MUSIC
ELEGANT MISERY Deafheaven marks a decade of ‘Sunbather’ with Front Range anniversary show BY JEZY J. GRAY
W
hen it comes to extreme music over the past decade, few bands flipped the script quite like Deafheaven. The heavy San Francisco outfit’s 2013 breakthrough Sunbather turned the heads of critics and listeners under the banner of its now-iconic pink cover art, scrambling the boundaries of black metal, postrock and shoegaze to dazzling and devastating effect. With soaring crescendos and gauzy guitars laid over breakneck blast beats and the formidable shriek of frontman George Clarke, the group’s genre-allergic sophomore effort — divisive at the time, now widely considered a classic — set a bold new template they have been redrawing ever since. Ten years later, the Grammynominated group’s watershed LP gets the anniversary treatment with a new remixed and remastered edition and a corresponding U.S. tour stopping at Summit in Denver on Dec. 13.
But looking back on Sunbather a decade after it first sparked backlash from black-metal purists and effusive praise from a growing legion of Deafheaven obsessives, Clarke reflects on both ends of the highA remixed and remastered version of Deafheaven’s 2013 breakpitched response with a through Sunbather was released Nov. 17. Courtesy: Deathwish Inc. good-natured shrug. “For us, the whole process is quite “You naturally want to defend yourdown to earth. So for people to be like, self and be like, ‘No, this is what we ‘This record crumbles mountains,’ like, and this is coming from an authenthese sort of poetic exaggerations that tic place. We’re not trolling anyone,’ were happening at the time … I’ll take which was something that had been it, but I don’t know if I feel that way,” published at the time,” the 35-year-old Clarke continues. “It all feels a bit chafrontman told Boulder Weekly from a New York City apartment before lighting otic in retrospect. It’s fun that we went out on the band’s upcoming tour. “While through it, and it’s kind of just part of our story now.” it was our natural inclination to do that, That story didn’t stop with Sunbather. we were also pretty vocal about being While reactions to future records like, ‘By the way, we’re not curing canwouldn’t quite match the fever pitch of cer here. This is just a record, and discourse surrounding the band’s first three people made it while drinking 40s major splash, Deafheaven have reinin a 10-by-10 room.’ vented themselves in equally bold strokes with each new release. But the even-keeled Clarke says the 10th anniversary of their landmark LP is giving the forward-looking collective a chance to pause and reflect on the winding path that brought them here. “It’s not very often that we do things that are strictly fanfare. We’ve always done this for ourselves. Being able to let go of that and just do something for fun and experience a little bit of nostalgia … it’s a nice little aside,” he says. “It feels like this kind of wholesome thing, which I can appreciate.”
KILLER INSTINCT “We gotta just follow our instinct and our heart,” Deafheaven frontman George Clarke says of the Grammy-nominated metal band’s knack for reinvention. Credit: Robin Laananen
BOULDER WEEKLY
Deafheaven’s knack for reinvention was pronounced with perhaps its biggest flourish on 2021’s Infinite Granite, which saw Clarke
swapping his ferocious black-metal screech for a clean singing style that shares more chromosomes with Morrissey than Mayhem. In a career full of stylistic departures, this was arguably the band’s biggest. “We gotta just follow our instinct and our heart, and it would have been really ham-fisted to do anything else,” he says of the stylistic curveball. “I would have way rather thrown this crazy Hail Mary and hope that our audience would be prepared than to do, you know, Sunbather: Part 4.” Vocal delivery wasn’t the only place Clarke set out to recarve the map on the band’s latest left turn — with his obscuring scream stripped away, the lyrics took on a new urgency. “Forgive the trembling love / I’m weak and acting bold,” he sings on the Side A standout “In Blur,” with a scaled-back vulnerability that pushes against the more baroque phrasing of past efforts. “I was reading a lot of surrealist poetry [while writing Sunbather] — a lot of purple prose and Victorian-type things. Whereas I think my tastes are a bit more modern now and maybe a bit more American,” he says. “I think that has lended itself to a welcomed simplification.” Despite the chasm of experience and growth between these two points, Clarke looks back on those early years with warmth as he and his bandmates gear up to bring Sunbather back to life for audiences around the country. Such a victory lap is an opportunity not every band has, and one he is determined not to take for granted. “During Sunbather, there was [a sense that] we could lose this tomorrow. And to be frank, we were losing it every six months and finding a way to piece it back together,” Clarke says. “Getting to see how it’s still resonating with people 10 years on is quite surreal. I think we’re very lucky to have a record like this.”
ON THE BILL: Deafheaven
Sunbather 10th Anniversary Tour with Touché Amoré. 7 p.m. Wednesday, Dec. 13, Summit Denver, 1902 Blake St. $35
DECEMBER 7, 2023
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