2019_Portfolio_FCU School of Architecture

Carson, Ching Hao Lin

Undergraduate Portfolio Architecture

2015 - 2019

CARSON

CHING HAO, LIN 林青澔

B.ARCH FENG CHIA UNIVERSITY

EDUCATION

Feng Chia University B. Arch, School of Architecture Taichung, Taiwan

LANGUAGE

Chinese Native speaker

學歷 /

語言能力 /

English IELTS 6.5

2015 ~

INTERNATIONAL EXPERIENCE 國際經歷 /

School of Architecture, Tampere University of Technology 芬蘭 坦佩雷理工大學 Tampere, Finland Exchange student program

Jan. 2019

Kengo Kuma & Associates 日本 隈研吾建築都市設計事務所 Tokyo, Japan Intern

Jul. 2018

South China University of Technology 中國 華南理工大學 Guangzhou, China Architecture and urban design workshop

PROFESSIONAL SKILLS 專業能力 /

Photoshop Illustrator Indesign Rhino

Grasshopper Lumion

Artlantis

Nov. 2017

CONTENT 目次 /

01

SENIOR

Ar mbe lie va b le W eav er

[ XL ]

06

03

JUNIOR

Re p re s e ntat i o n o f Th e U r ba n

[L]

20

02

JUNIOR

Ta i ch ung Vr t i ca l E X P O

[ XL ]

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04

JUNIOR

Ci t y Rege ne rat i o n

[M]

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05

OTHERS

機械手臂 / 數位製造 / PLA 列印 / 機器編織 災害性建築 / 最小單位 / 社群 / 歷史性

都市再生 / 記憶性 / 開放性 / 博覽會 舊屋改造 / 街區活化 / 互動性

-

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01

ARMBELIEVABLE WEAVER SENIOR

Teamwork with Cheskey Chen & Chun Yu Lo

機 械 手 臂 / 數 位 製 造 / PL A 列印 / 機 器 編 織

06

Weaving technique provides us a more flexible structure. However, due to the scale and the complexity, weaving structure is difficult to be applied in an architectural environment.

To control the flexibility of a larger-scale weaving structure system, a program of robotic weaving was seen as a solution.

We tr y to translate the traditional weaving to a robotic weaving language in various ways, such as materials, methods, weaving tech, and machine.

In our robotic weaving program, various weaving units which support different loads can be found to apply on all prototypes, like a wall, a floor,or a chair.

S

M

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XL

07

Translation

Overall Weaving Process

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09

Fabrication System

Fabrication Tool

10

The holding of extrusion machine and the lengthening of the extrusion head (nozzle) are also a task in this program.

Eventhough the PLA printing is now a common technology in 3D printing, it is still challenging to print by a robotic arm since we need to find suitable tool to print, to design how to hold the tool with robotic arm, and, moreover, to improve the original tool, etc.

Fo r i n s t a n c e , i n c a s e o f o u r extrusion nozzle crashed what had printed, we decieded to design a whole new one lengthened nozzle.

11

Material Behaviour

12

Sufficient material behaviour printing test help us decide some critical value due to the material limitation.

It is also noteworthy that we take advantage of robtic "real" 3-dimension printing ability to print something what an FDM 3D printer cannot print. That is, during the material behaviour printing test, we print what is challenging and what would be printed in our weaving system, like bridge length and inclination angel.

13

Weaving and Deformation Control

Printing Order

14

By selecting certain projected length and angles to remove to control the deformation.

To keep from crashing printed things wh e n m o v i n g , i t ’ s i mp o r t a n t t o arrange the order. It seems to be a great order to print the X direction first, then Y direction, then Z. In other words, it’s from front to back, from left to right, then from bottom to top.

15

Force Analysis and Deformation

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This project can provide enough flexibility to users so that wall or other elements of architecture could be a soft and flexible in the future.

Flexibility can be controled by giving appropriate nodes, and deformation length can be adjusted easily by giving multiple numbers of nodes and angle filter.

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18

02

Re p resen tati on of th e U r ban JUNIOR

災害性建築 / 最小單位 / 社群 / 歷史性

20

How would the architecture have become after a disaster happened in the future?

After the rising of sea level, it is necessary to rebuild a new city.

However, it seems more important to think about the representation of an urban. The content of a society, humanality, and history should be thought into the new design, which brings the relationships between people back.

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XL

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+6 meters

+15 meters

+25 meters

a.

not effected area flooded area

a. the field that would be influenced after the sea level rised in different degree

22

ISSUE

architecture after the disaster

The Rise of Sea Level

D ue t o t h e p ro g re s s ive gl ob a l warming, the rise of sea level is clearly predictable. Architects need to rethink the living spaces in the future. Moreover, the polluted water is diff icult for people to use. Meanwhile, it seems more i mp o r t a n t t o t h i n k a b o u t t h e representation of human history and social relationships rather than redesigning a whole new urban.

This program provides not only sufficient living spaces floating on the water but also complete communities equiping perfect living funtions, which represent the human society.

23

a. overfishing and water pollution make it more difficult to use water resources efficeintly

24

human beings

rising sea level

awareness

intensified

Predictable And Pre-constructible

According to the Science megazine, the speed of sea level rising is faster than predicted. The sea level has climbed approximately 0.2m during the last 100 years. Since the temperature keeps climbing, the sea level seems to jump over 1.4m before 2100s.

What is also noteworthy is that the rise of sea level is a disaster which happens slowly but keeps going, which means architects need to develop a long-run urban planning instead of a temperorary housing.

Since the rise of sea level is predictable, we can construct them before the situation gets worse.

construct

keeps climbing

live in shelters

25

coral reefs one unit

biological to geometrical

analysis the space

form the shape

arrangement the process from a design conceot to the space

26

Prototype

Biology to geometry

Coral reefs are seen as a symbol

It is interesting to note that coral reefs reveals some amazing combination ways. Furthermore, coral reefs are also an important sign of water pollution. As a result, they can be seen as a symbol of ocean to represent the insular (island) characteristics.

Based on the concept of coral reefs, analysing their features helps construct a "living pod" to intake needed people. In this case, people seems like a clownf ish in a sea anemones. The sea anemone for clownfish means the living pod for people in this project.

27

connection path Half-opened space is the connection between two units.

A

living units

natural ports living units

public space

common space

public space

natural ports

moving routes public space

natural ports

A' living units

the combination of various living units

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Combination From an unit to history

unit

Arcology, architecture in progress

community

Every 3 living units share 2 public spaces, shaping one community.

Every 9 living units form a one-level society, where includes all of living functions.

society

Three natural ports are available in a two-layer society. These provide enough spaces for boats to touch, wh ich are the m o s t i mpo r t ant transportation tools in the city.

history

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A-A' SECTION SCALE=1/100

Living spaces

Level 4 Level 3 Level 2 Level 1 Sea Level

Connection

Function

nal centre

30

Common garden

03

TAICHUNG VERTICAL EXPO JUNIOR

都市再生 / 記憶性 / 開放性 / 博覽會

32

As the most prosp erou s area before, Taichung's central district involves residents' memory. Now, however, it seems to disappear.

The site I chosed located besides the main road, where a popular shopping mall located on before.

Trying to tear down and rebuild the existing volume to attract more people and eventually form a fashion-relative industry area or even an EXPO in Taichung.

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dead existing buildings hot spots dead areas green & blue ribbon site location

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History Context Central District, Taichung

Central District, Before and Now

The central district was the most properous area during the period from Japanese colony gerneration.

However, it seems to be an old and dead area nowadays since there's no more young people staying here or any new building was constructed here.

Eventhough there's some hot spots are located in this district discretely and even the new Taichung station, people always come here only for those certain spots and then leave.

How to connect the relationships between the new hot spots and those dead areas would be a tough problem.

35

the open-air fashion show held by the Yongqi Department Stores

36

The fashionable Yongqi Department Stores As the first department store which leads the fashion industry in Taiwan, Yongqi Dept.

Store is a memorable history in residents' heart. Now, the building of Yongqi still stands there in central district, but the people and the stores didn't exist anymore.

I try to plan the whole new urben block to shape a fashion industry and consume area and to attract poeple stay to explore the city at the same time.

37

a.

b.

a. starts from the EXPO "plan" experience, the vertical EXPO allows people from the outside see all what's happening inside b. flip to vertical formation, and to recall the concept of a hanger

38

Vertical E XPO

Container of cultures and history

Fashion EXPO: a hanger, a container

To re m e m b e r a n d m e m o r i z e t h e special hostory of Yongqi, the concept of the new building would be a vertical fashion EXPO, providing the space to hold the fashion events and business.

The shape of building is transformed by the concept of a hanger. Like a hanger hangs the clothings in a free way, the new building hangs different functional spaces. These "clothings" district the differnt use of space, including the space of shopping, studios, exhibitions, and even hotel space. And like the backstage space in a fashion show, the backstage space in the department store is also seperated by the "clothings".

39

Process

Starts from the vertical volime which fits the site but stays a large space as the public space to make it more accessible for publics and everyone who comes here.

40

41

1. Entrance Plaza 2. Open-aie Stage 3. Market Vendors 4. Basketball Court 5. Park Green Space 6. Climbing Ground 7. Child Playground 8. Outdoor Stage 9. Halfpipe Skating Ground 10. Node of Axis, Park 11. Path of Park 12. The Start / Rest of Axis

42

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DN UP

DN

UP

44

DN

UP

DN

Ground Floor Plan Scale = 1 / 500

45

a.

46

b.

c.

a. overall scenario rendering b. catwalk & the fashion show scenario c. view from the extended axis under the runway

04

C I T Y R E G E N E R AT I O N JUNIOR

舊屋改造 / 街區活化 / 互動性

48

How to revive a district by renewing a wasted building? How can a building dedicate to a city?

The Fantasy Company invites us to reconstruct an old building as a new exhibition and selling area.

What is more important that the Fantasy Company is going to do is that to regenerate the old central district of Taichung.

Therefore, the issue how to revive a dead area by lighting up a new spot as a node would be considered firstly.

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49

central district Taichung river old district green area & parks site location

50

Site Context

Wu-Tso Elementary School, Taichung

Old facade, dead site, and newborn architecture

As an old district of Taichung where is on the centre, the site is very potential to revive the community around it, which could connect other newborn districts at the same time. Just like other works of the Fantacy Story company, the aim of this project is to lighten the original old building, making people get together on this dead and silent site again. Instead of overhauling all the old building, the new design remains the old facade as a design method. Remenber the permanent memories, and explore the new space.

51

vine old buildings

facade new buildings

concept of using both the language of old buidings and the language of new buildings

52

CONCEPT

DIAGRAMS OF THE DESIGN

The different language of old buildings and new buildings

As an old district of Taichung where is on the centre, the site is very potential to revive the community around it, which could connect other newborn districts at the same time. Just like other works of the Fantacy Story company, the aim of this project is to lighten the original old building, making people get together on this dead and silent site again. Instead of overhauling all the old building, the new design remains the old facade as a design method. Remenber the permanent memories, and explore the new space.

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01

02

03

04

05

06

07

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The process of embedding the new constucture 01/ space possibility 02/ vine extension

03/ breathing space

04/ extension of using space

05/ double-layered interior facade 06/ roof extension

07/ connection with public sapce image of entrance

55

exhibition curtain

interactive facade

56

extend into the old construction

displaying windows

People from the outside can actually see what's happening inside, including some exhibition works of artists. So, it can be said that there is a strong connection with the public, not only with the users inside the building. Moreover, the old facade has been remained at the same time, which also has a strong connection with the interactive facade.

57

double glass layers to make interior brighter

circular routes

artists' works as a facade

58

roof garden to lower the interior temperature

frames to adjust sunshine *systems of walls *green facade

multiple functions in different levels

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EXPLOSION

FUNCTIONS IN DIFFERENT LEVELS

01 The first floor provides sufficeint spaces for business. There will be many venders and restaurants in this floor, opening for tourists.

02 Exhibitions and a book shop will be located on the second floor, where also a conference room located on.

03 The third floor is set up for studios, including other office functions.

There are also two flats on this level, which provide some workers to live in.

04 A roof garden will be seen at the fourth floor. Moreover, one coffee shop and one outdoor restaurant are also available in this level.

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interior exhibition scenario rendering

05

OTHERS

other noteworthy works

64

Present an architecture language by abstract drawings or freeform models which include various different concept, scripts, and characters.

Not only architecture, but more.

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XL

FCU BOOK HUT SOPHOMORE

小書屋 / 樹下的記憶性 / 光影疊層 / 使用對象

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67

EXCHANGE FINLAND TRAVEL

Tampere University of Technology Exchange student program

芬蘭 / 交換學生 / 國際交流 / 生活

68

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INTERN JAPAN

Kengo Kuma and Associates

Internship

隈研吾 / 實習 / 國際學習

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BOOK

2018 :MUS E A RC HITECTU RE

The First Publication of FCU School of Architecture

The Editor

第一期逢甲大學建築專業學院院刊 總編輯

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