Architecture and Infrastructure

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In order to explore these relationships we chose three projects of differing scales and complexities each with some common elements but for the most part with different problems that needed solving, in order to have a wide range of data to compare and contrast. Through these we took a close look at the entities involved in this collaboration, as well as their responsibilities, interactions, and roles. Through this lens we can then begin to look at the process of completing these projects, through

I. IntroductIon What we chose to research for this case

research and analysis. The projects we chose to concentrate on were; the Big Dig in Boston, the Seattle Sculpture

study was the interdisciplinary collaboration between

Park in Seattle, and the TF Green Interlink in

parties in the process of working on projects that

Providence. The Big Dig represents our “large scale”

interact on some level with existing infrastructural

intervention, at the civic scale by burying the highway

elements. In today’s built environment cities are

and creating a new urban environment. The Seattle

becoming more and more dense and from an

Sculpture park is our “medium scale” intervention

architectural standpoint the challenge becomes

at the building level by creating a new building, as

how to integrate new and exciting buildings into

well as a link that changes the relation of existing

this dense fabric. On the other hand, from an

urbanism. Finally the TF Green Interlink is our

infrastructural standpoint. There is the dilemma of

“small scale” intervention at the public amenity level,

what to do with massive and often degraded and

connecting existing urbanism and changing their

obsolete infrastructural elements, as planning and

interpretations.

technology ever changes with modern advancements.

While these projects each address different

In order to deal with these related issues architecture

issues at different scales, they all share the

and architects have integrated projects that deal with

commonality of infrastructure and the complex

these two issues, and in so enter into a complex web

work flows and interdisciplinary collaboration in

of involved parties and processes to achieve the final

order to get them built and make them a successful

goal.

intervention in our ever changing urban fabric.

Section i: introduction

1


II. BIg dIg, Boston MA The first example, the Big Dig, is the burying of the

a single firm or agency accepting complete design

Central Artery of I-93 between Boston’s Financial

responsibility and lead to the creation of the Artery

District and the historical North End dealt with a

Business Commission.

project that not only created marginalized under

The Artery Business Commission was

approximately multiple miles of overpasses of traffic

made up of businessmen and real estate moguls

off the surface, but separated and marginalized an

who both operated businesses within Downtown

entire neighborhood by making its approach dark,

Boston and owned property close to the proposed

loud, and dirty forcing pedestrians to cross under

submerged route. The ABC was founded initially

eight lanes of raised highways. Within a project of

in 1988 by Norman Leventhal and Edwin Sidman,

this magnitude, where the design and implementation

the chairman and president, respectively, of the

have such significant repercussions on not only the

Beacon Companies, who owned and operated the

highway system, but the surrounding neighborhoods

new Rowes Warf Building. Leventhal and Edwin also

in both social and economic attributes. The massive

brought in Robert Beal, whose firm owned property in

scale (within scope and timetable) also precluded

the artery corridor; Lawrence DiCara a local attorney

2

Section ii: the Big dig


and ex-city councilor; and Catherine Donaher, a planner who had done Leventhal and Sidman in the past.1 A project of the scope of the Big Dig inherently had massive risks and rewards for the revitalization of down town Boston, yet as a project, it was under the jurisdiction of the Massachusetts Department of Transportation and was funded through a mixture of state and Federal funds from the Interstate Highway Program.2 The ABC was primarily concerned that since the primary drivers of the projects were Federal and State Transportation Agencies, the project would be focused, logically on the problem of moving automobile traffic on the interstate while sacrificing the urban connections and context within Boston. The four major concerns, according to Luberoff were that downtown Boston would remain accessible during the construction process, that the project would serve Downtown Boston and that the number of access and exit points would adequately serve the city (rather than just allowing I-90 to run through the city) that political and legal controversies wouldn’t hamper the project later in the construction process, when time and traffic had removed the optimism that the project first had, and finally what would become of the twenty seven new acres of land created by burying the interstate.

state’s design committee while, Bechtel/Parsons Brinckerhoff, a private, for-profit company, hired as project managers to oversee construction of the project.4 The twenty seven acres of new space, and how the ABC chose to represent the strategic long term thinking that the group approached this project with. While the ABC had among its members real estate developers, who by conventional wisdom would want to develop this 27 acres into lots to maximize future square footage and profits, it remained open to outside opinion and willing to work with groups that may have had contradictory opinions on how to treat the new land. While the Boston Society of Architects and to an extent BRA wanted the newly created land to be civic open space while the ABC wanted to develop the land, how agencies can work together on a project of such massive scale as the Big Dig, and how in some cases, these

3

During this stage of the early design process Michael P. Lewis served was the head of the Section ii: the Big dig

opposing views can lead to alterations to plans that are eventually mutually beneficial: “ABC also established committees to 3


review public planning for the corridor’s various

it called for designing and permitting the artery in

sections and, in some cases, to develop their own

ways that did not “unduly constrain future decisions”

plans and guidelines for those areas as well. In

about what could be built on the new land.”6 This

some cases—notably the artery’s northern section

clause to “unduly constrain future decisions, and

these committees included representatives of other

the groups ability to get it included in the policy of

community groups...”5

development of the Artery shows how the group was

By incorporating and encouraging other

able to win concessions through inter-agency and

groups participation in the process, rather than using

group cooperation and indeed, a letter from Salvucci

their considerably political capital to just further

he praised the ABC for, “helping resolve disputes

their agenda the ABC was able to gain concessions

between the city and the state, communicating

in the future zoning and development of the new

information to both the business community and

land’ “Though ABC’s leaders generally favored the

other public officials, and providing valuable volunteer

plans that allowed more construction in the corridor,

technical expertise.7

the group did not take an official stand. Instead,

4

While the Artery Business Committee

Section ii: the Big dig


served as a mediator during the design phases of the process, the group was most successful within the political realm. In 1990 the Artery Business Committee sent members to Washington as lobbyists for continued funding under the Federal Highways budget. Because of the social and political relationships of the group, they were able to read the political climate and initiate measures that were able to ensure the continuation of funding. As noted within Luberoff’s study Leventhal recalls ABC’s focused their efforts on Thomas Foley, the Democratic Speaker of the House. The group managed to collect over a hundred thousand dollars in campaign contributions for him, and in turn he continued to lobby for the project when annual funding was granted.8 This political lobbying was also carried out at the state level where the ABC took on an unconventional approach to keep the public opinion from derailing the Central Artery Project. They managed this by approaching the gubernatorial candidates in the Massachusetts State Governor race by approaching all five candidates, to, “educate [the] candidates … about the economic and transportation benefits of the Artery” and to “outline ABC’s role as project assessor and monitor and its potential as the sole source of continuity outside of state government.” Given the poll results, she added, the meetings, should particularly focus on the artery’s fiscal benefits..”9 They also managed to Section ii: the Big dig

use connections to emphasize, “Anyone who runs for governor and makes this an issue is never going to be able to get out of it. Your whole campaign is going to be tied to aspects of that issue. And we’re going to go to all of your Democratic opponents and make the same pitch.” We did … and we got a commitment from all of them that unless something blew up in their face they were not going to initiate anything [against the project].10 This type of interaction between the business and political aspects of large infrastructural projects is common, but can lead to public backlash later in the project, and even post completion. This was the made with the Big Dig, as later on in the project, and post-completion, the public began to recognize the true costs of the project. While those who focus on business and design committee are quick to praise the actions of the ABC and their pairing with the state and Bechtel/ Parsons Brinckerhoff the public thought differently. During construction in 1994, public outcry was so great the State government was forced to convene 5


a oversight committee to deal with ballooning cost

government found negligence not only on the PM’s

of the project. Primarily caused by lax regulation and

part but on the part of the oversight committee

oversight by the Bechtel/ Parsons Brinckerhoff, by

themselves. The Committee on Cost Recovery

1997 the project was 1.7 billion dollars over budget.11

was headed by Michael P. Lewis, the former head

The original committee was so ineffective, a second

of design and, “Lewis’s very involvement in the

committee was formed in 2000 to decide whether

committee raises questions. As the state’s Big

the PM would be responsible for fines paying back

Dig design director, Lewis had overseen Bechtel’s

the taxpayers for their negligence. The Committee

management of the design phase. To review

decided that Bechtel/ Parsons Brinckerhoff should

Bechtel’s work meant passing judgment on his own

not be responsible for repaying the ballooning project

supervision of Bechtel. Lewis now served as the

cost.

state’s Big Dig project director. Bechtel, too, had a A subsequent Boston Globe investigation

6

conflict of interest in cost recovery, the Globe found.

Section ii: the Big dig


State procedures called for Bechtel “to identify issues of potential cost recovery,” which meant the state relied on Bechtel to point out flaws in its own designs and management.”12 This aspect of the project was not mentioned in the Artery Business Committee’s website when mentioning project facilitation. While self regulated interest groups such as the Artery Business Committee can facilitate continued political and financial support for projects, the construction delay and budget overruns that plagued the process cast a dubious light in the role they can play in oversight. Positive attributes such as early integration into the design process and the economic and political capital allowed the ABC to continue supporting the project while both changes occurred in the both the construction team and the state government. Also while the Massachusetts Department of Transportation saw the Big Dig as a tunneling and transpirational infrastructure project, the BRA and BSA were more focused on the land created the BRA was able to communicate and move between the two groups. Unfortunately groups like these can start to allow lax oversight in the projects with such long construction process such as these.

Section ii: the Big dig

7


The Big Dig

Federal Government

Massachusetts State Government

Mass. Highway Department.

Mass. Turnpike Association

Boston Redeveloment Authority

Bechtel/Parsons Brinckerhoff

Artery Building Committee

KEY:

8

Design

Oversight

Section ii: the Big dig

1991

1990

1988

1987

1986

1982

1985

13


Section ii: the Big dig

Collaboration

2007

1997

1995

1994

1993

1992

1991 Approval

Advocacy

Funding

9


III. seAttle sculpture pArk, seAttle WA In Seattle, the city was looking for a way to

on urban environments. The contextual approach

reinvigorate a part of the city divided by outdated

of the Olympic Sculpture Park project show both

infrastructure creating a barrier for pedestrians. At

continuity and a divergence from former discussions

a site where the old form of architecture was so

of contextualism. The design strategies of the project

prevalent, but outdated and decimated by age and

contain the knowledge of other fields. As a result

damage from an earthquake, the city and the client

of this, landscape is dealt as a ‘performative thick

looked for an approach to address the new changing

surface’, built fabric is considered as a ‘topological

pace of urbanism.14 This thinking is what brought

stratum’ and the obsolete infrastructure is handled

them to choosing the Design by Weiss Manfredi

as a ‘reconstructive organizational principle’ in the

which accomplished this, critic Eric Kömez discusses

design process. These contextual strategies lead

this stating; “The architects of Olympic Sculpture

to the hybridization of the morphology. To conclude,

Park for the Seattle Art Museum are among the ones

emerging practices of architecture are shaped by

searching for new spatial configurations to overcome

hybrid morphologies where buildings and urban fabric

the impacts of globalization and deindustrialization

integrate, fluid spatial continuum develops and figure-

10

Section iii: Seattle Sculpture park


ground distinction dissolves.”15 The Seattle Art Museum, acting as the

that appealed to the principles of their firm. In their book Site Specific, Weiss Manfredi speaks

client for this project, led an international design

of their attitudes when seeking out a potential

competition to find and appropriate design to

project. They go on to say “For us, the allure of

implement for the Seattle Sculpture Park. Weiss

this new public territory lies in the range of scales

Manfredi went on to win this competition. The Seattle

and blurred perceptions it affords. We began to

Art Museum then worked with the lead architects of

look at the elements of infrastructure, and the

Weiss Manfredi to develop the guiding principles for

often marginalized sited they occupy, as potential

the overall design, as well as to help assemble the

contributions to the public realm. We focused our

design and contracting.16

attention on the interstitial spaces that transform

This project was the perfect opportunity for Weiss Manfredi to actively engage with a site

Section iii: Seattle Sculpture park

and reconnect disparate enclaves across the metropolis.”17 This agenda speaks to how well of

11


a fit the Seattle Sculpture Park project was for

which champions the exploitation of marginalized

Weiss Manfredi. Beyond this, Weiss Manfredi has

spaces within the urban fabric. A understanding of

constructed a portfolio of works both built and

this design theory is integral to understanding the

unbuild that exemplify their willingness to stay true

beginnings of a design project such as the Seattle

to their design principles no matter the circumstance.

Sculpture Park.

Such unwavering support for their ideals speaks to

There were many parties involved in

the ability through which they are able to accomplish

getting the Seattle Sculpture Park off the ground.

works that integrate all parties involved such as the

As previously noted, the main player that got the

contractor and structural engineer. As it will be seen,

design moving was the project architect Weiss

Weiss Manfredi’s efficient and all encompassing

Manfredi. Design partners Marion Weiss and Michael

interdisciplinary work drives the success of their

A. Manfredi worked with the client to develop the

projects. What the parties involved took away

guiding principles for the overall design, and to

from this project was the successful integration of

assemble the design and construction team. As

infrastructure and new public space. This attitude is

the design process went on, Weiss Manfredi hired

indicative of Weiss Manfredi’s overall design theory

experts to help carry out their multidisciplinary

12

Section iii: Seattle Sculpture park


design, particularly a landscape architect who was

Magnusson Klemencic Associates ended

familiar with local species and civil engineers.18

up becoming the suitable firm to fill this role. Their

The landscape architect that was eventually hired

engineers worked with Weiss Manfredi to help

was Charles Anderson of Atelier ps. With all of the

realize the architects’ design concept. They offered

essential elements assembled, the multiple parties

technical support and executed innovative yet

then proceeded to collaborate throughout the design

simple approaches to be easily constructed and

and development process with artists, client, project

economical.20 In one instance, Magnusson Klemencic

managers, donors, contractors, city officials, and

was able to propose a cost cutting measure by

natural resource agencies.

suggesting the Weiss Manfredi replace the costly

Charles Anderson advocated the use of

precast concrete retaining wall with a much cheaper

native plant species to improve habitat richness

and more simple mechanically stabilized earth walls

and reduced maintenance throughout the site. He

that became clad in precast sandstone panels.21

also worked with the architect on topography within

These panels served the dual purpose of being able

the site, and the “valley� he created helped reduce

to shift in place if any seismic activity were to occur

the amount of fill soil.19 All of this work required a

in the area. Integration and cooperation between the

specialized team of engineers, specifically structural

architect and engineer were paramount in creating

and civil.

a successful and fiscally responsible project such

Section iii: Seattle Sculpture park

13


as the Seattle Sculpture Park. With an active and

was to execute the construction of complex systems

engaging structural engineering firm on board, the

in both art and technology, including marine work,

final piece of the puzzle for this project became an

the large bridges that crossed existing infrastructure,

open-minded project management team who could

extensive earthwork components, landscaping, street

synthesize the work of these parties and transition it

work, the pavilion and the assembly and placement

into the final constructed piece of urban architecture

of the art, etc. They coordinated the construction

that thousands enjoy today.

with city infrastructure, while working safely and

The project management firm responsible for all of this was Barrientos, LLC. Project managers

efficiently.23 Then came the final contributor, who was

from this firm developed the detailed project

not part of the design team but arguably just as

execution plan; including budget, procedure (permits),

important, the artists. For new artworks developed

constructional material and labor resource, and

specifically for Seattle Sculpture Park, artists worked

conducted risk control.22 They handed construction

closely with the park designers to create works that

responsibilities off to the General Contracting firm of

embodied the spirit of the design and worked within

Sellen Construction. The role of Sellen Construction

the framework for their architectural vision of the

14

Section iii: Seattle Sculpture park


project. For existing ones, artists helped by selecting

further intrigue is the fact that the project almost did

the location of their sculptures to be installed,

not happen due to the city considering taking the

redesigning the surroundings, and supervising the

land by eminent domain to put a flyway and tunnel

installation.24 In one such instance, Richard Serra’s

on the site to increase the capacity of the highway.26

“Wake” installation had to receive special attention

However, this never happened and the project did

because of it’s sheer size. In total, the piece weighed

come to fruition, and it became indicative of Weiss

300 tons and required the structural engineer to pay

Manfredi’s overall design theory which as noted

extra attention to the location of installation to ensure

champions the exploitation of marginalized spaces

that the site was capable of holding a permanent

within the urban fabric. A understanding of this

piece of such weight. Richard Serra was also on site

design theory is integral to understanding the journey

for the installation of his work, ensuring that another

from idea to final construction of a design project

layer of close collaboration was involved in the

such as the Seattle Sculpture Park. What is also of

project.25

note throughout this process is Weiss Manfredi’s

What the parties involved took away from

openness to integration and design suggestions from

this project was the successful integration of

the other components and agencies involved with the

infrastructure and new public space. What adds

Seattle Sculpture Park.

Section iii: Seattle Sculpture park

15


Seattle Art Museum Weiss/Manfredi Atelier (Charles Anderson) Magnusson Klemencic Associates Sellen Construction Barrientos LLC Mayor Edward B. Murray City Council Seattle DOT FHA/FRA DNR/EPA KEY:

16

Design

Oversight

Section iii: Seattle Sculpture park

2002

2001

2000

27

1999

Seattle Sculpture Park


Collaboration

Section iii: Seattle Sculpture park

2007

2006

2005

2004

2003 Approval

Advocacy

17


IV. tF green InterlInk, proVIdence rI Finally, we have chosen to study the Interlink

development by expanding public transportation,

project at T.F. Green Airport located in Warwick, RI

increasing economic recovery for the state of Rhode

and designed by Northeast Collaborative Architects

Island, offering future development opportunities

in conjunction with Jacobs Engineering Group.

for the state, and offering future development

Although, Northeast Collaborative was responsible

opportunities for both the airport and the train station.

for the architectural design, there were major

In addition, Northeast Collaborative implemented

engineering design requirements that Jacobs

sun shades, energy-efficient lighting, lighting-control

Engineering oversaw. The Interlink is a thirty-five feet

systems, and recycled construction materials. The

high, quarter of a mile long pedestrian bridge that

Interlink was awarded the 2012 AIA Rhode Island

links travelers to major transportation infrastructures

Merit Award for Commercial Design and the 2013

including a train station, rental car facility, and parking

AIA Connecticut Award for Commercial Design.29

garage via a series of moving walkways.28 The project

The types of data that our group was able

took place from 1998 to 2010. The Interlink increases sustainable 18

to collect in order to develop the study varied immensely. Because one of our group members Section iV: tF green interlink


has interacted with the former project manager for the Interlink from Northeast Collaborative, we were able to establish contact with Glenn Gardiner, who was the architect of record for the Interlink project. Mr. Gardiner has been our most pertinent source of information and we have been able to communicate with him both via email and through meeting with him in person. He gave us an overview of the project and answered questions relating to collaboration with other entities and what the various phases of the project entailed. We have also been able to travel to T.F. Green via both car and train to experience the project ourselves and witness how pedestrians interact with the space. We have also gathered additional information from online journal articles that discuss the Interlink. Our main interest in this particular project was to discover who the many entities involved with this project were and how they collaborated and coordinated together in order to complete such a large scale infrastructure related project. We began our research by studying the main architecture firm involved in the design of the project, which was Northeast Collaborative Architects. When the Interlink was constructed, Northeast Collaborative still worked under the name of Newport Collaborative Architects. They were the largest firm in Rhode Island who then merged with Bianco Giolitto Weston Architects in 2011 to form Northeast Collaborative Architects. They now have three different offices in the New Section iV: tF green interlink

England area including Newport, RI (the main office involved in the Interlink), Middletown, CT, and Providence, RI.30 Before the merge, each firm had over thirty years of experience and because of this, have been able to establish strong relationships with experts throughout the industry, allowing them to develop structural and environmental strategies to help deliver the best possible solutions for projects.31 Because of this prior experience with large structural and environmental projects, along with the size and expertise of their firm, they were the most qualified designer to undertake the great infrastructure requirements that went into the planning and execution of the Interlink. Northeast Collaborative worked closely with other entities to design the project to its full potential. The main entities involved were the Rhode Island Airport Corporation, the Rhode Island Department of Transportation, Northeast Collaborative Architects, Jacobs Engineering Group, PB Americas, and Gilbane Building Company.32 Also, Robinson Green Beretta Architects, CDR Maguire, the Mayor/City Council of Warwick, and other government entities like the Massachusetts Bay Transportation Authority, Amtrak, and the Federal Highway Administration. Eighty other 19


subcontractors were also involved in the project.33 The Rhode Island Airport Corporation and the

with the project. “Northeast Collaborative Architects is a highly

Rhode Island Department of Transportation acted as

motivated team of architects who work in a boutique

the clients in the project. The Rhode Island Airport

studio environment. [They have] built a reputation

Corporation “undertakes the planning, development,

for delivering quality, innovative, and award-winning

management, acquisition, ownership, operation, repair,

projects.”37 They were the lead skywalk architecture

construction, reconstruction, rehabilitation, renovation,

designer with Glenn Gardiner being the lead project

improvement, maintenance development, sale, lease,

architect involved with the design. They were

or other disposition of any airport facility as defined

responsible for the design of the Interlink and worked

in Rhode Island General Law relative to RI’s six

with the Rhode Island Airport Corporation and the

state airports”.34 “The Rhode Island Department of

Rhode Island Department of Transportation to create

Transportation designs, constructs, and maintains

a design that was approved by both the two major

the state’s surface transportation system.”35 Together,

clients and the public. They were responsible for

they initiated a master planning process for the

completing multiple design solutions at various levels

T.F. Green Airport. The approved concept included

of completion. Northeast Collaborative also worked

terminal end improvement and a pedestrian walkway,

closely under Jacobs Engineering to complete the

customer service operations building, and parking

design of the Interlink.38

garage.36 They directed the program and oversaw construction, coordinating with all entities involved 20

Jacobs Engineering Group “is one of the world’s largest and most diverse providers of Section iV: tF green interlink


technical, professional and construction services”.39

charge of constructing a corridor that services more

They were the designer of record and worked closely

than forty trains per day, managed construction

with the Rhode Island Airport Corporation/Rhode

activities above and around existing infrastructures

Island Department of Transportation, Amtrak, and

such as Amtrak railways and state and municipal

Gilbane Building Company (construction manager)

roads, coordinated around the airport parking lot

to address a multitude of design and construction

and pedestrian traffic, challenged trade coordination

tasks for this facility. They included Federal Highway

due to the fast-track schedule, and coordinated with

Administration value engineering workshops,

the numerous transportation entities involved in the

preparation of Guaranteed Maximum Price

project. In addition, they chose to work at night to

documents for use in developing the construction

avoid conflicts with ongoing operations while the

manager at risk agreement, and development of

airport stayed open 24/7 during the construction.43

early procurement documents for long-lead items.40

They also worked closely with the project manager,

Significant portions of the work included innovative

PB Americas.

design and construction solutions to maintain

PB Americas (Parsons Brinkerhoff) “is a

operations of T.F. Green Airport, Amtrak service on

global consulting firm assisting public and private

the Northeast Corridor and daily traffic on adjacent

clients to plan, develop, design, construct, operate,

highways.41

and maintain critical infrastructure”.44 They were

Gilbane Building Company “is one of the

the project manager assigned to the Interlink and

largest privately held family-owned real estate

provided program management and construction

development and construction firms in the industry”.42

management. They closely collaborated with the

They were the construction manager and were in

construction manager, Gilbane Building Company

Section iV: tF green interlink

21


throughout construction. They represented the Rhode

construction manager for the project and formed

Island Airport Corporation’s interests and served as

a value engineering team including CDR Maguire

a liaison with the construction manager, the design

to evaluate the design. They then determined that

team, the Rhode Island Department of Transportation,

the project was over budget, thus eliminating major

the Federal Highway Administration, the U.S.

design features in the skywalk, including the high

Department of Transportation Infrastructure Finance

tech structural glazing system and the canted wall

and Innovation Act Office, Amtrak, multiple rental car

design. These were only a few of many changes

agencies, and other state and federal agencies.45

that the engineering team proposed.50 From 2007

Although Northeast Collaborative is the

to 2008, Jacobs Engineering Group and Northeast

architect on record, they were not the original firm

Collaborative “went back to the drawing board”

intended to design the project. In the words of

and redesigned the skywalk and connector and bid

Glenn Gardiner, “We were brought in after they

documents were completed during 2008.51

shelved the design.”46 From 1998 to 2004, the

Following the completion of the bid

original design connected the airport to the parking

documents, the project was bid, bids were reviewed,

garage via a monorail train. This was designed by

and construction commenced by the end of 2008.

Jacobs Engineering Group (the primary design and

The bids came in thirty million dollars under budget.52

engineering contractor) and assisted by Robinson

From 2008 to 2010, Gilbane Building Company

Green Berreta Architects.47 From 2004 to 2005, the

constructed the project in about twenty months.

Rhode Island Department of Transportation decided that the monorail was too expensive to maintain on a yearly basis and potentially a problem when broken down. They then shelved that design and hired Northeast Collaborative Architects to design a new elevated walkway under Jacobs with moving walkways a quarter of a mile long and 35 feet in the air.48 From 2005 to 2006, the project was designed from schematic design through the design development phase.49 In 2006 to 2007, Gilbane Building Company was hired as the 22

Section iV: tF green interlink


insurance program. This meant that rather than each contractor involved with the project providing its own worker compensation and liability insurance, Gilbane Building Company acted as the “gatekeeper� and included everything into one big policy for anyone working in the site. This resulted in less than $200,000 in claims and only six lost-time incidents which is a major accomplishment for a project of this size.56 Jacobs Engineering Group ran the on site project

The most substantial issues for completing

coordination and administered the design contract.

the project were the large amount of paperwork and

Northeast Collaborative was in charge of the on

temporary paths of travel that had to be created for

site review of the architectural design work for

travelers using the airport while construction was

the skywalk portion of the Interlink and in October

taking place.57 Because of the immense amount

of 2010, the project was completed.53 Northeast

of stakeholders, there was a significant amount of

Collaborative’s main collaboration took place

paperwork that had to be completed and signed

under the direction of Jacobs Engineering and in

regularly, so a system was created that could

conjunction with Robinson Green Beretta Architects.

prevent the schedule from slowing down. In addition,

All final approvals and decisions were made by the

there were passengers that had to access the rail

Rhode Island Airport Corporation and the Rhode

platform from the terminal and buses and there

Island Department of Transportation.54

were also people coming in to access rental cars.

Because of the complexity and large scope

Because of this, a large amount time was spent

of the project, the overall cost was $267 million,

making modifications in order to create a constant

primarily funded by Federal Highway Administration

seamless path of travel.58 It is because of the

grants, a Transportation Finance and Innovation

constant collaboration between partners, designers,

loan, special facility revenue bonds, state grants and

engineers, and contractors that made this large

customer facility charges collected by the rental

infrastructural project possible to complete within a

car companies.55 A large reason the project did not

tight construction timeline and overall under budget.

exceed the budget and was completed within a tight time frame is because of an owner-controlled Section iV: tF green interlink

23


T.F. Green Interlink

2002

2001

2000

1999

1998

59

Rhode Island Airport Corporation

Rhode Island Department of Transportation

Northeast Collaborative Architects

Robinson Green Beretta Architects

Jacobs Engineering Group

PB Americas

Gilbane Building Company

CDR Maguire

KEY:

24

Design

Oversight

Section iV: tF green interlink


Section iV: tF green interlink

Collaboration

2010

2009

2008

2007

2006

2005

2004

2003 Approval

Advocacy

25


V. conclusIon In analyzing these three similar yet unique projects, we feel we have displayed a wide array

future. While each of these projects have very

of issues and methods for dealing with projects of

different intentions and architectural expression

a certain scale that deal with the complex issue of

and merit, a commonality of them is how they get

our ever changing and ever evolving ideologic of

accomplished. Each project has a clear agenda and

infrastructure. Infrastructure is something that is

the way teams are organized. In all cases there is

not going away any time soon, but it is constantly

an interrelationship and interdependency between

adapting. Through projects like these architects and

all the agents involved from both the design,

designers alike not only react to the issues of the

consultation, governmental and regulatory sides of

present but in a way also help shape the way we

the process. It is clear that all these projects and

deal with problems in the future. The projects are

their interrelationships show three different methods

great examples of this process as they are not only

for approaching the problem of mixing infrastructure

successful and inventive but can help inform the way

and architecture. Although we as architects tend

infrastructural related projects are addressed in the

to look at these for their architectural merits and

26

Section V: concluSion


urban implication, what is often glossed over is the intense team and process involved in getting them completed. When you look at the process of these projects they seem more similar than one may get at first impression. As these three projects show, coordination between different agencies and parties involved on a specific project is integral to the creation of what most would consider a positive outcome, not only in a functional project but one that can synthesize multiple interests into one cohesive idea and implementation of that idea into the built environment.

Section V: concluSion

27


Client

Architect

Government

Dept. of Trans.

Advocacy

Project Manager

Structural

Construction

Weiss/Manfredi Architects Northeast Collaborative Architects

Federal Government FHA/FRA/DNR

Mass DOT Seattle DOT RI DOT

Artery Building Committee Mayor Edward B. Murray

Bechtel/Parsons Brinckerhoff Barrientos LLC PB Americas

Magnusson Klemencic Associates Jacobs Engineering Group

Sellen Construction Gilbane Building Company

Design

Oversight

Section V: concluSion

Year 7

Year 6

Year 5

Year 4

Massachusetts State Government Seattle Art Museum Rhode Island Airport Corporation

KEY:

28

Year 3

Year 2

Year 1

Composite Big Dig, Seattle, TF Green


Approval

Section V: concluSion

Collaboration

Advocacy

Funding

29

Year 25

Year 15

Year 14

Year 13

Year 12

Year 11

Year 10

Year 9

Year 8


Works cIted 1. Luberoff, David, Civic Leadership and Major Transportation Projects: Lessons from Boston’s Artery Business Committee and the Central Artery/Tunnel Project, 2005, 3. 2. Ibid, 4. 3. Ibid, 5. 4. Murphy, State’s Cost-Recovery Efforts Have Been Nearly a Lost Cause. Boston Globe, 2/10/03, http:// www. boston.com/globe/metro/packages/bechtel/021003.shtml 5. Luberoff, David, Civic Leadership and Major Transportation Projects: Lessons from Boston’s Artery Business Committee and the Central Artery/Tunnel Project, 2005, 29. 6. John Bok and Thomas Nally, “Joint Development Subcommittee Update,” in ABC, “Board of Directors’ Briefing Book,” September 26, 1990. For an overview of the various plans see Boston Redevelopment Authority, “Central Artery: Framework for Discussion,” 1989. 7. Edwin Sidman, author’s interview, July 19, 2002 and Frederick Salvucci, Letter to Edwin Sidman, February 16, 1990 in “Board of Directors Briefing Book,” March 14, 1990. 8. Luberoff, David, Civic Leadership and Major Transportation Projects: Lessons from Boston’s Artery Business Committee and the Central Artery/Tunnel Project, 2005, 12. 9. Idib, 11 10. Harold Hestnes, author’s interview, May 20, 2002., Luberoff, David, Civic Leadership and Major Transportation Projects: Lessons from Boston’s Artery Business Committee and the Central Artery/Tunnel Project, 2005, 12. 11. Murphy, State’s Cost-Recovery Efforts Have Been Nearly a Lost Cause. Boston Globe, 2/10/03, http:// www. boston.com/globe/metro/packages/bechtel/021003.shtml 12. Ibid. 13. Schedule is not produced by any firm or entity involved, it has been produced for this case study based on excerpts from research as well as our own expertise and experience. 14. Bahamón, Alejandro, and Maria Camila Sanjinés. Rematerial: From Waste to Architecture. New York: W.W. Norton & Co, 2010. 15. Esin Kömez. Architectural Contextualism and Emerging Hybrid Morphologies: The Case of Olympic Sculpture Park for the Seattle Art Museum 16. Chris Rogers, “Risky site inspired creative thinking,” Seattle Art Museum. 17. Weiss, Marion, and Michael A. Manfredi. Site Specific: The Work of Weiss/Manfredi Architects. New York: Princeton Architectural, 2000. Print. 18. John Schwartz, “Complicated project packs a few surprises,” Barrientos. 19. Charles Anderson, “Landscape grounded in Northwest natural history,” Charles Anderson Landscape Architecture. 20. Drew A. Gangnes, “Engineering the path took a lot of twists and turns,” Magnusson Klemencic Associates. 21. Weiss, Marion, and Michael Manfredi. “Evolutionary Infrastructures.” Evolutionary Infrastructures Lecture. GSD, Cambridge. 5 Oct. 2014. Lecture. 22. John Schwartz, “Complicated project packs a few surprises,” Barrientos.

30


23. Bill Badger, “Sculpting an oasis from a blighted landscape,” Sellen Construction 24. Brian Alexander, “Artist’s glass creation will make stroll on bridge a walk in the clouds,” Seattle Times 25. Weiss, Marion, and Michael Manfredi. “Inhabiting Topography.” Utzon Lecture Series. UNSW Built Environment. 5 Oct. 2014. Lecture. 26. Ibid 27. Schedule is not produced by any firm or entity involved, it has been produced for this case study based on excerpts from research as well as our own expertise and experience. 28. “Northeast Collaborative Architects.” Northeast Collaborative Architects. Web. 24 Oct. 2014. <http://www. ncarchitects.com> 29 Ibid. 30. Ibid. 31. Ibid. 32. Richards, Jodi. “New Intermodal Connection Expected to Lure Passengers, Airlines to T.F. Green Int’l.” Airport Improvement Magazine. Airport Improvement Magazine, Nov. 2010. Web. 25 Oct. 2014. <http:// www. airportimprovement.com/content/story.php?article=00228>. 33. Ibid. 34. The State of Rhode Island and Providence Plantations. Web. 22 Nov. 2014. <http://sos.ri.gov/govdirectory/ index.php?page=DetailDeptAgency&eid=283>. 35. “About Us.” - Rhode Island Rhode Island Department of Transportation. Web. 22 Nov. 2014. <http://www.dot. ri.gov/about/index.php>. 36. United States. City of Warwick. City Council. Warwick Station Development District Master Plan. Warwick: Goody Clancy, 2012. Web. 25 Oct. 2014. <http://www.warwickri.gov/pdfs/planning/WSDD %20Master%20 Plan%20Final%20Approved.pdf> 37. “Northeast Collaborative Architects.” Northeast Collaborative Architects. Web. 24 Oct. 2014. <http:// www. ncarchitects.com> 38. Gardiner, Glenn. “T.F. Green Interlink.” E-mail interview. 13 Nov. 2014. 39. “Jacobs Engineering Group.” Jacobs Engineering Group. Web. 22 Nov. 2014. <http://jacobs.com/>. 40. “New Transit Hub in Rhode Island Connects Commuters to All Modes of Transportation.” - BSCES. Web. 22 Nov. 2014. <http://www.bsces.org/index.cfm/page/New-Transit-Hub-in-Rhode-Island-ConnectsCommuters-to-All-Modes-of-Transportation/cdid/10985/pid/10371>. 41. Ibid. 42. “About Gilbane Inc.” Commercial Real Estate Development and Construction by Gilbane Inc. N.p., n.d.Web. 22 Nov. 2014. <http://www.gilbaneco.com/AboutGilbane.aspx>. 43. “Interlink T.F. Green Airport.” Gilbane Building Company, T.F. Green Airport. Web. 22 Nov. 2014. <http://www. gilbaneco.com/featuredProject.aspx?id=2147484579>. 44. “Parsons Brinckerhoff.” Parsons Brinckerhoff. Web. 22 Nov. 2014. <http://www.pbworld.com/>. 45. “Transportation.” Parsons Brinckerhoff: Airports. Web. 22 Nov. 2014. <https://www.pbworld.com/ capabilities_ projects/transportation/airports.aspx>.

31


46. Gardiner, Glenn. “T.F. Green Interlink.” E-mail interview. 13 Nov. 2014. 47. Ibid. 48. Ibid. 49. Ibid. 50. Ibid. 51. Ibid. 52. Ibid. 53. Ibid. 54. Ibid. 55. Richards, Jodi. “New Intermodal Connection Expected to Lure Passengers, Airlines to T.F. Green Int’l.” Airport Improvement Magazine. Airport Improvement Magazine, Nov. 2010. Web. 25 Oct. 2014. <http:// www. airportimprovement.com/content/story.php?article=00228>. 56. Ibid. 57. Ibid. 58. Ibid. 59. Schedule is not produced by any firm or entity involved, it has been produced for this case study based on excerpts from research as well as our own expertise and experience.

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