P
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C ars on, C hi ng Hao Lin
F
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Undergraduat e Po r t foli o Archite ct ure
2015 - 2018
CARSON
CHING HAO LIN
B.ARCH FENG CHIA UNIVERSITY SENIOR YEAR
E D U C AT I O N
FENG CH IA UNIVERSITY B . A rc h, Sc hool of Arc hi tecture Taichung
LANGUAGE
C h ines e Nati ve speaker
I N T E R N AT I O N A L EXPERIENCE
S c hool of Architecture, Tamp ere Univers ity of Technolog y Tampere, Fi nl and Exchange student program
En g lis h I E LTS 6.5
S ou th China Univers ity of Technolog y Guangzhou, Chi na A rchi tecture and urban desi gn workshop
N ESE School B oston, US Summer l anguage sc hool
PROFESSIONAL SKILLS
2015 ~
Photoshop Illustrator Indesign Rhino
AutoCad
Sketchup Lumion
Artlantis
Fall 2018
Nov. 2017
Aug. 2017
CONTENT
01
JUNIOR
Ci t y Rege ne rat i o n
03
SOPHOMORE
FCU Bo o k H o us e
02 04
JUNIOR
OTHERS
Re p re s e ntat i o n o f Th e U r ba n
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06 28 48 70
01
C I T Y R E G E N E R AT I O N JUNIOR
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How to revive a district by renewing a wasted building? How can a building dedicate to a city?
The Fantasy Company invites us to reconstruct an old building as a new exhibition and selling area. What is more important that the Fantasy Company is going to do is that to regenerate the old central district of Taichung.
Therefore, the issue how to revive a dead area by lighting up a new spot as a node would be considered firstly.
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a.
central district Taichung river old district green area & parks site location
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S I T E A N A LY S I S
W U -TS O E L E M E N TA R Y S C H O O L , TAICHUNG
Old facade, dead site, and newborn architecture
As an old district of Taichung where is on the centre, the site is very potential to revive the community around it, which could connect other newborn districts at the same time. Just like other works of the Fantacy Story company, the aim of this project is to lighten the original old building, making people get together on this dead and silent site again. Instead of overhauling all the old building, the new design remains the old facade as a design method. Remenber the permanent memories, and explore the new space.
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vine old buildings
facade new buildings
a.
a. concept of using both the language of old buidings and the language of new buildings
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CONCEPT
DIAGRAMS OF THE DESIGN
The different language of old buildings and new buildings
As an old district of Taichung where is on the centre, the site is very potential to revive the community around it, which could connect other newborn districts at the same time. Just like other works of the Fantacy Story company, the aim of this project is to lighten the original old building, making people get together on this dead and silent site again. Instead of overhauling all the old building, the new design remains the old facade as a design method. Remenber the permanent memories, and explore the new space.
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01
02
03
04
05
06
07
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The process of embedding the new constucture 01/ space possibility 02/ vine extension
03/ breathing space
04/ extension of using space
05/ double-layered interior facade 06/ roof extension
07/ connection with public sapce image of entrance
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exhibition curtain
interactive facade
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extend into the old construction
displaying windows
People from the outside can actually see what's happening inside, including some exhibition works of artists. So, it can be said that there is a strong connection with the public, not only with the users inside the building. Moreover, the old facade has been remained at the same time, which also has a strong connection with the interactive facade.
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inviting vision double glass layers to make interior brighter
circular routes
artists' works as a facade
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roof garden to lower the interior temperature
frames to adjust sunshine *systems of walls *green facade
multiple functions in different levels
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EXPLOSION
FUNCTIONS IN DIFFERENT LEVELS
01 The first floor provides sufficeint spaces for business. There will be many venders and restaurants in this floor, opening for tourists.
02 Exhibitions and a book shop will be located on the second floor, where also a conference room located on.
03 The third floor is set up for studios, including other office functions. There are also two flats on this level, which provide some workers to live in. 04 A roof garden will be seen at the fourth floor. Moreover, one coffee shop and one outdoor restaurant are also available in this level.
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PLANS
SCALE=1/200
SECOND FLOOR
FIRST FLOOR
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ROOF FLOOR
THIRD FLOOR
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overall scenario rendering
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interior scenario rendering
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interior exhibition scenario rendering
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02
Re p re sen tati on of th e U r ban JUNIOR
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How would the architecture have become after a disaster happened in the future? After the rising of sea level, it is necessary to rebuild a new city. However, it seems more important to think about the representation of an urban. The content of a society, humanality, and history should be thought into the new design, which brings the relationships between people back.
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+6 meters
+15 meters
+25 meters
a.
not effected area flooded area
a. the field that would be influenced after the sea level rised in different degree
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ISSUE
ARCHITECTURE AFTER THE DISASTER
The Rise of Sea level
D ue t o t h e p ro g re s s ive gl ob a l warming, the rise of sea level is clearly predictable. Architects need to rethink the living spaces in the future. Moreover, the polluted water is diff icult for people to use. Meanwhile, it seems more i mp o r t a n t t o t h i n k a b o u t t h e representation of human history and social relationships rather than redesigning a whole new urban.
This program provides not only sufficient living spaces floating on the water but also complete communities equiping perfect living funtions, which represent the human society.
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a. overfishing and water pollution make it more difficult to use water resources efficeintly
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human beings
rising sea level
awareness
intensified
Predictable and pre-constructible
According to the Science megazine, the speed of sea level rising is faster than predicted. The sea level has climbed approximately 0.2m during the last 100 years. Since the temperature keeps climbing, the sea level seems to jump over 1.4m before 2100s. What is also noteworthy is that the rise of sea level is a disaster which happens slowly but keeps going, which means architects need to develop a long-run urban planning instead of a temperorary housing. Since the rise of sea level is predictable, we can construct them before the situation gets worse.
construct
keeps climbing
live in shelters
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coral reefs one unit
biological to geometrical
analysis the space
form the shape
a.
arrangement
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CONCEPT
DIAGRAMS OF THE DESIGN
Coral reefs are seen as a emblem
It is interesting to note that coral reefs reveals some amazing combination ways. Furthermore, coral reefs are also an important sign of water pollution. As a result, they can be seen as a symbol of ocean to represent the insular (island) characteristics.
Based on the concept of coral reefs, analysing their features helps construct a "living pod" to intake needed people. In this case, people seems like a clownf ish in a sea anemones. The sea anemone for clownfish means the living pod for people in this project.
a. the process from a design conceot to the space
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connection path Half-opened space is the connection between two units.
living units
natural ports living units
public space
common space
public space
natural ports
moving routes public space
natural ports living units
a.
a. the combination of various living units
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C O M B I N AT I O N
DIAGRAMS OF THE DESIGN unit
Arcology, architecture in progress
community
Every 3 living units share 2 public spaces, shaping one community. Every 9 living units form a one-level society, where includes all of living functions.
society
Three natural ports are available in a two-layer society. These provide enough spaces for boats to touch, wh ich are the m o s t i mpo r t ant transportation tools in the city.
history
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MASTER PLAN SCALE=1/100
Functions Planning: a. living units: beds for sleeping, desks for reading b. public units: public park, common garden c. common units: info centre, common bathroom d. tower: stairs connecting to other levels e. ports: provide boats abundant spaces to touch
A'
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A a.
e.
b. c.
d.
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A-A' SECTION SCALE=1/100
Living spaces
Level 4 Level 3 Level 2 Level 1 Sea Level
Connection
Function
nal centre
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Common garden
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overall scenario rendering
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rainning interior view
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view from the port
03
FCU BOOK HUT SOPHOMORE
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Architecture is not the investment for the businesspeople, but the art for its users and the society. This "book hut" is the No. 6 book house developed by Feng Chia University, which is in order to narrow the gap between a city and a countryside. Both light weight fabrication and modularization make the book house easier to build and allow the public to take part in the project.
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Taichung Airport residential area downtown Tichung noise from the airport site location
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S I T E A N A LY S I S
W U -TS O E L E M E N TA R Y S C H O O L , TAICHUNG
The surroundings
T h i s b o ok hu t i s bu i l t fo r t h e students in the Wu-Tso Elementary School. That is, the site was chosen to be located on the empty lawn in the school. What is more interesting is that the school is l o c a t e d b e s i d e s t h e Ta i ch u n g Airport, which means the problem of the noise needs to be considered. Moreover, The size of this site is narrow, which means the scale of the project would be tinny.
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a.
b. a. the gate of Wu-Tso Elementary School b. the site which is on the lawn and in front of a classroom
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The critical conditions
Since the site is in the front of a classroom, the brightness, which would be less because of the book house, should be considered as an innate and important condition to this project. The problem that how to keep both the classroom and the book house bright and how to keep enough privacy, which allows students focus on what they are doing, at the same time would be the major course. There are three trees in the site which need to be conserve as a sigh of the memory and the history.
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a.
b.
c. a. Dadu Mountain, where the site located on the foot of b. geographic to geometrical c. transform into architecture language
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CONCEPT
DIAGRAMS OF THE DESIGN
Concept of mountains
S i n c e t h e Wu -Ts o E l e m e n t a r y School located on the foot of Da Du Mountain, it has been clear that the concept of mountains can be developed as the sign of the school.
What is more interesting is that Da Du Mountain is actually not a "mountain" but, in fact, a bench terrace. I transform the geographic character of the terrace into geometrical language, forming the siginificant difference of level heights of slabs in the project, creating a jumpimg and flowing space to f it active nature of children.
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180 cm 160 cm
120 cm
GRADE 1, 2
GRADE 3, 4
STUDENTS
GRADE 5, 6
ADULTS
TEACHERS
THE ELDERLY
RESIDENTS
a. the height chart of people with different ages b. the sapce that children in differnt ages need
a.
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The scales of users
There are various scale of spaces t h a t p e o p l e n e e d i n d i f fe re n t ages because of changing scales of human. The users of this book house includ the students, teachers, and even the residents around the site. Planning sufficient space that users need by analysing their scales, and modularizing the space and functions. Not only the scales, the dynamic space and active functions are also one of special demand of users in this case (lively young children).
the space that a 1-2-grade student needs the space that a 3-4-grade student needs the space that a 5-6-grade student needs
b.
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A.
03
Circulation Elevate
A. divide space between dynamic and
static, interior and outdoor
02
B.
A.
Functions Input
C.
A. entrance
B. reading area and dynamic activities
C. focusing reading and static activities
01
B.
A.
Modular Planning
A. active space
B. intermediary space
a.
a. modular process and functions input
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Modularization
Lofting grids onto the site to modularize the functions, space, and even the heights of slabs. The modularization makes it easy to calculate the amount of needed sp ace for d if f i re nt u s e rs, and the amount of needed space for activities like reading and playing.
Every grid presents a 1mĂ—1m unit, and the site was seen as 9mĂ—9m overall. The diagram provided gives the information that "reading" occupies 26 grids, "playing" needs 24 grids, and 16 grids are planned as the entrance space.
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Sufficient sunlights can be delivered
The heavy use of glass provides transparent vision
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Frames keeps from direct sinshine
Shadows form diffirent type of space
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overall scenario rendering
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interior scenario rendering
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relationships between dynamic space and static space
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outdoor reading and resting space
04
OTHERS
FRESHMAN SOPHOMORE
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Present an architecture language by abstract drawings or freeform models which include various different concept, scripts, and characters.
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DOUBLE SKIN DOUBLE GREEN SOPHOMORE
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PLANS
SCALE=1/150
DN
UP
DN
UP
DN
DN UP
Basement
DN
First Floor
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DN
DN
UP
DN
DN
DN
Second Floor
Fourth Floor
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THE GAP TO STITCH
:The Vari ation of Barce l ona Pav il ion SOPHOMORE
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PLAN & SECTION SCALE=1/200
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FCU'S ARK FRESHMAN
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swimmer
writer
worker
interface
temperature
routes
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temperature elevation order
people circulation
element of feelings
MOVING ROUTES EFFECTS
MOOD
moving routes
anger
glad
looking forward
unpleasant
CARSON
CHING HAO LIN