2 0 1 6 A RT B O O K S | S A L E S & D I S T R I B U T I O N
A NOM IE P UBL IS HIN G
1
LI SS LL E WE L LY N FIN E ART
3
LUND HUM P HRIE S *
6
PA UL HOL BE RTON P UBL IS HIN G
11
PI A NO N OBIL E
18
SA NSOM & COM PAN Y *
19
SA I NS BURY CE N TRE FOR VIS UAL ARTS *
25
ELI Z ABE TH HARVE Y- L E E
26
I RI SH ACADE M IC P RE SS **
27
F ORTHCOM IN G AND RECENT RELEASES FROM
28
Brandeis University Press, British Museum Press, Cacklegoose, Dartmouth College Press, Davis Museum, Hood Museum of Art, Middlebury College Museum of Art, Mimesis International, Mount Holyoake, Nightboat Books, Oxbow Books, Pindar Press, University Press of New England, Wadsworth Atheneum Museum of Art
* S A L E S R E P R E S E N TAT I O N O N LY * * S A L E S A N D M A R K E T I N G O N LY
S A L E S R E P R E S E N TAT I O N & D I ST R I B U T I O N S E RV I C E Casemate Art offers international sales representation, marketing and book distribution services to galleries, museums and independent art publishers. For more information visit www.casemateart.co.uk or contact Simone Drinkwater: simone.drinkwater@casematepublishers.co.uk.
@CASEMATEART
/CASEMATEART
WWW.CASEMATEART.CO.UK
Š COVER IMAGE CREDIT: ANN VERONICA JANSSENS, RED & TURQUOISE, 2005 FROM THE COVER OF SENSORY SYSTEMS (P. 1) CO-PUBLISHED BY ANOMIE AND GRUNDY ART GALLERY
I N T E RVI E W BY S I N A N AJAF I E SSAY BY MART I N H E R B E RT I N T RO D UCT I O N BY MAT T P R I C E Featuring an interview with Sina Najafi, an essay by Martin Herbert, an introduction by Matt Price, and designed by Dominique Clausen, this is the first monograph on the British-born, New York-based artist Oliver Clegg. An eclectic, polyphonic and interdisciplinary artist, Clegg’s oeuvre stretches from painting, drawing and printmaking to sculpture, installation and beyond. With his erudite, surprising and striking repertoire, and his diverse materials and methods of fabrication, Clegg offers the viewer a complex, sometimes playful, other times moving journey into existential and ontological notions of objecthood and matter, images and signs,
ANOMIE PUBLISHING
O L IV E R C L E GG
language and communication, creation and being.
J ULY 2 0 1 6 C . 1 3 5 B/ W A N D CO LO U R IL L U ST R AT IO N S 3 0 5 X 2 2 0 M M , 2 8 8 PAG E S HAR DBACK , 978 1 910 2 2 107 5 £3 0 .0 0
S E NSORY SYSTEMS FOREWORD BY R ICHA R D PA R RY ESSAY BY LU K E S K R E BOWS K I
Sensory Systems documents an exhibition presented at Grundy Art Gallery in autumn 2015 to coincide with the Blackpool Illuminations – a six-mile-long outdoor display of lights that has drawn many visitors to the town each year since it began in 1912. The exhibition featured works by internationally acclaimed artists interested in the technology and science of light, and how this can be used to affect our perceptual experiences of space. Whether through sculpture, projection or immersive architecture, each artwork invited a dialogue with the viewer, utilising colour, pattern, movement and other factors to evoke a variety of spatial and sensory experiences. The featured artists were: Angela Bulloch, Rafael Lozano-Hemmer, Ann Veronica Janssens, Anthony McCall and Conrad Shawcross. The publication has been supported by Blackpool Council, Coastal Communities Fund, and Arts Council England.
WITH GRU N D Y ART GAL L E RY MA RCH 20 1 6 C . 30 CO LO U R A ND B/ W IM AG ES 30 5 X 235 MM, 64 PAG ES PA P E RBACK , 9781 91 0 221 1 0 5 £18.00
1
ANOMIE PUBLISHING
The first major monograph on
Accompanies the 2015 exhibition
Documenting a public art project
one of Britain’s most dynamic and
at Houghton Hall, Norfolk, with a
by the Glasgow-based artist
thought-provoking artists.
foreword by David Cholmondeley
Nathan Coley (b.1967).
and an interview with the artist.
WO L FE VO N LE N K IE W IC Z JA NU A RY 2 016 C . 150 CO LO U R A ND B/ W IL L U S . 320 X 2 6 8 M M , 2 3 6 PAGE S HA R DBAC K , 9 7819 102 2 109 9 £ 4 5. 00
2
L IG HTSCA P E: J A M E S TU RREL L AT HO U G HTO N HA L L DEC EM BER 2 0 1 5 C . 6 0 COLOUR A N D B/ W I LLUS . 2 6 0 X 3 0 0 M M , 1 0 2 PAG ES H A R DBAC K , 978 0 9 9 32 8 8 2 0 3 £35.00
N AT H A N CO L E Y: TO T H E BRA M L EY FA M ILY O F F RESTO NIA JULY 2 0 1 5 C . 60 B/ W A N D COLOUR ILLU S . 2 1 0 X 1 4 8 M M , 1 9 0 PAG ES PA P ER BAC K , 978 1 9 1 0 2 2 1 0 5 1 £24.00
First monograph on emerging
Paul Simonon’s work explores
Follows several generations of a
British painter Benjamin Senior
t h e B r i t i s h s u b c u l t u re a n d
Jewish family as their lives unfold
whose paintings conjure up a
counterculture of the post-war
in various cities, countries and
delightful, curious and quirky world.
decades.
continents during the 20th century.
BE N J A M IN S E N IO R : BR E AT H LE SS
PA U L SIMO NO N: WOT NO BIK E
TA M A RA TRACZ : THREE BO O K S
JU LY 20 15 C . 60 CO LO U R IL L U ST RAT IO NS 225 X 1 9 5 M M , 100 PAGE S HA R DBAC K , 9 7819 102 2 106 8 £ 25. 00
JA N UA RY 2 0 1 5 C . 2 2 COLOUR I LLUSTR ATI ON S 2 8 5 X 2 0 0 M M , 64 PAG ES H A R DBAC K , 978 1 9 1 0 2 2 1 0 2 0 £30.00
JUN E 2 0 1 5 C . 1 5 B/ W A N D COLOUR ILLU S . 1 3 5 X 2 1 0 M M , 3 VOL . SLIP CASE H A R DBAC K , 9 78 1 9 1 0 2 2 1 0 44 £35.00
E D I T E D BY SAC H A L L E WE L LYN AN D PAUL L I SS
This beautifully illustrated book is published on the eve of the seventy-fifth anniversary of the launch of the War Artists’ Advisory Committee (WAAC). Established on the outbreak of World War 2 and led by Sir Kenneth Clark (then Director of the National Gallery), the WAAC scheme created the opportunity to record a contemporary artistic depiction of a time at war. Changing the course of the careers of the 400 artists involved (37 of whom were salaried) the WAAC played a vital role in both how the war was perceived at the time and how it has been perceived by future generations. Inspired by the iconic 1940–45 WAAC series of books War Pictures by British Artists, this new publication replicates the format of the originals with chapters organised into eight sections (as per the
S E P T E M BE R 2 01 6 C . 1 3 0 I L L UST R AT IO N S 2 70 X 2 1 5 M M , 160 PAG E S PAP E R BACK , 978 0 993 0 8 8 42 1 £2 5 .0 0
original eight books). Alongside the work of the better-known Official War Artists, this book also includes work by unofficial and lesser-known war artists adding resonance to this remarkable
L I S S L L E W E L LY N F I N E A RT
WW2
collection. Brian Foss’s introductory essay gives a fascinating account of the origins of the scheme and its aims and evolution. The book is completed by an appendix providing an analysis of how many artists were involved, who they were and what they produced. This book is published on the occasion of the exhibition WW2 – War Pictures by British Artists at Morley Gallery London.
3
L I S S L L E W E L LY N F I N E A RT
C HARLES CU NDALL ( 189 0 –19 7 1) EDITED BY SACHA LLE W E LLY N A N D PAU L L I SS
The first book to appear on the 20th century British artist Charles Cundall, this publication examines aspects of Cundall work done at home in England, abroad – Cundall made numerous painting trips to the continent, but also to the United States – and during the war. Well illustrated, the book also includes a chronology and a reproduction of a text by William Gaunt dating from the 1960s and commissioned for a book on Cundall that never came to be.
M A RCH 20 1 6 COLOUR ILLUS . THROUGHOUT 270 X 21 5 M M, 1 60 PAG ES PA P ERBACK , 978 0 9567 1 3988 £ 25. 0 0
E V E LY N D U NBA R : T H E LOST WO R K S E D I T E D BY SAC H A L L E WE L LYN AN D PAUL L I SS In January 2013, Dunbar’s painting ‘Autumn and the Poet’ (1960) appeared on the BBC Antiques Roadshow, leading Ro Dunbar, a relative of the artist, to explore the extraordinary hoard of over 500 paintings, drawings and studies hidden in the attic of her Kent home. The unrecorded works were identified with the help of the artist’s nephew Christopher Campbell-Howes. The discovery doubled the known body of Dunbar’s work overnight. The book highlights a selection of these unrecorded works and examines them in the context of Dunbar’s life and work as a whole. Included in The Guardian’s choice of best books for 2015.
J UN E 2 0 15 CO LO UR IL L U S . T H RO U G H O U T 2 70 X 2 15 M M , 1 92 PAG E S PA P E R BAC K , 978 18 698 27 939 £2 5 .0 0
4
EDITED BY PAUL LISS AND SACHA LLEWELLYN
FRANK BRANGWYN: DRAWINGS FROM THE COLLECTION OF FATHER JEROME ESSER EDITED BY PAUL LISS AND SACHA LLEWELLYN
KENNETH ROWNTREE: A CENTENARY EXHIBITION EDITED BY SACHA LLEWELLYN, PAUL LISS AND HARRY MOOREGWYN
This publication was prompted by
Brangwyn’s drawings that became
Kenneth Rowntree has always been
the discovery of a complete set of
Esser’s collection, which have lain
highly regarded by those familiar
Brangwyn’s Stations of the Cross,
hidden for over half a century, were
with his work. The essays in this
painted in oil, which originally hung
made up of works that Brangwyn, with
catalogue, which embrace new
in St Michael’s Abbey, Farnborough.
characteristic modesty, had left in his
research and scholarship, reveal him to
A giant of twentieth century art, admired
studio with a written instruction, ‘most
be an artist of great scope and variety.
by luminaries such as Kandinsky, Klimt,
of this lot destroy’. Never intended
This catalogue is published on the
Toulouse-Lautrec, Tiffany and Bonnard,
for presentation, they explore and
occasion of the centenary of Rowntree’s
Brangwyn remains today a figure who
resolve alternative compositions and
birth, and accompanies exhibitions at
has never managed to reclaim the
the relation of figures to each other
The Fry Art Gallery, Saffron Walden
space which for the first half of the
and to the space they occupy. Esser,
and Pallant House, Chichester. This is
twentieth century he largely occupied
himself a gifted artist, would have
the first substantial reassessment of
on the International stage. Brangwyn’s
appreciated these sheets, complete
Rowntree’s work since John Milner’s
contribution to the revival of religious
with folds, scuffs and splodges of paint,
monograph (2002).
art during the interwar years is a
as true working drawings.
L I S S L L E W E L LY N F I N E A RT
FRANK BRANGWYN: STATIONS OF THE CROSS
subject that deserves reassessment.
M ARCH 2 0 1 5 3 0 + CO LO UR I L L U ST R AT IO N S 2 3 0 X 2 3 0 M M , 4 0 PAG E S PAP E R BACK , 9 78 0 95 67 1397 1 £1 0 .0 0
M A RC H 20 1 5 4 4 CO LOU R IL L U STRATIO NS 2 3 0 X 230 M M, 4 8 PAG E S PA PE R BACK , 9780 9930 88 4 07 £ 10 . 0 0
MA RCH 20 1 5 1 25+ CO LO U R IL L U STRATIO NS 270 X 21 5 M M, 1 28 PAG ES PA P ERBACK , 978 0 9930 8 84 1 4 £ 20 . 0 0
5
LUND HUMPHRIES
C HRISTOPHER WOOD BY KATY N OR R I S
The first fully illustrated account of the life and work of English painter Christopher Wood (1901–30), this authoritative work, which includes over 150 images, provides extensive visual analysis of individual paintings, set designs and drawings created by Wood in both Britain and France so bringing fresh perspective to his unique artistic development on both sides of the Channel. Filling a surprising gap in the published literature about this early 20th-century painter, Christopher Wood will appeal to readers who are yet to encounter Wood’s work, as well as collectors and enthusiasts.
J U LY 20 1 6 1 50 CO LO U R A ND 25 B/ W IL L U S . 270 X 228 MM, 1 92 PAG E S HA RDBACK , 9781 8 4 8221 8 64 £40.00
EDWARD BAWDEN SCRAPBOOKS BY P E YTO N S K I PWI T H AN D B R I AN WE B B
Painter and illustrator Edward Bawden’s five scrapbooks, assembled over a period of more than 55 years, contain everything from stamps, photographs, cigarette cards, Christmas cards and letters to newspaper cuttings, drawings and autographs, amongst other fascinating ephemera. Beautifully designed and illustrated with over 250 images taken from these books, Edward Bawden Scrapbooks reveals this wonderful and at times eccentric collection and provides a new insight into one of the most popular artists of 20th-century Britain. The pages illustrated provide an alternative window into Bawden’s world, showing his very conscious awareness of both Surrealism and the work of other contemporary designers and typographers.
J UN E 2 0 16 2 6 0 CO LO U R IL L U ST R AT IO N S 3 0 0 X 2 4 0 M M , 20 8 PAG E S HA R DBAC K , 978 18 4 8 221 8 4 0 £3 5 .0 0
6
BY MARGARET MORGAN GRASSELLI AND YURIKO JACKALL WITH CONTRIBUTIONS FROM GUILLAUME FAROULT AND CATHERINE VOIRIOT
THE ST IVES ARTISTS: A BIOGRAPHY OF PLACE AND TIME
WINIFRED KNIGHTS 1899–1947 BY SACHA LLEWELLYN
NEW EDITION BY MICHAEL BIRD
Known fondly as ‘Robert des ruines’
St Ives is unique in the story of
Winifred Knights (1899–1947) is
because of his penchant for painting
modern art in Britain – and perhaps
one of the outstanding, but until
ancient ruins, Hubert Robert (1733–
anywhere in the world. No other
recently neglected, British women
1808) was one of France’s most
small seaside town has been host
painters of the first half of the 20th
successful and prominent artists
to such a roll-call of major artists.
century. Copiously illustrated in
during his lifetime. This outstanding
First published by Lund Humphries in
colour throughout, this book provides
publication, which accompanies the
2008, The St Ives Artists: A Biography
the first full account of her life and
first monographic exhibition of his
of Place and Time combines in-depth
work, examining Knights’ art in the
work, illuminates Robert’s remarkable
research with ‘startling anecdotal
context of interwar Modernism and
artistic achievements and his lasting
richness’. This beautifully produced
assessing her contribution to the
contributions to French visual culture.
new edition is fully revised and newly
revival in this period of both Decorative
Thoroughly researched, this scholarly
illustrated in colour throughout.
Painting and religious imagery.
and beautifully produced publication
Michael Bird’s study lifts ‘St Ives’ out of
Drawing on previously unpublished
will stand as the definitive book on
its niche and explores the many – often
documentary material, Sacha Llewellyn
Robert for many years to come.
unexpected – connections between St
makes a strong case for recognising
Ives artists and wider currents in 20th-
Knights as one of the most talented
century British culture and society.
artists of her generation.
M AY 2 0 1 6 1 40 CO LO UR I L L U ST R AT IO N S 3 1 5 X 2 5 6 M M , 2 8 8 PAG E S HAR DBACK , 9 78 1 8 4 8 2 2 191 8 £45 .0 0
LUND HUMPHRIES
HUBERT ROBERT
J U N E 2 01 6 60 CO LOU R A ND 20 B/ W IL L U S . 2 3 4 X 153 MM, 288 PAG E S H A R D BACK , 9781 8 4 8221 8 57 £30.00
MAY 20 1 6 1 60 CO LO U R A ND 5 B/ W IL L US . 270 X 228 M M, 20 8 PAG ES HA RDBACK , 978 1 84 8 221 7 7 2 £40.00
7
LUND HUMPHRIES
ART CRIME AND ITS PREVENTION: A HANDBOOK FOR COLLECTORS AND ART PROFESSIONALS EDITED BY A RTHU R TOM PK I N S FOREWO R D BY N OA H CHA R N E Y Art Crime and Its Prevention is the definitive handbook on art crime for art-world professionals of all kinds. Written by a range of international experts, the book’s territory is broad and includes advice on topics such as how to secure art in galleries and private collections, how and when to insure art, and how to be sure that an artwork you buy is legitimate. Art Crime and Its Prevention will be an essential reference guide for all those involved in the art world internationally, or in the protection and recovery of artworks.
J U NE 20 1 6 234 X 1 53 M M, 24 0 PAG E S HA RDBACK , 978 1 84 8 221 87 1 £ 35. 0 0
C RIM E A ND T HE A RT M A RKE T BY R I AH P RYO R Interest in art crime is at an all-time high. Belief that the art market’s opaque and unregulated practices are indirectly to blame for these crimes, is gaining ground. But what are the reasons for criminal activity in the art market? Is the art market any more welcoming to criminals than other sectors? And is law enforcement failing to keep up? Crime and the Art Market brings together the author’s direct experience from both fields to present an accessible, informative and realistic overview of these crimes in today’s society. The book re-examines high-profile criminal cases, while highlighting others which failed to hit headlines but marked significant moments in the legal treatment of art crime.
J UN E 2 0 16 2 3 4 X 1 5 6 M M , 1 92 PAG E S HA R DBAC K , 978 18 4 8 221 7 1 0 £3 0 .0 0
8
Jackson returns to zoology to
Final volume in the British Sculptors
of war in the first half of the 20th
create a beautiful bestiary: a body
and Sculpture series addresses the
century from a naval and maritime
of work about fauna.
important but neglected British
perspective.
LUND HUMPHRIES
The first study to focus on the art
sculptor Francis Derwent Wood RA.
A RT A N D T HE WA R AT S E A
A K U RT J ACK SO N BE STIA RY
OCTOBER 2015 125 COLOU R AND 2 5 B/ W IL L U S . 270 X 24 9 MM , 2 08 PAGE S HA R DBACK , 978184 82 2 16 80 £ 4 0. 00
S E PT E M BER 2 0 1 5 12 7 COLOUR A N D 1 8 B/ W I LLUS . 2 70 X 2 2 8 M M , 1 6 0 PAG ES HA RD BAC K , 9 78 1 8 4 8 2 2 1 70 3 £ 3 5 .00
THE SCU L P TU RE O F F RA NCIS DE RW ENT WO O D N OV EM BER 2 0 1 5 2 1 5 B/ W I LLUSTR ATI ON S 2 90 X 2 4 0 M M , 1 52 PAG ES H A R DBAC K , 9 78 1 8 4 8 2 2 0 0 1 0 £45.00
Featuring the best of el Nigoumi’s
Eileen Gray is widely known as
This book offers a concise and
glazed stoneware and burnished
a pioneer of both Art Deco and
highly readable account of the
earthenware, this book is essential
Modernism. This focuses on Gray’s
visual art of David Jones (1895–
for all studio-pottery enthusiasts.
private work as a painter.
1974).
SIDDIG EL NIGOUMI: A SUDANESE POTTER IN ENGLAND
EILEEN GRAY: THE PRIVATE PA IN T E R
THE A RT O F DAV ID J O NE S: V ISIO N A ND ME M O RY
NOVEMBER 20 15 8 0 COLOU R AND 12 B/ W IL L U S . 270 X 228 MM, 112 PAGE S HA R DBACK , 978184 82 2 1819 £ 4 0. 00
O C TO BER 2 0 1 5 6 0 CO LOUR A N D 1 0 B/ W I LLUS . 2 6 5 X 2 2 8 M M , 1 0 4 PAG ES HA RD BAC K , 9 78 1 8 4 8 2 2 1 8 3 3 £ 3 0.00
SEP TEM BER 2 0 1 5 1 0 4 COLOUR A N D 4 8 B/ W I LLU S . 2 70 X 2 2 8 M M , 1 76 PAG ES H A R DBAC K , 9 78 1 8 4 8 2 2 1 6 0 4 £40.00
9
LUND HUMPHRIES
SYBIL ANDREWS LINOCUTS: A COMPLETE CATALOGUE
TOM HAMMICK: WAL L , WIN DOW, WORL D
THE DRAWINGS OF BARBARA HEPWORTH
BY HANA LEAPER FOREWORD BY GORDON SAMUEL
BY JULIAN BELL
Under the inspirational teaching of
This is the first book to survey the work
Barbara Hepworth (1903–1975), to
Claude Flight, Sybil Andrews (1898–
of painter and printmaker Tom Hammick
many the greatest female sculptor
1992) found her artistic voice in
(b.1963). It sets Hammick’s art within
in the history of Western art, is
the form of the linocut – a medium
the context of contemporary debates
widely considered to be one of the
demanding directness and dynamism.
about painting while relating it to the
most important British artists of the
This beautifully presented publication
two-centuries-old Romantic tradition.
20th century and a key figure in the
features a complete catalogue of
Informed by the author’s sustained
development of British modernism. As
Andrews’ linocuts, alongside a
contact with Hammick over many
the first in-depth and fully illustrated
substantial essay contextualising
years, illustrated with over 120 carefully
survey of Hepworth’s drawings and
Andrews’ oeuvre and analysing the
selected images, and produced in
oil paintings in nearly 50 years, which
linocuts in detail. It will appeal to
close collaboration with the artist,
features the most comprehensive
the many collectors and admirers of
Tom Hammick: Wall, Window, World
selection to date of works from all
Andrews’ work as well as those with a
will appeal to the artist’s collectors
periods, many of which are reproduced
broader interest in the art of the period.
and wide popular audience, as well as
in colour, this book will fill a conspicuous
students, art-world professionals and
gap in Hepworth scholarship.
BY ALAN WI L K I N SO N
painting enthusiasts.
10
AUGUST 2 01 5 8 5 CO LO U R A N D 2 0 B/ W IL L U S . 2 6 5 X 2 2 8 M M , 13 6 PAG E S HAR DBAC K , 978 1 8 4 8 2 2 18 0 2 £3 5 .0 0
J U NE 20 1 5 CO LO U R IL L U STRATIO NS 3 0 0 X 235 MM, 1 4 4 PAG ES H ARDBACK , 9781 8 4 8221 659 £ 4 5. 0 0
J U NE 20 1 5 1 0 0 CO LO U R A ND 25 B/ W I LLUS . 270 X 228 M M, 1 4 4 PAG ES HA RDBACK , 978 1 84 8 221 6 42 £40.00
BY DAG MAR KO R BAC H E R E SSAYS BY ST E P H AN I E B UC K AN D F RAUK E ST E E N B O C K AD D I T I O N AL CO N T R I B UT I O N S BY B E AT R I C E ALAI AN D G EO RG JOS E F D I E TZ Accompanying an exhibition that brings back to the UK some of the greatest of the former Hamilton treasures, this book includes no less than thirty of Botticelli’s exquisite ‘Dante drawings’. The series is of the highest order of importance and rarity, and this book will be an exceptional opportunity to explore the great Renaissance master’s interpretation of one of the canonical texts of world literature. Ten drawings will be included from each of the three ‘books’ or realms of the Divine Comedy: Inferno, Purgatorio, and Paradiso. The drawings will be accompanied by an extraordinary selection of illuminated manuscripts from the time of Botticelli, including the monumental ‘Hamilton Bible’.
TH E COU R T A UL D G A L L E R Y FE BR UA RY 2 0 16 1 0 0 CO LO U R ILL U ST R AT IO N S 2 6 0 X 2 1 6 M M , 1 68 PAG E S PAP E R BACK , 978 1 907 37 2926 £2 5 .0 0
PAUL HOLBERTON PUBLISHING
BOTTICELLI: AND TREASURES FROM THE HAMILTON COLLECTION
G EO RGIA NA HOU GHTON: S PI RI T D R AW INGS SIMON GRAN T, LA R S BA N G LA R SE N A N D MARCO PAS I An astonishing series of largely abstract Victorian watercolours produced by the long-forgotten spiritualist artist Georgiana Houghton (1814–1884). This catalogue accompanies the first exhibition of these remarkable works in the UK for nearly 150 years. The birth of abstract art is typically associated with Kandinsky and others in the early 20th Century. Houghton’s work, however, predates this momentous artistic breakthrough by half a century.
TH E C O U RTAU L D GAL L E RY J U NE 20 1 6 55 CO LO U R IL L U STRATIO NS 21 0 X 21 0 M M, 7 2 PAG E S PA P E RBACK , 9781 91 1 30 0 0 21 £ 1 6. 50
11
PA U L H O L B E RTO N P U B L I S H I N G
RO D IN & DA NCE: T H E ESSENCE OF MOV E M E NT EDITED BY A LE XA N D RA GE R STE I N
This is the first serious study of Rodin’s late sculptural series known as the Dance Movements. Exploring the artist’s fascination with dance and bodies in extreme acrobatic poses, the exhibition and accompanying catalogue give an account of Rodin’s passion for new forms of dance which began appearing on the French stage around 1900. This exhibition catalogue aims to become the authoritative reference for Rodin’s Dance Movements. It includes an introductory essay on the history of the bronze casting of the Dance Movements and the critical fortune of the series, an essay on the dancers Rodin admired, and an extensive technical essay.
THE C O U RTAU L D GAL L E RY O CTO BER 20 1 6 1 50 CO LO U R IL L U STRATIO NS 260 X 21 6 M M, 1 92 PAG E S PA P E RBACK , 9781 907 37 2995 £ 30 . 0 0
ENDEAVOURING BANKS: EXPLORING COLLECTIONS FROM THE ENDEAVOUR VOYAGE 1768–17 7 1 E D I T E D BY N E I L C H AMB E R S FO R E WO R D BY S I R DAVI D AT T E N B O RO UG H CO N T R I B UT I O N S F RO M AN N A AG N AR S D ÓT T I R , JE R E MY CO OT E , P H I L L I P J. H AT F I E L D AN D JO H N GASCO I G N E Along with contemporary portraits of key personalities aboard the ship, scale models and plans of the ship itself, scientific instruments taken on the voyage, commemorative medals and sketches, the objects featured in this new book will tell the story of the Endeavour voyage. Artwork made both during and after the voyage will be seen alongside actual specimens. And by comparing the voyage originals
M AY 2 0 1 6 1 5 0 CO LO U R IL L U ST R AT IO N S 2 8 0 X 2 4 0 M M , 23 5 PAG E S HA R DBAC K , 978 1907 37 2 902 £4 0 .0 0
12
with the often stylized engravings later produced in London for the official account, the book will investigate how knowledge gained on the mission was gathered, revised and later received in Europe.
BY JE N N I F E R WE AR D E N I N T RO D UCT I O N BY JE N N I F E R SCARC E The exceptional collection of Islamic textiles published here ranges widely in region, material and technique. There are exquisite textiles and garments from North Africa, Syria, Arabia, Iran, Turkey and the Indian subcontinent, mainly from the 19th and early 20th centuries, which continue the traditions established in the medieval Islamic World. Materials represented are silk – the most prestigious of fibres, requiring highly respected weavers – wool, cotton and linen. Decoration is based on variations of weave and colour and embellishment through embroidery, printing and appliqué and illustrates the work of both professional and domestic workers.
AP R I L 2 0 1 6 1 40 CO LO U R ILL U ST R AT IO N S 3 0 0 X 2 4 5 M M , 20 0 PAG E S PAP E R BACK , 978 1 907 37 28 7 2 £40 .0 0
PAUL HOLBERTON PUBLISHING
DECORATIVE TEXTILES FROM ARAB AND ISLAMIC CULTURES: SELECTED WORKS FROM THE AL LULWA COLLECTION
SILK, PORCELAIN AND LACQUER: CHINA AND JAPAN AND THEIR TRADE WITH WESTERN EUROPE AND THE NEW WORLD, 1500–1644 BY TERESA CA N E PA Focusing on the prolific trade, transport and consumption of Chinese silk and porcelain, and Japanese lacquer abroad between 1500 and 1644, this groundbreaking book will show how the material cultures of late Ming China and Momoyama/Early Edo Japan on one side of the globe, and Western Europe and the New World on the other, became linked for the first time, through an exchange of luxury Asian manufactured goods for currency. It offers new insight into these multi-layered long-distance commercial networks, which resulted in an unprecedented creation of material culture that reflected influences of both East and West.
O CTO BE R 20 1 6 4 0 0 CO LO U R IL L U STRATIO NS 30 0 X 24 5 MM, 4 4 0 PAG ES HA RDBACK , 978 1 91 1 30 0 0 1 4 £ 7 5. 0 0
13
PA U L H O L B E RTO N P U B L I S H I N G
HANS KHEVENHÜLLER AT THE COURT OF PHILIP II OF SPAIN: DIPLOMACY AND CONSUMERISM IN A GLOBAL EMPIRE EDITED BY A N N E M A R I E J OR DA N GSCHWE N D Marking the 410th anniversary of Khevenhüller s death, this book will examine Khevenhüller’s own art collection and Kunstkammer created for his residence in Madrid and his country estate at Arganda. A foreword by Martin Malcolm Elbl introduces the diplomatic world of Khevenhüller. Other contributions by Vanessa de Cruz Medina and Jorge Fernández-Santos Ortiz-Iribas will focus on Khevenhüller’s ties with the family of the imperial Ambassador Adam von Dietrichstein in Spain and Austria, and the reconstruction of Khevenhüller’s library in his Madrid residence. Correspondence, documents and inventories located in archives in Geneva, Simancas (Valladolid), Lisbon, Madrid, Vienna, Kärnten, Paris and Brno are
NOV EMBER 20 1 6 1 50 CO LO U R IL L U STRATIO NS 280 X 24 0 M M, 24 0 PAG E S HA RDBACK , 978 1 91 1 30 0 0 07 £40.00
highlighted in this book and in the appendices.
ADRIAEN VAN DE VELDE: DUTCH MASTER OF LANDSCAPE BY BART CO R N E L I S WI T H MAR I JN SC H AP L E H O UMAN Accompanying the first ever exhibition devoted to the Dutch painter and draughtsman Adriaen van de Velde (1636–1672), this is also the first monograph on the landscape artist one of the finest of the Dutch Golden Age. Compared by the renowned art historian Wolfgang Stechow (1896–1974) to Mozart’s chamber music, Van de Velde’s paintings are delicate, carefully composed and demonstrate his mastery of lighting effects as well as the human figure. As well as bringing together 60 works, the publication will reunite these paintings with their preparatory studies in red chalk or pen and ink
J UN E 2 0 16 1 3 0 CO LO U R IL L U ST R AT IO N S 2 8 0 X 2 4 0 M M , 20 0 PAG E S PA P E R BAC K , 978 1907 37 2 964 £2 5 .0 0
14
for the first time.
BY COSTAN ZA B E LT RAMI Prompted by the recent discovery of an impressive three-metre tall late Gothic drawing of a soaring tower and spire, this book offers a rare insight into the processes of designing and building a major gothic project. The drawing’s place and date of creation are unknown, and it corresponds to no surviving Gothic tower. Equally mysterious is the three-quarter, top-down perspective from which the tower is represented, without parallel in any other medieval drawings. Who drew this? When? And what did he hope to convey? Building a Crossing Tower explores these questions, and uncovers the dramatic circumstances in which this drawing was created.
FE BR UA RY 2 0 16 1 0 0 CO LO U R ILL U ST R AT IO N S 3 0 0 X 2 4 5 M M , 1 12 PAG E S PAP E R BACK , 978 1 907 37 293 3 £2 5 .0 0
PAUL HOLBERTON PUBLISHING
BUILDING A CROSSING TOWER: A DESIGN FOR ROUEN CATHEDRAL OF 1516
CO ND ITION: THE AGEI NG O F A RT BY PAUL TAY LOR “This engrossing paperback will teach you never to look at an Old Master painting in the same way again.” — Evening Standard “In this eloquent study, the art historian Paul Taylor demonstrates that all artworks undergo countless metamorphoses.” — The Guardian “A hugely welcome publication, which sets out the knowns and unknowns of the subject in a series of lucid chapters on losses, cracking, pigments, darkening and cleaning … Taylor’s evenhandedness is exemplary.” — Apollo Anyone writing about a work of art needs to establish at the outset how much it has changed since it was first made. This simple, informative and practical book, full of fascinating and revelatory photography, will take the reader through both the techniques and media of art and the techniques and media of its investigation and restoration.
SEP TE M BER 20 1 5 1 4 0 CO LO U R IL L U STRATIO NS 242 X 1 68 M M, 264 PAG E S PA P E RBACK , 9781 907 37 27 97 £ 30 . 0 0
15
PAUL HOLBERTON PUBLISHING
T H E WA LL ACE COLLEC T IO N C ATA LO GU E O F I TA LIAN SCU LPTURE BY JEREMY WARREN THE WALLACE COLLECTION
The new catalogue of Italian sculpture in the Wallace Collection by Jeremy Warren puts on the map a part of the Wallace Collection which has hitherto been relatively little-known. The 159 entries cover works in bronze, marble, terracotta and wood dating from c. 1400 to 1900, and by or associated with some of the most famous names in Italian sculpture. The new Wallace Collection Catalogue of Italian Sculpture will become an indispensable reference work, which will also be read with pleasure by specialists and anybody with a love of this wonderful and varied art form.
M A RCH 20 1 6 8 0 0 IM AG ES 280 X 24 0 M M, 2 VO L U M E S: 422 A ND 4 1 2 PAG E S HA RDBACK , 978 0 90 0785764 £ 250 . 0 0
T HE GLO BA L C IT Y: O N T HE ST RE E TS O F RE NA ISS A NC E L IS B O N EDITED BY ANNEMARIE JORDAN GSCHWEND AND K.J.P LOWE
“This is modern historical inquiry at its best: clear, precise, forthcoming about problems of evidence, and relentlessly focused on its central questions.” — Times Literary Supplement “Cultural history at its most original and sustaining.” — Literary Review “Utterly arresting…beautifully presented…fascinating.” — Country Life Focusing on unpublished objects, and incorporating newly discovered documents and inventories that allow novel interpretations of the Rua
N OV E M B E R 20 15 2 5 0 CO LO U R IL L U ST R AT IO N S 2 8 0 X 2 4 5 M M , 27 2 PAG E S HA R DBAC K , 978 1907 37 2 8 89 £4 0 .0 0
16
Nova and the goods for sale on it, these essays offer a compelling and original study of a metropolis whose reach once spanned four continents.
Accompanying an exhibition at The
This beautifully illustrated catalogue
but neglected painters of the Italian
Courtauld Gallery, this catalogue
documents the London Missionary
Renaissance. ISABELLA STEWARD
explores a remarkable series of
Society from its formation to its
GARDENER MUSEUM, BOSTON.
paintings by Peter Lanyon.
initial ‘success’ in Polynesia.
O R N A M E N T A N D ILL U S IO N : CAR LO CR I VE LL I O F V E N IC E
SOARING FLIGHT: PETER LANYON’S GLIDING PAINTINGS
MISSIO NA RIE S A ND IDO L S I N P O LYNE SIA
SEPTEMBER 2015 14 0 COLOU R IL L U ST RAT IO NS 28 0 X 240 MM , 2 32 PAGE S PAPER BACK , 97819 07 37 2 86 5 £ 3 5. 00
O C TO BER 2 0 1 5 80 CO LOUR I LLUSTR ATI ON S 2 6 0 X 2 1 6 M M , 1 52 PAG ES PA PE RBAC K , 9 78 1 9 07372 8 5 8 £ 2 5 .00
JULY 2 0 1 5 1 0 0 COLOUR I LLUSTR ATI ON S 2 8 0 X 2 0 0 M M , 1 76 PAG ES PA P ER BAC K , 978 1 9 07372 8 3 4 £30.00
Presents the Crystal Sceptre
An exemplary investigation of a
This beautiful, highly illustrated
and over 80 pieces in the plate
series of so far poorly documented
catalogue presents in-depth case
collection at Mansion House.
works that will prove of great
studies of 24 rare and remarkable
interest to those in the field.
Late Medieval panel paintings.
THE HONOUR AND GRANDEUR: REGALIA , GOLD AND SILVER AT THE MANSION HOUSE OCTOBER 2015 100 COLOU R IL L U S . 212 X 168 MM, 19 2 PAGE S PAPER BACK , 97819 07 37 2 89 6 £ 20. 00
L AT E ME DIE VA L PA NE L PA IN T ING S I
L ATE M E DIE VA L PA NE L PA INTING S II
O C TO BER 2 0 1 1 4 4 0 CO LOUR I LLUSTR ATI ON S 2 4 5 X 30 0 M M , 2 98 PAG ES PA PE RBAC K , 978 0 9 5 53 39 3 4 9 £ 4 0.00
JA N UA RY 2 0 1 6 4 0 0 COLOUR I LLUSTR ATI ON S 3 0 0 X 2 4 5 M M , 3 52 PAG ES PA P ER BAC K , 978 1 9 07372 9 1 9 £40.00
PAUL HOLBERTON PUBLISHING
Exploring one of the most important
17
PIANO NOBILE
First published to accompany a group exhibition at Piano
Published to accompany Piano Nobile’s exhibition,
Nobile, this fully colour illustrated catalogue showcases
this book presents a substantial publication on
seminal works of abstract art produced in Britain over the
contemporary artist Thomas Newbolt. Newbolt’s
course of five decades. It presents exceptional paintings
dedication to the figure in art, and the vitality of his
and sculptures, created by artists in dialogue with
work have gained him international recognition. This
contemporaries and predecessors in Britain, and diverse
beautiful book is a reflection on Newbolt’s career thus
international centres of abstraction.
far, and a testament to the significance of his work.
A S P E C TS O F POST-WA R A B ST R AC T I O N 1 9 52– 2 00 2 MAY 20 16 4 0 ILLU ST RAT IO NS 28 0 X 2 4 0 M M , 80 PAGE S HA R DBAC K , 9 7819 0119 2 4 3 8 £ 25. 00
18
THO MA S NEW BO LT: PA INTING S JA N UA RY 2 0 1 6 F ULL COLOUR I LLUSTR ATI ON S TH ROUG H OUT: 4 3 I LLUSTR ATI ON S 2 8 8 X 2 47 M M , 96 PAG ES H A R DBAC K , 9 78 1 9 0 1 1 92 4 07 £45.00
Bristol University academic
Focuses on the sales
Sophie Hatchwell focuses on
history of Sir Stanley
the sales history of Francis
Spencer from 1990–
Bacon and Lucian Freud,
2015. Arguably one
two titans of modern art.
of the greatest British
Both controversial, revered,
artists of the twentieth-
and celebrated in their
ce nt u r y S p e n ce r i s
lifetime, this publication
also renowned for his
explores how their work
chequered sales history
has fared at auctions
and money struggles.
since 1990. Comparing the
This rigorous study into
fortunes of both, Hatchwell
the prices that his works
examines how genres,
now reach at auction
media, significant sales and
demonstrates the significance of major sales over the
exhibitions, and their deaths have impacted upon the value
past twenty-five years and the increasing value the
of their work individually.
market places upon Spencer’s paintings.
AUCTI O N IN G F R E U D A N D BACO N : O I L PA I N T I N G S A L E S 1 9 9 0 – 2 0 1 6
A U CTIO NING STA NL EY SP E NCER : O IL PA INTING SA L ES 1 990– 20 1 5
JU NE 20 16 FU LLY CO LO U R IL L U ST RAT E D T HRO U GH OUT 28 0 X 14 8 M M , 4 8 PAGE S PA PER BAC K , 9 7819 0119 2 42 1 £25. 00
JUN E 2 0 1 6 1 0 F ULL COLOUR I LLUSTR ATI ON S 2 8 0 X 1 4 8 M M , 4 6 PAG ES PA P ER BAC K , 9 78 1 9 0 1 1 92 4 1 4 £25.00
BRIAN RICE: PAINTINGS 1952–2016
JAMAICAN PULSE
E SSAY BY AN D R E W LAMB I RT H
EDITED BY KAT ANDER SON AND GRAEME MORTIMER EVELYN
Charles Hodge Mackie was well-
In the 1960s, Brian Rice was at the heart
At a time when Jamaican art is receiving
connected in artistic circles. In France,
of the London art scene, producing
growing international acclaim, Jamaican
he met Gauguin, Vuillard and the
some of the era’s most groundbreaking
Pulse showcases the extraordinary
Nabis; he was a close friend of E.A.
paintings. As part of the crowd around
diversity of Jamaican art, presenting
Hornel; and he taught Laura Knight
the Royal College of Art that included
contemporary artwork alongside key
how to lay out her palette. In terms of
David Hockney, Peter Blake, Joe Tilson,
works from Jamaican art history.
‘places’, his art and life are associated
Allen Jones and Derek Boshier, he
It explores the artwork through a
with a variety of locations, including
mingled with fashion designers, rock
political lens and considers how global
Kirkcudbright, Staithes, Paris, Normandy,
musicians and models. In the mid-
attitudes to body, gender, religion, class
Italy, and Venice and its piazzas.
1970s, Rice left the glamour of London
and sexuality have impacted this small
In Edinburgh, where his studio
and retreated to his roots in the West
island nation, also giving an insight
was located, he made a significant
Country. Life and art merged in the
into the roots of modern Jamaican
contribution to the city’s artistic and
1980s when he sold his farm and bought
art and its political associations.
social life, as a founder member and
a dilapidated fifteenth-century house,
The contemporary work featured
chairman of the Society of Scottish
which he set about restoring over 35
spans multiple disciplines including
Artists, as well as carrying out mural
years. This commitment led to an artistic
painting, sculpture, photography,
commissions for Patrick Geddes. He also
resurgence that saw him produce
textiles and moving image. The works
worked in an impressive range of media:
mature work with a deep connection
are supported by twentieth century
oils, watercolours, murals, woodblock
to nature and the sense of place.
artwork from a number of public
prints, tooled leather and sculpture.
The paintings are introduced by art
and private collections, including the
critic Andrew Lambirth, who traces
Jamaican High Commission, London
Rice’s development over more than
and The National Gallery of Jamaica,
60 years.
Kingston.
BY PAT CLARK
O CTO BE R 2 0 1 6 4 0 + FUL L CO LO U R ILL U S . 2 44 X 1 7 2 M M , 1 76 PAG E S PAP E R BACK , 9 78 1 908 32 6911 £2 5 .0 0
A U G U ST 20 1 6 ILL U ST RATED IN F U L L CO LO U R 2 8 0 X 2 3 5 M M, 31 2 PAG ES H A R D BACK , 9781 90 8 326966 £ 4 5 . 00
J U NE 20 1 6 C. 60 COLOUR ILLUSTRATIONS 270 X 21 0 M M, 1 4 4 PAG ES PA P ERBACK , 978 1 90 8326959 £ 20 . 0 0
SANSOM & COMPANY
PEOPLE , PLACES & PIAZZAS: THE LIFE AND ART OF CHARLES H. MACKIE
19
SANSOM & COMPANY
KENNETH ARMITAGE, SCULPTOR: A CENTENARY CELEBRATION BY SARAH BROWN, ANN ELLIOTT, JOHN MCEWEN AND JON WOOD
ZAWN WALKING WEST PENWITH: CLIFF-EDGE PAINTING BY PAUL LEWIN TE XT BY PAUL GO UG H
EDITED BY MARIE MULVEYROBERTS AND FIONA ROBINSON
Published in the year marking the
P a u l L ew i n h a s e s t a b l i s h e d a
Celebrates the life and work of the
Centenary of the birth of the sculptor
reputation as a fearless plein-air
hugely influential writer Angela Carter
Kenneth Armitage CBE RA, this volume
painter, who works for long hours
(1940–1992), 25 years after her death.
reflects his strengths as an artist,
from the cliff-tops of Cornwall,
In bringing together art and literature,
a teacher and friend. Sometimes
Devon, the Scilly Islands and Eire,
Strange Worlds features works by
taciturn, frequently humorous, loyal
producing paintings of great beauty.
major contemporary artists which
to those he loved and respected,
20
STRANGE WORLDS : THE VISION OF ANGELA CARTER
reveal the extent to which Angela
Armitage’s career was dedicated to
This new book takes the form of a
Carter’s ideas have indirectly but
making sculpture. His great success
collection of existing paintings, and
profoundly influenced twenty-first-
in the 1950s was followed by a period
others created specifically for this
century culture. Co-curator Fiona
when critical focus was directed to
publication, each painting marking a
Robinson provides a fascinating insight
younger generations, but during his
walking line west from Newlyn along
into the process of selecting work for
mature years his unstoppable energy
the headland to Land’s End, then north
the exhibition. Historic artwork that
and intellectual focus fed a burst of
to Zennor. Images are accompanied
influenced Carter is shown alongside
creativity that generated a renewed
by a text written by Paul Gough. It
illustrations from her books, documents
interest in his achievements.
contextualises Paul Lewin’s practice
and artefacts relating to her work
in the history of Cornish painting,
and life, and discussed by co-curator
the tradition of en plein work, but
Marie Mulvey-Roberts. The book also
also offers a commentary on the
contains reminiscences of those who
artist’s sojourn across West Penwith.
knew and worked with Carter.
S E P TE M B E R 20 16 70 + CO LO U R ILL U ST R AT IO N S 2 7 5 X 2 3 0 M M , 176 PAG E S PA P E R BAC K , 978 1 908 32 67 7 5 £2 5 .0 0
O C TO BER 20 1 6 3 0 IM AG ES , SK ETCHBO O K PAG ES 2 65 X 230 M M, 1 28 PAG ES PA P ERBACK , 978 1 90 832697 3 £ 2 0. 0 0
DE CE M BER 20 1 6 70 + CO LO U R IL L U STRATI ON S 270 X 21 0 M M, 1 4 4 PAG ES PA P ERBACK , 978 1 90 8326980 £ 20 . 0 0
BY AN D R E W LAMB I RT H An important player on the stage of International Modernism, William Gear deserves a major study which examines the best of his output from all decades and which attempts to sum up and assess the range of his achievement. Andrew Lambirth’s monograph promises to do that. Published to celebrate the centenary of Gear’s birth, this book aims to stimulate a reassessment of his work and to show the full range of his achievement. Contains much previously unseen material and demonstrates how throughout a long career his art drew inspiration from natural appearances but transformed them into abstract imagery of great resonance and rhythmic presence.
SANSOM & COMPANY
W IL L IA M GE A R
O CTO BE R 2 0 1 5 2 0 0 I L L UST R AT IO N S 2 7 7 X 2 5 5 M M , 4 4 0 PAG E S HAR DBACK , 978 190 8 326669 £40 .0 0
THE ARBOR E ALISTS: THE ART OF THE TR EE WITH ESSAYS BY A N GE LA SU M M E R F I E LD, PH I L I P PA B E AL E AN D PETER DAV I E S Trees provide a wonderfully versatile subject for artists, not only in terms of the incredible diversity of form, character and colour they provide, but also in terms of the wealth of association, myth, folklore, religious and symbolic significance which they have come to embody. The Arborealists grew out of the 2013 exhibition Under the Greenwood: Picturing British Trees – Present, an exploration of contemporary artists’ responses to the tree. The work included in this lavishly illustrated book demonstrates that trees still have relevance in contemporary art and retain the power to move us all as a vital element in our landscape and sense of national identity.
A P RIL 20 1 6 F U L L CO LO U R IL L U STRATIO NS 270 X 21 0 M M, 1 28 PAG ES PA P ERBACK , 978 1 90 8326867 £ 25. 0 0
21
SANSOM & COMPANY
FI O NA MCINTYR E: A TR EE W ITHIN BY ALA N W ILK IN SON First monograph of the highly individual painter-printmaker Fiona McIntyre. Fiona McIntyre is a founding member of the Arborealists, a group of contemporary artists currently taking the world by storm. In this first collection of work dating from 1985 McIntyre reveals a natural progression from drawings of Oceanic sculpture, the nude, portraits and landscape to recent Arboreal paintings made with remarkable confidence and luscious colour. McIntyre’s artistic genes are strong as she has inherited her love of heightened colour and bold composition from great grandfather Malcolm Drummond of the Camden Town Group, 1911.
SE P TEMBER 2016 1 0 0 + F U L L CO LO U R IL L US . 265 X 230 MM, 1 1 2 PAGES PA P E RBACK , 9781 90 8 326898 £ 20 . 00
INQ U IS IT IV E E Y E S: S L A D E PA INT E RS IN E DWA RD IA N W E SS E X BY GWE N YAR K ER This real contribution to the literature on artists and place is a truly fresh look not only at the Slade ‘milieu but at the flavour of landscape painting in early twentieth century Britain. Convincingly argued, it focuses on the importance of Purbeck to some of the most important Edwardian painters. Plein air artists visiting from the 1890s saw the county through the lens of Thomas Hardy and exhibited paintings of a timeless Wessex in London. Easily accessible by train from London, painters were there in the summer months leading to Augustus John’s description that ‘Corfe Castle and the neighbourhood would make you mad with painter’s cupidity’.
FE BR UA RY 20 16 1 0 0 FU LL CO LO U R IL L U S . 2 70 X 21 0 M M , 132 PAG E S PAP E R BAC K , 978 1 908 32 68 5 0 £2 0 .0 0
22
PAT DOUTHWAITE BY GUY PEPLOE
WARM COVERS: A SCOTTIS H TE XTIL E STORY BY JANET RAE
EDITED BY GILL CLARKE
The distinguished artist and teacher
The work of Patricia, always ‘Pat’,
Heritage quilts and coverlets provide
Randolph Schwabe (1885–1948) kept a
Douthwaite (1934–2002) is not easily
intriguing visual records. While usually
detailed diary from January 1930 until
defined, at once naive and intellectually
made for warmth, quilts often had other
his untimely death in September 1948.
loaded, personal but resonating with
purposes. They were made to declare
Schwabe commenced writing shortly
cultural references. It was not made for
political or religious beliefs, to raise
before being appointed Principal of the
others but came from that deep-seated
money, to reward someone for services
Slade School of Art and for over nearly
need of the creative to make, to express.
or to commemorate milestones in
two decades he diligently recorded, in
This said she was not uninterested in
personal life or major events like war.
his elegant and well-punctuated script,
what people thought often drawing an
On another level, old quilts reflect
his thoughts and subtle comments
audience into a dangerous dialogue;
on art and education and Scotland’s
on people and major events and his
she was impossible to please and
once flourishing textile industry.
own artistic practice. National and
made enemies of her supporters with
In her newest and most wide ranging
international events are commented
an impunity that was at once vicious
book yet, Janet Rae takes an overview
on including the build-up to World War
and pathetic. Now she has gone and we
of Scotland’s rich engagement with
II as well as the running of the Slade
no longer have Douthwaite to mediate
textiles beginning with the manufacture
and its evacuation to Oxford to share
or twist our experience of the work
of linen, wool and cotton in the
premises with the Ruskin Drawing
we can perhaps begin a more serious
eighteenth and nineteenth centuries.
School in September 1939.
appraisal.
FE BR UA RY 2 0 1 6 FUL L CO LO UR PL AT E S E C T IO N 2 44 X 1 6 8 M M , 592 PAG E S PAP E R BACK , 9 78 1 908 32 68 74 £2 5 .0 0
J U N E 2 01 6 8 0 ILL U STRATIO NS 2 70 X 21 0 M M, 1 28 PAG ES PA PE R BACK , 9781 90 8 32678 2 £ 2 5 . 00
J U NE 20 1 6 1 20 IL L U STRATIO NS 270 X 21 0 M M, 1 76 PAG ES PA P ERBACK , 978 1 90 832690 4 £ 25. 0 0
SANSOM & COMPANY
THE DIARIES OF RANDOLPH SCHWABE: A RT I ST I C C I RC LES 1 9 30 – 48
23
SANSOM & COMPANY
In a ground breaking analysis,
A celebration of London captured
Spanning 25 years, this monograph
Silvano Levy unravels the hidden
in paint by Peter Brown. 168 full-
covers the life and career of Tim
structures of Magritte’s paintings.
colour pages, with entertaining
Shaw, one of the country’s leading
anecdotes from the artist.
sculptors.
DE CO D IN G M AG R IT T E OCTOBE R 2 015 100 ILL U ST RAT IO NS 28 0 X 2 10 M M , 2 80 PAGE S HA R DBAC K , 9 7819 06 59 39 57 £ 4 0. 00
24
LO NDO N: PA INTING S BY P E TE R BROW N DEC EM BER 2 0 1 5 1 5 0 I LLUSTR ATI ON S 2 1 5 X 2 70 M M , 2 0 0 PAG ES H A R DBAC K , 978 1 9 0 8 32 6 8 0 5 £35.00
TIM SHAW N OV EM BER 2 0 1 5 1 0 0 F ULL COLOUR I LLUS . 3 0 0 X 2 4 5 M M , 1 1 2 PAG ES H A R DBAC K , 9 78 1 9 0 8 32 6 812 £35.00
Traces the development of the
Examines the rich material that has
Inspired by Gregory of Nyssa’s ‘The
artist Alice Mumford, describing
attracted artists to the Channel
Life Of Moses’, in which he uses
her passionate commitment to
shore from the seventeenth
the familiar story of Moses’ life as
painting from life.
century to the present.
metaphor for the spiritual journey.
CO LOU R F RO M COA ST TO COA ST : A LIC E M U M F O R D
SHO REL INES: A RTISTS O N THE SO U TH COA ST
SEPTEM B E R 2 015 100 ILL U ST RAT IO NS 255 X 2 10 M M , 80 PAGE S PAPER BAC K , 9 7819 0832 6 676 £ 20. 00
SEP TEM BER 2 0 1 5 5 0 I LLUSTR ATI ON S 2 70 X 2 1 0 M M , 1 1 2 PAG ES PA P ER BAC K , 9 78 1 9 0 8 32 676 8 £20.00
VISUAL CONTEMPLATIONS: PAINTINGS INSPIRED BY GREGORY OF NYSSAS – THE LIFE OF MOSES N OV EM BER 2 0 1 5 F ULL COLOUR I LLUSTR AT IO N S 2 4 0 X 1 68 M M , 8 0 PAG ES PA P ER BAC K , 978 1 9 0 8 32 6 843 £20.00
making human Nature
REALITY: MODERN AND CONTEMPORARY BRITISH PAINTING
MARY WEBB: JOURNEYS IN COLOUR
BASKETRY: M AKIN G HUM AN N ATURE
EDITED BY SARAH BARTHOLEMEW, AMANDA GEITNER AND CALVIN WINNER
EDITED BY SANDY HESLOP
In a world saturated with polychrome
This exhibition catalogue supported
This book accompanies the Basketry:
printed media and ephemeral digital
Mary Webb’s exhibition, Journeys in
Making Human Nature exhibition
images, painting has a particular power.
Colour and contains images of more
which brought together traditional
It requires a direct experience of the
than 60 of her paintings, along with
and contemporary basketry from
work as a physical object; it offers
a collection of screen prints, drawings
Western Amazonia, North America,
an encounter with the scale of the
and collages including the series of
Oceania, Africa, Japan, South-East
canvas and the texture of the paint. And
paintings that were inspired by her
Asia and Europe. The exhibition
although it is one of our most archaic
time spent abroad in Utah. Mary’s
revealed the extraordinary uses of
living cultural practices, it survives
career has been dedicated to the
basketry technology and asked us
successfully alongside art forms such as
exploration of abstract form though
to consider the place of basketry
film, photography and installation, which
painting and printmaking. A pupil
in human culture. It displayed new
threatened to eclipse it in recent decades.
of the late Sonia Delaunay, Mary
commissions alongside large-scale
The paintings in Reality: Modern and
Webb’s works are consistently square
basketry, traditional baskets from
Contemporary British Painting testify
in shape and exist as an arrangement
North East Congo and the Solomon
to this power. The thirty-three artists
of vivid squares and rectangles.
Islands, fish traps from Cameroon,
represented – major twentieth-century
The 71-year-old artist admits that
Ghana and Thailand, a colourful gorget
figures alongside contemporary painters
“colour is [her] main concern”, which
from the Society Islands, Egyptian
– tackle subjects ranging from the
accounts for the vibrancy of her work.
shoes, masks from the Salampasu of
EDITED BY CHRIS STEVENS CONTRIBUTIONS FROM AMANDA GEITNER, PAUL GREENHALGH, DAVID PETER S CORBETT AND SARAH BARTHOLOMEW
body to relationships, from history
Angola and baskets from across the
and politics to war, and from social
globe.
SAINSBURY CENTRE FOR VISUAL ARTS
baSkeTry
issues to the urban environment.
J UN E 2 0 1 4 9 4 I L L USTR ATI O N S 3 3 0 X 2 52 M M , 1 4 9 PAG E S HAR DBACK , 9 78 0 94 600 964 0 £2 5 .0 0
J U N E 2 01 1 7 1 IL L U STRATIO NS , 65 CO LO U R 7 2 PAG ES , 24 5 X 24 5 M M PA PE R BACK , 9780 94 60 0 961 9 £ 15 . 0 0
F E BRU A RY 20 1 1 7 3 CO LO U R IL L U STRATIO NS 68 PAG E S , 27 5 X 20 0 MM PA P ERBACK , 978 0 0 94 0 0 960 2 £ 1 5. 0 0
25
ELIZABETH HARVEY-LEE
A comprehensive reference and
Introduction to WWI printmaking,
An introduction to the Etching
visual summary of British etching
with printed images by artists from
Club, followed by a selection of
from 1850–1950.
both Allied and Central Powers,
prints by Palmer and his fellow
many of whom saw active service.
members.
THE S E D U C T IV E A RT : T H E BR I T I S H PA SS IO N F O R E TCHIN G 18 5 0 –1 95 0 JU LY 20 01 8 49+ B/ W IL L U ST RAT IO NS 275 X 2 15 M M , 3 84 PAGE S PAPER BAC K , 9 7819 02 86 3 047 £ 3 0. 00
SEP TEM BER 2 0 1 4 1 39 B/ W I LLUSTR ATI ON S 2 1 0 X 1 4 8 M M , 1 0 8 PAG ES PA P ER BAC K , 9 78 1 9 0 2 8 6 3 3 5 1 £15.00
THE POETIC IMPULSE: THE ETCHINGS OF SAMUEL PALMER, HIS PEERS AND FOLLOWERS JA N UA RY 2 0 1 6 8 4 B/ W A N D COLOUR I LLU S . 2 1 0 X 1 47 M M , 8 8 PAG ES PA P ER BAC K , 978 1 9 0 2 8 6 3 306 £12.00
Over 500 prints from 500 years
A catalogue of work from women
Collection of prints by women
by nearly 500 artists, with a
printmakers – from the earliest work
working in the first half of the
list of notable events to provide
by nuns to some of the greatest
20th century with an emphasis
historical context.
names in British wood engraving.
on lesser-known artists.
HA L F A M ILL E N N IU M O F A RT I STS’ IM PR E SS IO N S D ECEM B E R 2 000 B/ W IL L U ST RAT IO NS 275 X 2 15 M M , 2 88 PAGE S PAPER BAC K , 9 7819 02 86 3 03 0 £ 15. 00
26
1914–1918 THE GRE AT WAR THROUGH PRINTMAKERS’ EYES
M ISTRESSE S O F THE G RA P HIC A RTS: FA MO U S A ND F O RG OTTEN WO ME N P RINTMA K ERS , C .1 550 – C .1 950
UNSUNG HEROINES: A FURTHER SELECTION OF MISTRESSES OF THE GRAPHIC ARTS
N OV EM BER 1 9 9 5 3 64 B/ W I LLUSTR ATI ON S 2 70 X 2 1 5 M M , 1 2 4 PAG ES PA P ER BAC K , 9 78 0 9 52 5 5 4 4 1 7 £15.00
JUN E 2 0 0 4 2 64 B/ W I LLUSTR ATI ONS 2 75 X 2 1 5 M M , 1 1 2 PAG ES PA P ER BAC K , 978 1 9 0 2 8 6 3 078 £15.00
Examines Harry Clarke’s engravings
First detailed study of one of
crafts uncovering a unique history
for Ireland’s Memorial Records,
I re l a n d ’s fo re m o st n at i o n a l
of folklore and tradition in the
and how art and commemoration
treasures from the 17th century
creation and use of objects made
can come together in a powerful
to today, with stunningly detailed
from organic materials.
visual creation.
photography.
STR AW, HAY & R U S H E S IN I R I S H FO L K T R A D IT IO N SEPTEMBER 2015 3 3 0 COLOU R & B/ W IL L U S . 226 X 196 MM, 5 6 0 PAGE S HA R DBACK , 97807 16 53 3 108 £ 3 5. 00
HARRY CLARKE’S WAR: ILLUSTRATIONS FOR IRELAND’S MEMORIAL RECORDS, 1914–1918
THE CROSS OF CONG: A MASTERPIECE OF MEDIEVAL IRISH ART
NOV E M BER 2 0 1 5 2 3 6 X 1 5 5 M M , 2 64 PAG ES HA RD BAC K , 978 07 1 653 3 0 8 5 £ 2 4 .9 9
OC TOBER 2 0 1 4 2 4 0 COLOUR I LLUSTR ATI ON S 2 4 4 X 1 67 M M , 32 6 PAG ES H A R DBAC K , 9 78 07 1 6532 74 3 £35.00
First Irish biography of Irish-
Based on extensive research and
Examines art in Belfast in the 18th
born Eileen Gray, one of the
previously unavailable archival
and 19th centuries, using primary
most influential designers of the
material, this is the first ever full-
sources and written by the leading
twentieth century.
scale work on the artist.
authority on the subject.
E I L E E N GR AY: H E R WO R K A N D HE R WO R L D NOVEMBER 20 14 3 00 COLOU R & B/ W IL L U S . 226 X 18 7 MM, 5 12 PAGE S PAPER BACK , 97807 16 532 767 £ 3 5. 00
S E A N K E ATING : A RT, P O L ITICS A N D B U I L D I N G T H E IRISH N ATION A PRIL 2 0 1 3 17 B/ W I LLUSTR ATI ON S 2 4 6 X 1 89 M M , 3 8 4 PAG ES PA PE RBAC K , 9 78 07 1 653 1 9 37 £ 3 4 .9 9
IRISH ACADEMIC PRESS
A fascinating insight into Irish
A RT IN BE L FA ST: A RT LOV E RS O R P HIL ISTINE S? APRIL 2006 241 X 180 MM PA P ER BAC K , 978 07 1 653 3 62 7 £ 2 9. 5 0
27
FORTHCOMING & RECENT RELEASES 28
Reconsiders theories which identify
A landmark publication of essays
Addressing aspects of Amaravati
the crisis of Jewish assimilation as
exploring the relationship between
and its sculpture including the
primary creative stimulus for Jewish
sacred matter and precious
rediscovery of the stūpa as well
contribution to Viennese modernism.
materials in the Middle Ages.
as its recreation.
STYLE AND SEDUCTION: JEWISH PATRONS, ARCHITECTURE , AND DESIGN IN FIN DE SIÈCLE VIENNA JU LY 20 16 3 0 ILLU ST RAT IO NS 23 5 X 1 5 6 M M , 32 0 PAGE S HA R DBAC K , 9 7816 116 89 2 04 , £ 6 4 .00 PAPER BAC K , 9 7816 116 89 2 11, £ 3 0.00 BRAND EI S U N I VER S I TY P R ES S
A CATA LO G U E O F THE L ATE A NTIQ U E G O L D G L A SS IN THE BRITISH MU SE U M
A M A RAVATI: THE A RT OF AN E A RLY BU DDHIST MO N UMENT IN CO NTE XT
JUN E 2 0 1 5 2 9 0 X 2 1 0 M M , 2 0 6 PAG ES PA P ER BAC K , 9 78 0 8 6 1 59 1 98 5 £40.00 B R I T I SH M U SE U M PR E SS
OC TOBER 2 0 1 6 1 70 I LLUSTR ATI ON S 2 90 X 2 1 0 M M , 1 52 PAG E S PA P ER BAC K , 978 0 8 6 1 59 2 074 £40.00 B R I T I SH M U SE U M PR E S S
This book traces the course of
A history of early video art
Playing with Earth and Sky reveals
Joseph Glasco’s life and art and
considered in relation to television
the significance astronomy,
explores the complex reasons for
in the United States during the
geography, and aviation had for
his subsequent neglect.
1960s and 1970s.
Marcel Duchamp.
J OS E P H G L A SCO : T H E FI F T E E N T H A M E R IC A N
AG A INST IMME DIACY: V IDEO A RT A ND ME DIA P O P U L ISM
OCTOBE R 2 015 3 15 COLO U R IL L U ST RAT IO NS 267 X 2 10 M M , 4 00 PAGE S HA R DBAC K , 9 7816 116 885 42 £ 4 9. 00 CACKL EGOOS E
A UG UST 2 0 1 6 2 5 I LLUSTR ATI ON S 2 2 9 X 1 52 M M , 2 32 PAG ES PA P ER BAC K , 9 78 1 6 1 1 6 894 57 £30.00 D A R T M O U T H C O L L E G E PR E SS
PLAYING WITH EARTH AND SKY: ASTRONOMY & GEOGRAPHY AND THE ART OF MARCEL DUCHAMP A UG UST 2 0 1 6 79 I LLUSTR ATI ON S , 1 M AP 2 2 9 X 1 52 M M , 2 8 0 PAG E S H A R DBAC K , 9 78 1 6 1 1 6 895 6 3, £6 4. 00 PA P ER BAC K , 978 1 6 1 1 6 89570, £30. 00 D A R T M O U T H CO L L E G E P R E S S
A compelling collection for
An inquiry into conceptions of
solo exhibition at a US museum
teaching and learning about the
the human body in Austria and
in nearly forty years, and his first
art of museum curation.
Germany before and after the First
career retrospective outside of Iran.
World War.
PA RVI Z TA N AVO LI
CO LL ECTING A ND SHA RING
JU LY 2015 189 COLOU R IL L U ST RAT IO NS 3 15 X 229 MM, 170 PAGE S HA R DBACK , 97809 85 82 4 9 3 8 £ 4 1. 00 DAV IS M USEU M
S E PT E M BER 2 0 1 5 16 0 CO LOUR I LLUSTR ATI ON S 2 7 9 X 2 4 0 M M , 1 60 PAG ES HA RD BAC K , 9 78 0 9 4 472 2 473 £ 3 4 .00 HOOD M U SE U M O F A R T
NAKED TRUTH: APPROACHES TO THE BODY IN EARLY 20TH CENTURY GERMAN-AUSTRIAN ART OC TOBER 2 0 1 5 5 0 I LLUSTR ATI ON S 2 5 4 X 1 78 M M , 1 1 2 PAG ES PA P ER BAC K , 978 1 9 2 8 8 2 5 1 0 4 , £ 2 2 . 0 0 , M I D D L E B U R Y CO L L E G E M U SE U M O F A R T
The first book about the Italian
Examining how the transient
Sumptuously illustrated testimony
Resilience, a movement of Art and
qualities of time have been used
of one college community’s
Culture born at the end of 2013.
in contemporary moving images
engagement with the artwork of
production and in their display.
Ghanaian artist El Anatsui.
R E S I L I E N Z A ITA L IA N A MARCH 2016 210 X 14 0 MM, 9 4 PAGE S PAPER BACK , 9788869 7 70067 £ 7. 00 M IM ESIS INT E R N ATI ON AL
E X T E NDED TE M P O RA L ITIES: T R A N S IE NT V ISIO NS IN M U S E U M A ND A RT A PRIL 2 0 1 6 3 0 B/ W I LLUSTR ATI ON S 2 10 X 1 4 0 M M , 1 6 0 PAG ES PA PE RBAC K , 978 8 8 697 70 5 1 7 £ 13 .00 M I M ESI S I NT E R NA T I O NA L
FORTHCOMING & RECENT RELEASES
Published for Parviz Tanavoli’s first
E L A NATSU I: NEW WO RL DS JA N UA RY 2 0 1 6 70 COLOUR I LLUSTR ATI ON S 2 79 X 1 9 0 M M , 1 4 4 PAG ES H A R DBAC K , 9 78 0 9 890 8 3 5 1 5 £30.00 M O U NT H O L Y O K E
29
FORTHCOMING & RECENT RELEASES 30
A n i n s i g h t f u l re fl e c t i o n o n
How can a visual image illustrate
Arguing for a wider range of
Henri Matisse’s drawings from
a philosophical idea? This book
possible associations with art made
the perspective of modernist
examines this project by renowned
by queer people by unravelling the
Ellsworth Kelly.
conceptual artist Mel Bochner.
difficulties of the “queer art” label.
MATISSE DRAWINGS: CURATED BY ELLSWORTH KELLY FROM THE PIERRE AND TANA MATISSE FOUNDATION COLLECTION SEPTEM B E R 2 015 60 COLO U R IL L U ST RAT IO NS 28 0 X 2 2 0 M M , 12 8 PAGE S HA R DBAC K , 9 7809 89 083 52 2 £ 26. 00 MOUN T H O LYO KE
M E L BO CHNER : IL L U STRATING P HILOSO P HY
THE E STRA NG EME NT P RINCIP L E
F EBR UA RY 2 0 1 6 3 0 COLOUR I LLUSTR ATI ON S 2 2 9 X 1 52 M M , 4 8 PAG ES H A R DBAC K , 978 0 9 890 8 3 539 £15.00 M O U N T H O LYO K E
A UG UST 2 0 1 6 2 1 6 X 1 4 0 M M , 1 9 2 PAG ES PA P ER BAC K , 978 1 9 376 5 8 5 19 £13.00 N I G H TB OAT B O O K S
This comprehensive overview
Translated facsimile reproduction
Charts the history of attempts to
brings to light many innovations
of an 18th century French dyer’s
understand Celtic art in discussions
in English Art and offers a fresh
memoirs, including recipes for dyes
spanning the whole of Continental
look at the movement as a whole.
with corresponding colour samples.
Europe and the British Isles.
A RT I N E N G L A N D THE S A XO N S TO T H E T U D O R S : 6 0 0– 1 600
THE DYER’S HA NDBO O K : M E M O IRS O F A N 1 8TH CE NTU RY M A STE R CO LO U RIST
JU NE 2016 28 0 X 2 16 M M , 4 4 8 PAGE S HA R DBAC K , 9 781785702 2 3 5 £ 60. 00 OXBOW BO O KS
JUN E 2 0 1 6 2 9 7 X 2 1 0 M M , 1 6 0 PAG ES H A R DBAC K , 978 1 78 570 2 1 1 2 £48.00 OX B OW B O O K S
CELTIC A RT IN EU RO PE: MA K ING CO NNECTION S SEP TEM BER 2 0 1 4 I LLUSTR ATED TH ROUG H O U T 2 8 0 X 2 1 6 M M , 4 0 0 PAG E S H A R DBAC K , 9 78 1 78 2 9 76 5 5 4 £60.00 OX B OW B O O K S
F i r st m a j o r p u b l i c a t i o n o n
Major review of the location and
Simrishamn rock art examines the
exceptional collection of Greek
interpretation of Scandinavian
relationship between iconography
and Etruscan art objects in the
rock art against a background of
on metals and that found in rock art.
Shefton Collection.
long term environmental change.
RO CK A RT TH RO U G H T IM E : SCAN I A N RO C K C A RV IN G S I N T HE BRO N Z E AG E A N D E AR L I E ST I RO N AG E
O N T HE FA SCINATIO N O F O B J ECTS: G RE EK A ND E T R U SCA N A RT IN THE S H E F TO N CO L L ECTIO N
MAY 2016 220 X 18 7 MM, 14 4 PAGE S HA R DBACK , 97817857016 4 1 £ 20. 00 OXBOW BOOKS
D E C E M BER 2 0 1 5 2 42 X 1 70 M M , 1 9 2 PAG ES HA RD BAC K , 9 78 1 78 570 0 0 6 4 £ 6 0.00 OXBOW B O O K S
P RE HISTO RIC RO CK A RT IN SCA NDINAV IA : AG E NCY A ND E NV IRO NME NTA L CHA NG E N OV EM BER 2 0 1 5 2 79 X 2 1 6 M M , 1 6 0 PAG ES PA P ER BAC K , 978 1 78 570 1 1 9 1 £25.00 OX B OW B O O K S
Sagaholm North European Bronze Age Rock Art and Burial Ritual
FORTHCOMING & RECENT RELEASES
This detailed reassessment of the
Joakim Goldhahn
Major new study presents and
This is a lavishly illustrated and
Shows how the crafts of the
discusses a series of rock art
comprehensive reassessment of
visual arts were once acquired via
engravings from a Bronze Age
the sculpture of the early bronze
apprenticeships in contradistinction
barrow in central southern Sweden.
age Cyclades.
to the methods of later academies.
S AGAHO L M : N O RT H E URO P E A N B RO N Z E AG E RO C K A RT A N D B UR IA L R IT U A L A U GU ST 2016 B/ W AND COLO U R IL L U S . 24 0 X 170 MM, 19 2 PAGE S PAPER BACK , 9781785702 6 4 8 £ 3 6. 00 OXBOW BOOKS
E A R LY CYCL A DIC SCU L P TU RE IN CO NTE XT M A RC H 2 0 1 6 2 80 X 2 1 6 , 576 PAG ES HA RD BAC K , 9 78 1 78 570 1 95 5 £ 4 0.00 OXBOW B O O K S
ART, ARTISANS & APPRENTICES: APPRENTICE PAINTERS & SCULPTORS IN THE EARLY MODERN BRITISH TRADITION JUN E 2 0 1 4 2 3 8 X 1 66 M M , 53 6 PAG ES H A R DBAC K , 9 78 1 78 2 9 7 742 1 £35.00 OX B OW B O O K S
31
FORTHCOMING & RECENT RELEASES 32
Covers topics from the Byzantine
Brings together eighteen papers
Offers a general introduction to some
art of the early middle ages to the
by Robert G. Calkins, concentrating
of the problems posed by Islamic art
painting and mosiacs of the 12th
on late medieval manuscript
and also readings of key objects in
and 13th centuries.
illumination.
an attempt to explore their meaning.
M E DI E VA L RO M E : A H ISTO RY I N A RT DECEMB E R 2 016 620 PAG E S HAR D BAC K , 9 7819 04 59 74 14 £150. 00 PINDAR P R E SS
STU DIES IN L ATE M E DIE VA L IL L U MINATIO N A ND A RT
STU DIE S IN THE ISL A MI C DE CO RATIV E A RTS
DEC EM BER 2 0 1 6 53 8 PAG ES H A R DBAC K , 978 1 9 0 4 5974 07 £150.00 P I N DA R P R ESS
DEC EM BER 2 0 1 6 574 PAG ES H A R DBAC K , 9 78 1 9 0 4 5975 06 £150.00 P I N DA R P R ESS
CITY OF THE SOUL Âome and the ®omantics
Exquisite full-page reproductions
Critically examines how an
Examines clothing alongside fine
reveal 68 recent canvases along
international cast of visitors
and decorative arts of the Romantic
with 32 prints, covering Mason’s
fashioned Rome’s image in the
period, and how it forms the roots
work with five master printers.
century between 1770 and 1870.
of some of today’s fashions.
E M I LY M A SO N : T H E LIG H T IN SPRING
CITY O F THE SO U L : RO M E A ND THE RO M A NTICS
NOVEM B E R 2 015 113 COLO U R IL L U ST RAT IO NS 254 X229 M M , 14 4 PAGE S HAR D BAC K , 9 7816 116 8867 2 £4 5. 00 UNIVERS IT Y P R E SS O F NEW EN GL A ND
JULY 2 0 1 6 8 0 COLOUR I LLUSTR ATI ON S 2 79 X 2 1 6 M M , 2 2 4 PAG ES H A R DBAC K , 978 0 8 7598 1 7 1 0 £38.00 U N I V ER S I TY P R ESS O F N EW EN G L A N D
GOTHIC TO GOTH: ROMANTIC ERA FASHION AND ITS LEGACY APRIL 2016 8 0 COLOUR I LLUSTR ATI O N S 2 79 X 2 2 9 M M , 8 0 PAG ES PA P ER BAC K , 978 0 9 1 8 3 3 3285 £ 1 9. 0 0 WA DS WO RTH ATH EN EU M M U S EU M O F A RT
T R A D E O R D E R I N G I N F O R M AT I O N Trade orders for Casemate Art distributed titles can be placed with Orca Book Services Ltd: Tel: +44 (0)1235 465500 | E-mail: orders@orcabookservices.co.uk. If you do not have a trade account with Orca, please contact us at trade@casematepublishers.co.uk. For Lund Humphries trade orders please contact Bookpoint Ltd. For private Lund Humphries orders visit www.lundhumphries.com. For all Irish Academic Press orders please contact: Tel: +00 353 45 895562 | E-mail: info@iap.ie | Web: www.iap.ie quoting Casemate Art. All other private orders visit www.casemateart.co.uk.
C A S E M AT E A RT CO N TAC TS UK SALES TEAM Jean-Marc Evans, London, Paris & the South of England jean-marc.evans@casematepublishers.co.uk Andrew Tarring, Midlands, Wales & the North of England andrew.tarring@casematepublishers.co.uk For all other regions contact Elisa Rosolin, Casemate Art UK Office elisa.rosolin@casematepublishers.co.uk
MARKETING TEAM Helen Boyd, Marketing Manager helen.boyd@casematepublishers.co.uk Andrew Christie, Marketing Executive andrew.christie@casematepublishers.co.uk
W W W.C A S E M AT E A RT.CO. U K | T E L : + 4 4 ( 0 ) 1 8 6 5 2 4 1 2 4 9 All information accurate at time of printing and subject to alteration without notice.
W W W.C A S E M AT E A RT.CO. U K