CARLOS CARVALHO ARTE CONTEMPORANEA by Carlos Carvalho Arte Contemporânea

CARLOS CARVALHO ARTE CONTEMPORĂ&#x201A;NEA (Lisboa, Portugal) THE GALLERY The Carlos Carvalho Contemporary Art Gallery has come to occupy a position of innovation and dynamism, being open to the strong confrontation and experimentalism that characterise the art of today as well as promoting multiple supports and languages and direct work with carefully chosen artists. The breadth and diversity of the spaces it possesses allow it to present a programme that is diverse and consistent, a fact that can be seen in its collaboration with highly prestigious international institutions, its presence at fairs and in its regular publishing of books.

GALLERY ARTISTS Ricardo Angélico (1973, Angola), José Bechara (1957, Rio de Janeiro, Brazil), Daniel Blaufuks (1963, Lisbon, Portugal), Isabel Brison (1963, Lisbon, Portugal), Carla Cabanas (1979, Lisbon, Portugal), Manuel Caeiro (1975, Évora, Portugal), Catarina Campino (1975, Lisbon, Portugal), Mónica Capucho (1971, Lisbon, Portugal), Alexandra do Carmo (1966, Felgueiras, Portugal), Paulo Catrica (1965, Lisbon, Portugal), Sandra Cinto (1968, Santo André, SP, Brazil), Roland Fischer (1957, Saarbrücken, Germany), Javier Núñez Gasco(1952, A Coruña, Spain), Susana Gaudêncio (1977, Lisbon, Portugal), José Lourenço (1975, Lisbon, Portugal), José Batista Marques (1975, Lisbon, Portugal), Mónica de Miranda (1976, Porto, Portugal), Antía Moure (1981, Lugo, Spain), Álvaro Negro (1973, Lalín, Spain), Luís Nobre(1971, Lisbon, Portugal), Ana Luísa Ribeiro(1962, Lisbon, Portugal), Richard Schur (1971, Munich, Germany) Eurico Lino do Vale (1966, Porto, Portugal), Manuel Vilariño (1952, A Coruña, Spain)

STAFF

SCHEDULES

Director Carlos Carvalho tel. +(351)919 728 575

ThThe gallery is open from January the 2nd to December 31st with the following schedule:

Deputy Director Manuela Oliveira Assistants GraĂ§a Santos PatrĂcia Barreira

Septembre // July Monday - Friday: 10:00am - 7:30pm Saturday: 12:00am - 7:30pm August Monday - Friday: 10:00am - 7:30pm The gallery closes on holidays and summer break

Marketeer Isabel Amaral Technical support Fernando Pereira

RICARDO ANGÉLICO

RICARDO ANGÉLICO, Estudo para instalação, 2011, Gouache on paper, 75 x 110 cm

Ricardo Angélico (Angola, 1973) [Solo shows] There will be no safety zone (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2011), God is great, but God is greater (Galeria Adhoc . Vigo, Espanha, 2010) Pele, Plinto e Pelicano, (Galeria Gomes Alves 1, Guimarães, Portugal 2009), The aronburg mystery (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2008), The grey cube + Others planets (MCO . Porto, Portugal, 2005), St. Adolf II – Um arquitecto em Waldau (Biblioteca Municipal da Póvoa de Varzim. Póvoa de Varzim, Portugal, 2004), Caro Jünger/Caro Nabokov (Museu Nacional de História Natural, Sala do Veado. Lisboa, 2003), Museu de Cera – Imagens da Colecção Christian D. Karloff (Fundação D. Luís . Cascais, Portugal, 2003), Tlön para principiantes – uma história natural (Galeria Ara . Lisboa, Portugal, 1999), Novas espécies alimentares (Galeria Ara. Lisboa, Portugal, 1998).

RICARDO ANGÉLICO, Estudo para instalação, 2011, Gouache on paper, 75 x 110 cm

[Group shows] 20 anos da Sala do Veado (Museu Nacional de História Natural, Sala do Veado . Lisboa, Portugal, 2011) 3 PT (Galeria Full_art . Sevilha, Espanha, 2011), O Desenho Dito (Casa da Cerca – Centro de Arte Contemporânea . Almada, 2010) À volta do papel, 100 artistas (Centro de Arte Manuel de Brito . Algés, Portugal, 2010) V Prémio Fidelidade Jovens Pintores, Culturgest. Lisboa. [Colections] Caixa Geral de Depósitos, Lisbon, Fundação D. Luís I, Cascais, Fundação PLMJ, Lisbon, Centro de Arte Manuel de Brito, Algés, Ayuntamiento de Pamplona, España

RICARDO ANGÉLICO, Untitled, 2011, Acrylic and China ink on paper, 130 x 144 cm

JOSÉ BECHARA

JOSÉ BECHARA, Bandeirola LIS, 2008, Acrílico s/ papel Fabriano 40 gr, 30 x 45 cm

José Bechara was born in Rio de Janeiro in 1957. He works and lives also in Rio de Janeiro. José Bechara has presented many individual exhibitions such as at Patio Herreriano (Valladolid, Spain, 2008), Carlos Carvalho Arte Contemporânea, (Lisbon, 2005 and 2008), Rio de Janeiro Museum of Modern Art (MAM-RJ, Brazil, 2004) and Tomie Ohtake Institut of São Paulo (SP, Brazil, 2002 e 2004). As far his exhibitions in a group, we have to mention his work in New Acquisitions Culturgest Collection (MEIAC, Badajoz, Spain, 2003), the 5th Biennal of Mercosul (Porto Alegre, Brazil, 2005), Gesto, Matéria, Cor e Imagem ( Rio de Janeiro’s Museum of Modern Art – RJ, Brazil, 2001), 29 Panorama da Arte Brazileira (Museu de Arte Moderna de São Paulo-SP,Brazil, 2005), Caminhos do Contemporâneo and Os 90 (Paço Imperial, Rio de Janeiro, Brazil, 2002 and 1999), Instituto Tomie Ohtake (São Paulo, Brazil, 2002), Museu Vale do Rio Doce (Vitória, 2002), Haus der Kilturen der Welt (Berlim, Germany, 1998), Ludwing Forum Fur Intl Kunst – Aachen (Aachen,

Germany, 1998) e Kunst Museum (Haeiden Hein, Germany, 1988). He has recently presented Ok,Ok Let’s Talk at Patio Herreriano - Museo de Arte Contemporáneo (Valadollid, Spain). His work has been examined in multiple essays by international authors such as Luis Camillo Osório, Delfim Sardo, Agnaldo Farias, Paulo Sergio Duarte, David Barro, Glória Ferreira, Marilyn Zeitlin, Fernando Cocchiaralle, Paulo Reis, among others. He is represented in various public and private collections namely the Gilberto Chateaubriand’s collection at Rio de Janeiro’s Museum of Modern Art, the João Satamine’s collection at Niterói’s Museum of Contemporary Art, the Itaú Cultural Institut, São Paulo, the Bahia’s Museum of Modern Art, the Pará’s Museum of Contemporary Art, the Paraná’s Museum of Contemporary Art, the Culturgest, Lisbon, the FIL/AIP Lisbon, the ASU Art Museum, Phoenix, the MoLLA, California and the Cândido Mendes University, Rio de Janeiro.

JOSÉ BECHARA, Casa Amorosa, 2008, Formica, PVC and MDF, 50 x 100 x 100 cm

DANIEL BLAUFUKS

DANIEL BLAUFUKS, S/ Título, (from the series Hiato), 2010 C-Print, 120 x 150 cm Daniel Blaufuks (Lisboa Portugal,1964). [Solo shows] Works on Memory, (Ffotogallery, Cardiff, 2012), Três quartos de memória, (Fundação Eva Klabin, Rio de Janeiro, 2011 comissariada por Marcio Doctors), Os olhos da memória veem melhor do que os nossos, (Galeria Projetti Rio, Rio de Janeiro, 2011), Hoje é sempre ontem / Today is Always Yesterday, (Museu de Arte Moderna, Rio de Janeiro, 2011, comissariada por Luis Camillo Osório), Perecs Büro, (Kunstverein Ruhr, Essen, 2010, comissariada por Sérgio Mah), A memória da memória, (Carpe Diem, Lisboa, 2010), O ofício de viver, (Carlos Carvalho Arte Contemporânea, Lisboa, 2010), Viagens com a minha tia / Travels with my Aunt, (Solar - Galeria de Arte Cinemática, Vila do Conde, 2009), Album, (Centro Cultural Vila Flor, Guimaraes, 2008), O Arquivo, (Agencia Vera Cortes, Lisboa, 2008), Terezin, (Galeria Manoel Macedo, Belo Horizonte, 2007), Blaufuks, (Galeria La Caja Negra, Madrid, 2007), Cinema Motel, (Elga Wimmer PCC, New York City, 2006), No Proximo Sábado, (Carlos Carvalho Arte Contemporânea, Lisbon, 2006), A Perfect Day, (Museu do Chiado, Lisbon, 2005), Tomorrow is a Long Place, (Lurixs Arte Contemporânea, Rio de Janeiro, 2004), Collected Short Stories, (Centro de Arte Moderna, Fund. Calouste Gulbenkian, Lisboa, 2003), Exile, (Image Galery, Aarhus, 2001), Tasso, (Mois de la Photo, Paris, 1996) and Ein Tag in Mostar, (Haus der Kulturen der Welt, Berlin, Goethe-Institut, Madrid, 1996). [Group shows] Paisagem humana - Exposição #15 (BES Arte & Finança . Lisboa, Portugal, 2011), Staging the Archive (MACE - Museu de Arte Contemporânea de Elvas . Elvas, Portugal, Futebol de Salão: A colectiva (Lurixs Arte Contemporânea . Rio de Janeiro, Brasil, 2010, Exposição #07 Arquite(x)turas, comissariada por Sara Antónia Matos, BES Art & Finança . Lisboa, Portugal, Photoespaña, Entretiempos - (comissariada por Sérgio Mah), Teatro Fernán Gómez, Centro de Arte . Madrid, España, Da outra margem do Atlântico, alguns exemplos da fotografia e do vídeo português (comissariada por Paulo Reis), Centro de Artes Hélio Oiticica . Rio de Janeiro, Brasil, Between Times, Instants, intervals, durations (Photoespaña . Teatro Fernán Gómez, Centro de Arte . Madrid, Espanha, 2009), Bandits Mages (11º Festival Internacional de Arte Contemporânea . Bourges, France, 2008), That is me – Aquilo sou eu (Fundação Carmona e Costa . Lisboa, Portugal, 2007, 50 Anos de Arte Portuguesa (Fundação Calouste Gulbenkian . Lisboa, Portugal, BESphoto (Centro Cultural de Belém . Lisboa, Portugal, Surrounding Matta-Clark (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2006), Del Zero al 2005 - Perspectivas del Arte en Portugal (Fundação Marcelino Botín . Santander, Espanha, 2005), Outras Arquitecturas, Outros Artistas...Outras Alternativas (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal) Erich Kahn (Museu de Arte Moderna – Colecção Berardo . Sintra, Portugal, 2005), Portugal: algumas figuras Laboratório de Arte Alameda . Cidade do

DANIEL BLAUFUKS, S/ Título, (from the series Hiato), 2010 C-Print, 120 x 150 cm México, México, Uma Extensão do Olhar (Centro de Artes Visuais . Coimbra, Portugal, 2004), Horizont(e), (Galeria Luís Serpa Projectos . Lisboa, Portugal, 2004), 20 + 1 (Centro Galego de Arte Contemporânea . Santiago de Compostela, Espanha, 2004), We Are The World (Chelsea Art Museum . New York City, EUA, 2004), Photo España (Atocha . Madrid, Espanha, 2004), RE-Location Shake (National Museum of Contemporary Art . Bucharest, Roménia, 2004), Flesh for Fantasy (Cantieri Culturali ex-Macelli . Prato, Itália, 2004), Rencontres Photographiques en Sud Gironde (Pallazzo delle Libertà e Palazzo delle Papesse . Siena, Itália, 2003), Arquivo e Simulação - Archive and Simulation (LisboaPhoto, Centro Cultural de Belém . Lisboa, Portugal, 2003), Artists in Residence 2002-2003 (Location One . New York, EUA, 2003), Vandskel – Watershed (KunstCentret . Silkeborg Bad, Dinamarca, 2002), Open Studios (International Studio and Curatorial Program . New York, EUA, 2002), think of your ears as eyes (Project Room, Rotterdam Art Fair . Rotterdam, Holanda Rotterdam-Porto, Galerie Cokkie Snoei . Rotterdam, Holanda 2001), FIAC (Galeria Maria Martin . Paris, França, 2000), Quinze en Europe, (Théatre de la Photographie et de l’Image . Nice, França, (London Art Biennale, (Shoreditch Town Hall . London, Inglaterra), O Autoretrato na Colecção (Fundação Calouste Gulbenkian . Lisboa, Portugal, 1999), Linha de Sombra (Centro de Arte Moderna . Lisboa, Portugal), Biennale Internazionale di Fotografia (Palazzo Bricherasio . Torino, Itália, 1997), En la piel de Toro, (Centro de Arte Reina Sofia . Madrid, Espanha, 1997), Carnets de Route, (Galerie Contretype . Bruxelas, Bélgica, 1996), European Photography Award (Kulturzentum Englische Kirche . Bad Homburg, Alemanha, 1997), Imagens para os Anos 90 (Fundação de Serralves . Porto, Portugal, 1993 e Culturgest . Lisboa, Portugal, 1992), Lusitania (Circulo de Bellas Artes . Madrid, Espanha, 1991), Portrait (Galeria Artforum . Praha, República Checa, 1991), Fotografia Portuguesa, A Imagem das Palavras (Europália . Bruxelas, Bélgica, 1989), Museu de Zoologia (with Jorge Molder), Encontros de Fotografia . Coimbra, Portugal, European Kodak Award, (Arles, França), Nível de Olho (Fotografia Portuguesa dos Anos 80, Ether / S.E.C.. Lisboa, Porto, Macau, 1989 [Colections] Byrd Hoffman Foundation, New York, Centro de Arte Moderna da Fundação Calouste Gulbenkian, Lisbon, Centro Cultural de Belém, Lisbon, Centro Galego de Arte Contemporânea, Santiago de Compostela, Centro Português de Fotografia, Porto, Fundació Foto Colectania . Barcelona, Centro de Artes Visuais, Coimbra, Colecção BES, Lisbon, Fundação PLMJ, Lisbon, MEIAC, Badajoz, Museu de Arte Contemporânea, Funchal, Museu de Arte Contemporânea - Colecção Berardo, Sintra, O Museu Temporário, Lisbon, Museu da Cidade, Lisbon, Palazzo delle Papesse, Siena, Sagamore Art Collection, Miami and The Progressive Collection, Ohio.

ISABEL BRISON

Isabel Brison Lisbon, Portugal, 1980. Exposições individuais selecção O futuro da vida urbana em ruínas (Carlos Carvalho Arte Contemporânea . Lisbon, Portugal, 2012), Daqui não se vê bem (com Nuno Rodrigues de Sousa), Ateliers do Largo Barão de Quintela . Lisbon, Portugal, 2011, Feitos Recentes - Projecto Terraço (curated by Filipa Oliveira), Arte Lisboa 2010–Centro de Congressos de Lisboa Pavilhão do Rio . Lisbon, Portugal, 2010, Fets recents en la história de les ciutats, Galeria Indecor . Lleida, Spain, 2010, A Paisagem possível, Carlos Carvalho Arte Contemporânea, Espaço Zoom . Lisbon, Portugal, 2009, Jardim Real, Espaço Vista Alegre, Lisbon, Portugal, 2005, Exposições colectivas selecção

ISABEL BRISON, Casa de férias no Planeta Terra , 2001 Impressão Lambda, 80 x 132 cm

Deambulações (diálogos fotográficos com Orlando Ribeiro), Átrio da Reitoria da Universidade de Lisboa . Lisbon, Portugal, 2012, DA2, Fundação Coca-Cola . Salamanca, Spain, 2010, Arte Lisboa, Carlos Carvalho Arte Contemporânea . Lisbon, Portugal, 2010, Paisatges interiors (curated by Jesús Vilamajó), Museu de Lleida: Diocesà I Comarcal . Lleida, Espanha, Arco’10, Carlos Carvalho Arte Contemporânea . Madrid, Spain, Opções e Futuros #5, Fundação PLMJ . Lisbon. Portugal, 2009, Planeamento Urbano (Efeméride), Ermida de Belém . Lisbon, Portugal, Mista, Cláustros do Instituto Politécnico de Setúbal . Setúbal, Portugal, Identidade e Simulacro / Junho das Artes em Óbidos, Óbidos, Portugal, Paper Architecture / Cor, stereo, pal, MiniDV transferido para DVD, 17’19’’. , Sala Bebé, Espaço Avenida . Lisbon, Portugal, 2008, Colecções, Fundação Coca-Cola, Fundação PLMJ

ISABEL BRISON, Viaduto#1, 2001 Impress達o Lambda, 80 x 132 cm

CARLA CABANAS

CARLA CABANAS, O que ficou do que foi - O Álbum desconhecido , 2012 Intervenção sobre impressão a jacto de tinta, 110 x 110 cm

Carla Cabanas was born in Lisbon in 1979 . Lives and works in Lisbon. Solo shows (selection) 2012 - “O que ficou do que foi – O Álbum desconhecido”, Sala do Veado, Museu Nacional de História Natural e da Ciência, Lisboa 2010 -“Histórias sobre mim”, Galeria Magnética, Pavilhão 28, Lisboa -“Tempus Fugit”, NOGO - Project Room for Visual Arts, Experimental Cinema, and Architecture, Lisboa. 2009 -“A casa onde Nasci e outras histórias”, Galeria Carlos Carvalho - Arte Contemporânea, Lisboa. 2008 - “Travel Pictures”, Atelier – Museu António Duarte, Caldas da Rainha. 2007 - “Carla Cabanas” comissariada por Filipa Oliveira e Miguel Amado, Espaço Arte Contempo, Lisboa. 2005 “Lugares”, Galeria Bores & Mallo, Cáceres. 2004 “Landscapes”, comissariada por Luisa Soares Oliveira, Arte por companhia, Sala Pahldata, Lisboa. 2003 “Sofia”, Exposição de fotografia, Galeria Arquivo, Leiria 2001 “Conto”, Associação de Gravura, Galeria Água Forte, Lisboa.

CARLA CABANAS, O que ficou do que foi - O Álbum Cabanas , 2010/2011 Intervenção sobre impressão a jacto de tinta, 20 x 20 cm

Group shows (selection) 2012-”Melhorfuturo 1.0.”, Laboratório das Artes, Guimarães. -”Premio de Fotografía Purificación García”, Círculo de Belas Artes, Madrid, Espanha.”Premio de Fotografía Purificación García”, Biblioteca Central de Santander, Santander, Espanha., ”Premio de Fotografía Purificación García”, Domus Artium 2002 (DA2), Salamanca, Espanha, ”Festival Internacional de Fotografia de Paraty - Paraty off” (Colaboração com Susana Guardado), Paraty e no Ateliê da Imagem, Rio de Janeiro, Brasil, ”Museu Bernardo . Coleção e Mais.”, Centro Cultural de Sines, Sines, ”Kaunas Photo Festival” Portuguese Night of Photography, Kaunas, Lituânia. -”Exposição #05” Encontro entre a paisagem e a abstracção, comissariada por Luísa Especial, Espaço BES Arte & Finança, Lisboa, 2009, ”PANDORA’S B.”, BAC! International Festival of contemporary art in Barcelona X Edition, CCCBCentro de Cultura Contemporánea de Barcelona, Barcelona.

MANUEL CAEIRO

MANUEL CAEIRO, Monastery #1, 2012 MANUEL CAEIRO, Monastery #1, 2012 MANUEL CAEIRO, Monastery #1, 2012 Acrílico s/ tela, 140 x 120 cm Acrílico s/ tela, 140 x 120 cm Acrílico s/ tela, 140 x 120 cm MANUEL CAEIRO, National Geometric, 2012, Acrílico s/ linho, 150 x 200 cm

MANUEL CAEIRO - WELCOME TO MY LOFT Manuel Caeiro’s Lost Forms, David Barro Like many contemporary painters, Manuel Caeiro questions painting starting from the repetition of forms. Each line insists on the achieving of an idea, and its multiplication, its sequence, generates the definitive rhythm. Manuel Caeiro works the modular detail as that which unleashes each new image, and he always does it starting from memory or recall of what is constructed, seeking a new order. Thus his strategy is that of unfolding or propagating a reality that is reconstructed and therefore fictitious, which is born out of the most traditional of mediums – painting – to the one that possesses the most historical charge and which at the same time to all appearances processes a weaker contemporary condition or at least one that is more questioned, with its mental state being a continuous reason for debate. Barry Schwabesky stated: “From its Modernist and Conceptual past, contemporary painting retains the belief that each artist’s work should take a stance, that a painting is not only a painting but also the representation of an idea about painting”. Therefore our first question ought to be: What is the idea that drives Manuel Caeiro to carry on painting? The easy thing to do would be to ask him, but I consider it to be more opportune to digress on his possible intentions than to uncover the direct secret of his trompe l’oeil. First of all one should further qualify the question of what we call painting. Because very often the only thing that is left of it and its origins is the term. Today painting is more than ever an attitude. As Thierry de Duve pointed out, painting is no longer a technique, but a tradition. An idea or a manner of thinking, certainly about painting itself in its possibility of apprehending the world. Having overcome the domination of “self-referentiality”, of the “essence”, and after the continuous sounding-out of painting as a category, of the feeling that for years we have been witnessing different continuations in relation to an inherited medium. Since a few years ago there have been no tendencies, nor solid groups outside strategies that time will weaken. We are simply witnessing the dejà vu of a series of deaths and resurrections. Because, apparently, everything can be painting. Being particularly tired of the

tradition of the new, I am assuming painting as a phenomenon of the gaze that might be extended as an installation, which is often impenetrable and always simulated, the video-projection, which may be read as our personal painting of history, or anything else that the artist defines as painting. Manuel Caeiro was born in Évora in 1975. Lives and works in Lisbon. [Solo exhibitions] Antigo picadeiro do Colégio dos Nobres . Lisboa, Portugal (Amazing white emptiness, 2012) no Palácio Vila Flor, Guimarães, Portugal, no Carpe Diem Arte e Pesquisa, Lisboa, Portugal (33’ de fama, 2011), na Ermida de Nossa Senhora da Conceição, Lisboa, Portugal (Belém Coffrage, 2010) na galeria Lurixs, Rio de Janeiro, Brasil (DownTown, 2009), na galeria Carlos Carvalho Arte Contemporânea, Lisboa, Portugal (Welcome to my Loft, 2007 e 12 000m2 dentro de um T0, 2012) e no Museu Nacional de História Natural, Sala do Veado, Lisboa, Portugal (Casas da Caparica, 2005). [Group shows] Fundación Barrié de La Maza, A Coruña, Espanha (La Colección, 2011), no Museu de Arte Moderna, Rio de Janeiro, Brasil (Terceira metade, 2011), MACUF - Museo de Arte Contemporânea, Coruña, Espanha com curadoria de Paulo Reis (Fiat Lux - Iluminación y Creación, 2010), no Centro de Arte Manuel de Brito (À Volta do Papel, 2008) e na galeria Carlos Carvalho Arte Contemporânea (Surrounding Matta-Clark, 2006). [Collections] Culturgest, Lisboa, Banco Sabadell, Barclays Bank, Sociedade Nacional das Farmácias, Fundação PLMJ, Francisco Pimentel & Associados SADV, Serralvarez Arquitectos, Aires Mateus Arquitectos, Banque Privée Edmond de Rothschild Europe, Lisboa, OPCA, BES Vida, Colecção AIP – Associação Industrial Portuguesa, Lisboa, Câmara Municipal de Tavira, Banco Mais, Lisboa, Colecção Manuel de Brito, Oeiras, entre outras.

MANUEL CAEIRO, Monastery #2, 2012, Acrílico s/ tela, 140 x 200 cm

CATARINA CAMPINO

CATARINA CAMPINO, Spanish Kiss 2000 video (Portugal 2000; MiniDV; PAL; 5:4; colour; stereo; 3’01’’) ed. of 3+2 a.p music: Rumba Gitana by Quisada, performed by Eugenio de Badajoz, from the LP Bailes Flamencos (Marfer), played at an accelerated speed rate If one places two matches vertically with heads leaning together on top of a box of matches and sets the body of one of the matches on fire, it carries through a levitation movement, while the flame spreads and consumes both matches. Spanish Kiss approaches this simple trick of the same name, to make the portrait of an impetuous kiss. The circular movement of the box of matches and the sound of a flamenco tune in sped up rotation transform the scene into a stunning choreography and strengthen the ecstatic atmosphere. Once extinct the inflamed kiss, nothing remains but the carbonised bodies of the two lovers.What still binds them together? The camera zooms in, trying to discern its faces,which are nothing but coarse bits of coal. Spanish Kiss was conceived in the scope of the exhibition ”Emergências” curated by Patrícia Guerreiro and organized by Clube Português de Artes e Ideias, which took place at Lugar Comum, Fábrica da Pólvora, Tercenas, Portugal, between January 29th and February 13th 2000.

The Weep Show 2005, Series of seven videos, Vídeo (Portugal 2002; Mini DV; PAL; 5:4; colour; stereo; transferred onto DVD)

Solo display:, Clara Andermatt – 7’44’’10f, Luciano Amarelo – 15’16’’04f, André Gingras – 10’59’’, Maria Herranz – 14’17’’07f, Teresa Prima – 28’44’’07f, Nicola Cantillon – 13’13’’09f, Laurence Yadi – 22’45’, Ed. of 3 + 1 a.p.

MÓNICA CAPUCHO

MÓNICA CAPUCHO, S/ título, 2007 Oil on MDF, 30 x 50 cm

Mónica Capucho’s working process uses the grid as an instrument ans method. Each painting is made up of a considerable number of layers of paint, which are successively hidden through masks and painted over. When one takes out of these masks, which ends up taking on the form of a grid, the surface obtained maintains the signs of that activity of hiding, at the same time as showing us suble contrasts between the shiny and the opaque, light nd dark, colours and non-colours. There is a

MÓNICA CAPUCHO, Intuitive Tridimensional Form, 2008 Oil on wood, 30 x 50 cm

thickness in these paintings that is an indication of time: time of painting, of drying, of sedimentation. Each painting demands a straighforward reading and an in-deph reading, given that it is constructed as a stratigraphic of painting itself. In exhibition catalogue Under Construction, IVAM, November 2009/ January 2010

MÓNICA CAPUCHO, S/ título, 2007 Oil on MDF, 30 x 50 cm

MÓNICA CAPUCHO, Crosing Lines, 2008 Oil on wood, 30 x 50 cm

ALEXANDRA DO CARMO

ALEXANDRA DO CARMO, Micron 005, 2004 Performance, 1 hour. Project at Pratt Institute, Brooklyn 2002 and Lugar Comum, Barcarena, Portugal 2004.

Micron 005 Performance “I used the studio table as the starting point for a spatially specific video/drawing relationship with the audience. The whole installation was formally structured around a long table with a participant at either end of the table drawing directly on the lens of a video camera, and their image projected onto an adjacent wall, establishing a situation where the role of the viewer and the role of the author were crossed. The performance consists of the following: in a large (12m x 10m x 4m) darkened hall, there is a long, thin table (5.4m long and 60cm wide). I sit at one end of the table, and members of the audience are invited to take turns sitting at the other end of the table, with a small spotlight aimed at both parties. In front of each of us is a digital camera turned towards the seated party, a small pen (micron 005), and fluid and paper for cleaning the camera lens. The cameras are attached to video projectors, which are mounted underneath the table, and project the images from both cameras side by side, with a small overlapping area, onto an adjacent wall to the size of 4.4 m x 3m. We both draw directly on the lenses of the cameras, with the images projected onto the adjacent wall.

As the camera is aimed toward each person’s face, the lens drawing appears on top of the person’s face, the drawing is amplified by the projection. It is through the projection that the parties become connected; as their drawings overlap by one meter, one can interfere with the projected space of the other. The participants can see the ongoing results of their drawing through the camera’s small viewing screen, which is turned towards the participant. The camera is permanently on autofocus. Each participating audience member can stay at the table for as long as they want. On the table there are information and one instruction for the participants which is : 1. please erase the drawing before you leave the table. The length of the table prevents verbal communication. The distance between myself and the participant is emphasized by the long and narrow dimensions of the table, which is related with the traditional scenario of the intimate moment of a couple at the dinner table. The communication, therefore, is created through the visual elements of the projection. The duration of the performance is one hour.”

ALEXANDRA DO CARMO, 50 Richards, 2004 installation/video, 35 min loop, Views of the exhibition at Location One 2004

PAULO CATRICA

PAULO CATRICA, Lfc 777 Pátio das Damas, 2008 Inkjet print on photographic paper, 72,5 x 91 cm

Paulo Catrica (Lisboa,1965) [Solo shows] Lugares en pérdida (Centro de Arte Contemporáneo Huarte . Navarra, Espanha, 2012), More Pictures About Buildings, Houses, Cars and Islands (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2011), Subtopia (London Gallery West . University of Westminster, Inglaterra, 2011), TNSC A Prospectus Archive (Museu da Electricidade . Lisboa, Portugal), TNSC A prospectus Archive (Centro de Artes de Sines . Sines, Portugal), Opera (Circuit Gallery . Böhmer, Toronto, Canada, 2010), Re-hospitalidade: H08 (Silo-Espaço Cultural do Norte Shoping . Porto, Portugal, 2009), Images & Pictures, (Arquivo Fotográfico de Lisboa . Portugal, 2008), Fotografias 1997/2005 (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2006), Terrain Vague (Centro das Artes Casa das Mudas . Calheta, Madeira, 2006), The White Room Series (Middlands Art Center . Birmingham, 2004), Agathi Gallery . Atenas, Grecia, Casa Nobre da Rua de Burgos . Évora, Portugal, 2004), You are here (Casa da Cultura da Calheta . Madeira, 2003), Liceus de Portugal (Instituto Camões . Paris, França, 2002), Arquitecturas Recentes (Museu da Imagem . Braga, Portugal, 2001), Euro SW (Valokuva Keskus . Tampere, Filândia, 1999) SE 8*14 (Limelight Gallery. Londres, Inglaterra, 1998), Periferias (Centro Português de Fotografia. Porto, Portugal), Winter Tracing (Siemens. Newcastle-upon-Tyne) [Group shows] Galápagos (The Fruit Market Gallery . Buenos Aires, Argentina, 2012), Community Without Propinquity (MK Gallery . Milton Keynes, 2010), POVOpeople (EDP . Lisboa, Portugal, 2010), Res Publica (comissariada por Leonor Nazaré, Edifício sede da Fundação Calouste Gulbenkian . Lisboa, Portugal, 2010), Exposição #07 Arquite(x)turas (comissariada por Sara Antónia Matos, BES Art & Finança. Lisboa, Portugal, 2010), Impressiones y comentários (Fundació Foto Colectania . Barcelona, España, 2010), Da outra margem do Atlântico, alguns exemplos da fotografia e do vídeo português (comissariada por Paulo Reis, Centro de Artes Hélio Oiticica . Rio de Janeiro, Brasil 2010). Café Portugal, (Museu Carlos Machado . Ponta Delgada . Açores, Portugal, 2010), #01 Bes Arte e Finança . Lisboa, Portugal, 2008, Institutionalized (William Goodenough House Common Rooms . London, England, 18 Presidentes, Um Palácio e Outras Coisas Mais, (Palácio de Belém . Lisboa, Portugal, The Magnificent Seven Lisboa, Portugal, Chain Reaction (Allgarve, Quinta da Fonte da Pipa . Loulé, Portugal, 2008), Territoires, Biennale Internationale des Arts visuels de Liège . Liège, Bélgica, 2008), Terminal. Trienal de Arquitectura de Lisboa (Pavilhão de Portugal . Lisboa, Portugal, 2007), Ingenuidades, Fundação Calouste Gulbenkian . Lisboa, PortugalPrémio BESPhoto (Centro Cultural de Belém . Lisboa, Portugal, 2006), Outras Arquitecturas, Outros Artistas...Outras alternativas, (Carlos Carvalho-Arte Contemporânea . Lisboa, Portugal), 2005, Bienal de Praga (Narodi Gallery . Rep. Checa), Re-produtores de sentido (Galeria Sesc . Rio de Janeiro, Brasil, 2004), Em jogo/On side (Centro de Artes Visuais . Coimbra, Portugal), Quatro olhares (Museu da Imagem . Braga, Portugal), Uma cidade de Futebol (Cordoaria Nacional . Lisboa, Portugal, 2002), Trabalho / Work (Centro de Artes Visuais . Coimbra, Portugal, 2003), Topografias das Vinhas e do Vinho (Kunstlerhaus Bethanien . Berlin, Alemanha, 2002), Critério Visivel (Centro Português de Fotografia . Porto, Portugal, 2002), Registos de uma transformação (Porto 2001 Capital Europeia da Cultura . Porto, Portugal, 2001), Foto Herten (Herten Foto biennale . Alemanha, 2000), Memórias da cidade (Braga, Portugal), Encontros de Imagem (Centro de Fotografia Isla de Tenerife . Tenerife, Espanha), Lisboa Anos 90 (Arquivo Fotográfico da Câmara Municipal de Lisboa . Lisboa, Portugal), La Photographie Portuguaise Contemporaine (Chateau d’Eau . Tolouse, França, 1998) [Colections] Siemens UK Art Collection, Reino Unido, Museum of London, Reino Unido, National Monuments Record, Reino Unido, Colecção Nacional de Fotografia, C.P.F./M.C., Porto, Arquivo Fotográfico da Câmara Municipal de Lisboa, Encontros da Imagem, Museu da Imagem, Braga, Centro de Fotografia Isla de Tenerife, Espanha, Fundação Eugénio de Almeida, Évora, Birmingham Library, Reino Unido, Centro de Artes Visuais, Coimbra, Fundação PLMJ, Lisboa, Fundação Ilidio Pinho, Porto, Colecção BES Art, Lisboa

PAULO CATRICA, Nc 273.4 8:30 hrs. / 5.3.07, 2007 Inkjet print, 105 x 126 cm

SANDRA CINTO

Born in 1968, in Santo André, SP, Brazil, Sandra Cinto became known as a leading contemporary artist in drawing, even though along the years she has also created and presented sculptures and photography work. Sandra cinto has presented many individual exhibitions to name a few: in Création Bazouges la Perouse Center (France, 2005), São Paulo’s Museum of Modern Art (Brazil, 2003), Tanya Bonakdar Gallery (Under the Sun and Stars and Cada de America (La Casa del Soñador, 2004, Madrid). As far her exhibitions in a group, we have to mention her work in É Hoje (Santander Cultural, POA, Brazil 2006), Um Século de Arte Brazileira - Colecção Gilberto Chateaubriand (Pinacoteca do Estado de São Paulo, SP, Brazil), Manobras Radicais (Centro Cultural Banco do Brazil. SP, Brazil, 2006), Paralela 2006 (PRODAN, São Paulo, SP, Brazil, 2006), Brazilian Art Show (Pavilhão da Bienal, SP, Brazil, 2006), Entre a Palavra e a Imagem, (Fundação Luís Seoane. La Coruña, Spain), Surrounding Matta-Clark (Gallery Carlos Carvalho Arte Contemporânea, Lisbon, Portugal, 2006), Desidentidade, (Institut Valencian de Arte Contemporáneo - IVAM, Valencia, Spain, 2006), The Zoo Art Fair - Zoo Portfolio 2006, (Londres, Inglaterra, 2006), Les Corps en Mouvement, (Centre Culturel Woluwe/Saint-Lambert. La Mediatine, Bruxelas, Bélgica, 2005), V Bienal de Artes Visuais do Mercosul (Porto Alegre, Brazil, 2005), Dreaming Now (The Rose Art Museum, Waltham, Estados Unidos, 2005), Some Kind of Dream (The Rose Art Museum, Boston, Estados Unidos, 2004), Art in Transition II - Some Kind of Dream (Contemporary Art Museum of Raleigh, Carolina do Norte, Estados Unidos, 2002), Virgin Territory (National Museum of Women in The Arts. Washington, Estados Unidos, 2001), Colección Fundación ARCO’2001, (Centro Galego de Arte Contemporânea, Santiago de Compostela, Spain, 2001), 4ª Bienal do Barro de América (Museu Alejandro Otero, Caracas, Venezuela, 2001), Mostra do Redescobrimento/Núcleo Contemporâneo (Museu de Arte Moderna de Buenos Aires, Argentina, 2001), 26ª Bienal de Pontevedra (Pontevedra, Spain, 2000), Elysian Fields (Centre Georges Pompidou, Paris, França, 2000) Mujeres de las dos Orillas (Centre Valencia de Cultura Mediterranea La Beneficencia, Valencia, Spain, 2000) Collectors Collect Contemporary: 1900-1999 (Instituto de Arte Contemporânea de Boston, Boston, Estados Unidos, 1999), Contemporary Collectors (San Diego Museum of Contemporary Art, San Diego, Estados Unidos, 1999), II Bienal de Artes Visuais do Mercosul, (Armazém do Porto, Porto Alegre, Brazil, 1999), XIV Bienal de São Paulo, (Pavilhão da Bienal. São Paulo, Brazil, 1998) e também as realizadas na Civitella Ranieri Foundation, Umbertide, Italy e no Pallazzo della Libertá (Pallazzo delle Papezze, Centro de Arte Contemporânea, Siena, Italy, 2003). She was awarded with the Prémio Residência (Civitella Ranieri Foundation, Umbertide, Italy, 2005), Salão de Arte Contemporânea Victor Meirelles, (Brazil, 1997) and Salão de Arte Contemporânea de Santo André, (Brazil, 1994). She is represented in the collections of Centro Galego de Arte Contemporâneo, Santiago de Compostela, Spain, Museu de Arte Contemporânea de San Diego, Estados Unidos, Centro Cultural Banco do Brazil, São Paulo, Brazil, Museu de Arte Moderna de São Paulo, Brazil, Museu de Arte Moderna/Col. Gilberto Chateaubriand, Rio de Janeiro, Brazil, Fundação ARCO, Spain, Pinacoteca Municipal de São Paulo, SP, Brazil, Museu de Arte Moderna Aloísio Magalhães, Recife, PE, Brazil, Instituto de Arte Contemporânea Inhotim, Brumadinho, MG, Brazil and Centro Hudson Valley para a Arte Contemporânea, Hudson Valley, Estados Unidos. SANDRA CINTO, Untitled (from Mares series), 2008 acrylic and permanent ink on MDF, 170 x 100 cm

SANDRA CINTO, Mar com estrelas, 2008 acrylic and permanent ink on MDF, 170 x 100 cm

ROLAND FISCHER

ROLAND FISCHER, Williams Tower, Houston, 2003, C-Print/Diasec, 180 x 125 cm, Ed. 5

ROLAND FISCHER, Lucas Ave, Los Angeles, 2002, C-Print/Acryl, 180 x 125 cm, Ed. 5

ROLAND FISCHER, Beijing, 2002, C-Print/Acryl, 180 x 125 cm, Ed. 5

Born in 1958, in Saarbrücken, Munich based photographer Roland Fischer was recently named by Photo Technik International one of Germany’s top ten photographers alongside Demand, Gursky, Ruff, and Struth. Roland Fischer has presented many individual exhibitions to name a few: Workshow at Carlos Carvalho Arte Contemporânea (Lisbon, 2008), Kunstverein Kunsthalle (Lingen, 2005) Sala El Polvorín, La Ciudadela, (Pamplona, 2004), Centro de Arte Caja de Burgos, (Burgos, 2004), Pinakothek der Moderne, (Munich, 2003), Artothèque de Caen, Overbeck-Gesellschaft, (Lübeck, 1995), Centre d’art contemporain,(Evry, 1996), Musée Henri Martin, (Cahors, 1991), Musée d’Art Moderne de la Ville de Paris, (Paris, 1989), Goethe-Institut, New York,1981. As far his exhibitions in a group, we have to mention his work in Surrounding Matta-Clark, 2006 and Outras Arquitecturas,Outros Artistas… Outras Alternativas, 2005, both in Carlos Carvalho Arte Contemporânea. Lisbon, Impressions of a Revolution: New Prints, Elias Fine Art, (Allston, MA, 2001) Gotische Reflecties, Stadsgalerij Heerlen, (Netherlands, 2001) Dans le bain, Institut d’art contomporain Villerbanne (Villerbanne, France, 2001) Daimler Chrysler collection, (Haus Huth Berlin, 2001), Faith: The Impact of Judeo-Christian Religion on Art at the Millennium (Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 2000), Faces, entre Portrait et Anonymat (Maison de la Culture Namur, Belgium,1999), Face to Face (Nederlands Foto Institut, Rotterdam, 1997) Fragments, (Museu d’art contemporani MACBA. Barcelona, 1996). He is represented in various public and private collections namely the American Express Financial Services, Banque et caisse d’epargne de l’etat Luxembourg, BCEE, the BES Art, Lisbon, the Gannett Company, Inc., D.G. Bank, Frankfurt, the Daimler Chrysler, the Dain Rauscher, Minneapolis, the De Pont Foundation, Tilburg, the Deutsche Telekom, Frankfurt, the DRAC, Ile de France, the European Patent Office, The Hague, the FDAC Seine-SaintDenis, the FNAC Paris, FRAC Lyon, Frac Bretagne, the Fundación Ordoñez San Sebastian, the Fondació Rafael Tous d’art Contemporani, Barcelona, the Fondation Musée d’art Moderne Grand-Duc Jean, Luxembourg, the FRAC, (Basse-Normandie, Bretagne and Lyon),the Gerling Konzern, Köln, the

ROLAND FISCHER, United Steel, 2005, C-Print Dibond and Plexiglas, 180 x 125 cm, Ed. 5

ROLAND FISCHER, Signal Box, Basel, 2002, C-Print / Acryl, 180 x 125 cm, Ed. 5

ROLAND FISCHER, Metropolitan Plaza, 2006, C-Print / Diasec, 180 x 125 cm, Ed. 5

Microsoft art collection, Seattle, the Musée d’art Moderne de la Ville de Paris, the Musée d’Art Moderne, Straßbourg, the Museum für Moderne Kunst, Antwerp, the Pfizer Inc., New York, the DaimlerChrysler collection, Berlin, the Helga de Alvear collection, Madrid and the von Habsburg Foundation, Salzburg. As modern art painting, Roland Fischer explores the elements of color, rhythm, composition and form as abstract possibilities of reality, placed not only throught the image of building façade but also using the human face as a subject. In his series Camino and New Architectures Roland Fischer performes a technical approach portraiting the formal elements of architecture simultaneously from many perspectives which are placed in different frames in order to bring out the subject’s essence. A delicate disturbing composition of lines, textures rhytms, is presented placed into a two-dimensional image developing a new stylistic vocabulary. One can speak of this compositions in terms of how they simultaneously attempt to show many elements as an abstract fragment, encouraging a kind of reverie in the viewer. In addition, forms are rigidly geometric and compositions subtle and intricate. Fragile intimate lines are expanded in a deep and complex repertoire assuming figurative traces or more abstract lines. In his series Façades he crops the external surfaces from contemporary architectural buildings, neutralising the surrounding reality and impression of depth by putting together on a two dimension surface, constructive and ornamental elements of the building façade so the result can be a pure plastic and abstract surface fragment. In Chinese Portraits Roland Fischer places the portrayed persons in a simple background as a waterpool in order to isolate and concentrate the face so that the complexity of the human face can arise.

JAVIER NÚÑEZ GASCO

JAVIER NÚÑEZ GASCO, Ideal Mix, 2010, Hand blender, stailess steel blades, wood carving and black paint t/Acryl, 55,2 x 33,8 x 12,7 cm

JAVIER NÚÑEZ GASCO, Copyright, 2005, Digital Durst-Lambda colour print with frame, 103 x 83 cm

SUSANA GAUDÊNCIO

SUSANA GAUDÊNCIO, Bow Photo animation Animations in 2 channel video/audio installation, Projector and screen, 2m20s, dvd, 2007

Susana Gaudêncio (Lisbon, Portugal, 1977) Solo shows selection: Época de estranheza em frente ao mundo (Museu Nacional de Arte Contemporânea/Museu do Chiado . Lisbon, Portugal, 2012), Studio Animation (Teatro Praga . Lisbon, Portugal, 2012), Chamber of Execution (Carlos Carvalho Arte Contemporânea . Lisbon, Portugal, 2011), Chamber of Invention (Drawing spaces . Lisbon, Portugal, 2010), Chamber of Examination (Galeria Presença . Porto, Portugal, 2010), Agonized Humor II (Mews Project . London, England, 2010), Agonized Humor I (NOGO . Lisbon, Portugal, 2010), Stout Cobweb (Maus hábitos – Espaço de intervenção Cultural . Porto, Portugal, 2009), Front Project Space (ISE Fundação Cultural . Nova Iorque, U.S.A., 2009), Mural (Bowery Poetry Club . New York U.S.A., 2009)

SUSANA GAUDÊNCIO, Red Carpet series 2008 Photography work, digital print, 48 x 75 cm

Blocking (Carlos Carvalho Arte Contemporânea . Lisbon, Portugal, 2007), Agente Provocateur (Carlos Carvalho Arte Contemporânea - Sala Zoom . Lisboa, Portugal, 2007), What time is this place (Chashama Gallery Visual Arts Program . New York, E.U.A ., 2005) Mnemónicas de Lugares (Galeria Pedro Cera . Lisbon, Portugal, 2004), Project Room (Centro de Artes Visuais, CAV . Coimbra, Portugal, 2001), A/C #1 (Galeria Espaço A/C . Lisboa, Portugal, 2001), Técnicas de Auto-Defesa, (Galeria Arte Periférica . Lisbon, Portugal, 2001) Group shows O princípio da inércia (Pavilhão Branco do Museu da Cidade . Lisbon, Portugal,

2012), Jugada a 3 bandas, (FilipaManuela . Madrid, Spain, 2012), Rádio Europa Livre (Plataforma Revólver Project. Sala 2 . Lisbon, Portugal, 2011), Experimental Film and Vídeo festival (700IS Reindeerland, Islândia, 2010), Res Publica (Edifício Sede da Fundação Calouste Gulbenkian . Lisbon, Portugal, 2009), Seven Easy Steps for social Improvement (Galeria Hortin & Lui . Nova Iorque, U.S.A., 2009), NYC Visions (Milbank Chapel and Macy Gallery- Columbia University . New York, U.S.A., 2009), A Escolha da Crítica (Plataforma Revólver . Lisbon, Portugal, 2009), Bermudas (Galeria 101 . Brooklyn, Nova Iorque, U.S.A., 2009), Opções e Futuro (Colecção da Fundação PLMJ, Museu da Cidade . Lisbon, Portugal, 2009), Artistas Portugueses Lá Fora (Museu da Electricidade . Organização - Museu da Presidência . Lisbon, Portugal Collections Fundação Coca-cola, Espanha, Fundação PLMJ, Portugal, Colecções Privadas

CATARINA LEITÃO

Catarina Leitão (Stuttgart, Germany, 1970) Solo Exhibitions (selection) SYSTEMA NATUrÆ (Carlos Carvalho Arte Contemporânea, Lisbon, Portugal, 2012), Invasive Species (Carpe Diem Arte e Pesquisa, Lisbon, Portugal, 2010), Flatland (Galeria Pedro Cera, Lisbon, Portugal, 2009),Thicket (Number 35 gallery, New York, 2007), Natural Selection, Project Room at Michael Steinberg Fine Art, New York, 2005), , Catarina Leitão/Matthew Ronay, 2 person show (Andrea Rosen Gallery, New York, 2002-2003), Tamed Nature (Centro de Arte Moderna – Fundação Calouste Gulbenkian, Lisbon, Portugal, 2002), A.R.D. Artificial Retreat Devices (Berardo Collection, Sintra, Portugal, 2001) Recent Group Exhibitions Multiple, Limited, Unique: Selections from the Permanent Collection of the Center for Book Arts Center for Book Arts, New York, and travelling accross the USA through 2012, 2011, Arqueologia do Detalhe, (16 Bienal de Cerveira, Casa das Artes, Vigo, Spain, 2010), Open Book: An International Survey of Experimental Books (Eastern Michigan University, MI, USA), Pretty Tough: Contemporary Storytelling, curated by Mónica Ramírez–Montagut (The Aldrich Contemporary Art Museum, CT, USA, 2009) We’re all gonna die (Sue Scott Gallery, New York, 2009) LÁ Fora (Museu da Electricidade, Lisbon, Portugal, 2008), LÁ Fora, (Museu da Presidência da República, Viana do Castelo, Portugal, 2008), Center for Book Arts 2007 Artists, Center for Book Arts, New York. Point of View, Museu da cidade, Lisbon, Portugal, Four Degrees: Artistic Views on Climate Change, (Kipp Gallery, Indiana University of Pennsylvania, PA, USA. Human Resources, Lower Manhattan Cultural Council’s Artists Residency Marks a Decade Downtown,New York, The Shape of Things to Come, (Redhead Space, LMCC, New York, 2007), 50 Years of Portuguese Art, Calouste Gulbekian Foundation, Lisbon, Portugal, Anatomical Attitudes, curated by Robin Reisenfeld, Heskin Contemporary, New York.

CATARINA LEITÃO, Machinamentum nubicola (Thecaceae), 2011 aguarela e tinta sumi sobre papel, 105 x 75 cm

CATARINA LEITﾃグ, Mombasae anemophila (Aeriaceae), 2011 aguarela e tinta sumi sobre papel, 138 x 105 cm

JOSÉ LOURENÇO

José Lourenço (Lisboa, 1975) Story Building (Galeria Bacelos . Espanha, 2012), Entre as tuas paredes (Galeria Gomes Alves . Guimarães, Portugal, 2010), Conforme o dia (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2010), Anamorphosis Marilia Razuk Galeria de Arte . São Paulo, Brasil, 2010), Anamorphosis (Galeria Siboney . Santander, Espanha, 2009), Pintura (Galeria Reflexus . Porto, Portugal, 2009), Urban Anamorphosis (Galeria My Name’s Lolita Art . Madrid, Espanha, 2008), Paisagens (Pavilhão de Portugal . Lisboa, Portugal, 2007), Em teu redor (Fundação D. Luís I . Cascais, Portugal, 2007), Ao Redor do Teu Corpo Carlos Carvalho Arte Contemporânea (Lisboa, Portugal, 2006), Jardim dos Sentidos, (20M3 - Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2006), José Lourenço (Galeria Évora-Arte . Évora, Portugal, 2006), José Lourenço (Stock House - Galeria MCO, Arte Contemporânea . Porto, Portugal, 2006), Lugares (Galeria My name’s lolita art . Madrid, Espanha, 2005), Arte Santander ‘05 (Galeria Ara . Santander, Espanha, 2005), Entre os teus lugares (Galeria Ara . Lisboa, Portugal, 2004), ¿Dónde os perdi? (Galeria Marisa Marimón . Ourense, Espanha, 2004), Um dia foste para mim... (Galeria Bores & Mallo . Lisboa, Portugal, 2003), As florestas de nós mesmos (Galeria Évora-Arte . Évora, Portugal, 2002), Ausência em Seda (Galeria Ara . Lisboa, Portugal, 2002), Penumbra acesa à Lua (Galeria Bores & Mallo . Cáceres, Espanha, 2002), Os teus segredos eram jardins (Galeria Ara . Lisboa, Portugal, 2001) [Group shows] Projecto Correspondência (E/L Studio . Washington, EUA, 2012), Primeira Vista (Amarelo Negro . Rio de Janeiro, Brasil, 2012), We are Pleased to invite you #2 (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2012), Arco’12 (Carlos Carvalho Arte Contemporânea . Madrid, Espanha, 2012), La Colección (Fundación Barrié . A Coruña, Espanha 2011), Typewiter: A história escrita à máquina (comissariada por David Barro, Fundación Cidade da Cultura de Galicia . Santiago de Compostela, Espanha, 2011), We are pleased to invite you (Carlos Carvalho Arte Contemporânea . Lisboa Portugal, 2011), Espacio Atlántico (Carlos Carvalho Arte Contemporânea . Vigo, Espanha, Galeria Bacelos . Vigo, Espanha, 2011), ARCOMadrid (Carlos Carvalho Arte Contemporânea . Madrid, Espanha, 2011), Arte Santander 2010 (Galeria Siboney . Santander, Espanha, 2010), 3 PT (Galeria Full_art . Sevilha, Espanha, 2010), Ressonância Visual (comissariada por David Barro, Paços da Cultura . S. João da Madeira, Portugal, 2010), Espacio Atlántico (Carlos Carvalho Arte Contemporânea . Vigo, Espanha, ARCOMadrid, Carlos Carvalho Arte Contemporânea . Madrid, Espanha, 2010), Arte Lisboa’09 (Carlos Carvalho Arte Contemporânea, Galeria Siboney . Lisboa , Portugal, 2009), Arte Santander ‘09 (Carlos Carvalho Arte Contemporânea . Santander, Espanha), Antes de ayer y pasado mañana; o lo que puede ser pintura hoy (Museo de Arte Contemporâneo Union Fenosa – MACUF . Coruña, Espanha, En Construcción 2 (Fundación Pedro Barrié de la Maza . Vigo, Espanha), Forosur (Carlos Carvalho Arte Contemporânea . Caceres, Espanha, Opções & Futuros: Obras da Colecção da Fundação PLMJ (Pavilhão Branco e Preto do Museu da Cidade . Lisboa, Portugal), Estética Solidária (Palácio Marquês de Pombal . Lisboa, Portugal), ARCOMadrid (Carlos Carvalho Arte Contemporânea . Madrid, Espanha), Arte Lisboa’ 08 (Carlos Carvalho Arte Contemporânea, Galeria Marisa Marimón .

Lisboa, Portugal, 2008), Iniciativa X (Galeria ArteContempo . Lisboa, Portugal), Superficies Minimales (Galeria Goran Govorcín . Santiago de Compostela, Espanha), Visiones Urbanas (Santander, Espanha), X Mostra Internacional Union Fenosa (Museo de Arte Contemporâneo Union Fenosa – MACUF . Coruña, Espanha, Bálelatîna’08 (Carlos Carvalho Arte Contemporânea . Basel, Suiça, À volta do papel, 100 artistas (Centro de Arte Manuel de Brito . Algés, Portugal), Parangolé: Fragmentos desde los 90 en Brasil, Portugal Y Espanha, Patio Herreriano – Museo de Arte Contemporânea Español . Valladolid, Espanha, Propuestas para uma colección (Galeria Marisa Marimón . Ourense, Espanha), ARCO’08 (Carlos Carvalho Arte Contemporânea . Madrid, Espanha), Opções & Futuros – Obras da Fundação PLMJ (Galeria Arte Contempo . Lisboa, Portugal), Cidades Invisíveis (Faculdade de Arquitectura da Universidade Técnica de Lisboa . Lisboa, Portugal, 2007), Forosur (Carlos Carvalho Arte Contemporânea . Cáceres, Espanha, 2007), ARCO´07 (Carlos Carvalho Arte Contemporânea . Madrid, Espanha, 2006), Iniciativa X (Galeria ArteContempo . Lisboa, Portugal, 2008), Arte Lisboa’ 06 (Carlos Carvalho Arte Contemporânea, Galeria MCO . Lisboa, Portugal, 2006), Grandes Formatos/ Desenho (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2006), Young Painters Giants (Galeria MCO Arte Contemporânea . Porto, Portugal, 2006), Forosur (Galeria Bores & Mallo . Cárceres, Espanha, 2006), ARCO’06 (Carlos Carvalho Arte Contemporânea . Madrid, Espanha, 2006), Iniciativa X (Galeria ArteContempo . Lisboa, 2005), Pintados de Fresco (Galeria MCO – Arte Contemporânea . Porto, Portugal, 2005), 2º Prémio de Pintura Ariane de Rothschild (Palácio Galveias . Lisboa, Portugal, 2005), 5 Propuestas (Galeria Marisa Marimón . Ourense, Espanha, 2005), Outras Arquitecturas, Outros Artistas…Outras Alternativas (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2005), Artbrussels´05 (Jacob Karpio + Facchini Gallery . Bruxelas, Bélgica, 2005), Le Premier Dessin (com Manuel Caeiro e José Batista Marques, Galeria Ara . Lisboa, Portugal), ArteLisboa’04 (Galeria Ara . Lisboa, Portugal, 2004), 04’Pintura Última (Galeria Sicart . Barcelona, Espanha, 2004), 3.27 (Galeria Ara. Lisboa, 2003), ARCO’04 (Galeria Ara e Galeria Marisa Marimón . Madrid, Espanha, 2004), ArteLisboa’03 (Galeria Ara e Galeria Bores & Mallo . Lisboa, Portugal, 2003), I Prémio Rothschild de Pintura (Banco Rothschild . Lisboa, Portugal, 2003), The Sparring Partners Academy Art Collection (Galeria ZDB . Lisboa, Portugal, 2001), ArteLisboa’01 (Galeria Ara, Galeria Bores & Mallo . Lisboa, Portugal, 2001), 3.27 (Galeria Ara . Lisboa, Portugal, 2001), ARCO’01 (Galeria Ara, Galeria Bores & Mallo . Madrid, Espanha, 2001), ARCO’00 (Galeria Mário Sequeira . Madrid, Espanha, 2000), Galeria Trem (com Manuel Caeiro e Rui Macedo . Faro, Portugal, 2000), FAC’99 (Galeria Ara . Lisboa, Portugal, 1999), X Bienal Internacional de Arte de Vila Nova de Cerveira (Vila Nova de Cerveira . Cerveira, Portugal, 1999), 3.27 (Galeria Ara . Lisboa, Portugal, 1998) [Colecções] Banco Mais, Barclays Bank, Baviera, S.A., BES – Vida, Câmara Municipal da Amadora, Centro de Arte Manuel de Brito, Colecção Norte de Arte Contemporânea - Governo da Cantábria Diputación de Ourense, Faculdade Belas-Artes da Universidade de Lisboa, Fundación Baruch Spinoza, Fundação D. Luís I, Fundación Navacerrada, Fundação PLMJ, Fundación Pedro Barrié de la Maza, Conde de Fenosa, Instituto Cervantes, Museu de Arte Contemporânea Union Fenosa – MACUF, Museu de Belas Artes de Santander, Secil, O.P.C.A.

JOSÉ LOURENÇO, Untitled, 2012 Acrylic on canvas, 100 x 150 cm

JOSÉ BATISTA MARQUES

JOSÉ BATISTA MARQUES, Sem título, 2010 oil on canvas, 25 x 20 cm

Born in Lisbon, Portugal, 1975. Lives and works in Lisbon, Portugal Solo shows: A cor a terapia do impossível (Centre Municipal de Cultura La Mercé . Burriana Casteló, Spain, 2011), O crime oculto (Galeria Gomes Alves . Guimarães, Portugal, 2010), Odisseia Dor & Espanto (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2010), Casa Fantasia (Galeria Bacelos . Vigo, Spain, 2009), Branca Memória (Galería Bacelos . Vigo, Spain, 2008), O Sorriso de James (Galeria MCO . Porto, Portugal, 2008), P&E (Galeria Évora-Arte . Évora, Portugal, 2007), Cinza Minoria (MCO . Porto, Portugal, 2006), Commodoro (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2005), Métopas Dignas da Imortal Estética (Capela da Misericórdia . Sines, Portugal, 2004), Group shows: O fim do mundo, Centre Culturel de Rencontre Abbaye de Neumuster (CCRN), Luxemburgo, 2012, Jeune Création Européenne 2007/09, (Museu Municipal Amadeo de Souza-Cardoso . Amarante, Portugal), A imagem seguinte (Espaço Arte Tranquilidade . Lisbon, Portugal), Collec.tiff (Espaço Crew Hassan . Lisbon, Portugal, 2009), X Mostra Internacional Union Fenosa, (Museu de Arte Contemporâneo Union Fenosa . A Coruña, Spain, XIII Premi D’Artes Visuals Ciutat de Burriana, C.M.C La Mercê . Burriana, Espanha, IV Certamen Internacionat de Pintura de Castellón, Museu de Belles Arts de Castelló . Spain, Colections, Ayuntamiento de Burriana, BES-Vida, Barclays Bank, Tipografia Fernandes & Terceiro, Eastécnica, Francisco Pimentel & Associados, SADV, Banque Privée Edmond de Rothschild, Lisboa, Banco Mais, Lisboa, Fundação Marquês de Pombal, Vieira e Associados, Faculdade de Belas-Artes da Universidade de Lisboa

JOSÉ BATISTA MARQUES, Sem título, 2011 oil painting and plaster, 97 x 57,5 x 41 cm

MÓNICA DE MIRANDA

MÓNICA DE MIRANDA, Untitled (Once upon a time), 2012 Pigment ink digital print on semi-mate paper 100 x 70 cm, ed. 3 +1 PA

MĂ&#x201C;NICA DE MIRANDA, Untitled (from the series An Ocean between us), 2013 light box, 90 x 60cm, ed. 1/3+AP

ANTÍA MOURE

ANTÍA MOURE, B, 2008 Digital print, 114 x 76 cm, ed. 7 +1 PA

ANTĂ?A MOURE, 1 Nov. 2000 a 24 Nov. 2003, 2004, Digital print, 74 x 100 cm, ed. 5 +1 PA

ÁLVARO NEGRO

ÁLVARO NEGRO, Untitled- from the series “Abro a xanela e respiro o aire fresco da fin do mundo”, 2007/2009, Lambda print on Kodak paper Endura, variable sizes, ed. 5 +1 PA

ÁLVARO NEGRO, Untitled, 2007 Enamel on aluminium, 86 x 56 cm

ÁLVARO NEGRO, Untitled, 2006 Enamel on aluminium, 86 x 56 cm

LUÍS NOBRE

LUÍS NOBRE, Contra Campo, 2009 Digital Epson print, 40 x 60 cm, Ed 3 + 1 PA

LUĂ?S NOBRE, A Gaiola, 2011, graphite, watercolor and color pencil on paper, 97 x 122 cm

ANA LUÍSA RIBEIRO

ANA LUÍSA RIBEIRO, Sem título (others), 2008, acrílico e óleo s/ tela, 100 x 120 cm

ANA LUÍSA RIBEIRO, S/ título 2008, acrílico e óleo s/ tela, 90 x 130 cm

Ana Luísa Ribeiro (Lisboa, Portugal, 1962) [Solo show] More books of ours and marginalia (Galeria P-13 . Heidelberg . Alemanha, 2012), Marginália ou o Epílogo (Fundação EDP, Sala do Cinzeiro . Lisboa, Portugal, 2012), Books of Hours (Art and Museums Library of the city of Cologne at Ludwig Museum, Cologne, 2008), Spots, letters and other icons (Albert Baumgarten Gallery, Freiburg, 2007) Noch mehr Fälle und Stürze, Tauchgänge und Abstrakte Bilder (Kunstverein Jena, 2006), Projecto Perder o Norte (Galeria Filomena Soares Lisboa, 2005), Quedas, Mergulhos e Pinturas Abstractas (Galeria Filomena Soares Lisboa, Lisbon, 2003), Pingos, Paisagens e Prosas (Módulo Gallery, Lisbon, 2001), Private Collection (Nartex & Stairwell Gallery, New York, 2000), Schneiderei Gallery, Cologne (Módulo Gallery, Porto, 1999), Colecçao Privada (Módulo Gallery, Lisbon, 1998), Power Book (Konrad Mönter Gallery, Düsseldorf, 1997), Green House (Green House, Lisbon, 1996), Start by Emptying your Pockets, (Lusófona University, Lisbon) [Group show] We are pleased to invite you #2 (Carlos Carvalho Arte Contemporânea . Lisboa,

Portugal, 2012), We are pleased to invite you (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2011), 2010 Espacio Atlântico (Carlos Carvalho Arte Contemporânea . Vigo, Espanha), 2009 (Arte Lisboa’09, Carlos Carvalho Arte Contemporânea . Lisboa, Portugal), Artistas Portugueses lá fora (org. Museu da Presidencia da República, Viana do Castelo, Lisboa, 2008), Art Cologne (with Beck & Eggeling Gallery), Cologne (2 Jahre New Quarters, Beck & Eggeling Gallery, Düsseldorf, Arco, Madrid (Filomena Soares Gallery, 2007), Art Karlsruhe(with Albert Baumbarten Gallery) KarlsruheArt Cologne (Beck & Eggeling Gallery, Cologne, 2007), Quotations and other deviations(Beck & Eggerling Gallery, Düsseldorf, 2006), Art Cologne (Beck & Eggeling Gallery, Cologne, 2006), Territorio Oeste - Aspectos singulares del arte Português Contemporâneo (MACUF - Museu de Arte Contemporaneo Union Fenosa, A Coruña, 2006), Dassollkunstsein vol.4 (with Baumgarten Gallery, Kunstevein Freiburg, 2005), Escala de Cores (Lagos Cultural Center, Lagos, 2004), Portuguese Contemporary ArtEuropean (Central Bank, Frankfurt, 2002), Prémio E.D.P de Artes Plásticas (S.N.B.A., Lisbon, 2002)

ANA LUÍSA RIBEIRO, Books 2008, acrílico s/ tela, 20 x 55 cm cada

Gast Spiel (Eupenerstraße Artists Center, Cologne, 2002), Portuguese Contemporary ArtCokkie Snoei Gallery, Rotterdam, 2001, Art Brussels (Módulo, Brussels, 2000), Art Cologne (with Módulo, 1999), Cologne P-Review Schneiderei Gallery, Cologne, MA Degree Show (Goldsmiths College, London, 1995), Aus Lissabon (Janine Mautsch Gallery, Cologne, 1994), Ar.Co. - Curso Avançado (Ministry of Finance, Lisbon, 1992), Bolseiros Ar.Co. S.N.B.A., Lisboa, Pris M. Bertucci, Tetouan, 1991, 80 Anos do Instituto Superior Técnico I.S.T., Lisbon, 1991, III Exposição da Mais Jovem Pintura Portuguesa Multiface Gallery, Lisbon (Merits Award), 1990, Jovem Pintura Portuguesa (Almada Negreiros Gallery, S.E.C., Lisbon, 1989), Prémios VII Prémio de Pintura . Museu Amadeo de Souza-Cardoso, 2009, Museu Amadeo Souza-Cardoso . Amarante, Portugal, 2009

RICHARD SCHUR

RICHARD SCHUR, Étude, 2012 acrílico s/ madeira, 56 x 44 cm

Richard Schur (Munich, Alemanha, 1971) [Solo shows] Edge of Ligth (Galeria Manuel Ojeda . Las Palmas de Gran Canaria, Espanha, 2011), Bilder des Jahres (Kunstverein Ravensburg, Germany, 2011), Oceans (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2010), Hard Candies (Galerie Ebbers . Kranenburg, Germany, 2010), Richard Schur - Hard Edge Paintings (Alpine Mayreder . Graz, Austria, 2010), Grand Tour (ars agenda . Munich, Germany, 2010), Islands (ars agenda . Munich, Germany, 2009), Arco’09: Two-man-show (com Juan E. Correa, Galeria Manuel Ojeda . Madrid, Spain, Shadows (Galeria Manuel Ojeda . Las Palmas de Gran Canaria, Spain, 2008), Echoes, Kunstverein Ravensburg Galerie am Bergkerk . Deventer, Netherlands, 2008), Space Pool (Galerie Claus Semerak . Munich, Germany, 2007), Malerei (Galerie . Galerie Ebbers, Kranenburg, 2007), Neueste Deutsche Abstraktion (Stadtische Artotherk (With Valentin Goderbauer, Munich, Germany, 2005), Kunstverein (com Michael Hackel, Germany, 2000)

RICHARD SCHUR, Reef (study), 2010 acrílico s/ madeira, 35,5 x 28 cm

[Group shows] Small business (Galerie Ebbers . Kranenburg, Alemanha, 2012, We are pleased to invite you #2 (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2011), We are pleased to invite you (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2011), Summer in the city (Martin Asbaek Gallery . Copenhaga, Dinamarca, 2011), Neue Munchner Malerei III-New Munich Painting III (Stefan Vogdt - Galerie der Moderne . Munich, Alemanha, 2011) Summer in the city (Martin Asbaek Gallery . Copenhaga, Dinamarca, 2010), Sugarbabies (Galerie Ebbers . Kranenburg, Alemanha, 2010), Arte Lisboa (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2010), 100 Meisterwerke (Galerie Royal . Munique, Alemanha, 2010), Transformal (Pharmaka . Los Angeles, USA, 2009 Revue (Pinakothek der Moderne . Munich, Germany, 2009), Venus & Mars (Weltraum . Munich, Germany, 2009), Weltraum- Jahresruckblick (Städtische Kunsthalle Lothringer 13 . Munich, Germany, 2009), Trans (Meridian Gallery . San Francisco, USA, 2009), Forever Young (ars agenda . Munich, Germany, 2008), Merger (Rocket Gallery . London, England, 2008),

Imagens da exposição Oceans na galeria Carlos Carvalho Arte Contemporânea, Lisboa, 2010

Versos (Galeria Manuel Ojeda . Las Palmas de Gran Canaria, Espanha, 2008), Opening (ars agenda . Munich, Germany, 2008), Art Amsterdam’08 (Galerie Ebbers, 2008), Mittelbau (Verein für Originalradierung . Munich, Germany, 2008) Trans: Abstraction (Weltraum . Munich, Germany, 2007), x-tra (Galerie Claus Semerak . Munich, Germany, 2007), Der Prof. (Winkler Romantik-Award (ehem. Herr WinkelmannStipendium). Munich, Germany, 2007 Bayerischer Kunstfoerderpreis (Galerie der Kuenstler . Munich, Germany, 2006), Das Prof. Winkelmann Stipendium (Atelier Hackel/Seitz . Munich, Germany, 2009), The Suitcase Show (Bus Dori Project Space . Tokyo, Japan, 2009), Farbe bei sich (Galerie Claus Semerak . Munich, Germany, 2009), Universal Painting (Guangdong Art Museum, Guangzhou; Duolun Museum Shanghai; Institute of Fine Arts . Wuhan, China, 2005. Munich School? (Museum Katharinenhof . Kranenburg, 2005), Visual Issues (Staedtische Galerie . Traunstein, Germany, 2005), Account (Galerie Ebbers . Kranenburg, Germany, 2005), Frische Farbe! (Gallery Bodenseekreis . Meersburg, 2004, Munich School? (Kunstverein Aichach, 2004), Und im Winde klirren die Fahnen (Gallery Ben Kaufmann . Munich,

Germany, 2004), Young Munich Artists (Storms Gallery . Munich, Germany, 2003), Of Course (Galerie der Kuenstler . Munich, Germany, 2002), Bilder zu grauen Saison (Staedtische Artothek . Munich, Germany, 2001), Ins (Haus der Kunst . Munich, Germany, 2000), Cusanuswerk (Westfaelischer Kunstverein . Muenster, Germany, 1998) [Colections] Bayerische Staatsgemaeldesammlungen, Pinakothek der Moderne, Munich, Staatliche Grafische Sammlung, Munich, Städtische Artothek, Munich, Centro Cultural Andraxt, Spain, Sammlung der Stadt Ravensburg, Sammlung “Zeitgenoessische Kunst” der BMW Group, Munich, Sammlung der Allianz Versicherungs AG, Sammlung HypoVereinsbank, Düsseldorf, Katholische Akademie, Berlin, Guangdong Museum of Art, China

EURICO LINO DO VALE

EURICO LINO DO VALE, Levantamento Fotográfico do Palácio da Rosa, 2010 Colour print, 40 x 40 cm

Eurico Lino do Vale (Porto,1966) [Solo shows] Levantamento do Palácio da Rosa (Galería Oliva Arauna . Madrid, Espanha, 2012), Retrato(s) da Aldeia da Luz (Museu da Luz Aldeia da Luz . Mourão, Portugal, 2009), Retratos dos Túmulos dos Reis de Portugal (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2007) A Festa (Galeria Álvaro Roquette . Lisboa, Portugal, 2005), Retratos de Homens (Galeria Luís Serpa Projectos . Madrid, Espanha, 2003), A Nova Geração (Centro de Arte Moderna da Fundação Calouste Gulbenkian . Lisboa, Portugal, 2001), Retratos e outras Situações Encenadas (Galeria ARA . Lisboa, Portugal, 2001), Retrospectiva desde 1993 (Atelier do artista . Lisboa, Portugal, 2000), Retratos de Alfama (Convento de S. Salvador . Lisboa, Portugal, 1999) [Group shows] Paisagem Urbana - Exposição #15 (BES Arte & Finança . Lisboa, Portugal, 2012), We are pleased to invite you #2 (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2012), Madrid Foto (Carlos Carvalho Arte Contemporânea . Madrid, Espanha, 2011), Colectiva (Galeria Oliva Arauna . Madrid, Espanha), We are pleased to invite you (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2012), Madridfoto (Carlos

EURICO LINO DO VALE, Levantamento Fotográfico do Palácio da Rosa, 2010 Colour print, 40 x 40 cm

Carvalho Arte Contemporânea . Madrid, Espanha, 2010), Da outra margem do Atlántico, exemplos da fotografia e vídeo português (comissariada por Paulo Reis, Centro de Artes Hélio Oiticica . Brasil, Portugal, 2010), Arte Lisboa (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2009), Aperture (Palácio Cadaval . Évora, Portugal, 2008), Retratos de Sombras (BES Photo – Museu Colecção Berardo. Lisboa Lisbon, Portugal, 2008), Photoespaña (Centro Cultural Conde Duque . Madrid, Espanha Spain, 2008), Colecção BES (Museu Colecção Berardo. Lisboa, Portugal, 2007), DFOTO Carlos Carvalho Arte Contemporânea . San Sebastián, Espanha Spain), Arte Lisboa (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal), ARCO (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2006), Entre o corpo (Galeria Sete . Coimbra, Portugal), Arte Lisboa (Carlos Carvalho Arte Contemporânea . Lisboa, Portugal, 2004), [RE]VISITAÇÕES_a partir de Pontormo (comissariada por curated by Luís Serpa), Galeria Luís Serpa . Lisboa, Portugal, 2005, ARCOMadrid (Galeria ARA . Lisboa, Portugal), Extensão do olhar (CAV Centro de Artes Visuais . Coimbra, Portugal, 2005), Contrato Social (comissariada por João Pinharanda, Museu Rafael Bordalo Pinheiro . Lisboa, Portugal, 2005), Densidade

EURICO LINO DO VALE, Levantamento Fotográfico do Palácio da Rosa, 2010 Colour print, 40 x 40 cm

Relativa (Centro de Arte Moderna . Lisboa, Portugal, 2005), Arte Lisboa (Carlos Carvalho Arte Contemporânea . Lisboa Lisbon, Portugal, 2005), horizont(e) (Cordoaria Nacional . Lisboa, Portugal, 2004), Exposição Colectiva de Fotografia (Galeria Baginski Contemporary Photography . Lisboa, Portugal, 2004), Lisboa / Lisbonne (Parc de la Villete . Paris, França France, 2004), ARCO (Galeria ARA . Madrid, Espanha, 2003), Penetrações (Bartolomeu 5 . Lisboa Lisbon, Portugal, 2003), 1º Salão Internacional de Artistas Contemporâneos (Hangar K 7 – Fundição de Oeiras . Oeiras, Portugal, 2002), London Biennial (Londres) Contemporary Art from Portugal (European Central Bank . Frankfurt, Alemanha Germany, 2002), Exposição Inaugural (Galeria Baginski Contemporary Photography . Lisboa Portugal, 2002), Accrocharge 04/02 (Galeria Luís Serpa . Lisboa, Portugal, 2002), ARCO (Galeria ARA, 2001), Lisboa Capital do Nada (Marvila . Lisboa, Portugal, 2001), Roundgang (Kunstakademie Düsseldorf, Alemanha Germany, 1999), Lab 8 (organizado por organized by João Fiadeiro, Lugar Comum, Fábrica da Pólvora . Barcarena, Portugal, 40 anos do

EURICO LINO DO VALE, Levantamento Fotográfico do Palácio da Rosa, 2010 Colour print, 40 x 40 cm

tratado de Roma (Bona, Alemanha Germany 1997), Roundgang (Kunstakademie Düsseldorf, Alemanha Germany), Klasse Nan Hoover (Galeria Wunchik . Düsseldorf, Alemanha Germany,1996), Aüsloser, Kaistrasse . Düsseldorf, Alemanha, Roundgang (Kunstakademie Düsseldorf, Alemanha, 1995), Exposição do curso avançado do Ar.Co. (Ministério das Finanças . Lisboa Lisbon, Portugal, 1994), Colectividades (Ar. Co. . Lisboa, Portugal), Instituto da Juventude de Castro D’Aire (Castro D’Aire. Espanha1990 [Colections] Centro de Arte Moderna da Fundação Calouste Gulbenkian, Lisboa Lisbon, Portugal Maison Européene de la Photographie, Paris, França France, Fundação PLMJ, Lisboa, Portugal, Arquivo Fotográfico da Câmara Municipal de Lisboa, Lisboa, Portugal, Banco Central Europeu, Frankfurt, Alemanha Germany, BES Art Banco Espírito Santo, Portugal, Lisboa, Portugal, Museu Temporário, Lisboa, Portugal,

MANUEL VILARIÑO

MANUEL VILARIÑO, Paraíso Fragmentado, 2001-03 Hahnemühle paper, 330 x 550 cm

Manuel Vilariño (A Coruña, Spain, 1952) Exposições individuais (selecção) Manuel Vilariño – Mar de Afuera (Círculo de Bellas Artes de Madrid. Madrid, Spain, 2012), Donde las ausencias abren sus alas, (Instituto Cervantes . Paris, France, 2009), Terra em Trance (Museo de Bellas Artes . Montevideo, Spain, 2009), Terra em Trance (Museu Arte S. Paulo . S. Paulo, Brazil, 2009), Ni sombra ni lugar (Carlos Carvalho Arte Contemporânea . Lisbon, Portugal, 2008), Instante Amarillo (Galeria Metta . Madrid, Spain, 2007), Instante Amarillo (Galeria Trinta . Santiago de Compostela, Spain, 2007), Manuel Vilariño Fío e sombra (Centro Galego de Arte Contemporânea . Santiago de Compostela, Spain, 2002), Galería la Fabrica (Madrid, Spain, 2002), Galerie Municipale Le Château d’Eau, Toulouse, France, 200, Emboscadura (Circulo de Bellas Artes . Madrid, Spain, 1998)

MANUEL VILARIÑO, Naturaleza Muerta con Granadas, 1999 Cibachrome on aluminium, 120 x 120 cm

MANUEL VILARIÑO, Limones, 1999 Cibachrome on aluminium, 120 x 120 cm

MANUEL VILARIÑO, Los Pájaros, 1999 Cibachrome on aluminium, 120 x 120 cm

Exposições colectivas (selecção) 50x60 Polaroid Gigante (Bi blioteca Nacional del Perú . Lima, Peru, 2012), 50x60 Polaroid Gigante (Museo de Arte Contemporáneo de Caracas . Parque Central Caracas, Venezuela, 2011), La Colección (Fundación Barrié. A Coruña, Spain, 2011), Premios Nacionales de Fotografía en los fondos de la Colección Alcobendas Alhóndiga, Segovia, Spain, En construcción 3 Fundación Pedro Barrié de la Maza . A Coruña, Espanha), Antes de ayer y passado mañana; o lo que puede ser pintura hoy (Museo de Arte Contemporáneo Unión Fenosa – Macuf . A Coruña, Spain, 2009), A little history of photography (curated by Manuel Segade, CGAC Centro Galego de Arte Contemporáneo . Santiago de Compostela, Spain), Paradiso Spezzato Paraíso Fragmentado (52ª Bienal de Veneza, Pabellón de Espanha . Venice, Itália), Cuatro direcciones. Fotografía contemporánea española 1970-1990, Museo Nacional Centro de Arte Reina Sofía . Madrid, Spain, 1991 Colections (selection) Centro Galego de Arte Contemporánea, Santiago de Compostela, Espanha, Museo Nacional Centro de Arte Reina Sofía, Madrid, Espanha, Museum of Fine Arts, Houston, United States, Museo Extremeño e Iberoamericano de Arte Comtemporáneo , Badajoz, Spain, Museo de Arte Contemporáneo Unión Fenosa, A Coruña, Spain, Fundación Coca-Cola Espanha, Madrid, Espanha Spain, Colección Galerie de Phographie Le Château d’Eau, Toulouse