2 0 1 8 A RT B O O K S | S A L E S & D I ST R I B U T I O N
L I S S L L E W E LY N F I N E A RT
BOOTH-CLIBBORN EDITIONS
EKEN PRESS
2
ENITHARMON EDITIONS*
3
H.F. ULLMAN*
6
LUND HUMPHRIES*
8
SANSOM & COMPANY*
15
PAUL HOLBERTON PUBLISHING
21
DECORATIVE TEXTILES ENDEAVOURING BANKS SAM FOGG FROM ARAB AND E XPLOR IN G T H E CO L L ECT I O N S ISLAMIC CULTURES AD ILISSUM F ROM THE E N D E AVO UR VOYAG E
ADRIAEN VAN DE 26 VELDE: MASTER OF THE DUTCH LANDSCAPE 27
1768 –177 1 SELECTED WORKS F ROM THE A L ANOMIE BART CO R N E L I S , MAR I JN PUBLISHING LULWA COLLECTI ON SC H AP L E H O UMAN A N D R E W CO O K , JE R E MY J E N N IFER SCARC E , J E N N IF E R WEARDEN
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GEORGE F. THOMPSON COOTE , J O H N GASCO I G N E ,
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N E I NOBILE L C HA MB E R S , S I R DAV I D PIANO
32
ATTE N BORO UG H
Postia quiam quam ium sima
1
ARTISTS • BOOKWORKS 34 Itasseque con essus iunt omnitia Adi quatiistiore offictat faceperrum
CHRISTIE-JOHNSON 34 volorrupiet, unt volecat alicil magnien HIL ARY ndande que velestrumquo vendae sequunto magnatet ma venis millandit, testruptam volore dus elendipsum OSBORNE porem inus, cus, saest liquiam, quia ipsa qui illabor rovides cimagnient SAMUEL GALLERY 34 ideliquia nonsequame lam faccum qui inihiliquam in ressuscia ex erate sant
sin et veribus sequam laciis poreper
mosapid quid qui omnimil lesequam
spitati nvellent unt audanti consentiati
ad quis et quam sumet et alias volum
SAINSBURY CENTRE FOR VISUAL ARTS
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OXBOW BOOKS 35 consequo modia sunt accus samus, ratusciet que dollupt atinctatem.
a simus.
Cese corempor aut ilit, net amusae MIMESIS cus imaxim et aliquamet lit as et Olorepe aliatem remo eum conecum INTERNATIONAL 36 corendunt expedio mos dis reperunt magni qui dolum im quodi omnis atius
que nobissincia doluptatur accatio
in nim et quature voluptat ex et ditisit
UPNE AND PARTNER PRESSES 37
nsequatint. aceperum eatqui cumque volorerum Including: University Press of New England, Academia Press, Chipstone Foundation, sed eatempo rrorit quas rempore, Dartmouth Ficia voloremporit eum, voluptiusUniversity ea quam, sus dignihilibus autPress occum, College Press, Concordia and Wesleyan University as sequat inihil mi, con comni iunti velessum excea ni omnis nonsene tecea sum endi quam qui nus. ratinvent volore eostemporem quis
BESTSELLERS AND HIGHLIGHTS 39
odit volorer rovitat urenim fuga. Et LE S ONLY ut eles esci consequis as por sit ilit odia con commodia volut * UK SAaudaeped
Lenit volor aligendita comnimint
eosseque nos eossequis volectate
duntectur, natem fugit voles utas est
epedit lacime exerspe dicidem audis
expla voluptis et qui ut ra conem hil
poreicil endunt aut enditem olorepe
dolorerunt, cus,
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videstrum quodit mi, et est ad molupta
S A L Erumquae S R E P Rvid E SetE N TAT I O N & D I ST R I B U T I O N S E RV I C E exceate consequibus fuga.UK and Philadelphia USA, Casemate Art offers With incturibus offices insintem Oxford sales representation and international distribution services to galleries, museums and independent art publishers. For more information contact Simone Drinkwater: simone.drinkwater@casematepublishers.co.uk.
M O N TH 2 0 1 6
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FO R M AT, 0 0 0 X 0 00 M M F O R M AT, 0 0 0 X 0 0 0 M M FRONT COVER: Mortimer, Hoax 27, 2017, Oil and acrylic canvas, 00 0Justin PAGE S 00 0 on PAG ES 70 x 60 cm. © Justin Mortimer. Courtesy of the artist and Parafin, London. Photo: Peter Mallet 00 0 I L L UST R AT I O N S 00 0 ILL U STRATIO NS BACK canvas 2 COVER:£0Justin .0 0/Mortimer, $ 0 .0 0 Hoax 22, 2017, Oil and acrylic £ 0.on 00/ $0 . 0laid 0 on panel, 100 x 70 cm. © Justin Mortimer. Courtesy of the artist and Parafin, London. Photo: Peter Mallet
M O NTH 20 1 6
WWW.CASEMATEART.CO.UK ISBN : 978 1 90 1 1 92391 F O RMAT, 0 0 0 X 0 0 0 M M 0 0 0 PAG E S 0 0 0 IL L U STRATIO NS £ 0 . 0 0/ $0 . 0 0
VOLUME 1: N EXT SIZ E U P VOLUME 2: SIZE ISN ’T E V E RYTHI N G Next Size Up is a brand new book exploring the world of fashion, sport, design, art and music through the unique and powerful prism of contemporary Sneaker Culture as it enters another phase in its evolution. The world of sneakers has taken centre stage of not only youth culture, but also the mainstream creative industries including luxury fashion and music. Providing a platform to celebrate and discuss some of the most compelling issues surrounding the creative industries today, it will appeal to those interested in cutting edge design, illustration and contemporary art as well as the ever-expanding world of sneaker enthusiasts. This new book embodies the story, collaborating with designers, photographers, artists and writers including, amongst others, Paul Smith, Sarah Andelman, Antony Burrill, Alexander
AU T UM N 2 0 1 8 9 781 8 6 1 5 43 8 4 4 HAR DBACK , 2 VO L U M E S IN S L IPC A S E 206 X 32 0 M M 240 PAGE S P E R VO LU M E £75.0 0
McQueen, Nike, Vans, Prada, At Last Clothing and many more. Size Isn’t Everything, first published 20 years ago, is reprinted to complete this two volume set – the very first book of its kind, it set the template for all others to follow. Back then it was completely uncharted territory, an underground
BOOTH–CLIBBORN EDITIONS
SN E AK E RS
movement of which the mainstream, including the Sneaker brands themselves, knew nothing. Size Isn’t Everything not only examined its heroes, codes, boundaries and contradictions, but also embodied the culture’s ethos of putting creativity, design and collaboration at its very heart. Working with some of the most innovative names of the time it features such names as The Chapman Brothers, Anthony Burrill, Tomato, Snoop Dogg, Glen E. Friedman, Tony Hawk and Spike Jonze.
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EKEN PRESS A TO Z OF ART FOR KIDS
IMPOSSIBLE PHOTOGRAPHY
TOOLS FOR SLOW LIVING
VARIOUS AUTH OR S
SU R R E A L P I CT UR E S T H AT C HA LLE N G E O UR P E RC E PT I O N
A P RACT I CAL G UI D E TO MI N D F UL N E SS & COZI N E SS
BY AGATA TO RO MAN O F F
Art can be fun and so should speaking
This collection of remarkable pictures
M a ny m o d e r n g u r u s , l i fe - st y l e
about it. This alphabetically organised
from photographers around the globe
magazines, TV programmes and books
book is an excellent introduction to
will tease your eyes and challenge your
promote slowing down and resisting
the arts for kids. Designed in a fancy
perception of things by crossing the
the relentless tempo of daily life. This
colourful style, the selection kindles
boundaries of rationality and reality.
book offers a carefully selected set of
children’s interest in artistic creation
As much as these images intrigue the
objects and accessories that will not
at large. It not only delivers basic
senses, they also challenge the mind.
only show you how to relax again, but
knowledge but also acts like a good
By provoking rational conventions and
also how to refuse the crazy pressure
jumping-off point for exploring art. To
meanings, their works question our
for speed. Let this book be your guide
match children’s short attention span,
vision of reality and attitude towards
on the way to escape the hurly-burly of
the book has a dynamic structure. The
photography as a media capturing
everyday life and get rid of the stress it
definitions are short but comprehensive
the true instant, which initiates a
generates. Thanks to our inspirational
and each word or concept is attractively
captivating dialogue with viewers.
collection of tools for slow living you
illustrated.
Impossible Photography invites us to
will connect with reality, with others
look with a fresh, and critical eye at
and most importantly with yourself.
what photographs tell us.
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OCTO BE R 2 0 1 7 978 1 9 0 8 2 3 3 0 2 8 PA P E R BACK , 1 8 5 X 23 0M M 96 PAGE S IL L UST R AT E D T H RO U G H O U T £9.9 9
O C TO B E R 20 1 7 978 1 908 2331 1 0 PA PE R BACK , 247 X 1 90 M M 176 PAG E S 15 0 ILL U STRATIO NS £ 17.99
O CTO BE R 20 1 7 978 1 90 82330 1 1 PA P E RBACK , 1 97 X 1 4 0 M M 220 PAG E S 1 50 IL L U STRATIO NS £ 1 2 .99
S A L E S
R E P R E S E N T A T I O N
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J OY D IV IS IO N BY G L E N N B ROWN , MI C H AE L B RAC E WE L L AN D LAV I N I A G R E E N LAW In this beautifully conceived artist’s book, the paintings and drawings of Glenn Brown referencing the meteoric career of Ian Curtis and Joy Division are brought together with specially written texts by the novelist Michael Bracewell and the poet Lavinia Greenlaw. Taking its title Licht and Blindheit from the last Joy Division record to be released during Ian Curtis’s lifetime, Michael Bracewell’s essay describes the musical intensity and profound romanticism that have made Joy Division as iconic and musically influential as Kraftwerk or The Doors. Joy Division has been designed by Peter Willberg and printed in Germany by Plitt GmbH. This is the regular edition of 400 signed and numbered copies.
ENITHARMON EDITIONS
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AVA I L AB L E N OW 9 781 9 1 1 2 53 3 3 4 HAR DBACK , 41 7 X 3 0 2 M M 59 PAGE S £95.0 0
ST I LL A P OETIC RESP ONS E TO PHOTOGRA PHS OF T HE SOMME BATTLE F IE LD BY SIMON ARMITAG E Still is a sequence of poems in response to panoramic photographs of battlefields associated with the Battle of the Somme. Chosen from archives at the Imperial War Museum, these astonishingly clear photographic images are ahead of their time. Still was published on the centenary of the battle, which is considered to be one of the bloodiest in British military history. Consequently, Armitage’s thirty poems are versions of the infamously tense Georgics by the Roman poet Virgil. The contemporary words meld with the visual devastations of war to haunting effect. Designed by Praline Design Studio and published by Enitharmon Press and the Imperial War Museums, Still is a 74pp large-scale landscape publication with introductory texts, contemporary maps, fold-outs and decorated endpapers.
AVA IL A BL E NOW 978 1 91 1 2531 36 HA RDBACK , 24 6 X 30 5M M 74 PAG ES £ 30 . 0 0
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S A L E S
R E P R E S E N T A T I O N
O N L Y
DRAWING
STONE SOUP
UNDER MILK WOOD
BY MICHAEL CRAIG-MARTIN
BY PAU LA R EGO AN D CAS W I LLI N G
BY DYLAN T H O MAS I MAG E S BY P E T E R B LAK E
Craig-Martin began making line
Full of the macabre touches and dark
Internationally acclaimed for its
drawings of ordinary objects in 1978,
humour that have made Paula Rego’s
eccentricity and widely admired for
and has continued to add to this
reputation, Stone Soup is a new version
its lovelorn lyricism, Dylan Thomas’s
vocabulary of images to the present
of the traditional Portuguese folktale
ground-breaking 1954 ‘play for voices’,
day. All are of man-made objects,
by her daughter, the designer and
Under Milk Wood, has long echoed in
mostly mass-produced, immediately
writer, Cas Willing. Typically read to
the imagination of the founding father
familiar in the contemporary world.
children to encourage cooperation in
of British Pop Art, Sir Peter Blake.
They have been at the core of most
times of scarcity, the fable has existed
Revealed here for the very first time
of his work since 1978. Unlike most
in numerous incarnations for centuries.
alongside Thomas’s play text are the
drawings they do not exist as unique
The book follows the efforts of a young
‘dismays and rainbows’ of this great
images on paper. As the artist explains:
female traveller in her attempt to save
artist’s richly detailed sequences of
“In the early days I drew each object
herself from starvation, persuading a
110 watercolours, pencil portraits and
in pencil on paper and traced it in fine
suspicious townspeople to supply her
collages, comprising one of his most
tape on acetate. I then destroyed the
with food for her mysterious Stone
distinctive and significant bodies of
pencil drawings. Since the mid-’90s
Soup. All of the thirteen watercolour
work.
I have drawn directly on a computer
and ink paintings are reproduced here,
using the mouse as pencil. No hard
bringing together Rego’s expressive
copy exists unless I print or paint one.”
cast of figures amidst their troubled landscape.
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AVAI L A BL E N OW 978 1 9 1 0 39 2 2 0 1 H A R DBACK , 2 6 0 X 2 4 5 M M 60 8 PAGE S £5 0 .0 0
AVA IL A B LE NOW 978 1 910 39 20 1 0 H A R D BACK , 21 6 X 1 53MM 32 PAG E S £ 12 .99
AVA IL A BL E NOW 978 1 907 58 761 0 HA RDBACK , 298 X 250 MM 1 7 5 PAG E S £ 30 . 0 0
S A L E S
DAVID JONES IN THE GREAT WAR
R E P R E S E N T A T I O N
O N L Y
SIDE BY SIDE
PARIS ESCAPADES
BY THOMAS DILWORTH
GILBERT & GEORGE THE SCULPTOR S
BY PETER BLAKE AND MARCO LIVINGSTONE
The great modernist artist and poet
This is a unique glimpse into the
Paris Escapades is a beautiful book
David Jones grew up in Brockley,
mercurial world that Gilbert & George
of Paris collages by Sir Peter Blake
London. He finished art school in
construct around themselves. The
who demonstrates his unerring
the summer of 1913, but then Britain
hand-marbled cover, created by the
sense of felicitous and unexpected
declared war on Germany, and Jones
artists themselves, makes each copy
juxtapositions, a gift for visual story-
joined the army. He was sent to France
of this beautiful edition a unique art
telling and an eye no less acute for
in 1915, serving in the same regiment
object. The 65 photographs and 19
having a permanent twinkle. Blake
as Robert Graves. Now, thanks to
drawings are reproduced in duotone,
features many familiar monuments
Th o m a s D i l wo r t h ’s p a i n st a k i n g
and printed on Mohawk Superfine
in his Paris pictures but submerges
research, including scores of personal
White Eggshell (Library of Congress
them in extraordinary events that turn
interviews, Jones’s story can be told
certified). The book is thread-sewn
them into the stuff of dreams. Each
in detail. Accompanying the text are
and hand-bound in marbled linens
of the 28 images in Paris Escapades
photographs of Jones and his wartime
specially made by Gilbert & George.
is accompanied by the artist’s wry
sketches and writings, many previously
Each marbled cover is unique and
commentaries, and the book is
unpublished, and seven fully rendered
each copy is signed and numbered by
preceded by an interview with Marco
drawings not seen since the war.
the artists.
Livingstone in which Blake discusses
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his lifelong involvement with collage.
AVAIL A BL E N OW 9 781907 5 8 7 2 45 HARDBACK , 2 2 2 X 1 42 M M 228 PAG E S £15.00
AVA IL A B LE N OW 978 1907 5 8 7 5 42 H A R D BAC K , 2 2 0 X 1 33MM 1 7 2 PAG E S £ 5 0. 00
AVA IL A BL E NOW 978 1 907 58 7 1 53 HA RDBACK , 31 7 X 24 0 M M 1 31 PAG ES £ 25. 0 0
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R E P R E S E N T A T I O N
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DRAWI NG THE HU MAN F IGU RE TH E ARTIST’S COM PLE TE GU I D E BY ANDRÁS SZU N YOGHY To draw the human body is one of the most interesting yet most difficult tasks for budding artists. This book offers hundreds of illustrations and useful instructions by Hungarian master András Szunyoghy, based on his teaching practice for several decades. Detailed paragraphs on the special features of drawing the head, feet, or hands along with sections on perspective, proportion, and posture provide a comprehensive guide for both hobby artists and professionals alike. Learn how to depict the effects of light and shade, tone, composition, and colour and you will be able to create beautiful pieces of art. This concise handbook will help you improve your drawing abilities by providing useful exercises, easy to follow step-by-step instructions, and valuable tips for your drawing practice.
SEP TE M BER 20 1 8 978384 8 0 1 1 50 6 HA RDBACK , 237 X 1 84 MM 20 8 PAG E S , OV E R 60 0 DRAW ING S £ 1 4 .95
A RT NO U V E A U BY MAR I A- C H R I ST I N A B O E R N E R , AC H I M B E D N O R Z AN D E D I T E D BY RO L F TO MAN
From the 1880s until the First World War, the artistic world witnessed the development of Art Nouveau, the first truly global style. Taking inspiration from the natural world, Art Nouveau influenced visual arts and architecture especially in painting, graphics, interior design, sculpture, jewellery, glass and ceramics. The movement was committed to abolishing the traditional hierarchy of the arts, which viewed so-called liberal arts, such as painting and sculpture, as superior to craft-based decorative arts, and to unifying art and life. Art Nouveau artists believed that all the arts should work in harmony to create a “total work of art’’, or Gesamtkunstwerk: graphic works, buildings, furniture, textiles all conformed to the principles of Art Nouveau.
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PO RT RA IT D RAW ING BY AN D RÁS SZUN YO G H Y
The human face is characterized by a specific expressiveness and is thus an important part of composition. To be able to draw it correctly requires considerable prior knowledge. One must understand the art of measuring, the rules of perspective, and the
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intricacies of drawing simple forms. The capturing and re-creation of character attributes are special challenges requiring knowledge and use of the rules. András Szunyoghy’s decades of experience as an artist and teacher predestine him for the compilation of a ground-laying system of rules for the learning of this art. This book provides comprehensive assistance not only to beginners but also to advanced artists.
SEP T E M BE R 2 0 1 8 9 783 8 4 8 0 1 1 7 59 HAR DBACK , 2 37 X 18 4 M M 208 PAGE S , OVE R 600 D R AWIN G S £14.9 5
V IE NN A ART AN D ARCH ITECTU R E ED ITED BY ROLF TOM A N A N D BY ACHI M BE D N OR Z AN D G ERALD ZUGMAN N At the mention of Vienna, many visitors think of Sachertorte, romantic open carriage trips and an evening in one of the local wine taverns. But the old imperial city has much more to offer: this book presents a comprehensive, richly illustrated view of the art treasures to be found in the Danube metropolis. The main focus is on the Baroque era with its magnificent church buildings and palaces including the Hofburg, Schönbrunn and Belvedere; revivalism with its architectural highlights on the new Ringstrasse; and Viennese art nouveau including artists Gustav Klimt and Oskar Kokoschka, the Wiener Werkstätte and the Sezession. Insightful essays on the beginnings of the history of art in Vienna and on the state of contemporary Viennese art round off the book.
A P RIL 20 1 8 978 38 4 80 1 1 7 35 HA RDBACK , 280 X 24 0 MM 4 52 PAG E S , 50 0 IL L U STRATIO NS £ 39.95
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S A L E S
LEE MILLER AND SURREALISM IN BRITAIN
R E P R E S E N T A T I O N
O N L Y
ETEL ADNAN
PHILIP TAAFFE
BY KA E LE N WI LSO N - GO L D I E
BY JO H N YAU
Lee Miller (1907–1977) attracts enduring
Etel Adnan (b.1925) is a Lebanese-
Presents a comprehensive view of
fascination – a female pioneer who is
American poet, essayist and visual
the work of American painter Philip
often presented as a singular figure.
artist. This will be the first book to
Taaffe (b.1955), who has expanded the
However, she was also integrated
present a full account of Adnan’s
parameters of painting through his use
within a creative network of artists
fascinating life and work, using the
of silkscreen, linocuts, collage, stencils,
that helped change the course of
drama of her biography, the complexity
gouache, chine-collé, marbling, acrylic,
art history in the twentieth century.
of her identity, and the cosmopolitan
enamel, watercolour, and gold leaf.
Presenting for the first time Lee Miller’s
nature of her experience to illuminate
John Yau’s insightful text is the first
photographs of, and collaborations
the many layers and dimensions of
to look at every part of Taaffe’s artistic
with, important Surrealist artists
her paintings and their progress over
development, from the works he made
working in Britain. Essential for all
several crucial decades. Tackling the
at Cooper Union, while a student of
students and enthusiasts, this book
complexities of her subject with skill
Hans Haacke, to the present. It pays
reveals the social and cultural networks
and insight, Kaelen Wilson-Goldie
special attention to Taaffe’s acquisition
in which she was embedded, offering
unpacks Adnan’s multi-layered career
of different techniques, as well as
a holistic view of her work and the life
to capture the full scope of her
investigating his various sources of
of the Surrealist movement in Britain.
artistic endeavours and impressive
inspiration.
achievements.
CONTEMPORARY PAINTERS SERIES
EDITED BY ELEANOR CLAYTON
CONTEMPORARY PAINTERS SERIES
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JUN E 2 0 1 8 978 1 8 48 2 2 2 7 2 4 H A R DBACK , 2 70 X 228 M M 152 PAGE S 40 CO LO UR I L L U ST R AT IO N S £3 5 .0 0
J U N E 2 01 8 978 1 8 4 8 2 2 2663 H A R D BACK , 28 0 X 24 0 M M 14 4 PAG E S 10 0 CO LOU R IL L U STRATIO NS £30.00
A P RIL 20 1 8 978 1 84 8 222632 HA RDBACK , 280 X 24 0 MM 1 4 4 PAG E S 1 1 0 CO LO U R IL L U STRATIO NS £ 30 . 0 0
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ER I C RAV IL IO U S SC RA PB O O KS BY PEYTON SKIPWITH AND BRIAN WEBB H
Ravilious’ scrapbooks represent a conscious accumulation of reference material, revealing his interest in subjects as diverse as tennis, cricket, fireworks and aeronautics, alongside a multitude of sketches, tracings and proofs of engravings. Ravilious’ scrapbooks document the considered progression of an inquisitive mind, grasping his chosen subjects in a unique and delicate visual language. Bringing together over 170 images taken from the artist’s 5 scrapbooks, accompanied by instructive commentary by the
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authors, this new book provides a fascinating record of the febrile imagination of one of Britain’s best-loved artists.
JU N E 2 0 1 8 9 781 8 48 2 2 2 59 5 HAR DBACK , 3 0 0 X 24 0 M M 208 PAGE S 172 CO LO UR I L L UST R AT IO N S £40.0 0
NEW MUSEUM PRACTICE IN ASIA EDITED BY CAROLINE LANG AND JOHN REEVE
There is currently an explosion of museum and heritage activity across Asia, especially in China, where audience development and public education have been made a government priority area for museums. This practical handbook examines and critiques these developments and asks how best practice can match the specific needs of diverse Asian cultures and societies. Bringing together a range of regional examples of innovative practice and new initiatives, the book covers shared themes and challenges in museums, galleries, outreach/community projects and heritage sites across Asia. It covers everything from policy, governance, funding, recruitment and training, through audience development and inclusion, to education and exhibitions, and using media and performance. Other topics include collaborations and partnerships, volunteering, marketing, social media, evaluation and income generation.
SE P TEMBER 20 1 8 978 1 84 8 222564 HA RDBACK , 24 0 X 1 70 MM 224 PAG ES 50 B/ W IL L U STRATIO NS £ 50 . 0 0
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S A L E S
R E P R E S E N T A T I O N
STREET TO STUDIO
PLUNDERING BEAUTY
BY RAFAEL SCHACTER
A HI STORY O F ART C R I ME D U R I N G WAR BY A RTHU R TO MP K I N S
O N L Y
THE GLOBAL SPECTACULAR CO N T E MP O RARY MUS E UM ARC H I T ECT UR E I N C H I N A AN D T H E ARAB I AN P E N I N SULA BY KAR E N E X E L L
For fifty years, graffiti and street art
The roll-call of mankind’s wars down
Providing, for the first time, a visual
have been challenging conventions
the centuries is paralleled by an equally
documentation of the development
and stimulating debate around our
extensive catalogue of the theft,
of these museums, the book offers
perceptions of what constitutes art. As
destruction, plundering, displacement
a sustained architectural critique of
the genre enters its sixth decade, this
and concealing of some of the greatest
the style of architecture that these
ground-breaking book presents a new
works of art. Plundering Beauty: A
museums represent. By setting out the
interpretation of where street art and
History of Art Crime During War charts
social, cultural, political and economic
graffiti are situated today. Introducing
the crucial milestones of art crimes
context for the current developments
the concept of ‘Intermural Art’ – art
spanning two thousand years. The
in these emerging economies, and
inbetween the walls – Rafael Schacter
works of art involved have fascinating
briefly covering the history of museum
presents a genre at a key moment of
stories to tell, as civilization moves
architecture, the book examines
transition. Through forty profiles of
from a simple and brutal ‘winner
the reasons for the investment in
the leading proponents of this new
takes it all’ attitude to the spoils of
spectacular museums and the global
approach from around the globe,
war, to contemporary understanding,
architectural aesthetic and what the
Rafael Schacter presents a compelling
and commitment to, the idea that a
future holds for these buildings as
analysis for ‘Intermural Art’ while also
society’s artistic heritage truly belongs
institutions and in terms of social,
showcasing some of the boldest work
to all humankind.
cultural and architectural impact.
A PR IL 2 01 8 978 1 8 4 8 2 2 21 99 H A R D BACK , 234 X 1 53M M 192 PAG E S 34 COLOUR , 14 B/W ILLUSTRATIONS £ 2 5 . 00
M AY 20 1 8 978 1 84 8 2224 96 HA RDBACK , 250 X 1 90 MM 1 28 PAG E S 50 COLOUR, 100 B/W ILLUSTRATIONS £ 4 5. 0 0
being made currently.
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S A L E S
R E P R E S E N T A T I O N
O N L Y
BEAUTIFUL MOVES
NEW ART, NEW MARKETS
GOLD COAST
DESIGNING STADIA
BY IA IN ROBE RT SO N
CITY AND ARCHITECTURE
BY BENJAMIN FLOWER S
LUND HUMPHRIES
U K
BY ANDREW LEACH
This book turns to the architecture of
Originally published in 2011, Iain
Beautifully illustrated throughout, this
the stadium as an architectural type
Robertson’s A New Art from Emerging
book offers the first comprehensive
as captivating as the play occurring
Markets introduced and examined
history of the city and its architecture,
on the pitch. In the past 30 years a
three types of emerging markets for
documenting its rise from a series of
number of stadium projects have been
contemporary art: the very recently
seaside villages in the late nineteenth
completed that challenge perceived
established, the maturing and the
and early twentieth centuries to the
notions about this building type as a
mature. This fully revised second
present-day city, set to host the 2018
site for architectural innovation and
edition not only updates the reader on
Commonwealth Games. Considering
complexity. By examining a range of
this rapidly evolving market, but also
city plans, architectural works,
exemplary stadia from around the
adds important new sections on South
landscape formations and modes of
world, this book presents for the first
America – focusing on Brazil, Mexico,
inhabitation over the time in which
time a canon for this building type.
Columbia and Cuba – on Nigeria, South
the Gold Coast has been peopled, it
Organized chronologically, it includes
Africa and Qatar. Written accessibly
considers the role of architecture in
famous examples from the likes of
and engagingly, the book presents
carrying the city forward.
Lina Bo Bardi, Frei Otto, and Eduardo
emerging art-market scenarios that
Souto de Moura.
offer the collector, investor, speculator, observer and culturally interested individual an insight into where the new markets are and how they are likely to develop.
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LUND HUMPHRIES
U K
S A L E S
R E P R E S E N T A T I O N
O N L Y
ALISON WILDING
KYFFIN WILLIAMS
PAUL FEILER
BY JO APPLIN AN D A N E SSAY BY B RION Y FER
THE LIGHT AN D T H E DAR K
1 9 1 8 -201 3
BY R I A N E VAN S AN D WI T H PHOTOGRAP H S BY N I C H O LAS S I N CLA IR
BY MI C H AE L RAE B UR N
Alison Wilding RA (b.1948) is one of
In Kyffin Williams’ centenary year, this
The paintings of Paul Feiler (1918-
Britain’s foremost sculptors. Tracing
monograph examines the life and art
2013), the focus of this first survey
the trajectory of her artistic evolution,
of a man who, as a Royal Academician,
of the artist’s life and career, were
this original publication provides
achieved both professional success
inspired by the English landscape,
the first critical survey of Wilding’s
and a remarkable popular appeal. A
particularly the cliffs and inlets of the
rich career. Known for her use of
conservative estimate suggests that
coast of south-west Cornwall. Based
contrasting materials and often pairing
he produced some 6,500 paintings
on full access to the artist’s archive of
forms in precarious juxtapositions
in a career which spanned some
letters, catalogues and photographs,
and balancing acts, recent works
six decades. Including discussion of
Michael Raeburn describes how
combine string, steel and hair, mirrored
his fine collection of portraits, this
Feiler overcame many painful early
glass, silicone rubber, alabaster,
publication provides an in-depth
experiences to achieve the meditative
sand and painted foam. Drawing on
overview of Williams’ career and
serenity of his deeply spiritual work.
extensive interviews with the artist
probes areas of inspiration which have
For all those interested in the history
and referencing numerous secondary
been inadequately explored to date.
of modern British painting, this is a
sources, this impeccably researched
Featuring some of the finest examples
much-needed resource.
and beautifully produced publication
of his impressive oeuvre, this book is
will situate Wilding’s work within its
an essential addition to the libraries
rightful place in the history of modern
of all those who appreciate his work.
abstract sculpture.
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S A L E S
R E P R E S E N T A T I O N
ENID MARX
SHARING IMAGES
THE PLEASURES OF PATTERN
R E N A I SSA N CE P R I N T S I N TO M A I OLICA A N D B RO N ZE
BY ALAN P OWER S
O N L Y
RUSKIN’S VENICE: THE STONES REVISITED
LUND HUMPHRIES
U K
NEW EDITION
BY JA M IE GA BBAR E L L I
BY SARAH Q UI L L
This is the first monograph on the
This book is the first full-length
Newly published in a paperback
work of Enid Marx (1902–1998), a
study into the multifarious influence
edition of the 2015 New Edition,
leading artist, designer, collector and
of Renaissance prints on maiolica
photographer Sarah Quill has selected
writer, who played an important role
and bronze. Focusing on designs
passages from Ruskin’s The Stones
in British cultural life in the second
by major artists such as Andrea
of Venice and has linked them to
half of the twentieth century. Her
Mantegna, Antonio del Pollaiuolo,
her own photographs of Venetian
design work, much of it anonymous,
Raphael, Michelangelo, Parmigianino,
architecture. This edition incorporates
including wartime utility fabrics, book
and Albrecht Dürer, the book tells
u p - to - d ate v i ews o f b u i l d i n g s ,
illustration and cover patterns, tube
the story of how printed images
several of Ruskin’s watercolours, with
train seat fabric and postage stamps,
were transmitted, transformed, and
extracts and reproductions from his
was, in its time, ubiquitous in British
translated onto ceramics and small
Venetian notebooks. Expert editorial
public life. Drawing on a wealth of
bronze reliefs, creating a shared
annotations and commentary enhance
research and thoroughly illustrated
visual canon across artistic media
our understanding of Ruskin’s text.
with high-quality reproductions –
and geographical boundaries. Sharing
Completely redesigned to be even
many previously unpublished – Alan
Images provides a comprehensive
more user-friendly as both a reference
Powers’ account reveals an artist
introduction to different aspects of the
book and a guide for travellers to
whose work was perfectly poised at
importance of illustrated books and the
Venice, it’s a unique companion guide
the intersection of traditional craft and
artistic exchanges between Italy and
for both seasoned and first-time
abstract modernity.
northern Europe.
travellers.
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LUND HUMPHRIES
STUDIO VOICES
RABIH HAGE
MARY NEWCOMB
ART AND LIFE IN 20 TH C E N TU RY B RITAIN
QU IE T A RC H I T ECT UR E
D RAWI N G F RO M O BS E RVAT I O N
BY D OM I N I C B RAD B URY
WI T H AN I N T RO D UCT I O N BY WI L L I AM PAC K E R AN D C H APT E R T E XT S BY T E SSA N E WCO MB
Studio Voices explores the multi-
Rabih Hage defines his work in terms
This beautiful new book, compiled by
layered experiences of modern and
of a ‘quiet architecture’, a philosophy
the artist’s daughter and grandson,
contemporary British artists in their
which focuses upon the creative re-use
reveals Mary Newcomb as an acute
own words, drawing on the author’s
and adaptation of existing buildings,
o b s e r ve r o f h e r s u r ro u n d i n g s ,
original research in the Artists’ Lives
recognising the importance of both
reproducing her copious sketches
audio archive at the British Library.
sustainability and character within
alongside more finished paintings and
Michael Bird’s fascinating oral history
this ethos. Ranging from London
short diary extracts to draw out the
of the lives and working practices of
townhouses to escapist farmhouses,
many themes which preoccupied her
artists over the last century, extracted
this book provides a comprehensive
throughout her career as an artist.
from the huge and growing archive
s u r ve y o f t h e a t e l i e r ’ s wo r k .
Mary’s daughter Tessa Newcomb,
of artists’ interviews recorded since
Beautifully illustrated throughout with
also an artist, introduces the key
1990, allows us to eavesdrop on
photographs, drawings and sketches,
themes of the book with short texts
artists’ life-story conversations, which
Hage discusses his process and the
which provide fascinating insight
range through creative practice and
development of each of the projects
into her mother’s world. A reflective
professional achievements, childhood
with author Dominic Bradbury.
introductory essay by art critic William
EDITED BY MICH AE L BIR D
14
memories, family life, relationships,
Packer considers Mary Newcomb’s
and unexpected, incidental epiphanies
written diary observations alongside
of self-awareness.
the poetic language of her art.
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L I F E AN D PAI N T I N G BY ME L GO O D I N G AN D LUCY I N G L I S This is the first monograph on the Scottish-born artist Elsa Vaudrey (1905–1990), whose 60-year career began in the 1920s when she was a student at the Glasgow School of Art. Perhaps best known for her atmospheric abstract paintings, which she executed from the late 1950s onwards, she also produced a large body of figurative work, mainly still lifes and landscapes, most of which have never before been seen. Lavishly illustrated with previously unpublished personal photographs and paintings, the book considers for the first time both her earlier figurative and later abstract works. Much of the book was informed by the artist’s own papers, collected together in the Elsa Vaudrey archive, which chart key moments in
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her personal and professional life.
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WI LL I AM COLDSTR E A M CATALOGUE RAISON N É BY PETER T. J. RUMLE Y William Coldstream became one of the significant twentieth century cultural icons, who influenced generations of art students. This publication is the first complete catalogue raisonné and first comprehensive essay to critically scrutinize Coldstream’s entire output, his singular painting method and to clarify his empiricist approach to objective realism, which hitherto has been largely misunderstood by art historians and critics. Each painting is chronologically described in full and accompanied by supportive text to place Coldstream’s figurative painting within a cultural context.
MA RCH 20 1 8 978 1 90 83267 99 HA RDBACK , 28 4 X 1 64 MM 21 2 PAG E S £ 4 5. 0 0
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R E P R E S E N T A T I O N
ALBERT IRVIN AND AMERICAN ABSTRACT EXPRESSIONISM
ROBIN PHILIPSON BY ELIZABETH CUMMING
BATH: PAINTINGS BY PETER BROWN
Published to coincide with a major
In the third quarter of the twentieth
Peter Brown is a unique artist and a
retrospective of Albert Irvin’s (1922–
century Sir Robin Philipson (1916–92)
familiar figure on the pavements of
2015) work at the RWA, Bristol, this
ranked as one of the best known and
Bath where he paints cityscapes from
book discusses the artist’s career
prolific artists of what became known
life, earning him the nickname ‘Pete the
from the early 1950s up until his death
as the Edinburgh School. He spent his
Street’. This book chronicles his work
in 2015. It also includes a sixtieth-
working life as an art school teacher,
over two decades of painting the city
anniversary celebration of the Tate’s
heading the Drawing and Painting
that inspired him to return to painting.
seminal exhibition, ‘The New American
School at Edinburgh College of Art
Over 130 of Peter’s oil paintings and
Painting’; this show was an epiphany for
for over twenty years, and he served
charcoal drawings are included in
Irvin and his development as an artist,
as Secretary, then as President, of the
colour, accompanied by his anecdotes
redefining what was possible for a
Royal Scottish Academy. This new
and experiences of painting in amongst
generation of significant British artists,
study discusses his double commitment
the public on Bath’s streets and hills.
as they began to question existing
to traditional teaching practice and to
A companion to his book of London
European models, and challenge ideas
the wider encouragement of art across
paintings, this coffee table book is the
relating to scale, gesture, meaning and
society.
perfect gift for Bathonians, tourists and
materiality of paint.
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the many admirers of Peter’s work.
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R E P R E S E N T A T I O N
O N L Y
J O HN B L AC KB U RN T H E H UMAN AN D T H E ABST RACT BY I AN MASS E Y This is the first ever monograph on the work of the British artist John Blackburn (b. 1932). In a major essay, Ian Massey traces the stylistic and technical development of the artist’s work from the ‘Encaustic’ paintings of the early 1960s through to the present day. The author draws on new research, including conversations with the artist in his studio, and on previously unpublished archival material. This substantial publication firmly establishes Blackburn’s significance, and positions him within the history of post-war abstract painting. It includes additional texts by writer and critic Andrew Lambirth, art historian and former director of the Auckland Art Gallery Christopher Johnstone, and the artist’s long-time friend
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and collector Furse Swann.
SEP T E M BE R 2 0 1 8 9 781 9 1 1 4 0 8 2 7 7 HAR DBACK , 2 6 5 X 25 0M M 184 PAGE S £40.0 0
J OH N E DGAR PL ATT M ASTER OF TH E CO LOU R WOOD BLOC K BY H ILARY CH APMA N John Edgar Platt was one of the leading lights of 1920s and 1930s printmaking. This is the first book to consider his place in British 20th century printmaking and investigate the influence of Japanese woodblock printing on the output of Platt and his contemporaries. It features colour illustrations of all his printed work and two essays by print expert Hilary Chapman. A master of the colour woodblock print in the Japanese style, Platt combined eastern technique with a western design sensibility. The fusion of traditional European subject matter with the Japanese woodblock method enabled Platt to create some of the most original images in British printmaking.
SE P TEMBER 20 1 8 9781 91 1 4 0 8 307 PA P E RBACK , 20 0 X 20 0 M M 7 2 PAG ES £ 1 2 . 50
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S A L E S
R E P R E S E N T A T I O N
O N L Y
ALFRED STOCKHAM
EDWIN G. LUCAS
CLIVE MCCARTNEY
SEVEN DECADES OF PAINTING
A N IN D I V ID UAL E YE
PASS P O RT TO PAI N T
BY HE LE N E . SCOT T AN D A LA N LU CAS
BY C L I VE MCCART N E Y
Spanning seven decades, this is the
This is the first publication to focus on
This is the first monograph devoted to
first published work on the paintings
the life and career of Edwin G. Lucas
the work of the artist Clive McCartney.
of English artist Alfred Stockham.
(1911–1990), one of the most unique
It offers a review of his 30-year career
Whilst admired, collected and loved
Scottish painters of the 20th century.
and traces his artistic journey, from
by generations his passionate works
Born and educated in Edinburgh, he
his early wanderings through Egypt
are not so widely-known to the British
was largely self-taught as an artist,
and Sudan, Morocco and India, to
public. A master of colour, his oil
exhibiting regularly at the Royal
the European capitals of Paris, Berlin,
paints glow like gold, the colours
Scottish Academy and Society of
Rome and London, and finally his
responding to one another in dynamic
Scottish Artists. It accompanies a major
arrival in America. The book discusses
relationships. Reducing his abstract or
retrospective exhibition to be held
the working processes involved in
figurative forms to merest suggestion,
at the City Art Centre in Edinburgh
‘series’ painting, in which works evolve
blocks of many-layered colour, his
during 2018-2019, drawing on material
into large-scale projects. With over
simple yet perfect compositions sing
from the artist’s estate, and is lavishly
150 illustrations, McCartney shows
with a kind of narrative tension.
illustrated.
the diversity of subjects he covers – still life, life drawing, landscapes, cityscapes, architecture, interiors, nocturnes and abstraction.
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CO NF L IC T ING V IE W S PAC I F I ST ART I ST S BY G I L L C LAR K E Marking the centenary of the ending of the First World War this ground-breaking and richly illustrated book explores the ways artists who were conscientious objectors and pacifists responded to conflicts, and provides new insights into their varied work, motivations and treatment. The focus is on British artists during two World Wars through to the work in the 1960s of Scottish-Irish artist William Crozier who was greatly impacted by both wars and in particular seeing films of the liberation of the prison camps in 1945. Features work by, and discussion on, amongst others, Mark Gertler, members of the Bloomsbury Group, Percy Horton, Sven Berlin, Kenneth Rowntree and John Tunnard.
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IN REL ATION NINE COUPLES WH O TRA N S FOR M E D M OD E R N BR I T I S H ART BY JAMES RUSSELL
This book explores the phenomenon of the ‘artist couple’ in Modern British Art, focusing on the lives and careers of nine pairs of artists and designers – Tirzah Garwood and Eric Ravilious; Rose and Roger Hilton; Laura and Harold Knight; Dod and Ernest Procter; Vanessa Bell and Duncan Grant; Ben Nicholson and Barbara Hepworth; the Two Roberts (Colquhoun and McBryde); Phyllis Barron and Dorothy Larcher; and Mary Fedden and Julian Trevelyan. It offers glimpses into the private world of artist couples and their families, and explores the influence these artists had not only on each other’s work but also on the art world more generally. Designed to challenge assumptions and inspire debate, this book will change people’s perceptions of twentieth-century British art.
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O N L Y
This provides the
This is a long overdue
first dedicated study
monograph dedicated
of the fascinating
to the life and work of
transformation of a
Edward Stott, A.R.A. It
private home into an art
not only examines his
college into an essential
life and a comprehensive
facet of Scottish art
assessment of his
education that proved
work, but it also seeks
a highly significant force
to reinsert him into
in Scottish art. Featuring
the history of British
unpublished archival
landscape painting and
material alongside paintings, drawings and prints from
to place him alongside some of his contemporaries who
public and private collections.
have received more art historical recognition.
ST UDE N TS O F H OS PITA LF IE L D
EDWA RD STOTT (1 8 55- 1 91 8): A MA STE R O F CO LO U R A ND ATMOSP HE RE
BY PEGGY BEA R D M OR E
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BY VAL E R I E WE B B
M AY 20 1 8 978 1 91 1 4 0 8222 PA P E RBACK , 270 X 21 0 MM 1 52 PAG E S £ 25. 0 0
Keith New (1926–2012)
Artist Rosemary Beaton
was
shot to fame in 1984
a
s i g n i fi c a n t
pioneering
British
whilst still a student at
modernist stained glass
the Glasgow School of
artist in the 1950s and
Art when, at the age of
1960s. This is the first
20, she won the National
monograph devoted to
Portrait
his work.
coveted annual Portrait
Gallery’s
Award. Not only was Beaton the first Scottish recipient of the prestigious UK award she was also the youngest.
KE I T H N E W : B R IT IS H M O D E R N IST IN STAI N E D GL ASS
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ROSE M A RY BE ATO N
BY DIAN A COULTE R A N D ROBE RT SM ITH
BY C LAR E H E N RY, AL E XAN D E R MO F FAT AN D AL I SO N H AR P E R
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BY J OH N MARCIARI
MAMAN
LIFE DEATH & REVELRY
V U I LLA R D A N D MADAME V U I LLA R D
THE FARNESE SARCOPHAGUS EDITED BY CHRISTINA NIELSEN
BY F RA N CE SCA B E R RY & MAT H I AS CHI VOT
Accompanying an exhibition at the
Marking 150 years since the artist’s
In terms of antiquarian fame, the
Morgan Library & Museum, New
birth, this catalogue accompanies the
Farnese Sarcophagus – a large,
York, and the National Gallery of Art,
first exhibition dedicated exclusively
rectangular coffin of Pentelic marble,
Washington, D.C., this substantial
to Édouard Vuillard’s portrayal of
exported from Athens to the area of
monograph offers a full overview of the
his mother, Madame Marie-Justine-
Rome in the late Severan period – may
drawings of Jacopo Tintoretto, one of
Alexandrine Michaud Vuillard. Few
be the most important work of art in
the most celebrated artists of the Italian
other artistic practices have so
the Gardner collection, and perhaps
Renaissance. Drawing in Tintoretto’s
consistently featured the artist’s
of its type in America. Life Death &
Venice is a comprehensive account of
mother as motif, whether that is in
Revelry will offer a multi-disciplinary,
Tintoretto’s work as a draughtsman and
paintings that approximate to the
multi-era look at this important
also includes discussion of drawings by
conventions of portraiture, those that
monument. Published to accompany
his closest Venetian contemporaries.
represent her professional life as the
an exhibition at the Isabella Stewart
chef-patronne of a corsetry atelier or
Gardner Museum, Boston, it will bring
the numerous paintings of everyday
together archaeological analyses of
domesticity that subsume the figure
the piece and its previous restorations,
of Madame Vuillard into a generically
and numerous Renaissance prints and
maternal role. It is no coincidence that
drawings depicting the sarcophagus
in 1920 Vuillard declared ‘Ma Maman,
during its time in Rome.
PAUL HOLBERTON PUBLISHING
DRAWING IN TINTORETTO’S VENICE
c’est ma muse’.
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AUG USTU S JOHN DRAWN FROM L I F E BY DAVID BOYD HAYCOCK Published to coincide with exhibitions at Poole Museum in Dorset in the summer of 2018 and at Salisbury Museum in Wiltshire in the summer of 2019. Augustus John (1878–1961) in the first decades of the twentieth century was widely considered to be one of the greatest living British artists, famous almost as much for his extraordinary Bohemian lifestyle as for his outstanding portraits, etchings and drawings. Augustus John: Drawn from Life re-examines the life and work of this significant but increasingly overlooked British artist, offering new insights into his life and development as an artist from the late 1890s to the outbreak of the Second World War.
MAY 20 1 8 9781 91 1 30 0 359 PA P E RBACK , 280 X 21 8 M M 1 20 PAG ES 70 CO LO U R IL L U STRATIO NS £ 25. 0 0
HE NRY L A M B O UT O F T H E S H AD OWS BY H AR RY MO O R E- GWYN AN D T H O MAS PAK E N H AM Accompanying exhibitions at Salisbury Museum in 2018 and Poole Museum in 2019, this publication will focus on over 50 works by the artist from across his career. Henry Lamb (1883–1960) stands amongst the most distinctive, talented but unjustly forgotten figurative British painters of the early decades of the last century. Published to coincide with the first major retrospective on the artist in over thirty years, and featuring a number of rediscovered masterpieces, Henry Lamb: Out of the Shadows aims to put Lamb back in his rightful position at the forefront of early twentieth-
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century British art.
BY DEANNA PETHERBRIDGE, ANITA SGANZERLA AND EDITED BY KETTY GOTTARDO
THE THING OF MINE I HAVE LOVED THE BEST MEANINGFUL JEWELS
PRIZED POSSESSIONS D UTC H PAI N T I N GS F RO M N AT I O N AL T RUST H O US E S
BY CY N THIA HA H N
E D I T E D BY RUP E RT GO UL D I N G AN D DAV I D TAYLO R
accompanies
This book concerns objects that were
This catalogue will be published to
a transhistorical exhibition at the
“meaningful” jewels, a term we choose
accompany the first ever exhibition
Courtauld Gallery, London, of drawings
to designate a wide range of precious
of Golden Age Dutch pictures in the
devoted to the subject of the artist at
wearable objects that had particular
collection of the National Trust, which
work. Drawn principally from a very
meaning. Cynthia Hahn, internationally
will be shown at the Mauritshuis in
fine specialist private collection, it
known for her explorative ground-
The Hague, the Holburne Museum in
focuses on the depictions of artists’
breaking studies of the reliquary arts,
Bath and at Petworth House in West
studios, their own portraits, models
has written the stimulating essays and
Sussex (2018–19). Celebrating the
and assistants in symbolic, as well as
accompanying entries in the body of
enduring British taste for collecting
from life, representations of the métier
the book. Beatriz Chadour-Sampson
Dutch paintings from the long
of drawing, painting and sculpture. This
has contributed a scholarly catalogue
seventeenth century, it will feature
focused exhibition, spanning from the
that authenticates, describes, and
portraits, still lifes, religious pictures,
16th to the 20th centuries, proposes
situates each object. Together the
maritime paintings, landscapes, genre
to explore this rich subject matter
essays, entries, and catalogue create a
paintings and history pictures, painted
through a carefully selected group of
context that helps us see this jewellery
by celebrated as well as less well-
graphic works.
in a new way and adds new research
known artists.
THE COURTAULD GALLERY
that establishes the historical and
This
catalogue
PAUL HOLBERTON PUBLISHING
ARTISTS AT WORK
artistic importance of a relatively littlestudied group of “meaningful jewels.” LES ENLUMINURES
MAY 20 1 8 9 781911 3 0 0 44 1 PAPERBACK , 2 1 0 X 2 1 0 M M 84 PAG E S 35 COLO UR I L L UST R AT IO N S £12 .9 5
A PR IL 2 01 8 978 0997 18 4266 PA PE R BAC K , 2 2 8 X 1 68MM 3 68 PAG E S , 3 68 IL L U STRATIO NS £ 3 5 . 00
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23
PA U L H O L B E RTO N P U B L I S H I N G
THOMAS GAINSBOROUGH
PATRON SAINTS
FRA ANGELICO
COLLECTING STANLEY SPENCER
H E AVE N O N E ART H
BY AMANDA BRADLEY
BY N AT H AN I E L S I LV E R
a
This is a revealing new exhibition at
Accompanying the exhibition at the
draughtsman of rare talent and
the renowned Stanley Spencer Gallery
Isabella Stewart Gardner Museum,
creativity, and his experiments in
in Cookham – Spencer’s spiritual home
Boston, this catalogue explores one
drawing inspired an entire generation
and major source of inspiration. The
of the most important artists of the
of British artists. Gainsborough
exhibition draws together a spectacular
Renaissance. Fra Angelico’s (c. 1395–
devoted much of his time to his true
collection of loans, and one work not
1455) altarpieces and frescoes set new
passion, the depiction of landscapes,
seen in the public domain in over 50
standards for quality and ingenuity,
and more than 600 of the artist’s
years. Spencer was a single-minded
contributing to his unparalleled fame
approximately 800 surviving drawings
genius, but the influence of his patrons
on the Italian peninsula. Assembled at
depict the British countryside. The
on his painting is far greater than has
the Gardner with exceptional examples
exhibition is based on drawings in the
hitherto been realised. It explores the
of Angelico’s narrative paintings from
permanent collection of the Morgan
emergence of Spencer as an artistic
collections in Europe and the United
Library & Museum, one of the richest
personality, looking at those who
States, this exhibition explores his
holdings of Gainsborough drawing in
helped him and why he – and his
celebrated talents as a storyteller and
the United States. Additional drawings
popularity – was a product of the
the artistic contributions that shaped
from private and public collections, are
zeitgeist characterised by social and
a new ideal of painting in Florence.
included in the introductory essay of
economic anxiety.
EXPERIMENT S IN DRAWING BY MARCO SIMONE BOLZONI
Gainsborough
was
indeed
the catalogue.
24
M AY 2 0 1 8 978 1 9 1 1 3 0 0 4 5 8 PA P E R BACK , 2 1 0 X 2 10 M M 84 PAGE S 80 CO LO UR I L L U ST R AT IO N S £1 6 .5 0
M A RC H 20 1 8 978 1 911 3 0 0 4 34 PA PE R BACK , 237 X 1 94 MM 7 2 PAG E S 70 CO LO UR IL L U STRATIO NS £ 16. 5 0
F EBRU A RY 20 1 8 978 1 91 1 30 0 397 HA RDBACK , 280 X 24 0 MM 250 PAG ES 1 25 CO LO U R IL L U STRATIO NS £ 4 5. 0 0
Considers
collective
Accompanies an exhibition at The
different roles played by drawings
s i g n i fi c a n ce o f t h e E n g l i s h
Courtauld Gallery, which is the first
in the oeuvres of Rubens, Van
county to the life and work of
dedicated to the graphic oeuvre of
Dyck, and Jordaens.
the celebrated artist and writer.
Antoine Caron (1521–1599).
POWER AND GRACE: DRAWINGS BY RUBENS, VAN DYCK, AND JORDAENS THE COURTAULD GALLERY JANUARY 2 0 1 8 978191 1 3 0 0 37 3 PAPE R BACK , 2 1 0 X 2 10 M M 80 PAGE S , 6 0 CO LO U R IL L U S . £16.5 0
the
WILLIAM BLAKE IN SUSSEX: VISIONS OF ALBION J A N U A RY 20 1 8 978 191 13 00 2 9 8 PA PE R BAC K , 21 0 X 21 0 M M 1 2 0 PAG E S 70 COLOUR ILLUSTRATIONS £ 1 6. 5 0
ANTOINE CARON: DRAWING FOR CATHERINE DE MEDICI THE COURTAULD GALLERY J A NU A RY 20 1 8 978 1 91 1 30 0 380 PA P E RBACK , 21 0 X 21 0 M M 80 PAGES, 40 COLOUR ILLUS. £ 1 6. 50
Examines the extraordinary
Lavishly illustrated catalogue
36 manuscripts offer an authentic
life of Charles Townley and his
accompanies a major exhibition
vision of people in medieval France,
remarkable collection of over 150
timed to coincide with the 150th
Italy, Germany, the Low Countries,
Roman marble statues.
anniversary of the artist’s birth.
and Britain.
THE MUSEUM BY THE PARK: 14 QUEEN ANNE’S GATE
KÄTHE KOLLWITZ IN DRESDEN
OCTO BE R 2 0 1 7 978191 1 3 0 0 32 8 H ARDBACK , 2 6 0 X 2 15 M M 128 PAGE S 100 COLOUR ILLUSTRATIONS £25.0 0
O C TO B E R 20 1 7 978 191 13 00 3 0 4 PA PE R BAC K , 30 0 X 230 MM 1 76 PAG E S 1 2 0 ILL U ST R ATIO NS £ 3 0. 00
PAUL HOLBERTON PUBLISHING
Demonstrates the crucial but very
SHARED LANGUAGE: VERNACULAR MANUSCRIPTS OF THE MIDDLE AGES L E S E N L U M IN U RE S M A RCH 20 1 8 978 0 997 1 8 420 4 PA P E RBACK , 21 0 X 27 5 MM 1 28 PAG E S 60 IL L U STRATIO NS £ 30 . 0 0
25
SAM FOGG OF EARTH AND HEAVEN ART FROM TH E MID D LE AGE S BY MATTH EW REE V E S
THE RHYTHM OF THE PEN AND THE ART OF THE BOOK ISLA M IC CAL L I G RAP H Y F RO M T H E 13TH TO TH E 1 9 T H C E N T URY BY ANDREW BUTLER-WHEELHOUSE
THINKERS OF THE ISLAMIC WORLD A JO UR N E Y T H RO UG H K E Y SC I E N T I F I C AN D L I T E RARY T E XT S BY ANDREW BUTLER-WHEELHOUSE
This publication brings together 27
This lavishly illustrated volume takes
This catalogue contains rare examples
objects that were made in Europe during
the reader through a journey of
of lavishly produced scientific and
the Middle Ages. They represent some
some six centuries of development
medical manuscripts that are testament
of the finest examples of sculpture,
of the refined arts of calligraphy and
to the intellectual vitality of the Middle
metalwork, painting, drawing, and
illumination in the Islamic world. Much
East. It also contains some of the
stained glass still in private hands, and
has been written on the dawn and early
earliest known manuscript copies of
together offer a startling insight into
stages of the development of Arabic
great sufi poets including Mowlana
the period’s rich artistic achievements.
script and the position of calligraphy as
Jalal al-Din Rumi and Sa’di known for
an art form within Islamic civilization.
their insights into human nature. The
This catalogue seeks to follow this
catalogue also contains an archive of
story further into the golden age of
early texts written on papyrus and
Islamic calligraphy and its appreciation
paper spanning the 9th through to
and patronage as the chief form of
the 13th century, illuminating daily
artistic expression from Islamic Spain
life in Egypt. This is a unique insight
to China.
into the very first effective European discovery of Islamic thought right at the beginning of the colonial era and includes some exceptional manuscripts and documents.
26
FE B R UA RY 2 0 1 8 978 0 9 5 53 39 39 4 PA P E R BACK , 2 70 X 2 3 0 M M 12 8 PAGE S £2 5 .0 0
O C TO B E R 20 1 7 978 1 911 3 0 0 342 PA PE R BACK , 30 0 X 24 5MM 120 PAG E S £30.00
J U LY 20 1 8 978 1 91 1 30 0 47 2 PA P E RBACK , 30 0 X 24 5M M 1 4 4 PAG E S £40.00
AD ILISSUM
ON PORTRAITURE
LAPIS AND GOLD
DO TIRAR PELO NATURAL
E XPLOR I N G CHE ST E R B E AT TY’ S RUZ BIHA N QU R’AN
BY FRANCISCO DE HOLANDA
PORTRAIT MINIATURES IN THE FRITS LUGT COLLECTION
BY E LA I N E W R IG H T
BY KAR E N SC H AF F E R SB O D E N H AUS E N
Published to commemorate the 500th
The book follows the order in which
Frits Lugt (1884–1970) had a passion
anniversary of the birth of celebrated
work on the manuscript would
for miniatures that began early on
Portuguese Renaissance court painter,
have progressed, beginning with an
in his life. He demonstrated it in the
architect and essayist Francisco de
examination of Ruzbihan’s calligraphy,
small but ardent Le portrait-miniature
Holanda, On Portraiture brings back
the various scripts he used to copy
of 1917, the year in which he bought
into circulation the earliest ever treatise
the text and the problems he faced.
the first portrait miniature for his
dedicated to portraiture. This is the
Although the manuscript’s renown has
collection. Since then it has been
first published English translation. An
traditionally rested with the name of
constantly enriched, and now numbers
English translation of Holanda’s portrait
its calligrapher, it is equally the quality,
more than 100 works by artists from
treatise and a transcription of the
extent, diversity and complexity of its
Great Britain and Europe, covering
Portuguese original is included, with
superb decorative programme that
the period from the sixteenth to the
commentaries and essays regarding
sets the manuscript apart from most
nineteenth centuries. Thanks to the
Holanda’s output as portraitist and
other 16th-century Persian Qur’ans.
expertise of specialist Karen Schaffers-
theorist at the Lisbon court until his
As was increasingly revealed as
Bodenhausen, we now have this first
death in 1585.
study of the manuscript progressed,
catalogue of the portrait miniatures
Chester Beatty’s Ruzbihan Qur’an is an
in the Frits Lugt Collection, Fondation
intriguing and very special manuscript.
Custodia, Paris.
M AY 2 01 8 978 191 2 168 0 4 0 H A R D BAC K , 3 0 0 X 24 0 MM 3 3 6 PAG E S 3 5 0 CO LO U R IL L U STRATIO NS £ 90 . 0 0
A P RIL 20 1 8 978 1 91 21 68 1 0 1 2 VOLUMES, CASEBOUND, 270 X 195MM 27 7 A ND 1 4 3 PAG ES 1 50 CO LO U R IL L U STRATIO NS 27 £ 70 . 0 0
NOVEMBE R 2 0 1 8 9 781912 1 6 8 1 1 8 PAPERBACK , 2 70 X 1 9 5 M M 128 PAGE S 40 ILLU STR ATI O N S £25.00
AD ILISSUM
This book examines
Th i s b o o k ex p l a i n s
Bastianini’s
how
total
Giorgione’s
oeuvre, exploring the
famous picture shows
differences between his
the shepherd Hesiod
pseudo-Renaissance
undergoing his famous
and his contemporary
vision in which the
‘period’ style.
Muses told him of his poetic mission.
FORGING AUTHENTICITY: GIOVANNI BASTIANINI AND THE NEORENAISSANCE IN NINETEENTHCENTURY FLORENCE M ARCH 2 0 1 8 9 78 8 8 2 2 2 6 1 7 1 7 HAR DBACK , 32 0 X 2 15 M M 1 9 0 PAGE S £70 .0 0
HESIOD’S THEOGONY AS SOURCE OF THE ICONOLOGICAL PROGRAM OF GIORGIONE’S “TEMPESTA”: THE POET, AMALTHEA, THE INFANT ZEUS AND THE MUSES M A RCH 20 1 8 978 88 22264 0 8 4 HA RDBACK , 21 0 X 1 50 MM 1 0 6 PAG E S £ 25. 0 0
This book fills in the
This profusely illustrated
gaps of our knowledge
book with meticulous
of Venetian art of the
re s e a rc h g i ve s t h e
late sixteenth and early
reader the opportunity
seventeenth century
to see the collection of
which is comparatively
Eva and Konrad Seitz in
little explored.
its entirety.
Text in Italian.
I L DI S E GN O V E N E Z IA N O 1 5 8 0 - 165 0: R I COST R UZ I O N I STO R ICO -A RT IST IC H E ( DR AW I N G I N V E N IC E 15 8 0- 1 65 0 ) M ARCH 2 0 1 8 9 78 8 8 2 2 2 6 5 0 3 6 HAR DBACK , 3 1 5 X 2 4 0M M 6 0 4 PAGE S 7 5 0 I L L UST R AT IO N S , 42 CO LO U R £1 1 5 .0 0
28
A M YSTICA L RE A L M O F LOV E: PA HA RI PA INTING S F RO M THE EVA & KO NRA D SEITZ CO L L E CTIO N NOV E M BER 20 1 7 978 1 91 21 68 0 57 HA RDBACK , 330 X 257 M M 4 0 0 PAG E S £ 90 . 0 0
PAI N T I N GS O F P R I VAT E ME MB E R S C LUBS BY AN N A F R E E MAN B E N T L E Y, IN T RO D UCT I O N BY JO H N S I LV I S , E SSAY BY JAN E N E AL AN D FO R E WO R D BY RO B E RTA AH MAN SO N In this publication, British artist Anna Freeman Bentley presents a series of new paintings and works on paper documenting her journey into the exclusive realm of private members clubs. Freeman Bentley uses the photographs she takes of these interior and exterior spaces out of hours as the starting point for unpeopled drawings, collages and painted sketches. Exclusive has been copublished by Pinatubo Press, Inc., and Anomie Publishing, and released to coincide with an exhibition of the same name at the Ahmanson Gallery, Irvine, California, in spring 2018. This publication
ANOMIE PUBLISHING
ANNA F R EEM A N B E NT L E Y – E XC L U S IV E
showcases images of approximately twenty paintings and as many works on paper, alongside a foreword from collector and patron Roberta Ahmanson, an introduction by the exhibition curator John
MAY 2 0 1 8 9 781 9 1 0 2 2 1 1 5 0 HAR DBACK , 3 1 5 X 2 5 0 M M 6 4 PAGE S C . 4 0 I L L USTR ATI O N S £30 .0 0
Silvis, and a specially commissioned essay from critic Jane Neal.
J U STI N MORTIMER – HOAX BY JUSTIN MORTIME R , E SSAY BY F R E YA COOPE R K I D D I E AND EDITED BY MATT PR I CE Published to coincide with a solo presentation of the new Hoax Suite by British painter Justin Mortimer at The Armory Show in New York in spring 2018 with London-based gallery Parafin, the publication presents the thirty works that comprise this exceptional series of paintings. Alongside new photography of all the paintings, the book features a specially commissioned essay by London-based writer Freya Cooper Kiddie. Justin Mortimer graduated from the Slade School of Art in 1992 and lives and works in London. His work is in collections including the National Portrait Gallery, London, the Royal Society for the Arts, Bank of America, NatWest Bank and the Flash Art Museum of Contemporary Art in Trevi, Italy.
MA RCH 20 1 8 978 1 91 0 221 1 4 3 HA RDBACK , 255 X 1 95MM 8 8 PAG ES C . 4 5 IL L U STRATIO NS £ 30 . 0 0
29
GEORGE F. THOMPSON
ACROSS THE THRESHOLD OF INDIA
JOHN RAIMONDI D RAW I N G TO SCUL PT UR E
ART, WOMEN AND CU LTU R E
SIN SOMBRAS / WITHOUT SHADOWS A S E ARC H FO R T H E ME AN I N G OF LIFE, IF THERE IS ONE, IN T H E CAL I FO R N I A D E S E RT I N P H OTO G RAP H S AN D STO R I E S
BY MARTH A A. ST RAW N
BY JAME S BAR B E E An important and strikingly beautiful
J o h n R a i m o n d i ( b. 1 9 4 8 ) i s a
Barbee’s attempt, in photographs and
book about the sacred Hindu practice
contemporary American artist whose
stories, to relive the California Desert: a
of threshold drawing. In the Hindu
more than 100 monumental works of
landscape where there are no shadows
world-view, threshold is a profoundly
outdoor sculpture have earned him
(sin sombras), no shade, no place to
important concept that represents a
international distinction and acclaim.
hide or find relief. The photographs
passage between one space and place
This is a seminal book that presents
were taken largely between El Centro
and another, creating a visual bridge
not only an unprecedented number of
and Barstow, California, including the
between the secular and the sacred. By
Raimondi’s sculptures and drawings,
famous Salton Sea. The accompanying
presenting the most recent scholarship
but also a sense of his ever-evolving
stories walk the boundary between
on the history and art of the threshold
career and creative approach to
fact and fiction and are offered as
drawings and combining that engaging
making unforgettable art. The book
reflections on themes inspired by the
tale with her wonderful fine-art and
also complements a forty-five-year
pictures: awe, mystery, longing, death,
documentary photographs, Martha
retrospective of Raimondi’s work at the
mistakes, and the power of chance in
Strawn has given the world a unique
Boca Raton Museum of Art.
our lives. Sin Sombras is a unique work
and enduring gift.
30
AVAI L A BL E N OW 978 1 9 3 8 0 8 6 1 7 5 H A R DBACK , 3 0 0 X 2 5 4 M M 320 PAGE S 32 B/W AND 167 COLOUR PHOTOS DRAWINGS, 1 COLOUR M A P £6 0 .0 0
of artistic and spiritual exploration.
AVA IL A B LE NOW 978 1 93 8 0 864 0 3 H A R D BACK , 356 X 30 5MM 132 PAG E S ILLUSTRATED THROUGHOUT £ 37. 0 0
M AY 20 1 8 978 1 938 0 8658 8 HA RDBACK , 1 32 X 1 07 M M 1 88 PAG E S 82 CO LO U R P HOTOS £ 30 . 0 0
W EST ERN LAN DMARKS
BREAK BOUNDARY
LOST IN VIETNAM
PLAC E S R E A L AN D I MAG I N E D
BY C H UC K FO R S MAN
BY J E N E E M ATE E R
BY ST EV E FITCH
Steve Fitch is among America’s
“Break Boundary” refers to the
Chuck Forsman is one of a sizable
most well-known chroniclers of the
transformative point at which any
number of aging Vietnam vets
American West since the days of Easy
system suddenly and irrevocably
who have found deep satisfaction
Rider. He has been photographing
changes from its original state into
in revisiting Vietnam, supporting
examples of the West’s changing
something new. Coined by Kenneth
charities, orphanages, and clinics,
vernacular landscape and vanishing
E. Boulding in 1963, the term serves
doing volunteer work and more—
roadside landmarks for more than
as the underlying metaphor for the
anything to redeem what the U.S.
40 years. In this fascinating and
photographs of Jenee Mateer. Break
military did there. He is also a renowned
comprehensive account, we are able
Boundary features 34 of Mateer’s
painter and photographer who depicts
to join in Fitch’s expansive journey,
waterscapes and also includes her
places and environments in ways
truly an odyssey, as represented in the
opening essay about the work and
that become unforgettable visual
book’s 120 unforgettable photographs,
two poems by the artist, The World Is
experiences for the contemporary
all sequenced to mimic the open road—
Water and The Sky Is Lemonlime, that
viewer. His visual journey of one such
both during day and night.
separate the first series of images from
veteran’s twofold quest: the one for
the second series and offer a deeper
redemption and understanding, and
look into the artist’s thoughts about
the other to make art. The renowned
the work.
Le Ly Hayslip introduces the book and
GEORGE F. THOMPSON
VANISHING VERNACULAR
sets the table for Forsman’s incredible sojourn.
MAY 20 1 8 9 781938 0 8 6 6 0 1 HARDBACK , 1 1 9 X 1 0 0 M M 172 PAGE S 119 COLO UR P HOTOS 11 COLO UR I L L UST R AT IO N S £30.00
D E C E M B E R 2 01 8 978 193 8 08 6595 H A R D BAC K , 11 8 X 7 5M M 8 8 PAG E S 3 4 CO LO U R PH OTOS £ 28 .99
J A NU A RY 20 1 9 978 1 938 0 8657 1 HA RDBACK , 1 1 8 X 1 1 0 MM 1 92 PAG ES 1 1 2 P HOTOS £ 30 . 0 0
31
PIANO NOBILE
FRO M OMEGA TO CHA R LE STO N TH E ART OF VAN E SSA BE LL A N D D U N CA N GRA N T 1 9 1 0 - 1 93 4 BY RICH ARD SHON E , HA N A LE A PE R , F RA N C E S S PAL D I N G AN D DARREN CLA R K E First published to accompany the exhibition From Omega to Charleston: The Art of Vanessa Bell and Duncan Grant, 1910-1934, this fully illustrated publication explores the life and works of two of the most innovative and influential British artists of the twentieth century. With a substantial essay and catalogue entries by Richard Shone (author of Bloomsbury Portraits, 1993 and curator of The Art of Bloomsbury, Tate, 1999), the catalogue explores the unique creative relationship shared by Bell (1879-1961) and Grant (1885-1978). The catalogue also has introductions from both Frances Spalding (Biographer of Bell and Grant) and Darren Clarke (Rausing Head of Collections, Research and Exhibitions at the Charleston Trust).
F EBRU A RY 20 1 8 978 1 90 1 1 9251 3 HA RDBACK , 290 X 24 0 M M 256 PAG E S F U L LY IL L U STRATE D: C . 1 90 CO LO U R , 30 B/ W £ 7 5. 0 0
B O M B E RG /M A RR S P I R I T S I N T H E MASS
Published to accompany the exhibition at Piano Nobile that concentrates on the years after the Second World War when Bomberg became an influential teacher at the Borough Polytechnic, this fully illustrated catalogue will be the first examination of the personal and creative bonds uniting these two pioneers of modern British painting. Presenting a discerning selection of major works, the catalogue will place Marr, for the first time, in his rightful place as not just a pupil of Bomberg’s but a peer. Through these rarely exhibited landscapes, self-portraits, and still lifes from private collections and
AVA I L AB L E N OW 9 78 1 9 0 1 1 9 2 5 0 6 PAP E R BACK , 2 9 0 X 2 4 0M M 74 PAGE S FUL LY CO LO UR ILL U ST R AT E D £2 5 .0 0
32
Marr’s personal collection, this catalogue aims to achieve a fuller appreciation of both artists.
PIANO NOBILE
THE NOBILE INDEX SERIES
WILLIAM CROZIER
JOHN GOLDING
THE E D GE OF TH E LAN DSCAP E
P UR E CO LO UR S E N SAT I O N
BY R IA N N COU LT E R , KAT H AR I N E CROUA N , SA RA H G L E N N I E , MAR K HU DSON A N D E N R I Q UE JUN COSA
BY DAVI D AN FAM
A series of monographic publications
First published to accompany major
First published to accompany the
of art sales prices achieved at auctions
retrospective exhibitions at West Cork
exhibition, John Golding: Pure Colour
from 1990 to the time of the study, for
Arts Centre and the Irish Museum of
Sensation at Piano Nobile gallery,
a selection of leading 20th-century
Modern Art (IMMA), this full-colour
this fully colour illustrated catalogue
British artists – Walter Sickert, David
illustrated monograph explores William
showcases fifteen years of exceptional
Bomberg, L.S. Lowry, Stanley Spencer,
Crozier’s whole career, taking in the
paintings by John Golding. His work
Francis Bacon and Lucien Freud.
second half of the twentieth century
features in prominent institutions
They involve the collaboration of
– a key period in the development of
such as the Tate, MoMA, the Scottish
a commercial art dealership, Piano
British and Irish art. Profoundly affected
National Gallery, the British Council,
Nobile Works of Art, and the University
by post-war existential philosophy,
and the Yale Center for British Art.
of Bristol’s History of Art Department.
Crozier consciously allied himself and
He was appointed a CBE in 1992 and
Although largely from UK sales,
his work with contemporary European
elected a Fellow of the British Academy
international data are also included.
art throughout the 1950s and 1960s.
in 1994. Anfam charts the progression
Graphs and interpretations of these
The catalogue is furnished with essays
of Golding’s vision that culminated in
figures are analysed and significant
presenting brand new research by
the exceptionally accomplished and
trends and buying patterns revealed
renowned art historians and curators,
joyful body of the work produced in
and will be of growing value to private
illuminated by unpublished sources and
the 1970s and 1980s and reproduced
and corporate clients, museums and
personal memoirs.
in this publication.
AVA IL A B LE N OW 978 190 11 92 4 8 3 H A R D BAC K , 320 X 28 0 M M 1 4 4 PAG E S 1 14 ILL U ST R AT I O NS £45.00
AVA IL A BL E NOW 978 1 90 1 1 92476 PA P E RBACK , 280 X 24 0 MM 64 PAG E S 36 IL L U STRATIO NS £ 25. 0 0
IN ASSOCIATION WITH THE U NIVER SITY OF BRISTOL BY LOUISE H UGH ES, R HIAN ADDISON AND SOPHIE HATCHWELL
fine art funds.
AVAIL A BL E N OW 9 78190 1 1 9 2 49 0 HARDBACK , 2 8 4 X 1 6 4 M M 200 PAGE S £95.00
33
19TH CENTURY COLOUR PALETTES BY PATRICIA RAILIN G
JOSEPH HENDERSON D OY E N OF G LASGOW ART I ST S , 18 32–190 8
ASPECTS OF MODERN BRITISH SCULPTURE T H E P OST WAR G E N E RAT I O N
BY HILA RY C H R I ST I E-JO H N STO N
BY P H I L I P WR I G H T
The English chemist, George Field,
Joseph Henderson’s contribution to the
During the post war years the British
published his Chromatography in 1835,
burgeoning Glasgow art world in the
Council promoted a group of British
a comprehensive collection which
second half of the 19th century and the
sculptors on the prestigious stage of
included many of the new pigments
first years of the 20th was profound.
the Venice Biennale and at subsequent
and, as the century wore on so new
Glasgow became a centre of artistic
touring exhibitions across Europe,
pigments were added to up-dated
activity in the 1860s, due in part to the
North and South America. This was
editions of his book in 1869 and 1885.
establishment of the Royal Glasgow
a pivotal moment in the history of
They were published by the English
Institute of Fine Arts and the artists
20th Century British Art and led to
colour-makers, Winsor & Newton,
who formed the Glasgow Art Club of
widespread international acclaim for
so become a chronicle of a world of
which Henderson was twice president.
the selected artists. This exhibition
new pigments for painters not only in
Among the artists most regularly
catalogue brings together a group of
England but also France and Germany
reviewed in The Glasgow Herald and
important sculptures by these artists,
especially. 19th Century Colour Palettes
The Scotsman was Joseph Henderson
some which were exhibited at the
traces these developments, presenting
whose early works encompassed
Venice Biennales, some borrowed
the pigments in dictionary form in
portraiture and genre painting but
from private collections and not seen
extracts taken from the editions of
who later became renowned for his
publicly for many years.
Field’s Chromatography.
seascapes and extraordinary rendition of the west coast of Scotland.
34
AR TI S TS • BOOK WO R K S APR I L 2 0 1 8 978 0 9 4 6 3 1 1 2 7 9 PA P E R BACK , 2 1 6 X 1 68 M M 112 PAGE S APP ROX . 1 2 CO LO U R PL AT E S £1 2 .0 0
H I L A R Y CHRIS TIE -JO H N S O N AVA IL A B LE NOW 978 1 92 1394 88 1 PA PE R BACK , 298 X 24 1 M M 160 PAG E S 10 0 ILL U STRATIO NS £ 2 5 . 00
O S B O RN E S AM U E L GAL L E RY M AY 20 1 8 978 1 9997 2931 8 HA RDBACK , 265 X 20 5M M 1 0 0 PAG E S £ 20 . 0 0
S U PE RST RU C T U RE THE MAKING OF THE SAINSBURY CENTRE FOR VISUAL ARTS BY JAN E PAV I T T, AB RAH AM T H O MAS , JO N AT H AN G LAN C E Y AN D N O R MAN FOST E R
In 2018 the Sainsbury Centre for Visual Arts celebrates its 40th anniversary. Opened in 1978, the building was both Sir Norman Foster’s first public commission and a new paradigm in museum design. This publication will be released to coincide with the opening of Superstructures: The New Architecture 1960-1990, a major exhibition that will situate the Sainsbury Centre within its historical context. The book includes essays by Jane Pavitt and Abraham Thomas, curators of the show, and an interview with Sir Norman Foster conducted by Jonathan Glancey. An extensive photo essay will feature a range of unpublished photographs of the building under construction.
SAI N S BU R Y CEN T R E F O R V I S UA L A R T S MARCH 2 0 1 8 9 780 9 4 6 0 0 9 7 32 HAR DBACK , 2 8 8 X 25 0M M 112 PAGE S 154 I L L USTR ATI O N S £30 .0 0
A L AN SO R R ELL T HE MAN WH O CRE ATE D ROM A N BR ITA IN BY JULIA SORRELL A N D M A R K SOR R E LL Alan Sorrell’s archaeological reconstruction drawings and paintings remain some of the best, most accurate and most accomplished paintings of their genre. In this affectionate but objective account, Sorrell’s children, both also artists, present a brief pictorial biography followed by more detailed descriptions of the genesis, research and production of illustrations based largely on family archives and illustrated throughout with Sorrell’s own works. So influential were Sorrell’s images of Roman towns such as London, Colchester, St Albans and Bath, buildings such as the Heathrow temple and the forts of Hadrian’s Wall, that he became known as the man who invented Roman Britain.
O XB O W B O O K S F E BRU A RY 20 1 8 9781 7857074 07 PA P E RBACK , 24 6 X 1 89MM 1 92 PAG ES B/ W A ND CO LO U R IL L U STRATIO NS £ 29.99
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M I M E S I S I N T E R N AT I O N A L
TAN G I BLE W HISPER S , NE G LE CTED ENCOU NTERS H ISTORIES OF E AST-W E ST A RTI STIC D I A LOGU E S 1350–1904 BY MARCO MUSI LLO The relationship between East and West remains a topic of burning timeliness, particularly in its political dimension. This volume offers the reader a rich mosaic of case studies and scholarly research, relating to the mutual approaches between the Euro-American ‘West’, and the Sino-Japanese ‘East’. The book includes a section by art historian Marco Musillo who uses the depictions of Tartars in fourteenth-century Italian frescoes as the starting point of a trajectory leading to eighteenth-century European literature on China, as well as explorations of the screen design of Chinese origin in colonial Mexico, Medieval Christian tombstones in China, and early-modern Filipino sacred sculpture.
DECEMBER 20 1 8 9788 8697 7 1 552 PA P ERBACK , 21 0 X 1 4 0 M M 1 70 PAG ES 36 IL L U STRATIO NS £14.00
C HINE S E M U S E U M S ST RAT EG I E S AN D P RO MOT I O N O F CO N T E MP O RARY C H I N E S E ART BY O R N E L LA D E N I G R I S Over the last 30 years, the Chinese system of art museums has enjoyed an unprecedented pace of development. Following a general and ongoing renovation of China’s entire system of national art institutions, there has been an impressive proliferation of meishuguan (art museums) all over the country. Many different types of institutional statuses for art museums have recently been launched (notably small, private art museums) while others have developed rapidly (especially state-owned museums). This volume explores this range of different approaches to exhibiting and curating art, while also investigating the crucial question of the cultural sustainability of art museums in China.
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AUGUST 2 0 1 8 9 78 8 8 69 7 7 1 439 PAP E R BACK , 2 1 0 X 1 4 0M M 2 3 0 PAGE S 70 I L L UST R AT I O N S £2 2 .0 0
An innovative look at corporeality at
Now in its 17th year of publication
practices for sound and light in
the intersection with contemporary
it is considered the journal of record
national parks.
debates, such as the relationship
for historical ceramics scholarship in
between performing arts and activism.
the American context.
NATURAL QUIET AND NATURAL DARKNESS: THE “NEW” RESOURCES OF THE NATIONAL PARKS UN IV ERSIT Y P RESS O F N EW EN GLAND J ULY 2018 9781 512601893 , PB, 22 9 X 152 M M 352 PAGES 20 CHARTS AND GR A PHS £56.00
THIS BODY IS IN DANGER!: SHAPE-SHIFTING CORPOREALITIES IN CONTEMPORARY PERFORMING ARTS AC AD EM I A P R E SS O C TO B E R 2 018 9 789 4 014 4 4 9 41 , P B, 2 3 5 X 1 5 6 M M 2 04 PAGE S £ 3 5 .00
CERAMICS IN AMERICA, 2017 C H I PST O NE F O U ND A T I O N M AY 2 0 1 8 978 0 9 8 6 3 8 57 1 1 , H B, 2 60 X 2 1 3 M M 2 32 PAG ES 2 8 0 COLOUR I LLUSTR ATI ON S £ 61 . 0 0
Poetic and scholarly collection
First compilation and analysis of
The story of Vincent and Olga
of stories about art and artists,
the extensive source material on
Diniacopoulos – guardians of one
arguing that ecology, aesthetics,
Hirschhorn’s theoretical principles
of the most important collections
and ethics are inherently entwined.
now translated into English.
of antiquities in Canada.
ECOLOGICAL AESTHETICS: ARTFUL TACTICS FOR HUMANS, NATURE, AND POLITICS
THOMAS HIRSCHHORN: A NEW POLITICAL UNDERSTANDING OF ART
FINDING HOME: THE DINIACOPOULOS FAMILY AND COLLECTION
DART M OUT H COLLEG E P R ES S AUG UST 2018 9781 512602913 , PB, 228 X 152 M M 232 PAGES 22 ILLUSTRATIONS (21 COLOUR) £42 .00
D AR TM OU TH C O L L E G E PR E SS A PRIL 2 018 9 7815 12 6 016 3 3 , P B, 2 2 9 X 1 52 M M 2 32 PAGE S 12 4 IL L U ST RATI ON S ( 2 9 COLOUR ) £ 42 .00
C O NC O R D I A U NI V E R SI T Y OC TOBER 2 0 1 7 978 1 52 5 1 0 32 3 0 , P B, 2 2 8 X 1 8 4 M M 1 4 4 PAG ES 75 I LLUSTR ATI ON S £23.50
U N I V E R S I T Y P R E S S O F N E W E N G L A N D A N D PA RT N E R P R E S S E S
Recent work on best management
37
W E S L E YA N U N I V E R S I T Y P R E S S
THE SENTIENT ARCHIVE B ODIES, PERFORM A N CE , A N D M EMORY EDITED BY BILL B ISS E LL A N D L I N DA CARUSO HAV I LA N D
IN THE GRAND TRADITION
TEN HUTS BY JI L L S I G MAN
THE E N D UR I N G ART O F E L B E RT W E IN BE RG
All modes of human inquiry, from the
Elbert Weinberg, a supremely gifted
Described as an artist of “prodigious
artistic to the scientific, are archived
sculptor, was widely regarded as
imagination and intelligence” by the
as body knowledge. The Sentient
one of the most promising young
New York Times, Jill Sigman makes
Archive gathers together the work of
artists of the 1950s and 1960s. His
art at the intersection of dance, visual
scholars and practitioners in dance,
sculptures are imbued with historical,
art, and social practice. An artist’s
performance, science, and the visual
literary, mythological, and biblical
book that explores the ability of art to
arts. These twenty-eight rich and
subtext and so belong to the grand
engage and alter our reality, Ten Huts
challenging essays cross boundaries
art historical tradition. Weinberg’s work
documents a series of site-specific huts
within and between disciplines,
can be found in Atlanta, Cincinnati,
hand built from found and repurposed
mediating the theoretical and the
Pittsburgh, San Francisco and his home
materials, ranging from the mundane
experiential to illustrate how the body
city of Hartford, and in public and
(e-waste and plastic bottles) to the
serves as a repository for knowledge.
private collections across the United
bizarre (circus detritus, moose bones,
States and Europe. This in-depth
dental moulds, and mugwort), in
analysis of the artist’s most important
landscapes as varied as industrial
sculptures includes a brief biography,
Brooklyn and the Norwegian Arctic.
two interpretive essays, and more than
Each of the extraordinary huts in this
fifty illustrations documenting his life
book is a structure, a sculpture, and
and work.
an emergency preparedness kit which raises questions about sustainability, shelter, real estate, and our future on this planet.
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J U N E 2 01 8 978 0 8 19578 0 99 PA PE R BACK , 254 X 20 3M M 152 PAG E S 60 CO LO UR IL L U STRATIO NS £24.00
O CTO BE R 20 1 7 978 0 81 9576897 HA RDBACK , 235 X 20 3M M 31 2 PAG E S 47 3 CO LO U R IL L U STRATIO NS £ 33. 0 0
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DESIGNING THE V&A LU ND H U M P H R IE S 978 1 84 82 2 2 335, H A R D BAC K 176 PAG E S , 2 70 X 228 M M £3 5. 0 0
LEONORA CARRINGTON: SURREALISM, ALCHEMY AND ART
DARK SIDE OF THE BOOM: THE EXCESSES OF THE ART MARKET IN THE 21ST CENTURY
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KURT JACKSON SKETCHBOOKS
THOMAS NOZKOWSKI
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LOIS DODD
THE WESSEX PROJECT
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BESTSELLERS & HIGHLIGHTS
FRAGONARD
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