Camerapixo Photography Magazine Hot shots 31 We Inspire

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COVER PHOTO © ANDRZEJ MUCKA

ANDRZEJ MUCKA CHRISTIAN KLEIMAN MARCELLO MACHELLI AKIRA TAKAUE ALESSANDRO PASSERINI FRED GRAMOSO DIEGO CROTTI 1

ARTUR J. HELLER EDITOR-IN-CHIEF

ANETTA G. HELLER EXECUTIVE EDITOR

OFFICIAL WEBSITE - CAMERAPIXO.COM : ISSN: 2081- 7428 : LONDON, PARIS, ROME, WARSAW, BERLIN, MOSCOW, NEW YORK, CHICAGO, SAN FRANCISCO, TOKYO, BEIJING, HANOI, KUALA LUMPUR, SYDNEY : WORLDWIDE CONTRIBUTORS : PHOTOGRAPHERS AROUND THE WORLD. CAMERAPIXO IS AN INDEPENDENT INTERNATIONAL PUBLISHER WHO PUBLISHES SEVERAL THEMED PUBLICATIONS DEDICATED TO PHOTOGRAPHY. ALL OUR PUBLICATIONS ARE PRESENTLY AVAILABLE IN ENGLISH, AS DIGITAL AND PRINTED EDITIONS. THEY PRESENT THE PORTFOLIOS OF PHOTOGRAPHERS FROM AROUND THE WORLD, FAMOUS, LESS KNOWN, BEGINNERS. WE PROMOTE PHOTOGRAPHERS, INSPIRE, SHOW THE WIDE DIMENSION OF PHOTOGRAPHY. THEY REACH TENS OF THOUSANDS OF READERS FROM OVER 84 COUNTRIES EVERY MONTH. IN THE PAST FEW YEARS CAMERAPIXO HAS BUILD A VERY STRONG PHOTOGRAPHY COMMUNITY. OUR MAGAZINES ARE VERY UNIQUE, MODERN WITH GREAT DESIGN AND EXCELLENT PRINT QUALITY.

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BEING PUBLISHED MATTERS! CAMERAPIXO WEBSITE IS VISITED BY OVER 100 THOUSAND UNIQUE VISITORS WORLDWIDE EACH MONTH. ACCESS AND CONNECT WITH MOST INSPIRING PHOTOGRAPHY AND BECOME PART OF THE ENGAGED, LOYAL PHOTOGRAPHY COMMUNITY ON THE WEB. WHEN YOU WANT TO REACH PHOTOGRAPHY AUDIENCE, CAMERAPIXO IS YOUR CHOICE, REACHING THE BROADEST AUDIENCE OF PHOTOGRAPHY ENTHUSIASTS. DISCLAIMER: ALL PHOTOGRAPHS PUBLISHED IN THE CAMERAPIXO MAGAZINE AND ONLINE ON THE OFFICIAL CAMERAPIXO WEBSITE, HAVE BEEN PERMITTED

BY THE AUTHOR TO BE PUBLISHED AND ARE PROTECTED UNDER INTERNATIONAL COPYRIGHT LAW. IT IS FORBIDDEN TO COPY THEM OR RESEND IN ANY OTHER FORM WITHOUT WRITTEN PERMISSION FROM THE AUTHOR. ALL TRADEMARKS, GRAPHIC DESIGNS, LOGOS, NAMES AND OTHER DATA PUBLISHED IN THE MAGAZINE ARE PROTECTED BY COPYRIGHT AND BELONG TO THEIR AUTHORS. THE EDITORS WILL NOT REFUND, SEND BACK OR PUBLISH ANY MATERIALS NOT REQUESTED. CAMERAPIXO EDITORS ARE NOT RESPOSIBLE FOR ANY COMMERCIAL TEXTS. ALL COPYRIGHTS BELONG TO AUTHORS OF PUBLISHED PHOTOGRAPHS AND ALWAYS WILL BE. CAMERAPIXO TEAM IS PROMOTING PHOTOGRAPHERS AND PHOTOGRAPHY ON MANY PLATFORMS, WEBSITES, SOCIAL MEDIA NETWORKS. WE HAVE ALL RIGHTS TO USE PHOTOGRAPHS PUBLISHED IN THE MAGAZINE / OFFICIAL WEBSITE TO PROMOTE THEIR AUTHORS AND THE MAGAZINE.

ON EARTH THERE IS NO HEAVEN, BUT THERE ARE PIECES OF IT. JULES RENARD

JAKUB KOZIOŁ ©

CAMERAPIXO PHOTOGRAPHY AWARDS

AKIRA TAKAUE

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ANDRZEJ MUCKA

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FRED GRAMOSO

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CHRISTIAN KLEIMAN

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ANDRZEJ MUCKA

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DIEGO CROTTI

ALESSANDRO PASSERINI

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MARCELLO MACHELLI

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CHRISTIAN KLEIMAN

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ALESSANDRO PASSERINI

ANDRZEJ MUCKA

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DIEGO CROTTI

AKIRA TAKAUE

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MARCELLO MACHELLI

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FRED GRAMOSO

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ANDRZEJ MUCKA

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ANDRZEJ MUCKA WWW.ANDRZEJMUCKA.COM

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CHICAGO FIRE FAN

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NATO SUMMIT 2012

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NATO SUMMIT 2012

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CHINATOWN CHICAGO

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DOWNTOWN

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SCHAUMBURG LIBRARY

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AGORA - CHICAGO

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BADLANDS NATIONAL PARK

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COLORADO NATIONAL MONUMENT

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COLORADO NATIONAL MONUMENT

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CORAL PINK SAND DUNES STATE PARK

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DEVILS TOWER

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COVER PHOTO: HORSESHOE BEND

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PETRIFIED FOREST NATIONAL PARK

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SOMEWHERE IN NEVADA

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YELLOWSTONE NATIONAL PARK

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ZION NATIONAL PARK

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ZION NATIONAL PARK

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GRAND PRISMATIC SPRING

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GRAND PRISMATIC SPRING

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HOT DOG CAR

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I N S P I R E D 29

THE BUS SHOP

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CAMERAPIXO MAGAZINE is recognized around the world as one of the largest independent online photography magazines. Thanks to the variety of it’s publications and a diverse network of other journalists and media professionals makes it easy to start working as an independent contributor.

CHRISTIAN KLEIMAN NEW ZEALAND

ALWAYS ACCESS THE FRONT ROW The Volvo Ocean Race is the World’s longest professional sporting event and leading offshore sailing competition. As a Freelance Photographer and because of my relationship with sailing boats, I thought that it would be a nice chance to get involved in this adventure, shooting photos. So, it was time to try out the Camerapixo’s Press Card. Artur and Anetta showed great support for my project and backed me up with everything needed in order to obtain from the Volvo Ocean Race organization, my accreditation as a Media Independent Photographer for the event. All media facilities were there for my use and I’ve met all kind of interesting people and great artists. My accreditation always enabled me to access the front row, where the action was taking place. Thank you Camerapixo for your support!

CHRISTIAN KLEIMAN WWW.CHRISTIANKLEIMAN.COM

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SWIMMING POOL AT CASTAWAY ISLAND RESORT - FIJI

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MAN O’ WAR VINEYARD CHAPEL - WAIHEKE ISLAND

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SEALINK FERRY - WAIHEKE ISLAND

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FLOATING PARADISE AT CLOUD 9 - CHILL OUT COCKTAIL BAR

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HAMER ST. FOOTBRIDGE - SILO PARK - AUCKLAND WYNYARD

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STANDING BOW AT HAHEI BEACH - WAIKATO

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MOUNT STOKES - ENDEAVOUR INLET

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PIER AT LAKE TARAWERA - ROTORUA LAKES - NEW ZEALAND

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THE CLOUD - QUEENS WHARF - AUCKLAND CITY WATERFRONT 42

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VOLVO SAILING - HAVE A GO! - VOLVO OCEAN RACE

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AVENIDA EUROPA IN BENIDORM - COSTA BLANCA - SPAIN

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QUEEN CHARLOTTE TRACK - ENDEAVOUR INLET

MARCELLO MACHELLI WWW.MARCELLOMACHELLI.COM

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THE MACHINE

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THE SILVER SCREEN

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AUTELCO WALL PHONE DIAL

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AUTELCO WALL PHONE FROM 1930

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DETAILS

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THE CASH REGISTER

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A COMPLETE TELEPHONE VINTAGE SET

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RADIO LIGHT BULB

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BLACK TYPEWRITER

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THE GIBSON GIRL RADIO FOR DISTRESS SIGNAL TRASNMISSION

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VINTAGE GERMAN FUNKE & HUSTER MINING WALL TELEPHONE

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DIY OLD STYLE

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VINTAGE GERMAN FUNKE & HUSTER MINING WALL TELEPHONE

HOW DID YOU COME TO THE WORLD OF PHOTOGRAPHY?

MARCELLO MACHELLI

MM : 1977 My first book on photography: A Complete Treatise on Photography M.J. Langford. Many others followed .I started with a Canon AE1 and two lenses, a 50mm and a 135mm. I made a dark room at home, for black and white and flat lith film. I worked as a location scout for film productions and then as a stage photographer in the 80s. An immense satisfaction. I finished my photography studies when I graduated in creative direction.

My thesis was on Olivero Toscani and Benetton's made in Italy. Since then, I have worked a lot on video, television, promos, web and editorial productions but plain photography. I was missing it and I started again with the first digital dslr early in 2000 to the point of being a professional not so long ago.

FOUR QUESTIONS

HOW DISPLAYING YOUR WORK ON SOCIAL NETWORKS HAS AFFECTED YOUR PHOTOGRAPHY? MM : Social networks can be a great resource for photographers, very useful just for professionals who invest upon. They allow you to search for customers in a precise way, with the occasional “like� of colleagues. It's nice to be appreciated by a photographer, but a lot more, to receive a job or an assignment.

Customers do not visit general photography groups to put a like on your pictures and choose you. You have to search for them carefully, outside this network, targeting geographic areas or habits.

My presence on the web is articulated, among social and professional sites. The first ones take you where the product is. On Facebook I have a professional profile and on Flickr a normal one. These are the two free social spaces I use. I have my own site, I'm also part of a professional Italian network of photographers to mark my presence on the territory.

List but not last, there is Camerapixo, which is one of a kind; a publisher that qualifies me internationally as well as giving me access to the most prestigious events. A must have service.

OF ALL THE TYPES OF PHOTOS YOU SHOOT, WHICH ARE THE MOST INSPIRING FOR YOU? WHICH ARE THE HARDEST FOR YOU TO SHOOT?

YOUR FAVOURITE GEAR? MM : I rent lenses for special occasions, like sport events: 200-400 VRII f4 or the Nikon 85 1.4 for some portraits. My favorite lens for the portrait: NIKON AF-S 200 F2 G VR II.

MM : Shooting portraits is not easy when your customers are ordinary people. They need their time to relax, express and finally reveal themselves. It is not so easy to strike and hold a pose or relax your face, for those who are not professionals. On a portrait you reveal yourself, for a short time, just enough for a photographer to catch it. Face has shapes that need to be interpreted, something to model with light, enhance with the environment, showing to be unique. I find it difficult to manage a complex set, outdoors, with different people, objects and professionals.

Organization and work must go hand in hand, like a tango. You need to focus only on that subject, ignoring the rest. It can be difficult to manage all this and direct the shooting.

I have just finished a wonderful shooting in a museum in Rome. It is not the usual place with beautiful objects on display, but a chaos made of a thousand pieces, dust, disorder and surprises, something that is very similar to my creative process. I worked with beautiful people, full of enthusiasm, with pleasure in their eyes. Working with nice people is important, we realize when we deal with someone difficult, nervous or moody. I avoid these customer if I can.

FOUR QUESTIONS TO MARCELLO MACHELLI

AKIRA TAKAUE WWW.AKIRATAKAUE.COM

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TOKYO, JAPAN

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SUMIDA RIVER, TOKYO, JAPAN

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ALESSANDRO PASSERINI WWW.ALESSANDROPASSERINI.COM

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In this plateau in central Italy there are herds of horses in the wild that wander undisturbed for the entire expanse, far from any human interference. Over the years I often come back to this place, and I never tire of going there and join these highland wanderers.

ALESSANDRO PASSERINI Š

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WANDERERS

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FRED GRAMOSO WWW.BOBERICPHOTOGRAPHY.COM

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KIRKJUFELL & FOSS

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THE PHOTOGRAPHER AND THE WATERFALL

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FRED GRAMOSO Š

This is Djupalonssandur in Snaefellsness Peninsula. There are so many tales around this beach and rock formation, so many stories about women, fishermen, bishops and elves that they could be put all together and turned into a TV show... All the folklore is also a reminder of a very old history and culture.

People long gone remain in the air, stone and water as if their tales were carved in the rock, their feelings sprayed over by gusts and emotions creeping up with the ocean. Even the clouds seem to be marching on their memories’ command. Places like this one give me chill bumps. They are landmarks frozen in time keepers of our history, nostalgia for some, pieces of rock for others but there for everyone...

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THE DEEP LAGOON

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LONDRANGAR

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FRED GRAMOSO Š

This is the kind of shot that I wanted to take a long time ago. The kind of photograph that you have already taken in your head without having been there yet. The kind of picture that you want and you will do what you have to to make it happen... For instance, in order to get this one I pretty much stayed the whole day waiting for the double rainbow and for a person standing on a rock for a few seconds, all that almost at the same time, long enough for me to make this 3 shot panorama. I can say that I am very happy with the result as it is exactly what I had envisioned years ago.

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Seljalandsfoss is another mother nature’s beauty. It is so big and impressive that it can be seen from the road at least three miles away. Hiking to that vintage point was not very easy as it rained and snowed the day before and the wind was blowing the mist right on my filters. I manages to make that time exposure between rain showers, misty winds and me cleaning water droplets off my filter but I really enjoyed the weather sealed gear, it’s a huge plus, my very first camera would have never worked long enough in those conditions to get anything from there.

© FRED GRAMOSO

THE WATERFALL II

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THE BLACK BEACH

DIEGO CROTTI WWW.DIEGOCROTTI.COM

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