Casemate Art Trade Catalogue - 2016 New Books

2 0 1 6 A RT B O O K S | S A L E S & D I S T R I B U T I O N

A NOM IE P UBL IS HIN G

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LI SS LL E WE L LY N FIN E ART

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LUND HUM P HRIE S *

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PA UL HOL BE RTON P UBL IS HIN G

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PI A NO N OBIL E

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SA NSOM & COM PAN Y *

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SA I NS BURY CE N TRE FOR VIS UAL ARTS *

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ELI Z ABE TH HARVE Y- L E E

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I RI SH ACADE M IC P RE SS **

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F ORTHCOM IN G AND RECENT RELEASES FROM

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Brandeis University Press, British Museum Press, Cacklegoose, Dartmouth College Press, Davis Museum, Hood Museum of Art, Middlebury College Museum of Art, Mimesis International, Mount Holyoake, Nightboat Books, Oxbow Books, Pindar Press, University Press of New England, Wadsworth Atheneum Museum of Art

* S A L E S R E P R E S E N TAT I O N O N LY * * S A L E S A N D M A R K E T I N G O N LY

S A L E S R E P R E S E N TAT I O N & D I ST R I B U T I O N S E RV I C E Casemate Art offers international sales representation, marketing and book distribution services to galleries, museums and independent art publishers. For more information visit www.casemateart.co.uk or contact Simone Drinkwater: simone.drinkwater@casematepublishers.co.uk.

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Š COVER IMAGE CREDIT: ANN VERONICA JANSSENS, RED & TURQUOISE, 2005 FROM THE COVER OF SENSORY SYSTEMS (P. 1) CO-PUBLISHED BY ANOMIE AND GRUNDY ART GALLERY

I N T E RVI E W BY S I N A N AJAF I E SSAY BY MART I N H E R B E RT I N T RO D UCT I O N BY MAT T P R I C E Featuring an interview with Sina Najafi, an essay by Martin Herbert, an introduction by Matt Price, and designed by Dominique Clausen, this is the first monograph on the British-born, New York-based artist Oliver Clegg. An eclectic, polyphonic and interdisciplinary artist, Clegg’s oeuvre stretches from painting, drawing and printmaking to sculpture, installation and beyond. With his erudite, surprising and striking repertoire, and his diverse materials and methods of fabrication, Clegg offers the viewer a complex, sometimes playful, other times moving journey into existential and ontological notions of objecthood and matter, images and signs,

ANOMIE PUBLISHING

O L IV E R C L E GG

language and communication, creation and being.

J ULY 2 0 1 6 C . 1 3 5 B/ W A N D CO LO U R IL L U ST R AT IO N S 3 0 5 X 2 2 0 M M , 2 8 8 PAG E S HAR DBACK , 978 1 910 2 2 107 5 £3 0 .0 0

S E NSORY SYSTEMS FOREWORD BY R ICHA R D PA R RY ESSAY BY LU K E S K R E BOWS K I

Sensory Systems documents an exhibition presented at Grundy Art Gallery in autumn 2015 to coincide with the Blackpool Illuminations – a six-mile-long outdoor display of lights that has drawn many visitors to the town each year since it began in 1912. The exhibition featured works by internationally acclaimed artists interested in the technology and science of light, and how this can be used to affect our perceptual experiences of space. Whether through sculpture, projection or immersive architecture, each artwork invited a dialogue with the viewer, utilising colour, pattern, movement and other factors to evoke a variety of spatial and sensory experiences. The featured artists were: Angela Bulloch, Rafael Lozano-Hemmer, Ann Veronica Janssens, Anthony McCall and Conrad Shawcross. The publication has been supported by Blackpool Council, Coastal Communities Fund, and Arts Council England.

WITH GRU N D Y ART GAL L E RY MA RCH 20 1 6 C . 30 CO LO U R A ND B/ W IM AG ES 30 5 X 235 MM, 64 PAG ES PA P E RBACK , 9781 91 0 221 1 0 5 £18.00

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ANOMIE PUBLISHING

The first major monograph on

Accompanies the 2015 exhibition

Documenting a public art project

one of Britain’s most dynamic and

at Houghton Hall, Norfolk, with a

by the Glasgow-based artist

thought-provoking artists.

foreword by David Cholmondeley

Nathan Coley (b.1967).

and an interview with the artist.

WO L FE VO N LE N K IE W IC Z JA NU A RY 2 016 C . 150 CO LO U R A ND B/ W IL L U S .

320 X 2 6 8 M M , 2 3 6 PAGE S HA R DBAC K , 9 7819 102 2 109 9 £ 4 5. 00

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L IG HTSCA P E: J A M E S TU RREL L AT HO U G HTO N HA L L DEC EM BER 2 0 1 5 C . 6 0 COLOUR A N D B/ W I LLUS .

2 6 0 X 3 0 0 M M , 1 0 2 PAG ES H A R DBAC K , 978 0 9 9 32 8 8 2 0 3 £35.00

N AT H A N CO L E Y: TO T H E BRA M L EY FA M ILY O F F RESTO NIA JULY 2 0 1 5 C . 60 B/ W A N D COLOUR ILLU S .

2 1 0 X 1 4 8 M M , 1 9 0 PAG ES PA P ER BAC K , 978 1 9 1 0 2 2 1 0 5 1 £24.00

First monograph on emerging

Paul Simonon’s work explores

Follows several generations of a

British painter Benjamin Senior

t h e B r i t i s h s u b c u l t u re a n d

Jewish family as their lives unfold

whose paintings conjure up a

counterculture of the post-war

in various cities, countries and

delightful, curious and quirky world.

decades.

continents during the 20th century.

BE N J A M IN S E N IO R : BR E AT H LE SS

PA U L SIMO NO N: WOT NO BIK E

TA M A RA TRACZ : THREE BO O K S

JU LY 20 15 C . 60 CO LO U R IL L U ST RAT IO NS 225 X 1 9 5 M M , 100 PAGE S HA R DBAC K , 9 7819 102 2 106 8 £ 25. 00

JA N UA RY 2 0 1 5 C . 2 2 COLOUR I LLUSTR ATI ON S 2 8 5 X 2 0 0 M M , 64 PAG ES H A R DBAC K , 978 1 9 1 0 2 2 1 0 2 0 £30.00

JUN E 2 0 1 5 C . 1 5 B/ W A N D COLOUR ILLU S .

1 3 5 X 2 1 0 M M , 3 VOL . SLIP CASE H A R DBAC K , 9 78 1 9 1 0 2 2 1 0 44 £35.00

E D I T E D BY SAC H A L L E WE L LYN AN D PAUL L I SS

This beautifully illustrated book is published on the eve of the seventy-fifth anniversary of the launch of the War Artists’ Advisory Committee (WAAC). Established on the outbreak of World War 2 and led by Sir Kenneth Clark (then Director of the National Gallery), the WAAC scheme created the opportunity to record a contemporary artistic depiction of a time at war. Changing the course of the careers of the 400 artists involved (37 of whom were salaried) the WAAC played a vital role in both how the war was perceived at the time and how it has been perceived by future generations.

Inspired by the iconic 1940–45 WAAC series of books War Pictures

by British Artists, this new publication replicates the format of the originals with chapters organised into eight sections (as per the

S E P T E M BE R 2 01 6 C . 1 3 0 I L L UST R AT IO N S 2 70 X 2 1 5 M M , 160 PAG E S PAP E R BACK , 978 0 993 0 8 8 42 1 £2 5 .0 0

original eight books). Alongside the work of the better-known Official War Artists, this book also includes work by unofficial and lesser-known war artists adding resonance to this remarkable

L I S S L L E W E L LY N F I N E A RT

WW2

collection. Brian Foss’s introductory essay gives a fascinating account of the origins of the scheme and its aims and evolution.

The book is completed by an appendix providing an analysis of how many artists were involved, who they were and what they produced.

This book is published on the occasion of the exhibition WW2 – War Pictures by British Artists at Morley Gallery London.

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L I S S L L E W E L LY N F I N E A RT

C HARLES CU NDALL ( 189 0 –19 7 1) EDITED BY SACHA LLE W E LLY N A N D PAU L L I SS

The first book to appear on the 20th century British artist Charles Cundall, this publication examines aspects of Cundall work done at home in England, abroad – Cundall made numerous painting trips to the continent, but also to the United States – and during the war. Well illustrated, the book also includes a chronology and a reproduction of a text by William Gaunt dating from the 1960s and commissioned for a book on Cundall that never came to be.

M A RCH 20 1 6 COLOUR ILLUS . THROUGHOUT 270 X 21 5 M M, 1 60 PAG ES PA P ERBACK , 978 0 9567 1 3988 £ 25. 0 0

E V E LY N D U NBA R : T H E LOST WO R K S E D I T E D BY SAC H A L L E WE L LYN AN D PAUL L I SS In January 2013, Dunbar’s painting ‘Autumn and the Poet’ (1960) appeared on the BBC Antiques Roadshow, leading Ro Dunbar, a relative of the artist, to explore the extraordinary hoard of over 500 paintings, drawings and studies hidden in the attic of her Kent home. The unrecorded works were identified with the help of the artist’s nephew Christopher Campbell-Howes. The discovery doubled the known body of Dunbar’s work overnight.

The book highlights a selection of these unrecorded works and examines them in the context of Dunbar’s life and work as a whole.

Included in The Guardian’s choice of best books for 2015.

J UN E 2 0 15 CO LO UR IL L U S . T H RO U G H O U T 2 70 X 2 15 M M , 1 92 PAG E S PA P E R BAC K , 978 18 698 27 939 £2 5 .0 0

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EDITED BY PAUL LISS AND SACHA LLEWELLYN

FRANK BRANGWYN: DRAWINGS FROM THE COLLECTION OF FATHER JEROME ESSER EDITED BY PAUL LISS AND SACHA LLEWELLYN

KENNETH ROWNTREE: A CENTENARY EXHIBITION EDITED BY SACHA LLEWELLYN, PAUL LISS AND HARRY MOOREGWYN

This publication was prompted by

Brangwyn’s drawings that became

Kenneth Rowntree has always been

the discovery of a complete set of

Esser’s collection, which have lain

highly regarded by those familiar

Brangwyn’s Stations of the Cross,

hidden for over half a century, were

with his work. The essays in this

painted in oil, which originally hung

made up of works that Brangwyn, with

catalogue, which embrace new

in St Michael’s Abbey, Farnborough.

characteristic modesty, had left in his

research and scholarship, reveal him to

A giant of twentieth century art, admired

studio with a written instruction, ‘most

be an artist of great scope and variety.

by luminaries such as Kandinsky, Klimt,

of this lot destroy’. Never intended

This catalogue is published on the

Toulouse-Lautrec, Tiffany and Bonnard,

for presentation, they explore and

occasion of the centenary of Rowntree’s

Brangwyn remains today a figure who

resolve alternative compositions and

birth, and accompanies exhibitions at

has never managed to reclaim the

the relation of figures to each other

The Fry Art Gallery, Saffron Walden

space which for the first half of the

and to the space they occupy. Esser,

and Pallant House, Chichester. This is

twentieth century he largely occupied

himself a gifted artist, would have

the first substantial reassessment of

on the International stage. Brangwyn’s

appreciated these sheets, complete

Rowntree’s work since John Milner’s

contribution to the revival of religious

with folds, scuffs and splodges of paint,

monograph (2002).

art during the interwar years is a

as true working drawings.

L I S S L L E W E L LY N F I N E A RT

FRANK BRANGWYN: STATIONS OF THE CROSS

subject that deserves reassessment.

M ARCH 2 0 1 5 3 0 + CO LO UR I L L U ST R AT IO N S 2 3 0 X 2 3 0 M M , 4 0 PAG E S PAP E R BACK , 9 78 0 95 67 1397 1 £1 0 .0 0

M A RC H 20 1 5 4 4 CO LOU R IL L U STRATIO NS 2 3 0 X 230 M M, 4 8 PAG E S PA PE R BACK , 9780 9930 88 4 07 £ 10 . 0 0

MA RCH 20 1 5 1 25+ CO LO U R IL L U STRATIO NS 270 X 21 5 M M, 1 28 PAG ES PA P ERBACK , 978 0 9930 8 84 1 4 £ 20 . 0 0

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LUND HUMPHRIES

C HRISTOPHER WOOD

BY KATY N OR R I S

The first fully illustrated account of the life and work of English painter Christopher Wood (1901–30), this authoritative work, which includes over 150 images, provides extensive visual analysis of individual paintings, set designs and drawings created by Wood in both Britain and France so bringing fresh perspective to his unique artistic development on both sides of the Channel.

Filling a surprising gap in the published literature about this early 20th-century painter, Christopher Wood will appeal to readers who are yet to encounter Wood’s work, as well as collectors and enthusiasts.

J U LY 20 1 6 1 50 CO LO U R A ND 25 B/ W IL L U S .

270 X 228 MM, 1 92 PAG E S HA RDBACK , 9781 8 4 8221 8 64 £40.00

EDWARD BAWDEN SCRAPBOOKS

BY P E YTO N S K I PWI T H AN D B R I AN WE B B

Painter and illustrator Edward Bawden’s five scrapbooks, assembled over a period of more than 55 years, contain everything from stamps, photographs, cigarette cards, Christmas cards and letters to newspaper cuttings, drawings and autographs, amongst other fascinating ephemera. Beautifully designed and illustrated with over 250 images taken from these books, Edward Bawden Scrapbooks reveals this wonderful and at times eccentric collection and provides a new insight into one of the most popular artists of 20th-century Britain.

The pages illustrated provide an alternative window into Bawden’s world, showing his very conscious awareness of both Surrealism and the work of other contemporary designers and typographers.

J UN E 2 0 16 2 6 0 CO LO U R IL L U ST R AT IO N S 3 0 0 X 2 4 0 M M , 20 8 PAG E S HA R DBAC K , 978 18 4 8 221 8 4 0 £3 5 .0 0

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BY MARGARET MORGAN GRASSELLI AND YURIKO JACKALL WITH CONTRIBUTIONS FROM GUILLAUME FAROULT AND CATHERINE VOIRIOT

THE ST IVES ARTISTS: A BIOGRAPHY OF PLACE AND TIME

WINIFRED KNIGHTS 1899–1947

BY SACHA LLEWELLYN

NEW EDITION

BY MICHAEL BIRD

Known fondly as ‘Robert des ruines’

St Ives is unique in the story of

Winifred Knights (1899–1947) is

because of his penchant for painting

modern art in Britain – and perhaps

one of the outstanding, but until

ancient ruins, Hubert Robert (1733–

anywhere in the world. No other

recently neglected, British women

1808) was one of France’s most

small seaside town has been host

painters of the first half of the 20th

successful and prominent artists

to such a roll-call of major artists.

century. Copiously illustrated in

during his lifetime. This outstanding

First published by Lund Humphries in

colour throughout, this book provides

publication, which accompanies the

2008, The St Ives Artists: A Biography

the first full account of her life and

first monographic exhibition of his

of Place and Time combines in-depth

work, examining Knights’ art in the

work, illuminates Robert’s remarkable

research with ‘startling anecdotal

context of interwar Modernism and

artistic achievements and his lasting

richness’. This beautifully produced

assessing her contribution to the

contributions to French visual culture.

new edition is fully revised and newly

revival in this period of both Decorative

Thoroughly researched, this scholarly

illustrated in colour throughout.

Painting and religious imagery.

and beautifully produced publication

Michael Bird’s study lifts ‘St Ives’ out of

Drawing on previously unpublished

will stand as the definitive book on

its niche and explores the many – often

documentary material, Sacha Llewellyn

Robert for many years to come.

unexpected – connections between St

makes a strong case for recognising

Ives artists and wider currents in 20th-

Knights as one of the most talented

century British culture and society.

artists of her generation.

M AY 2 0 1 6 1 40 CO LO UR I L L U ST R AT IO N S 3 1 5 X 2 5 6 M M , 2 8 8 PAG E S HAR DBACK , 9 78 1 8 4 8 2 2 191 8 £45 .0 0

LUND HUMPHRIES

HUBERT ROBERT

J U N E 2 01 6 60 CO LOU R A ND 20 B/ W IL L U S .

2 3 4 X 153 MM, 288 PAG E S H A R D BACK , 9781 8 4 8221 8 57 £30.00

MAY 20 1 6 1 60 CO LO U R A ND 5 B/ W IL L US .

270 X 228 M M, 20 8 PAG ES HA RDBACK , 978 1 84 8 221 7 7 2 £40.00

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LUND HUMPHRIES

ART CRIME AND ITS PREVENTION: A HANDBOOK FOR COLLECTORS AND ART PROFESSIONALS EDITED BY A RTHU R TOM PK I N S FOREWO R D BY N OA H CHA R N E Y Art Crime and Its Prevention is the definitive handbook on art crime for art-world professionals of all kinds.

Written by a range of international experts, the book’s territory is broad and includes advice on topics such as how to secure art in galleries and private collections, how and when to insure art, and how to be sure that an artwork you buy is legitimate.

Art Crime and Its Prevention will be an essential reference guide for all those involved in the art world internationally, or in the protection and recovery of artworks.

J U NE 20 1 6 234 X 1 53 M M, 24 0 PAG E S HA RDBACK , 978 1 84 8 221 87 1 £ 35. 0 0

C RIM E A ND T HE A RT M A RKE T

BY R I AH P RYO R Interest in art crime is at an all-time high. Belief that the art market’s opaque and unregulated practices are indirectly to blame for these crimes, is gaining ground. But what are the reasons for criminal activity in the art market? Is the art market any more welcoming to criminals than other sectors? And is law enforcement failing to keep up?

Crime and the Art Market brings together the author’s direct experience from both fields to present an accessible, informative and realistic overview of these crimes in today’s society. The book re-examines high-profile criminal cases, while highlighting others which failed to hit headlines but marked significant moments in the legal treatment of art crime.

J UN E 2 0 16 2 3 4 X 1 5 6 M M , 1 92 PAG E S HA R DBAC K , 978 18 4 8 221 7 1 0 £3 0 .0 0

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Jackson returns to zoology to

Final volume in the British Sculptors

of war in the first half of the 20th

create a beautiful bestiary: a body

and Sculpture series addresses the

century from a naval and maritime

of work about fauna.

important but neglected British

perspective.

LUND HUMPHRIES

The first study to focus on the art

sculptor Francis Derwent Wood RA.

A RT A N D T HE WA R AT S E A

A K U RT J ACK SO N BE STIA RY

OCTOBER 2015 125 COLOU R AND 2 5 B/ W IL L U S .

270 X 24 9 MM , 2 08 PAGE S HA R DBACK , 978184 82 2 16 80 £ 4 0. 00

S E PT E M BER 2 0 1 5 12 7 COLOUR A N D 1 8 B/ W I LLUS .

2 70 X 2 2 8 M M , 1 6 0 PAG ES HA RD BAC K , 9 78 1 8 4 8 2 2 1 70 3 £ 3 5 .00

THE SCU L P TU RE O F F RA NCIS DE RW ENT WO O D N OV EM BER 2 0 1 5 2 1 5 B/ W I LLUSTR ATI ON S 2 90 X 2 4 0 M M , 1 52 PAG ES H A R DBAC K , 9 78 1 8 4 8 2 2 0 0 1 0 £45.00

Featuring the best of el Nigoumi’s

Eileen Gray is widely known as

This book offers a concise and

glazed stoneware and burnished

a pioneer of both Art Deco and

highly readable account of the

earthenware, this book is essential

Modernism. This focuses on Gray’s

visual art of David Jones (1895–

for all studio-pottery enthusiasts.

private work as a painter.

1974).

SIDDIG EL NIGOUMI: A SUDANESE POTTER IN ENGLAND

EILEEN GRAY: THE PRIVATE PA IN T E R

THE A RT O F DAV ID J O NE S: V ISIO N A ND ME M O RY

NOVEMBER 20 15 8 0 COLOU R AND 12 B/ W IL L U S .

270 X 228 MM, 112 PAGE S HA R DBACK , 978184 82 2 1819 £ 4 0. 00

O C TO BER 2 0 1 5 6 0 CO LOUR A N D 1 0 B/ W I LLUS .

2 6 5 X 2 2 8 M M , 1 0 4 PAG ES HA RD BAC K , 9 78 1 8 4 8 2 2 1 8 3 3 £ 3 0.00

SEP TEM BER 2 0 1 5 1 0 4 COLOUR A N D 4 8 B/ W I LLU S .

2 70 X 2 2 8 M M , 1 76 PAG ES H A R DBAC K , 9 78 1 8 4 8 2 2 1 6 0 4 £40.00

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LUND HUMPHRIES

SYBIL ANDREWS LINOCUTS: A COMPLETE CATALOGUE

TOM HAMMICK: WAL L , WIN DOW, WORL D

THE DRAWINGS OF BARBARA HEPWORTH

BY HANA LEAPER FOREWORD BY GORDON SAMUEL

BY JULIAN BELL

Under the inspirational teaching of

This is the first book to survey the work

Barbara Hepworth (1903–1975), to

Claude Flight, Sybil Andrews (1898–

of painter and printmaker Tom Hammick

many the greatest female sculptor

1992) found her artistic voice in

(b.1963). It sets Hammick’s art within

in the history of Western art, is

the form of the linocut – a medium

the context of contemporary debates

widely considered to be one of the

demanding directness and dynamism.

about painting while relating it to the

most important British artists of the

This beautifully presented publication

two-centuries-old Romantic tradition.

20th century and a key figure in the

features a complete catalogue of

Informed by the author’s sustained

development of British modernism. As

Andrews’ linocuts, alongside a

contact with Hammick over many

the first in-depth and fully illustrated

substantial essay contextualising

years, illustrated with over 120 carefully

survey of Hepworth’s drawings and

Andrews’ oeuvre and analysing the

selected images, and produced in

oil paintings in nearly 50 years, which

linocuts in detail. It will appeal to

close collaboration with the artist,

features the most comprehensive

the many collectors and admirers of

Tom Hammick: Wall, Window, World

selection to date of works from all

Andrews’ work as well as those with a

will appeal to the artist’s collectors

periods, many of which are reproduced

broader interest in the art of the period.

and wide popular audience, as well as

in colour, this book will fill a conspicuous

students, art-world professionals and

gap in Hepworth scholarship.

BY ALAN WI L K I N SO N

painting enthusiasts.

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AUGUST 2 01 5 8 5 CO LO U R A N D 2 0 B/ W IL L U S .

2 6 5 X 2 2 8 M M , 13 6 PAG E S HAR DBAC K , 978 1 8 4 8 2 2 18 0 2 £3 5 .0 0

J U NE 20 1 5 CO LO U R IL L U STRATIO NS 3 0 0 X 235 MM, 1 4 4 PAG ES H ARDBACK , 9781 8 4 8221 659 £ 4 5. 0 0

J U NE 20 1 5 1 0 0 CO LO U R A ND 25 B/ W I LLUS .

270 X 228 M M, 1 4 4 PAG ES HA RDBACK , 978 1 84 8 221 6 42 £40.00

BY DAG MAR KO R BAC H E R E SSAYS BY ST E P H AN I E B UC K AN D F RAUK E ST E E N B O C K AD D I T I O N AL CO N T R I B UT I O N S BY B E AT R I C E ALAI AN D G EO RG JOS E F D I E TZ Accompanying an exhibition that brings back to the UK some of the greatest of the former Hamilton treasures, this book includes no less than thirty of Botticelli’s exquisite ‘Dante drawings’. The series is of the highest order of importance and rarity, and this book will be an exceptional opportunity to explore the great Renaissance master’s interpretation of one of the canonical texts of world literature. Ten drawings will be included from each of the three ‘books’ or realms of the Divine Comedy: Inferno, Purgatorio, and Paradiso. The drawings will be accompanied by an extraordinary selection of illuminated manuscripts from the time of Botticelli, including the monumental ‘Hamilton Bible’.

TH E COU R T A UL D G A L L E R Y FE BR UA RY 2 0 16 1 0 0 CO LO U R ILL U ST R AT IO N S 2 6 0 X 2 1 6 M M , 1 68 PAG E S PAP E R BACK , 978 1 907 37 2926 £2 5 .0 0

PAUL HOLBERTON PUBLISHING

BOTTICELLI: AND TREASURES FROM THE HAMILTON COLLECTION

G EO RGIA NA HOU GHTON: S PI RI T D R AW INGS SIMON GRAN T, LA R S BA N G LA R SE N A N D MARCO PAS I An astonishing series of largely abstract Victorian watercolours produced by the long-forgotten spiritualist artist Georgiana Houghton (1814–1884). This catalogue accompanies the first exhibition of these remarkable works in the UK for nearly 150 years.

The birth of abstract art is typically associated with Kandinsky and others in the early 20th Century. Houghton’s work, however, predates this momentous artistic breakthrough by half a century.

TH E C O U RTAU L D GAL L E RY J U NE 20 1 6 55 CO LO U R IL L U STRATIO NS 21 0 X 21 0 M M, 7 2 PAG E S PA P E RBACK , 9781 91 1 30 0 0 21 £ 1 6. 50

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PA U L H O L B E RTO N P U B L I S H I N G

RO D IN & DA NCE: T H E ESSENCE OF MOV E M E NT EDITED BY A LE XA N D RA GE R STE I N

This is the first serious study of Rodin’s late sculptural series known as the Dance Movements. Exploring the artist’s fascination with dance and bodies in extreme acrobatic poses, the exhibition and accompanying catalogue give an account of Rodin’s passion for new forms of dance which began appearing on the French stage around 1900. This exhibition catalogue aims to become the authoritative reference for Rodin’s Dance Movements. It includes an introductory essay on the history of the bronze casting of the Dance Movements and the critical fortune of the series, an essay on the dancers Rodin admired, and an extensive technical essay.

THE C O U RTAU L D GAL L E RY O CTO BER 20 1 6 1 50 CO LO U R IL L U STRATIO NS 260 X 21 6 M M, 1 92 PAG E S PA P E RBACK , 9781 907 37 2995 £ 30 . 0 0

ENDEAVOURING BANKS: EXPLORING COLLECTIONS FROM THE ENDEAVOUR VOYAGE 1768–17 7 1 E D I T E D BY N E I L C H AMB E R S FO R E WO R D BY S I R DAVI D AT T E N B O RO UG H CO N T R I B UT I O N S F RO M AN N A AG N AR S D ÓT T I R , JE R E MY CO OT E , P H I L L I P J. H AT F I E L D AN D JO H N GASCO I G N E Along with contemporary portraits of key personalities aboard the ship, scale models and plans of the ship itself, scientific instruments taken on the voyage, commemorative medals and sketches, the objects featured in this new book will tell the story of the Endeavour voyage. Artwork made both during and after the voyage will be seen alongside actual specimens. And by comparing the voyage originals

M AY 2 0 1 6 1 5 0 CO LO U R IL L U ST R AT IO N S 2 8 0 X 2 4 0 M M , 23 5 PAG E S HA R DBAC K , 978 1907 37 2 902 £4 0 .0 0

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with the often stylized engravings later produced in London for the official account, the book will investigate how knowledge gained on the mission was gathered, revised and later received in Europe.

BY JE N N I F E R WE AR D E N I N T RO D UCT I O N BY JE N N I F E R SCARC E The exceptional collection of Islamic textiles published here ranges widely in region, material and technique. There are exquisite textiles and garments from North Africa, Syria, Arabia, Iran, Turkey and the Indian subcontinent, mainly from the 19th and early 20th centuries, which continue the traditions established in the medieval Islamic World. Materials represented are silk – the most prestigious of fibres, requiring highly respected weavers – wool, cotton and linen. Decoration is based on variations of weave and colour and embellishment through embroidery, printing and appliqué and illustrates the work of both professional and domestic workers.

AP R I L 2 0 1 6 1 40 CO LO U R ILL U ST R AT IO N S 3 0 0 X 2 4 5 M M , 20 0 PAG E S PAP E R BACK , 978 1 907 37 28 7 2 £40 .0 0

PAUL HOLBERTON PUBLISHING

DECORATIVE TEXTILES FROM ARAB AND ISLAMIC CULTURES: SELECTED WORKS FROM THE AL LULWA COLLECTION

SILK, PORCELAIN AND LACQUER: CHINA AND JAPAN AND THEIR TRADE WITH WESTERN EUROPE AND THE NEW WORLD, 1500–1644

BY TERESA CA N E PA Focusing on the prolific trade, transport and consumption of Chinese silk and porcelain, and Japanese lacquer abroad between 1500 and 1644, this groundbreaking book will show how the material cultures of late Ming China and Momoyama/Early Edo Japan on one side of the globe, and Western Europe and the New World on the other, became linked for the first time, through an exchange of luxury Asian manufactured goods for currency. It offers new insight into these multi-layered long-distance commercial networks, which resulted in an unprecedented creation of material culture that reflected influences of both East and West.

O CTO BE R 20 1 6 4 0 0 CO LO U R IL L U STRATIO NS 30 0 X 24 5 MM, 4 4 0 PAG ES HA RDBACK , 978 1 91 1 30 0 0 1 4 £ 7 5. 0 0

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PA U L H O L B E RTO N P U B L I S H I N G

HANS KHEVENHÜLLER AT THE COURT OF PHILIP II OF SPAIN: DIPLOMACY AND CONSUMERISM IN A GLOBAL EMPIRE EDITED BY A N N E M A R I E J OR DA N GSCHWE N D Marking the 410th anniversary of Khevenhüller s death, this book will examine Khevenhüller’s own art collection and Kunstkammer created for his residence in Madrid and his country estate at Arganda. A foreword by Martin Malcolm Elbl introduces the diplomatic world of Khevenhüller. Other contributions by Vanessa de Cruz Medina and Jorge Fernández-Santos Ortiz-Iribas will focus on Khevenhüller’s ties with the family of the imperial Ambassador Adam von Dietrichstein in Spain and Austria, and the reconstruction of Khevenhüller’s library in his Madrid residence. Correspondence, documents and inventories located in archives in Geneva, Simancas (Valladolid), Lisbon, Madrid, Vienna, Kärnten, Paris and Brno are

NOV EMBER 20 1 6 1 50 CO LO U R IL L U STRATIO NS 280 X 24 0 M M, 24 0 PAG E S HA RDBACK , 978 1 91 1 30 0 0 07 £40.00

highlighted in this book and in the appendices.

ADRIAEN VAN DE VELDE: DUTCH MASTER OF LANDSCAPE

BY BART CO R N E L I S WI T H MAR I JN SC H AP L E H O UMAN Accompanying the first ever exhibition devoted to the Dutch painter and draughtsman Adriaen van de Velde (1636–1672), this is also the first monograph on the landscape artist one of the finest of the Dutch Golden Age. Compared by the renowned art historian Wolfgang Stechow (1896–1974) to Mozart’s chamber music, Van de Velde’s paintings are delicate, carefully composed and demonstrate his mastery of lighting effects as well as the human figure. As well as bringing together 60 works, the publication will reunite these paintings with their preparatory studies in red chalk or pen and ink

J UN E 2 0 16 1 3 0 CO LO U R IL L U ST R AT IO N S 2 8 0 X 2 4 0 M M , 20 0 PAG E S PA P E R BAC K , 978 1907 37 2 964 £2 5 .0 0

14

for the first time.

BY COSTAN ZA B E LT RAMI Prompted by the recent discovery of an impressive three-metre tall late Gothic drawing of a soaring tower and spire, this book offers a rare insight into the processes of designing and building a major gothic project. The drawing’s place and date of creation are unknown, and it corresponds to no surviving Gothic tower. Equally mysterious is the three-quarter, top-down perspective from which the tower is represented, without parallel in any other medieval drawings. Who drew this? When? And what did he hope to convey?

Building a Crossing Tower explores these questions, and uncovers the dramatic circumstances in which this drawing was created.

FE BR UA RY 2 0 16 1 0 0 CO LO U R ILL U ST R AT IO N S 3 0 0 X 2 4 5 M M , 1 12 PAG E S PAP E R BACK , 978 1 907 37 293 3 £2 5 .0 0

PAUL HOLBERTON PUBLISHING

BUILDING A CROSSING TOWER: A DESIGN FOR ROUEN CATHEDRAL OF 1516

CO ND ITION: THE AGEI NG O F A RT

BY PAUL TAY LOR “This engrossing paperback will teach you never to look at an Old Master painting in the same way again.” — Evening Standard “In this eloquent study, the art historian Paul Taylor demonstrates that all artworks undergo countless metamorphoses.” — The Guardian “A hugely welcome publication, which sets out the knowns and unknowns of the subject in a series of lucid chapters on losses, cracking, pigments, darkening and cleaning … Taylor’s evenhandedness is exemplary.” — Apollo Anyone writing about a work of art needs to establish at the outset how much it has changed since it was first made. This simple, informative and practical book, full of fascinating and revelatory photography, will take the reader through both the techniques and media of art and the techniques and media of its investigation and restoration.

SEP TE M BER 20 1 5 1 4 0 CO LO U R IL L U STRATIO NS 242 X 1 68 M M, 264 PAG E S PA P E RBACK , 9781 907 37 27 97 £ 30 . 0 0

15

PAUL HOLBERTON PUBLISHING

T H E WA LL ACE COLLEC T IO N C ATA LO GU E O F I TA LIAN SCU LPTURE

BY JEREMY WARREN THE WALLACE COLLECTION

The new catalogue of Italian sculpture in the Wallace Collection

by Jeremy Warren puts on the map a part of the Wallace Collection which has hitherto been relatively little-known.

The 159 entries cover works in bronze, marble, terracotta and wood dating from c. 1400 to 1900, and by or associated with some of the most famous names in Italian sculpture.

The new Wallace Collection Catalogue of Italian Sculpture will become an indispensable reference work, which will also be read with pleasure by specialists and anybody with a love of this wonderful and varied art form.

M A RCH 20 1 6 8 0 0 IM AG ES 280 X 24 0 M M, 2 VO L U M E S: 422 A ND 4 1 2 PAG E S HA RDBACK , 978 0 90 0785764 £ 250 . 0 0

T HE GLO BA L C IT Y: O N T HE ST RE E TS O F RE NA ISS A NC E L IS B O N EDITED BY ANNEMARIE JORDAN GSCHWEND AND K.J.P LOWE

“This is modern historical inquiry at its best: clear, precise, forthcoming about problems of evidence, and relentlessly focused on its central questions.” — Times Literary Supplement “Cultural history at its most original and sustaining.” — Literary Review “Utterly arresting…beautifully presented…fascinating.” — Country Life Focusing on unpublished objects, and incorporating newly discovered documents and inventories that allow novel interpretations of the Rua

N OV E M B E R 20 15 2 5 0 CO LO U R IL L U ST R AT IO N S 2 8 0 X 2 4 5 M M , 27 2 PAG E S HA R DBAC K , 978 1907 37 2 8 89 £4 0 .0 0

16

Nova and the goods for sale on it, these essays offer a compelling and original study of a metropolis whose reach once spanned four continents.

Accompanying an exhibition at The

This beautifully illustrated catalogue

but neglected painters of the Italian

Courtauld Gallery, this catalogue

documents the London Missionary

Renaissance. ISABELLA STEWARD

explores a remarkable series of

Society from its formation to its

GARDENER MUSEUM, BOSTON.

paintings by Peter Lanyon.

initial ‘success’ in Polynesia.

O R N A M E N T A N D ILL U S IO N : CAR LO CR I VE LL I O F V E N IC E

SOARING FLIGHT: PETER LANYON’S GLIDING PAINTINGS

MISSIO NA RIE S A ND IDO L S I N P O LYNE SIA

SEPTEMBER 2015 14 0 COLOU R IL L U ST RAT IO NS 28 0 X 240 MM , 2 32 PAGE S PAPER BACK , 97819 07 37 2 86 5 £ 3 5. 00

O C TO BER 2 0 1 5 80 CO LOUR I LLUSTR ATI ON S 2 6 0 X 2 1 6 M M , 1 52 PAG ES PA PE RBAC K , 9 78 1 9 07372 8 5 8 £ 2 5 .00

JULY 2 0 1 5 1 0 0 COLOUR I LLUSTR ATI ON S 2 8 0 X 2 0 0 M M , 1 76 PAG ES PA P ER BAC K , 978 1 9 07372 8 3 4 £30.00

Presents the Crystal Sceptre

An exemplary investigation of a

This beautiful, highly illustrated

and over 80 pieces in the plate

series of so far poorly documented

catalogue presents in-depth case

collection at Mansion House.

works that will prove of great

studies of 24 rare and remarkable

interest to those in the field.

Late Medieval panel paintings.

THE HONOUR AND GRANDEUR: REGALIA , GOLD AND SILVER AT THE MANSION HOUSE OCTOBER 2015 100 COLOU R IL L U S .

212 X 168 MM, 19 2 PAGE S PAPER BACK , 97819 07 37 2 89 6 £ 20. 00

L AT E ME DIE VA L PA NE L PA IN T ING S I

L ATE M E DIE VA L PA NE L PA INTING S II

O C TO BER 2 0 1 1 4 4 0 CO LOUR I LLUSTR ATI ON S 2 4 5 X 30 0 M M , 2 98 PAG ES PA PE RBAC K , 978 0 9 5 53 39 3 4 9 £ 4 0.00

JA N UA RY 2 0 1 6 4 0 0 COLOUR I LLUSTR ATI ON S 3 0 0 X 2 4 5 M M , 3 52 PAG ES PA P ER BAC K , 978 1 9 07372 9 1 9 £40.00

PAUL HOLBERTON PUBLISHING

Exploring one of the most important

17

PIANO NOBILE

First published to accompany a group exhibition at Piano

Published to accompany Piano Nobile’s exhibition,

Nobile, this fully colour illustrated catalogue showcases

this book presents a substantial publication on

seminal works of abstract art produced in Britain over the

contemporary artist Thomas Newbolt. Newbolt’s

course of five decades. It presents exceptional paintings

dedication to the figure in art, and the vitality of his

and sculptures, created by artists in dialogue with

work have gained him international recognition. This

contemporaries and predecessors in Britain, and diverse

beautiful book is a reflection on Newbolt’s career thus

international centres of abstraction.

far, and a testament to the significance of his work.

A S P E C TS O F POST-WA R A B ST R AC T I O N 1 9 52– 2 00 2 MAY 20 16 4 0 ILLU ST RAT IO NS 28 0 X 2 4 0 M M , 80 PAGE S HA R DBAC K , 9 7819 0119 2 4 3 8 £ 25. 00

18

THO MA S NEW BO LT: PA INTING S JA N UA RY 2 0 1 6 F ULL COLOUR I LLUSTR ATI ON S TH ROUG H OUT: 4 3 I LLUSTR ATI ON S 2 8 8 X 2 47 M M , 96 PAG ES H A R DBAC K , 9 78 1 9 0 1 1 92 4 07 £45.00

Bristol University academic

Focuses on the sales

Sophie Hatchwell focuses on

history of Sir Stanley

the sales history of Francis

Spencer from 1990–

Bacon and Lucian Freud,

2015. Arguably one

two titans of modern art.

of the greatest British

Both controversial, revered,

artists of the twentieth-

and celebrated in their

ce nt u r y S p e n ce r i s

lifetime, this publication

also renowned for his

explores how their work

chequered sales history

has fared at auctions

and money struggles.

since 1990. Comparing the

This rigorous study into

fortunes of both, Hatchwell

the prices that his works

examines how genres,

now reach at auction

media, significant sales and

demonstrates the significance of major sales over the

exhibitions, and their deaths have impacted upon the value

past twenty-five years and the increasing value the

of their work individually.

market places upon Spencer’s paintings.

AUCTI O N IN G F R E U D A N D BACO N : O I L PA I N T I N G S A L E S 1 9 9 0 – 2 0 1 6

A U CTIO NING STA NL EY SP E NCER : O IL PA INTING SA L ES 1 990– 20 1 5

JU NE 20 16 FU LLY CO LO U R IL L U ST RAT E D T HRO U GH OUT 28 0 X 14 8 M M , 4 8 PAGE S PA PER BAC K , 9 7819 0119 2 42 1 £25. 00

JUN E 2 0 1 6 1 0 F ULL COLOUR I LLUSTR ATI ON S 2 8 0 X 1 4 8 M M , 4 6 PAG ES PA P ER BAC K , 9 78 1 9 0 1 1 92 4 1 4 £25.00

BRIAN RICE: PAINTINGS 1952–2016

JAMAICAN PULSE

E SSAY BY AN D R E W LAMB I RT H

EDITED BY KAT ANDER SON AND GRAEME MORTIMER EVELYN

Charles Hodge Mackie was well-

In the 1960s, Brian Rice was at the heart

At a time when Jamaican art is receiving

connected in artistic circles. In France,

of the London art scene, producing

growing international acclaim, Jamaican

he met Gauguin, Vuillard and the

some of the era’s most groundbreaking

Pulse showcases the extraordinary

Nabis; he was a close friend of E.A.

paintings. As part of the crowd around

diversity of Jamaican art, presenting

Hornel; and he taught Laura Knight

the Royal College of Art that included

contemporary artwork alongside key

how to lay out her palette. In terms of

David Hockney, Peter Blake, Joe Tilson,

works from Jamaican art history.

‘places’, his art and life are associated

Allen Jones and Derek Boshier, he

It explores the artwork through a

with a variety of locations, including

mingled with fashion designers, rock

political lens and considers how global

Kirkcudbright, Staithes, Paris, Normandy,

musicians and models. In the mid-

attitudes to body, gender, religion, class

Italy, and Venice and its piazzas.

1970s, Rice left the glamour of London

and sexuality have impacted this small

In Edinburgh, where his studio

and retreated to his roots in the West

island nation, also giving an insight

was located, he made a significant

Country. Life and art merged in the

into the roots of modern Jamaican

contribution to the city’s artistic and

1980s when he sold his farm and bought

art and its political associations.

social life, as a founder member and

a dilapidated fifteenth-century house,

The contemporary work featured

chairman of the Society of Scottish

which he set about restoring over 35

spans multiple disciplines including

Artists, as well as carrying out mural

years. This commitment led to an artistic

painting, sculpture, photography,

commissions for Patrick Geddes. He also

resurgence that saw him produce

textiles and moving image. The works

worked in an impressive range of media:

mature work with a deep connection

are supported by twentieth century

oils, watercolours, murals, woodblock

to nature and the sense of place.

artwork from a number of public

prints, tooled leather and sculpture.

The paintings are introduced by art

and private collections, including the

critic Andrew Lambirth, who traces

Jamaican High Commission, London

Rice’s development over more than

and The National Gallery of Jamaica,

60 years.

Kingston.

BY PAT CLARK

O CTO BE R 2 0 1 6 4 0 + FUL L CO LO U R ILL U S .

2 44 X 1 7 2 M M , 1 76 PAG E S PAP E R BACK , 9 78 1 908 32 6911 £2 5 .0 0

A U G U ST 20 1 6 ILL U ST RATED IN F U L L CO LO U R 2 8 0 X 2 3 5 M M, 31 2 PAG ES H A R D BACK , 9781 90 8 326966 £ 4 5 . 00

J U NE 20 1 6 C. 60 COLOUR ILLUSTRATIONS 270 X 21 0 M M, 1 4 4 PAG ES PA P ERBACK , 978 1 90 8326959 £ 20 . 0 0

SANSOM & COMPANY

PEOPLE , PLACES & PIAZZAS: THE LIFE AND ART OF CHARLES H. MACKIE

19

SANSOM & COMPANY

KENNETH ARMITAGE, SCULPTOR: A CENTENARY CELEBRATION

BY SARAH BROWN, ANN ELLIOTT, JOHN MCEWEN AND JON WOOD

ZAWN WALKING WEST PENWITH: CLIFF-EDGE PAINTING BY PAUL LEWIN TE XT BY PAUL GO UG H

EDITED BY MARIE MULVEYROBERTS AND FIONA ROBINSON

Published in the year marking the

P a u l L ew i n h a s e s t a b l i s h e d a

Celebrates the life and work of the

Centenary of the birth of the sculptor

reputation as a fearless plein-air

hugely influential writer Angela Carter

Kenneth Armitage CBE RA, this volume

painter, who works for long hours

(1940–1992), 25 years after her death.

reflects his strengths as an artist,

from the cliff-tops of Cornwall,

In bringing together art and literature,

a teacher and friend. Sometimes

Devon, the Scilly Islands and Eire,

Strange Worlds features works by

taciturn, frequently humorous, loyal

producing paintings of great beauty.

major contemporary artists which

to those he loved and respected,

20

STRANGE WORLDS : THE VISION OF ANGELA CARTER

reveal the extent to which Angela

Armitage’s career was dedicated to

This new book takes the form of a

Carter’s ideas have indirectly but

making sculpture. His great success

collection of existing paintings, and

profoundly influenced twenty-first-

in the 1950s was followed by a period

others created specifically for this

century culture. Co-curator Fiona

when critical focus was directed to

publication, each painting marking a

Robinson provides a fascinating insight

younger generations, but during his

walking line west from Newlyn along

into the process of selecting work for

mature years his unstoppable energy

the headland to Land’s End, then north

the exhibition. Historic artwork that

and intellectual focus fed a burst of

to Zennor. Images are accompanied

influenced Carter is shown alongside

creativity that generated a renewed

by a text written by Paul Gough. It

illustrations from her books, documents

interest in his achievements.

contextualises Paul Lewin’s practice

and artefacts relating to her work

in the history of Cornish painting,

and life, and discussed by co-curator

the tradition of en plein work, but

Marie Mulvey-Roberts. The book also

also offers a commentary on the

contains reminiscences of those who

artist’s sojourn across West Penwith.

knew and worked with Carter.

S E P TE M B E R 20 16 70 + CO LO U R ILL U ST R AT IO N S 2 7 5 X 2 3 0 M M , 176 PAG E S PA P E R BAC K , 978 1 908 32 67 7 5 £2 5 .0 0

O C TO BER 20 1 6 3 0 IM AG ES , SK ETCHBO O K PAG ES 2 65 X 230 M M, 1 28 PAG ES PA P ERBACK , 978 1 90 832697 3 £ 2 0. 0 0

DE CE M BER 20 1 6 70 + CO LO U R IL L U STRATI ON S 270 X 21 0 M M, 1 4 4 PAG ES PA P ERBACK , 978 1 90 8326980 £ 20 . 0 0

BY AN D R E W LAMB I RT H An important player on the stage of International Modernism, William Gear deserves a major study which examines the best of his output from all decades and which attempts to sum up and assess the range of his achievement. Andrew Lambirth’s monograph promises to do that.

Published to celebrate the centenary of Gear’s birth, this book aims to stimulate a reassessment of his work and to show the full range of his achievement. Contains much previously unseen material and demonstrates how throughout a long career his art drew inspiration from natural appearances but transformed them into abstract imagery of great resonance and rhythmic presence.

SANSOM & COMPANY

W IL L IA M GE A R

O CTO BE R 2 0 1 5 2 0 0 I L L UST R AT IO N S 2 7 7 X 2 5 5 M M , 4 4 0 PAG E S HAR DBACK , 978 190 8 326669 £40 .0 0

THE ARBOR E ALISTS: THE ART OF THE TR EE WITH ESSAYS BY A N GE LA SU M M E R F I E LD, PH I L I P PA B E AL E AN D PETER DAV I E S Trees provide a wonderfully versatile subject for artists, not only in terms of the incredible diversity of form, character and colour they provide, but also in terms of the wealth of association, myth, folklore, religious and symbolic significance which they have come to embody. The Arborealists grew out of the 2013 exhibition Under the Greenwood: Picturing British Trees – Present, an exploration of contemporary artists’ responses to the tree.

The work included in this lavishly illustrated book demonstrates that trees still have relevance in contemporary art and retain the power to move us all as a vital element in our landscape and sense of national identity.

A P RIL 20 1 6 F U L L CO LO U R IL L U STRATIO NS 270 X 21 0 M M, 1 28 PAG ES PA P ERBACK , 978 1 90 8326867 £ 25. 0 0

21

SANSOM & COMPANY

FI O NA MCINTYR E: A TR EE W ITHIN

BY ALA N W ILK IN SON First monograph of the highly individual painter-printmaker Fiona McIntyre. Fiona McIntyre is a founding member of the Arborealists, a group of contemporary artists currently taking the world by storm.

In this first collection of work dating from 1985 McIntyre reveals a natural progression from drawings of Oceanic sculpture, the nude, portraits and landscape to recent Arboreal paintings made with remarkable confidence and luscious colour. McIntyre’s artistic genes are strong as she has inherited her love of heightened colour and bold composition from great grandfather Malcolm Drummond of the Camden Town Group, 1911.

SE P TEMBER 2016 1 0 0 + F U L L CO LO U R IL L US .

265 X 230 MM, 1 1 2 PAGES PA P E RBACK , 9781 90 8 326898 £ 20 . 00

INQ U IS IT IV E E Y E S: S L A D E PA INT E RS IN E DWA RD IA N W E SS E X

BY GWE N YAR K ER This real contribution to the literature on artists and place is a truly fresh look not only at the Slade ‘milieu but at the flavour of landscape painting in early twentieth century Britain. Convincingly argued, it focuses on the importance of Purbeck to some of the most important Edwardian painters. Plein air artists visiting from the 1890s saw the county through the lens of Thomas Hardy and exhibited paintings of a timeless Wessex in London. Easily accessible by train from London, painters were there in the summer months leading to Augustus John’s description that ‘Corfe Castle and the neighbourhood would make you mad with painter’s cupidity’.

FE BR UA RY 20 16 1 0 0 FU LL CO LO U R IL L U S .

2 70 X 21 0 M M , 132 PAG E S PAP E R BAC K , 978 1 908 32 68 5 0 £2 0 .0 0

22

PAT DOUTHWAITE

BY GUY PEPLOE

WARM COVERS: A SCOTTIS H TE XTIL E STORY

BY JANET RAE

EDITED BY GILL CLARKE

The distinguished artist and teacher

The work of Patricia, always ‘Pat’,

Heritage quilts and coverlets provide

Randolph Schwabe (1885–1948) kept a

Douthwaite (1934–2002) is not easily

intriguing visual records. While usually

detailed diary from January 1930 until

defined, at once naive and intellectually

made for warmth, quilts often had other

his untimely death in September 1948.

loaded, personal but resonating with

purposes. They were made to declare

Schwabe commenced writing shortly

cultural references. It was not made for

political or religious beliefs, to raise

before being appointed Principal of the

others but came from that deep-seated

money, to reward someone for services

Slade School of Art and for over nearly

need of the creative to make, to express.

or to commemorate milestones in

two decades he diligently recorded, in

This said she was not uninterested in

personal life or major events like war.

his elegant and well-punctuated script,

what people thought often drawing an

On another level, old quilts reflect

his thoughts and subtle comments

audience into a dangerous dialogue;

on art and education and Scotland’s

on people and major events and his

she was impossible to please and

once flourishing textile industry.

own artistic practice. National and

made enemies of her supporters with

In her newest and most wide ranging

international events are commented

an impunity that was at once vicious

book yet, Janet Rae takes an overview

on including the build-up to World War

and pathetic. Now she has gone and we

of Scotland’s rich engagement with

II as well as the running of the Slade

no longer have Douthwaite to mediate

textiles beginning with the manufacture

and its evacuation to Oxford to share

or twist our experience of the work

of linen, wool and cotton in the

premises with the Ruskin Drawing

we can perhaps begin a more serious

eighteenth and nineteenth centuries.

School in September 1939.

appraisal.

FE BR UA RY 2 0 1 6 FUL L CO LO UR PL AT E S E C T IO N 2 44 X 1 6 8 M M , 592 PAG E S PAP E R BACK , 9 78 1 908 32 68 74 £2 5 .0 0

J U N E 2 01 6 8 0 ILL U STRATIO NS 2 70 X 21 0 M M, 1 28 PAG ES PA PE R BACK , 9781 90 8 32678 2 £ 2 5 . 00

J U NE 20 1 6 1 20 IL L U STRATIO NS 270 X 21 0 M M, 1 76 PAG ES PA P ERBACK , 978 1 90 832690 4 £ 25. 0 0

SANSOM & COMPANY

THE DIARIES OF RANDOLPH SCHWABE: A RT I ST I C C I RC LES 1 9 30 – 48

23

SANSOM & COMPANY

In a ground breaking analysis,

A celebration of London captured

Spanning 25 years, this monograph

Silvano Levy unravels the hidden

in paint by Peter Brown. 168 full-

covers the life and career of Tim

structures of Magritte’s paintings.

colour pages, with entertaining

Shaw, one of the country’s leading

anecdotes from the artist.

sculptors.

DE CO D IN G M AG R IT T E OCTOBE R 2 015 100 ILL U ST RAT IO NS 28 0 X 2 10 M M , 2 80 PAGE S HA R DBAC K , 9 7819 06 59 39 57 £ 4 0. 00

24

LO NDO N: PA INTING S BY P E TE R BROW N DEC EM BER 2 0 1 5 1 5 0 I LLUSTR ATI ON S 2 1 5 X 2 70 M M , 2 0 0 PAG ES H A R DBAC K , 978 1 9 0 8 32 6 8 0 5 £35.00

TIM SHAW N OV EM BER 2 0 1 5 1 0 0 F ULL COLOUR I LLUS .

3 0 0 X 2 4 5 M M , 1 1 2 PAG ES H A R DBAC K , 9 78 1 9 0 8 32 6 812 £35.00

Traces the development of the

Examines the rich material that has

Inspired by Gregory of Nyssa’s ‘The

artist Alice Mumford, describing

attracted artists to the Channel

Life Of Moses’, in which he uses

her passionate commitment to

shore from the seventeenth

the familiar story of Moses’ life as

painting from life.

century to the present.

metaphor for the spiritual journey.

CO LOU R F RO M COA ST TO COA ST : A LIC E M U M F O R D

SHO REL INES: A RTISTS O N THE SO U TH COA ST

SEPTEM B E R 2 015 100 ILL U ST RAT IO NS 255 X 2 10 M M , 80 PAGE S PAPER BAC K , 9 7819 0832 6 676 £ 20. 00

SEP TEM BER 2 0 1 5 5 0 I LLUSTR ATI ON S 2 70 X 2 1 0 M M , 1 1 2 PAG ES PA P ER BAC K , 9 78 1 9 0 8 32 676 8 £20.00

VISUAL CONTEMPLATIONS: PAINTINGS INSPIRED BY GREGORY OF NYSSAS – THE LIFE OF MOSES N OV EM BER 2 0 1 5 F ULL COLOUR I LLUSTR AT IO N S 2 4 0 X 1 68 M M , 8 0 PAG ES PA P ER BAC K , 978 1 9 0 8 32 6 843 £20.00

making human Nature

REALITY: MODERN AND CONTEMPORARY BRITISH PAINTING

MARY WEBB: JOURNEYS IN COLOUR

BASKETRY: M AKIN G HUM AN N ATURE

EDITED BY SARAH BARTHOLEMEW, AMANDA GEITNER AND CALVIN WINNER

EDITED BY SANDY HESLOP

In a world saturated with polychrome

This exhibition catalogue supported

This book accompanies the Basketry:

printed media and ephemeral digital

Mary Webb’s exhibition, Journeys in

Making Human Nature exhibition

images, painting has a particular power.

Colour and contains images of more

which brought together traditional

It requires a direct experience of the

than 60 of her paintings, along with

and contemporary basketry from

work as a physical object; it offers

a collection of screen prints, drawings

Western Amazonia, North America,

an encounter with the scale of the

and collages including the series of

Oceania, Africa, Japan, South-East

canvas and the texture of the paint. And

paintings that were inspired by her

Asia and Europe. The exhibition

although it is one of our most archaic

time spent abroad in Utah. Mary’s

revealed the extraordinary uses of

living cultural practices, it survives

career has been dedicated to the

basketry technology and asked us

successfully alongside art forms such as

exploration of abstract form though

to consider the place of basketry

film, photography and installation, which

painting and printmaking. A pupil

in human culture. It displayed new

threatened to eclipse it in recent decades.

of the late Sonia Delaunay, Mary

commissions alongside large-scale

The paintings in Reality: Modern and

Webb’s works are consistently square

basketry, traditional baskets from

Contemporary British Painting testify

in shape and exist as an arrangement

North East Congo and the Solomon

to this power. The thirty-three artists

of vivid squares and rectangles.

Islands, fish traps from Cameroon,

represented – major twentieth-century

The 71-year-old artist admits that

Ghana and Thailand, a colourful gorget

figures alongside contemporary painters

“colour is [her] main concern”, which

from the Society Islands, Egyptian

– tackle subjects ranging from the

accounts for the vibrancy of her work.

shoes, masks from the Salampasu of

EDITED BY CHRIS STEVENS CONTRIBUTIONS FROM AMANDA GEITNER, PAUL GREENHALGH, DAVID PETER S CORBETT AND SARAH BARTHOLOMEW

body to relationships, from history

Angola and baskets from across the

and politics to war, and from social

globe.

SAINSBURY CENTRE FOR VISUAL ARTS

baSkeTry

issues to the urban environment.

J UN E 2 0 1 4 9 4 I L L USTR ATI O N S 3 3 0 X 2 52 M M , 1 4 9 PAG E S HAR DBACK , 9 78 0 94 600 964 0 £2 5 .0 0

J U N E 2 01 1 7 1 IL L U STRATIO NS , 65 CO LO U R 7 2 PAG ES , 24 5 X 24 5 M M PA PE R BACK , 9780 94 60 0 961 9 £ 15 . 0 0

F E BRU A RY 20 1 1 7 3 CO LO U R IL L U STRATIO NS 68 PAG E S , 27 5 X 20 0 MM PA P ERBACK , 978 0 0 94 0 0 960 2 £ 1 5. 0 0

25

ELIZABETH HARVEY-LEE

A comprehensive reference and

Introduction to WWI printmaking,

An introduction to the Etching

visual summary of British etching

with printed images by artists from

Club, followed by a selection of

from 1850–1950.

both Allied and Central Powers,

prints by Palmer and his fellow

many of whom saw active service.

members.

THE S E D U C T IV E A RT : T H E BR I T I S H PA SS IO N F O R E TCHIN G 18 5 0 –1 95 0 JU LY 20 01 8 49+ B/ W IL L U ST RAT IO NS 275 X 2 15 M M , 3 84 PAGE S PAPER BAC K , 9 7819 02 86 3 047 £ 3 0. 00

SEP TEM BER 2 0 1 4 1 39 B/ W I LLUSTR ATI ON S 2 1 0 X 1 4 8 M M , 1 0 8 PAG ES PA P ER BAC K , 9 78 1 9 0 2 8 6 3 3 5 1 £15.00

THE POETIC IMPULSE: THE ETCHINGS OF SAMUEL PALMER, HIS PEERS AND FOLLOWERS JA N UA RY 2 0 1 6 8 4 B/ W A N D COLOUR I LLU S .

2 1 0 X 1 47 M M , 8 8 PAG ES PA P ER BAC K , 978 1 9 0 2 8 6 3 306 £12.00

Over 500 prints from 500 years

A catalogue of work from women

Collection of prints by women

by nearly 500 artists, with a

printmakers – from the earliest work

working in the first half of the

list of notable events to provide

by nuns to some of the greatest

20th century with an emphasis

historical context.

names in British wood engraving.

on lesser-known artists.

HA L F A M ILL E N N IU M O F A RT I STS’ IM PR E SS IO N S D ECEM B E R 2 000 B/ W IL L U ST RAT IO NS 275 X 2 15 M M , 2 88 PAGE S PAPER BAC K , 9 7819 02 86 3 03 0 £ 15. 00

26

1914–1918 THE GRE AT WAR THROUGH PRINTMAKERS’ EYES

M ISTRESSE S O F THE G RA P HIC A RTS: FA MO U S A ND F O RG OTTEN WO ME N P RINTMA K ERS , C .1 550 – C .1 950

UNSUNG HEROINES: A FURTHER SELECTION OF MISTRESSES OF THE GRAPHIC ARTS

N OV EM BER 1 9 9 5 3 64 B/ W I LLUSTR ATI ON S 2 70 X 2 1 5 M M , 1 2 4 PAG ES PA P ER BAC K , 9 78 0 9 52 5 5 4 4 1 7 £15.00

JUN E 2 0 0 4 2 64 B/ W I LLUSTR ATI ONS 2 75 X 2 1 5 M M , 1 1 2 PAG ES PA P ER BAC K , 978 1 9 0 2 8 6 3 078 £15.00

Examines Harry Clarke’s engravings

First detailed study of one of

crafts uncovering a unique history

for Ireland’s Memorial Records,

I re l a n d ’s fo re m o st n at i o n a l

of folklore and tradition in the

and how art and commemoration

treasures from the 17th century

creation and use of objects made

can come together in a powerful

to today, with stunningly detailed

from organic materials.

visual creation.

photography.

STR AW, HAY & R U S H E S IN I R I S H FO L K T R A D IT IO N SEPTEMBER 2015 3 3 0 COLOU R & B/ W IL L U S .

226 X 196 MM, 5 6 0 PAGE S HA R DBACK , 97807 16 53 3 108 £ 3 5. 00

HARRY CLARKE’S WAR: ILLUSTRATIONS FOR IRELAND’S MEMORIAL RECORDS, 1914–1918

THE CROSS OF CONG: A MASTERPIECE OF MEDIEVAL IRISH ART

NOV E M BER 2 0 1 5 2 3 6 X 1 5 5 M M , 2 64 PAG ES HA RD BAC K , 978 07 1 653 3 0 8 5 £ 2 4 .9 9

OC TOBER 2 0 1 4 2 4 0 COLOUR I LLUSTR ATI ON S 2 4 4 X 1 67 M M , 32 6 PAG ES H A R DBAC K , 9 78 07 1 6532 74 3 £35.00

First Irish biography of Irish-

Based on extensive research and

Examines art in Belfast in the 18th

born Eileen Gray, one of the

previously unavailable archival

and 19th centuries, using primary

most influential designers of the

material, this is the first ever full-

sources and written by the leading

twentieth century.

scale work on the artist.

authority on the subject.

E I L E E N GR AY: H E R WO R K A N D HE R WO R L D NOVEMBER 20 14 3 00 COLOU R & B/ W IL L U S .

226 X 18 7 MM, 5 12 PAGE S PAPER BACK , 97807 16 532 767 £ 3 5. 00

S E A N K E ATING : A RT, P O L ITICS A N D B U I L D I N G T H E IRISH N ATION A PRIL 2 0 1 3 17 B/ W I LLUSTR ATI ON S 2 4 6 X 1 89 M M , 3 8 4 PAG ES PA PE RBAC K , 9 78 07 1 653 1 9 37 £ 3 4 .9 9

IRISH ACADEMIC PRESS

A fascinating insight into Irish

A RT IN BE L FA ST: A RT LOV E RS O R P HIL ISTINE S? APRIL 2006 241 X 180 MM PA P ER BAC K , 978 07 1 653 3 62 7 £ 2 9. 5 0

27

FORTHCOMING & RECENT RELEASES 28

Reconsiders theories which identify

A landmark publication of essays

Addressing aspects of Amaravati

the crisis of Jewish assimilation as

exploring the relationship between

and its sculpture including the

primary creative stimulus for Jewish

sacred matter and precious

rediscovery of the stūpa as well

contribution to Viennese modernism.

materials in the Middle Ages.

as its recreation.

STYLE AND SEDUCTION: JEWISH PATRONS, ARCHITECTURE , AND DESIGN IN FIN DE SIÈCLE VIENNA JU LY 20 16 3 0 ILLU ST RAT IO NS 23 5 X 1 5 6 M M , 32 0 PAGE S HA R DBAC K , 9 7816 116 89 2 04 , £ 6 4 .00 PAPER BAC K , 9 7816 116 89 2 11, £ 3 0.00 BRAND EI S U N I VER S I TY P R ES S

A CATA LO G U E O F THE L ATE A NTIQ U E G O L D G L A SS IN THE BRITISH MU SE U M

A M A RAVATI: THE A RT OF AN E A RLY BU DDHIST MO N UMENT IN CO NTE XT

JUN E 2 0 1 5 2 9 0 X 2 1 0 M M , 2 0 6 PAG ES PA P ER BAC K , 9 78 0 8 6 1 59 1 98 5 £40.00 B R I T I SH M U SE U M PR E SS

OC TOBER 2 0 1 6 1 70 I LLUSTR ATI ON S 2 90 X 2 1 0 M M , 1 52 PAG E S PA P ER BAC K , 978 0 8 6 1 59 2 074 £40.00 B R I T I SH M U SE U M PR E S S

This book traces the course of

A history of early video art

Playing with Earth and Sky reveals

Joseph Glasco’s life and art and

considered in relation to television

the significance astronomy,

explores the complex reasons for

in the United States during the

geography, and aviation had for

his subsequent neglect.

1960s and 1970s.

Marcel Duchamp.

J OS E P H G L A SCO : T H E FI F T E E N T H A M E R IC A N

AG A INST IMME DIACY: V IDEO A RT A ND ME DIA P O P U L ISM

OCTOBE R 2 015 3 15 COLO U R IL L U ST RAT IO NS 267 X 2 10 M M , 4 00 PAGE S HA R DBAC K , 9 7816 116 885 42 £ 4 9. 00 CACKL EGOOS E

A UG UST 2 0 1 6 2 5 I LLUSTR ATI ON S 2 2 9 X 1 52 M M , 2 32 PAG ES PA P ER BAC K , 9 78 1 6 1 1 6 894 57 £30.00 D A R T M O U T H C O L L E G E PR E SS

PLAYING WITH EARTH AND SKY: ASTRONOMY & GEOGRAPHY AND THE ART OF MARCEL DUCHAMP A UG UST 2 0 1 6 79 I LLUSTR ATI ON S , 1 M AP 2 2 9 X 1 52 M M , 2 8 0 PAG E S H A R DBAC K , 9 78 1 6 1 1 6 895 6 3, £6 4. 00 PA P ER BAC K , 978 1 6 1 1 6 89570, £30. 00 D A R T M O U T H CO L L E G E P R E S S

A compelling collection for

An inquiry into conceptions of

solo exhibition at a US museum

teaching and learning about the

the human body in Austria and

in nearly forty years, and his first

art of museum curation.

Germany before and after the First

career retrospective outside of Iran.

World War.

PA RVI Z TA N AVO LI

CO LL ECTING A ND SHA RING

JU LY 2015 189 COLOU R IL L U ST RAT IO NS 3 15 X 229 MM, 170 PAGE S HA R DBACK , 97809 85 82 4 9 3 8 £ 4 1. 00 DAV IS M USEU M

S E PT E M BER 2 0 1 5 16 0 CO LOUR I LLUSTR ATI ON S 2 7 9 X 2 4 0 M M , 1 60 PAG ES HA RD BAC K , 9 78 0 9 4 472 2 473 £ 3 4 .00 HOOD M U SE U M O F A R T

NAKED TRUTH: APPROACHES TO THE BODY IN EARLY 20TH CENTURY GERMAN-AUSTRIAN ART OC TOBER 2 0 1 5 5 0 I LLUSTR ATI ON S 2 5 4 X 1 78 M M , 1 1 2 PAG ES PA P ER BAC K , 978 1 9 2 8 8 2 5 1 0 4 , £ 2 2 . 0 0 , M I D D L E B U R Y CO L L E G E M U SE U M O F A R T

The first book about the Italian

Examining how the transient

Sumptuously illustrated testimony

Resilience, a movement of Art and

qualities of time have been used

of one college community’s

Culture born at the end of 2013.

in contemporary moving images

engagement with the artwork of

production and in their display.

Ghanaian artist El Anatsui.

R E S I L I E N Z A ITA L IA N A MARCH 2016 210 X 14 0 MM, 9 4 PAGE S PAPER BACK , 9788869 7 70067 £ 7. 00 M IM ESIS INT E R N ATI ON AL

E X T E NDED TE M P O RA L ITIES: T R A N S IE NT V ISIO NS IN M U S E U M A ND A RT A PRIL 2 0 1 6 3 0 B/ W I LLUSTR ATI ON S 2 10 X 1 4 0 M M , 1 6 0 PAG ES PA PE RBAC K , 978 8 8 697 70 5 1 7 £ 13 .00 M I M ESI S I NT E R NA T I O NA L

FORTHCOMING & RECENT RELEASES

Published for Parviz Tanavoli’s first

E L A NATSU I: NEW WO RL DS JA N UA RY 2 0 1 6 70 COLOUR I LLUSTR ATI ON S 2 79 X 1 9 0 M M , 1 4 4 PAG ES H A R DBAC K , 9 78 0 9 890 8 3 5 1 5 £30.00 M O U NT H O L Y O K E

29

FORTHCOMING & RECENT RELEASES 30

A n i n s i g h t f u l re fl e c t i o n o n

How can a visual image illustrate

Arguing for a wider range of

Henri Matisse’s drawings from

a philosophical idea? This book

possible associations with art made

the perspective of modernist

examines this project by renowned

by queer people by unravelling the

Ellsworth Kelly.

conceptual artist Mel Bochner.

difficulties of the “queer art” label.

MATISSE DRAWINGS: CURATED

BY ELLSWORTH KELLY FROM THE PIERRE AND TANA MATISSE FOUNDATION COLLECTION SEPTEM B E R 2 015 60 COLO U R IL L U ST RAT IO NS 28 0 X 2 2 0 M M , 12 8 PAGE S HA R DBAC K , 9 7809 89 083 52 2 £ 26. 00 MOUN T H O LYO KE

M E L BO CHNER : IL L U STRATING P HILOSO P HY

THE E STRA NG EME NT P RINCIP L E

F EBR UA RY 2 0 1 6 3 0 COLOUR I LLUSTR ATI ON S 2 2 9 X 1 52 M M , 4 8 PAG ES H A R DBAC K , 978 0 9 890 8 3 539 £15.00 M O U N T H O LYO K E

A UG UST 2 0 1 6 2 1 6 X 1 4 0 M M , 1 9 2 PAG ES PA P ER BAC K , 978 1 9 376 5 8 5 19 £13.00 N I G H TB OAT B O O K S

This comprehensive overview

Translated facsimile reproduction

Charts the history of attempts to

brings to light many innovations

of an 18th century French dyer’s

understand Celtic art in discussions

in English Art and offers a fresh

memoirs, including recipes for dyes

spanning the whole of Continental

look at the movement as a whole.

with corresponding colour samples.

Europe and the British Isles.

A RT I N E N G L A N D THE S A XO N S TO T H E T U D O R S : 6 0 0– 1 600

THE DYER’S HA NDBO O K : M E M O IRS O F A N 1 8TH CE NTU RY M A STE R CO LO U RIST

JU NE 2016 28 0 X 2 16 M M , 4 4 8 PAGE S HA R DBAC K , 9 781785702 2 3 5 £ 60. 00 OXBOW BO O KS

JUN E 2 0 1 6 2 9 7 X 2 1 0 M M , 1 6 0 PAG ES H A R DBAC K , 978 1 78 570 2 1 1 2 £48.00 OX B OW B O O K S

CELTIC A RT IN EU RO PE: MA K ING CO NNECTION S SEP TEM BER 2 0 1 4 I LLUSTR ATED TH ROUG H O U T 2 8 0 X 2 1 6 M M , 4 0 0 PAG E S H A R DBAC K , 9 78 1 78 2 9 76 5 5 4 £60.00 OX B OW B O O K S

F i r st m a j o r p u b l i c a t i o n o n

Major review of the location and

Simrishamn rock art examines the

exceptional collection of Greek

interpretation of Scandinavian

relationship between iconography

and Etruscan art objects in the

rock art against a background of

on metals and that found in rock art.

Shefton Collection.

long term environmental change.

RO CK A RT TH RO U G H T IM E : SCAN I A N RO C K C A RV IN G S I N T HE BRO N Z E AG E A N D E AR L I E ST I RO N AG E

O N T HE FA SCINATIO N O F O B J ECTS: G RE EK A ND E T R U SCA N A RT IN THE S H E F TO N CO L L ECTIO N

MAY 2016 220 X 18 7 MM, 14 4 PAGE S HA R DBACK , 97817857016 4 1 £ 20. 00 OXBOW BOOKS

D E C E M BER 2 0 1 5 2 42 X 1 70 M M , 1 9 2 PAG ES HA RD BAC K , 9 78 1 78 570 0 0 6 4 £ 6 0.00 OXBOW B O O K S

P RE HISTO RIC RO CK A RT IN SCA NDINAV IA : AG E NCY A ND E NV IRO NME NTA L CHA NG E N OV EM BER 2 0 1 5 2 79 X 2 1 6 M M , 1 6 0 PAG ES PA P ER BAC K , 978 1 78 570 1 1 9 1 £25.00 OX B OW B O O K S

Sagaholm North European Bronze Age Rock Art and Burial Ritual

FORTHCOMING & RECENT RELEASES

This detailed reassessment of the

Joakim Goldhahn

Major new study presents and

This is a lavishly illustrated and

Shows how the crafts of the

discusses a series of rock art

comprehensive reassessment of

visual arts were once acquired via

engravings from a Bronze Age

the sculpture of the early bronze

apprenticeships in contradistinction

barrow in central southern Sweden.

age Cyclades.

to the methods of later academies.

S AGAHO L M : N O RT H E URO P E A N B RO N Z E AG E RO C K A RT A N D B UR IA L R IT U A L A U GU ST 2016 B/ W AND COLO U R IL L U S .

24 0 X 170 MM, 19 2 PAGE S PAPER BACK , 9781785702 6 4 8 £ 3 6. 00 OXBOW BOOKS

E A R LY CYCL A DIC SCU L P TU RE IN CO NTE XT M A RC H 2 0 1 6 2 80 X 2 1 6 , 576 PAG ES HA RD BAC K , 9 78 1 78 570 1 95 5 £ 4 0.00 OXBOW B O O K S

ART, ARTISANS & APPRENTICES: APPRENTICE PAINTERS & SCULPTORS IN THE EARLY MODERN BRITISH TRADITION JUN E 2 0 1 4 2 3 8 X 1 66 M M , 53 6 PAG ES H A R DBAC K , 9 78 1 78 2 9 7 742 1 £35.00 OX B OW B O O K S

31

FORTHCOMING & RECENT RELEASES 32

Covers topics from the Byzantine

Brings together eighteen papers

Offers a general introduction to some

art of the early middle ages to the

by Robert G. Calkins, concentrating

of the problems posed by Islamic art

painting and mosiacs of the 12th

on late medieval manuscript

and also readings of key objects in

and 13th centuries.

illumination.

an attempt to explore their meaning.

M E DI E VA L RO M E : A H ISTO RY I N A RT DECEMB E R 2 016 620 PAG E S HAR D BAC K , 9 7819 04 59 74 14 £150. 00 PINDAR P R E SS

STU DIES IN L ATE M E DIE VA L IL L U MINATIO N A ND A RT

STU DIE S IN THE ISL A MI C DE CO RATIV E A RTS

DEC EM BER 2 0 1 6 53 8 PAG ES H A R DBAC K , 978 1 9 0 4 5974 07 £150.00 P I N DA R P R ESS

DEC EM BER 2 0 1 6 574 PAG ES H A R DBAC K , 9 78 1 9 0 4 5975 06 £150.00 P I N DA R P R ESS

CITY OF THE SOUL Âome and the ®omantics

Exquisite full-page reproductions

Critically examines how an

Examines clothing alongside fine

reveal 68 recent canvases along

international cast of visitors

and decorative arts of the Romantic

with 32 prints, covering Mason’s

fashioned Rome’s image in the

period, and how it forms the roots

work with five master printers.

century between 1770 and 1870.

of some of today’s fashions.

E M I LY M A SO N : T H E LIG H T IN SPRING

CITY O F THE SO U L : RO M E A ND THE RO M A NTICS

NOVEM B E R 2 015 113 COLO U R IL L U ST RAT IO NS 254 X229 M M , 14 4 PAGE S HAR D BAC K , 9 7816 116 8867 2 £4 5. 00 UNIVERS IT Y P R E SS O F NEW EN GL A ND

JULY 2 0 1 6 8 0 COLOUR I LLUSTR ATI ON S 2 79 X 2 1 6 M M , 2 2 4 PAG ES H A R DBAC K , 978 0 8 7598 1 7 1 0 £38.00 U N I V ER S I TY P R ESS O F N EW EN G L A N D

GOTHIC TO GOTH: ROMANTIC ERA FASHION AND ITS LEGACY APRIL 2016 8 0 COLOUR I LLUSTR ATI O N S 2 79 X 2 2 9 M M , 8 0 PAG ES PA P ER BAC K , 978 0 9 1 8 3 3 3285 £ 1 9. 0 0 WA DS WO RTH ATH EN EU M M U S EU M O F A RT

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W W W.C A S E M AT E A RT.CO. U K | T E L : + 4 4 ( 0 ) 1 8 6 5 2 4 1 2 4 9 All information accurate at time of printing and subject to alteration without notice.

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