Industry
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GREAT NEWS FOR ALL READERS
When kids’ comics used to merge in my 1980s childhood – Battle becoming ‘Battle Action’ or 2000AD becoming ‘2000AD & Tornado’ (or ‘Starlord’) – the spin publishers put on one title ostensibly folding was the ultra-positive ‘Great news for all readers!’ Said readers were told they weren’t losing a much-cherished publication (ok, they were), but that they were gaining an extra bunch of characters and strips carried over into an existing (slightly more popular) one.
The sharp eyed among you may have noticed an alteration to our own masthead this issue, adding in the word ‘video’, with our thinking being that this is a real (as opposed to imagined) gain. Most news and advertising copy we receive makes reference to its intended audience being an equal split between photographers and videographers, and as the industry’s journal of record it feels right that we more closely reflect that. To be honest, how to
incorporate such a shift has been on my mind for a good long while now.
The idea is not to feature photo any less, it’s to feature video a bit more – as we’ve been doing gradually anyway –with a view to expanding our possible coverage, readership, reach and, ultimately, audience. Which is ultimately good for the magazine and for everyone featuring in it. I hope you’ll agree. On a practical note, you can still reach us on the same emails, at the same address.
for crucial dates via info@bpinews.co.uk
Help BPI News to update you with what your peers in the photo trade are up to & have a year’s worth of the mag delivered to your door for just £30 per annum including postage (UK mainland only). To pay quickly via PayPal head to paypal.me/bpinews Alternatively, please contact gavin@bpinews.co.uk for direct payment details.
With our stall set out, you join us in the middle of what’s traditionally the busiest sales season of the year, the C-word rapidly rushing up to meet us. Next issue, our combined December and January edition, we’ll be inviting the trade to take part in an open discussion on the industry’s highs and lows of 2024, plus requesting predictions on what may be coming down the tracks in 2025. If you’d like to contribute your own thoughts do get in touch via gavin@bpinews.co.uk. We’ll also shortly be launching nominations for our annual Trade Awards, happening next March; so all the more reason to get involved. For now, we’ve another carefully curated presentation of the stories and products currently making the headlines. There’s new equipment from regulars including Capix Ltd, Holdan, MAC Group, Neewer, Transcontinenta UK, Leica, Elinchrom, the DPS Group and more, covering all bases from capture, though development, to printed output. And all via devices that will be equally at home in the set ups of ‘content creators’, whether shooting photos, videos or both.
Editorial portrait by Mustafa Morad
FUJIFILM DEBUTS CONTENT CREATOR CAMERA & LENS DUO
Aimed at content creators and ‘everyday storytellers’, the fifth generation Fujifilm X-M5 (shown here with the brand’s Jeannie Corby) is described by UK Head of Marketing Andreas Georghiades as “the new entry level model”. It’s smaller and lighter than the existing X-T30 II at 111.9x66.6x38mm and a weight of 355g. SRP is £799 for the body only in black or silver, or it’s £899 with 15-45mm lens. Features of note to spiel to customers include a 26MP X-Trans 4 sensor (same as that of the X-S20), fifth generation processor, film simulation dial proving access to 20 options including Reala Ace, a battery life good for a full day’s shoot, up to 6.2K video at 30fps or Full HD at 240fps, plus, interestingly, plainer ‘more environmentally conscious’ packaging. The Fujifilm XApp allows for high-speed transfer of video clips to smartphones, with a flip out variangle screen also aiding video capture, and battery life good for up to 440 frames in economy mode. Continuous shooting wise, the camera can deliver 20fps via electronic shutter or 30fps in electronic shutter crop mode, while digital image stabilisation is offered as opposed to mechanical in-body IS. For users looking to shoot longer videos, the camera is compatible with its
manufacturer’s optional cooling fan, it can be used as a USB-enabled webcam, there are three internal microphones to provide surround sound capture, plus an improved wind filter said to reduce ‘steady frequency noise’. Also aiding content creators is a natural portrait enhancement mode designed to automatically remove blemishes, the camera can create a 9:16 portrait aspect video, and there’s a low bit
rate mode that could prove useful when transferring video to social media.
The two new lenses meanwhile are the XF 16-55mm f/2.8 R LM WR II and XF 500mm f/5.6 R LM OIS WR
The former (right) is said to be 37% lighter than its original iteration at 410g. This is in part due to a slightly different construction to the lens it replaces, featuring four aspherical elements, one Super ED element and 3 ED components. With a three-metre minimum focus distance and a built-in aperture switch to smooth brightness fluctuation, it goes on sale November 28th at £1149 SRP.
The XF 500mm (below) meanwhile is aimed at wildlife and airplane photographers, says Fujifilm. Comprised of 21 elements in 14 groups, it features a weather resistant design, and feels surprisingly lightweight for its size and reach at 1,355g. It also features 5.5 stop OIS and a 2.75 metre minimum focus distance. SRP is a cool £2899. www.fujifilm.co.uk
TIPA survey reveals photo trends
Last issue we asked you to get involved in an online survey to benefit the trade organised by the Technical Image Press Association (this year’s awards winners shown) and hosted on our website. Now the results from 3,000 respondents are in!
Mirrorless cameras are still proving popular, with over 54% planning to purchase a system camera in the next 24 months. Additionally, interchangeable lenses and accessories remain top priorities for TIPA publication readers.
Good news for us is that print photography magazines remain the most trusted sources of information for nearly 49% of respondents, followed by online photo sites at 33.86%. Specialist retailers and their online sites also rank highly as trusted sources. Interestingly, influencers are the least trusted source, with only 7.25% of respondents relying on them for photography related information.
A clear trend is towards continuous
upgrades with 55% of respondents planning to purchase a mirrorless camera, followed closely by interchangeable lenses at 46% and accessories at 40%. Smartphones, software and tripods also ranked highly in anticipated purchases, showing that photographers and videographers are focused both on camera systems and enhancing their overall workflow. The seal of approval from reviews and awards also continues to play its part, with 87%
of those surveyed saying they would choose the product with a TIPA Award if deciding between two similar items.
In conclusion, TIPA suggests that the survey reinforces the dynamic nature of the photography industry, with a strong balance between traditional photography practices and modern technological advancements. More results from the survey can be found at the URL below. www.tipa.com
©Semmy Demmou + Hans Lucas
NIKON GOES NUTS FOR LUTS, LENS, BINOS & MORE
Most dealers would agree the latest news from the photo stalwart is nothing if not diverse. First up, the brand is offering colourful limited edition versions of its Zfc mirrorless camera (right), a new collaboration with Heralbony. The latter is a company that describes itself as ‘dedicated to creating new value and culture through art’, thus the camera is being issued with a choice of four different artworks imprinted on it that replace the standard premium leatherette finish. While users can choose a camera with a design that specifically resonates with them, we’re told it is not possible to retro-fit pre-existing Zfc bodies with one of the new designs. SRP for the limited cameras is £1,229 each.
Also new from Nikon is its mirrorless camera compatible Nikkor Z 50mm f/1.4 lens for £499 SRP (below). Designed to deliver a natural perspective, with that fast/ bright f/1.4 aperture capable of a beautiful ‘bokeh’ when shooting portraiture, minimum focus distance is 0.37m. What’s more it’s the second Nikkor optic to join its line up with an f/1.4 aperture, following on from its Nikkor Z 35mm f/1.4. For videographers, the newer lens is also said to be a good fit for gimbals and cages, with focus breathing suppressed.
The brand is further flagging up a firmware update due mid 2025 for its Z6III camera that introduces a
brand new ‘Content Credentials’ feature, designed to protect the authenticity of its users’ images by preserving the original, unaltered data of each photo taken. We’re told the firmware is currently being tested by news agencies and professionals, with Nikon saying it’s committed to developing solutions that comply with C2PA (the Coalition for Content Provenance and Authenticity) standards. Staying with software, the development of a Nikon NX MobileAir app has additionally been announced, compatible with Apple’s Frame.io and Camera to Cloud feature, while enabling high-speed image delivery without a computer. This is promised for the first half of next year.
Nikon also has news for videographers, in that, following acquisition of the RED brand, it has released some free of charge ‘LUTs’ (Look Up Tables). Such sets of numerical values can be utilised for colour grading video footage shot in N-Log with Nikon’s mirrorless cameras – altering the look of said footage if desired. In
this instance Nikon is offering users four types of creative LUTs (examples above) – Achromatic, Film Bias, Film Bias Bleach Bypass and Film Bias Offset – and one type of technical LUT, created with RED. What’s more these can be loaded onto external monitors to preview a close to finished look while shooting is taking place, if desired. Direct your video shooting customers to the below URL to grab the relevant download: https://downloadcenter.nikonimglib.com
Lastly, arriving this month are two stabilised binoculars in the (US spelling) Stabilized 10x25 S (£699 SRP) and the 12x25 S (£719) described as ‘super lightweight’ (below). With 12 hours usage from two AA batteries and automatic power down when not in use, pocket friendly dimensions are claimed to make them ideal for use for travel, concerts and events. Built-in IS claims to counteract hand wobble by up to 80%, while a central folding mechanism aids portability. Nikon Europe Senior Manager Adam Randall notes: “It’s been some years since Nikon developed image stabilised binoculars for the European market and we’re delighted to re-enter the marketplace with our ‘Stabilized’ range.” www.nikon.co.uk
Where there’s Lomography there’s brass
Got customers missing the 110 film format once popular in the 1970s? Then rejoice in the fact that analogue photography fanatic Lomogaphy has announced the Lomomatic 110 Bellagio camera and detachable flash featuring a brass crafted body and wrist strap to match. Key
elements include a 23mm Minitar CX multicoated glass lens, maximum f/2.8 aperture, automatic exposure, zone focusing, adjustable ISO, flash with coloured filters, multiple and long exposure shooting modes, with an old school tin can for 110 negatives included in the package. Power is courtesy of one CR2 battery. www.lomography.com
PANASONIC ‘REFRESHES’ HYBRID OFFERINGS
Its full frame mirrorless camera line up now includes what it describes as a ‘refreshed’ Lumix S5D (right) in terms of both photo and video performance, while the camera is further said to be DJI LiDAR AF ready. When paired with the specific DJI kit, distance information is sent to the camera via USB, and the camera drives the focus, so no focus motor is required, enabling a more compact size and greater freedom of shooting, we’re told. The claim is that it’s even more adaptable for content creators.
Further features of note include a full frame 24.2MP CMOS sensor, a maximum 51200 ISO, 4K resolution video up to 60fps, or Raw video data output to the Atomos Ninja V over HDMI at a resolution of up to 5.9K at 29.97fps. The Lumix S5D also delivers 14+ stops of dynamic range, which its maker claims is virtually the same as its cinema cameras. Five-axis body integral image stabilisation plus a 3-inch free-angle LCD are also included. Available now, SRP is £1399 for a kit including a Lumix S Series 18-40mm f/4.5-6.3 lens or it’s £1799 with a 20-200mm f/4-7.1 zoom. Talking of adaptable, it’s released a new
L-Mount compatible Lumix S 18-40mm f/4.5-6.3 lens (right) alongside, describing it as ‘the world’s smallest and lightest zoom’ at a mere 155g with the full frame Lumix S9 being described as a perfect partner for the optic. Given the focal range on offer, it’s claimed to be as adept at helping users capture landscapes as it is delivering natural looking portraits. Closest shooting distance is 0.15m and it boasts a dust, splash and free resistant design with fluorine coating.
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On top of this, alert your Lumix S9, S5II, S5IIX and G9II camera owning customers that there are new firmware updates available promised to enhance functionality and improve users’ overall shooting experience. They’re available to download now from the Lumix Global Customer Support website. Finally, fashionistas may be excited by the fact the Lumix S9 camera is available in a new ‘Smokey White’ exterior finish (above). www.panasonic.co.uk
… if you want to maximise the benefit of the analogue photography revival for your own business, Capix Ltd are the people to talk to.
NEW KEKS FLASH FROM CAPIX: DEALER PRE-ORDER NOW OPEN
Capix Ltd’s product line up, detailed below, is aimed at those shooting on or developing film who want to capitalise on the analogue photography revival – yet bring with it all the advantages of the 21st Century.
Teasing a new retro-styled KEKS KF01 Flash, available December 2024! A perfect blend of timeless design and practicality, the KF01 stands out on any camera due to being made from durable aluminium, with a choice of satin chrome or satin black finish. Compatible with analogue and digital cameras with a hot shoe or PC sync port, versatility as well as style is assured. With a guide number of 12 the KF01 is powered by 2x AAA batteries, providing up to 300 flashes. This new item joins the existing KEKS KM02 & ultra compact KM-Q light meters for film cameras
Taking pre-orders for the exciting Aura 35 professional film scanner, expected Q4 and able to scan a large volume of film quickly at outstanding quality.
Receiving strong interest in the Colenta 20 BW 31-7 Tank ECO film processor. A step change in professional B&W film processing!
VIDEOGRAPHERS THE FOCUS FOR CANON LENSES
Tell photographer customers who also shoot video about three new additions to Canon’s RF Hybrid lens line up, plus a new stereoscopic 3D Dual Lens for capturing VR. With 18 bodies, 52 lenses and five mount adapters launched since the introduction of its EOS R system in 2018, the new RF 70-200mm f/2.8 L IS USM Z is described as ‘the pro choice hybrid zoom’, with its focal range suggested as a “preferred lens among photographers and videographers,” according to Canon Product Specialist Mehdia Mehtal. Features include 5.5 stops of OIS or 7.5 stops when used with an EOS R camera with IS. Unusually there’s a choice between purchasing this lens in white or black, with the white version being 5g heavier. The black should appeal to videographers wanting to avoid any reflections when filming, says Canon. Promising to deliver high image quality, resolution and true colours, a Super Spectra coating reduces flare while a smooth manual iris ring allows for aperture control. There
are also two customisable function buttons, Dual Nano USM plus the promise of beautiful ‘bokeh’ and significantly suppressed focus breathing. Extenders, including Canon’s ‘PZ’ Power Zoom adapters, can be used with the lens, thus affording extra sales opportunity. Sales start November 14th at £3,639 SRP. Also new for hybrid shooters are the Canon RF 50mm f/1.4L VCM plus RF 24mm f/1.4L VCM prime lenses. The former is described as delivering a natural look, while the latter allows photographers or videographers to achieve a wide-angle perspective. Like the new 70-200mm, both feature an 11-blade aperture, which is pretty much the standard across the hybrid range. Likewise we get an iris ring for smooth control of aperture, precise auto focus thanks in part to a VCM (Voice Coil Motor) and a unified size for the two lenses when placed side by side. Also the same is the price for both at £1819 SRP, with an on-sale date of December. Arriving November meanwhile is the last of the four latest announcements in the RF-S 7.8mm f/4 STM dual lens, which is at present only compatible with the EOS R7 body. “VR is still in its infancy for stills and video but we want to be leading the way,” reasons Mehdia. Promising to add a third dimension to content creation this one boasts a 60° field of view for a natural perspective and at 130g is both lightweight and compact. Sales start this month, at an SRP of £544.99. www.canon.co.uk
Lexar’s Pexar puts us in the frame
The digital photo frame was once, briefly, the new fangled thing then largely slipped from view. However memory card specialist Lexar has established a new ‘Pexar’ brand to launch its own range of digital picture frames. The boast is up to 2K resolution and an anti glare display with a high brightness to ensure every detail is visible, even in a brightly lit room.
“Lexar is a trusted memory technology leader and the Pexar brand is an extension of its goal to preserve life’s precious moments,” reasons Wilson Chen, Lexar VP of Product.
The new picture frames are described as ‘practically plug and play’, with a
free smartphone app, an intuitive touchscreen and the ability for up to a whopping 512 users to connect to and directly upload photos via Wi-Fi connected smartphones. A generous 32GB of internal storage is said to be sufficient for 40,000 pictures while this can be expended up to 1TB via SD card if desired. Available for starters are an 11-inch and a 10.1-inch Pexar digital picture frame. www.lexar.com
Leica does good numbers
The premium camera marque is getting very numerical this month. Not content with launching the M-11D on page 12 of this issue, it has a further couple of covetable camera releases in the limited to 250 sets Leica M Edition 70 (above), plus the Q3 43 (below), which is described as a Q3 with a 43mm fixed lens.
While the Q3 and Q3 43 carry the same internal ‘DNA’ the latter comes with a specially developed APO-Summicron-43 f/2 ASPH lens, its focal length said to mirror the natural perception of the human eye, making it a decent option for street and portrait photography. As well as the new lens, the camera features a gray leather outer covering to contrast with the otherwise black body. A new look in the Leica Fotos app has been introduced alongside this camera – Leica Chrome – that can be applied to JPEGs via the app or directly on the camera, giving images what’s described as ‘an analogue charm’. SRP for the camera is £5,900 and it’s available now.
Sticking with the analogue theme, in being described as a collectors’ item to celebrate the 70th anniversary, the Leica M Edition 70 is a platinum plated M-A camera with an M3 outer design that harks back to 1954 yet features the latest technology inside. It boasts a Leica APO-Summicron-M 50 f/2 ASPH lens, a Leicavit M fast winder, plus a film container with film inserted, all for a wallet-bothering £19K. Availability is promised from early 2025.
Interestingly, three variants of the Leicavit M fast winder in black-painted, glossy black-painted and silver chrome are also been made available standalone in the first half of next year as part of a regular production aimed at analogue photographers, and will retail at £900 each. In related news the brand has also published a Leica M anniversary book, detailing the history of the camera system over 250 pages and including essays, photographs and rarely seen archive material, all for a more affordable £45. www.leica-camera.com
HOLDAN / SAMYANG PARTNERSHIP OFFERS ‘FRESH TAKE’
Alert your Sony E-Mount camera-owning customers that something fresh and exciting has just landed from Samyang and distributor Holdan photographers and filmmakers work
Photographers and videographers are being targeted by the new Samyang Remaster Slim lens system, exclusively distributed for the UK and Ireland by Holdan in building on its expertise in pro imaging, video and broadcast equipment, and available now to retailers and their customers. With an equal focus on portability and cutting edge optical quality, it’s been devised to appeal to a generation of content creators, photographers and videographers who want to travel light. That’s resulted in an ultra compact and unique modular form factor that is said to deliver superior image quality without compromise. Users can choose between three focal lengths via one module mounted to the front of their camera.
Holdan’s Head of Technology Kriss Hampton-Joyce expands on the appeal, describing the system as “a completely fresh take that’s designed to be as travel
flexibility of a compact, modular form factor, as
securely house them all in. An USB-C port directly on the module suggests
“With Remaster Slim, it’s now feasible to shoot on a full frame system that will fit in your pocket and have two other lenses in another, so you can adapt to situations on the fly.”
Holdan Head of Technology Kriss Hampton-Joyce
The claim that it’s been designed for ‘on the go creators’ shooting on both APS-C and full frame Sony system cameras is backed up by the weight of a mere 66.5g for the module and lens. That’s half the weight of a standard lens while the set up is also incredibly thin at just 19.5mm. Despite the small size that Samyang reveals was originally inspired by point-and-shoot film cameras, the promise is there’s no compromise in quality. As we’d expect from Samyang, the optics here are premium, with a Stepping Motor delivering responsive and efficient autofocus. A 49mm front filter is usable with all lenses in the
an easy means to apply firmware updates without needing additional accessories. Classic aesthetics with a modern performance is the pitch here. To order in supply of Samyang’s brand new Remaster Slim system to meet expected demand, be sure to contact sales@holdan.co.uk or call 01457 851000 and tell them BPI News sent you.
www.holdan.co.uk/Samyang/ remaster-slim
Three into one will go: The modular Samyang Remaster Slim series launches with three versatile focal lengths for Sony E-Mount camera shooters, in 23mm f/3.5, 28mm f/3.5 and 32mm f/2.8
shown here.
SUPER POWERED SUPPORT FOR MAC GROUP DEALERS
For retailers and their customers seeking stability, a trio of Benro products available now via the leading distributor – SuperSlim tripods, a SupaDupa monopod and a QRB 95 lens bracket – should provide a level playing field, in every sense
We’re all looking for stability in uncertain times –especially as regards the running of our businesses. Fortunately proactive distributor MAC Group Europe can offer the specialist retailer steady sales with Benro’s latest trio of offerings, and in time for the busiest trading season of the year too.
The kit in question comprises the Benro SuperSlim Tripod range, the SupaDupa72 Monopod and the Quick Rotation Lens Bracket
Announced this August, tell your customers the SuperSlim (right) a versatile and user-friendly option for photographers wanting portability yet performance with it. Here the choice is between aluminium (£115 SRP) or carbon fibre (£160 SRP). Both versions have time saving features including blue anodised twist leg locks, an Arca compatible dual panoramic ball head, four section legs plus a split-able centre column, allowing for particularly low camera angles.
The carbon and aluminium tripods weigh 1.02Kg and 1.15Kg respectively, but whichever version is chosen, maximum operating height is 156cm, folded length is 52cm, maximum weight capacity is 4Kg, and their slender profile is just 6.1cm in diameter.
Helping to ensure everything is stable, bubble levels are built into both the ballhead and legs, while multiple 1/4-inch accessory mounts allow for the attachment of additional gear including lights, microphones and more. A drawstring bag is included for convenient transportation.
STABLE AND ABLE
Also worth adding to stock is the carbon fibre SupaDupa72 Monopod (right) This is described as a ‘game changer’ for photographers shooting with longer lenses. Its model name indicates a 72-inch height, meaning users won’t need to stoop if tracking subjects.
A mix of twist and flip leg locks ensures the height can be readily adjusted, while a rubber foot with ball bearings enables smooth panning movements and stability on uneven terrain, with the added option of a spiked foot. The integrated Arca compatible tilt head enables the camera and lens to be tilted up or down, while all knobs on the tilt head are said to be repositionable, ensuring they won’t interfere with each other.
Extra comfort comes via a padded grip, with the option to remove it if it ever gets in the way. Also detachable is a hand strap, provided so that the risk of dropping the monopod is reduced
when securely attached to the user’s wrist. With a convenient carry case completing the package, SRP is £265.
Last but by no means least there’s the new Benro QRB95 Quick Rotation Lens Bracket (below) also introduced back in the summer. This provides the ability to unlock the lever and rotate a camera from landscape to portrait and back again, all without disturbing the alignment of its centre point.
To achieve this Benro offers a ‘half ring’ design, rather than the full ring of competing products. It claims the half ring set up avoids any obstruction when holding and operating the camera grip, either in portrait or landscape fashion. Worth also noting that the maximum lens diameter the bracket will work with is 94mm, while the cold shoe mount on the half ring is compatible with both Arca and 501PL quick release heads. Providing maximum versatility the QRB95 can be used in conjunction with ether monopods or tripods. Maximum payload is 10Kg at a total cost of £90 SRP. Get in touch with your local MAC Group Europe rep now about all of the above to bring stability to your business this autumn/winter – and also your bottom line.
For stock, call 01902 255500 or email info@macgroupeu.com
www.macgroupeu.com
www.saraminonicuk.com
NEEWER LAUNCHES ‘BEST OUTDOOR LIGHT’ FOR VIDEO
A specialist lighting manufacturer with a comprehensive product offering, Neewer should be your newest one-stop shop when it comes to profiting from illumination. In fact its latest LED light is described as the ‘best outdoor video light on the market’
Following our introduction to Neewer last issue, it’s clear the brand can offer the trade all manner of engagingly creative, lightshaping products. A case in point is the latest addition to its line up in the Neewer HB80C RGBWW Mini COB LED Video Light. Currently available in the USA and due to arrive in the UK and Europe early December, it is already being teased by its manufacturer as ‘the best outdoor light on the market’ for videographers and content creators.
Not only is it ideal for street interviews and wedding shoots, it’s also perfect for outdoor live streams. Naturally it can be used for photography too. SRP is £199.99.
As the model name indicates, filmmakers will be enticed by its highpowered mini light’s 80-watt output, with a light-mixing cavity delivering uniform RGB colour. Offering a 2500 to 7500K colour temperature range and 0 to 100% saturation/brightness, a booster mode provides 3720 lux/m bare lamp illumination, or 10400 lux/m when used with a reflector.
On top of this, the portable and versatile HB80C comes with seven lighting modes, 18 pre-programmed special effects giving extensive options for creative videos, three fan modes, Type-C PD (Power Delivery) fast charging, plus a battery life of an hour and ten minutes in Regular mode, or an extended one hour and 34 minutes in Mute mode. The light can be in use
The shape of things to come: Neewer’s range of light shaping tools is bolstered with the introduction of the ultra portable, ultra flexible HB80C; its Bowens mount allowing compatibility with a range range of accessories
while the battery is charging, and vice versa. It can be fully charged in two hours when powered by a PD 65W input. A colour display screen on the reverse of the light makes for swift and easy adjustments. A tap of the screen provides access to the menu and further taps switch modes, while the builtin active fan keeps operation coolly efficient. There’s also a scroll knob provided for enhanced convenience.
YOUR FLEXIBLE FRIEND
The handy-sized device comes with a multi function tabletop tripod that can also be used as a handle for more flexible, portable lighting outdoors, while a builtin Bowens mount ensures compatibility with a wide range of other lighting accessories. These include softboxes,
beauty dishes, snoots and photography umbrellas for various lighting effects. The tripod stand mount adapter allows for 360° angle adjustment, while the standard reflector can intensify output while protecting the LEDs from damage.
As it is, package contents include the light, a grip handle, a Bowens mount reflector, light stand adaptor, a three metre 240w USB C to USB C PD charging cable and a Neewer branded carry bag to transport it all in.
Front-to-back brilliance: Seven lighting modes and 18 built-in special effects place a great deal of creativity in the hands of the user, while swift and easy adjustments can be made at the rear of the light
In terms of connectivity, with 2.4G wireless communication offered, the light can be controlled via Neewer’s Infinity App. When set to the same channel (00-99) the HB80C can synchronise with other 2.4G lights, facilitating convenient and efficient group control. Finally, it’s worth also noting that all Neewer products, including the new HB80C, come with the peace of mind for both you and your customers of a two-year warranty. Now that really is illuminating.
For more information about Neewer’s product line up, including the HB80C RGBWW Mini COB LED Video Light and its latest good deals, please visit https://uk.neewer.com
Those making a trade/ business enquiry should get in touch now via vip-support@neewer.com
TAMRON GIVES NIKON Z USERS ‘SIX OF THE BEST’
Transcontinenta UK is encouraging dealers to stock up on Nikon Z series camera compatible Tamron lenses, including prime and zoom offerings, to meet expected demand in peak sales season
Tell your Nikon Z mirrorless camera owning customers that award-winning optical specialist Tamron now has six directly compatible full frame lenses available, delivering high quality results at affordable prices. There is a ‘hero’ 90mm prime ideal for capturing portraits, plus five zooms offering a focus range from a wide angle 28mm all the way up to a telephoto 500mm. All are available now via distributor Transcontinenta UK
The aforementioned Tamron 90mm f/2.8 Di III Macro VXD (above) is a mirrorless version of Tamron’s first ever 90mm macro lens, the SP 90mm f/2.5, from 1979. This latest iteration claims unparalleled edge-to-edge resolution and three-dimensional effect ‘bokeh’. Construction comprises 15 elements in 12 groups, including four special glass LD elements along with a second-generation BBAR-G2 coating to minimise ghosting and flare. If used with an APS-C format camera, equivalent focal length is 135mm, while minimum aperture remains f/2.8. With a ‘MOD’ of 0.23m and an overall length of 126.5mm, weight is 630g.
Next is the Tamron 28-75mm f/2.8 Di III VXD G2 (right), a standard zoom described as compact at 550g and easy to use. Its AF drive deploys a ‘VXD’ (Voice-coil eXtremetorque Drive) linear motor focus mechanism to deliver swift, quiet and accurate focus, while it excels at close ups thanks to a 0.18m Minimum Object Distance. A scratch resistant coating protects the exterior, with a rubber focus ring providing a secure, comfortable grip. Construction comprises 17 elements in 15 groups, aberrations minimised thanks to two LD (Low Dispersion) and GM (Glass Molded Aspherical) elements.
the first Nikon zoom with a maximum wide-open f/2 aperture. Covering wide angle through telephoto, it’s ideal for travel and portrait photography. Again featuring a VXD focus mechanism, it promises ‘outstanding’ results throughout the zoom range, a moisture resistant construction, fluorine coating, plus a hood locking mechanism for greater convenience. Its new design promises enhanced operability and ergonomics.
The fourth option is the ultra telephoto Tamron 50-400mm f/4.56.3 Di III VC VXD (right)
Featuring an 8x zoom ratio, it challenges the standard 100-400mm, while being smaller, lighter and starting out wider. It’s compact too at 185.8mm in length with a weight of 1,180g. And, in providing up to one-half life-size (1:2) magnification for close focus, so users can enjoy half-macro photography and a ‘MOD’ of 0.25m at 50mm, it’s not just about photographing distant subjects either. With an improved texture and tactile feel, an optional Arca Swiss compatible accessory tripod mount is additionally available for operational convenience.
The joy of six: Tamron’s expanded line up for Nikon Z owners includes a 90mm prime lens ideal for portraiture plus a full range of zooms – order now to meet expected demand!
The third suggestion is the Tamron 35-150mm f/2-2.8 Di III VXD (right), notable for being
Our fifth recommendation was, on launch, its manufacturer’s first Nikon Z mount system compatible lens. The Tamron 70-300mm f/4.56.3 Di III RXD (top right) telephoto zoom is very small and light for its class too, at 150.3mm in length
while weighing 580g. With a moisture resistant construction and a BBAR (Broad-Band Anti Reflection) coating, this lens is designed for worry-free use outdoors and to deliver a reflectionfree performance with it. A broad focal range means it’s suitable for capturing landscapes and sports plus portraits and wildlife. Finally, how about the super telephoto Tamron 150-500mm f/5-6.7 Di III VC VXD? (below) Despite boasting a remarkably compact size for its focal range, an Arca Swiss compatible tripod mount with strap attachment holes is included for convenience. Again equipped with a VXD drive, it also features its maker’s proprietary VC (Vibration Compensation) mechanism and an ‘MOD’ of 0.6m for dramatic close ups. Constructed from 25 elements in 16 groups, its build includes one XLD (eXtra Low Dispersion), five LD and two Hybrid Aspherical lens elements – all delivering ‘exceptionally’ high edgeto-edge resolving power. If attached to a Nikon Z series camera with an APS-C sensor effective focal range is 225-750mm, due to the crop factor.
The above lenses are compatible with the Tamron Lens Utility software developed in house that allows the lens to be updated with the latest firmware without going through the camera.
www.transcontinenta.co.uk
‘M’ APPEAL: LEICA’S M11-D IS SIMPLY ELEMENTARY
The premium M11 rangefinder camera from 2022 evolves further with the launch of the M11-D, retaining the former camera’s tech yet removing the LCD display on the back. We drill into the appeal of the windowless wonder
As anyone who has used a rangefinder camera before knows, shooting with one is a wholly different experience, something Leica has been at the forefront of since its inaugural rangefinder release in 1954.
And while Leica’s original M11 from 2022 was itself stripped back so the focus was on the essentials, the premium brand’s new-for-2024 Leica M11-D pares things back further. The existing camera’s 2.3-million dot resolution 2.95-inch touch screen LCD has been removed entirely and replaced it with a large mechanical ISO dial instead. In doing so Leica claims to be ‘transferring the analogue experience into the digital world’.
We’ve all got used to Leica making cameras like no one else in the industry and the intriguing anomaly of the M11-D certainly maintains that ethos. As well as no monitor, the matt black painted surfaces of the M11-D eschew the familiar red Leica logo too.
Apart from the external change, the new screen-less camera retains all of the classic rangefinder aesthetics we’d expect, along with contemporary features including the 60-megapixel resolution first introduced on the full frame M11; at the time the highest resolution offered by this brand.
Available now in a sleek black finish and sure to become iconic itself, the M11-D has a suggested retail price of £8,100; an increase of £600 compared with the original M11 on launch.
OMITTING ONE THING, GAINING ANOTHER
While the LCD has been lost to allow the user to focus on the elementary aspects of pictorial design, including composition, aperture, shutter speed and ISO, the M11-D has gained Leica Content Credentials. This is a hardware-based feature first introduced on the M11-P as a means of helping to protect the authenticity of images. The veracity of photos can be checked at any time via a freely available tool.
That full frame sensor is paired with what Leica terms its Triple Resolution Technology, specifically designed for the M11 series. The headline feature here is the ability to specify the capture of images at resolutions of 60MP, 36MP or 18MP. On top of this, a built-in 3GB cache allows for the capture of up to 5fps photos at full 60MP resolution.
Additionally, the aforementioned ISO dial provides access to a range that spans a native ISO64 to ISO50000. Leica promises an excellent low noise performance when the user is shooting in low light.
Compared with the M11’s 64GB internal memory, the data capacity of the M11-D is likewise generous at 256GB. Plus, at a weight of 540g including battery, the new
camera undercuts its predecessor by 115g, with the aim of ensuring comfortable hand held use for extended periods of time. Also worth mentioning is the camera’s compatible with all ‘M’ fixed focal length lenses made since 1954.
As with the M11, it’s clear the modern world hasn’t been completely rejected in terms of the M11-D. Of course it offers Bluetooth or physical cable connectivity, while in being, like the M11, a certified ‘Made for iPhone and iPad’ product, it provides swift connectivity with iOS devices. It also works in tandem with the Leica FOTOS app that allows for photo transfer, remote control of the camera and geo-tagging, plus making creative choices including adjusting white balance and choosing between DNG and JPEF file formats. The camera adopts the settings that have been saved in the app.
With an eye on the future and our environment, the outer box of the M11-D is produced almost entirely from natural paper. Accessories to add onto a sale include a black leather protector with a cutout for the mechanical ISO dial, plus a carry strap in black or cognac colours, suitable for all Leica M cameras. It’s clear therefore the M11-D offers plenty to D-elight.
www.leica-camera.com
Less is more: By omitting the rear LCD familiar to millions of digital camera users, Leica claims it is ‘transferring the analogue experience into the digital world’
ELINCHROM & FUJIFILM PARTNERSHIP ENSURES A FULL ‘HOUSE’
This month news reaches us of another big name partnership, with Elinchrom inking a deal with Fujifilm to become official lighting provider at the manufacturer’s House of Photography in Covent Garden. We find out more about what’s in store…
Back in June we reported that
Fujifilm’s Central London ‘House of Photography’ store had recently undergone an extensive re-fit and refurbishment some almost five years after opening. At the time we were told one of the reasons for the refresh was to allow space for workshops and other individuals to take advantage of its facilities and Central London address. Secret live music gigs, fitness classes, panel discussions and talks from industry experts were promised alongside photography workshops. As Fujifilm’s General Manager for Imaging Solutions Theo Georghiades told us at the recent re-opening: “we have designed the store to be a destination where our team can discuss our customers’ full photographic needs, from end to end.”
Now we’ve details of a new partnership with Elinchrom that certainly seems to be putting that Fujifilm promise into practice, while the lighting specialist is expanding on its desire to forge closer links and relationships with key industry and retail partners.
ILLUMINATING INNOVATION AT A MUST-VISIT LOCATION
The hook-up will see Elinchrom utilising the upstairs and downstairs studio space at Fujifilm’s Covent Garden flagship to host lighting workshops and demonstrations of its own, attracting photographers and
‘Three’ into one will go: Elinchrom products and demonstrations are promised to now be a feature of Fujifilm’s House of Photography, thanks to a collaborative partnership being struck
“This collaboration builds brand presence through joint events and workshops plus allows customers to engage deeply with our products, fostering informed purchases and strong customer relationships for both Elinchrom and Fujifilm.” Elinchrom UK Sales Director Mark Cheetham
content creators to the space, while boosting its own brand profile further.
Not only are there plans to showcase its latest innovations, it will also demonstrate the seamless integration of Elinchrom lighting solutions with Fujifilm’s world-class cameras. Hands on sessions will allow visitors to get close to and test Elinchrom’s flagship products with a live model, exploring creative lighting setups and techniques.
As we went to press, an inaugural event to celebrate the new partnership, and
preview all of the above, had just been held by Elinchrom on November 5th.
Elinchrom UK Sales Director Mark Cheetham says: “Our partnership with Fujifilm at the House of Photography is a significant step for both brands, merging Elinchrom’s lighting innovation with Fujifilm’s imaging expertise to provide photographers with an enhanced, hands-on experience. Together, we’re able to showcase how our technologies complement each other, empowering users to push their creative and technical boundaries. This collaboration not only builds brand presence through joint events and workshops but also allows customers to engage deeply with our products, fostering informed purchases and strong customer relationships for both Elinchrom and Fujifilm.”
The Fujifilm House of Photography can be found at 8-9 Long Acre, Covent Garden, London WC2E 9LH, with Covent Garden or Leicester Square tube stations a very short walk away. For details of the next Elinchrom workshops and events, meanwhile, please bookmark www.elinchrom.co.uk
DEALERS INVITED TO FEATHER THEIR ‘NESTS’
It’s another busy month of announcements from Transcontinenta UK. First up it’s been appointed UK and Ireland distributor for Brinno time-lapse cameras (right), a brand that claims to offer user friendly and cost effective solutions, with the distributor believing the time-lapse market in Europe is positioned for steady growth. Thanks to up to 120 days of battery life, Brinno cameras can be set to record months’ worth of activity, distilled into a clip just a few minutes in length for watching back. Capable of being used outdoors, housings are IPX level weather resistant. The range comprises creative photography kits including the BARD BAC2000 Creative Camera Kit, plus outdoors and wildlife cameras like the BCC300-C clamp edition. Alternatively there are residential security solutions in the TLC300, construction site monitoring solutions such as the BCC2000 Plus Bundle, or pure time-lapse devices like the TLC2020. Contact the distributor for more.
Sticking with unconventional capture devices, also new via Transcontinenta UK is the Camouflage EZ-NestEye (right), a specially constructed wooden bird box with a built-in AI powered camera that can automatically capture stills or videos of avian visitors day or night. The sales pitch is that this allows everyone to observe, record and identify birds in
their natural habitat with ease and clarity. Thanks to Wi-Fi connectivity, real-time alerts can be sent to users via a free BirdLovers app. SRP is £189.99. From birds to ‘Spyders’… specifically the latest Datacolor Spyder (£159.99 SRP) and Spyder Pro (£249.99 SRP) monitor calibration tools (above), which we’re told can now deal with up-todate display technologies including OLED, mini-LED and Apple Liquid Retina XDR. The products also feature Datacolor’s exclusive Device Preview Beta, providing reassurance that what users see on their monitor is what will be seen on today’s most popular phones and tablets. Additionally, the company is
releasing two kits aimed at photographers and videographers, both featuring the SpyderPro calibration unit. Customers can choose from the Datacolor Spyder Photo Video kit at £349.99 SRP or the Spyder Print Studio at £479.99 SRP. Finally, there’s a new fabric plus colourways for the Everyday and Travel Bags in the Peak Design Coyote X-Pac (above) line up. Originally part of a limited edition collaboration with Huckberry, admiration from users was apparently such that the look’s been made available across 11 popular bags, including the Everyday Backpack 20 and 30L V2, the Travel Duffel 35L and 50L, the Travel Backpack 45L, Everyday Sling 3L and 6L V2 and the small Wash Pouch and Tech Pouch. Interestingly, the ‘X-Pac VX-21 Ocean Edition’ fabric in question is 100% made from recycled fishing nets. We’re told the fabric and colour combo is an exclusive to Peak Design bags until 2025, meaning no other bag in the world will utilise the same fabric during this time. www.transcontinenta.co.uk
ILFORD PACKAGING GETS NOSTALGIC
With renewed interest in film and wet darkroom methods it can sometimes feel like the clock is being turned back. Such nostalgia has been seized upon by Cheshire-based Ilford, which is marking the 145th anniversary of its establishment back in 1879 as, originally, the Britannia Works company, with 1950s inspired retro product packaging. This new/old look for its popular HP5+ and FP4+ films in both 35mm and 120 formats has the added sales incentive of being a ‘limited edition’, available for as long as stocks last. Fittingly, the
retro design is based on the colours and style of the HP3 and FP3, precursors to the current offerings.
Ilford Sales and Marketing Director Giles Branthwaite enthuses: “Film photographers are collectors by nature and have regularly requested we introduce limited edition packaging such as this. It’s an exciting year for us as we’ve recently announced a multi million £ investment in our R&D and operational capabilities. As we celebrate 145 years since the original Ilford company was founded, we are excited to reference our legacy as we look to the future.” www.harmanphoto.co.uk www.ilfordphoto.com
MAXIMISE XMAS SALES WITH DPS GROUP & EPSON
Boost Christmas sales by installing Epson’s SC-F1000 direct to garment printer, plus its latest SC-P6500 and SC-P8500 wide format models. Official reseller the DPS Group can offer leasing deals to help spread the cost…
What could be more saleable at this time of year than offering customers personalised Santa sacks and stockings for their kids, with a view to producing one-of-a-kind T-shirts and tote bags into the spring and summer?
Epson’s latest direct-to-garment (‘DTG’) SC-F1000 printer claims to be an affordable and accessible means for retailers to produce just such personalised goods, in the process adding an additional revenue strand. Specifically designed to create new opportunities for the photo trade, this is the entry-level model when compared with the existing SC-F2200 and is claimed to be a distillation of Epson’s best DTG technology.
While outstanding image quality is a given it’s also easy to operate, with a spacesaving form factor. Moreover, in being purpose built for a range of direct-to-garment and direct-to-film printing applications, the SC-F1000’s ‘DTFilm’ capability goes beyond traditional garment printing. It affords transfer to a wide variety of materials, as well as uniquely shaped items.
So, if you’ve previously thought you didn’t have the space to incorporate a DTG printer into your workflow, the compact and cost effective SC-F1000 could be a way to maximise festive sales. Anyone now has the ability to break into the potentially lucrative garment decorating market.
“If you’ve ever missed out on Christmas sales by not offering personalised goods, or were concerned about having sufficient space to do so, we strongly advise talking to us now about the SC-F1000,” advises DPS Group MD Maneesh Patel. “We can even help spread the cost via leasing deals.”
Boasting an intuitive touchscreen menu via a 4.3-inch interface, incorporated into the SureColor F1000 are a PrecisionCore MicroFTP print head with Nozzle Verification Technology and next generation Ultrachrome DG2 ink with CMYK+White. The white ink provides increased clarity when printing garments – imbuing them with a photographic quality – while its cartridge-free ink system reduces the need to replace ink
Santa’s little helpers: Boost profit by printing Santa sacks via the Epson SC-F1000 this festive season, then T-shirts and tote bags the rest of the year. Or broaden your appeal further by installing the wide format
SC-P6500 and SC-P8500 printers shown below
as frequently. The printer’s clever automated fabric head wiper system makes for low maintenance too, while its minimalist exterior allows a clear view of the print process. Further helpful features include automatic garment height adjustment, allowing printing of garments up to one inch thick. Epson’s robust Garment Creator 2 software is compatible with Windows and Mac OS, further supporting DTG and DTFilm job creation to bring creative ideas to life. A one year limited warranty provides peace of mind, with extended service plans available.
TURN PRINTS INTO PROFIT
Another alternative or additional lure for customers is wide format printing. Here Epson’s latest 24-inch SC-P6500 and 44-inch SC-P8500 printers (seen above) can literally deliver the goods, in being available in SC-P6500E/D/DE or SCP8500D/DL configurations respectively. The machines offer 2400x1200dpi printing and 6-colour ink sets claimed to match the output from competing 8-colour printers.
Aiming to deliver high quality photos and posters, ease of use comes courtesy of smart features, while high print speeds combine with low maintenance to improve productivity and reduce cost of ownership. A flat-sided design saves space, in allowing for installation against walls, cabinets or in spaces with a shallow depth, with Wi-Fi capability ensuring they can be operated anywhere. A core feature of the above printers is their UltraChrome Pro6 pigment ink set that includes grey ink to broaden the colour range. The dual roll models can load two different media types or sizes, switching between them automatically, while each features a conveniently positioned 4.3-inch touch panel for access to printer functions. It’s further worth noting that the SC-P6500 and SC-P8500 printers are ready to use out of the box, with no assembly required.
To discuss your specific requirements in time for Christmas and New Year sales, contact sales@dpsb.co.uk or call 020 8466 7230
www.thedpsgroup.co.uk
Replicate the colour and tones of classic analogue films straight out of your camera, at the touch of a button or turn of a dial.
Harnessing over 90 years of Fujifilm colour science, select one of 20 Film Simulation Modes to give your images that personal touch. Which will you choose?