Talkprogramfinal

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CREATIVE TEAM DIRECTOR JONATHAN BIGGINS

DESIGNER MARK THOMPSON

LIGHTING DESIGNER TRENT SUIDGEEST

COMPOSER & SOUND DESIGNER STEVE FRANCIS

BELINDA STEELE VALERIE BADER

PC FOWLER HELEN CHRISTINSON

DANIELLE ROWESTHORNE PAIGE GARDINER

TAFFY CAMPBELL PETER KOWITZ

CALUDIA BENNETT/ANDREA KERR LUCIA MASTRANTONE

SYNOPSIS Talk is set across three locations around Sydney: a commercial radio broadcast studio; an office of the public radio broadcaster; and the editor’s office of a major newspaper. Yesterday, talkback radio host John Behan shared with his listeners the criminal record of an alleged sex offender, Charles Turner, whose case was being tried. This public revelation meant the trial had to be aborted. Today, as the police come to arrest him for contempt of court, Behan locks himself in his studio and continues to broadcast live. Meanwhile, at the public broadcaster, 38-year veteran journalist Taffy Campbell has his last day in the office. As Behan’s defiance of the police becomes known, Taffy and his junior colleague Danielle Rowesthorne begin following the story.

At the same time, newspaper editor Julie Scott and journalists Max Gardner and David Senridge look into the background of the man accused of the sexual assault, Charles Turner, as well as into his de facto, Candice Brickwell, and her daughter, the alleged victim, Roxannay. Behan continues to broadcast and take calls on air. As more details emerge, some of those listening and following on social media take matters into their own hands. Julie Scott and her colleagues stoke the outrage, while Taffy Campbell and his team do their own investigative work. But as the story gathers an allbut-unstoppable speed, who’ll take stock and pause to unearth the truth?

DIRECTOR JONATHAN BIGGINS— WRITER & DIRECTOR

ASHLEY JARMAN/DAVID SENRIDGE KENNETH MORALEDA

MAX GARDNER/DARREN PAISLEY/PETER DAVIS ANDREW TIGHE

JULIE SCOTT HANNAH WATERMAN

JOHN BEHAN JOHN WATERS

DI COCHRANE/RHYS BEN WOOD

PRODUCTION MANAGER KATE CHAPMAN

HAIR, WIG & WARDROBE SUPERVISOR LAUREN A. PROIETTI

STAGE MANAGER

SOUND OPERATOR

MINKA STEVENS

JASON JONES

ASSISTANT STAGE MANAGER

PRODUCTION PHOTOGRAPHER

KATIE HANKIN

BRETT BOARDMAN

Jonathan is a writer, performer and director whose career runs the gamut from stage and television acting to revue and musicals, and television presenting. For Sydney Theatre Company, Jonathan has previously written Australia Day and cowritten The Republic of Myopia, which he also directed. He directed Michael Frayn’s Noises Off in 2014 and featured in STC productions The White Guard, Travesties, Ying Tong – A Walk with the Goons, Soulmates and Summer Rain. Jonathan has also been involved in many Wharf Revues as a writer, performer and co-director, including Back to Bite You, Celebrating 15 Years, Open for Business, Whoops!, Red Wharf: Beyond the Rings of Satire, Debt Defying Acts!, Not Quite Out of the Woods, Pennies From Kevin, Waiting for Garnaut, Best We Forget, Stuff All Happens, Concert for Tax Relief, Much Revue About Nothing and Sunday in Iraq with George.

Elsewhere, Jonathan co-wrote and performed in the smash-hit revues Three Men and a Baby Grand, which had a successful run on the Edinburgh Fringe and was broadcast on ABC Television, and its sequels, Abroad with Two Men and The Best Bits of That Broad and Those Men. For the Hunter Valley Theatre Company, he appeared in West Side Story, The Man from Mukinupin, Essington Lewis – I am Work, and Hamlet on Ice. In musical comedy, Jonathan has starred in The Venetian Twins (QTC), The Mikado (State Opera of South Australia and Opera Queensland), and as Hysterium in A Funny Thing Happened on the Way to the Forum (Essgee Productions). His radio, film and television credits include: The Dingo Principle, Noah’s Ark, World Series Debating, Good News Week, The Party Machine, Thank God He Met Lizzie, and Those Dear Departed. His writing includes Australia Day, As it Were, The 700 Habits of Highly Ineffective People and The 700 Habits of Highly Ineffective Parents. He received the 2010 Helpmann Award for Direction of a Musical for Avenue Q.

Helen Christinson and Andrew Tighe Production pictures by Brett Boardman

S TC P RODUC TION P A TRON : The Petre Foundation

31 MAY – 3 JUNE 2017 L IVE ON AI R , ST I RRIN G U P T ROUBLE , HE’ S N OT G O I NG T O ST OP – N O M AT T ER WH O GET S HU R T Peter Kowitz and Ben Wood D IREC TO R Jonathan Biggins DESIGN ER Mark Thompson LIGHTIN G DESIGN ER Trent Suidgeest COMP OSER & SOUN D DESIGN ER Steve Francis WITH Valerie Bader, Helen Christinson, Paige Gardiner, Peter Kowitz, Lucia Mastrantone, Kenneth Moraleda, Andrew Tighe, Hannah Waterman, John Waters and Ben Wood

B Y JON ATHAN B IG G IN S CANBERRA THEATRE CENTRE PRESENTS A SYDNEY THEATRE COMPANY PRODUCTION

OONN AAIIRR


CREATIVE TEAM DIRECTOR

SYNOPSIS Talk is set across three locations around Sydney: a commercial radio broadcast studio; an office of the public radio broadcaster; and the editor’s office of a major newspaper. Yesterday, talkback radio host John Behan shared with his listeners the criminal record of an alleged sex offender, Charles Turner, whose case was being tried. This public revelation meant the trial had to be aborted. Today, as the police come to arrest him for contempt of court, Behan locks himself in his studio and continues to broadcast live.

JONATHAN BIGGINS

DESIGNER MARK THOMPSON

LIGHTING DESIGNER TRENT SUIDGEEST

COMPOSER & SOUND DESIGNER

Meanwhile, at the public broadcaster, 38-year veteran journalist Taffy Campbell has his last day in the office. As Behan’s defiance of the police becomes known, Taffy and his junior colleague Danielle Rowesthorne begin following the story.

STEVE FRANCIS

BELINDA STEELE VALERIE BADER

PC FOWLER HELEN CHRISTINSON

At the same time, newspaper editor Julie Scott and journalists Max Gardner and David Senridge look into the background of the man accused of the sexual assault, Charles Turner, as well as into his de facto, Candice Brickwell, and her daughter, the alleged victim, Roxannay. Behan continues to broadcast and take calls on air. As more details emerge, some of those listening and following on social media take matters into their own hands. Julie Scott and her colleagues stoke the outrage, while Taffy Campbell and his team do their own investigative work. But as the story gathers an allbut-unstoppable speed, who’ll take stock and pause to unearth the truth?

DIRECTOR

DANIELLE ROWESTHORNE PAIGE GARDINER

TAFFY CAMPBELL PETER KOWITZ

CALUDIA BENNETT/ANDREA KERR

JONATHAN BIGGINS— WRITER & DIRECTOR

LUCIA MASTRANTONE

ASHLEY JARMAN/DAVID SENRIDGE KENNETH MORALEDA

Jonathan is a writer, performer and director whose career runs the gamut from stage and television acting to revue and musicals, and television presenting.

MAX GARDNER/DARREN PAISLEY/PETER DAVIS ANDREW TIGHE

JULIE SCOTT HANNAH WATERMAN

JOHN BEHAN JOHN WATERS

DI COCHRANE/RHYS BEN WOOD

PRODUCTION MANAGER

HAIR, WIG & WARDROBE SUPERVISOR

STAGE MANAGER

SOUND OPERATOR

KATE CHAPMAN

MINKA STEVENS

ASSISTANT STAGE MANAGER KATIE HANKIN

LAUREN A. PROIETTI JASON JONES

PRODUCTION PHOTOGRAPHER BRETT BOARDMAN

For Sydney Theatre Company, Jonathan has previously written Australia Day and cowritten The Republic of Myopia, which he also directed. He directed Michael Frayn’s Noises Off in 2014 and featured in STC productions The White Guard, Travesties, Ying Tong – A Walk with the Goons, Soulmates and Summer Rain. Jonathan has also been involved in many Wharf Revues as a writer, performer and co-director, including Back to Bite You, Celebrating 15 Years, Open for Business, Whoops!, Red Wharf: Beyond the Rings of Satire, Debt Defying Acts!, Not Quite Out of the Woods, Pennies From Kevin, Waiting for Garnaut, Best We Forget, Stuff All Happens, Concert for Tax Relief, Much Revue About Nothing and Sunday in Iraq with George.

Elsewhere, Jonathan co-wrote and performed in the smash-hit revues Three Men and a Baby Grand, which had a successful run on the Edinburgh Fringe and was broadcast on ABC Television, and its sequels, Abroad with Two Men and The Best Bits of That Broad and Those Men. For the Hunter Valley Theatre Company, he appeared in West Side Story, The Man from Mukinupin, Essington Lewis – I am Work, and Hamlet on Ice. In musical comedy, Jonathan has starred in The Venetian Twins (QTC), The Mikado (State Opera of South Australia and Opera Queensland), and as Hysterium in A Funny Thing Happened on the Way to the Forum (Essgee Productions). His radio, film and television credits include: The Dingo Principle, Noah’s Ark, World Series Debating, Good News Week, The Party Machine, Thank God He Met Lizzie, and Those Dear Departed. His writing includes Australia Day, As it Were, The 700 Habits of Highly Ineffective People and The 700 Habits of Highly Ineffective Parents. He received the 2010 Helpmann Award for Direction of a Musical for Avenue Q.

Helen Christinson and Andrew Tighe Production pictures by Brett Boardman

S T C P RODUC T I ON P A T RON : The Petre Foundation

31 MAY – 3 JUNE 2017 L IVE ON AI R , ST I RRIN G U P T ROUBLE , HE’ S N OT G O I NG T O ST OP – N O M AT T ER W H O GET S HU R T Peter Kowitz and Ben Wood D IREC TO R Jonathan Biggins DES IGN ER Mark Thompson L IGHTIN G DESIGN ER Trent Suidgeest COMP OSER & SOUN D DESIGN ER Steve Francis WITH Valerie Bader, Helen Christinson, Paige Gardiner, Peter Kowitz, Lucia Mastrantone, Kenneth Moraleda, Andrew Tighe, Hannah Waterman, John Waters and Ben Wood

B Y JON ATHAN B I G G I N S CANBERRA THEATRE CENTRE PRESENTS A SYDNEY THEATRE COMPANY PRODUCTION

OONN AAIIRR


VALERIE BADER BELINDA STEELE Sydney Theatre Company: Children of the Sun, M.Rock (with ATYP), Australia Day (with MTC), Morning Sacrifice, Falsettos, Summer Rain, Darlinghurst Nights, King of Country, The Venetian Twins, Dinkum Assorted, Jonah Jones, The Wharf Revues: Free Petrol!, The Year of Living Comfortably, Sunday in Iraq with George, Revue Sans Frontieres, Beware of the Dogma. Other Theatre: MTC: Summer of the Seventeenth Doll, Dinkum Assorted. Playbox: Secret Bridesmaids’ Business, Competitive Tenderness. Bell Shakespeare: Comedy of Errors. Nimrod: The Venetian Twins, Tartuffe, The Winter’s Tale, The Golden Age. STCSA: Entertaining Mr Sloane. Belvoir: Barmaids (with Deckchair and HIT Productions). Christine Dunstan Productions: Inside Out. TV: East of Everything, Come in Spinner, True Believers, All Saints, Murder Call, GP. Film: Crackers, Close Contact, The Roly Poly Man, Wish You Were Here, Black & White & Sex. Proud member of Equity.

HELEN CHRISTINSON PC FOWLER Sydney Theatre Company: A Flea in Her Ear. Other Theatre: MTC: The 39 Steps, Apologia, The Joy of Text. QTC: Private Lives, John Gabriel Borkman, Macbeth. STCSA: Private Lives. La Boite: The Drowning Bride, A Doll’s House, Medea. Griffin Theatre: Caress/Ache. Stablemates: The Cold Child. Tinderbox: The 39 Steps. Kay & McLean: Secret Bridesmaids Business. NORPA: Railway Wonderland. Film: Harrisville, Endurance Island, The Underdog’s Tale, Rapid Fear, Stay Awake, Misfortune. TV: The Code, Sisters of War, Through My Eyes. Awards: 2014 Winner Best Actress Matilda Award, (A Doll’s House). Training: QUT. Proud member of Actors’ Equity.

PAIGE GARDINER DANIELLE ROWESTHORNE Sydney Theatre Company: Back to Bite You, Mariage Blanc. Other Theatre: QTC: Fat Pig. Darlinghurst Theatre: The Young Tycoons. Griffin Independent: The Pigeons, S-27. Ensemble: Jack of Hearts. Sport for Jove: Three Sisters. Pantsguys: Mr Kolpert. Arts Radar: Tooth of Crime. TV: Wonderland, Home & Away, Neighbours, History Hunters, Deadly Women, Tough Nuts. Training: NIDA, VCA Music Theatre, Atlantic Acting School, École Philippe Gaulier.

PETER KOWITZ TAFFY CAMPBELL Sydney Theatre Company: Mariage Blanc, Australia Day (with MTC), Tot Mom, Blackbird. Other Theatre: MTC: Double Indemnity, The Weir, Acts, The Changeling, As You Like It. Griffin Theatre: The Floating World, Burning, Strange Attractor. Bell Shakespeare: The Alchemist, King Lear. Black Swan: Live Acts on Stage. Griffin: Burning, Strange Attractor. Darlinghurst Theatre: The Young Tycoon. STCSA: Who’s Afraid of Virginia Woolf?, The Wild Duck. Railway Street Theatre: Away, Twelfth Night, Who’s Afraid of Virginia Woolf?, Much Ado About Nothing, Summer of the Seventeenth Doll. Ensemble: Blinded by the Sun, Rough Justice, Ninth Step, Emerald City, Table for One?, The Deal. QTC: includes Good Works, The Taming of the Shrew, The Merchant of Venice, The Season at Sarsaparilla, Romeo and Juliet, The Removalists, The One Day of the Year. Nimrod: Romeo and Juliet, The Choir, King Lear. TV: Janet King, Crownies, City Homicide, Packed to the Rafters, McLeod’s Daughters, All Saints, The Timeless Land, A Town Like Alice, Mathew and Son, The Long Way Home, Land of Hope, The Clean Machine, The Flying Doctors, Body Surfer, GP, Heartbreak High, Wildside, Murder Call, Grass Roots. Awards: 2013 Sydney Theatre Award for Best Actor (The Floating World), AFI Award for Best Actor (Body Surfer), AFI Award for Best Actor (The Long Way Home), 1989 Variety Club Heart Award for Television Actor of the Year.

LUCIA MASTRANTONE CLAUDIA BENNETT/ANDREA KERR Sydney Theatre Company: Mariage Blanc, Actor on a Box, Romeo and Juliet. Other Theatre: Belvoir: Twelfth Night, My Vicious Angel, The Book of Everything, Scorched, The Popular Mechanicals, Love & Magic in Mama’s Kitchen. Griffin Theatre: Ladies Day. Shaun Parker: Blue Love. Bell Shakespeare: The Duchess of Malfi. Australian Theatre for the Deaf: The Wild Boys. STCSA: The Merchant of Venice, The Venetian Twins, Six Characters in Search of an Author, Verona, A Little Like Drowning, The Rover. Urban Theatre Projects: The Longest Night, Five Times Dizzy, The Cement Garage. Playworks: Dreaming Aloud in the Hotel Faded. Theatre of Image: Gypsy Boy. Adelaide Festival: Filling the Silence, Une Feste Di Nozze, Ricordi, Under Southern Eyes. Legs on the Wall: Under the Influence. Sidetrack Theatre: Country Love. Magpie Theatre: Snow White and Red Riding Hood. Canberra Theatre Festival: Red Like the Devil. Vitalstatistix: Glass Shadows. Doppio Teatro: Red Like the Devil, Olive Tree, Il Prespepio. As Director: SBW Stables Theatre: Dip Me in Honey & Throw Me To the Bees. As Associate Director/Movement: Belvoir: The Baulkham Hills African Ladies Troupe. Film: Look Both Ways, Stealth, Jewboy, Spank, Blackrock, Napoleon, Bad Boy Bubby. TV: Home and Away, Pacific Heat, Rake, Tangle, All Saints, Water Rats, 3-4 Ever, Inside Out, Police Rescue, Open for Business, Windows & Old Lovers, Under the Skin, Violet. Awards: 1996 Oscart Critics Award for Best Actress, 1995 Queen’s Trust Award.

KENNETH MORALEDA ASHLEY JARMAN/DAVID SENRIDGE Sydney Theatre Company: Cyrano de Bergerac, A Man With Five Children. Other Theatre: Sport for Jove: Three Sisters. HIT Productions: Australia Day. Black Swan: White Divers of Broome. B Sharp: Yellow Moon. Disney: The Lion King. National Theatre/Global Creatures: War Horse. Ensemble: Cruise Control. As Director: Adelaide Cabaret Festival: They Say She’s Different. Film: Lucky Miles, The Great Raid. TV: Janet King, Schapelle, East West 101, City Homicide, Stingers, City Life, Water Rats, Wildside, White Collar Blue, Comedy Inc. Other: Voice of C-MOR on Jay’s Jungle. Awards: Cinemanila International Film Festival Best Actor Award (Lucky Miles). Training: NIDA. Proud member of Actors’ Equity.

ANDREW TIGHE MAX GARDNER/DARREN PAISLEY/PETER DAVIS Sydney Theatre Company: Travelling North, In a Heartbeat, Uncle Vanya (Kennedy Center, Washington DC; Lincoln Center Festival tours), August: Osage County (with Steppenwolf), Influence, The Real Thing, The Way of the World, The Lady in the Van, Del Del, Wunnerful Liberace, Close of Play, No Names...No Pack Drill, The Life and Adventures of Nicholas Nickleby (with Opera Australia), Present Laughter, Cyrano de Bergerac, Hamlet, Three Variations on a Classical Theme, The Marriage of Figaro, A Midsummer Night’s Dream, Once in a Lifetime, The Importance of Being Earnest (with MTC), The Homecoming, The Temple, King Lear, Arcadia, Two Weeks with the Queen (return), The Sunny South. As Assistant Director: August: Osage County, A Midsummer Night’s Dream, A Hard God, The Virgin Mim, The Club, The Life of Galileo. Other Theatre: Global Creatures: Warhorse. Bell Shakespeare: Much Ado About Nothing, The Alchemist. Marian St: Quartermaine’s Terms, Rookery Nook, The Winslow Boy. STCSA: The Things We Do For Love, Blithe Spirit, Private Lives, Richard III, Beautland, Muse of Fire, On the Razzle, Touch of Silk, Peter Pan, Dreams in an Empty City, The Real Thing, The Recruiting Officer, Pravda. Ensemble: Noises Off, Life Support. Black Swan: The Floating World. As Director: Marian St: Tru, No Names... No Pack Drill. Belvoir: Picasso at the Lapin Agile (remount). As Assistant Director: ICA Productions: The Importance of Being Earnest (Australian and international tours). TV: Rake, Home & Away, Penelope K By the Way, Grass Roots, All Saints, Heartbreak High, Water Rats, Big Sky, GP, Edens Lost.

HANNAH WATERMAN JULIE SCOTT Sydney Theatre Company: Debut. Other Theatre: Ensemble: Kitchen Sink. Hayes Theatre: Sideshow. Red Line Productions: The Whale. West End: Abigail’s Party, Calendar Girls, Tom, Dick and Harry. Stephen Joseph Theatre: Soap. Octagon Theatre: The Winslow Boy. CDP Productions: Mr Stink. HIT Productions: Love Letters. Film: Patient 17. TV: Tess of the D’Urbervilles, Peak Practice, Dangerfield, New Tricks, The Bill, Holby City, Doctors, EastEnders. Radio: Radio 4: From Fact to Fiction.

JOHN WATERS JOHN BEHAN Sydney Theatre Company: Influence, A Little Night Music Other Theatre: Theatre Royal: Through a Glass Onion. Musicals: The Addams Family, Rocky Horror Picture Show, The Sound of Music, They’re Playing Our Song, Godspell, Jesus Christ Superstar, Hair. Film: 2:22,Three Summers, You Can’t Play the Game If You Don’t Know the Rules, Return to Nim’s Island, Stealth, The Sugar Factory, High Country, Breaker Morant, Eliza Frazer, Boulevard of Broken Dreams. TV: Offspring, Rake, Anzac Girls, Underbelly: The Golden Mile, Sea Patrol, All Saints, City Homicide, The Mystery of a Hansom Cab, The Man from Snowy River, Singapore Sling, All The Rivers Run, Rush, Division 4, Play School. Music: Lennon – Through A Glass Onion. Awards: 1989 AFI Best Actor Award (Boulevard of Broken Dreams), 1975 TV Week Silver Logie for Best New Talent (Division 4).

BEN WOOD DI COCHRANE/RHYS Sydney Theatre Company: Debut. Other Theatre: Belvoir: The Blind Giant is Dancing, Twelfth Night. Daniel Sparrow Productions: Rupert. Bell Shakespeare: Henry 4, Twelfth Night, The Duchess of Malfi. Red Line Productions: The Aliens. Sydney Opera House: Ghost Stories. Sport for Jove: A Misdummer Night’s Dream, As You Like It. ATYP: What The Umbrella Did Next, 17, 3 Little Fears, Skate. Darlinghurst Theatre: La Dispute, The Europeans, Bad Jazz. TRS: The Removalists, Empire: Terror on the High Seas, Soldier/Thief. Film: Footy Legends. Short Film: Hitchhiker, The Kangaroo Guy, The Trophy Thief, Father’s Day, My Mind’s Own Melody, Wall Boy, Dream the Life. TV: All Saints, Underbelly 3: The Golden Mile, Packed to the Rafters, Rescue: Special Ops, A Model Daughter, My Place, Redfern Now, Janet King, Home and Away, Doctor Doctor, Deep Water. Training: ATYP. Proud member of Actors’ Equity.

MARK THOMPSON DESIGNER Sydney Theatre Company: Noises Off, The Way of the World, Morning Sacrifice, The Breath of Life. Other Theatre: STCSA: Uncle Vanya, The Rover, The Glass Menagerie, The Winter’s Tale, Much Ado About Nothing, Absurd Person Singular; Peter Pan, Beautland, Wild Honey. Windmill Theatre: The Snow Queen, Midnight, Two Weeks with the Queen. Monkey Baa Theatre: Bugalugs the Bum Thief, Pearly in the Park, Emily Eyefinger. West Australian Theatre Company: Man Beast and Virtue, Barnum, Capricornia. Australian Dance Theatre: Veranda, Travelogue. Adelaide Festival of Arts: Boojum, The Fiery Angel, St Nicholas, Festival Designer. Opera Australia: La Forza del Destino, Orpheus in the Underworld, Lakme. State Opera of SA: Barber of Seville, Orpheus and Eurydice, Sweeney Todd, La Traviata, Carmen, Macbeth, Sandrina’s Secret, The Czardas Princess, The Flying Dutchman. Other companies include Ensemble Theatre, The Really Useful Group, Adelaide Festival Centre Trust, The Hole in the Wall. Other: Event designs for City of Sydney’s New Year’s Eve, Madame Tussauds international tour, Adelaide Festival of Arts, Adelaide Grand Prix, East Timor Independence Day, Australian Centenary of Federation War and Peace Parade, Asian Games Doha opening segment. Mark is a successful painter and ceramicist with works represented in over 20 Australian Public Collections. He has had 20 solo exhibitions and participated in over 30 group exhibitions.

TRENT SUIDGEEST LIGHTING DESIGNER Sydney Theatre Company: Hay Fever. Other Theatre: Opera Australia: Carmen, Sydney Opera House – The Opera (The Eighth Wonder), The Rabbits (with Barking Gecko). One Eyed Man Productions/Hayes Theatre: Calamity Jane. Sydney Festival/Performing Lines: I Am Eora. Griffin Theatre/Malthouse Theatre: The Homosexuals or ‘Faggots’. ATG: The Beast. Belvoir: The Sapphires (with Black Swan). The Production Company: Dusty the Musical, Nice Work If You Can Get It, Kismet, The King & I. Black Swan: GASP!, Other Desert Cities, Managing Carmen (all with QTC), National Interest (with MTC), Laughter on the 23rd Floor, Dust, The House on the Lake, Midsummer [A Play with Songs], The Importance of Being Earnest, The Motherf**ker with the Hat, Boy Gets Girl, Arcadia, The White Divers of Broome, When The Rain Stops Falling, Ninety, A Midsummer Night’s Dream. Barking Gecko: Jasper Jones; Duck, Death and The Tulip; This Girl Laughs…, The Amber Amulet, Fatty Wombat. Yirra Yaakin Noongar Theatre: Waltzing The Wilarra. Steps Youth Dance: Try Hard, Compact Dance, moonwebs & scorched thongs. Aimee Smith: Borderline, Wintering. Buzz Dance Theatre: Genie(us). Perth Theatre Company: An Oak Tree. HotBed Ensemble: pool (no water), The Dark Room. As Set & Lighting Designer: Black Swan: Dinner, Shrine, Death of a Salesman. The Last Great Hunt: The Great Ridolphi. Steps Youth Dance: Fights & Flights. Strut Dance/Alice Lee Holland: Tiny Little Tragedies. As Set Designer: Enda Markey presents: Defying Gravity The Concert. Other: Lighting installations: Jackman Furness Foundation for the Performing Arts Launch, Perth Festival Gardens 2012-2015. Fellowships: 2015 Mike Walsh Fellowship, 2015 DCAWA Young People Fellowship. Training: WAAPA.

STEVE FRANCIS COMPOSER & SOUND DESIGNER Sydney Theatre Company: The Hanging, Disgraced, Arcadia, Orlando, Battle of Waterloo, After Dinner, Switzerland, Mojo, Travelling North, Machinal, Vere (Faith) (with STCSA), Rosencrantz and Guildenstern are Dead, The Secret River, Sex with Strangers, The Splinter, Under Milk Wood, Les Liaisons Dangereuses, Pygmalion, Bloodland, Blood Wedding, The White Guard, Hamlet, Tusk Tusk (with ATYP), Leviathan, Spring Awakening, The Removalists, Rabbit, The Pig Iron People, Gallipoli, The Great, Romeo and Juliet, The Taming of the Shrew, Embers, The 7 Stages of Grieving, Fat Pig, A Hard God, Stolen. Other Theatre: Griffin Theatre: A Rabbit for Kim Jongil, The Bull, the Moon and the Coronet of Stars, Between Two Waves, This Year’s Ashes, Speaking in Tongues, Strange Attractor. Belvoir: Angels in America, Babyteeth, This Heaven, Don’t Take your Love to Town, The Power of Yes, The Book of Everything, Gethsemane, The Man from Mukinupin, Ruben Guthrie, Baghdad Wedding, Keating!, Paul, Parramatta Girls, Capricornia, Box the Pony, In Our Name, Gulpilil, Page 8, The Spook. MTC: The Weir, The Sublime, Other Desert Cities. Bell Shakespeare: Hamlet, Henry V, Much Ado About Nothing, Duchess of Malfi, Romeo and Juliet. Bangarra: Lore, Belong, Fire, True Stories, Skin, Corroboree, Walkabout, Bush, Boomerang. The Australian Ballet: Totem. Film: The Turning, JB, Last Christmas, dik, The Burnt Cork, Mr Patterns, Box, Black Talk, Djarn Djarns. TV: Cops LAC, Dangerous, Double Trouble, Chopper Rescue, Macumba, Picture the Women. Awards: 2014 Sydney Theatre Award (Henry V), 2012 Helpmann for Best Original Score for Belong, 2003 Helpmanns for Original Score and Best New Australian Work (Walkabout). 2011 Sydney Theatre Award (The White Guard).


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