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CONTENTS CHAPTER 1 ROADMAPPING THE DIRECTOR

06-07

FILM MOODBOARD

08-13

TITLE EXPLORATION

14-17

BUCKETS

18-31

DASHBOARD

32-33

MASTER MOODBOARD

34-35

POSTER EXPLORATION

36-39


CHAPTER 2 design employ CATALOGUE BOOK

43-45

DVD PACKAGING

46-49

RECORDS

50-51

SCHEDULE AND TICKETS

52-53

BUSINESS SYSTEM

54-55

WEBSITE

56-57

FLYING LOGO

58-59

ADS

58-59

CONTAINER

60-61


EMTPY HANDED PROCESS JOURNAL


04-05

CHAPTER 1

ROADMAPPING


ABOUT DIRECTOR

Wong Kar-wai Who is he?

Why?

Wong Kar-wai is a auteur from Hongkong,

Personally, I like Wong Kar-wai’s movi-

He is known for his unique style and emo-

estyle. I like how he shows things in an

tionally resonant work. He was a script-

obscure way.

writer before. His first film is

When I was a child, I started to watch his

“As Tears Go By”.

movie. Wong Kar-wai’s movie has a feeling

Wong’s films are more focus on mood and atmosphere. He likes to show obscure love. The visual style is saturated and bold

of reminiscence. I think I can get his point.


06-07

filmorgraphy { 2013 }

The Grandmaster

{ 1995}

Fallen Angels

{ 2007}

My Blueberry Nights

{ 1994}

Dung che sai duk

{ 2004}

2046

{ 1994}

Chungking Express

{ 2000}

In the Mood for Love

{ 1990}

Days of Being Wild

{ 1997}

Happy Together

{ 1988}

Wang Jiao ka men


FILM MOODBOARD

FILM MOODBOARD


08-09

IN THE MOOD FOR LOVE


FILM MOODBOARD

HAPPY TOGETHER


10-11

DAYS OF BEING WILD


FILM MOODBOARD

2046


12-13

CHUNGKING EXPRESS


TITLE EXPLORATION

TITLE EXPLORATION It’s really a hard time for me when explored logos. I came up with many ideas of name, and didn’t get the right one. Luckily, in this process, I still explored the design method. The marked logos were the right design direction. Finally, I combined the right name with this design solution.


14-15


TITLE EXPLORATION

After logo brain storming, I chose Empty Handed as my final choice. Then I applied the design method on it.

AMOUNT TO NOTHING evanescent love Dissolved away faded past Drifting astray the nullity of love BEING INTO NONBEING SLIPPING CHANCE LET THE CHANCE SLIP BY

RETURNS TO NOTHING EMPTY HANDED blank memory SLIPPING AWAY Drifting away


16-17

APPLYING DESIGN METHOD

FINAL LOGO SOLUTION


BUCKETS

BUCKETS I had three directions on typeface style. Script, serif and bold sans-serif. Finally I chose sans-serif, because I think it fits more to Wong Karwai’s style.

TYPEFACE STYLE 1


18-19

TYPEFACE STYLE 2


BUCKETS

FINAL CHOICE TYPEFACE STYLE 1


20-21

For the photo style, I have three directions— urban style, green and red light style, and bar style. Most stories are happened in city in Wong karwai’s movies.

PHOTO STYLE 1


BUCKETS


22-23

FINAL CHOICE PHOTO STYLE 3


BUCKETS

I picked up three keywords as the directions for the graphic style— elegant, vintage, misty. Finally I chose the third one, because it has a “missing” feeling, and reflect the obscure lov, which is fits to my thread.

GRAPHIC STYLE 1


24-25

GRAPHIC STYLE 2


BUCKETS

FINAL CHOICE GRAPHIC STYLE 3


26-27

For the format, I picked some of these because I found some of them can be combined. I chosed some materials to fit my photo style.

FORMAT STYLE 1


BUCKETS

FORMAT STYLE 2


28-29

FORMAT STYLE 3


BUCKETS

LANGUAGE STYLE 1

LANGUAGE STYLE 2


30-31

I will use quotes as the main language style. In Wong Karwai’s movie, he also uses quotes mostly.

LANGUAGE STYLE 3


DASHBOARD

DASHBOARD TI T LE OF FE S T I VA L

Empty Handed

S UB T I T LE OF FE S T I VA L

Disconnected souls search for love and a sense of belonging, and finally find nothing in the films of Wong Kar-wai.

FIL MOGR A PH Y

Days of Being Wild 1990 Chungking Express 1994 Happy Together 1997 In the Mood for Love 2000 2046 2004

T HRE A D

Wandering urban loners pursue love and a sense of belonging, yet reject lovers and remain in their own world. In the end, they miss all opportunities to be left with nothing.

GUIDING N A RR ATIV E

A journalist, who is a playboy, has been missing his former love. To release his sadness, he dresses himself in his little shabby Hongkong apartment to go out to a bar.

DAT E

May 2nd, 2018

L OC ATION

The Metropolitan Museum of Art, New York


32-33

DOODLE

B

E

SIMIL A R DIREC T OR S X AV IER DOL A N Oedipus Complex. Reflect people’s personality defect.

RICH A RD LINK L AT ER Adolescent‘s completed love.

WONG K A R WA I Wandering urban people’s love story of missing others.

JE A N-PIERRE JEUNE T A fantasy world in France.

SHUN JI I WA I The first love is beautiful, but it disappears quickly.


MASTER MOODBOARD

MASTER MOODBOARD



POSTER EXPLORATION

poster exploration POSSIBLE PHOTOS FOR POSTERS


36-37

INITIAL DESIGNS


POSTER EXPLORATION

INITIAL DESIGNS


FINAL DESIGN

38-39



CHAPTER 2

DESIGN DEPLOY


TIMELINE AND FINAL WORK

PRODUCTION TIMELINE


42-43

catalogUE book


FINAL WORK


44-45

The whole catalogue book establish a complete visual system for my whole visual. I basically use light yellow, black red and blue. The typeface are bebas book and montserrat.


FINAL WORK

DVD PACKAGING


46-47


FINAL WORK

DVDS


48-49

For the DVD designs, I mainly used movie characters as the main icon. For the packaging, I made it a document folder, so that it fits to the identity of journalist.


FINAL WORK

RECORDS


50-51


FINAL WORK

SCHEDULE AND TICKETS


52-53

The schedule and ticket are a concept set. It are cigaratte box and matchbook. In my guiding narrative, it’s a man from 60s Hongkong. He is sad, so cigaratte is an essential product in his pocket.


FINAL WORK

BUSINESS SYSTEM


54-55


FINAL WORK

WEBSITE


56-57


FINAL WORK

FLYING LOGO


58-59

ADS


FINAL WORK

CONTAINER


60-61



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