BREVARD SYMPHONY ORCHESTRA :: 2017/18 SEASON
LIVE IS WHAT WE DO.
CHRISTOPHER CONFESSORE :: MUSIC DIRECTOR & PRINCIPAL CONDUCTOR
C ATA R A C T A N D L A S I K C E N T E R
[ CONTENTS ] TM
3 Contact Us AUDIENCE INFORMATION Enhance your concert experience! You are invited to attend Concert Conversations with Christopher Confessore. This informative and interactive chat begins approximately 40 minutes before most performances. For information on today’s performance including notes, bios and more...turn to the center section of the program book. Ricola Natural Herb cough drops are available in the lobby courtesy of your BSO. The use of photographic or recording devices in the main auditorium is strictly prohibited. For the enjoyment of all patrons, please silence all cell phones and electronic devices. Late-comers will be admitted into the auditorium during an appropriate time in the program to avoid disturbing audience members. King Center ushers will use their discretion.
7 BSO Board & Staff 9 Maestro’s Message 10 Concert Listing 13 Board Chair’s Message 19 In-Kind Support 22 BSO Guild Information 23 BSO Board Emeriti 27 General Information 35 Share Your Experience With Us 36 List of Advertisers For a full-color, digital version of this program, please visit our website at BREVARDSYMPHONY.COM.
2017-2018 SUBSCRIPTION CONCERT SEASON
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Proud supporters of the
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Brian L. Nemeroff, CPA Partner
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BREVARD SYMPHONY ORCHESTRA
[ CONTACT ] 1500 Highland Avenue Melbourne, FL 32935 Phone: 321.242.2024 Fax: 321.259.4716 info@brevardsymphony.com
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CONGRATULATIONS
TM
We are so fortunate to have such a wonderful, professional symphony orchestra in our community.
From, Harry & Wendy Brandon
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BREVARD SYMPHONY ORCHESTRA
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Performing and Visual Arts Department ^ƚƵĚLJ ƚŽĚĂLJ ƚŽ ŵĂũŽƌ ŝŶ DƵƐŝĐ ͻ dŚĞĂƚƌĞ ͻ sŝƐƵĂů ƌƚƐ ͻ ĂŶĐĞ
Pursue your dream of a career in the arts at ĂƐƚĞƌŶ &ůŽƌŝĚĂ ^ƚĂƚĞ ŽůůĞŐĞ ǁŝƚŚ ŝƚƐ ĨƵůůͲƟŵĞ ĂƌƚƐ ĨĂĐƵůƚLJ Dr. Chan Ji Kim Mr. James Bishop Mr. Lance Henderson Ms. Jeanine Henry Dr. Robert E. Lamb Ms. Joanna White
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[ BSO BOARD ] OF DIRECTORS Yvonne Clayborne Chair Charles Nash Chair-Elect Kevin Smith & Philip Zies Vice-Chairs Travis Proctor Treasurer Dr. Jason Wieseler Secretary
Art Niergarth Hugh Normile Jackie Pantello Carol Reeve Aaron Robinson Michael Vernich Lisa McAlpine (BSYO)
Debbie Caldwell Linda Coffey Bob DiBella Gretchen Dougherty Janet Forrer Darcia Jones-Francey Marilyn Kitchel Sheri Kocher Dr. Robert Lamb Kendall Martin Chris McAlpine Mary Helen McCay Brian Nemeroff
BSO PAST CHAIR Ann-Marie Brush
[ BSO STAFF ] Music Director & Principal Conductor Christopher Confessore
Personnel Manager Bethany Confessore
Executive Director Fran S. Delisle
Stage Manager Jimmy Cox
Marketing Director Lesmarie Velez
Librarian Jennifer Guzman
Administrative Coordinator Bliss Carter 2017-2018 SUBSCRIPTION CONCERT SEASON
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[ FROM THE ] MUSIC DIRECTOR Welcome to the Brevard Symphony Orchestra’s 2017-18 Season. Thank you for attending this performance of fantastic music, performed by our talented and dedicated musicians. We are proud to be the area’s only fully professional orchestra. The BSO is supported by an outstanding Board of Directors made up of community leaders, hundreds of dedicated volunteers in our South Guild and Treble Makers, a hard-working and dedicated Administrative Staff – and most importantly – our loyal Patrons, Subscribers, and Audience Members. Thank you, one and all, for your efforts in bringing the best in Live Professional Symphonic Music to our stage! Our 2017-18 Subscription Series features highlight after highlight, including familiar masterworks by Tchaikovsky, Beethoven, Ravel, Mendelssohn, Dvorak, Schubert, Prokofiev and many more. Phenomenal guest artists will be sharing the stage with your BSO throughout the season. Our Concertmaster, Lisa Ferrigno is our featured artist in October. In January, acclaimed pianist Tanya Bannister performs Beethoven’s Emperor Concerto and vocalist Michelle Amato sings Broadway favorites at our February Pops Concert. In March, we welcome back celebrated violinist Paul Huang performing the Barber Violin Concerto - and in April, clarinetist Bharat Chandra performs Mozart’s Clarinet Concerto. And don’t miss a very special presentation in November, when the BSO performs the film score to Charlie Chaplin’s masterpiece City Lights, while the film is shown on a large screen above the orchestra! Your Brevard Symphony Orchestra offers much more to our community than our Subscription Series Concerts. Our annual Independence Day Concert is a free performance enjoyed by thousands every year. Our Family Concert at the Cultural Arts Showcase affords us the opportunity to collaborate with other outstanding arts groups in our community as part of a free all-day event that draws thousands of audience members of all ages. And my favorite event of the season, our Annual Fifth Grade Concerts, introduces the thrill of live symphonic music to every fifth grader in Brevard County! Each and every performance by your BSO is a special event, and a unique opportunity to make a connection with our audience. I thank you, our loyal audience, for your generous and enthusiastic support which makes these opportunities possible. Christopher Confessore Music Director/Principal Conductor 2017-2018 SUBSCRIPTION CONCERT SEASON
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WE’RE LOOKING FORWARD TO A SEASON FILLED WITH MUSIC & MORE Mark your calendars! Here’s the schedule of all our subscription performances this upcoming season. For full concert/event schedule, program notes and artist bios, visit BREVARDSYMPHONY.COM
OCT 7 :: 8PM Concert Sponsors: Harry & Wendy Brandon
O Offenbach – Overture to Orpheus in the Underworld H Hanson – Love Duet from Merry Mount B Beethoven – Romance No. 2 (Lisa Ferrigno, violin) LLe Pera/arr. Williams – Tango Por Una Cabeza (Lisa Ferrigno, violin) TTchaikovsky – The Nutcracker Act I – Scenes VI-IX RRavel – Bolero
NOV 04 :: 8PM Concert Sponsors: Rich & Sue Weber
MOVIE NIGHT: CHARLIE CHAPLIN’S CITY LIGHTS The BSO performs the live soundtrack to the 1931 romantic comedy City Lights, written, directed, and starring Charlie Chaplin. The silent film will be shown in its entirety on a screen above the orchestra.
JAN 13 :: 2PM & 8PM Concert Sponsors: Nash & Kromash, LLP
S Sibelius - Valse Triste Beethoven – Piano Concerto No. 5 Emperor (Natasha Paremski, piano) B Mendelssohn – Symphony No. 3 Scottish M 10 BREVARD SYMPHONY ORCHESTRA
FEB 03 :: 2PM & 8PM Join the Brevard Symphony Orchestra and guest vocalist Michelle Amato for a dazzling program featuring Broadway’s greatest melodies. Highlights include a 100th Birthday Tribute to Leonard Bernstein along with music from Gypsy, Wicked, Hamilton and Gershwin’s An American in Paris.
MAR 03 :: 2PM & 8PM
Concert Sponsors: Berman Hopkins Wright & LaHam CPAs And Associates, LLP
Schubert – Rosamunde Overture Barber – Violin Concerto (Paul Huang, violin) Dvorak – Symphony No. 6
APR 14 :: 8PM Concert Sponsor: Kevin Smith
Martinu – Memorial to Lidice Mozart – Clarinet Concerto (Bharat Chandra, clarinet) Prokofiev – Symphony No. 5
Get 30-50% off tickets for these performances when you order season tickets! Order online or call 321.242.2024. New to the BSO? Try our Symphony Adventure Passport. Three concerts for only $75. See website for details. 2017-2018 SUBSCRIPTION CONCERT SEASON 11
Where Words Leave Off...
MUSIC Begins. ~Heinrich Heine
Carl & JoAnn Bottcher Proud Supporters of the Brevard Symphony Orchestra
[ FROM THE ] BOARD CHAIR
As we herald in the 2017-18 Season, we prepare ourselves for another series of concerts performed by our talented musicians under the expert hand of our Maestro, Christopher Confessore.
Rhythm and harmony find their way into the inward places of the soul. ~ Plato The compositions presented this season promise to create a memorable experience for everyone – from the most loyal of classical music aficionados to those that appreciate live performances of music across all formats and even to those that prefer a multi-media experience. For more than sixty years, the Brevard Symphony Orchestra has lifted our spirits and ignited our souls. You can close your eyes and immerse yourself in the color and textures of the sound. Or open your eyes and marvel at the ability of the musicians to create such beauty. However you choose to enjoy the performance, I promise you will not be disappointed. On behalf of the Board of Directors, I thank you for sharing your evening with us. We have a truly remarkable community and we are deeply grateful for the support and love that you have shown us over the years. Our continued goal is to create beautiful music that honors our current friends as well as finds its way into the hearts of new friends. Now, sit back. Relax. And enjoy the show. Yvonne Clayborne Chairperson, 2017/18 Board of Directors 2017-2018 SUBSCRIPTION CONCERT SEASON 13
“Music expresses that which cannot be said and on which it is impossible to be silent.� -Victor Hugo
Sue & Rich Weber
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THANK YOU SO MUCH FOR JOINING US AT THIS PERFORMANCE & FOR SUPPORTING OUR TM
FROM ALL OF US ON THE 2017/18 BSO BOARD OF DIRECTORS! Ann-Marie Brush Debbie Caldwell Yvonne Clayborne Linda Coffey Bob DiBella Gretchen Dougherty Janet Forrer Darcia Jones-Francey Marilyn Kitchel
Sheri Kocher Dr. Robert Lamb Kendall Martin Chris McAlpine Mary Helen McCay Charles Nash Brian Nemeroff Art Niergarth Hugh Normile
Jackie Pantello Travis Proctor Carol Reeve Aaron Robinson Kevin Smith Dr. Jason Wieseler Michael Vernich Philip Zies Lisa McAlpine (BSYO)
MUSIC HOPE WHERE THERE IS
THERE IS
THE FUTURE OF MUSIC IS IN YOUR HANDS More than ever, we need you to Help Our Performances Endure. That’s right! We need you to H.O.P.E. and partner with us to ensure that, from the first chord to the last, each note makes an impact on our community. Our H.O.P.E. program boosts our general operating and programs fund. This fund helps us keep concerts affordable AND makes sure we continue bringing FREE concerts and events to those who may not be able to attend our subscription performances. Not only will you ensure that music still matters, you will help inspire new generations of music fans just like YOU by helping us give back. For less than a cup of coffee, you can make a difference and H.O.P.E. for a musical tomorrow. From $5 to $500, every note counts!
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You help inspire a new generation of music fans. You ensure that music still matters. You can take pride in helping an organization that gives back. You make it possible for us to continue bringing quality performances to our community. You help create lasting musical memories that last a lifetime.
GIVE NOW AT BREVARDSYMPHONY.COM OR BY CALLING 321.242.2024 2017-2018 SUBSCRIPTION CONCERT SEASON 17
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[ PROGRAM ] TM
SIBELIUS, BEETHOVEN, & MENDELSSOHN 01.13.18 :: 2PM & 8PM Christopher Confessore Music Director/Principal Conductor
SUBSCRIPTION CONCERT III
Jean Sibelius
(1865-1957)
Valse triste, op. 44, No. 1 Ludwig van Beethoven
(1770-1827)
Piano Concerto No. 5 in E-flat Major, op. 73 Emperor Allegro Adagio un poco moto Rondo: Allegro ma non troppo Natasha Paremski, piano - This piece is sponsored by Martha Sinclair in loving memory of Jack Sinclair -
THIS CONCERT IS PROUDLY SPONSORED BY
nash & kromash, llp attorneys at law
[ INTERMISSION ] Felix Mendelssohn
(1809-1847)
Symphony No. 3 in A minor, op. 56 Scottish Andante con moto – Allegro un poco agitato Vivace non troppo Adagio cantabile Allegro vivacisssimo – Allegro maestoso assai
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I
[ ORCHESTRA ] VIOLIN 1 Lisa Ferrigno, Concertmaster Joni Hanze, Assistant Concertmaster Stewart Kitts Marius Tabacila Derry Deane Olga Kolpakova Michael Faulkner Kristen Seto Richard Collins David Brill Sasha Korczynski THE FOLLOWING PRINCIPAL CHAIRS ARE SPONSORED BY: VIOLIN 2 Kevin Smith, Ameriprise CELLO Dr. & Mrs. Richard Weber FLUTE Harry & Wendy Brandon TROMBONE Courtyard Marriott Cocoa Beach TIMAPANI Berman Hopkins Wright & LaHam, CPA’s & Associates
If you, or your organization, would like to sponsor a principal chair, please call Fran S. Delisle Executive Director fdelisle@brevardsymphony.com 321.242.2024
II
SUBSCRIPTION CONCERT 3
VIOLIN 2 Kevin Seto, Acting Principal Amy Xaychaleune Fang Brill Jennifer Guzman Gail Collins Laura Pinfield Elizabeth Chippeaux Mariana Aguilera Dana Beattie
VIOLA Kaitlin Springer, Acting Principal Jennifer Mueller Jesus Alfonzo Carl Kerner Scott Knopf Daniel Cortes Joshua Dampier Roberto Henriquez
CELLO Joan Markstein, Principal Thomas Silliman, Assistant Principal Brenda Higgins Adriana Stenvik Amie Tishkoff Elise Jimenez Bobbe Jo Butler
FRENCH HORN Chris Hunter, Acting Principal Susan McGee Pam Titus Cathy Caldwell Ralph Brownlie Memorial Chair
TRUMPET Tom Macklin, Principal Michael Fee
DOUBLE BASS Cody Roseboom, Acting Principal Kevin Gallagher TIMPANI Richard Desgrange, Principal Emeritus Brian Slawson, Principal Elliot May Rich Harbison
FLUTE Christina Apelgren, Principal Nicole Scott
OBOE Lora MacPherson, Principal Anita Juilianna
CLARINET Keith Koons, Principal Erik Cole
OUR MATINEE SERIES IS PROUDLY SPONSORED BY
BASSOON Julie Fox, Principal Ashley Heintzen
SHARE YOUR EXPERIENCE WITH US @BREVARDSYMPHONY ON
III
[ FEATURED ARTIST ] NATASHA PAREMSKI With her consistently striking and dynamic performances, pianist Natasha Paremski reveals astounding virtuosity and voracious interpretive abilities. She continues to generate excitement from all corners as she wins over audiences with her musical sensibility and flawless technique. Born in Moscow, Natasha moved to the United-States at the age of 8 and became a US citizen shortly thereafter. She is now based in New York. Natasha was awarded several very prestigious artist prizes at a very young age, including the Gilmore Young Artists prize in 2006 at the age of 18, the Prix Montblanc in 2007, the Orpheum Stiftung Prize in Switzerland. In September 2010, she was awarded the Classical Recording Foundation’s Young Artist of the Year. Her first recital album was released in 2011 and it debuted at No. 9 on the Billboard Traditional Classical chart. In 2012 she recorded Tchaikovsky’s first concerto and Rachmaninoff’s Paganini Rhapsody with the Royal Philharmonic Orchestra and Fabien Gabel on the orchestra’s label distributed by Naxos. Natasha has performed with major orchestras in North America including Dallas Symphony Orchestra, Los Angeles Philharmonic Orchestra, San Francisco Symphony Orchestra, San Diego Symphony, Toronto Symphony, Baltimore Symphony, Houston Symphony, NAC Orchestra in Ottawa, Nashville Symphony, Virginia Symphony, Oregon Symphony, Colorado Symphony, and Minnesota Orchestra. She tours extensively in Europe with such orchestras as the Royal Philharmonic Orchestra, Bournemouth Symphony Orchestra, IV
SUBSCRIPTION CONCERT 3
Vienna’s Tonkünstler Orchester, Royal Scottish National Orchestra, Orchestre de Bretagne, the Orchestre de Nancy, Royal Liverpool Philharmonic Orchestra, Tonhalle Orchester in Zurich, Moscow Philharmonic, under the direction of conductors including Peter Oundjian, Andres Orozco-Estrada, Jeffrey Kahane, James Gaffigan, Dmitri Yablonski, Tomas Netopil, JoAnn Falletta, Fabien Gabel, and Andrew Litton. Natasha has toured with Gidon Kremer and the Kremerata Baltica in Latvia, Benelux, the UK and Austria and performed with the National Taiwan Symphony Orchestra in Taipei. Natasha has given recitals at London’s Wigmore Hall, the Auditorium du Louvre in Paris, Schloss Elmau, Mecklenburg-Vorpommern Festival, Verbier Festival, Seattle’s Meany Hall, Kansas City’s Harriman Jewell Series, Santa Fe’s Lensic Theater, Ludwigshafen BASF Series, Teatro Colon in Buenos Aires, Tokyo’s Musashino Performing Arts Center and on the Rising Stars Series of Gilmore and Ravinia Festivals. Natasha continues to extend her performance activity and range beyond the traditional concert hall. In December 2008, she was the featured pianist in choreographer Benjamin Millepied’s Danse Concertantes at New York’s Joyce Theater. She was featured in a major two-part film for BBC Television on the life and work of Tchaikovsky, shot on location in St. Petersburg, performing excerpts from Tchaikovsky’s First Piano Concerto and other works. In the winter of 2007, Natasha participated along with Simon Keenlyside and Maxim Vengerov in the filming of Twin Spirits, a project starring Sting and Trudie Styler that explores the music and writing of Robert and Clara Schumann, which was released on DVD. She has performed in the project live several times with the co-creators in New York and the UK, directed by John Caird, the original director/adaptor of the musical Les Misérables. Natasha began her piano studies at the age of 4 with Nina Malikova at Moscow’s Andreyev School of Music. She then studied at San Francisco Conservatory of Music before moving to New York to study with Pavlina Dokovska at Mannes College of Music, from which she graduated in 2007. Natasha made her professional debut at age nine with the El Camino Youth Symphony in California. At the age of fifteen she debuted with Los Angeles Philharmonic and recorded two discs with Moscow Philharmonic Orchestra under Dmitry Yablonsky, the first featuring Anton Rubinstein’s Piano Concerto No. 4 coupled with Rachmaninoff’s Paganini Rhapsody and the second featuring all of Chopin’s shorter works for piano and orchestra.
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V
[ NOTES ] JEAN SIBELIUS (1865-1957)
Vales triste Jean Sibelius is the most widely acclaimed artist to have ever emerged from Finland. He is admired in America, England, Scandinavia and throughout the world as one of the great composers of the 20th century.
PROGRAM NOTES PROVIDED BY: David R. Glerum, Music Director WMFE-FM/NPR, Orlando, FL. (1990-2009) Music Director WXXI-FM/NPR, Rochester, N.Y. (1980-1990) VI
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Over the years Sibelius amassed a considerable and impressive body of work and so became a legendary figure in his own lifetime. In the quarter century spanning 1899 to 1924, he produced seven magnificent symphonies; a Violin Concerto; a String Quartet (“Intimate Voices”) and other fine chamber compositions; several symphonic poems, including Pohjola’s Daughter, Night Ride and Sunrise, The Bard and The Oceanides; and a wide range of incidental music for the theater, including Kuolema, Pelleas and Melisande, Belshazzar’s Feast and The Tempest. After this incredibly productive period, ending with the bleak tone poem Tapiola in 1926, Sibelius wrote very little in his
final three decades. Why he fell steadfastly silent for such a long time, all the while perfectly able to create, remains one of the great-unanswered questions in music history. The eerie and haunting music of Sibelius’ Valse triste (or Sad Waltz) began life inauspiciously as the first of six pieces of incidental music written for the 1903 play Kuolema (Death). Conceived by his brother-in-law Arvid Järnfelt, the play never caught on and ended up a failure. However, it did spark Sibelius to write what would become one of his signature and most recognizable pieces. In 1904, he revised the music and presented it as Valse triste on a concert given in Helsinki on April 25th. The spellbinding effect of the music captivated the audience and the piece became enormously popular around the world. Had Sibelius not sold the rights for a mere 300 marks, the royalties would have made him a very wealthy man! In the context of the play, the music takes the form of a sad waltz, which accompanies a scene in which a dying mother awakens, and draped in her long white nightgown beckons a gathering of spectral guests to dance. The program notes provided for the original production complete the story: And now they appear, these strange visionary couples, turning and gliding to an unearthly waltz rhythm. The dying woman mingles with the dancers; she strives to make them look into her eyes, but the shadowy guests one and all avoid her glance. Then she seems to sink exhausted on her bed and the music breaks off. Presently she gathers all her strength and invokes the dance once more, with more energetic gestures than before. Back come the shadowy dancers, gyrating in a wild, mad rhythm. The weird gaiety reaches a climax; there is a knock at the door, which flies wide open. The mother utters a despairing cry, the spectral guests vanish; the music dies away. Death stands on the threshold. SHARE YOUR EXPERIENCE WITH US @BREVARDSYMPHONY ON
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LUDWIG VAN BEETHOVEN (1770-1827)
Piano Concerto No. 5, Emperor Allegro Adagio un poco mosso Rondo: Allegro ma non troppo For better or worse, Beethoven’s Fifth Piano Concerto has almost always been known as the Emperor. Considering Beethoven’s “republican” principles and the circumstances around which the work was composed, the sobriquet is in some sense ironic. Beethoven wrote it in Vienna in 1809 while the city was besieged and for a time occupied by Napoleon’s armies. To avoid capture, Beethoven’s friend, pupil, and patron, the Archduke Rudolph – to whom the concerto was dedicated - along with the rest of the royal family and many of the composer’s close friends, were forced to flee the city. Beethoven himself lived in lodgings in the midst of the fighting and the noise and commotion of battle interfered with his work on the concerto. At one point, hanging on to the final vestiges of his hearing and traumatized by the din of battle, Beethoven retreated to the refuge of his brother Caspar’s house. When the bombardment came too close, he would spend hours in the basement covering his head with pillows in an attempt to protect his sensitive ears from the clamor. Beethoven expressed his agitation and anxiety in a letter this way: “We have been suffering misery in a most concentrated form. Let me tell you I have produced very little coherent work, at most a fragment here and there. The whole course of events has in my case affected both body and soul…. The existence I had built up only a short time ago rests on shaky foundations…. What a destructive, disorderly life I see and hear around me: nothing but drums, cannons, and human misery in every form.” But during Napoleon’s occupation Beethoven also exhibited defiance. The story goes that seated in his favorite coffee house one day, he let a passing French officer have it: “If I were a general and knew as much about strategy as I the composer know about counterpoint,” he shouted shaking his fist, “I would give you something to do!” Obviously, this was a man who VIII
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was bubbling over with resentment for the “Emperor.” How could Beethoven not remember how his early admiration prompted him to dedicate the Eroica Symphony to Napoleon? He had seen the French general as a revolutionary leader and liberator but became repulsed when it was evident that Napoleon used his strength for destruction and personal gain. Beethoven must have thought back to when he had angrily ripped the dedication page from the score of the Eroica when the power hungry “man of the people” had proclaimed himself “Emperor” in 1804. Tumbling from the composer’s esteem, Beethoven raged: “This man will trample the rights of men underfoot to indulge his ambition and become a greater tyrant than any other.” Some may argue that the Piano Concerto No. 5 voices Beethoven’s response to the tide of Napoleon’s conquest across Europe. After all, scrawled on the first page of the Adagio is the bitter remark “Austria rewards Napoleon.” Nevertheless, it would fly in the face of all we know about Beethoven if we were to conjecture anything other than the composer’s utter disgust and resentment if he were to have ever known that his Fifth Piano Concerto would one day be known as the Emperor. How did the work get its nickname? No one knows for certain. One widely accepted theory is that an early publisher or pianist thought it an appropriate term to convey the concerto’s grand scale and quintessential splendor, i.e., the work is “an Emperor among concertos.” Another possibility is the purported exclamation during the premiere by a French officer at one especially noble passage,“C’est l’Empereur!” And then there is the fascinating explanation given by Anton Schindler, devoted friend and one of the composer’s first biographers. Apparently, the Viennese premiere took place at a celebration of the Emperor’s birthday. Since the party at which the premiere occurred (sponsored by the Noble Ladies for Charity for Fostering the Good and Useful!) was ordered by the French conquerors, what could be more natural than to introduce this new concerto as the Emperor? An interesting possibility… Despite the many distractions of 1809, Beethoven somehow managed to complete his Piano Concerto No. 5 that same year. It took two years, though, before the work received its premiere in Leipzig late in 1811. The Viennese premiere occurred in early 1812. Even though Beethoven was only 39 SHARE YOUR EXPERIENCE WITH US @BREVARDSYMPHONY ON
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years old when he wrote the Emperor and some 18 years of life remained ahead of him, this was to be his last concerto. Therefore, the Emperor serves as the culmination of Beethoven’s work in the concerto form. And what a culmination it is! It is the largest in scale of all Beethoven’s concertos and can be argued to be the Classical concerto at its most noble. The opening Allegro is one of the largest sonata-form movements Beethoven ever penned. It opens majestically with the orchestra playing a series of broad chords, the piano extending each of these with wide arpeggios in an improvisatory and rhapsodic manner. The piano then steps aside and the orchestra unfolds the two main themes in a magnificent exposition. Unlike most Classical concertos where the listener waits for the dramatic entrance of the soloist, in the Emperor we are filled with suspense as to when the piano makes its return appearance. After a transition theme, the soloist is brought back in for a second exposition with his version of the thematic material. An impressive development section follows with the piano tossing off brilliant and elaborate figurations against fragments of melody in the orchestra. Following a mighty crescendo there is a sustained chord and then a pause signaling the usual cadenza, but here Beethoven innovates. Instead of the impromptu virtuosic display customarily expected by audiences of the time, he says “no” and instructs the pianist to stick to a limited written-out solo passage that begins the coda. By restricting the cadenza accordingly, Beethoven maintains control over the dramatic and poetic aspects of his work. From this point forward virtually all composers would follow Beethoven’s lead and handle cadenzas in this way. Twenty minutes later and sated with majesty, we’re treated to an understated Adagio of transcendent beauty. The movement begins with a serene, hymn like melody introduced by the strings, with the violins muted. A series of ascending trills leads to the piano’s introspective variations on the chorale melody. Against plucked strings in the orchestra, the piano sings the melody with slight embellishment; the effect is magical and time seems to stand still. Measures before the movement’s end, the piano whispers a preview of the chief subject of the final movement. Without break, we are suddenly hurled into an exuberant and good-humored Rondo. Especially thrilling is the interplay in the coda between the kettledrums and the piano. A cascading flow of notes brings the concerto to a spirited and triumphant finish. X
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FELIX MENDELSSOHN (1809-1847)
Symphony No. 3, Scottish Andante con moto – Allegro un poco agitato Vivace non troppo Adagio cantabile Allegro vivacissimo – Allegro maestoso assai “Bach reborn.” – Franz Liszt “The Mozart of the nineteenth century.” - Robert Schumann “A romantic who felt at ease within the mold of classicism.” – Pablo Casals Although these accolades may seem hyperbolic, they in fact are not. Phenomenal as Bach, precocious as Mozart, and blessed with passion and grace, all three assessments accurately point to the immense genius of Mendelssohn. The gods seemed to smile upon him. Goethe called him a “heavenly, precious boy” and Heine proclaimed him a “musical miracle.” SHARE YOUR EXPERIENCE WITH US @BREVARDSYMPHONY ON
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Compared to all composer prodigies, it is difficult not to pronounce Mendelssohn as the most astonishing. Of course, Mozart comes immediately to everyone’s mind and it is true that over the course of his life he did achieve more and reach higher. But in terms of youthful genius, not even Mozart surpassed or often equaled Mendelssohn in assurance or individuality. Even the legions of us who revere Mozart would be hard pressed to offer up an example of pre-adulthood genius to compare with the sublime Octet for Strings, written at the tender age of sixteen. And what about the nothing short of miraculous Overture to A Midsummer Night’s Dream? So natural was that masterpiece’s creation that Mendelssohn casually remarked that he was looking forward to “dreaming” it in the family’s garden. Surely, looking only at those two comets drives home the fact that Western music has never seen a childhood genius such as Mendelssohn. FShortly after turning twenty, Mendelssohn embarked on a walking tour of Scotland with his friend, the poet Carl Klingemann. The experiences of the trip bowled Mendelssohn over and made indelible and lasting impressions. Mendelssohn once wrote, “It is in pictures, ruins and natural surroundings that I find the most music.” By traveling to Scotland, he certainly chose the right place. The eerily wild and beautiful Hebrides Islands off the rugged west coast inspired The Hebrides Overture; and his amazement at Mary Queen of Scots’ Holyrood Castle eventually gave rise to his Symphony No. 3, the “Scottish.” In July of 1829, Mendelssohn penned a letter relating the experiences of his first day in the Scottish capital, Edinburgh. He wrote: “Everything here looks so stern and robust, half enveloped in a haze of smoke or fog. Many Highlanders came in costume from church victoriously leading their sweethearts in their Sunday attire and casting magnificent and important looks over the world; with long, red beards, tartan plaids, bonnets and feathers and naked knees and their bagpipes in their hands, they passed along by the half-ruined gray castle on the meadow where Mary Stuart lived in splendor.” A few days down the road, he described his visit to Mary’s castle, Holyrood: In the evening twilight we went today to the palace where Mary lived and loved. A little room is shown there with a winding staircase leading up to the door. This is the staircase the murderers ascended, and, finding Rizzio [Mary’s Italian advisor and, probably, lover, whom the XII
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Scots mistrusted] … drew him out; about three chambers away is a small corner where they killed him. The chapel close to it is now roofless, grass and ivy grow there, and at the broken altar Mary was crowned Queen of England. Everything around is broken and moldering and the bright sky shines in. I believe I have found today in that old chapel the beginning of my Scottish symphony.” Notwithstanding this detailed and evocative description of Mendelssohn’s impressions of Scotland, it would be a mistake to reduce the Scottish Symphony to a tonal travelogue. Nowhere within does it quote indigenous folk songs, imitate bagpipes, make use of Scotch snap rhythms or dances, etc. Rather, it digs deeper in that it draws from the composer’s deep sensibility and profound melancholy elicited from his emotional reaction as a young man to the beautiful rugged Scottish landscape and long rich history. As Beethoven said of his Pastoral Symphony, the music is “more of feeling than of painting.” Even though numbered the Third, the Scottish is actually the last symphony composed since it wasn’t completed until 1842. It was published, however, before the No. 4, Italian, and the No. 5, Reformation. It is cast in the traditional four movements, but Mendelssohn was clear in directing that it should be performed continuously without pauses for applause. As the composer instructed in the original edition of the score, “The several movements of this symphony must follow each other immediately and not be separated by the usual pauses” – but each of the movements comes to a cadence on its own tonic chord.
[ UP NEXT ] BSO POPS! BROADWAY OUR WAY Saturday, February 3, 2018 :: 2PM & 8PM King Center for the Performing Arts Featuring Vocalist Michelle Amato
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LIVE CONCERTS ARE TRULY MAGICAL EXPERIENCES... Just ask the over 250,000 students who have attended our annual Children’s Concert over the years. Held each February, over the course of several performances, our Children’s Concert gives local fifth graders an opportunity to experience a live orchestra performance. For many, these performances are also their first visit to the King Center for the Performing Arts. For over 30 years, we have partnered with Brevard County Public Schools, to offer our Children’s Concert to local students. Through support received from local foundations and businesses, we have been able to keep our performances free for all public school fifth graders. A study guide is developed for teachers which integrates all learning aspects of a symphony performance from biographies of the composers to seating within the orchestra, performance etiquette and much more. All this information is blended, with musical examples, into class lesson plans. This allows students time, in advance of the concert, to learn about what they will soon be enjoying, therefore enhancing their learning experience. At the Brevard Symphony, we recognize how integral arts education is to our community and we are pleased to offer a variety of programs for both students and teachers. Not only do these performances create lasting musical memories, they also prove that we hear symphonic music every day. On television, on radio, at the movies, music stirs our emotions and creates musical memories to last a lifetime! SPECIAL THANKS TO OUR SPONSORS: Brevard County School Board; Florida Department of State, Division of Cultural Affairs; Brevard County Commissioners through the Brevard Cultural Alliance; Don Hendrick; Kristensen Foundation; Community Foundation for Brevard; Carl & Joann Bottcher; Northrop Grumman; Bristol-Hansen Foundation; and all our #GivingTuesday Facebook Friends BUSSING SPONSORS: Rockwell Collins & The Brevard Schools Foundation We hope you join us in supporting these amazing performances! Just $5 is all it takes to send one student to our performances. Visit our table in the lobby to learn more and how to give. SHARE YOUR EXPERIENCE WITH US @BREVARDSYMPHONY ON
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[ DONORS ]
[ VIRTUOSO $20,000+ ] Harry & Wendy Brandon BSO South Guild State of Florida, Division of Cultural Affairs
[ CONDUCTOR’S CIRCLE $10,000+ ] Don Hendrick Dr. John Roach Kevin B. Smith, Ameriprise Financial Services Dr. & Mrs. Richard Weber
[ GOLD KEY $5,000+] Anonymous Dr. & Mrs. Richard Baney Berman Hopkins Wright & LaHam, CPAs & Associates City of Cocoa Community Foundation For Brevard Health First Nash & Kromash, LLP
EVERY NOTE PLAYS A PART! The Brevard Symphony Orchestra would like to acknowledge the following organizations and individuals for their generous gifts of $25 or more this season.
[ HIGH NOTE $2,500+ ] Bristol-Hansen Foundation City of Rockledge Eastern Florida State College Publix Supermarkets Charities, Inc.
[ TOP BRASS $1,000+] From $1 to $100....Each gift is instrumental! We invite you to partner with us in making sure that music continues to play a part in our community.
GIVE NOW AT BREVARDSYMPHONY.COM
Cumulative gifts from 07.01.17 to 12.20.17
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Mr. Roger & Lisa Anderson Chris & Bethany Confessore Rich & Pat Confessore Laurel Crowe Gretchen Dougherty John & Darcia Francey William Gattle Sheila Gurr Frank & Marilyn Kitchel Jerry & Barbara Jagrowski Dr. & Mrs. Robert Spencer Johnson Dr. & Mrs. Crisostomo Lacano Mr. & Mrs. Frederick Martin Margaret Heins Foundation Mrs. Mary Helen McCay Northrop Grumman
[ BENEFACTORS $600+ ] Hugh Normile Jackie Pantello
Jim & Nancy Dow Paul & Shirley Friedland
Chris & Lisa McAlpine
[ PATRONS $300+] Yvonne Clayborne Mr. Charles Crawford Mrs. Fran Delisle Dr. & Mrs. Donald Forrer Ken & Ann Fredericks Dr. & Mrs. Ken Graff Tom Hermansen George & Polly Jordan
Dr. Nancy Jean Johnson & Mr. Arthur T. Fee, Jr. Joseph Kreines COL. William R. Lee, ret. Bart & Judy Lipofsky Dr. & Mrs. G. Patrick Martin Katherine Milikin
David Pelzman & Kirk Kelly Barbara Vennman & Pete Snyder Dr. & Mrs. Bill Walls Joseph & Mrs. Joyce Wheeler John & Doris Wolcott Drs. Peter & Leonor Zies Philip Zies
[ CONTRIBUTORS $100+] Anonymous Bill & Rita Aven & Family Elisabeth Baker Mr. & Mrs. Richard Beagley Mr. & Mrs. Allen Bernstein Tamara Bettinger Dr. & Mrs. Clifford Bragdon Scott & Suzanne Broadway Edward & Elizabeth Brooks Ms. Carolyn Bruce Barbara Brunjes Ann-Marie Brush Drs. Frederick & Mary Buoni Richard & Deanna Burner Mr. Richard Cerow Maryanne & Stephen Chalmers Bettie Brandt Cooke Faith & Bob Coulson John & Kay Custis Mary & Harry Deffebach Mr. Robert DiBella Barbara H. Dick Dr. & Mrs. John Elliott Cristina Faherty James & Judith Fiandaca Bruce & Gail Gillingham Jim & Diane Glover Hal Gold Myra Haley
Christine Hendrix Marty & Bill Hiestand Stephen Hoagland & David Sifton Gilbert & LaDonna Hoffheins Toni Holcomb Shirley Hundley Philip Jennings George & Polly Jordan Joseph & Shirley Jung CMSgt. & Mrs. James C. Lawler, Jr. Dr. & Mrs. Kent Leifer The Rev. William & Beverly Lewis Patricia & Charles Marzzacco Mr. & Mrs. Carlo Mastropaolo Gary & Patty Matthews Mary McCarty Col. William B. Meharg Mrs. Sharon Mischker Mr. & Mrs. Malcolm Monroe Rita Moreno Lisa Mullooly Michael Mustafaga, Lt. Col. Ret. US Airforce Barbara Needleman Karen Nirenberg Bert & Rachel Orcutt Margaret O’Shaughnessy Joy Patterson Steven & Michelle Perlman
Anonymous Dorothy Hollis Barker Marjorie Bartok Suzanne Bennitt Mrs. Conger Brownlie D. Scott Campbell Anita Carbone Tammi Caufman Linda Coffey Kathy & Jack Cuddy La Vonne Decker Mary Jane Delauder Bill & Carol Dugan John Fowler
Mr. & Mrs. Eugene J. Friedman Carla Funk Jean Frischman Ken & Carolyn Gurley Jennifer Guzman John Harbaugh Mr. & Mrs. Erwin Hill Carol Hudgens Cindy Johnson Marty & Terry Lee Adam & Stacey Mercer Polly Molnar Sharon Mischker Lynn Pemberton
Dr. & Mrs. Howard Pettengill Jr. Mrs. Karen Pinkney Valerie Piszczek Travis Proctor Janet Rattenbury Carol Reeve Mr. Carl G. Roller Dr. & Mrs. Frank San Filippo Tom & Judy Sanders Sandra Seaman Michael Seeley Dr. Lewis Shigley Shirley Slack David & Sally Souder Marvin & Marilyn Tetenbaum Sheri Tremmel Ron & Maureen Vascik Kiron & Meghan Viegas Keith & Jan Walls Mary Ellen Weissinger Frank & Stacey Westphal Dr. Jason Wieseler Linda Williams McKingsley Williams Cindy Wooten Bill & Brenda Zoby Reba Zweigbaum
[ FRIENDS $25+] Arlene & Miguel Perez Seymour & Karen Pizette Robert & Brenda Reynolds Diane Schulstrum Elizabeth Stamper Betty D. Stanley Betty Lou Steen-Clarke Ethan Stolen Phillip Sutphin Mary Jane Thurmond Delauder Fred Williams Paul & Lynn Zucconi
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[ REMEMBRANCES ] IN MEMORY OF Gwyn C. Allender Carl Edwin Anderson Mark Anderson Mary Helen Anderson T.C. Anderson Mrs. William (Gae) Ard Anne Aue Theodore Augustine Frederic Baker Lillian Baker Barbara Ann Barber Pauline Bartoo Markus V. Baccus Preston Beck Betty Beckmann Harold J. Beckmann Richard Beckmann Alf Bergesen Albert Berns Leo Bernstein Ms. Antonia Beths Julie Berke Grace Billhorn Curt Bliss Dottie Blue Marjorie Bollinger Dr. Steven Borsanyi Maurice H. Boutelle In honor of the deceased Bozett & Mulholland Family members Catherine Breckenridge Joanne M. Brenneis Rev. Rebecca L. Brenneis-Harbauch Marilyn E. Brentlinger Mary Brooks Frances Livingston Brown Ralph Brownlee Irene Brubaker James Buckingham Billie Bunn Dorothy Buoni Jean Burkus Helen Burns Ralph Bursey Sharon Cavanaugh Betty Chaney Agnes Cheek Ginny Cheek Hildred M. Cheuvront J. Howard Cheuvront XVIII
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Jean Cioli Avon G. Clark Janice Clark Robert Clarke Helen Cleary Ellen Coher Joy Cole Marion Collins Kathleen Connell Marvin Cooper Polly Cordell Ryan Crawford Virginia W. Crawford Adeline S.C. Damanis Almon E. Daniels Mary O’Connor Davenport John David Trudy David Bob Day Franklin T. DeGroodt Jeffrey Franklin DeGroodt Deborah Blue DeJager Evelyn Delanoy Richard “Mouch” Delisle Countess Virginia d’Esternaux H. Sanford DeWitt Mr. & Mrs. N. Eugene and Ruth K. Dillow N. Eugene Dillow Jan Diven Mildred Dixon Russell Dixon Alvera Doles Elizabeth Dome John H. Dornbos Nancy Dornbos Kimberly Ross Doyle Robert S. Drake Mary Eason James H. Emery Miriam Emery Lillian Fern Walter D. Finch Marjorie Fletcher Joseph Flick Susan M. Fox Col. Lee Frailing Jacqueline Fraser Shirley Friedland H. Seeley Funk
Ruth Funk Richard Conrad Gamble Ann Genuardi Mr. Charles Genuardi Dallas Gillespie Audrey Gills Joan Glass Harold K. Golder Susan Goldmann Arcue Grantland Ruth Grantland Kenneth Green Barbara Greene Helene Greenfield Mildred Amelia Griner Otto Griner Edith Grunwald Dorothy Gudgel Ed Gudgel Larry Hafits Jean S. Hales N. Battle Hales Mildred Hall Neuzy Christine Hannon Pat Harbach Mildred Hare Katy Hart Leroy Hart Phoebe Haselton CDR. Charles H. Haverland, Jr., USN Ret. Mary Hayward Lucy Heim Roy Heim Delores Henson Bjorg & Bjornar Hermansen Elizabeth Higgins Margaret Higgins Jean Holley Warren L. Holley Brian Holmes Margaret Holmes Mrs. Clyde Holmes Thomas G. Holmes Mizzy Holt Irene Howard Joe Howard Edward Gallatin B. Hudson James Hyndman Frederick Inglett
Aletha “Lee” Ives John Janos Christopher Jean Gail Jean Margaret Jennings Dorothy Jevitt K.L. Johnson Link Johnsten Mrs. Ann Jones Carl Jones Jr. Mildred Kearns John King Sarah Johnson Kinsey Mary Ann Kirkup Lya Kivi Evelyn Klepinger Glen L. Klepinger Theresa S. Knight Lady Eleanor Baird Kristensen Howard H. Kump Steven Kundrat Jack L. Kuntz Shirley Kurtzke Sansi Landry Walter Daniel LaRoche John L.C. Laslie Marcia Lawrence Doris Lee Mollie Lees Mary Jane Levou Marjorie Lewis Bill Lohse Charles Lohse Gus Lohse Nellie Beall Luden Blanche Virginia Lutz Ginny Lutz John W. Mace Janet Makarevich Elizabeth MacKusick John Madry Dr. James Manzella Eleyse Manley Norma Marble Peggie Marquette Beatrice Marron Robert J. McConaughy Marvin V. McCormick
Elizabeth McFadden Stephanie McFadden Alice McKee Frances S. & John J. McLaughlin, Sr. B. J. Mefford Arthur L. Milford Adam Miller Robert Browne Miller Dr. George Mix Edward H. Monsky Alberto Moreno Lucille Morrisette Roger Morrissette Sylvia Nanson Arthur Natowich Dee Negroni-Hendrick Betty Newell Margaret B. Normile Mr. & Mrs. Hubert C. Normile, Sr. William H. Norris, Jr. Jan O’Pezio Peg O’Toole Joan Ottoson Margaret Overmeyer Ilene Pachman William Pachman Frank Palermiti Winnie Palmer Joe Parenti Dorothy Patten Helene Pellicano Penny Pence Bernice Pettit Donald W. Philipson Jack Piszczek Esther Plyler Janet Poe W.E. Preston Geraldine Radencic Vineta Raley Beverly Rauschenbach Gerald Reeve Mamie Reilly Virginia Reynolds Joan Rhodes John Ribeiro James E. Rice Joan Ring
Algird Rinkes Sally Rizzio Judy Roach Ruth Roach Louise J. Roberds Norman Rohter Cindy Romagnoti Cathy Rood Bill Roper Marguerite Roper Flo Ross Judith Ross Dr. Warren Rouleau Valentina Rozalski Regina C. Rumbold Florence W. & F. Richard Ruppert Arline Saez Maye Sargent Mary Sawyer Buzz Sawyer Winthrop R. Sawyer Grace Schrieber John Schumm Donald A. Scoville Duane Seig Ruth Seig Janet Seiler Hazel Walton Sewell Herbert L. Shulman André Jack Shye Jack Sinclair Donna Skattum Dr. Harlan Smith Ruth Bell Smith Richard Smith, Jr. Phyllis Smoot Jeffrey Miguel Soto Neal Spatz Jerry Spector Vincent E. Spezzano Christopher Spinosa Betty Stang Sandy Stanley William Steen Thurman Stephens E. King Stodola Elaine Stone Edward C. Story
Continued on next page... SHARE YOUR EXPERIENCE WITH US @BREVARDSYMPHONY ON
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[ REMEMBRANCES ] CONTINUED Gunnar Sundstrom Louise Sundstrom Mary Jo Swanson Ronald Tarrell Nora Telfer Billie Tovell Terwilliger Eddith Thomas Dakota Thornton Gordon H. Thortsen Zoe Toller Alice Tomme Martin Tomme Selma Topol John & Patricia Toth Patricia Toth Betty Treffer Doris Trenchard
Ana Turpin Albert Tuttle Guy A. Van Heusden Meredith Van Pelt Adrian VanDaalen Isabelle VanderHaeghan Priscilla Von Colditz Dr. Harold Voss Beverly Ann Wakely Robert G. Walsh Doris Warren Helen Warwick Winifred “Winnie” Watts David Weldon Sr. Carla Wentzel Marie Louise West Ann Westphal
Jill Louise White Peg Whitehead Lilly Willard Pauline D. Williams Polly Williams Vincent Williams Herbert & Lucille Willis R. Lee Wimmer Elizabeth Winchester Les Wooten Peg Wooten Georgia C. Young June Zelazny Ilene Ziegler Douglas Ziegler
Don & Dee Hendrick Jean Holley Margaret Holmes Mizzy Holt Dorothy Jevitt Mrs. Cynthia Johnson Ms. Sarah Rebecca King Sheila King Mr. & Mrs. Frank Kitchel Donna & John Kuntz Bill Lohse Gus Lohse Ms. Ginny Lutz Mrs. Kendall Martin Ruth Miodzianowski
Jackie Pantello Janet Poe Heinz & Gloria Schreiber Dorothy Smith Dr. Robert Spencer Johnson Relton & Nancy Starr COL Anthony Stranges, USAF Ret. Dakota Thornton Mr. Joe Vuich William & Natalie Walls Richard & Sue Weber Amelia Williams Les Wooten Peg Wooten
IN HONOR OF Mary Helen Anderson Marjorie Bollinger Ruth Boutelle Scott & Suzanne Broadway Cheryl Buzzelli Lori Cameron Dixie Campbell Dianne Carter Priscilla Cooper Nancy Dornbos Shirley & Bob Ericson Anne Fleming Gardner Jean & Richard Gran Ellen Handlin Mary Heddens
REMEMBERANCES RECEIVED FROM THE FOLLOWING INDIVIDUALS SINCE JULY 1, 2017 Fran S. Delisle Mr. & Mrs. Fred Martin Lawrence & Elizabeth Drummond John Roach
Penny Shye
The Brevard Symphony Orchestra is honored to be the recipient of gifts in memory or honor of the individuals listed on this and the aforementioned pages. These gifts are placed in our Endowment Fund to ensure the future of the Brevard Symphony Orchestra. Please contact our offices for all corrections at 321.242.2024.
[ IN-KIND ]
(321) 255-4676
The Brevard Symphony Orchestra is extremely grateful for the many donated services and products we receive. The following businesses or individuals have generously donated this concert season:
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Courtyard Marriott, Cocoa Beach Official Hotel of the Brevard Symphony Orchestra 2017-2018 SUBSCRIPTION CONCERT SEASON 19
Brevard Symphony Orchestra South Guild Celebrates
50 Year Golden Anniversary
Please join us in our support of the Brevard Symphony Orchestra . For more information, contact Janet Forrer at jeforrer@cfl.r.com
BREVARD SYMPHONY ORCHESTRA SOUTH GUILD The Key Signature contributors are members and their families who show their additional support by contributing at the following levels in support of the Brevard Symphony Orchestra.
Key Signatures Platinum Mr. and Mrs. John Abernathy Joan Andersen Shirley P. Baccus Shirley Baher Roslyn Bates Mr. & Mrs. Walter Blackburn Dorothy Brett Marion A. Bucko Deborah A. Caldwell Anita Carbone Dr. Linda W. Coffey Mrs. Connie Deho Bob & Patti DiBella Dr. & Mrs. Donald Forrer Darcia Jones Francey Barbara Lutz Freeman Dixie Gabriel Judy Garrett Carole M. Gatto Susan Murray Goldsmith Dr. John & Fran Hadjilogiou Eileen Harris Judy B. Healy Angela Hebert Charles & Inge Holland Frances Howard Lori Iannuzzo Barbara Jagrowski Louise Jones Mrs. Sunny Kincaid Martha L. Kirby Aline A. Lauzon Justin & Kyle Lieneck Sandy Marcucci Kendall Martin June C. Moore Linda A. Murphy Capt. Lawrence O’Pezio, USCG (Ret) Alice “Pat” Postupack Drs. Lanny and Patricia Ryan Elizabeth (Ibbie) San Filippo Sandy Schumaker
Sandra Seaman Shirley M. Slack Cynthia Snell Josephine Soave Sally A. Souder Pat Swick Bill & Rachel Terry
McKingsley Williams Martha J. Young Gold Gail R. Azia David & Jeanne Bedwell Martha Benson Dr. Clifford & Sarah Bragdon Roberta Burpee Mary Ann & Carl Caputo Dr. & Mrs. Anthony J. Catanese Maj. Peter Diaz, Ret. & Mrs. Georgette Walsh Diaz Barbara H. Dick Lori Fengel Jean Frischman Jean Gilbo Carol A. Hamilton Georgia Haridopolos Lauri Hart & Katy Too Ursula R. Hindes Marilyn Kitchel Betty Ann Locke Chris & Lisa McAlpine RADM. & Mrs. E. S. McGinley II, USN Ret. Mrs. Jackie M. Parenti Dorothy R. Russell June & Vito Spinelli Betty Lou Steen-Clarke Silver Sophie L. Agiato Linda Brenner Dorothy G. Burbank Lona & Doug Burnett Mr. & Mrs. Fredrick J. Colchin Margaret Cramp Dick & Pamela Dunn Madeline Fielding Fern Gardino Tess Hughes Ellie Joy Helen Pomata Sheila Poole Lois K. Shapiro Mr. & Mrs. Owen Tamburr, Jr. Jane R. Taylor Betty Gray Violette Joan Warner-Giradot Mrs. Joyce Wheeler 2017-2018 SUBSCRIPTION CONCERT SEASON 21
[ BSO GUILD ] The Brevard Symphony Orchestra Guild is a volunteer support organization which serves to promote, sustain and assist the orchestra in every way possible. The approximately 300 members are committed to increasing public awareness of the orchestra’s activities, the quality of its performances and the service it renders the community. The Guild’s activities are focused on fundraising, audience development and concert assistance. New members are accepted at any time. Call the BSO Office at 321-242-2024 for more information on Guild membership or visit our web site: BrevardSymphony.com.
[ 2017-2018 GUILD OFFICERS ] President Janet Forrer
Corresponding Secretary Linda Coffey
1st Vice Presidents Madeline Fielding Carole Gatto
Treasurer Margaret Cramp
2nd Vice President Judy Garrett Lauri Hart Frances Howard Sheila Poole Recording Secretary Tess Hughes
Assistant Treasurer Linda Mancuso Parliamentarian Martha Kirby Historian Kendall Martin Past President Carole Gatto
22 BREVARD SYMPHONY ORCHESTRA
[ BSO BOARD ] EMERITI BSO BOARD CHAIRS
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2017-2018 SUBSCRIPTION CONCERT SEASON 25
Y N O H MP Y S D VAR TRA E R B THE ORCHES
MK-345-617
[ STAY IN THE KNOW ] GENERAL INFORMATION Join the BSO’s Email List: Stay updated on upcoming concerts, events and special offers, by registering to receive our e-newsletters. Sign up online at BrevardSymphony.com or by calling the BSO office at 321.242.2024. Single Tickets: Are currently on sale through the King Center Box Office. They may be purchased in person, by telephone (321) 242-2219 or online at BrevardSymphony.com. Single tickets may also be available at the King Center Box Office two hours prior to the concert. Teachers and Active Military: Teachers and active military receive a 50% discount on all subscription and single tickets for series concerts (Areas 2 & 3 only). Teachers are defined as any person instructing, full time, in a learning institution (elementary, secondary or college). A military or educational ID is required. College Students: Full time students enrolled in a two-year or four-year institution can stay “tuned in” on Facebook and Twitter for special same concert day announcements for $10 Same-Day Rush Tickets. Student I.D. is required and a small handling fee will apply. Tickets must be purchased at the box office window of the King Center. Seating will be best available. Limit two (2) per person with valid I.D. Concert Club: Students in grades 4 through 12 are eligible to join for FREE. Benefits include: Email Newsletters; Invitation to attend a BSO Open Rehearsals and option to buy single concert tickets for member and a guest for $6.00 each in area three, or can purchase two season susbcriptions in areas two or three for only $5 per concert per person. Group Sales: Groups of 20 or more members are invited to attend single series concerts at a special rate. Call the BSO Business Office for further details. Ticket Refunds and Exchanges: Sorry, no cash refunds or exchanges on single tickets. Exchanges only available to current BSO subscribers. Unused Tickets: Last minute conflicts sometimes occur, but your tickets should not go to waste. They make a perfect gift to a fellow music-lover. Another alternative is to return your tickets, seven (7) business days prior, to the BSO. If resold, your purchase price will be considered a tax-deductible contribution for which you will receive a receipt following the performance. Resale of tickets will be more likely the further in advance they are returned. Lost Tickets: If you misplace your tickets, call the BSO Office and a location pass for your seat will be issued and can be picked up at the King Center Box Office the night of the performance. Special Seating: The Brevard Symphony Orchestra encourages attendance by physically disabled patrons. For special seating information, please call the BSO Business Office. As a 501(c)(3) non-profit orchestra, the BSO depends greatly on the generosity of individuals like you to help us continue to fill Brevard County with beautiful music. Help us create a masterpiece! Donate today at BrevardSymphony.com. 2017-2018 SUBSCRIPTION CONCERT SEASON 27
Vero Beach Opera 2018
Madama Butterfly -DQXDU\ ‡ SP
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An Evening with the DIVA Deborah Voigt in CONCERT 0DUFK SP Deborah Voigt Int’l Vocal Competition March 22-24 $OO VHDWV UHVHUYHG ‡ 6WXGHQW WLFNHWV KDOI SULFH 3URJUDPV VXEMHFW WR FKDQJH ZLWKRXW QRWLFH Season Sponsor
Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture.
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28 BREVARD SYMPHONY ORCHESTRA
MELBOURNE MUNICIPAL BAND CONCERT SEASON 2017–2018
A Season of Playing with Fire
Big Band Favorites
MMB Concert SEP 20/21 t 7:30 PM
Swingtime Concert at Riverside Presbyterian Church JAN 14 t 3:30 PM & 7:00 PM
Join Us for a Drink Swingtime Concert OCT 11/12 t 7:30 PM
Music from the Big Screen
Land of the Free
MMB Concert FEB 14/15 t 7:30 PM
MMB Concert NOV 8/9 t 7:30 PM
Back In Time
Jingle all the Way
Swingtime Concert MAR 7/8 t 7:30 PM
MMB Concert DEC 13/14 t 7:30 PM
April in Paris
Jazz with Strings Attached
MMB Concert APR 11/12 t 7:30 PM
Swingtime Concert JAN 9/10 t 7:30 PM
Free Admission. All concerts begin 7:30 p.m. MELBOURNE AUDITORIUM | 625 E. HIBISCUS BOULEVARD | 321-724-0555 WWW.MELBOURNEMUNICIPALBAND.ORG
Wishing the Brevard Symphony Orchestra a great 2017-18 season!
Season 34 2017-18 SEASON CONCERT SCHEDULE: Sunday, October 29 Cultural Arts Showcase, King Center Sunday, February 11 Concert, Holy Trinity - 3:30 pm Sunday, May 6 Concert, Holy Trinity - 3:30 pm For more information, please visit: www.bsyo.us or email bsyoinfo@gmail.com
Playing Great Music Since 1984. 2017-2018 SUBSCRIPTION CONCERT SEASON 29
Melbourne Chamber Music Society 2017 - 2018 our 40th Season! 1 9 7 8
Meccore String Quartet London Handel Players Sirena Huang, violin & Robert Koenig, piano Smetana Trio American Brass Quintet Danish String Quartet
2 0 1 8
Fri. Nov. 10, 2017 Fri. Dec. 1, 2017 Fri. Jan. 19, 2018 Tue. Feb. 20, 2018 Tue. Mar. 6, 2018 Fri. Apr. 13, 2018
Programs subject to change
7:30 PM at St. Mark’s United Methodist Church 2030 N. Hwy A1A, Indialantic, FL, 32903 Tickets and Subscriptions:
www.MelbourneChamberMusicSociety.org
email: mcms@cfl.rr.com
P. O. Box 033403 Indialantic, FL 32903 Ph: 321-213-5100
The Premier Space Coast Magazine for 50+ Readers
Pick up your FREE copy in the places you visit most! www.seniorscenemag.com 30 BREVARD SYMPHONY ORCHESTRA
2017-2018 SUBSCRIPTION CONCERT SEASON 31
Best Wishes For A Successful Season!
www.brevardbusinessnews.com (321) 971-7777
32 BREVARD SYMPHONY ORCHESTRA
2017-2018 SUBSCRIPTION CONCERT SEASON 33
[ SHARE ] YOUR EXPERIENCE WITH US! Your opinion is important to us so please take a few moments to fill out the following survey. Your comments help us enhance and improve our programming and is critical information that assists with our grant process. You can give this to the ushers as you leave or mail it to: Brevard Symphony Orchestra, P.O. Box 361965, Melbourne, FL 32936-1965.
What type of ticket did you use to attend today’s Brevard Symphony Orchestra concert? OSubscription OSingle Purchase OConcert Club OMusician Ticket OSponsor Discount OGift Certificate ODrawing Winner OSymphony Adventure Passport How did you first learn about the Brevard Symphony Orchestra?
OSubscriber OEmail OBSO Web Site OOther Web Site OFacebook ODirect Mail OBusiness Contact OSeason Brochure OTwitter OWord of Mouth ONewspaper OTelevision ORadio OMagazine OOther (please specify): ___________________________________________________ How often do you attend a concert by the BSO?
OSubscriber - 6 evening OSubscriber - 3 eve & 3 matinee OSubscriber - 3 matinee OSingle Ticket Buyer O2-3 times a year In the past year, what other live performances or cultural activities have you attended (selected all that apply):
OTheatre OBallet/Dance OChoral OOpera OMuseum OZoo OArt Festival OBSO Free Event/Concert OCultural Arts Showcase OOther (please specify): ___________________________________________________ Please rate the following: Comfort of the theater?
OVery Satisfied OSatisfied OUnsatisfied OVery Unsatisfied Ease of purchasing tickets? OVery Satisfied OSatisfied Quality of the performance? OVery Satisfied OSatisfied
OUnsatisfied OVery Unsatisfied OUnsatisfied OVery Unsatisfied
If you answered unsatisfied to any of the above questions, please explain your experience below:
____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ ____________________________________________________________________________________________ Is there a selection(s) that you would like us to perform? ____________________________________________________________________________________________ Full Name (Optional): ________________________________Telephone No. (Optional)___________________
Thank You! 2017-2018 SUBSCRIPTION CONCERT SEASON 35
LIST OF [ ADVERTISERS ] 25 BC 02 18 32 28 29 16 20 21 24 12 34 19 06 23 IC 03 22 04 05 IBC 33 30 29 24 19 05 25 24 30 31 14 19 28 26 15 03
All Service Graphics Artemis IT Berman Hopkins Wright & LaHam, CPA’s & Associates Bob DiBella, Omni Financial Services Brevard Business News Brevard Community Chorus Brevard Symphony Youth Orchestra BSO Board of Directors BSO South Guild BSO South Guild - Key Signatures Buena Vida Estates Carl & JoAnn Bottcher Courtyard Marriott - Cocoa Beach Destination Brevard Eastern Florida State College Performing & Visual Arts Department Eau Gallie Florist Florida Eye Associates Florida Institute of Technology Gatto’s Tires & Auto Service Harry & Wendy Brandon Health First Kevin Smith, Ameriprise Lite Rock 99.3 & WMMB 1240-1350 Melbourne Chamber Music Society Melbourne Municipal Band Michael J. Grofik, O.D.P.A Moving Pictures of Brevard Nash & Kromash, LLP Nautilus Wealth Advisors Pineda Crossings Paid/sponsored advertisements Senior Scene Magazine in this program book are not Slug-A-Bug endorsed or Sue & Rich Weber edited by the BSO or its affiliates. The Horn Section Vero Beach Opera WFIT 89.5FM William Harris, Morgan Stanley Wren Insurance Agency
This program is sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Arts Council, and the National Endowment for the Arts and the Brevard County Board of County Commissioners through the Brevard Cultural Alliance, Inc. The Brevard Symphony Orchestra is a member of the Melbourne Chamber of Commerce, Cocoa Beach Chamber of Commerce, Palm Bay Chamber of Commerce and Titusville Chamber of Commerce. 36 BREVARD SYMPHONY ORCHESTRA
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Kevin B. Smith, APMA® Associate Manager | Managing Director ................................. Ameriprise Financial Services, Inc. 6767 North Wickham Road Suite A107 Melbourne, FL 32940
O: 321.259.7168 | kevin.smith@ampf.com
ameripriseadvisors.com/kevin.smith
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