger to being on the cover of a magazine, but there is so much more to know about this bayou beauty than meets the eye. By Jessica Gandy

WITH BROOKS NADER

Photographer: Manny Roman Model: Brooks Nader with Women360 Makeup: Keita Moore with The Only Agency Hair: Adam Maclay with SEE Management Stylist: Danielle Temperley Associate Stylist: Vera Gorlacheva Shot on site at The CENTRALE New York City Jumpsuit: Nana Jacqueline

Dress: Bronx and Banco Jewelry: Aureum

iven Nader’s heavy hitting curriculum vitae, it would be reasonable to believe that she has been a part of the modeling industry for decades. But the 24-year-old brunette moved from Baton Rouge to bustling New York City to pursue her modeling career only four short years ago. “The fashion industry certainly wasn’t always in the cards for me,” begins the model. “I initially intended to work in finance and went to Tulane University.” However, fate would have wildly different plans for this bubbly cover girl. After completing her Freshman year at Tulane, Nader was interning in New York City when she was approached by a modeling scout. In a New York minute, her life changed. Despite her stunning smile, captivating doe brown eyes and radiant glow, entering into the modeling industry was not an easy journey for Nader. She left a full-ride scholarship to Tulane to pursue her dreams of working for some of the biggest name brands in the world. Once in New York, Nader personified the word “grit” and proceeded to overcome obstacle after obstacle. “I remember my first test shoot,” recalls Nader. “The photographer that I was working with told me that he would be surprised if any of the agencies I was meeting with would take me and he’d be even more surprised if I did anything other than that test shoot!” Although it was later in her career when she received the freeing advice from 80s and 90s supermodel icon, Cindy Crawford, “to be professional and kind in every situation”, Nader already embodied those characteristics and refused to let his words deter her. Turning that hurt into motivation, Nader now flashes a cheeky grin whenever she spots that same photographer’s “like” on her photos for Sport Illustrated Swimsuit and Pat McGrath on Instagram. The model’s tenacity and ambition has served her well as her notable repertoire includes campaigns for some of the world’s most recognizable brands like Cover Girl and Donna Karen New York.

so kind and the traditions they have are so meaningful,” heartens the world class public figure. “There were restrictions on things there that we could do in America due to their religious beliefs, which I thought was very sacred and beautiful.” While the idyllic beaches of Bali have Nader’s heart, it is the concrete jungle of New York that has her soul. Feeling a kinship to New Yorkers, it is their resilience that draws her connection. The city helped to teach her how to persevere. A particularly memorable moment in experience in New York was the COVID-19 pandemic. She loved hearing the daily cheers for the healthcare workers. “New Yorkers of every race and religion were cheering for our health care heroes out of their windows,” beams the model. “New Yorkers really banned together during that tough time and I think that is something truly unique to New York.” Camaraderie aside, it is also the inspiration that the city breathes into her that further fuels her love for her latest home. From the fashion to personas to food, Nader never tires of the city and for that she is forever grateful.

“I know from experience that in a world of Instagram, filters and photoshop, it is easy to compare yourself to others and it can be totally consuming.”

Although modeling was not a path originally sought after, Nader believes that the destination is more than fitting. Her fast-paced career constantly keeps her on her toes and running from one project to the next. Taking each day as it comes, the model is always ready for the next project or moment where inspiration flashes. Beyond landing major campaigns, this bayou bombshell turned New York supermodel loves to spend her time traveling across the world. Being an internationally recognized model helps to fuel her jet-setting lifestyle, landing her all over Europe, Asia, and the Middle East. Nader’s favorite destination thus far is the pristine paradise of Bali. “The locals were

While her online community and fellow industry friends may be used to Nader’s glitz and glam, her hometown friends and family are used to the cowboy boot, ATV riding girl they have watched grow up. Nader’s relatively relatable approach to her personal style and beauty routine are evidence that the renowned swimsuit model is also still the girl next door. Never leaving home without her Aquaphor and a chic pair of shades, it is about genuine authenticity when it comes to her style, accentuating the features we have come to love. “Aquaphor is so simple, but I use it on my lashes, lips, eyebrows, and even as highlighter,” shares Nader. “I also love sunglasses and think they immediately given you the ‘cool’ factor — even when in your sweats.” When the streets of SoHo are not providing the spark for her daily look, she turns to Instagram and Pinterest to help guide her fashion tastes. However, her go-to ensemble would work just as well on 5th Avenue in New York as it would on Canal Street in New Orleans. Nader’s simple “model off duty” look consists of jeans, heels, and a tee-shirt paired with hydrated skin, a swipe of mascara and a slight tint on the lip. Natural as Nader can be in her casual wear, she is just as comfortable in full glam. One of her favorite pieces to wear was her sheer dress ensemble debuted at the Sports Illustrated Sportsperson of the Year Awards in 2019. Nader is unapologetic for donning the show stopping, fully sheer, asymmetrical, mini dress adorned with rhinestone beading. “I got so much backlash for that and people wanted me to retract that look or to apologize, but I felt amazing,” shares Nader.

Earrings: Aureum 48

Suit Set: Bronx and Banco Jewelry: Aureum 49

“The message to my audience is to always be yourself, take chances, and lift others up.”

t is that ownership to her authentic self, that deems her so much admiration in her inner circle as well as her online community. “The message to my audience is to always be yourself, take chances, and lift others up,” heartens the model. “I know from experience that in a world of Instagram, filters and photoshop, it is easy to compare yourself to others and it can be totally consuming. I try and set an example to my audience and younger generation that you can be whoever and whatever you want to be in the world and I

hope I can inspire the younger generation of girls to do so.”

Up next for the model is to continue pursuing her goals and empowering the next generation though her formidable presence in the industry. A secret she has kept well under wraps, until now, is she is slated for her third year for Sports Illustrated Swimsuit, “which is going to be major!” On top of that Nader has many exciting projects and partnerships in the pipeline. It will be exciting, to say the least, to see what this bayou bombshell will do next.

Dress: Bronx and Banco Jewelry: Aureum

STYLE

Summer Shades of the

SHORE As warmer days roll in, the sweet sound of freedom encircles ahead and with that our desire to dress up. Leaning into color, lightweight fabrics and pastel palettes, this season’s wardrobe will strike the perfect balance of effervescence and fresh! And with it, a nod to a season that will be different than the last.

Imagery by Miista

STYLE

Imagery by Katie Sudekova

Miista Ellie Sandal in Rhododendron Patent

House of CB Nera Satin Draped Corset Dress in Wine Carter Eve Jewelry Ankh Dagger Charm

Lurelly Diamond Bikini

Vying for

SKIN With warm summer temps, skin is in!

Sophisticated strap work and abbreviated hemlines is the best way to wear it bare without revealing too much. Mini’s are making a comeback and slinky straps are all part of the dress code.

Luxe Cartel WeWoreWhat Tassel Bikini Top and Delilah Bottoms in Ivory

House of CB Czarina Lace Strapless Corset Dress in Beige

Dinosaur Designs Small Rock Bangles in Caramel Swirl and Terracotta Swirl

Dinosaur Designs Pearl Coral Hoop Earrings in Sand

Femni London Dorchester Crossbody Bag

STYLE

Imagery by Montce Swim 58

STYLE

Carter Eve Jewelry Pure Magic Medallion

House of CB Ninetta Top in Chocolate and Laverne Chocolate Print Ruched Maxi Skirt

Luxe Cartel WeWoreWhat Tassel Sarong Skirt

Carter Eve Jewelry All Seeing Eye Medallion

SUN SAND Carter Eve Jewelry Diamond Huggies with Ankh Dagger Charms

For those seeking a more straightforward approach to summer, here is a predilection for beige, camel, and neutral tones. To empower the divine femininity in each of us, the perfect medallion or amulet adornment acts as a modern day talisman to be worn no matter the occasion, the motif simply goes with every affair.

House of CB Myrna Corset Slip Dress in Olive

Montce Swim Goldie Hayden Top and Goldie Lulu Bottom

Dinosaur Designs Brass Coral Bangle and Brass Coral Ring

STYLE

Imagery by Miista

Aflé Bijoux Akan Goldweight Boules Bracelet

Aflé Bijoux Gye Nyame Earrings

E S the C GREAT P E

House of CB Cate Ruched Mesh Mini Dress in Ivy Print

Montce Swim Sparkle Brasil Top and Bottom and Sparkle Birttney Skirt in Mauve

House of CB Yaya Natural Striped Linen Draped Shirt Dress

Match your swimsuit to your clothes this summer as coordinating outfits take you from the beach to the sundeck. Chic swimsuits make a compelling case for wearing summertime’s transitional uniform with decorative details and brilliant colors to transform bythe-water pieces for every possible ensemble scenario. Not for the faint-hearted, those who covet the power of the divine, transcendent accessories add meaning and precious representation to your sun-kissed, sultry look.

Miista Shannon Mules in Multi Cord

Dinosaur Designs Coral Ring in Rose

Hermoza Vase Purse

Photographer: Ramsey Hosn Models: Franny Richardson and Samira Philipsen Art Director and Stylist: Aaron Mitchell Hair and Makeup: Stella Tu Wardrobe: Asilio and Tony Bianco

Noble GESTURES

EMPOWERING WOMEN. REVOLUTIONIZING TRADITION. PERFECT EXECUTION.

www.marinaraphael.com | (@marinaraphaelofficial

Depth

SCALE

While the word “functionality” refers to the purpose for which a design is developed, interior architect and furniture designer — Roman Plyus — has reinvented the traditional concept of furniture practicality to rather shape a silent dialogue within a space when views intersect to bring harmony, beauty and a presence of fun for endless interpretations. Defining the correlation between functionality and art is not as unsound as one might think. By Ashley Nicole Combs

or most of us 2020 will be reminisced as a year of personal reflection and self discovery. For some that may have meant cultivating your culinary skills or finally planting that garden you have always wanted, but for others it served as an opportunity to look inwards and ask, “Is this where I envisioned my life to be at this time? Is this really what I want to do?” Experiencing this uncertain perspective early in life, Roman Plyus began his journey in 2012 where he spent a year living in India on a path of self-contemplation. What originated as a venture to find answers and purpose resulted in a destination he did not even know he was looking for. “My guru advised me to pay attention to interior design. So I did,” shares Plyus. “For the next eight years I was engaged in souvenirs, made three-dimensional visualizations for other interior designers and constantly trained to make my own interior concepts. It was not until the end of 2019, I made my first restaurant design, which in a matter of days flew around all of the world’s magazines. From that moment on, I understood what the design should be, so that a large number of people would like it,” relays Plyus. A passion handcrafted out of a desire to evoke emotions of inherent beauty and unobtrusive convenience, this innovative artist decided to transition his focus to furniture design launching his first ever furniture brand at the start of this year. Headquartered in Moscow, Russia, Plyus works alongside gallerist and furniture expert, Kristina Krasnyanskaya, developing collectable designs that envelops and elicits a sense of idyllic calmness. “I call our philosophy ‘Caring Design.’” shares Plyus, “a caring design that does not waste precious brain energy on thinking, but immediately slips to the pleasure centers. I came to this path in design during the first wave of the pandemic, when I was left at home alone. This gave me the idea that it would be nice to fill the house with objects that are both functional and art, at the same time endowed with a large number of positive emotions, which they imperceptibly share with the user.” This playful approach to design, both classical and modern in its minimalism, creates a story, a character if you will, to an oftentimes underutilized interior canvas. “I jokingly call this ‘Flinstone’ style furniture because of its simple shapes, ease of perception and the presence of fun in the design,” laughs Plyus. “When the times and the styles are woven together in the dance it looks really amazing.”

is visual abstractions, articulated with layers of classical architecture and geometric furniture designs offer a narrative implicit to all audiences. “I think that design is now becoming an increasingly universal language. A good design should be understood by a large circle of people from different parts of the world, as well as it should be timeless,” expresses the designer. Striking inspiration by anything and everything around him, “our collection includes items inspired by paintings from great artists like Salvador Dali, Henri Matisse; there are chairs inspired by legendary cars like Shelby Cobra, Porsche 911; there are items inspired by 60s TV cameras, Russian ballet, films by Ridley Scott and the Alien universe; and of course furniture inspired by the furniture of legendary designers of the 20th century: Vladimir Kagan, Pierre Jeanneret and others.” Introducing this un-ornamented perspective to design has quickly left an unforeseen imprint on the viewer, offering a visual tale of carefree nuances that, for a moment, allow you to escape the pressures and responsibilities of day-to-day life. “A big surprise was the results of my work in this direction and the feedback that I receive daily from people from all over the world. These are incredible emotions that are difficult to describe in words: catharsis and happiness that I finally got it,” beams the interior architect.

“But to be honest, I still can’t believe that this happened, it seems that I’m in a dream and soon it will all suddenly stop.” As time moves forward and our ever altering personal tastes change with the different stages of our lives, as does the desire to modernize and reinvent our homes. As knowing where to begin can pose a challenge, this insightful master interiorist shares with us his go-to tip when renovating a space. “Keep the balance in the proportions,” notes Plyus. “This is one of the positive notes that customization brings to the interiors. It is difficult to rebuild the house, but to customize the furniture for the room to fit the size of your room. Scale and proportion are the key to a harmonious space.” As refreshing our home can oftentimes originate from an urge to update our wardrobe, this bares the question — does personal style influence interior style? “Rather on the contrary,” contests Plyus, “since I spend most of my time at the computer and work, furniture and interiors begin to affect all other areas of life. I have a small dream in the future to try myself in the design of clothing or jewelry. So maybe one day we’ll see my personal vision of fashion.” As for now, we can anticipate from Roman Plyus a full-fledged brand launch with access to a large number of markets and a lot of gripping new releases. As we embark on our own journey to self-contemplation armed with the knowledge of cultivating your own sacred space, Plyus leaves us with these parting words — “Good health to you and your loved ones, well-being in the family, success in work and a couple of chairs from Roman Plyus. Thank you all for your support and feedback. This all motivates us very much and makes us get better every day!” 77

HO ME

Imagery by Roman Plyus

Dinosaur Designs Boulder Coasters in Sky

Dinosaur Designs Seed Servers in Rose Roman Plyus Kandi Lamp

Sea Level

SANCTUARY Roman Plyus Dim Sum Chair

Dinosaur Designs Large Seed Bowl in Sand

It is an object lesson this season as top tastemakers are “finding the feeling” while ignoring convention.

Dinosaur Designs Large Offering Vase in Caramel Swirl

Color is instinct and designers around the world are echoing a renewed desire to connect with nature, evoking feelings of calm, wonder and sensory memory. Part of the beauty in these standalone pieces lies in the way it works so well in a range of settings and styles.

Dinosaur Designs Pearl Tower Vase in Sand

Andrea Kollar Print Love II

Roman Plyus Hug Couch

Dinosaur Designs Stone Cheese Knife in Jade

Roman Plyus Levitating Commode

HO ME

Imagery by Roman Plyus

HO ME

Sofa by Vladimir Kagan Design Group Chair by Oscar Niemeyer Works Main Table by Mathieu Lehanneur Low Table by Charlotte Perriand Mobile by Alexander Calder Sculpture by Henry Moore Studios Carpet by Layered Floor Lamp by Roman Plyus Architecture by Caméo Moscow Villas

Roman Plyus Fjord Chair

Dinosaur Designs Stone Servers Terracotta Swirl

Roman Plyus Puppy Chair

When quiet escapism is your home’s MO, it is about more than just accenting a physical space.

Sandscape

Projecting coolness and warmth, the details are everywhere as we strike the perfect beige balance. With a fresh point of view and an elevated sense of taste, nordic nuances and resin pairings are the perfect compliment for this season’s ultimate sandcape.

Dinosaur Designs Large Offering Vase in Honeycomb

Roman Plyus Big Hug Chair

Andrea Kollar Print Couple V

Dinosaur Designs Large Seed Bowl in Sandalwood

Roman Plyus Cobra Chair

CE O THE

Making of a

W I T H

G R AC E

B E V E R L E Y

It would be easy to brand London native — Grace Beverley — as just a modern day social media star with great style and an undeniable charm, but that would be doing the author, businesswoman and CEO a great disservice. From sustainable style brand to fitness tech and productivity blue print holder, Beverley shares with us how she grew her many brands while working hard and hardly working.

By Jessica Gandy

race Beverley is a twenty four year old CEO, and that is the least impressive fact about her. The brainy blonde from across the pond has a curriculum vitae that would make some of your most successful peers question if they really are doing enough. A graduate of Oxford University, Beverley manages to somehow balance running two successful companies, curating the most enviable Instagram feed and being a New York Times best-selling author. For those readers who want to bend it like Beverley, all they need to do is literally take a page — or two — from her debut book.

woman, that balancing act has been the magic tool in her kit from an early age. Launching her first brand in 2017 while attending Oxford, whenever she was not in class, Beverley was soaking up the knowledge from those hallowed halls and working on her passion project, B_ND — a fitness equipment business. B_ND is the predecessor to SHREDDY, her internationally revered fitness app. SHREDDY makes fitness approachable by delivering a wide range of on-demand classes to your phone. It also demystifies other areas of the fitness journey by offering functional and adorable fitness products and supplements. “I wanted to help simplify people’s fitness journeys and create products that can help make what may be a daunting and confusing process easier,” shares Beverley. SHEDDY is that dream actualized by a community of individuals who share the goal of striving to achieve a healthy life.

Titled Working Hard, Hardly Working: How to achieve more, stress less and feel fulfilled, this carefully curated collection of words provides tips and tricks that Beverley uses every day to achieve her nothing short of notable goals. All in an effort to spark conversation about the modern work environment, the reality of burnout, what being “productive” really means and to provide a blueprint for how individuals can achieve a work life balance. Most importantly, the young entrepreneur aspires for her book to allow her audience to feel accomplished across many areas of their lives. “I hope it will help people to start thinking more critically about what purpose, fulfillment, and balance looks like for each of us, independently of what we see online,” shares Beverley. “The book explores my thoughts and my die-hard methods for getting to know yourself.” The goal? To help her readers learn to work smart and to create a positive path for navigating through their own journey. In an effort to shine a light on the illusive balance between grinding (success) and dedicated self-care (sanity), “I think now more than ever this is an important area to discuss,” states Beverley. “Particularly with lockdown and the increased number of people working from home-office hybrids, the boundaries between working and not working are almost non-existent. We are in a time where we are constantly connected and often fall victim to expecting ourselves to work and be able to monetize everything. We’ve almost internalized this idea that we need to be working ALL the time.”

Beverley’s entrepreneurial spirit was not satiated with just SHREDDY. The small, but mighty CEO also noticed a gap in the market for high performance, sustainable and affordable clothing. An endeavor more intentional in pursuit, Beverley created TALA out of a personal desire to transition out of the world of fast fashion. However, she too ran into the all-too-common problem that “sustainable” and “affordable” are typically mutually exclusive. So she set out to create a fashion line to narrow that gap. “We started looking into the manufacturing of sustainable high-performance clothing,” begins Beverley, “and in the year before launch we worked out that if we took the recycled content from 100% to 92% we could sell the leggings [at a more competitive price]. Which allows a huge proportion of people to make more sustainable purchasing options.” Running a sustainable fashion label comes with its fair share of difficulties, from the production process to accreditations, but the purpose of her brand continues to drive Beverley’s insane work ethic.

Beverley is particularly situated to pen that prose because she is one of the few people who are able to find that equilibrium. For this working

From fashion to fitness and university to understanding social media, Beverley’s list of achievements know no bounds. Next steps include continuing to develop her platforms and a few new surprise projects. “It’s been a whirlwind of a year so far,” beams the entrepreneur, “and I am so thrilled seeing my book at number one on The Sunday Times Bestsellers List. [It] was completely surreal. [Next] we are currently undergoing some exciting developments within both of the businesses, as well as some other personal projects which I cannot wait to reveal!”

“We are in a time where we are constantly connected and often fall victim to expecting ourselves to work and be able to monetize everything. We’ve almost internalized this idea that we need to be working ALL the time.”

DELIVERING LUXURY LAYERING PIECES AT HONEST PRICING & PROVIDING TIMELESS PIECES TO LAST A LIFETIME

J E W E L R Y F O R E V E R Y D AY T O E X P R E S S B E A U T Y A N D I N D I V I D U A L I S M henrinoel.com | @henrinoeljewelry

THE

SWIM edit

N THE NOOKIE STORY Aussie Boss girl and swimwear aficionado — Nikita Sernack — is the founder and creative director behind the luxury label – Nookie. A label classified for its flawless fit and flattering garments, the international reputation spans far past just fit, but rather is designed to enchant, empower, and offer adventure in every creation. This ambitious Aussie and OG #NookieGirl talks with Bode about her journey into the fashion world, and more specifically, her affair with swimwear — aka Nookie Beach. By Sydnie Cutler

eginning her professional career on the fast track to law school it seems Nikita Sernack’s creative allure just could not be ignored. “My grandfather was in the rag trade, so it has come full circle and perhaps [fashion] was always written in the stars for me,” shares Sernack. Now residing in the vibrant and cosmopolitan shores of Bondi Beach, the dive into swimwear was a natural fit. With a heart to empower women and a love for creativity and beach culture, the motif maven was destined to find her calling. “Nookie Beach was born at the iconic Bondi Beach steeped in a desire to create the ultimate beach to bar attire to our community and beyond,” reveals the founder. The label has now gained a mass following and an army of loyal nookie girls around the world.

sun shimmering on the ocean and the snakeskin and rib both have that shimmering quality too,” beams Sernack. “I am inspired by this daily as I am so lucky to see the ocean where I live.” The ‘Lolita lurex’ in Navy is the designers’ summer go-to as “the subtle shimmer of the fabric and the beautiful color is so stunning.” Women all over the world are following suit, powerless against the allure of Nookie’s apparel pieces because the brand exemplifies what it means to be a confident, bold, and adventurous woman. “[The Nookie girl] loves a little glamour and isn’t afraid to shine,” heartens Sernack. “Nookie is a brand that speaks to special moments in a woman’s life — be that graduation, prom, birthdays, weddings, red carpet events, Valentine’s day, baby showers, etc. We aspire to make garments that when our customers zip up, they fit like a glove, shoulders go back, and the woman feels strong, sexy, empowered and shines bright with confidence. Our swim is an extension of this, and all our creations are designed with this intention in mind.” Further navigating the fashion world, Sernack gladly shed some light on the “Do’s” and Don’ts” of swimwear. “Do: honor your shape and find the balance between comfort, practicality and expression. Don’t: subscribe to rules.”

“Do: honor your shape and find the balance between comfort, practicality and expression. Don’t: subscribe to rules.”

Proudly classified as a born and bred coastal Sydney girl, Sernack was a regular Bondi beachgoer and lover of the outdoors. It was the beauty and cultural richness under the sun that sparked Sernack’s interest to create swim and resort wear. The designer was driven by her desire to incorporate her intrinsic lifestyle and creative aesthetic within the brand. Nookie Beach was created out of a passion for women to feel effortlessly confident and sexy in the most natural state of fashion. “We truly honor the female form and celebrate curves in both our swimwear and dresses,” admires Sernack. “The secret is always in the fit as the fit inspires confidence and the confidence is always the secret ingredient and never out of style.” More than a glamorous line of attire and summer’s favorite uniform, Nookie is a feeling. It is a culture. Each garment is designed for every woman’s stature and build. “In designing, proportion and balance is paramount to create a flattering silhouette,” shares the designer. “I think classic shapes earn the ‘classic’ title as they have both stood the test of time and retain the essence of style. A classic triangle will always be in style and flatters a variety of body shapes. Of course, there are specific differences that relate to different cultures; however, we do find our classic silhouettes are the best sellers worldwide.” What really makes this brand stand out among a sea of swimwear is how the collection captures the magic bliss when the sun hits the water. “The lurex styles mimics the

Straight from the expertise of one of swimwear’s leading ladies, what can we look forward to this season? “For your fashion to further elevate your experience and enjoyment of life! Shine bright!” reveals the designer; and “maybe some retro inspired fabrications in modern silhouettes. You’ll have to wait and see,” further teased Sernack. Before heading back to the iconic shores of Bondi Beach or to her neighborhood basketball court or ju jitsu mat, this swimwear maven offers these parting words: “The best advice I have been given is to stay true to myself and this extends to the brand. We honor Nookie for who she is and aspire to make her the greatest expression of that. My advice is to know what your contribution is and be true to that value. With Nookie, we want to make our girls feel strong, confident, and empowered to shine. It is a feeling that anchors into every design and business decision we make. Happy summer!”

THE

SWIM edit

Classic back bringing with

Myraswim

In an effort to create what could not be found, Bianca Elouise — self-proclaimed creative, adventurer and giver of wit — took it upon herself to fill a flattering gap, re-introducing the simplest aspects of swimwear back into the market. Meet Myraswim, Aussie label nestled on the Gold Coast and the product of years of gathered ideas coming together to combine high fashion, insight into the ocean and a flattering ode to surfing. By Heather Marie Combs

coined “water baby” now the “Amphitrite” of swimwear — Greek mythology’s “Goddess of the Sea” — Bianca Elouise is bringing the classics back to summer’s favorite uniform through her Aussie label Myraswim. Named after her grandmother, Elouise is no novice to the creative outlet found through design. “My mum always had me in art classes when I was little. All I wanted to do was craft, draw and paint as a child. When I got into my teens, I started sewing. Home economics was my favorite subject at school, I would spend my lunch breaks sewing clothes in the class room. I never believed in fashion school’s or being taught creativity, this I believe comes from within,” reminisces the designer. “I grew up spending time with [Myra] by the ocean. My childhood memories with my grandmother will always be so special. She would wear the most fantastic swimming caps and swimsuits. It was only right to name my company after her.” Competitively surfing for most of her young adult life, Elouise lived in swimwear, noticing first hand the scarcity of bikinis unique or suiting to her specific body type. “It got to the point where the only bikinis on the market were really Roxy or Billabong, all surfer kind style bikinis,” shares the designer with a shake of her head. “What I wanted to buy wasn’t for sale. I made a few patterns, some of which did not turn out at all. It took me about 1.5 years to get two bikinis and a one piece to a standard I liked. My whole marketing aim of my swimwear was to create what I couldn’t find and believe it or not it was the simplest things — high cuts, solid colors and seamless finishes.” Intentional to steer away from what is “trending” it has always been about the classic and the timeless for Myraswim. “I’ve always wanted to have a consistent range of pieces that can be mixed and matched every season. [Lately] I have been working on a relaxed resort range, which is a day to night, resort ready-to-wear collection, but still based on the traditional Myra aesthetic,” reveals the creative director. A movement sparked from a desire to customize her swimwear, Elouise continues to design with herself in mind. “I am the Myra woman,” beams the designer. “I’m thirty, curvy and confident. I want women to wear my garments with the confidence that they know they look amazing. With an emphasis on not only looking good, but feeling good, however cliché as that sounds. I was a twenty-three year old female who had hips, thighs and a bust that wanted some dope swimwear that fit right and could highlight these areas, and that is what I created.” That she did. Designing pieces that highlight the areas most women try to cover up, Myraswim stands out from the sea of bikinis with minimalistic views, seamless finishes, and sexy high cut designs constructed from lightweight silky nylon/spandex blend fabrics.

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rom her signature asymmetrical, one-shoulder detailing to her range of perfectly minimal color palettes and form flattering cuts, Myraswim is offering a beautiful take on effortless femininity to withstand the tides of time. So what are the swimwear faux pas, we had to ask? “I don’t think there is a specific ‘do’ or ‘don’t’ when it comes to fashion as I think there is honestly a market for EVERYTHING these days. A couple of personal pet peeves would be thick seams and I have never been a fan of a regular stitch and overlock finish, it does nothing for the shape or fit on a woman’s body to me. Neoprene swimwear triggers me also,” states the designer with a cheeky laugh. “I wear wetsuits surfing and I see the purpose of that, but as a bikini? I have never understood.” While patterns can slate attention from time to time, this designer is loyal to the classic allure of a solid motif. “My first collection had prints and I HATED it so much. It sold, but I just wasn’t happy with it. The second collection I did was solids and I loved it, so I just continued from there. Most of my inspiration comes from the 80s to 90s swim fashion. They had the most classic cuts, I really wanted to bring that all back,” shared Elouise. “My personal holy grail is the ‘Yris’ bottom. I live in them,” continues the designer. “I can give myself a pat on the back for this garment, I perfected it. I alternate tops with this bottom constantly, but at the moment it’s my fave! Mid to high rise front with a thong back, just a classic piece and it sits so right.” Testing the waters in her upcoming collection drops, Elouise has two exciting collaborations coming to the fore in the next 12 months. “One with Selfridges and another with a fellow Aussie label, which I’ll keep secret for now,” teases the designer. “Other than that, I have a lot of expansion happening — beach towels, custom Myraswim surf boards in the works, fun stuff.” As we stock up on swimwear, we are now fully equipped to take on these warmer days in not only flattering pieces, but in carefully constructed garments able to withstand the roughest of waves, but how about to take on the professional industry? “I have two [pieces of advice] I always think are keepers and are on different ends of the business scale. First, don’t follow trends or try keep up with the next person,” encourages Elouise. “Second, don’t let your money sit there, make it work for you. You can look at them how you please and interpret them however, but being true to your own vision is something that has always worked for me and learning how to invest right for my future is something I’ve learnt along the way and knowledge I’ll keep to hand onto my kids.” As if that was not enough, here is one more tidbit to take with you: “If you’re an entrepreneur — stay true to your vision and ideas, don’t be influenced by others. Something I think has for sure got me to where I am now would be staying focused on what I want to do and showcase as a creative. To my customers and loyal supporters — I just launched men’s, boy’s and mini’s also, so I have the whole family covered now!”

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BEAUTY

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Photographer and Stylist: Lucas St. Grima Model: Hope Ellen with Vivien’s Model Management Makeup: Kahlii Morrison Hair: Ryan Brown Dress: Rotate Earrings: Fendi

Coat: Camilla & Marc Earrings: Fendi

BELLE ÉTOILE

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EXCLUSIVE

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Passion and

Purpose with

Carter Eve Jewelry

Eight years and a leap of faith later, Carter Eve Jewelry is making a name for itself with original designs, handmade with devotion, and acting as modern day talismans to empower the divine femininity in each of us. By Heather Marie Combs

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ften considered the most uplifting commodity a woman can own, the art of jewelry has long since graced the world representing one’s love and commitment to the relationship with themselves and for others to see. Choosing such adornments comes down to two main considerations — personality, and sometimes even more so, personal history. Revolutionizing traditional ornamental pieces, we spoke to Carter Eve of rising jewelry house, Carter Eve Jewelry, to discover her journey as a “one woman show” in an inspiring pursuit to provide handcrafted fine jewelry to empower and protect the modern woman. A surprising fact about Carter Eve — creative visionary, goldsmith, and founder and designer of Carter Eve Jewelry — is that Carter was first a musician long before she dived head first into her latest role of fine jewelry designer. “I started playing the violin when I was five years old,” revealed the goldsmith. “I love the soulful quality of old American Folk songs.” According to the reputation of this renowned string instrument, the sound quality of a violin has defied attempts to explain or equal it. A sound noted with characteristics parallel to the attributes of fine jewelry pieces that women exhibit on a daily basis — eloquent, sensuous, lustrous, bright, brilliant, pure, sustaining — in essence an ode to the timeless. Drawn to the sustaining and rich sounds of the violin as a young girl, it is fitting that this designer’s path has led her to the elegant craft of jewelry making. True for any designer, jewelry making is both a labor of love and a stroke of genius.

about jewelry design, metalsmithing, gemstones, and even the psychology behind why we love to adorn ourselves. “I apprenticed with a master Goldsmith for two years in Miami before continuing my graduate education in Jewelry and Metalsmithing at Rhode Island School of Design. Throughout my career I have worked as Head of Jewelry Design and Creative Director for numerous brands before taking the leap of faith and launching my own namesake brand, Carter Eve Jewelry.” With an undeniable draw to fashion’s most symbolic accessory, Carter was heavily inspired by her mother’s career as an interior designer, always immersed in the world of design. Taking an interest in the details of her mother’s work, the jewelry maker was fascinated by the fabrics and samples her mother was choosing to the paint colors and artifacts. “I could always be found with a notebook, sketching various objects and scenes from the natural world and writing down my observations,” reminisces Carter. A beautiful habit the designer continues to showcase alongside of each of her released collections illuminating the importance of the process as an entirety. Noting the emphasis on Art Jewelry and non-traditional adornments during her studies, it was wearable fine jewelry that inspired the designer, “I wanted to blur the lines between life imitating art and art imitating life.” Now delivering innovative styles and a distinctive aesthetic, it is only just the beginning for Carter Eve Jewelry. Releasing her first collection “Sirena”, meaning “Siren” in Spanish, in 2016 — an ode to the mystical fairytales of the sea, mermaids — it was not until February of this year, five years later, that Carter launched her namesake company.

“Once you know what you want to achieve, getting there is actually just about taking that first step. Be fearless! Anything is possible if you set your mind to it.”

“I have always loved jewelry,” began Carter, “but it was not until I took my first metalsmithing class in high school in Vermont that I fell in love with the process of making jewelry.” Combine her out-of-the-norm elective with her fond and distinct memories of her father returning home from travels to India and Columbia with parcels of emeralds and sapphires, it was the process of transforming the stones into beautiful rings that the designer found most intriguing. “I saw those little packages containing gemstones as a child and noticed the precious way they were handled and the brilliance of the colors and cuts. They drew me in with their magnetic vibrations. When I took my first metalsmithing class in high school I knew there was something very powerful in what I was doing. It felt like this magical process that you had to be initiated into through hard work and attention to detail.” A refreshing departure from the standard in creating adornments, Carter was intentional to immerse herself in the entire process of crafting jewelry from start to finish. Moving to New York City at just 19, the designer resided above a jewelry store realizing for the first time that jewelry could be much more than a striking ornament; but a career, that “this could be my life,” heartened Carter. “I then studied traditional goldsmithing in Brooklyn and went on to get my B.F.A in Jewelry and Objects from Savannah College of Art and Design.” Leaving no stone unturned, the designer made a commitment to herself to learn everything there was to learn

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Finding inspiration everywhere — the sea, the natural world, architecture, historical objects, paintings, instruments, ancient adornments, armor, symbols, etc. — Carter is always attuned to her surroundings being met with interesting combinations of form, texture, light and shadow. “I often do deep dives into a particular era in history that interests me and I find ancient objects along the way that often inspire my work,” revealed the designer. “I have such a range in the work that I do. A lot of the time I just follow where the inspiration is taking me and things evolve from there. However, some key elements that are present throughout Carter Eve Jewelry are my use of clean lines, structure and balance. The color of the gemstones combined with placement of prongs gives certain pieces a whimsical essence, but at the core of my designs there are always clean edges, lines and orderly compositions. I am a big believer in less is more when it comes to design and working within certain limitations to generate variations of the original, underlying concept.” Really drawn to her custom “All-Seeing Eye Medallion” with an Emerald Marquise center, the designer admires the multitude of meanings behind this particular piece, like “its genderless quality as well as the combination of Emerald and Gold. It goes with every outfit and is a reminder that Spirit sees all.”

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Photographer: Lauren Alexandra carterevejewelry.com

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“Jewelry in its nature is extremely personal, sentimental and individual,” continues the designer, “as it is specifically designed to be worn on the human body and has an intimate quality since it is directly touching the skin. I like to think of the body as a canvas or as a site.” “My latest collection is designed for all women who seek empowerment and protection in the form of amulets and talismans, or who feel the work speaks to them. When I create custom jewelry pieces for specific clients, I always like to get a sense of what their essence is, what their interests are and what their personal style is. Words can’t describe the emotion behind a family heirloom, for example, even if it is not made of fine materials or particularly beautiful. Sometimes the sentimental quality behind a piece is what gives it its power and meaning.” Taking the opportunity to explore the professional mind of a seasoned jewelry maker, we were curious to divulge the designer’s “do’s” and “don’t’s” to the art of tailoring jewelry. “How each person styles their jewelry is an expression of their own unique life story, taste and aesthetic,” shares Carter. “There are some days when I feel like stacking and layering and other days when I feel more minimal and just want to let specific pieces shine in all their glory. Jewelry styling can never be wrong if there is soul behind each piece in

your collection.” That does not mean each jewelry box should be without “a pair of gold hoops, studs for everyday wear, a medallion/talisman/amulet that means something to you personally, a bracelet that you can put on and never take off, and a curation of rings, both for everyday and when you feel like making a statement.” Headquartered at her design studio in Santa Monica, California, the designer is observant in the varying styles and tastes in relation to geographic regions. “However, some of my best-sellers do well in different locations at once,” shares Carter. “It almost seems as though people gravitate toward a particular piece at the same time no matter what the current trends are regionally and that piece takes on a life of its own. Suddenly, everyone wants one. I think it speaks to the certain magnetic quality behind great designs and gemstones and the effect they have on the collective consciousness.” Recognized more and more for the immense effort and care behind each bespoke piece of jewelry, to the sourcing of ethical materials and the meticulous craftsmanship, Carter is grateful for the love and support her line has been met with thus far. “I hope you feel it in the work, both now and for generations to come,” heartens the designer. “The best advice I can give to future designers is to gain as much knowledge and experience first so that you set yourself up with a strong foundation. It’s also important to keep the creative spirit alive by not taking yourself too seriously and incorporating elements of play in the creative process. Most importantly, setting goals and sticking to them is a must. Once you know what you want to achieve, getting there is actually just about taking that first step. Be fearless! Anything is possible if you set your mind to it.” 111

Jacket and Pants: Conilio

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G R E AT E X PE C TAT IONS Photographer: Lauren Schulz Model: Dean Barlett Stylist: Paul Versace Full Outfit: Zara

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Full Outfit: Conilio

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High N Cooper Phillip with

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A small-town girl with dreams bigger than anyone knew, sultry voiced pop soul artist — Cooper Phillip — is stealing the hearts and the ears of those around her. When not indulging in late night Forensic Files, this musician is living up to her family legacy taking sunny Los Angeles, and the world, by storm. By Heather Marie Combs

orn in Russia, the largest country in the world, it is fitting that thirty-one year old Cooper Phillip is living out her equally large dream. A descedant of classical musicians, Cooper spent her early years watching her mother — and master violinist — tour around the world with various symphonies. This separation and inpendence drew her to the sooth ing comfort of music at an early age, as did her knowledge of the piano at the ripe age of five. Reuniting with her mother at twelve, from one musician to another, it was undeniable that Cooper had a soul-filled gift that needed to be tended and shared. At the age of seventeen, the singer’s enviable tenacity led her across oceans to the glittering skyline of New York City. While the experience was not one she would label “easy”, a gig in Los Angeles led her to where she is today, pouring her heart and soul into original writings and releases, like “Silence”, “Not Perfect” and her latest single “Head Over Heels”. All a carefully constructed collection of pop anthems empowering those who will listen.

solo act, “I love to be dependent on myself so [solo] is a perfect position to be,” heartens the artist. “‘Solo’ represents strength and independence. I love it.” Expertly rocking this “glamour girl” chic with sleek polished hair and sharp Russian glamour, Cooper strives to be nothing if not herself, always. While the pressures and expectations of the spotlight can be painfully alluring, “it’s hard only if it’s not your real character,” states the vocalist. “For example, I’m loving glam. I grew up with divas and the era of beauty and glam and it is a true part of who I am.” Following similar suit, Cooper’s fashion taste is equal parts fun, current and edgy, but always classy. “I love experimenting and trying new things in fashion,” continues the musician. “I am shooting always and posting only what I find cool and authentic.” Inspired by “Queen B” Beyoncé, and fellow pillars of strength, grace and empowerment, Cooper uses true life stories, hardships and experiences to emit authenticity and courage throughout her r&b meets pop music. “I believe we underestimate ourselves often and our fear takes over. My goal is to show people that they are stronger and can do much more than they think they can,” heartens the starlet. “I write everything by myself because I believe that the audience connects most when you talk about your own experiences.” Also classified as a modern-day influencer, Cooper supports and welcomes new generations entering the social media scene offering her experienced words of wisdom: “I believe these days it’s all about creative authentic vision. It’s so important to be unique in your own way and more important to be yourself. Trust your gut because it’s true, we know everything better than anybody else.” As Cooper embarks on her first six week European tour since the pandemic shutdown of last year, the soul songstress is eager to see her fans and is grateful for the love and support, preparing you all to be ready for new music coming soon.

“I believe we underestimate ourselves often and our fear takes over. My goal is to show people that they are stronger and can do much more than they think they can.”

From embracing your true self and knowing your self-worth to embracing your own faults in understanding that despite unachievable perfection, you are enough, Cooper is proudly and passionately the vocal embodiment of strength, grace and empowerment. Capturing the undivided attention of listener’s across the globe, this solo artist is elevating herself to the top of her genre. Not interested in expanding the “Cooper Phillip”

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Photographer: Rex Yu Makeup: Susie Salazar Hair: Lisa-Marie Powell Models: Stefanos & Chrisoula Lighting and Photography Assist: Vi Dang

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Unapologetically,

Mai

In front of the camera since she was seven years old, internet personality and leading travel, beauty, and lifestyle content creator — Mai Pham — is ready for her next big adventure; but first she talks with Bode about releasing her debut street style clothing line and finding a safe space on the internet. By Thereza Rebouças

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Who is Mai Pham?

Currently, the YouTuber finds inspiration to create by scrolling through fellow video platforms like TikTok, with the purpose to showcase her daily routine and challenging “In three words? The only one I know is impulsive,” experiences — like moving to another country — intenlaughs the YouTube sensation, notorious for doing glow-up tional to emphasize that these videos are not typically videos, random things at 2 a.m., and impulsively traveling “planned.” “It is more like I’m doing my own thing and at a young age — alone. Growing up in the small town of the camera comes with me,” continues the creator. A true Whitecourt in Alberta, Canada, the newly Los Angeles Sagittarius, Mai is always open to new adventures, like resident is famously known for sharing her life experiences traveling solo to unchartered destinations, an obsession she through uncomplicated, and fun, videos on a YouTube has had ever since she was a daydreaming, preadolescent channel now achieving the mark of over 1.4 million subteen. “I think it is so important to solo travel,” encourages scribers. Growing up with a laptop and a webcam, Mai the jet-setter. A philosophy she experienced and advocated does not get embarrassed by the spotlight because “I don’t first hand while backpacking in Europe at the mere age feel like it’s a camera,” states Mai. “Genuinely, it feels like of 16. “You learn so much more because you are thrown I’m talking to a friend.” Now, eleven years later, at eighteen into so many different cultures and you are forced to learn years old, making videos is the most natural pastime turned about them. It’s cool to be able to see the way that different livelihood. people live around the world.” Bali was also an impactful destination to “I started a YouTube channel at the Mai. “I traveled there [as well] after age of seven, starting off with music, “I knew at a young age my 16th birthday, and I had been and then I went into toy unboxing that this is what I wanted wanting to go there for so long. Bali hauls to making gaming videos like is the place that I go whenever I want Minecraft and Call of Duty. Then I to do and I put in all the to do a solo travel trip, but also just started doing my beauty and lifestyle effort that I could to make relax. I feel like the reason I go to Bali videos to high school vlogs and volso much is as a kind of reset on my leyball videos. Just taking my camera it happen and it’s what life, just the culture’s there, and I don’t around, growing up with me, and even know what it is about it. I just I’m doing now!” doing whatever I was interested in at feel so relaxed and I feel like whenever the time. Now that has followed me I go there and I come back to my life and I just videotape anything that’s in Canada and in America it’s just going on. I’ve been doing that for so different. I just have a whole new mindset every single long that my audience kind of knows that there’s no extime I come back.” pectation for me, which I’m really grateful for. I know that sometimes social media can be hard, but I’ve really just Diving further into solo expeditions, Mai is on route to been doing whatever I want to do, I haven’t been trying her latest destination — a self-designed clothing brand of to put on this front or be someone that I’m not. I’ve been street style pieces. Her love for fashion began taking form especially trying to do that for the last few months, and just via back-to-school outfit videos for her YouTube — “You make whatever content that I’d like, and I’ve realized that can tell I’ve always been interested in doing fashion,” people kind of just want to watch me for my personality reminisces the social media sensation. While Mai’s debut and they don’t really care about the things that I’m doing.” street style collection is still under wraps, we can expect it It is an unconventional and dreamy career, to say the least, to be inspired by her own personal style, which is the whole as it allows Mai to do what she has always loved — to trav- sneaker culture and brands she loves, like Supreme and el and to live all across the world. “I love that I can make Off-White. “I wanted it to be everyday things that I could my own schedule and just do whatever I feel that day,” wear and everyone else could wear without having to put a shares the young influencer. “Whenever I’m not feeling lot of effort into it, and it still looks good,” reveals the budmy best, I can take a day to myself and also just be able to ding designer. Looking effortlessly chic in her Off-White travel or move anywhere I like. It’s crazy to think that my Jordan 4’s and her Christian Dior choker, Mai also takes a job allows me to do that, and I can document it with you.” more natural approach to her makeup.

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ever heavy on the eye shadow, this bare faced beauty opts for some sleek eye liner and mascara, topped off with some of her favorite Ardell fake lashes — “I just feel like they lift up your eyes so much and they make such a simple look turn into a full face.” While we all love to indulge in some enviable fashion content, this creator also uses her platform to speak openly and candidly about mental health with the world. “I feel like social media is a place where so many people compare themselves to other people. Being real about just the struggles of daily life and things that everyone has to go through makes it easier,” heartens the influencer. In a picture-perfect and often unachievable world, Mai would rather be genuine and authentic. Despite the harsh expectations in the industry, she always remains true to herself and her audience. “I feel like it is so much healthier for young people to look up to people like that instead of comparing themselves to a picture-perfect lifestyle that is unachievable,” continues Mai. “Just keep doing what you’re doing because literally if you talk to any person that does social media, they’re going to say that they got bullied for doing what they do. Now, everyone that used to bully them tries to hit them up for things. Everyone is going to make fun of you and stuff like that, but people only want to congratulate you or help you or be proud of you when you’ve actually made it. So just keep doing what you’re doing because everyone else that is in this industry used to get judged for doing what they’re doing, but you’ll get through it.” It goes without saying that more travels and her own adventures in the world of design are on the horizon for young Mai, but before she takes off with her camera in tow, she leaves us with these parting words: “If you keep trying and consistently doing it — this applies to everything — but anything that you actually set your mind to, you can do. As cheesy as that sounds, if you actually believe in yourself, you can actually get it done. I knew at a young age that this is what I wanted to do and I put in all the effort that I could to make it happen and it’s what I’m doing now!”

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S H O P T H E C O L L E C T I O N AT W W W. S O U T H P I N E G I F T C O . C O M

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COLOR Life in

Photographer and Retoucher: Mirko Schumann Makeup: Vera Stylist and Creative Director: Lisa Backhaus Model: Melina with IMM Europe

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Photographer: Yelssing Espinoza Model: Melissia Cuc Makeup: Bri Soffa Stylist: Anthony Bermudez Blazer: Birger Christensen ROTATE White Boots: Balenciaga 136

kefi

[ke-fi] • Greek ( n . ) t h e s p i r i t o f j o y, e n t h u s i a s m , h i g h s p i r i t s a n d f r e n z y, i n w h i c h good times and passion for life are expressed with an abundance of excitement, happiness and fun.

Dress: Birger Christensen ROTATE 137

Pants: Birger Christensen ROTATE 138

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Bode Magazine Summer 2021

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Carter Eve Jewelry

Myraswim

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Sand & Sentiment

Andrea Maria Kollar

Grace Beverley

Roman Plyus

Brooks Nader

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