2013 Annual Report CCCB by Centre de Cultura Contemporània de Barcelona

CCCB Annual Report 2013

Montalegre, 5 08001 Barcelona T. 933 064 100

www.cccb.org @cececebe www.facebook.com/CCCB.Barcelona A consortium of:

Contents

Exhibitions

Paral·lel Avenue, 1894-1939 Bolaño Archive, 1977-2003 Pasolini Rome Espriu World Press Photo 13

10 11 12 14 15

Festivals and Open Formats

Festivals and Open Formats Children’s and Family Programme

Spaces for Debate and Reflection

Debates and Lectures In Collaboration Courses, Postgraduate Certificates and Master’s Degrees

38 45

CCCB Lab

CCCB Lab Associated Projects

54 58

Friends of the CCCB

CCCB Education

Activities and Workshops Itineraries

67 70

Social Programme

Beyond the CCCB

Exhibitions European Prize for Urban Public Space

78 80

CCCB Holdings

Archives Archives in Collaboration Publications

84 85 86

General Details

Collaborating institutions and companies Speakers at debates and lectures Use and rental of spaces Visiting figures and audience Budget CCCB Staff

Selection from the Press

103

92 94 96 99 100

Exhibitions

10 Exhibitions

Paral·lel Avenue, 1894-1939 Barcelona and the Spectacle of Modernity 26 October 2012 — 24 February 2013

Organisation and production — CCCB Special collaboration — Institut del Teatre Sponsorship — Fundació Catalunya Caixa Collaborating media — El País and Catalunya Ràdio

Sala 3

Curators — Xavier Albertí and Eduard Molner Space design — Emiliana Design Studio Space graphic design — La Japonesa Graphic design of publicity material and catalogue — Saura-Torrente, Edicions de l’Eixample

This exhibition explained how and why a new area for shows and entertainment emerged in the city of Barcelona, and everything that happened there during a period of over forty years. The Paral·lel Avenue was the home of a cultural offering that was genuine and unique in Europe due to its size and singularity. It hosted a wealth of manifestations of popular and mass culture, the result of historical circumstances that transformed the social, economic and political landscape and established the city of Barcelona’s footing in modernity, with all its contradictions. What happened on the Paral·lel between the end of the 19th century and 22 January 1939 – the day on which all the theatres of Barcelona closed, at the end of the war – is similar to the case of Montmartre in Paris or Broadway in New York, but it should be emphasised that it is a unique case worldwide. Unlike these and other international examples, the Paral·lel was an environment of popular hegemony that, from its birth, became a genuine cultural expression of the social and political conflict that characterised the Barcelona of the first half of the 20th century and that generated shows with contents and formats that were perfectly differentiated, put together by the public and by the artists. Produced in the manner of a stage-set, the exhibition showed photographs, audiovisual materials, recovered sound documents, books, leaflets, magazines, programmes, posters, scores, atrezzo, costumes and diverse props. The plastic arts were a fundamental part of the exhibition, and among other artists, the following were featured: Isidre Nonell, Ricard Opisso, Pablo Picasso, Francesc Domingo, Ricard Canals, Ricard Urgell, Rafael Barradas, Emili Bosch, Ismael Smith, Jaume Pasarell, Josep Brangulí and Gabriel Casas.

Prizes — Prize for the Best Exhibition of Historical Research of 2012 from the Catalan Association of Art Critics (ACCA) Related Activities — “Paral·lel Avenue seen by...”, guided visits led by Xavier Albertí (17 January), Jaume Sisa (24 January), Benet Rossell (31 January), David Carabén (7 February) and Yoya Pigrau (14 February) — The Pianola on the Paral·lel, pianola concerts by Josep Domènec on alternate Saturdays and Sundays — Paral·lel Routes, an online project that allows users to download three itineraries to discover the Paral·lel of the 20th century. — “The Future of the Paral·lel. Between Nostalgia and Desire”, series of debates, 15 January, 22 January and 29 January, see page 39 — Pensar i interpretar l’oci. Passatemps, entreteniments, aficions i addiccions a la Barcelona del 1900, book presentation, 13 February Activities for Friends of the CCCB — Iitinerary organised by the Museum of History of the City of Barcelona (MUHBA), 13 January, see page 63 Educational Offering — See the section “CCCB Education”, page 67 Social Programme — Guided visits for Alzheimer patients, their families and carers, see page 74

11 Exhibitions

Bolaño Archive, 1977-2003 5 March — 30 June

Organisation and production — CCCB Participation — Casa del Lector, Madrid Collaboration — Instituto Cervantes Collaborating media — El Periódico and Catalunya Ràdio

Sala 1

Curators — Juan Insua and Valerie Miles Space design and graphic design — Bonjoch Associats Graphic design of publicity material and catalogue — spread: David Lorente

Coinciding with the sixth biennial edition of Kosmopolis, the exhibition “Bolaño Archive, 1977-2003” was presented, as a tribute to the Chilean writer on the tenth anniversary of his death. The project was conceived based around three thematic focal points that express some of the keys of the creative universe of the author of The Savage Detectives. The first defined a specific geography by way of three localities, where Roberto Bolaño created nearly all of his work, the second presented his creative chronology and the third recreated an existential landscape. The exhibition route took as a base these thematic cores and developed them through a prologue, an essential reference to the years he lived in Mexico, and three precise phases: The Unknown University (Barcelona 1977-1980), Inside the Kaleidoscope (Girona 1981-1985) and The Visitor from the Future (Blanes 19852003). The route was completed with an epilogue or coda that analysed Bolaño’s influence on the literature of the 21st century. The visit to the exhibition was conceived as a detective-style investigation. The reader-visitor was a sleuth subjected to a series of tests and games, not lacking in humour and irony. In the formalisation of the itinerary, preference was given to the kaleidoscope metaphor, to which the author himself referred in different passages of his books. However, the exhibition’s singularity was constituted by the presentation of previously unseen material from the Archive of the Heirs of Roberto Bolaño: novels, tales, poems and various writings, booklets and exercise books, correspondence, family photographs, magazines and fanzines, his personal library, all the interviews, strategy games and other valuable materials that allowed a more in-depth acquaintance with the creative universe of Bolaño and an increasingly free and fertile reading of his work.

Related Activities — “Bolaño on stage”, a talk with Àlex Rigola and Pablo Ley about the stage adaptation of 2666, and a staged reading of El policía de las ratas, by the actors Joan Carreras and Andreu Benito, within the framework of Kosmopolis, 14 March — Il futuro, premiere of the film by Alicia Scherson, 14 March — “Roberto Bolaño: The Gestation of a Myth”, debate with the participation of A.G. Porta, Jorge Herralde, Jaume Vallcorba and Juan Antonio Masoliver Ródenas, with the events for Kosmopolis, 15 March — Hojas escritas en la escalera de Jacob, poetic recital performed by Olvido García Valdés and Chefa Alonso, within the framework of Kosmopolis, 15 March — 28 April #DiaBolaño (Bolaño Day), a series of free-of-charge activities during the whole day to remember the life and work of the author on the day he would have been sixty years old, 28 April Activities for Friends of the CCCB — Guided visits led by the curators, 10 and 18 April, see page 63 — “Roberto Bolaño and the Unknown University”, talk organised by the UB, UAB and UPF universities in collaboration with the CCCB, 27 and 28 May Educational Offering — See the section “CCCB Education”, page 67 Catalogue — See the section “CCCB Holdings. Publications”, page 86 Tours — See the section “Beyond the CCCB. Exhibitions”, page 79

12 Exhibitions

Pasolini Rome 22 May — 15 September Sala 2

Curators — Gianni Borgna, Alain Bergala and Jordi Balló Space design — Guri Casajuana arquitectes Space graphic design — Marc Valls, with the collaboration of Oriol Soler Catalogue design — Maquette & Mise en page

Graphic design of publicity material — Wladimir Marnich Coproduction — CCCB, La Cinémathèque Française, Paris; Palazzo delle Esposizione, Rome; and Martin Gropius Bau, Berlin Collaborating media — El País

13 Exhibitions With the support of — European Union’s Culture Programme This project has been financed with the help of the European Commission

The exhibition “Pasolini Rome” offered a close-up look at the Italian writer and filmmaker Pier Paolo Pasolini (1922-1975) through his relations with Rome. And this close-up meant entering fully into everything that constituted and defined Pasolini: poetry, politics, civil commitment, sex, friendship, film. The exhibition was structured into six chronological sections that corresponded to the six vital and creative phases of Pasolini. It began with his arrival in Rome on 28 January 1950 and closed on 2 November 1975, when his lifeless body was found near to Ostia. Rome was not just a stage set or a simple place of residence for Pasolini, but it also represented a true physical, carnal and passionate existence. His encounter with Rome was for the author like a great love story, with all its disappointments, its traditions and its mixed feelings of passion and hatred, phases of attraction and phases of rejection, of distancing and return. For Pasolini the polemicist, the analyst of the evolution of Italian society, Rome constituted his main space for observation, his permanent field of study, reflection and battle. It was based on the transformations of this city that he so loved, that he analysed the changes of the Italy and the Italians of the 1960s and 1970s. There is a Rome before and a Rome after Pasolini. His texts and his films created a new imaginary of the city of Rome. It was not enough for Pasolini to integrate the city as a backdrop to his novels and his films, but rather he “re-founded” Rome through literature and film. As the great creator that he was, he conceived a new myth of this Vatican and political city, of its neighbourhoods and its inhabitants. “Pasolini Rome” was the result of a co-production between four European cultural institutions and the project was selected, evaluated and financed by the European Commission due to its significance in terms of the European, transnational and current nature of the work of Pasolini and of the project in itself. After the CCCB, it was scheduled to be presented at La Cinémathèque Française in Paris (16 October 2013 - 26 January 2014), at the Azienda Palaexpo-Palazzo Delle Esposizione de Roma (15 April– 20 July 2014) and at the Martin Gropius Bau in Berlin (11 September 2014 - early January 2015).

Related Activities — “Thinking Differently. Pasolini and the Critique of Mainstream Culture”, a series of debates on 17 and 25 June, 1 and 9 July, see page 40 — “Pasolini at the Lab”, I+C+i debate, 2 July, see page 57 — Calderón, staged reading of the play by Pasolini, 7 September — “The Mote in the Eye”, Xcèntric Classroom 2013 devoted to the art of provocation and protest from Pasolini to the present day, from 5 to 28 November, see page 49 Activities for Friends of the CCCB — Guided visits of the exhibition led by the curators, 6 June, 2 and 10 July, see page 63 — “Il cinema secondo Pier Paolo”, lecture given by Luís Aller, organised together with the film school Bande à Part, 26 June Educational Offering See the section “CCCB Education”, page 67 Social Programme — Guided visits for Alzheimer patients, their families and carers, see page 74 Catalogue — See the section “CCCB Holdings. Publications”, page 86 Tours — See the section “Beyond the CCCB. Exhibitions”, page 78

14 Exhibitions

Espriu I Looked Upon This Land 30 October 2013 — 16 March 2014

Space graphic design — Opisso Estudi Graphic design of publicity material — Josep Bagà Organisation — CCCB Coproduction — Espriu Year (Government of Catalonia) and CCCB Collaborating media — Ara and Catalunya Ràdio

Sala 3

Idea and original script — Xavier Bru de Sala Executive curator — Julià Guillamon Advisors — Ramon Balasch, Sebastià Bonet, Rosa Delor, Julià de Jòdar, Víctor Martínez Gil and Agustí Pons, with the collaboration of Gabriel Planella Space design — VA62 Arquitectos

The year 2013 marked the commemoration of 100 years since the birth of Salvador Espriu (1913-1985). The CCCB, in collaboration with the Catalan Government’s Department of Culture, organised one of the central events of Espriu Year: the exhibition “Espriu. I Looked Upon This Land”, which offered the public an approach to the creative career and life history of the writer, to show not only the capital importance of his figure for Catalan culture, but also the complexity and richness of Espriu’s work which transcends any labels and thus establishes it under the heading of timeless classics. The exhibition developed different aspects of his biography, of his literary world and of the public repercussions of his work. It also defended the currency of the writer, and the validity of his themes and viewpoints in the world today, based on the triple perspective that the exhibition proposed: the mythical and symbolical world, social transcendence and indomitable criticism. A poet, narrator and playwright, Espriu asks himself about the great human questions. The exhibition evoked the myth of Sinera; ethical commitment when faced with the Civil War and the postwar years; the defence of Catalan culture in difficult times; the Espriu phenomenon, when he became an indispensable reference point in Spanish Culture; his vision of the “bull’s hide” based on dialogue and tolerance; his candidature for the Nobel Prize, and his imaginary world – sometimes grotesque, sometimes evocative, but always of an extraordinary power. The exhibition presented a great quantity of unpublished materials originating from archives and private collections. The last part of the exhibition recreates one of Espriu’s fundamental ideas: the world as a grotesque labyrinth, based on a gallery of characters that inhabit his narrative, his poetry and his theatre, presented

in animations produced by young creators. The characters of this gallery were integrated into an animated tale, of surprising currency, allowing the visitor unfamiliar with the Espriu universe to enter it from a new perspective. “‘I Looked Upon This Land’” takes us to Espriu’s way of looking at his land and his world: sometimes critical and wildly amusing, but also understanding and full of compassion towards human weaknesses.” (Julià Guillamon). Related Activities — “Lavínia. The Barcelona of Salvador Espriu”, literary itinerary, 10 and 24 November, see section “CCCB Education”, page 71 — Voices from the Street. Rosa Novell speaks Espriu, a staged reading of texts by Salvador Espriu read by actress Rosa Novell, accompanied by cellist Fanny Silvestre, 27 November. Activities for Friends of the CCCB Espriu at the restaurant 7 Portes, dinners with recitals and concerts, 19 October and 9 November, activity with discount for Friends of the CCCB — Guided visits of the exhibition led by the executive curator, 6 and 12 November, see page 63 — Un Rèquiem per a Salvador Espriu (A Requiem for Salvador Espriu), show at the TNC, from 15 to 17 November, activity with discount for Friends of the CCCB Educational Offering — See the section “CCCB Education”, page 67 Social Programme — Guided visits for Alzheimer patients, their families and carers, see page 74

15 Exhibitions

World Press Photo 13 Face Reality 6 November — 8 December

Collaboration — Catalan Government’s Office of Support for Cultural Initiatives (OSIC) General sponsorship — Canon and Nationale Postcode Loterij Sponsorship in Barcelona — Fundació Banc de Sabadell

Sala 1

Organisation — Fundació Photographic Social Vision Production — Fundació Photographic Social Vision and CCCB

The ninth edition of “World Press Photo” included the 143 winning photographs of the prestigious international photojournalism prize. The selection included three Spanish winners, Bernat Armangué, Emilio Morenatti and Daniel Ochoa de Olza. Furthermore, the CCCB became the only Spanish centre that exhibited the winning works in the multimedia projects category, created in 2011, which also included two Spanish prize-winners, Pep Bonet and Miquel Dewever-Plana. In this edition a total of 5,666 photographers of 124 nationalities took part (235 of whom were Spaniards), with 103,481 images submitted, classified into eight categories: General News, Spot News, Contemporary Issues, Daily Life, Observed Portraits, Staged Portraits, Nature and Sports. “Face Reality”, the slogan for the presentation of “World Press Photo” in Barcelona, invited visitors to witness, free of censorship and manipulation, the state of the world today and it confronted us with the global and also the local reality to be able to reflect on and broaden our points of view. As every other year, the prize-winning images informed us, moved us and questioned us, converting “World Press Photo” into an unmissable appointment for any citizen wishing to be better informed.

Related Activities — Masterclass offered by photographer Miquel Dewever-Plana, 6 November — Alma. Hija de la violencia (Alma, a Tale of Violence), presentation of the web documentary by Miquel Dewever-Plana and Isabelle Fougère, 6 November — Masterclass offered by photographer Pep Bonet, 7 November — “3 Scenarios. Agency Photojournalism”, meeting with three winning photographers of the World Press Photo 12 competition (Bernat Armangué, Daniel Ochoa de Olza and Emilio Morenatti) and screening of their recent works, 8 November — Presentation of the winning works of the multimedia competition World Press Photo 12, 3 December Activities for Friends of the CCCB — Guided tour of the exhibition, 21 November and 4 December, see page 63 Educational Offering — See the section “CCCB Education”, page 67

Festivals and Open

ÂŠ Miquel Taverna

Formats

18 Festivals and Open Formats

Xcèntric

Organisation — CCCB

Directed by — Carolina López

The Cinema of the CCCB January — June

Beginning in the last quarter of 2012, the twelfth season of Xcèntric was inaugurated with two sessions devoted to Antoni Padrós, and it presented the series “Museum Cinema”, which began with two sessions based on the film collection of the Centre Georges Pompidou in Paris. Once into 2013, and continuing with Xcèntric’s interest in the introduction of film into museum halls, the second part of the series “Museum Cinema” was held, with Carles Guerra, head curator of the MACBA, presenting the programme that he himself prepared to raise awareness of this museum’s collection. The month of January was devoted to the festival “Collage exquisit”, four days of film and scissors with screenings of classic authors of collage such as Larry Jordan, Robert Breer and Stan Vanderbeek, along with new talents, audiovisual performances and animated collage workshops. During the following months works were screened by authors such as Kenneth Anger, Paolo Gioli, Luc Moullet, Bruce Nauman, Jef Cornelis, Samuel Beckett, John Baldessari, Laida Lertxundi, Hollis Frampton, Bruce Baillie, Morgan Fisher, Nathaniel Dorsky, Harun Farocki, Emile de Antonio, Stan Brakhage, Robert Beavers, Gregory Markopoulos, Warren Sonbert, Stephen Dwoskin, Shirley Clarke, Peter Whitehead, Thom Andersen, Pat O’Neill, Robert Frank, Abel Gance and Craig Baldwin, among many others. There were also premieres of films by young authors from our area, such as Víctor Iriarte, Elías León Siminiani and Jorge Tur.

In addition to the usual collaborators – Gonzalo de Lucas, Celeste Araújo and Oriol Sánchez – the season also boasted the collaboration of recognised international programmers such as Marc Webber (United Kingdom), João Laia (Portugal), Andrey Shental (Russia) and Philippe-Alain Michaud (France), who, together with Carles Guerra, brought diversity and international projection to the programme.

19 Festivals and Open Formats

Soy Cámara

Organisation — CCCB

Production — CCCB and TVE

The CCCB’s TV Programme monthly programme broadcast by TVE’s La 2

In 2013 Soy Cámara celebrated four seasons on TVE’s La 2, three years of ongoing work that have made the programme a reference point in cultural television today. In 2013, eight programmes were broadcast with a total of 819,000 spectators. The programme has a patchwork structure with a friendly and intelligible approach, built based on a large quantity of voices and audiovisual fragments, originating from archives from all eras, textures and genres. There is no presenter or voiceover narrator, and the title varies with each episode, as does the typography, style and thread of the programme, which to date has had the collaboration of twenty-five different directors and scriptwriters: Andrés Hispano, Félix Pérez-Hita, Juan Insua, Oscar Pérez, Juan Carlos Rodríguez, José Antonio Soria, Cristina Giribets, Luis Cerveró, Juan Bufill, Mariona Omedes, Virginie Manuel, Toni Curcó, Rory Lambert, CCCB Alzheimer Programme, Silvia Omedes, Helena Velez, Jordi Calafell, David Bravo, Judit Carrera, Elisabet Goula, Jorge Luis Marzo, Arturo “Fito” Rodríguez, Ingrid Guardiola, Miguel Ángel Blanca and Joan Carreras. Soy Cámara usually raises more questions than answers, as it seems more opportune to offer open reflections and explore voids than to give categorical and forceful answers.

Festivals and Open Formats

Off Programme

Organisation — CCCB

January — December

Off Programme is a space for all those audiovisual works that emerge from the commitment and solidarity of their authors, the screening of which is enhanced by the presence of the producers, of experts or of people directly involved in the subject and with a follow-up debate with participation by the audience. In 2013 four sessions were held: On 9 April, the session “The New Poor” presented five short films by the collective Why Poverty? which analysed the alarming situation of poverty in Europe. On 27 March, the screening of Notre Poison quotidien (Our Daily Poison) gave rise to a debate on whether consumers know what they eat and whether they are really protected by the food health and safety agencies. From 24 to 26 March, within the context of the 21st edition of the International Exhibition of Women’s Films of Barcelona, the session “After the Conflict” presented three documentaries directed by women on social conflicts. On 5 June, there was a presentation of the documentary produced by Javier Gascón Manos arriba, esto es un contrato (Hands Up, This is a Contract), which showcases the numerous cases of banking abuses occurring all over the country.

20 Festivals and Open Formats

Poetry Slam Barcelona

19 January, 23 February, 6 April, 18 May, 25 May, 15 June, 20 July, 30 November and 14 December

Creation Centred on the Word and the Stage

Organisation — Hipnotik Faktory and Red927 Collaboration — CCCB and ICUB-Ajuntament de Barcelona

January — December

Poetry Slam Barcelona is a poetic competition with a flexible, dynamic and participative format where a new relationship is established between the audience and the poets, on a platform of contemporary artistic creation that has the word and the stage as central cores. The regular Slam championship has been held since February 2010 and it now has hundreds of followers, who each month meet to compete, share and applaud the performances. The 2013 season consisted of nine sessions that included eight Slam and Spoken Word championships and three Slam Classrooms. At the first workshop, Mark Kelly Smith, founder of the Poetry Slam movement, presented the basics of poetic performance on stage through writing exercises that showed participants the close relationship between text and performance. At the second, Marçal Font, winner of the Barcelona Poetry Slam league (2010 and 2011) and the Spain Poetry Slam Championship (2011), and semi-finalist of the Coup du Monde de Slam in Paris (2012), offered a brief theoretical introduction to the arts of poetry writing and poetic recital focusing on the poetry slam format. The last of the workshops was led by Chilean actress and storyteller Alejandra Hurtado who, thanks to a collaboration with the Fundación Mustakis of Chile, taught a practical class on oral and corporal expression in telling stories.

Festivals and Open Formats

Animac at the CCCB

Organisation — Animac (Lleida) and CCCB

International Animation Film Festival of Catalonia 8 February and 21 — 24 September

The 2013 edition of Animac explored the creative potential of documentary animation and the prior presentation session of the festival held at the CCCB had as a very special guest, Hanna Heilborn, a Swedish documentary-maker who, in partnership with David Aronovitch, has created some of her best works by making use of animation. At this session, the director of the exhibition, Carolina López presented the Animac 2013 programme and this was followed by a screening of the short film Slavar, by Hanna Heilborn and David Aronovitch, followed by a debate with the director. Animac Camina Coinciding with the Mercè 2013 celebrations, a selection was offered of the best films screened at the Animac exhibition in Lleida. First of all, “Petit Animac Camina” offered screenings designed for all the family, and secondly, “Realitat 2.0” presented a selection of short films that explored the reality of animation, with works by Hanna Heilborn, Isabel Herguera, Daniel Sousa and PES, among others. Finally, with the collaboration of the Escola de Cinema de Barcelona and the Escola d’Animació de Catalunya 9zeros, a workshop was organised on animation with pixelation and a second workshop on VFX with Nuke.

21 Festivals and Open Formats

Emergència!

Organisation — CCCB and Analogic Té

Collaboration — Centset and San Miguel

Independent Music Festival 16 February

Once more, the festival Emergència! opened the music season at the CCCB with a programme that focused on the promotion of today’s musical underground and that had the support of a now consolidated and increasingly numerous audience, attracted by the latest from the independent local, national and international music scene. At the fifth edition of the festival, the stages of the CCCB, located in two different venues, the Hall and the Auditori, played host to seven names from the independent music scene: Tashaki Miyaki (USA), VIVA, Pájaro, Tiger Menja Zebra, Diego Hdez, Ocellot and Villarroel.

Festivals and Open Formats

BCNmp7

Organisation — CCCB Programme — A Viva Veu, Àlex Gómez-Font and Lluís Nacenta

Music in Process

Collaboration — Ingrid Guardiola

8 March, 5 April, 28 June, 11 October and 5 December

Within a music context which has seen the popularisation of amateur music self-editing and production tools, and in which it is increasingly possible to listen to music via different portals online, the 2013 edition of BCNmp7 aimed to show a commitment to live shows. The objective was to present unique and compact proposals, in which the performance was almost always accompanied by a debate aimed at a diversified audience. Of the five sessions during the year, three were programmed by the group A Viva Veu, which proposed very current topics in debates on music: “Prescribers”, with the live performances of disk-jockey and musical activist Andy Votel, and ethnomusicologist and founder of the label Awesome Tapes from Africa, Brian Shimkovitz; “Analogical Music” with performances by Zombie Zombie, Akron and Diego Garcia; and “Clubs Culture” with live performances by the mysterious Dean Blunt and local group Headbirds. Àlex Gómez-Font programmed the fourth session, “1960s progressive rock in the Iberian Peninsula”, which reunited the band Màquina! and in which Toti Soler presented Guitarra catalana. The final session of the season was “MinimAcció”, for which Lluís Nacenta commissioned Roger Goula to produce a composition which he himself performed, accompanied by the group Experimental Funktion.

22 Festivals and Open Formats

Kosmopolis The Amplified Literature Fest 14 — 16 March

LA FESTA DE LA LITERATURA AMPLIFICADA VII EdIcIó 14 - 16 de març. Barcelona. cccB

On 14, 15 and 16 March the 7th biennial edition took place of Kosmopolis, the Amplified Literature Fest: three days during which the Centre again became the meeting point for lovers of literature and the letters, with lectures, chats with authors and readers, round tables, presentations, children’s and family activities and music performances linked to the three central themes of this edition: science, science fiction and humour. An attendance of over 6,000 people and over 15,000 visits to the website confirmed that Kosmopolis has become consolidated as a literature festival understood in its broadest sense, and that brings together a large community of followers. Kosmopolis featured participants from around the world. Briton Dave McKean, one of the most important illustrators of comics today, showed his work and talked with the audience. Juan José Millás and Andreu Buenafuente, two masters of irony, debated about humour, which was also be the central theme of Café Europa, which featured the participation, among others, of Carles Hac Mor, Josep Pedrals, Monika Zgustova, Eduard Escoffet, Krystof Cryzewski and Bashkim Shehu. Journalist Jacinto Antón debated with physicist Lara Saiz, communicator from the training and visitors centre of the space station at Robledo de Chavela, about the real and imaginary worlds that are suggested to us by the red planet. Writer Jordi Carrión and filmmaker Nacho Vigalondo offered a peculiar Battle of science-fiction series. The Higgs boson was the star of a session with scientists and writers who offered two views regarding the particle in an exercise in third culture. The programme for Kosmopolis occupied all the spaces at the CCCB: the Pati de les Dones was the setting for a new edition of BookCamp, transformed into an information and knowledge point revolving around literature. Experts and professionals from diverse sectors (publishing, the business world, mobile apps, printing and the social networks) debated about the dilemmas surrounding liter

Organisation — CCCB Collaboration — Atlas Experiment, Biblioteques de Barcelona, Biocat, B·Debate International Center for Scientific Debate Barcelona, British Council, Catalan Arts!, Catalunya Ràdio, CERN, El Periódico, Embajada de Chile en España, Fundación Española para la Ciencia y la Tecnología (FECYT), FILMIN,

Fundación Chile-España, GoetheInstitut, ICFO-The Institute of Photonic Sciences, Institut Ramon Llull, Instituto Polaco de Cultura (Madrid), Literature Across Frontiers, Madrid Deep Space Communications Complex, NASA Jet Propulsion Laboratory, Revista de Letras, Seix Barral and Business Development Service (SDE) of the Catalan Ministry of Culture of the Generalitat of Catalonia

ary practice in times of crisis. The CCCB’s Theatre hosted the first meeting of digital cultural journals, LiberDig, organised by Revista de Letras; and the European platform Literature Across Frontiers was presented, with an exchange between two writers, Catalan Francesc Serés and Egyptian Eman Abdelhamid. Kosmopolis also paid two tributes. Firstly, Jaume Cabré, author of Jo confesso, received recognition for his entire body of work, in a conversation with Xavier Pla, with a musical surprise included. Secondly, the festival paid tribute to Roberto Bolaño with the exhibition “Bolaño Archive, 1977-2003”, and a discussion with publishers, critics and writers such as Pere Gimferrer, Jorge Herralde, Jaume Vallcorba, A. G. Porta and Juan Antonio Masoliver Ródenas; a poetry performance with Olvido García Valdés, winner of the National Prize for Poetry; a debate on the theatrical adaptation of 2666 and a preview of the work El policía de las ratas by Àlex Rigola. Faithful to the spirit of experimentation, the programme included activities of such diverse format as the traditional final of the Gran Slam, the international Poetry Slam competition, and a concert by David Carabén. Alpha Channel offered continuous programming with unpublished works and other literary classics, and the K Archive allowed discovery of all the digitalised contents of past editions of the festival. Not to forget the children’s activities and a meetup with readers organised by Biblioteques de Barcelona, who presented the urban itinerary, «Barcelona Reads», created together with CCCB Education, with visits to singular places in Barcelona for lovers of books and reading. Kosmopolis has a powerful presence in the virtual sphere. The festival website received a total of 51,657 visits during the year 2013. Of these, 14,659 were during the week of festival (a 21% increase in visits compared to the 2011 edition). Moreover, the Twitter account @kosmopolisCCCB reached the figure of 4,728 followers, who make up a sizeable community created around literature at the CCCB. Finally, it is important to highlight the 2,470 people who followed the festival events via streaming, and the 9,027 plays of the 35 videos from the 2013 edition, which include debates, lectures, interviews and reports from the festival. www.cccb.org/kosmopolis

23 Festivals and Open Formats

Mecal

Organisation — Mecal

International Festival of Short Films and Animation of Barcelona

Collaboration — CCCB, Cinemes Girona, Antic Teatre, Convent de Sant Agustí, Institut Français de Barcelona and La Virreina Centre de la Imatge

18 — 21 April

Mecal, the International Festival of Short Films and Animation of Barcelona, held an event with four competition sections: International Oblique, Documentary and Animation (new for 2013), a genre to which the festival devoted several lectures and a master class. Furthermore, parallel sections were programmed that toured different themes, genres and nationalities: “Tribute to Tim Burton”, “Guest country: Finland”, “Short Films of Jacques Tati”, “London Calling”, “Animateka Special”, etc. In total, it was possible to see some 350 short films from over forty different countries.

Festivals and Open Formats

D’A International Art House Film Festival of Barcelona

Organisation — Noucinemart

Collaboration — CCCB, ICEC-Generalitat de Catalunya, ICUB-Ajuntament de Barcelona, Diputació de Barcelona and Filmoteca de Catalunya

25 April — 2 May

The basic objective of this festival is to explore contemporary film authorship in its broadest sense, tracking down the best of new film creations and combining established names with new talents. The desire of the event is to become an urban festival of reference and to give satisfaction to the cinephile public of the city by presenting works that never reach the commercial billboards but that find in the Festival an ideal place among an audience eager to view independent and high-risk cinema. Based on an exhaustive review of worldwide cinematographic current affairs, the third International Art House Film Festival of Barcelona presented the best international contemporary film previously unseen at our cinemas and offered spectators the possibility of enjoying some sixty films with a long track record internationally, successes and prizes from critics and audience alike, combined with proposals from new talents and new cinematographies, both international and local alike. In addition to the CCCB, the venues that the Festival occupied for this third event were Aribau Club 1 and 2 and the two halls of the new premises of the Filmoteca de Catalunya.

24 Festivals and Open Formats

Primera Persona

Organisation — CCCB Directed by — Miqui Otero and Kiko Amat

3 and 4 May

Collaboration — Literatura Random House, Editorial Empúries and Blackie Books

Primera Persona is a series of theatrical presentations in small format, which welcomes an entire series of artists making use of the first person to take up a position in the sphere of culture by explaining personal, honest and sometimes very funny stories. The second edition of the festival brought together top-class names who over the course of two days presented their proposals for the stage which were especially conceived for the Teatre CCCB. The first day featured, among others the monologue “Masturbation, God and McDonald’s” by Shalom Auslander and the conversation “Nerds, Reggaeton and Superheroes” between Junot Díaz and Iván de la Nuez. It also included the musical component with the session “Hip Hop 80s” with DJ Neas, Ramón Giménez El Brujo and Luis Hidalgo, and the concert by the pioneers of British post-punk The Raincoats and one-woman-band Lidia Damunt. Some of the offers on the second day were “Pulp, a Tribute to Curtis Garland” with Laura Fernández and Robert Juan-Cantavella, and “Blood, Redemption and Vengeance in the South of the USA”, with Donald Ray Pollock. The final point of the festival was the concert by The Go-Betweens accompanied by The Part Company. Also participating in the festival were, among others, Carlo Padial, Marcos Ordóñez, Oriol Llopis, Dani El Rojo, Ainhoa Rebolledo, Isabel Sucunza, Patxi Irurzun, Federico Montalbán and Manuel Jabois.

Festivals and Open Formats

Estrena al CCCB

Organisation — CCCB

18 May and 4 June

This is a space for supporting emerging audiovisual productions. Within the context of the International Museum Day, the month of May saw the premiere of the transmedia project El Cosmonauta, a feature film produced by Riot Cinema Collective, a group that proposes a new model for financing, production and distribution, taking advantage of the communication tools available: Internet, social networks, communties and mobiles. The month of June saw presentations of the short films Canto a Fidel and La matança del porc, by Isaki Lacuesta, and L’edat de pedra, by Lluís Calvo and Ester Xargay.

25 Festivals and Open Formats

DocsBarcelona

Organisation — Paral·lel 40

Sponsorship — CCCB

29 May — 2 June

The CCCB hosted the 16th edition of DocsBarcelona with 6,355 spectators, a figure that represented an increase of around 40% with respect to the last edition of the event. The titles most viewed, apart from the inauguration and closing session films and the sessions for children and teenagers were Bajarí, Whore’s Glory, The Act of Killing, Google i el Cervell mundial and Con mi corazón en Yambo. For five days, the Pitching Forum held at the Teatre CCCB received over 450 documentary professionals from 34 countries. A total of 25 projects selected in advance were presented to 30 potential financers (Financing Pitching Panel). The other venues of DocsBarcelona were the Aribau cinemas, the Auditori de La Pedrera, Cinemes Renoir Floridablanca and the Filmoteca de Catalunya.

Festivals and Open Formats

Allò que devem estar dibuixant amb les nostres formes de viure

Installation by Perejaume

Organisation — PEN Català, La Virreina Centre de la Imatge, MACBA and CCCB Collaboration — Hotel Silken Rambles, Hotel Curious and Residents of the Carrer del Carme

7 June — 31 August

To coincide with its 90th anniversary, the Catalan PEN, together with La Virreina Centre de la Imatge, the MACBA and the CCCB, promoted the installation in the public space of Allò que devem estar dibuixant amb les nostres formes de viure (What We Must Be Drawing Through Our Ways of Life) by Perejaume. Between 7 June and 31 August, every evening, this phrase was lit up on Carrer del Carme in Barcelona, between La Rambla and Carrer de Jerusalem. This is an open and polysemic work that, once installed on Carrer del Carme, paid tribute to the cause of imprisoned writers as well as the defence of linguistic rights and freedom of expression, and it became a shout for resistance against all attempts at appropriation of collective and individual wills.

26 Festivals and Open Formats

Grec Experimental CCCB

Organisation— CCCB and Grec 2013 Festival of Barcelona

Activities parallel to Montaldo and Jo mai

Collaboration — Velvet Events, Fundación Collado-Van Hoestenberghe, Bitò Produccions and Companyia Prisamata

13 and 29 June, and 5, 10 and 23 July

In 2013, the CCCB and the Grec Festival of Barcelona launched a new line of collaboration. In addition to the two central works of the programme, Grec Experimental CCCB encompassed a set of activities parallel to the programme of the Grec at the CCCB, which emerged from the joint work of the staff of the CCCB, the theatre companies and the production teams. All together they commenced a collective process of creation to enrich the experience of all those involved. In this edition, two productions from the Grec programme were presented at the CCCB: Montaldo and Jo Mai. In parallel with Montaldo, an activity was programmed titled “Let’s Tell Lies. Art, Fiction and Reality”, a chat about art and fiction with the director of the work Ernesto Collado, cultural producer and researcher Bani Brusadin, art historian Jorge Luis Marzo and artist Job Ramos. “Icaria, The Utopia Now” was the other proposal parallel to the work, in which Collado explained his approach to the Cabetian movement and the utopian city of Icaria. As for the work Jo Mai by Ivan Morales, the parallel session included the presentation of the screening of the short film Dibujo de David (2007) by the same author and with the live performance of the group Nitch, authors of the work’s sound track.

Festivals and Open Formats

Sónar 2013

Organisation— CCCB, Advanced Music and Auditori de Barcelona

Closing Night with Max Richter and BCN216 16 June

Sónar 2013 held the closing night of its 20th anniversary edition at the historical venues of Sónar de Dia, the CCCB and the MACBA, and it once more collaborated very closely with two of the city’s emblematic venues. Two top-class concerts were presented that shared the common characteristic of reinterpretation and re-composition as the conceptual base of musical discourses. The Teatre CCCB hosted the concert by Max Richter and BCN216, in which the British composer and the group from Barcelona performed the version that Richter composed of The Four Seasons by Antonio Vivaldi. The interest in the proposal meant that tickets sold out many days beforehand and it was necessary to programme a second concert.

A l’agost, cinema a la fresca

27 Festivals and Open Formats

Gandules Gas Natural Fenosa

Organisation — CCCB

Sponsorship — Gas Natural Fenosa

Better with humour! Dimarts, dimecres i dijous. 22 h Tuesdays, Wednesdays and Thursdays during Fins al 22 d’agost. Entrada gratuïta the month of August

For the 2013 edition of Gandules, titled “Better with Humour!”, contemporary films were selected that talk about everydayness: the fears, obsessions, yearnings and passions of each day... All this, however, without ever losing the touch of irony and humour so necessary in current times. Through an open public vote, the programme for the eleventh edition was chosen from among twenty titles proposed that, although they had been premiered and had received prizes and honours at various festivals, for one reason or another, they had only had very short runs at the cinemas on the commercial circuit. The new films screened were: Dans la Maison (François Ozon), Persépolis (Marjane Satrapi and Vincent Paronnaud), In the Loop (Armando Iannucci), Tulpan (Sergei Dvortsevoy), Les Bureaux de Dieu (Claire Simon), Kynodontas (Giorgos Lanthimos), Les Herbes folles (Alain Resnais), Departures (Yojiro Takita) and Arrugas (Ignacio Ferreras). In addition, before each film, a short film was presented as an appetiser.

Festivals and Open Formats

Hipnotik Festival

Organisation — Hipnotik Faktory Directed by — Marta Torras and Salvador Torras

14 September

Collaboration — CCCB, ICUB-Ajuntament de Barcelona and Ministry of Culture of the Generalitat of Catalonia

At the tenth anniversary of the Hipnotik festival, the different stages of the CCCB were, for another year, devoted to urban culture and hip hop, and Barcelona became once more the worldwide hip hop capital with over thirteen hours full of music, competitions, dance exhibitions, urban art and graffiti, MCs, DJs and charity actions. Prominent among the participating artists were Mala Juntera, Duo Kie, El Chojin, Nasta, Tribute Corp, El Santo & Tosko and Rayden. Since its creation, the only hip-hop festival that takes place in Barcelona has congregated over 50,000 visitors, over 1,150 national and international artists, over 260 accreditations and over 1,800 participants at competitions.

28 Festivals and Open Formats

Escena Poblenou Course for spectators 8 October

Organisation — Festival Escena Poblenou Collaboration — CCCB, Arts Santa Mònica, Goethe Institut and Universitat de Barcelona

With the support of — Generalitat de Catalunya, Ajuntament de Barcelona, Districte de Sant Martí and Can Felipa

The Festival Escena Poblenou organised the course for spectators with the intention of offering to professionals and non-professionals alike the tools to be able to look closer at contemporary stage languages. The complete course consists of five meetings in different centres in the city, each devoted to a discipline and directed by a professional from the sector and a guest artist who presents his or her project. At the session held at the CCCB, “Vides de la ment” (Lives of The Mind), Roberto Fratini, playwright and dance theorist, contextualised prejudices that situate dance exclusively in the field of action, distancing it from processes of abstract thinking, in order to underline the public meaning of this art as criticism and diagnosis of reality. Sònia Sánchez, a flamenco dancer with a long career in the world of dance, was the artist invited to present her project which Roberto Fratini used in order to give examples of tools for performing.

Festivals and Open Formats

Barribrossa 20 October

Organisation— Barribrossa 2013 Production — La Seca Espai Brossa

With the support of — Institució de les Lletres Catalanes Collaboration — CCCB

The programme of the tenth edition of Barribrossa included a trilogy of shows titled Vicent Andrés Estellés: el poeta del cos, with the intention of commemorating the twenty years since the death of the Valencian poet and of keeping his figure alive. The shows, which were performed at the Teatre del CCCB, featured the presentation of poet Albert Roig and of the director of the Institució de les Lletres Catalanes, Laura Borràs.

29 Festivals and Open Formats

ArtFutura

Organisation — Art Futura and CCCB

1 — 3 November

As every year, ArtFutura devoted its programme to making an analysis of the current state of digital creativity and it presented the latest contributions in 3D animations, viral videos, video clips and everything related with new aesthetics. As well as the three programmes, (3D Futura Show, Futura Graphics and Artworks), also screened were the documentaries Downloaded and Indie Game: The Movie, and also presented was the special “Feeding the Web”, a selection of works related with the Internet and freedom and also with the control that the Web generates.

Festivals and Open Formats

The Influencers

Organisation — The Influencers Directed by — Bani Brusadin, Eva and Franco Mattes (0100101110101101. org/d-i-n-a)

Non-conventional Art, Guerrilla Communication, Radical Entertainment

Collaboration — CCCB, Ministry of Culture of the Generalitat of Catalonia, ICUBAjuntament de Barcelona, Goethe Institut and Istituto Italiano di Cultura di Barcellona

7 — 9 November

The ninth edition of The Influencers was devoted once more to exploring a little known territory situated between art, the communication technologies and the dynamics of the collective imagination. Daring projects that break with the normality of the urban space were presented such as Dead Drops by Aram Bartholl (Germany); projects that open up cracks in reality based on the social networks, such as Face to Facebook Hacking Monopolism Trilogy by Paolo Cirio (Italy); initiatives that eliminate toxins from genetically manipulated information such as the visual art of Sam3 (Spain); and interventions such as Cacophony Society by John Law (USA). Other participants included the Chim Pom group (Japan), filmmaker and artist Tellervo Kalleinen (Finland) and the collective The Troll Face, which took over the channels of the social networks of the Influencers while live, to supplant identities based on online reality.

30 Festivals and Open Formats

Mira Lab Research and training in the field of technology and live visual arts

Organisation — Mira Festival Directed by — Oriol Pastor and David Domingo

Collaboration — CCCB, Ajuntament de Barcelona, ESDI, VjSpain and Institut Français de Barcelona

14 — 16 November

First edition at the CCCB of Mira Lab, a space devoted to research into new music and live visual arts shows, an event of an international nature that promotes the exchange of knowledge between all the agents involved in the creative industry. This laboratory, which is framed within the context of the Mira Festival, which was celebrating its third edition, brought together artists and groups of experts in the subject for three days. The programme offered workshops, conferences, presentations and competitions at the Sala Raval and the lobby of the Teatre CCCB, and two shows open to the public that filled all the seats at the Teatre CCCB: Trinity, an audiovisual interactive dance project by Electronic Performers, produced by Oscar Sol, Iris Heitzinger and Ramon Prada; and In-Structure/Moogger Fogger by the lcollective NOBU_LAB, a show that reveals the texture of music based on the use of electronic, analogical and digital instruments, and field recordings.

Festivals and Open Formats

L’Alternativa Independent Film Festival of Barcelona 18 — 24 November

Organisation — La Fàbrica de Cinema Alternatiu Collaboration — CCCB, ICUB-Ajuntament de Barcelona, Ministry of Culture of the Generalitat of Catalonia, Spanish Ministry of Culture, Filmoteca de Catalunya, SDE and Media Antena

Sponsorship — Institut Français de Barcelona, Goethe Institut, CIVI and El Periódico

In 2013, L’Alternativa, an annual date that has become unmissable for lovers of independent film, celebrated its twentieth anniversary. And to commemorate it, the Festival prepared a special programme of twenty-two feature films with the aim of recovering emblematic titles and authors, such as La Ville Louvre, by Nicolas Philibert; Alice in den Städten, by Wim Wenders; Mes petites amoureuses, by Jean Eustache, and J’entends plus la guitare, by Philippe Garrel, among others. Over fifty films from all over the world formed the different sections of the Festival. The official competitive sections presented short films, documentaries and feature films selected from around one thousand six hundred films received. The German film Das merkwürdige Kätzchen, by Ramon Zürcher, was the winner of the official competition; Museum Hours, by Jem Cohen, received the Jury’s Special Mention; and 36, the debut work by Thailandese filmmaker Nawapol Thamrongrattanaritt, received the GAC prize for the best script. In the short films section, the prize was a tie and went to Izibene Oñederra, for Hotzanak, For Your Own Safety, and to Serbian Stefan Ivančić for Springtime Suns, which also took the Audience Prize.

31 Festivals and Open Formats

Zeppelin Comprimit

Organisation — Orquestra del Caos

Collaboration — CCCB

27 November

If, in the previous year, this Orquestra del Caos project had been expanded to three days under the name Zeppelin Expandit, in 2013 the collective made a proposal for a compressed one-day event titled Zeppelin Comprimit. The project dealt with the role of collaboration and altruism in human behaviours through sound creation, understood and treated as an iconic traditional element of collaborative attitudes. The programme activities, which were carried out at the Mirador of the CCCB, included a round table, the Sound Art Lab on Collaborative Construction, a demonstration on Live Coding and the Live Coding concert with Shelly Knotts and Alo Allik. Also presented was Aire, the collaborative play that emerged from the international open call for submissions, Zeppelin 2013.

Festivals and Open Formats

Miniput

Coordinated by — Ingrid Guardiola Production — Miniput Organisation — CCCB, Department of Communication of the Universitat Pompeu Fabra, Televisió de

19th Exhibition of Quality Television 30 November

Catalunya, Televisión Española, Department of Audiovisual Communication of the Universitat Autònoma de Barcelona, Universitat de Lleida, Universitat Rovira i Virgili, and Universitat Ramon Llull

The 19th edition of Miniput, the exhibition of quality television, offered a selection of the most innovative, provocative, educational and public service-minded programmes of the year. The pieces that were screened were those most appropriate because of their innovative, committed or experimental nature; proposals that put forward a new television format because they make use of new technologies or because they generate controversy. The programme was presented by different televisions professionals and, in some cases, by the directors of the programmes.

32 Festivals and Open Formats

Drap-Art’13

Organisation — Drap-Art Association

International Artistic Recycling Festival

Collaboration — CCCB, ICUB-Ajuntament de Barcelona and Spanish Ministry of Culture

13 December 2013 — 5 January 2014

Drap-Art is a showcase for tendencies in art that use objets trouvés and reject materials as a resource. It is a platform for the emerging sector of artists, designers and craftspeople the world over who use waste as raw materials; it is a forum for debating theories and urban utopias. Drap-Art is a meeting place for specialists with a public in search of alternative paths in a world heading for self-destruction. Our typical throwaway habits, acquired during the 20th century, have to be redirected towards an awareness that nothing disappears, everything is transformed. Drap-Art considers it imperative to encourage the newer generations to use recycling, not just as a resource for criticism, but as a tool, within everyone’s reach, to convert protest into positive proposals, which are the seeds of a more sustainable world.

Festivals and Open Formats

Christmas Screenings

Organisation — CCCB

Stories of Life, Love and Death 20 December 2013 — 4 January 2014

The three documentaries that form this programme share in common the reflection by their authors on the circumstances of life, on those situations that will mark our future, above all that can give meaning to our life and to death which, in short, also forms part of this life cycle. The titles presented were: Welcome to the World. Born Poor, Die Poor, produced by the collective Why poverty?; Constantin y Elena, featuring a couple from Romania who have been together for over half a century, and Saving 10.000: Winning a War on Suicide in Japan, in which Irish filmmaker Rene Duignan reflects on the reasons behind mass suicides in Japan.

33 Festivals and Open Formats

The Shortest Day

Organisation — Acadèmia del Cinema Català, Coordinadora de Festivals i Mostres de Cinema i Vídeo de Catalunya (CI&VI) Festivals de Cinema de Catalunya, Col·legi Professional de l’Audiovisual de Catalunya and Marvin & Wayne

Short Films Festival 21 December

Collaboration — CCCB and Federació Catalana de Cineclubs

Coinciding with the celebration of The Short Film Day, which is celebrated in a dozen countries, during the day there were screenings of short films of a high level and international award winners in order to promote, dignify, disseminate and defend the role of the short film in the audiovisual industry sector, and at the same time bring it closer to all audiences. It was possible to watch short films from the following festivals: European Short Film Festival (FEC), DocsBarcelona, FILMETS Badalona Film Festival, Festival Internacional de Cinema de Medi Ambient de Barcelona (FICMA), Mecal, Memorimage, Mostra Internacional de Films de Dones, L’Alternativa, El Meu Primer Festival, CurtFiccions, BCN Sports Film, Subtravelling, Julius de Vic and Cryptshow Festival. In addition, it was also possible to watch the ten shorts nominated for the 6th Gaudí Prizes 2014, short films by members of the Col·legi Professional de l’Audiovisual de Catalunya (CPAC), a selection from the catalogue of Marvin & Wayne, the programme Shortcat 2013 by Catalan Films & TV/PROA, the winners of the SGAE’s New Authorship Prizes, short documentaries from PRO-DOCS and the winners of the competition Fotogramas en Corto.

Festivals and Open Formats — Children’s and Family Programme

Flic

Organisation — Tantàgora Collaboration — CCCB, Club Súper3-TV3, Institut Municipal del Taxi and 9Zeros Escola d’Animació de Catalunya

Children’s and Young People’s Literature and Arts Festival

Sponsorship — Spanish Ministry of Culture, Ministry of Culture of the Generalitat of Catalonia, Institució de les Lletres Catalanes and ICUBAjuntament de Barcelona

3 February

The third edition of the Children’s and Young People’s Literature and Arts Festival, which almost tripled the attendance by the public of the previous year, offered a programme devoted to literature, film and to the Brothers Grimm. The Festival featured the presence of Sara, a French illustrator invited to the event, and a series of workshops on illustration, animation, film sessions on the big screen and television, a literary stroll around the CCCB exhibition, the exhibition “Flic Creació” and the prize-giving ceremony.

34 Festivals and Open Formats — Children’s and Family Programme

Món Llibre 2013

Organisation — ICUB-Ajuntament de Barcelona Participation — CCCB, MACBA, Consorci de Biblioteques, Casa Amèrica, Catalunya Llibreries, Laie CCCB and La Central del MACBA

Book Festival for Children 13 and 14 April

Collaboration — Over 45 publishers of children’s and young people’s literature

Món Llibre, the literature festival for children, celebrated its 9th event with over one hundred activities over the course of two days: shows, film, exhibitions and magic in an environment of literary scenarios. A programme conceived to bring books closer to little ones and with the aim of awakening in them or increasing their taste for reading and, through it, access to other areas of knowledge. A festival with major artists, notable authors and illustrators that, this year, paid tribute to the Brothers Grimm and invited the writer of children’s poetry Joana Raspall, among others. During the entire weekend, children were able to enjoy a great variety of activities at the CCCB, at the Plaça de Joan Coromines and the MACBA, organised with the collaboration of children’s literature publishers from all around the country who contributed highly creative proposals and hundreds of books to the festival.

Spaces for Debate

漏 Jordi G贸mez

and Reflection

38 Spaces for Debate and Reflection — Debates and Lectures

In Common Barcelona Debate

Collaboration — Editorial Paidós, Goethe-Institut Barcelona, Institut Français de Barcelona, British Council, Instituto Polaco de Cultura, Consolat General de la República de Polònia a Barcelona and Fundació Jaume Bofill

14 January — 11 March

Organisation — CCCB

The upheavals of the economic crisis have left exposed a vast, forgotten and neglected territory that, in these times of dispossession and loss, has a wonderful quality: it belongs to everyone. It is the immense domain of what is common, shared, which without belonging to anyone is the heritage and responsibility of each and every one of us. The voracity of the market society has often made us forget that trust in others and working together are the true foundations of collective life, and that behind each individual impulse lies the unstoppable energy of the entire community. Nature, dreams, education, democratic ideals, cities, music... all form part of the tangible and intangible heritage of every person. It is necessary to vigorously defend those spaces that are not governed by the standards of market values, but by the notion of what is beneficial for the entire community, and that promote a new culture of solidarity and collective capacity to preserve, create and manage common assets. “In Common” was framed within the line of permanent reflection on the human condition in today’s world which began in the year 2005 with the series “Passions” (2005), and continued with the debates “Life” (2006), “Sense” (2007), “The Human Condition” (2008), “Impurities” (2009), “Thinking the Future” (2010), “Crisis” (2011) and “Virtues” (2012). “In Common” featured the participation of Ulrich Beck (“Europe”), presented by Jordi Vaquer; Lydia Cacho (“Human

Rights”), presented by Sílvia Heras; Peter Burke (“Knowledge”), presented by Josep Maria Muñoz; Ramón Andrés (“Music”), presented by Ferran Sáez; Xavier Antich and Joan Margarit (“The City”), presented by Joan Nogué; Marina Garcés (“Engagement”), presented by Judit Carrera; Perejaume (“Agrarianism”), presented by Jacint Torrents; Josep Ramoneda (“Freedom”), presented by Jaume Casals; and Zygmunt Bauman (“Education”), presented by Jaume Cela. Related publications — No. 61, 62, 63, 64 and 65 of the Breus collection (see the section “CCCB Holdings. Publications”, page 86).

39 Spaces for Debate and Reflection — Debates and Lectures

The Future of the Paral·lel

Directed by — Josep Bohigas Organisation — CCCB

Between Nostalgia and Desire

Collaboration — Ajuntament de Barcelona and Fundació El Molino (FEM)

15, 22 and 29 January

Against the backdrop of the exhibition “Paral·lel Avenue, 18941939”, the CCCB wanted to debate on the future of this emblematic Barcelona district that today is seeking to re-find its social and cultural centrality. The so-called “Riffraff Diagonal” has a glorious past that unfortunately was not sufficiently recognised at the time by the cultural officialdom of the city. For decades the performing arts and music structured around it an intense life, forming a mixing pot from the highest classes to the most popular and marginal. Today, the future of this Avenue hovers between the nostalgia of what it was and the desire of what it could be. Over recent years, steps have been taken to transform the district which, despite its significance, is still trailing many difficulties. Intervening in this process are the Fundació El Molino and many other associations that are working to promote an action plan in the cultural, economic and urban planning sphere that should contribute to the Paral·lel shining once more with its own light. Within the framework of the series, the city mayor Xavier Trias and deputy mayor for Urban Habitat, Antoni Vives, publicly presented Barcelona City Council’s Plan for the Paral·lel. With the participation of: Josep Bohigas, Albert Civit, Jordi Coca, Josep Ferrando, Juan Carlos Iglesias, Juan José Lahuerta, Maria Serrat, Xavier Theros, Xavier Trias, Elvira Vázquez and Antoni Vives.

Spaces for Debate and Reflection — Debates and Lectures

Racism is Still Here. And So Are We

Organisation — Fundació FC Barcelona, Fondation Lilian Thuram-Éducation contre le racisme and CCCB

Collaboration — Institut Français de Barcelona, Ara Llibres and Alianza Editorial

Lecture by Tahar Ben Jelloun

6 May Tahar Ben Jelloun explains it often: racism is a refuge. It is for those who feel fear and also for those who are not or do not want to be informed. In addition, it links very well with the crisis. In these times of upheaval, prejudices come to the surface in order to attribute all the responsibility to foreigners, immigrants, and the marginalised. The same things happens with Islam, which is also used these days as a scarecrow that incites fear and miscomprehension. In Europe, Islamophobia has been spread as much by the parties of the extreme right as by those of the classic right, and has led to the stigmatising of Muslims who live among us. What can we do to combat this? For Tahar Ben Jelloun the answer is clear: fight against the prejudices, especially in schools, to try to remove these preconceived ideas from the heads of children before it is too late. The lecture offered by Tahar Ben Jelloun was followed by the dialogue “Racism and Football” with ex-FC Barcelona player Lilian Thuram. Journalist Emili Manzano was entrusted with presenting the event and Ramon Garriga, a trustee of the Fundació FC Barcelona, gave the welcome speech.

40 Spaces for Debate and Reflection — Debates and Lectures

Great Challenges in Biomedicine

Organisation — Institució Catalana de Recerca i Estudis Avançats (ICREA) and CCCB

ICREA-CCCB Debates

5, 12, 18 and 26 June Biomedicine is most probably the field of research that has most impact in our lives, not so much in everyday life but, rather, with regard to our state of health, the development of new drugs and, in brief, the prospects for curing many illnesses. The radical changes that have taken place in recent years are due to the fact that the struggle against disease is now based on intimate molecular and genetic knowledge of the causal bases of illness. Knowing in order to intervene – this is the great paradigm that molecular biology has opened up in medicine and it is breaking new ground for treatment that now makes it possible to survive illnesses that were once incurable, to enjoy a good quality of life, and to live many more years than in other times. With this debate the aim was to explore the limits set by biomedicine and the promises that it is opening up with regard to its intervention in our health. “Great Challenges of Biomedicine” is the first of the ICREACCCB Debates and the beginning of a working relationship aimed at informing the wider public about the advances being made in high-level research in Catalonia and the challenges it faces. With the participation of: Bonaventura Clotet, Josep Dalmau, Josep Maria Espinàs, Ramon Gomis, Susana de la Luna, Josep Maria Llovet, Javier Martínez-Picado and Milagros Pérez Oliva.

Spaces for Debate and Reflection — Debates and Lectures

Thinking Differently

Organisation — CCCB Collaboration — Editorial Minúscula, Galaxia Gutenberg and Istituto Italiano di Cultura di Barcellona

Pasolini and the Critique of Mainstream Culture

With the support of — European Union’s Culture Programme

17 and 25 June, 1 and 9 July

More than anything else, Pasolini is a heterodox thinker. His concern is the process of material and spiritual homogenisation in post-war Europe as fruit of the expansion of consumer capitalism and the mass media. In this context, he reflects on the eradication of differences in lifestyles and cultural substrata while simultaneously criticising the tendency to uniformity in the life plans of a new middle class which is limited to the same ever more dehumanising horizons. Faced with this new social reality, Pasolini denounces the violence and totalitarianism inherent to capitalism, shuns standard, socially acceptable thinking and seeks to lay bare the contradictions and hazards of this new way of life. The CCCB presented these debates as part of the “Pasolini-Roma” exhibition with a view to considering our world through Pasolini’s works and raising the question of how a transgressive critique of mainstream culture might be possible today. With the participation of: Jordi Balló, Enric Casasses, Alfredo Jaar, Julià de Jòdar, Josep Maria Lluró, Dacia Maraini, Miguel Morey, Javier Pérez Andújar, Arnau Pons and Carles Rebassa.

41 Spaces for Debate and Reflection — Debates and Lectures

Places

Organisation — CCCB and British Council

Dialogues with British Writers

Collaboration — Literatura Random House and Libros del Asteroide

16 September, 8 October and 2 November

Within the context of the Kosmopolis festival, a series of dialogues with three British writers was organised. The first dialogue, presented by Ana Ballesteros Peiró, was dedicated to Nadeem Aslam, the British writer of Pakistani origin, on the occasion of the publication in Spanish of his latest novel, El jardín del hombre ciego (Mondadori, 2013). Although he has lived a large part of his life in the UK, Pakistan is the territory that feeds his literary imagination. The second dialogue, presented by publisher Luis Miguel Solano, was devoted to Philip Hensher, on the occasion of the presentation in Spanish of his book El rey de los tejones (Libros del Asteroide, 2013). A journalist, university lecturer and the author of seven novels, Hensher talked about the influence of place on his literary imagination. The third dialogue, moderated by journalist and writer Antonio Lozano, was devoted to Edward St. Aubyn, coinciding with the presentation in Spanish of the trilogy El padre (Mondadori, 2013), a volume that contains the first three novels of the series on English aristocrat Patrick Melrose. With the participation of Ana Ballesteros Peiró, Nadeem Aslam, Philip Hensher, Luis Miguel Solano, Edward St Aubyn and Antonio Lozano.

Spaces for Debate and Reflection — Debates and Lectures

The Meaning Of Culture

Directed by — Antonio Monegal

Organisation — CCCB

18 and 19 September

Does culture matter? What purpose does it serve? What do we understand by culture? Who should it matter to? And above all, why? These questions are rarely formulated in such elementary terms, but they are inevitably found in the background of the current debate on public and private support in the cultural sector. The context of the economic crisis has accentuated this discussion, but what in reality it reveals is a deficit of social perception regarding the role of culture. The objective of this debate is not to discuss certain cultural policies nor to focus on the conditions imposed by the current crisis, but to address the root problem, to talk about culture’s raison d’être, avoiding instrumental or utilitarian justifications. Beyond its aesthetic value, its financial returns and its social benefit, this series aims to place the accent on the political and ethical relevance of culture. If culture is important it is also because it has a role to play in the political scene. With the participation of: Vicenç Altaió, Francesc-Marc Álvaro, Xavier Antich, Nicolás Barbieri, Miquel Berga, Toni Casares, Marta Clari, Eduard Escoffet, Marina Garcés, Joan Miquel Gual, Simona Levi, Emili Manzano, Xavier Marcé, Jorge Luis Marzo, Antonio Monegal, Han Nefkens, Jordi Oliveras, Vicent Partal, Isona Passola, Rosa Pera, Jordi Puntí, Ricard Robles, Catalina Serra, Teresa Sesé and Francesc Torres.

42 Spaces for Debate and Reflection — Debates and Lectures

Evolution and Culture

Organisation — B·Debate International Center for Scientific Debate Barcelona and CCCB

Human Nature in Transformation

Collaboration — Editorial Debate

19 and 28 October, 4 and 11 November

The theory of evolution proposed by Darwin in the early 19th century is probably one of the scientific theories that have most transformed our view of the world and of our own species. Today, Darwinism considers that the evolution of the human species has not only a biological basis but also a cultural one; what’s more, it is perhaps impossible to differentiate one from the other. Our tendencies towards creativity, religion or working in a collaborative way are undoubtedly traits which our social and cultural environment have known how to give a concrete form, but they would not have been possible without a nature that propitiated it and an evolution over thousands of years that favoured it. Recent discoveries in the fields of genetics and evolutionary biology confirm this intimate relationship between biology and culture. This series of lectures continues the dialogue between the life sciences and the humanities which, since 2011, has been promoted jointly by the B-Debate International Center for Scientific Debate Barcelona and the CCCB. With the participation of: Juan-Luis Arsuaga, Guido Barbujani, Jaume Bertranpetit, Jared Diamond, Cristina Junyent, Joandomènec Ros, Núria Sebastián and Montserrat Vendrell.

Spaces for Debate and Reflection — Debates and Lectures

Who’s in Charge? The Mutations of Contemporary Power

Organisation — CCCB

Collaboration — Editorial Debate

Lecture by Moisés Naím 13 November

Power is changing. It is increasingly easy to achieve but also more difficult to keep and wield. This is the thesis of the economic and political analyst Moisés Naím, a front-row observer of the world’s centres of power. Naím believes that the great traditional power-holders, for example governments, armies, companies and trade unions, are now confronted with new and surprising rivals, some of them much smaller in terms of dimensions and resources. In Naím’s view, power is not only changing hands but it is also losing effectiveness and this will radically transform the world in which we live. In conversation with journalist Antoni Bassas, Naím explained what has brought about these changes and what consequences can be expected, coinciding with the publication of his latest book El fin del poder (Debate, 2013). With the participation of: Antoni Bassas and Moisés Naím.

43 Spaces for Debate and Reflection — Debates and Lectures

Energy Challenges: Present and Future

Organisation — ICREA (Institució Catalana de Recerca i Estudis Avançats) and CCCB

Collaboration — CADS Collaborating media — Ara

ICREA-CCCB Debates

26 November, 3, 10 and 19 December Energy drives our society. Overdependence on oil, safety problems in nuclear power stations and the shortcomings of alternative sources are presenting an energy future that is full of challenges and question marks. Energy consumption is already a social and economic problem in the West and also in the developing countries, and even more so now that thousands of millions of citizens in China and India legitimately aspire to the western way of life. However, can the planet permit its entire population to consume energy at the same rate as in the industrialised countries? Is this model of energy consumption sustainable? How long can we be dependent on oil? When will the renewable energies represent a real alternative? What technological solutions will the future present? And perhaps the most important question of all: how can we use energy without jeopardising the resources of future generations? “Energy Challenges: Present and Future” was the second of the ICREA-CCCB Debates, a stable collaboration for presenting to the public the advances and challenges of high-level research. With the participation of: Jeroen van den Bergh, Andreu Cabot, Xavier Duran i Escribà, Mònica López Ferrado, César R. Ranero and Joan Vila i Simon.

Spaces for Debate and Reflection — Debates and Lectures

Reading Machiavelli Today

Organisation — CCCB

Staged reading by Jordi Boixaderas and lecture by Remo Bodei

Collaboration — Universitat de Barcelona and Instituto Italiano di Cultura di Barcellona

2 December

It is now 500 years since Niccolò Machiavelli wrote The Prince but this small book continues to be a key work in political thought and, even today, the source of many readings, appropriations, comments and criticisms. The CCCB wanted to join in celebrating this anniversary and, without falling into the temptation of “updating” Machiavelli’s work, to explore the current relevance of his ideas on the relationship between politics and morality or to revisit his bleak description of human behaviour. The actor Jordi Boixaderas opened the event with a dramatized reading of the famous letter that Machiavelli wrote from exile to his friend Vettori, describing his everyday life while he was writing The Prince. This was followed with a lecture by the Italian philosopher Remo Bodei who discussed Machiavelli’s realism and offered some guidelines for reading The Prince today, accompanied by philosophers Juan Manuel Forte and Rosa Rius Gatell. The session formed part of the “International Conference on Niccolò Machiavelli. The Prince Is 500 Years Old”, organised by the Faculty of Philosophy at the University of Barcelona. With the participation of: Remo Bodei, Jordi Boixaderas, Juan Manuel Forte and Rosa Rius Gatell.

44 Spaces for Debate and Reflection — Debates and Lectures

This Is Not on Sale! The Moral Limits of the Market

Organisation — CCCB

Collaboration — Fundació Catalunya-La Pedrera and Editorial Debate

Lecture by Michael J. Sandel 4 December

Is there anything money cannot buy? From the right to contaminate the environment through to a visa or residence permit, it seems that everything is on sale. This is the belief of the political philosopher Michael J. Sandel, who states in his last book What Money Can’t Buy. The Moral Limits of Markets (Farrar, Straus and Giroux, 2012) that the logic of money has invaded every sphere of life, to such an extent that we have gone from having a market economy to being a market society. At a time in which inequalities are increasing and the greatly debilitated welfare state is on the verge of collapse, this commercialisation of life raises far-reaching ethical and political challenges. As Sandel formulates it, the main issues concern the role of the market in a democratic society and how to protect civic and moral values that money clearly cannot buy. With the participation of: Marina Garcés and Michael J. Sandel.

Spaces for Debate and Reflection — Debates and Lectures

Love, Sex and Brain

Organisation — CCCB, Institut Français de Barcelona and Arts Santa Mònica

Lecture by Catherine Malabou, within the framework of the IV Philosophy Conference of Barcelona

Collaboration — Department of Philosophy of the Universitat Autònoma de Barcelona (UAB) and Grup de Recerca Cos i Textualitat

18 December In proposing “Subversive Love” as the theme for the IV Philosophy Conference of Barcelona, the aim was to highlight its capacity to radically transform the agreed order: on an individual and also on a collective level. For the individual, love is a subversive experience that may transform one’s own existence. Love appears as an event that disturbs the established sense of the world itself, a phenomenon that gives us access to the very plasticity of the subject. Along this path, it also opens up for us the possibility of making an equality among people emerge (because we are all subject to love), an equality structurally concealed by the set of differences consubstantial to the idea of hierarchy and social order. On a collective level, in the current convergence of a society limited by the hegemony of mercantile relations and the apparent exhausting of theoretical solutions that propose new social systems, love offers us the possibility to rethink human relations in our societies: it is not a case of considering another “love revolution”, but of reflecting on the political force of affectionate feelings. With the participation of: Xavier Bassas Vila, Catherine Malabou and Felip Martí-Jufresa.

45 Spaces for Debate and Reflection — In Collaboration

Spaces for Debate and Reflection in Collaboration

Spaces for Debate and Reflection — In Collaboration

The Legacy of the Internation- The Murmur al Community in Afghanistan of Superman 30 and 31 January

Organisation — Association for Human Rights in Afghanistan (ASDHA)

12 February

Sponsorship — Ajuntament de Barcelona and Agència Catalana de Cooperació al Desenvolupament Collaboration — Afghanistan Analysts Network and CCCB

International intervention in Afghanistan began in October 2001. Among the main objectives of the operation was the desire to cause the fall of the Taliban regime, but also to capture the leader of the al-Qaeda terrorist network, Osama bin Laden, and to free women from the fundamentalist yoke. During over a decade of international presence, billions of dollars have been invested in Afghanistan and nearly fifty countries have deployed international forces there. Now it is time to depart. Most countries are preparing to leave the area and they also plan to reduce their budget for Afghanistan in coming years. However, what country are we leaving behind? What is the legacy of the international community in Afghanistan after more than twelve years of presence there? Has building a viable state been achieved? With the participation of: Saija Begham, Doris Buddenberg, Alberto Cairo, Farid Muttaqi, Suraya Pakzad, Thomas Ruttig and Francesc Vendrell.

Organisation — CCCB and Institut d’Humanitats de Barcelona

“Perhaps” - Nietzsche wrote to Herman Levi in 1887- “there has never been a more musical philosopher than I am.” True. Perhaps no other philosopher has ever had a more day-to-day relationship with music than Nietzsche, or has wanted more fervently to use the musical form as a template for his philosophical writings, or understood more musically the expression “interpret the world”, or been more determined to make hearing a philosophical instrument. Not a single line of Nietzsche’s writing has been produced without the aim that his reader should experience the inner echo of its melody. For all these reasons, this lecture-cum-concert was offered as an exercise in musical resonance, aspiring to highlight both Nietzsche’s music and the auditory dimension of his philosophy, through pieces performed by Abraham and Esther Tena and interventions by Gregorio Luri. With the participation of: Gregorio Luri and Abraham and Esther Tena Manrique.

46 Spaces for Debate and Reflection — In Collaboration

George Soros

La Maleta de Portbou

The Crisis and the Future of Open Societies in Europe

Presentation of the Magazine 17 September

11 April

Organisation — Open Society Initiative for Europe

Collaboration — CCCB

Europe has been drifting from crisis to crisis and the deterioration of both the economic and the political situation does not seem close to an end. The solutions adopted by the European countries not only failed to stem market turbulences, but generate hostility and resentment both and the core and in the periphery. The threat is not only to the euro, but also the Union itself and the democracies that thrived thanks to European integration. According to George Soros, the European Union, which many hoped would embody and defend the values of open society in Europe and around the Globe, no longer guarantees vibrant and tolerant democracies across the Old Continent. With the participation of: George Soros and Jordi Vaquer.

Organisation — Galaxia Gutenberg and Promoción de Humanidades y Economía, S. L.

Collaboration— CCCB

Event for the presentation of the first issue of La Maleta de Portbou, a new journal on philosophy and humanities that, directed by journalist and philosopher Josep Ramoneda, aims to tackle current issues from an in-depth perspective and an analytical viewpoint. La Maleta de Portbou is thus called in memory of Walter Benjamin, who committed suicide in Portbou in 1940, when fleeing Nazi persecution. Benjamin wanted to launch a philosophy magazine to “make patent the very spirit of his era”, but his Angelus Novus never came to see the light. With the participation of: Antón Costas, Marina Garcés, Josep Ramoneda and Jorge Wagensberg.

Spaces for Debate and Reflection — In Collaboration

Cautivas

Franco Farinelli

Presentation of the novel by Miguel Pajares

The End of the New World and the Beginning of Ours: The Return of Geography

26 September

30 October

Organisation — Plataforma Editorial

Collaboration — CCCB

Presentation of Cautivas (Plataforma Editorial, 2013), the debut novel of Miguel Pajares. A doctor in Social Anthropology, promoter of SOS Racisme and of trade union structures to help immigrants, and chair of the Comissió Catalana d’Ajuda al Refugiat (Catalan Committee for Aid to Refugees), Pajares bases this story on a reality that he knows very well, both through his studies and through his relationship with organisations that defend human rights. With the participation of: María Alasia, Rosa Cendón, Miguel Pajares and Jaume Saura

Organisation — Icària Editorial

Collaboration — CCCB and Societat Catalana de Geografia

This lecture was given on the occasion of the launch of the book Franco Farinelli. Del mapa al laberinto (Franco Farinelli: From Map to Labyrinth), by Bernat Lladó (Icària Editorial, 2013). Geography is the archetypical knowledge of western culture. In their zeal to represent the world, to draw the globe on a map, geographers laid the foundations of modern scientific knowledge. By means of cartographic projection and the coordinate system they invented space, which is to say the Universal Measure. From this there emerged not only a new experience of territory, but also a new way of organising it: modern states. With globalisation, however, the experience and organisation of modern territory would seem to have come to an end. The functioning of the world is no longer in tune with the logic of the map. In order to escape this logic, Farinelli suggests that we should overcome our fear of the labyrinth, the only flat representation possible of the globe, since it is only from within the labyrinth that we shall be able to understand geography and the world of today. With the participation of: Núria Benach, Franco Farinelli and Bernat Lladó Mas.

47 Spaces for Debate and Reflection — In Collaboration

Conversation with Yu Hua The Glacial Story: Between Kafka and Lu Xun 5 November

Adolescence. Transgression, Risk and Foster Care Conversation between Luis Feduchi and Lluís Duch 14 November

Organisation — Masters Programme in Chinese Studies of the UPG, Editorial Les Males Herbes and CCCB

Organisation — Child Care Team at Sant Pere Claver-Fundació Sanitària and General Board of Penal Execution in the Community and Youth

China has undergone far-reaching economic, political and social changes since the end of the Cultural Revolution. How has Chinese literature reflected this colossal transformation? What kind of evolution taken place in literary production since Mao’s death? Why is Yu Hua’s always-innovative prose so harsh and trenchant? Yu Hua and Carles Prado addressed these and other questions in their discussion, which was the inaugural lecture in the Master’s Degree in Chinese Studies at the Universitat Pompeu Fabra. The event was held to coincide with the publication of the first translation into Catalan of Yu Hua’s work, El passat i els càstigs (Les Males Herbes, 2013 – published in English as The Past and the Punishments, University of Hawaii Press, 1996). With the participation of: Carla Benet Duran, Yu Hua, Ricard Planas and Carles Prado

Adolescence as a stage of transition to an adult identity is determined by culture. How does contemporary society accommodate this process? How does it receive the sometimes rule-breaking novelty introduced by its new members? This is a society marked by changes that are happening so fast that they jeopardise intergenerational transmission of knowledge and values, increase complexity and exacerbate feelings of uncertainty. A highly creative society but one also threatened by a return to authoritarianism or the repudiation of social values which characterises utilitarianism and individualism. An adolescent society? From the “gangs of the 80s” to the “tyrant-teen of the new century”. How is the eternal conflict between generations being dealt with today? A dialogue between Luis Feduchi, psychiatrist and psychoanalyst specialising in adolescence, and Lluis Duch, anthropologist and analyst of contemporary society. This dialogue celebrated the 20th anniversary of the collaboration between the teams of Youth Justice of the Generalitat of Catalonia and the Child Care Team at Sant Pere Claver-Fundació Sanitària. With the participation of: Lluís Duch, Luis Feduchi and Jorge Tió.

Spaces for Debate and Reflection — In Collaboration

Barcelona a cau d’orella Presentation of the book by Xavier Theros 12 December

Organisation — Editorial Comanegra

Collaboration — CCCB

Xavier Theros has spent years following the threads of the enormous spider’s web known as Barcelona, an always vital, changing city, perpetually being redrawn by the trails left by people who pass through. In Barcelona a cau d’orella (Comanegra, 2013), Theros offers a consummate human portrait of the city and its intangible heritage constituted by experiences and social relations. It is a guide based first and foremost on what is not public knowledge, the chronicle of a city that whispers its secrets. This book was written with the express desire of following in the footsteps of an earlier work, Guía secreta de Barcelona (The Secret Guide to Barcelona) in which, forty years ago, Josep Maria Carandell invented the craft of telling the story of the most recondite corners of his city, thus producing a map of places, stories and small indiscretions as to what can still be seen and what no longer exists. With the participation of: Consuelo Bautista, Manuel Delgado, Joan Sala and Xavier Theros.

Justice of the Generalitat of Catalonia Collaboration — CCCB

48 Spaces for Debate and Reflection — Courses, Postgraduate Certificates and Master’s Degrees

Design and Production of Spaces

Organisation — UPC School, Institut d’Humanitats de Barcelona and CCCB

Master’s and Postgraduate Programmes October 2012 — July 2013 The Master’s Degree in the Design and Production of Spaces brings together different professional concerns and is built based on two postgraduate courses. Firstly, the postgraduate course “Design of Interiors”, in the professional field of Interior Design, a discipline with a brilliant tradition in Barcelona and that needs its own reference points. This course seeks to fill a void in the educational offerings in this area that existed until now. Secondly, the postgraduate course “The Exhibition Space” seeks to work with

space as a meeting point between people and culture within the framework of creative museography. By taking these two postgraduate courses students can earn the Master’s diploma. This programme is directed by Arnaldo Basadonna, architect and lecturer; Mario Corea, engineer and member of the CCCB assembly team; and Paco Pérez Valencia, painter, museographer and responsible for the Espacio Escala (Col·lecció Cajasol).

Spaces for Debate and Reflection— Courses, Postgraduate Certificates and Master’s Degrees

Metropolis Master’s and Postgraduate Programme

Organisation — IDEC-UPF, Institut d’Humanitats and CCCB

April — July Metropolis is a master’s degree programme based on research into architecture and urban culture, organised by the CCCB and the IDEC-UPF. Architects, artists, designers and critics are invited to reflect on the state of cities today. The Master’s Degree offers a space for advanced studies on the relationship between the social, cultural and architectural conditions of cities. Within this framework, each student develops an individual project lasting two years which is tutored by the programme’s teaching staff and benefits from seminars, lectures, visits, workshops and master classes.

Graduates can take on professional and academic responsibilities with the experience of having created and developed a research project that opens up a new door to the comprehension of the complex forces that converge in the public space. This programme is directed by Xavier Costa (deacon of the College of Arts, Media and Design, Northeastern University), Antoni Luna (professor of geography at the Universitat Pompeu Fabra) and Suzanne Strum (architect).

Spaces for Debate and Reflection — Courses, Postgraduate Certificates and Master’s Degrees

Public space: Urban policies and Citizenship Postgraduate Programme

Organisation — Universitat Oberta de Catalunya (UOC), Institut de Govern i Polítiques Urbanes (IGOP) and Universitat Autònoma de Barcelona (UAB)

Collaboration — CCCB

November 2013 — June 2014 The public space brings together the main values of the city but also reveals its inequalities. It is an integrating instrument for urban planning but at the same time a setting and a space for conflicts. This programme aims to offer theoretical and practical training to imagine, design and manage urban public space in an integrated way, assuming the complexity of the urban reality and extolling its democratic values. The city and the public space is one of the focal points of permanent reflection for the CCCB, which in the year 2000 launched the European Prize for Urban Public Space with the aim of recognising and stimulating projects for the recovery and defence of the public space in our cities. The history of the Prize, which is contained in the online archive at www.publicspace.org, offers over 450 examples of transformation and improvement of the public space, a fact which makes it a valuable observatory of European cities. With the title “Public Space: A Citizens’ Reconquest”, on 24 January the postgraduate course presentation event took place with the

participation of Jordi Borja, David Bravo, Guillem Domingo, LaCol, Andrés Naya and Joan Subirats. In addition, the CCCB hosted a series of debates within the context of the postgraduate course Public Space: Urban Policy and Citizenship. The series was developed over two sessions that tackled the public space from the possibilities offered by collaborative design and the limitations imposed by the social control and sexual exclusion: “Collaborative Design of Public Space” (26 September), with the participation of Paco González, Marc Grau-Solés, Tomás Sánchez-Criado and Joan Subirats, and “Pub(l)ic Space: Sexuality and Social Control in the City” (4 October), with the participation of Albert Arias, Jordi Borja, Gerard Coll-Planas and Clarissa Velocci. This programme is directed by Jordi Borja (sociologist, geographer and urban planner, director of the City Management and Urban Planning Department of the UOC) and Joan Subirats (chair professor of Political Science at the UAB).

49 Spaces for Debate and Reflection — Courses, Postgraduate Certificates and Master’s Degrees

Courses of the Institut d’Humanitats de Barcelona all year

From philosophy to literature, from history to art, and including film and theatre, the Institut d’Humanitats de Barcelona has the aim of making inroads into the world of Humanities and discovering different disciplines there through the opinion of relevant intellectuals and thinkers. Through series of conferences with a weekly guest or specialised seminars taught by a single lecturer, the aim is to favour exchange between the diverse cultural spheres, collaborate in their dissemination and contribute to the reception of the most important displays of European culture.

General courses Europe’s Great Civilisations, 1. The Greek Civilisation, 8 January - 19 February — Course directed by Jordi Llovet, which analyses political organisation, religion, literary culture, architecture and the plastic arts, philosophy and history of science, from Classical Greece to Noucentista Catalonia. With the participation of: Miguel Candel, Jordi Cornudella, Joan Ferrer Gràcia, Carles Garriga, Raül Garrigasait, Pau Gilabert, Montserrat Jufresa, Carles Miralles, Jacobo Vidal and Eulàlia Vintró The Art of the Novel, 5 March - 28 May — Cycle of four joint series of lessons devoted to the 19th century European novel, directed by Jordi Llovet and with the participation of Jordi Llovet, D. Sam Abrams, Ricard San Vicente, Marisa Siguán and Alain Verjat

Architecture and Time, From a Photography Angle, 4 - 24 April — Theoretical sessions in the form of a dialogue between architects and photographers, and a practical workshop led by photographer Jordi Bernadó and architect Ricardo Devesa. With the participation of: Paula Álvarez, Jordi Bernadó, Eduard Bru, Ricardo Devesa, Manolo Laguillo, Ramon Prat, Enric Ruiz-Geli and Jorge Yeregui Shakespeare Class, 6 and 11 June — Series of two lectures offered by Andreu Jaume and Joan Sellent Panikkarian Dialogues, 12 September 2013 - 2 April 2014 — Series of lectures Masters and Masterpieces. New Visions, 7 October 16 December — Course directed by Joan Sureda, with the aim of discovering the veil that sometimes covers masterpieces to present them as creations open to all sensibilities and cultural contexts The Great Civilisations of Europe, 2. Rome, 8 October 17 December — Course directed by Jordi Llovet, with the participation of Carles Múrcia, Adolfo Egea, Noemí Moncunill, Esther Artigas, Carles Buenacasa, Alejandra de Riquer, Adolfo Egea, Antoni Conejo, Jordi Cornudella, Jaume Juan and Glòria Torres “The Mote in the Eye”, Xcèntric Workshop 2013, The Art of Provocation and Protest from Pasolini to the Present Day, 5 - 28 November — Audiovisual workshop directed by Andrés Hispano and Félix Pérez Hita

Seminars — Film and Psychoanalysis, with the participation of Mercè Coll, 30 January - 13 March — The Human Condition and the Quest for Meaning in Contemporary Thought, with the participation of Josep Maria Esquirol, 3 April - 15 May — Divination and Magic in Ancient Greece, with the participation of Emilio Suárez, 2 May - 6 June — Love, a Force that Never Lets Us Rest, with the participation of Francisco Bengoechea, 24 October 2013 - 23 January 2014 — Readings of William Shakespeare, with the participation of Andreu Jaume, 30 October - 18 December

Other Activities — “Childhood of Mud”, dialogue on the translation of the work of Salim Barakat, with the participation of Margarida Castells and Salvador Peña, 5 March — Traces of Writing, intervention on writing and alphabets, with the participation of Joma and Carlos Morera on bandoneon, 22 May

50 Spaces for Debate and Reflection — Courses, Postgraduate Certificates and Master’s Degrees

CUIMPB Programme second half

Programme of Courses Summer Courses: — Inaugural Lecture by Simon Dolan, “Health and Productivity in Times of Crisis”, 4 June — The Self-Sufficient City, 17 and 18 June — Journeys towards an Architecture, 19, 20 and 21 June — Ethics, Transparency and Democracy, 1 and 2 July — The Visual Perception of the World, 4 and 5 July — Evaluation of the Education System: How and Why?, 8 and 9 July — How to End the Economic Crisis? Necessary Reforms, 8, 9 and 10 July — Care for Chronicity, Between Improvement and Transformation, 10 and 11 July — Institutions of Post-Democracy: Globalisation, Empowerment and Governance, 18 July — Courses in Spanish Language and Catalan Culture for Foreigners, June and July

The mission of the Consorci Universitat Internacional Menéndez Pelayo Barcelona (CUIMPB) - Centre Ernest Lluch is the management of the permanent centre of the Universidad Internacional Menéndez Pelayo (UIMP) in Barcelona. Legally, the CUIMPB-Centre Ernest Lluch is constituted by Ajuntament de Barcelona, Diputació de Barcelona, the UIMP and the Centre de Cultura Contemporània de Barcelona (CCCB). The programme of courses by the CUIMPB-Centre Ernest Lluch is divided into four major thematic blocks: Urban policies, Public policies and welfare state, New regional scenarios in the world, and Science, technology and society. In total over twenty courses and sessions, led by professors who are renowned authorities, and featuring the participation of notable personalities in the world of science, economics, politics, international relations, communication, etc., and with the support of a large number of public and private institutions. Also during the summer courses are organised on Spanish language and Catalan culture for foreign students, mainly from the USA. The 2013 programme included, furthermore, a trilogy of seminars devoted to the celebration of the Centenary of the Mancomunitat of Catalonia. In total 1,288 students passed through the classrooms of CUIMPB-Centre Ernest Lluch, located at the CCCB site. University students have a reduced matriculation fee when registering for summer and autumn courses and can validate them as free choice credits in the majority of Catalan public universities. Matriculation is formalised online on the website of the CUIMPB-Centre Ernest Lluch: www.cuimpb.cat.

Autumn courses — Third Sector and Economic and Social Development, 16 and 17 September — New Municipal Financial Management in Times of Crisis, 18 and 19 September — Popular African Economies: Myth or Alternative?, 15 and 16 October — The Economic Action of the Mancomunitat of Catalonia, 30 and 31 October — The Local Administration and Social Action Policies. From the social model of the Mancomunitat to the crisis of the Welfare State and the redefinition of the competencies of local agencies, 5 November — Food and City: Markets, Economy, Urban Culture..., 15 November — Animal Welfare and Zoos: from Basic Research to Everyday Practice, 15 and 16 November — Euro-Mediterranean Sessions on Forest Fires, 18, 19 and 20 November — City for Everyone!, 20 and 21 November — The Reform of Local Governments: Between Autonomy and Efficiency, 25 and 26 November — The Legal Framework of the Mancomunitat of Catalonia, 28 and 29 November

ÂŠ Miquel Taverna

CCCB

Lab

54 CCCB Lab

CCCB Lab is the CCCB department most focused on research, transformation and innovation in the cultural sphere, and it pays special attention to the evolution of genres and formats in a changing scenario where art, science, information and knowledge are becoming the lynchpins of a new world, a new economy and a new society. The objectives of the Lab are the dissemination and praxis of cultural innovation, the creation and consolidation of networks, research and innovation in virtual scenarios, learning and the design of participation processes, the transformation of working methodologies and the study of digital humanities. In 2013 these objectives were tackled in greater depth through processes, networks and platforms that favour new dynamics of creation, production and post‑production. Part of the Lab’s task consists of working transversally with the rest of the Centre’s departments. Thus, in 2013 the Lab took part in the creation of the new CCCB Education itinerary “Barcelona Reads”, while redefining the virtual archive of the Now project, it also collaborated with the parallel programme for the exhibition “Pasolini Rome” and worked on new formats such as the BookCamp for the Kosmopolis Festival.

55 CCCB Lab

Blog and Social Networks

The emergence of a community focused on ideas, projects and innovative experiences requires constant learning and attention. The Lab’s blog is the tool through which knowledge is shared and this community is built. Every week articles, reports and interviews related with different aspects of cultural innovation are published. The work carried out can be consulted on www.cccb.org/lab with an average of over a thousand visits per week. The articles published are brand new and their authors are specialists in different subjects. People who have written for the blog include: Agustín Fernández Mallo, Bashkim Shehu, Bernard Stiegler, Breixo Harguindey, Carlos A. Scolari, César Reyes, Dolors Reig, Ele Carpenter, Felipe G. Gil (Zemos98), Irene Lapuente, Jordi Carrión, Juan Insua, Jussi Parikka, Karma Peiró, Luis Ángel Fernández-Hermana, Mara Balestrini, Oriol Ripoll, Paisaje Transversal, Platoniq, Ramón Sangüesa, Ricard Solé, Roc Jiménez de Cisneros, Rubén Martínez, Sandra Álvaro, Sergi Jordà, Tamara Vázquez-Shröder, Tomás Díez, Vicente Luis Mora, Yuk Hui and Zzzinc. In early 2013 the CCCB Lab Blog was redesigned and changes were made to the graphics, the contents architecture and the editorial line. During this year, the blog received 40,331 visits, some 40% more than in 2012. In qualitative terms it also experienced major improvements and increased by 1 minute the average visit length (which stands at 03:09 minutes) and the number of pages seen per visit (which rose from 2.06 to 2.21). The blog is also currently immersed in a growing process of internationalisation. Visitors from outside Barcelona increased by 5.4%, a rise that is especially significant in South America, where it stands at 26.7%. As a result of this work, at the end of 2013 the CCCB was awarded the Blog Catalonia Prize 2013, in the category Culture and Tendencies (Corporate).

The social networks also played an important role in both the dissemination of the activities of the CCCB Lab and in their own development, allowing interaction with the whole world. Highlights include Twitter (@CCCBLab, 14,500 followers) and Facebook (2,000 followers) which are fed daily while focusing on the dissemination of home-grown and external contents, and that have allowed connections to be made with communities linked to Lab themes and projects, to whom a monthly thematic bulletin/ newsletter is sent that highlights posts and interviews in relation with the activity at any given time. All work is done with a permanent beta orientation, in a process of constant and voluntary adaptation. Finally, the Lab has always worked for the promotion of an open and distributed culture. The CCCB Lab Blog is an online project with a will to inform and is non-profit-making. A process has begun to put the Blog’s contents under a Creative Commons licence. These kinds of licences offer some rights to third parties under certain conditions, such as the commercial use of the work, the creation of derived works or the possibility that these works maintain the licence of the original work. Thus, therefore, the objective is that in the future all the materials can be shared under Creative Commons licences, in line with the Lab’s lines of work and with the communities of which it forms part, with the aim of beginning a line of work with Wikipedia.

56 CCCB Lab — Activities

Data Journalism

Collaboration — Medialab Prado, Facultat de Ciències de la comunicació Blanquerna (URL), Fundación Civio and Knight Mozilla Open News

from May

Organisation — CCCB and Open Knowledge Foundation

Data Journalism is a discipline that the main international media have incorporated in recent years, offering readers data visualisation and processing to explain the news in a clear and understandable way. The 1st Data Journalism and Open Data Conferences, (#jpd13), the first devoted to the subject held in Spain, and held in May 2013 – at the CCCB, at the Blanquerna Communication Faculty and at Medialab Prado – were a success in terms of participation. The programme included sessions with keynote lectures offered by authorities in data journalism from the national and international scene such as Mar Cabra, Eva Belmonte (Civio), John Burn-Murdoch (The Guardian), Judith Argila (TV3), Ricard Gràcia (El Periódico de Catalunya), Juan Luís Sánchez (Eldiario.es), Eduard Martín-Borregón (Data’n Press), Michael Bauer (Open Knowledge Foundation), Marc Garriga, Manuel Aristarán (La Nación) and Sergio Álvarez Leiva (Vizzuality), among others. It also included a BarCamp and presentation of national cases. The interest shown by those attending the Conference made manifest the need to continue exploring the world of data. For this reason, the “Data Journalism” coordination team of the Spanish chapter of the Open Knowledge Foundation (OKFN) organised a series of monthly sessions so that journalists, IT specialists and designers could consider new work challenges together. These were very practical meetups, lasting an afternoon each. For three hours local data journalism projects are presented, but there are also workshops to learn to make use of the tools that allow the processing of data and their visualisation. The data journalism sessions organised by the OKFN, in collaboration with CCCB Lab, are also a good place to get to know the professionals working in this discipline and to stay up to date on news, resources and scheduled events relating to data.

Over the course of 2013 three workshops were held: “Excel and Google Drive for Journalists”, with Gilbert Martínez; “Google Fusion Tables” with Eduard Martin-Borregón of Data’n’Press; and “Obtaining the best of the web with scraping” with Michael Bauer (Open Knowledge Foundation). There were also presentations of cases: Open Government (Concha Catalán), Map Infoparticip@ (Amparo Moreno, UAB), atNight (Mar Santamaria, Pablo Martínez and Jordi Bari) and Fuga2 (Eli Vivas and Francisco José Moya). In addition, there was an introduction to the portal Open Data and Open Gov run by Barcelona City Council and the year ended with the presentation of work with data at The New York Times offered by Aron Pilhofer. During the year 2013, the Data Journalism files on the CCCB Website received 3,667 visits. The posts on the subject published on the Lab Blog received 2,376 visits. The videos of the 1st Data Journalism Conference were played 459 times and those of the different work sessions, 535. Finally, on Twitter there were 4,234 tweets published with the tag #periodismodatos.

57 CCCB Lab — Activities

I+C+i. Pasolini at the Lab Research and Innovation in the Cultural Sphere

Organisation — CCCB

Collaboration — This project has received the support of the European Union

2 July

To coincide with the exhibition Pasolini Rome, a special I+C+i was presented that focused on exploring how this creator incorporated the concept of experimentation into his work. This lover of heterodoxy and the mixture of genres, conciliator of high and low culture, concerned with all that is marginal, with minority languages and minor genres, understood culture as a kind of laboratory. The session included a workshop and a debate about the figure of this creator. The comics workshop was offered by Davide Toffolo, author of the comic Pasolini. A creation somewhere between a diary and a report in which Toffolo imagines an encounter with a man who claims he is Pasolini, with whom he strikes up a long conversation in which the man expresses himself with the words of the real Pier Paolo Pasolini taken from books, interviews and articles by the artist in a painstakingly detailed work of documentation. Toffolo ran this workshop where he explained the development of the creative process, his selection of works, the techniques he used and he analysed different scenes from his graphic novel. Participants in the debate “Pasolini at the Lab” included Davide Toffolo, Gonzalo de Lucas, Breixo Harguindey and Javier Rebollo. We usually remember Pier Paolo Pasolini for his filmography, but when his first film, Accattone, became known in 1961, he had already published numerous poems and two novels, had collaborated extensively with various cultural and literary publications and had become consolidated as one of the most important writers in Italy. In the 1960s, this artist and visionary already talked about his work space by repeatedly using, with clearly significant intent, the word laboratory. These days, this word is often used to designate spaces and proposals focusing on research, experimentation and innovation. The following questions were raised during the

debate: From Pasolini to modern laboratories, which innovations remain valid today? What is their influence on the films of today? What is that great potential for change? The talk “Pasolini in the Laboratory” explored the idea of the artist in the laboratory that Pasolini proposed and placed on the table the debate that this concept currently arouses. Last year the series was concluded with the conversion of the blog into a repository for the series since it was created, a space that brings together all the information related with each session, and an I+C+iPedia was created which includes: the digitalisation of all the debates and interviews available, material for expanding contents, a summary of the online debate for each session, etc. All the material is consultable by searching by year, subject or participant, and it is also accessible at the CCCB Archive. www.cccb.org/icionline

58 CCCB Lab — Associated Projects

Associated Projects

Cultural Rings

Latin America-Europe Cultural Ring

The Centre has participated, since its creation, in the Cultural Ring project, which had its first embodiment in the Catalan Cultural Ring. The CCCB intends to continue to participate, insofar as it is able, in all those projects designed to connect, share and co-create with the cultural centres of the Catalan towns linked to the Catalan Culture Ring. Furthermore, in the year 2012, the ICUB started to promote a “ring” project for the city of Barcelona in which the Centre continued to participate during the year 2013.

The Latin America-Europe Cultural Ring is a network of cultural facilities located in different countries which also has the objective of activating the co-production of events online, promoting lines of research into new uses of the web in cultural production and promoting the creation of contents. The Cultural Ring is a tool capable of offering creators a platform for experimenting with new digital applications and, at the same time, improving their dissemination and intercommunication. Joining the member centres (Centro Cultural Sao Paulo, Museo de Antioquia, Museo de Arte Contemporáneo de la Universidad de Chile, Centro Cultural España-Córdoba and the CCCB) in 2013 was the Infoart project from Montevideo, Uruguay. www.anillacultural.net

59 CCCB Lab — Associated Projects

Institut de Recherche et d’Innovation In 2008, the CCCB, together with Microsoft, joined the Institut de Recherche et d’Innovation (IRI), created in 2006 by the Centre Georges Pompidou and directed by philosopher Bernard Stiegler. This is a space for research related with the application of new technologies to the creation, production and formalisation of cultural activities. The main aims of the CCCB’s involvement are the development of the CCCB’s presence on the Internet to the creation of a true “virtual CCCB”, interactive dissemination and the strengthening of the contents accumulated in the Centre’s 20-year history, the intensification of relations between the CCCB and its users, and the renovation of formats and procedures. www.iri.centrepompidou.fr/

ÂŠ Consuelo Bautista

Friends

of CCCB

62 Friends of the CCCB

ÂŠ Miquel Taverna

During 2013, Friends of the CCCB were able to participate in a series of activities organised exclusively for this group: visits to the exhibitions and activities related with the CCCBâ&#x20AC;&#x2122;s programme, visits outside the CCCB and the Reading Klub. The total number of people attending the different activities was approximately 960.

63 Friends of the CCCB

Visits to the Exhibitions and Activities As for the exhibitions and activities of the CCCB, the following activities were organised: — Guided tour of the exhibition “Bolaño Archive, 1977-2003”, 10 and 18 April — Two intensive days devoted to Roberto Bolaño, 27 and 28 May — “Il cinema secondo Pier Paolo”, lecture offered by Luís Aller, 26 June — Guided tour of the exhibition “Pasolini Rome”, 6 June and 2 July — Lecture on Pasolini offered by Josep Maria Lluró and visit to the exhibition “Pasolini Rome”, 11 July — Guided visit to the exhibition “Espriu. I Looked Upon This Land”, 6 and 12 November — Guided visit to the exhibition “World Press Photo 13”, 21 November and 4 December

Beyond the CCCB As regards the programmes of other cultural institutions, the following activities were offered: — Itinerary along Paral·lel Avenue, Museu d’Història de Barcelona, 13 January, morning and afternoon — Guided tour of the exhibition “Explosió! The Legacy of Jackson Pollock”, Fundació Miró, 17 January — Guided tour of the Museum of Badalona, 5 and 27 February — Guided tour of the Gas Museum of Sabadell, 13 and 24 April — Guided visit “Rediscover the Ateneu Barcelonès”, 19 May and 26 June — Pre-premiere of La meva Ismènia, La Seca, 19 and 24 May — Guided tour of the exhibition “Nocturn Diürn. Sant Pol de Mar, 1911-1980”, led by its curator, Perejaume, Fundació Palau, 14 September — Presentation and visit to the exhibition “Art, Dos Punts. Barcelona viu l’art contemporani”, MACBA, 28 September — Visit to the permanent exhibition at the Museu Blau, 19 September — Guided tour of the exhibition “Conversations with the Dead” by Danny Lyon, Fundació Foto Colectania, 24 October — Presentation and free visit to the exhibition “Davant l’horitzó”, Fundació Miró, 14 November — Guided visit to the Palau del Parlament de Catalunya, 28 November

Reading Klub The Reading Klub, led by Antonio Lozano, had an average of 20-25 people attending each session and the following books were discussed: — La bibliotecària d’Auschwitz by Toni Iturbe (meeting with the author), 16 January — Steve Jobs by Walter Isaacson, 13 February — Jo confesso by Jaume Cabré, 6 March — Session with Accidents Polipoètics, 17 April — Wuthering Heights by Emily Bronté, 15 May — Strangers on a Train by Patricia Highsmith, 5 June — Closely Watched Trains by Bohumil Hrabal, 25 September — Art and God of Carnage by Yasmina Reza, 16 October — On Photography by Susan Sontag and Sobre la fotografía by Walter Benjamin, 13 November

Exclusive Offers — Discount on Baby Bum by Accidents Polipoètics, La Seca, from 9 to 23 May — Free access to Loop’13, from 22 to 25 May — Spectators’ Workshop, Grec 2013. Festival of Barcelona, 4 July — 10% discount on dinners with recitals and concerts: Espriu al restaurant 7 Portes, from 10 October to 9 November — 50% discount on the show Un Rèquiem per a Salvador Espriu, TNC, from 15 to 17 November

CCCB

漏 Jordi G贸mez

Education

66 CCCB Education

The CCCB’s educational proposal is made up of a set of face-to-face activities linked to the Centre’s programme, which are complemented with the development of the virtual space (www.cccbeducacio. org) for sharing work, experiences and educational resources. The objective of the CCCB’s educational proposal is to explore the relations between the activities programmed by the Centre, its archive and the cultural life of the city, placing special emphasis on education centres.

67 CCCB Educación

The website www.cccbeducacio.org A platform for knowledge, dissemination, learning and participation The website www.cccbeducacio.org had a clear objective from the very start: to complement the virtual network that already exists with a new space where the participation can be recorded of external people and groups for whom education is the centre of their interest and activity and that, in this sense, echo the cultural life of the city. The website www.cccbeducacio.org aims to be a useful instrument for this dimension considered specific to a centre for contemporary culture, which not only programmes but also remains alert to relevant external initiatives. The platform cccbeducació.org offers a meeting space for all those projects and programmes that seek a harmonious balance between education and culture. Firstly, the project has been based on a very open conception of the terms culture and education, which means that it has not been restricted by any specific programme nor strictly reduced to the school field, as sole educational reference point. Secondly, it has been possible to concentrate on that aspect that always turns out to be most difficult, the existing relationship between these two registers – culture and education – which institutionally have been turning their back on each other for many years. Finally, and perhaps as a consequence of everything else, it has not overlooked the aspect of international references that allow a broad perspective to be maintained regarding the current speed of change that our world is experiencing. In this sense, the commitment that the CCCB has always made to the internationality of its programme is a basic ingredient in which cccbeducacio.org has maintained this initial component that formed a part of it.

One can talk of cccbeducacio.org as a CCCB own programme because it gives evident demonstrations of the interest of its objectives. The CCCB today has an archive with a growing number of projects revolving around the relationship between culture and education that allows it, or could allow it, to programme with greater capacity for influencing the surrounding environment. And, the city’s education centres, understood in their broadest sense, have a mechanism for citizen participation that was non-existent previously: they not only contrast and compare themselves with each other but also with the CCCB, and through it, with an ever-growing reference universe. The CCCB Education website had 23,156 visits during 2013. This represented an increase of 78% with respect to the previous year. It is a website with two contrasting profiles of users, 42% who visit a lot of pages during an extended period (around 10 minutes) and 58% who visit only one page on the site. As for the origin of the users, they are based mainly in Barcelona and Catalonia (some 80%). Finally, the Twitter profile has some 5,434 followers.

CCCB Education — Activities and Workshops

Visits to the Exhibitions During 2013 guided visits were offered to the exhibitions at the CCCB, during which some 4,606 people attended. The start of the year still allowed the exploration of the social repercussions of an urban transformation analysed through an exhibition very much directly linked to Barcelona: “El Paral·lel, 1894-1939”. During this final period of the exhibition, some 771 people attended guided tours. From March to June, coinciding with the third school term, material was offered for working in the classroom and guided tours of the exhibition “Bolaño Archive, 1977-2003”. Some 405 people attended guided tours. A teaching exchange experience was created with different centres of the Latin America-Europe Cultural Ring. The school year ended and the summer was celebrated with the exhibition “Pasolini Rome”, an exhibition based on Pier Paolo Pasolini’s cinematographic view of the city of Rome, his vital relationship with the city and his view of the urban periphery. Some 693 people attended guided tours. After the summer, with the new academic year 2013-2014, we saw the return of a new edition of “World Press Photo”, known worldwide as the main touring exhibition of photojournalism; this was a unique occasion to discover the work of the photojournalist and the raw reality behind the news. Some 2,285 people visited the exhibition on guided tours.

At the end of the year, 252 people attended guided tours of “Espriu. I Looked Upon This Land”, which allowed work in the field of languages. (This exhibition ended in March 2014, therefore the number does not correspond to the total number of visitors). This exhibition allowed a specific proposal to be created for primary pupils and families, intensifying the cultural experience for little ones.

68 CCCB Education — Activities and Workshops

Kosmopolis Within the framework of the seventh edition

Organisation — CCCB, Institut de Ciències Fotòniques and Biblioteques de Barcelona

Within the framework of the seventh edition of the Kosmopolis Festival, the CCCB’s Education Service collaborated with the Institut de Ciències Fotòniques to carry out two activities related with the competition Light on the Waves. First of all, a round table that reflected on the experience of the first edition of the competition, while focusing on culture, education, arts and sciences, and secondly, an invitation to youngsters to create poems live with the help of groups such as Bläue, Joan Colomo, EXXASENS, D-Fried, Glissando*, Fernando Lagreca, Lucy & The Bossons, Megaafonía, Pulpopop and Miss Q. After Kosmopolis, in September, the final concert of the second competition held in 2013 took place at the Teatre CCCB, with an audience of 350 secondary school pupils and teachers. The literary itinerary “Barcelona Reads”, created by the CCCB and the Consorci de Biblioteques de Barcelona, was another of the educational activities linked to the festival. A part of the itineraries were held during the festival and the rest in the autumn. The 462 people who attended had the opportunity to visit the Reial Acadèmia de Medicina, the Sala Cervantina at the Biblioteca de Catalunya, the Sala de Reserves at the Biblioteca de la Universitat de Barcelona and the Arxiu Històric de la Ciutat, with specialists who dealt with different aspects of readings, for example Joanna Sierpowska and Diana López Barroso, of the Cognition and Brain Plasticity Group, IDIBELL- Universitat de Barcelona; Núria Altarriba, from the Biblioteca de Catalunya; Albert Soler, from the Catalan Department of the Universitat de Barcelona; and Montserrat Comas, director of the Biblioteca Museu Víctor Balaguer. CCCB Education — Activities and Workshops

The City of Photographers

Organisation — MACBA, CCCB and A Bao A Qu

Photography Workshop at the MACBA and the CCCB January — June and October — December After the first experience of the workshop “Photographic Spaces” during the 2011-2012 academic year, and within the framework of the “Fotografia en curs” programme, this activity was developed towards the exploration of the public space that is photographed. The workshop “The City of Photographers” proposed a creative and reflexive discovery of photography based on the link between photographic practice and the exploration of the city. The workshops were proposed as an exploration of the photographic heritage and of the expressive selections of photography, and as an investigation into the city as a public space through photographic creation. The photographs produced have been published on the website www.fotografiaencurs.org, which constitutes a photographic archive and a visual cartography of the city. During 2013, a total of 671 primary and secondary students enjoyed this learning experience.

CCCB Education — Activities and Workshops

TEDxRambles

Organisation — TEDxRambles

Collaboration — CCCB

Activities for Educators 4 July The objective of this edition of TEDxRambles was to offer specific proposals to improve the world, through education. With the title “Science, Technology and Conscience”, the need was tackled both of “teaching” and “enlightening” in the fields of science, technology, economics, computer studies, etc., to better understand contemporary culture, such as incorporating the critical and ethical component to issue and develop critical arguments and judgements on the excesses of technicist and scientificist culture. The talks presented were given by Francisco Aréchaga (How to turn ideas into reality through conscience converted into willpower), Marta García-Matos (Possible histories of light and matter), Josep Eladi Baños (Ethical considerations at the start of scientific medicine), Joima Panisello (Shared responsibility of the patient, based on knowledge, is becoming essential). Irene Lapuente (Bodies that learn, the relationship between education and dance), Jordi Serrano (Science, technology and the world of work), Josep Perelló (How to work in science by maintaining a connection with city and citizens), Ramon Fauria (Trip to the Power of the Mind, sharing knowledge and creation) and Jil van Eylen.

69 CCCB Education — Activities and Workshops

Cinema in the Classroom:

Organisation — CCCB and Filmoteca de Catalunya

Proposals and Methodologies Activities for Educators November — December CCCB Education collaborated with the educational programme of the Filmoteca de Catalunya, “Filmoteca for Schools 2013-2014”. Within the framework of this programme, A Bao A Qu / Cinema en curs developed a teacher training course with 5 sessions (3 theoretical and 2 practical). The course, which filled all its registered places, offered the tools and methodologies to introduce cinema as an art and as creation into primary and secondary classrooms. For this reason one of the main objectives of the training was to provide participants with the basic instruments necessary for carrying out activities related with the cinema in the specific context in which they work, and to be able to do it from creative practice as much as from reflection and analysis. In this sense, it also tackled the connection between cinema and other school curriculum areas and basic skills.

CCCB Education — Activities and Workshops

CiutatBeta, a New Training and Learning Experience

An initiative of — Col·legi d’Educadores i Educadors Socials de Catalunya With the technical support of — Trànsit Projectes

Activities for Educators

Collaboration — CCCB With the support of — European Union, Catalan Ministry of Social Welfare and Families and Ajuntament de Barcelona

autumn Beta City is a work and analysis platform that puts into play processes and innovative tools for social action. A space for exploring the genetic make-up of the city in which we live, through an interdisciplinary perspective, designing prototypes and creative solutions for the needs of specific territories/neighbourhoods and/or new social problem, in order to, subsequently, put them to the test. The work and analysis platform is structured and resolved through three areas: Website, work spaces, and actions, that in 2013 were developed through five activities: prospecting the territory, workshop, planning (work 2.0 and physical monitoring), prototype and evaluation. The training workshop was held at the CCCB and attended by a total of 32 people.

CCCB Education — Activities and Workshops

Picto-Writing Programme in Ciutat Vella

A project by — Voxprima With the support of — Districte de Ciutat Vella de l’Ajuntament de Barcelona

Collaboration — Biblioteques de Barcelona and CCCB

autumn A team of writers, narrators and illustrators work with primary school pupils so that the children can live in the first person the process of creation of a book. The aim is, firstly, to contribute towards promoting a reorientation of the educational curriculum so that creativity and narrative capacity open up space in the classrooms and form a natural part of the processes of learning, and secondly, for the cultural offering of the CCCB to serve as a source of stimulation and raw material for the educational curriculum. The following writers took part: Anna Manso, Bel Olid, David Nel·lo, Victoria Bermejo, Pau Joan Hernández, Jaume Copons, Susana Peix, Mireia Vidal, Anna Fité, Sandra Gómez, Àlex Tovar and Anna Fernández Preixens; and illustrators such as Àfrica Fanlo, Arianne Faber, Alba Marina Rivera, Artur Laperla, Marcos Isamat, Cristina Spanò, Clara Sáez, Lluís Cadafalch, Òscar Julve, Luisa Vera, Perico Pastor, Cristina Losantos and Miguel Gallardo, among others. This innovative proposal for the transformation of the education system is framed within the programme “Sponsor Your Facility”, see the section “Social Programme”, p. 75.

70 CCCB Education — Itineraries

Itineraries

For another year the CCCB presented its programme of urban itineraries, maintaining the principle of discovering the city based on its urbanistic and social transformations. This year an extra itinerary was added around the Barcelona of Salvador Espriu, Lavínia. A permanent, regular and stable educational offering for an adult audience and for school groups. In 2013 a total of 291 people were catered for on weekends with an offer plus 3,099 students.

71 CCCB Education — Itineraries

Urban itineraries — Raval. Cosmopolitan Territory (itineraries on foot) What was once the emptiest sector of walled Barcelona is today the most densely populated neighbourhood in the city. In this process the Raval has become a cosmopolitan territory, but it has never managed to free itself of the effects of marginalisation. How is it possible to favour a mixture of uses, cultures and classes without excluding anyone?

— Poblenou. The Productive City (itineraries on foot) The utopian socialism of Cerdà saw in Poblenou the possibility of a New Icaria. Pla 22@, a testing bench for exploring the knowledge society. De-industrialisation has filled it with abandoned factories and the collective memory of the workers and the cooperatives has charged it with meaning. What must the city live on after de-industrialisation?

— El Carmel and Nou Barris. From the Right to Housing to the Right to a City (itineraries on foot) The need for a roof over people’s heads is more imperative than any urban planning regulation. The fight of the neighbourhoods of El Carmel and Nou Barris to achieve dignified housing is full of lessons for tackling a challenge that is still all-too-pressing today: how can we ensure that the city accommodates everyone?

— Eixample. The Shape of the City (itineraries on foot) The results of recent research have accurately given us a closer view of the complexity of the original Cerdà plan, but have also helped us to be fully aware of the great flexibility of Cerda’s urban design and its capacity to adapt to the changes that the city has experienced over the last 150 years. The Eixample is a vibrant modern district that is geared towards a future that demands new actions.

— Besòs. From Frontier to Public Space (itinerary by coach) What was once a frontier between urban peripheries is now a nerve centre that transcends the municipal sphere and is helping to configure a new metropolitan city. Today the Besòs is a privileged space for interconnection within a context in which planning and urban vision on a large scale have become fundamental.

— Llobregat. New Metropolitan Axis (itinerary by coach) The Llobregat continues to be an essential river for the entire territory that it crosses: for the urban fabric surrounding it, for the delta generated by it and for the economy in motion around it. This visit to the river – from Sant Joan Despí to its arrival at El Prat – aims to analyse the Llobregat’s role as a fundamental axis in the territorial and economic organisation of this sector of the metropolitan city. — La Sagrera - Sant Andreu - Sant Martí: Three Neighbourhoods Undergoing Transformation (itinerary by bicycle) The La Sagrera area is the place where the largest urban transformation in the city of Barcelona is taking place, with the construction of the great new railway station of Barcelona for the high-speed train and the incorporation of a linear park from the bridge on Bac de Roda to the Trinitat interchange. The route leads around the sector first above it and then below it.

— From Montgat to the Barceloneta. A Variety of Seafronts (itinerary by bicycle) The stretch from Montgat to the river Besòs is marked by the alternation of consolidated urban fronts and industrial sectors situated right along the coastline. Having crossed the Besòs, two urbanistic operations serve to date the transformation of Barcelona’s urban front: the Forum and the Vila Olímpica. The Barceloneta, the city’s port and fishing district since it was founded in the 18th century, is today adapting to the new challenge presented by the advent of mass leisure and tourism.

Literary Itineraries — Lavínia, the Barcelona of Salvador Espriu. This itinerary includes a tour around the prose and the biography of Salvador Espriu, with Maria Nunes.

— Barcelona Reads Barcelona Reads is an itinerary organised jointly by the CCCB and the Library Consortium of Barcelona that tours key aspects of reading through the extraordinary collections and singular premises offered by different institutions in Barcelona, with the presence and explanations of specialists in the different subjects.

Social

ÂŠ Irene Ruiz

programme

74 Social Programme

Alzheimer Programme

The CCCB continued with its Alzheimer Programme, aimed at people affected by the illness, their families and carers. This programme offers commented visits to the exhibitions at the CCCB and to the building housing the Centre and a special programme of films. During the year 2013, the following activities were carried out with a total of 183 visitors: — Visit to the exhibition “Paral·lel Avenue, 1894-1939”, 14 January, 4 and 18 February — Audiovisual activity “Let’s go to the Cinema”, 8 April and 23 July — Visit to the exhibition “Pasolini Roma”, 10 June, 22 July and 16 September — Visit to the exhibition “Espriu. I Looked Upon This Land”, 2 and 9 December — “Learning and Service” programme, 17 and 22 April Over the course of 2013, the CCCB Alzheimer Programme also carried out other activities and actions. “Learning and Service” Programme — Upon the proposal of La Blanquerna-Universitat Ramon Llull, there was participation in the “Learning and Service” Programme with the aim that their pupils learned by providing a community service. Two classes were taught at the university to pupils in the group in the norming and afternoon. Afterwards the pupils visited the AFAB to get to know the users whom they would be addressing and finally, in the month of April, the same pupils carried out an activity designed by themselves with the users of AFAB at the CCCB.

Participation in 4 days — “Labpact, International Summer School”, 17-18 June — Event organised jointly with the Association of Relatives of Alzheimer Patients of Barcelona (AFAB), to mark International Alzheimer Day and give a voice to non-pharmacological therapies, 9 October — “Attention and Communication to Apropa Groups”, 4 November — “Open All Areas”, European conference devoted to accessibility in the cultural context at museums and in the arts, 14 and 15 November Museums and Accessibility Work Group — Together with other museums in Barcelona and its metropolitan area, a work group similar to those of English-speaking communities was initiated in relation to museum accessibility.

75 Social Programme

Sponsor your Facility

Organisation — Districte de Ciutat Vella de l’Ajuntament de Barcelona

Coordination — Fundació Tot Raval

Apropa Cultura

With the support of — Generalitat de Catalunya, Ajuntament de Barcelona and Diputació de Barcelona

Collaboration — Obra social “la Caixa”

From October 2013 the CCCB entered to form part of “Apropa Cultura”, the social education programme of the main cultural facilities aimed at the users of the centres and social services that work with people at risk of social exclusion. This is an inclusion experience that allows them the best cultural programmes. During the autumn of 2013, all education experts and public service staff were trained to provide services to participants from the following social spheres: disability, mental illness, social exclusion and isolation, poverty, situations of vulnerability, risk, gender-based and family violence, drug dependency and other addictions, HIV/AIDS, prisons, juvenile delinquency, elderly people, precarious working conditions, unemployment, homeless and newly-arrived immigrants. And also organisations of sensorial disabilities, special work centres, associations of chronic illnesses, associations of parents and families linked to syndromes or diseases and elderly people’s homes.

www.apropacultura.cat

Educational activities project for strengthening the inter-relation between educational centres and major cultural facilities of the Raval, within the framework of Raval Cultural. The general actions that it proposes are the free nature of the guided visit to the exhibitions, urban itineraries and educational activities in general, for the education centres involved, a programme of talks with secondary schools and a picto-writing programme, designed for primary school pupils to educate in creativity in writing (see the section “CCCB Education”, p. 69). The following education centres took part: Escola Milà i Fontanals, Institut Miquel Tarradell, Escola Labouré, Escola Collaso i Gil, Escola Bressol Municipal Canigó, Institut Milà i Fontanals, Escola Vedruna-Àngels, Escola Castella and Escola Drassanes. The cultural centres involved were the following: MACBA, Filmoteca de Catalunya, CCCB, Gran Teatre del Liceu, Museu Marítim de Barcelona and Palau Güell.

Social Programme

Museums and Accessibility It is also important to highlight the Community Blog on the practice on Museums and Accessibility that has been created by a group of cultural institutions. museusiaccessibilitat.blogspot.com.es

Organisation — CCCB, Museu Marítim, MACBA, MNAC, Fundació Joan Miró, Museu Picasso de Barcelona,

Fundació Tàpies, Museus de Sant Cugat and Oficina de Patrimoni de la Diputació de Barcelona

the CCCB

Beyond

78 Beyond the CCCB — Exhibitions

The Complete Letters In Paris 30 November 2012 — 29 June 2013 Based on the exhibition “The Complete Letters”, produced by the CCCB, the Centre Georges Pompidou produced the film series “Cineastes en Correspondència” in which the filmmakers that had taken part in the exhibition at the CCCB presented, two by two, their complete work. Elective affinities that allowed new dialogues, new creations, new exchanges to share with their spectators. The series began with the correspondence between Jonas Mekas and José Luis Guerin, from 30 November to 7 January 2013 (with 20,000 visitors), and continued with that of Albert Serra and Lisandro Alonso, from 17 April to 29 June 2013 (with over 12,000 visitors). The series was constituted by a special on Albert

Curator — Jordi Balló Coproduction — Casa Encendida (Madrid), Centro Cultural Universitario Tlatelolco (Mexico), Acción Cultural Española (ACE) and CCCB

Organisation — CCCB and Centre Georges Pompidou (Paris)

Serra (17 April - 12 May), a special on Lisandro Alonso (31 May 29 June), the letter by Albert Serra El Senyor ha fet en mi meravelles (9 May) and the debate between Serra and Alonso (8 June). Between 2012 and 2013, “The Complete Letters” was presented at: Centro Cultural Universitario Tlatelolco (Mexico City), Casa Encendida (Madrid), Las Cigarreras Cultura Contemporánea (Alicante), Cinematheque Seoul Art Cinema / K. A. C. T. (Seoul) and at the Sala Lugones, Teatro San Martín (Buenos Aires).

Beyond the CCCB — Exhibitions

Global Screen In Monterrey 28 June — 29 September “Global Screen” is an exhibition dedicated to a reflection on all the screens that influence us in the 21st century: cinema, television, computers, smartphones, digital tablets, surveillance screens, etc. All the screens that have come to be a part of our lives and are here to stay, with a power that has no precedents, as they affect all sectors: private, social, cultural, artistic, scientific and political. In a project that defines itself as eminently open, evolving and shared in all senses, in its process of creation, in its content and in its form, itinerancy acquires an emblematic role. Each of the productions generates a form of movement, of transformation, of

Curators — Gilles Lipovetsky, Jean Serroy and Andrés Hispano Production — CCCB and San Telmo Museoa (Donostia)

Organisation — CCCB and the Nuevo León Council for Cultures and Arts CONARTE (Monterrey)

change and of new dialogue with the audience, who improve the production and enrich it via the website pantallaglobal.cccb.org. During its time at the Centro de las Artes CONARTE in Monterrey, a new museographic adaptation was generated that had a notable repercussion in terms of audience, with over 62,000 visitors. Gilles Lipovetsky attended and presented the project.

Beyond the CCCB — Exhibitions

Pasolini Rome In Paris 14 October 2013 — 26 January 2014

After the CCCB and before travelling to the Pallazzo delle Esposizione de Roma and to the Martin Gropius Bau in Berlin in 2014, the project “Pasolini Rome” was presented at the Cinémathèque Française in Paris. In Paris, the exhibition, which offers a close view of Pasolini throughout a multiple and thrilling life in permanent tension, the life of a creator and fighter on all fronts, was accompanied by a programme of parallel activities; a retrospective on Pasolini the filmmaker, staged readings of poetry and theatrical texts, study sessions on one of the most important European intellectuals of

Curators — Gianni Borgna, Alain Bergala and Jordi Balló Production — CCCB, La Cinémathèque Française, Paris; Palazzo delle Esposizione, Rome and Martin Gropius Bau, Berlin

This project has been financed with the help of the European Commission

the past century, a music performance show and artist David Toffolo, etc. With this presentation, the Cinémathèque made a great impact in the media and achieved a notable attendance by the public, with close to 42,000 visitors.

79 Beyond the CCCB — Exhibitions

Bolaño Archive, 1977- 2003 In Buenos Aires 19 December 2013 — 20 February 2014 A decade after his death and revolving around Bolaño’s known devotion to Argentine literature (he was a voracious reader of Arlt, but also of Macedonio Fernández, Borges and Cortázar), the City of Buenos Aires wanted to pay its own tribute to him and host the exhibition “Bolaño Archive, 1977-2003” at the Centro Cultural Recoleta. “Bolaño Archive” is the result of collaboration between the CCCB and the heirs of Bolaño. Beyond the thematic focus, the innovative museographic elements and other aspects, the strong point of the exhibition is the presentation of previously unpublished material from the archives of Roberto Bolaño: novels, short stories, poems, texts and various exercise books, correspondence, family photographs, magazines and fanzines, his personal library, a plethora of interviews, strategy board games and other valuable materials, that provide a greater comprehension of the creative universe of Bolaño and contribute to a freer and more prolific interpretation of his work.

Curators — Juan Insua and Valerie Miles Production — CCCB, with the participation of the Government of the City of Buenos Aires

Organisation — CCCB, Centre Cultural Recoleta and Government of the City of Buenos Aires

The exhibition in Buenos Aires made a strong impact in the press and on the social networks, and it is planned that, at the start of 2015, it will be presented at the Casa del Lector in Madrid, a new cultural centre that makes readers and reading its main protagonists; and possibly it will continue its tour to the cities New York and Santiago de Chile.

Beyond the CCCB — Exhibitions

Post-It City Occasional Cities

Curators — Martí Peran, Filippo Poli, Giovanni La Varra and Federico Zanfi Production — CCCB

Organisation — CCCB, Sala Fundación Cruzcampo and Malaga City Council

In Malaga 8 October — 3 December The concept of Post-it City refers to different temporary occupations of public space, be they commercial, recreational or of any other type, with the characteristic that they barely leave a trace, and self-manage their appearances and disappearances. Different multidisciplinary teams from Europe, North America, South America, Asia and Africa have collaborated on this project, which aims to configure the jigsaw puzzle of the informal city: spontaneous settlements, self-managed leisure, recycling as a strategy for survival and imagination, alternative housing and other post-it city phenomena that highlight the urban territory as a place where there is an overlap of different uses and situations, in opposition with the growing pressures to homogenise the public space. Malaga joined the catalogue of “networked cities” with has featured the participation of young researchers from all over the country, through the contribution of results from the research workshop on spontaneous uses of the public space that were carried out by Malaga University students at the Sala Fundación Cruzcampo. It could be said that, of all the adaptations made over the course of its tours, the formalisation at this venue was the one that best responded to the post-it concept because it was presented at an alternative space that, in fact, is a car park.

“Post-it City” has also been presented at: Museo de Arte Contemporáneo (MAC, Santiago de Chile), Espacio de Arte Contemporáneo (EAC, Montevideo), Espacio Casa de Cultura - La Prensa (Buenos Aires), Centro Cultural São Paulo, Museo de Cádiz and Centro Centro de Madrid.

80 Beyond the CCCB — European Prize for Urban Public Space

European Prize for Urban Public Space In Favour of Public Space

Exhibitions and debates around the European Prize for Urban Public Space 2012

In Toulouse 15 December 2012 — 16 March 2013

Production — CCCB Organisation — Centre Méridional de l’Architecture et de la Ville de Toulouse

With the support of — CAUE 31 / Conseil d’Architecture, d’Urbanisme et de l’Environnement de Haute-Garonne

The exhibition of the Prize was presented at the Centre Méridional de l’Architecture et de la Ville de Toulouse until 16 March 2013. Within the framework of the exhibition, on 5 February, a debate session was organised with the participation of political authorities, academics and representatives of civil society who were questioned regarding the issue “To whom does the public space belong? On 21 February the debating session took place in

which the Prize was presented along with the work Restoration of the Hilltop Site of Turó de la Rovira, joint runner-up at the 2012 edition. Participants at the event included David Bravo, secretary of the Prize Jury, and Imma Jansana, author of the winning work.

In Bogota

Organisation — Bogota City Council

7 January — 14 April The Museum of Bogota hosted the exhibition of the Prize, which in the previous autumn had been presented at the Centro de Desarrollo Cultural de Moravia in Medellín. With this, the exhibition passed the frontiers of Europe for the first time and began a series of tours around different cities in Latin America. On 10 and 11 April, within the framework of the exhibition, an international forum was held, “Bogota and the Public Space: Building the City

and the Citizens”, a series of debates on the public space and the revitalisation of the centre of Bogota, with the participation of architects Elías Torres, Josep Llinàs and David Bravo, in dialogue with Latin American experts.

81 Beyond the CCCB — European Prize for Urban Public Space

In Paris 25 March — 29 April

Organisation — Cité de l’Architecture et du Patrimoine of Paris

The Cité de l’Architecture et du Patrimoine of Paris, one of the seven European institutions that co-organise the Prize, presented this exhibition at its premises for the first time. The Cité hosted the exhibition under the title “La ville tournée vers l’espace public.

Prix européen de l’espace public urbain 2012”. Participants at the inaugural event included the architects of the winning projects and Judit Carrera, director of the Prize.

In Lyon

Organisation — Archipel Centre de Culture Urbaine

24 May — 28 July The exhibition of the Prize 2012 continued its tour around Europe. After Toulouse and Paris, the following stop was the city of Lyon, where it was presented at the Archipel Centre de Culture Urbaine between 24 May and 28 July with the title “La ville tourné vers l’espace public. Prix européen de l’espace public urbain 2012”.

Participants in the inauguration of the exhibition included the director of the Prize, Judit Carrera; the president of Archipel, Amilcar Dos Santos; and its director, Valérie Disdier.

In Prague

Organisation — Galerie Jaroslava Fragnera

20 June — 1 September The European Route of the exibition continued its course. After being exhibited in France, it went to the Czech Republic, where it was presented at the Galerie Jaroslava Fragnera in Prague as part of the reSITE Urban Festival and with the title “In Favour of Public Space”. The inauguration of the exhibition featured the presence of Tomáš Hudecek, deputy mayor of Prague City Council; Osamu Okamura, programme director of the Urban Festival reSITE; Dan

Merta, director of the Galerie Jaroslava Fragnera; and Judit Carrera, director of the Prize. Before the inauguration, there was a debate with the participation of Judit Carrera and Janez Kozelj, deputy mayor of Ljubljana and promoter of the renovation of the banks of the River Ljubljanica, an intervention that received an accolade in the previous edition of the Prize. The debate was moderated by Filip Šenk, an architecture theoretician and historian.

In Cartagena de Indias

Organisation — Centro de Formación de la Cooperación Española

27 June — 31 August After being exhibited in Medellín and in Bogota, the exhibition “In Favour of the Public Space”, which presented the results of the last edition of the European Prize for Urban Public Space, reached

Cartagena de Indias. The exhibition was a co-production between the CCCB, the Fundació Kreanta and the City Hall of Bogota.

In Ljubljana

Organisation — Fužine Castle Park

27 September — 24 November In September 2013 the exhibition reached the Slovenian capital and was exhibited for the first time in the open air, thanks to a production by the city’s Museum of Architecture and Design (MAO). The opening of the exhibition, which featured Janez Koželj, deputy mayor of Ljubljana, and Judit Carrera, director of the Prize, included the presentation of some of the prize-winning works and others mentioned by the Jury members at the last edition of the Prize. Thus, Dietmar Steiner, director of the Architekturzentrum

Wien, talked about the Renovation of the Banks of the River Ljubljanica (Ljubljana, 2011); Juulia Kauste, director of the Museum of Finnish Architecture, explained the Memorial of the Abolition of Slavery (Nantes, 2011); and David Bravo, secretary of the Prize, exhibited the Restoration of the Peaks of the Turó de la Rovira (Barcelona, 2011) and the Camp at the Puerta del Sol (Madrid, 2011). After the inauguration, a debate took place between all the participants, who were joined by Matevž Čelik, director of the MAO.

CCCB

Holdings

84 CCCB Holdings — Archives

CCCB Archive The CCCB Archive is the digital and multimedia collection that contains all the CCCB’s past material and makes it accessible to the public with a broad variety of materials on key issues in contemporary culture and society, from the first exhibitions to more recent debates and festivals. Currently, visitors to the CCCB Archive can consult over 10,000 multimedia references (recordings of lectures; performances, recitals and concerts; in-house audiovisuals; photographs; information on activities and their participating authors, curators and speakers), which represent 100% of the historical holdings of the CCCB, and all the materials generated by its programming are gradually incorporated. In addition to its aim of communication, the Archive also has the vocation of being a space for recording the CCCB’s history, and an area for all visitors offering a reception, reading and relaxation.

CCCB Holdings — Archives

Public Space

Organisation — CCCB Sponsorship — Copcisa, Abertis and Escofet

Public Space is the CCCB’s portal on city and public space. Structured around the European prize for Urban Public Space, it offers information on the projects presented, texts by authoritative authors, and all the news on the debates, exhibitions and festivals with an urban theme linked to the CCCB. The portal is structured into three areas:

Urban Library

European Prize for Urban Public Space

Information can be found here relating to all the Prize editions held so far and to the winning projects from each edition.

This brings together the main texts on urban themes that the CCCB has been compiling since the very start. Exhibitions, debates and conferences constitute this collection on the contemporary city in the form of a virtual library, which makes accessible to everyone the more theoretical approaches to the city phenomenon generated by the CCCB. The Library features texts by Zygmunt Bauman, Jordi Borja, Teresa Caldeira, Manuel Castells, Jean-Louis Cohen, André Corboz, Robert Fishman, Jan Gehl, Oriol Nel·lo, Xavier Rubert de Ventós, Saskia Sassen, Michael Sorkin, Eyal Weizman and Sharon Zukin, among others.

European Archive of Urban Public Space

This contains a selection of the best works presented for the Prize since its origins. At present, the Archive offers a perspective on 469 interventions in the public space of 301 European cities.

Collaboration — The Architecture Foundation (London), Architekturzentrum Wien (Vienna), Cité de l’Architecture et du Patrimoine (Paris), Museum for Architecture and Design (Ljubljana), Museum of Finnish Architecture (Helsinki) and Deutsches Architekturmuseum (Frankfurt)

www.publicspace.org

85 CCCB Holdings — Archives

Xcèntric Archive

Organisation — CCCB

The CCCB has a digital archive for free public consultation specialising in experimental film and creative documentaries, with over 700 films. Among the new acquisitions in 2013, highlights are the four most important titles of Maya Deren, the latest pieces by Peter Tscherkassky, films by Henri Storck and other prominent Belgian avant-garde filmmakers and also by young local authors such as Gerard Gil, Albert Alcoz and Ana Pfaff. The archive has given visibility this year to two local audiovisual projects: “Your Lost Memories”, an initiative that collects and gives life to “orphaned” films in Super-8, and “The One-Minute Video”, an initiative from the International Women’s Films Exhibition of Barcelona, which invites women to make films of a minute in length and recorded in a single shot around a certain issue. The Xcèntric Archive has also hosted at its premises three workshops related with animation. With the name “PARAL·L·E·L·P·O·P·U·P”, the first two were devoted to exploring the cut-out photo by photo animation technique using cut pieces to create an experimental collage film by making use of many of

the materials from the documentation of the exhibition “Paral·lel Avenue, 1894-1939”. The third workshop, aimed at a family audience, taught experimental animation with new digital tools in an easy and accessible way. On a regular basis proposals are made to visitors of “menus” or thematic programmes for à la carte viewing and guided visits are organised for groups (students from universities, film schools, artistic and professional groups, etc.). With these educational and dissemination activities, the aim is to bring this cinema closer to potential viewers, expanding the cinema space and raising awareness regarding its continuing capacity to reinvent itself and its possibilities for generating visual thinking. www.cccb.org/Xcentric

CCCB Holdings — In Collaboration

OVNI

Organisation — OVNI and CCCB

Observatory Archives The Unidentified Video Observatory archives are of an intentional and thematic nature: the aim is to facilitate a critique of contemporary culture using different strategies (video, art, independent documentary and mass media archaeology). The Archives contain an entire constellation of disparate works, the common denominator of which is their free expression and reflection on individual and collective fears and pleasures. Together they build up a view with numerous facets, of thousands of tiny eyes that explore our world in depth, or announce other possible worlds; a discourse whose main values are heterogeneity, contradiction

and subjectivity, and that aims to be a salutary lesson against the cloning and repetition of the corporate mass media. www.desorg.org

CCCB Holdings — In Collaboration

Sonoscop Sound Art Archive

Sonoscop is the permanent collaboration project between Orquestra del Caos and the CCCB. Its aim is the creation of a multimedia archive of experimental music and sound art accessible to the public, whether through physical presence, or through other forms of electronically-derived presence, such as the web. The total number of sound archives now exceeds one thousand but, furthermore, the archive includes catalogues, hand programmes, publications on paper, audiovisual material and CD-ROMs. www.sonoscop.net

Organisation — Orquestra del Caos and CCCB

86 CCCB Holdings — Publications

Publications

— Bolaño Archive, 1977-2003 The possibility of exploring the Bolaño Archive, offered to the CCCB by his heir Carolina López, has also allowed the production of this catalogue which reviews the figure and work of Roberto Bolaño taking as a starting point the three places where he lived a large part of his life: Barcelona, Girona and Blanes. The work of Bolaño, from his youthful exercises “written to free my hand” to the gigantic ambition of 2666, all seems to form part of a universe in expansion, with its own laws, games, mirages and connectivities. The catalogue helps, in this sense, towards unravelling the Bolaño enigma. x Languages: Catalan edition with English translation / Spanish edition with English Translation 176 pages /17 x 24 cm / 70 images b/w and colour Texts by: Juan Insua, Valerie Miles, A. G. Porta, Enrique Vila-Matas, Javier Cercas, Patricia Espinosa, Olvido García Valdés and Barbara Epler ISBN: 978-84-9803-650-3 (Catalan) / 978-84-9803651-0 (Spanish) Published by: CCCB and Direcció de Comunicació de la Diputació de Barcelona

— Pasolini Rome An analysis of the close and fruitful relationship between poet, filmmaker, linguist and scriptwriter Pier Paolo Pasolini, and the Rome of his time. Through a collection of original texts by Pasolini, we tour his personal and literary geography. His voice leads us, without intermediaries, deep into the complexity and richness of his character, revealing him as a key witness for understanding the contemporary world. x Languages: Catalan edition / Spanish edition 264 pages / 19 x 24.3 cm / 180 images in b/w and colour ISBN: 9782081286283 (Catalan) / 9782081286276 (Spanish) / 9782081307032 (French) / 978-8857222837 (Italian) Published by: CCCB and Skira Flammarion

Breus Collection

Exhibition Catalogues

The Breus collection covers, in abbreviated format and in the original version accompanied by a Catalan or Spanish translation, some of the most significant lectures given at the CCCB within the framework of debates, seminars, series of conferences and symposiums. — Titles published in 2013 59. Cristina Lafont, La religió en l’esfera pública / Religion in the Public Sphere 52 pages / 12.5 x 17 cm ISBN: 978-84-6156-6456-6 (Catalan - English) Published by: CCCB 60. Herta Müller, Sempre la mateixa neu i sempre el mateix oncle / Immer derselbe Schnee und immer derselbe Onkel 48 pages / 12.5 x 17 cm ISBN: 978-84-616-6286-9 (Catalan - German) Published by: CCCB 61. Peter Burke, Coneixements comuns / Common Knowledges 56 pages / 12.5 x 17 cm ISBN: 978-84-616-6287-6 (Catalan - English) Published by: CCCB 62. Ramon Andrés, La música en común / Music in Common 44 pages / 12.5 x 17 cm ISBN: 978-84-616-6288-3 Spanish - English) Published by: CCCB 63. Xavier Antich, La ciutat del dissens. Espai comú i pluralitat / The City of Dissent. Shared Space and Plurality 80 pages / 12.5 x 17 cm ISBN: 978-84-616-6289-0 (Catalan - English) Published by: CCCB 64. Marina Garcés, El compromís / Commitment 44 pages / 12.5 x 17 cm ISBN: 978-84-616-6290-6 (Catalan - English) Published by: CCCB 65. Zygmunt Bauman, La felicitat es fa, no es compra / Joys of Life Made, not Bought 68 pages / 12.5 x 17 cm ISBN: 978-84-616-6291-3 (Catalan - English) Published by: CCCB

Dixit Collection

The result of collaboration between the CCCB and the Argentinian publisher Katz Editores, Dixit publishes, in Spanish, a selection of lectures previously published in the Breus collection. With Dixit, the CCCB makes accessible to the public from the rest of Spain and of Latin America the best lectures given at the CCCB. — Titles published in 2013 19. Richard Sennett, Artesanía, tecnología y nuevas formas de trabajo / “Hemos perdido el arte de hacer ciudades” (interview with the author by Magda Anglès) 64 pages / 11 x 20 cm ISBN: 978-84-92946-49-5 Published by: CCCB and Katz editores (Buenos Aires-Madrid) 20. Rüdiger Safranski, Sobre el tiempo / “Una vida es rica si participa de diversas velocidades” (interview with the author by Daniel Gamper Sachse) 64 pages / 11 x 20 cm ISBN: 978-84-15917-79-3 Published by: CCCB and Katz editores (Buenos Aires-Madrid)

ÂŠ Miquel Taverna

General

Details

90 General Details

Collaborating Institutions and Companies

A Consortium of:

Co-Producers:

Amb el suport del programa Cultura de la Uni贸 Europea

Sponsors:

Collaborating Media:

91 General Details

Collaborators:

0100101110101101.org / d-i-n-a, 9Zeros Escola d’Animació de Catalunya (Animation School), A Bao A Qu, A Viva Veu, Abertis, Acadèmia del Cinema Català (Catalan Cinema Academy), Acción Cultural Española (Spanish Culutral Action - ACE), Advanced Music, Afghanistan Analysts Network, Agència Catalana de Cooperació al Desenvolupament (Catalan Agency for Development Cooperation), Bogota City Council, Alianza Editorial, Analogic Té, ANIMAC (Lleida), Antalis, Antic Teatre, Ara Llibres, Archipel Centre de Culture Urbaine, Architekturzentrum Wien (Vienna), Art Futura, Arts Santa Mònica, Associació de Familiars d’Alzheimer de Barcelona (Association for Families of Alzheimer’s Sufferers of Barcelona - AFAB), Associació Drap-Art, Associació per als Drets Humans a l’Afganistan (Association for Human Rights in Afghanistan - ASDHA), Ateneu Barcelonès, Atlas Experiment, Auditori de Barcelona, B·Debate International Center for Scientific Debate Barcelona, Biblioteques de Barcelona, Biocat, Bitò Produccions, Blackie Books, Bohèmia’s Produccions, British Council, CADS, Can Felipa, Casa Amèrica, Casa del Lector (Madrid), Casa Encendida (Madrid), Catalan Arts!, Catalunya Llibreries, Centre Cultural Recoleta, Centre Georges Pompidou (Paris), Centre Méridional de l’Architecture et de la Ville de Toulouse, Centro Centro de Madrid, Centro Cultural España-Córdoba, Centro Cultural São Paulo, Centro Cultural Universitario Tlatelolco (Mexico), Centro de Formación de la Cooperación Española (Spanish Cooperation Training Centre), Centset, CERN, Cinemes Girona, Cité de l’Architecture et du Patrimoine (Paris), CIVI, Club Súper3-TV3, Col·legi d’Educadores i Educadors Socials de Catalunya (Association of Social Educators of Catalonia), Col·legi Professional de l’Audiovisual de Catalunya (Audiovisual Professionals Association of Catalonia), Companyia Prisamata, Conseil d’Architecture, d’Urbanisme et de l’Environnement de Haute-Garonne, Consejo de las Culturas y las Artes de Nuevo León CONARTE (Monterrey), Consolat General de la República de Polònia a Barcelona, Consorci de Biblioteques, Consorci Universitat Internacional Menéndez Pelayo Barcelona (CUIMPB)-Centre Ernest Lluch, Convent de Sant Agustí, Coordinadora de Festivals i Mostres de Cinema i Vídeo de Catalunya (Coordinator of Film and Video Festivals and Exhibitions of Catalonia - CI&VI), Copcisa, Department of Social Welfare and Families, Department of Audiovisual Communication of the UAB, Department of Communication of the UPF, Department of Culture of the Generalitat of Catalonia, Department of Philosophy of the UAB, Deutsches Architekturmuseum (Frankfurt), General Baord of Penal Execution in the Community and Youth Justice of the Generalitat of Catalonia, Ciutat Vella District of the Ajuntament de Barcelona, Sant Martí District, Editorial Comanegra, Editorial Debate, Editorial Empúries, Editorial Icària, Editorial Les Males Herbes, Editorial Minúscula, Editorial Paidós, Embajada de Chile en España, Child Care Team of Sant Pere Claver- Health Care Foundation, Escena Poblenou, ESDI, Espacio Casa de Cultura - La Prensa (Buenos Aires), Espacio de Arte Contemporáneo (EAC, Montevideo), Blanquerna School of Communication (URL), Federació Catalana de Cineclubs (Catalan Federation of Film Clubs), Festival Loop-Screen, FILMIN, Festivals de Cinema de Catalunya (Catalonia Film Festivals), Filmoteca de Catalunya, Fondation Lilian Thuram-Éducation contre le racisme, Fundació Catalunya-La Pedrera, Fundació El Molino (FEM), Fundació FC Barcelona, Fundació Foto Colectania, Fundació Jaume Bofill, Fundació Joan Miró, Fundació Palau (Caldes d’Estrac), Fundació Tàpies, Fundació Tot Raval, Fundación Chile-España, Fundación Civio, Fundación Collado-Van Hoestenberghe, Fundación Española para la Ciencia y la Tecnología (FECYT), Galaxia Gutenberg, Galerie Jaroslava Fragnera, Gobierno de la Ciudad de Buenos Aires, Goethe-Institut Barcelona, Gran Teatre del Liceu, Grec 2013 Festival de Barcelona, Grup Cos i Textualitat, Hipnotik Faktory, Hotel Curious, Hotel Silken Rambles, ICEC-Generalitat de Catalunya, ICFO-The Institute of Photonic Sciences, ICUB-Ajuntament de Barcelona, IDEC-UPF, Institució Catalana de Recerca i Estudis Avançats (Catalan Institute for Advanced Research and Studies – ICREA), Institució de les Lletres Catalanes (Catalan Letters Institute), Institut d’Estudis Catalans (Catalan Studies Institute – IEC), Institut d’Humanitats de Barcelona (Humanities Institute of Barcelona), Institut de Ciències Fotòniques (Photonic Sciences Institute), Institut de Govern i Polítiques Urbanes (Government and Urban Policies Institute – IGOP), Institut de Recherche et d’Innovation (IRI), Institut Français de Barcelona, Institut Municipal del Taxi (Municipal Taxi Institute), Institut Ramon Llull, Instituto Cervantes, Instituto Polaco de Cultura (Madrid), Istituto Italiano di Cultura di Barcellona, Katz Editores (Buenos Aires-Madrid), Knight Mozilla Open News, Laie CCCB, La Central del MACBA, La Fàbrica de Cinema Alternatiu, La Seca Espai Brossa-Barribrossa, La Virreina Centre de la Imatge, Libros del Asteroide, Literatura Random House, Literature Across Frontiers, Madrid Deep Space Communications Complex, Marvin & Wayne, Malaga City Council, Masters’s Degree in Chinese Studies of the UPF, Mecal, Media Antena, Medialab Prado, Microsoft, Miniput, Spanish Ministry of Culture, Mira Festival, Museo de Antioquia, Museo de Arte Contemporáneo (MAC, Santiago de Chile), Museo de Cádiz, Museu Blau, Museu d’Art Contemporani de Barcelona (MACBA), Museu d’Història de la Ciutat de Barcelona, Museu de Badalona, Museu del Gas de Sabadell, Museu Marítim de Barcelona, Museu Nacional d’Art de Catalunya (MNAC), Museu Picasso de Barcelona, Museum for Architecture and Design (Ljubljana), Museum of Finnish Architecture (Hèlsinki), Museus de Sant Cugat, NASA Jet Propulsion Laboratory, Noucinemart, Obra Social “la Caixa”, Observatori de Vídeo No Identificat (Unidentified Video Observatory – OVNI), Oficina de Patrimoni de la Diputació de Barcelona (Provincial Council Heritage Office), Oficina de Suport a la Iniciativa Cultural (Office of Support for Cultural Initiatives – OSIC) of the Generalitat of Catalonia, Open Knowledge Foundation, Open Society Initiative for Europe, Orquestra del Caos, Palau Güell, Paral·lel 40, Fužine Castle Park, Plataforma Editorial, Promoción de Humanidades y Economía, S. L., Raval Cultural, Red927, Restaurant 7 Portes, Revista de Letras, Sala Fundación Cruzcampo, San Miguel, San Telmo Museoa (San Sebastián), Seix Barral, Servei de Desenvolupament Empresarial (Business Development Service – SDE, Department of Culture, Generalitat of Catalonia), Skira Flammarion, Societat Catalana de Geografia (Catalan Geography Society), Sociedad General de Autores y Editores (Spanish Society of Authors and Publishers – SGAE), Tantàgora, Teatre Nacional de Catalunya (TNC), TedxRambles, The Architecture Foundation (London), The Influencers, Trànsit Projectes, Universitat Autònoma de Barcelona (UAB), Universitat de Barcelona (UB), Universitat de Lleida (UdL), Universitat Oberta de Catalunya (UOC), Universitat Ramon Llull (URL), Universitat Rovira i Virgili (URV), UPC School, Residents of Carrer del Carme, Velvet Events, VjSpain, Voxprima

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Speakers at Debates and Lectures

In Common 14 January-11 March

Ramón Andrés, Xavier Antich, Zygmunt Bauman, Ulrich Beck, Peter Burke, Lydia Cacho, Judit Carrera, Jaume Casals, Jaume Cela, Marina Garcés, Sílvia Heras, Joan Margarit, Josep Maria Muñoz, Joan Nogué, Perejaume, Josep Ramoneda, Ferran Sáez, Jacint Torrents and Jordi Vaquer The Future of the Paral·lel 15, 22 and 29 January

Josep Bohigas, Albert Civit, Jordi Coca, Josep Ferrando, Juan Carlos Iglesias, Juan José Lahuerta, Maria Serrat, Xavier Theros, Xavier Trias, Elvira Vázquez and Antoni Vives The Legacy of the International Community in Afghanistan 30 and 31 January

Saija Begham, Doris Buddenberg, Alberto Cairo, Farid Muttaqi, Suraya Pakzad, Thomas Ruttig and Francesc Vendrell The Murmur of Superman 12 February

Gregorio Luri, Abraham Tena Manrique and Esther Tena Manrique Kosmopolis 14-16 March

Eman Abdelhamid, Fernando Abilleira, Chefa Alonso, Jacinto Antón, Jaume Balmes, Andreu Benito, Valeria Bergalli, Bläue, Martine Bosman, Joana Bravo, Alexandra Büchler, Andreu Buenafuente, Jaume Cabré, Javier Calvo, David Carabén, Maria Cardona, Joan Carreras, Jorge Carrión, Sílvia Clemares, Joan Colomo, Krzysztof Czyzewski, Juan de Diego, Isidre del Valle, Eduard Escoffet, Àlex Espinós, Alícia Fernández, Sonia Fernández-Vidal, Karrie Fransman, Olvido García Valdés, Marta García-Matos, Martín Gómez, Glissando, Paul Gravett, Roderic Guigó, Carles Hac Mor, Jorge Herralde, Antonio G. Iturbe, David Jou, Ignasi Labastida, Pablo Ley, Rubén Martínez, Juan Antonio Masoliver Ródenas, Ricard Mateu, Dave McKean, Arantxa Mellado, Juan José Millás, Radamés Molina, Josep Pedrals, Karma Peiró, Xavier Pla, Ernest Pons, A. G. Porta, Pulpopop, Paul Rainey, Àlex Rigola, Lara Saiz, Helena Satué, Rogelio Saunders, Alicia Scherson, Carlos A. Scolari, Enric Senabre, Francesc Serés, Bashkim Shehu,

Ricard Solé, Joan Subirats, Jaume Vallcorba, Tamara Vázquez Schröder, Pau Vidal, Nacho Vigalondo, Nermin Yildirim, Thomas Zandegiacomo and Monika Zgustova George Soros 11 April

George Soros and Jordi Vaquer Racism is Still Here 6 May

Tahar Ben Jelloun, Ramon Garriga, Emili Manzano and Lilian Thuram 1st Data Journalism and Open Data Conferences 24 May

Sergio Álvarez Leiva, Judith Argila, Manuel Aristarán, Francesc Arroyo, Michael Bauer, Eva Belmonte, John Burn-Murdoch, Mar Cabra, Concha Catalán, Marta Corcoy, Ricard Espelt, Maru Garduño,Marc Garriga, Mònica Garriga, Ricard Gràcia, Laura Hernández, Óscar Marín (Outliers), Eduard Martín-Borregón, Pablo Martínez, Pedro Molina, Francisco José Moya, Karma Peiró, Juan Luís Sánchez Rodríguez-Navas and Mar Santamaria Constructing House of Leaves 4 June

Javier Calvo, Robert Juan-Cantavella and Ana S. Pareja Great Challenges in Biomedicine 5, 12, 18 and 26 June

Bonaventura Clotet, Josep Dalmau, Josep Maria Espinàs, Ramon Gomis, Susana de la Luna, Josep Maria Llovet, Javier Martínez-Picado and Milagros Pérez Oliva Thinking Differently 17 and 25 June, 1 and 9 July

Jordi Balló, Enric Casasses, Alfredo Jaar, Julià de Jòdar, Josep Maria Lluró, Dacia Maraini, Miguel Morey, Javier Pérez Andújar, Arnau Pons and Carles Rebassa I+C+I. Pasolini at the Lab 2 July

Breixo Hardinguey, Gonzalo de Lucas, Javier Rebollo and Davide Toffolo

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TEDxRambles 4 July

Conversation with Yu Hua 5 November

Francisco Aréchaga, Josep Eladi Baños, Ramon Fauria, Marta García-Matos, Irene Lapuente, Joima Panisello, Josep Perelló Palou, Jordi Serrano and Jil van Eylen

Carla Benet Duran, Yu Hua, Ricard Planas and Carles Prado

“Places” Series 16 September, 8 October and 12 November

Antoni Bassas and Moisés Naím

Nadeem Aslam, Ana Ballesteros Peiró, Philip Hensher, Antonio Lozano, Luis Miguel Solano and Edward St Aubyn La Maleta de Portbou 17 September

Antón Costas, Marina Garcés, Josep Ramoneda and Jorge Wagensberg The Meaning Of Culture 18 and 19 September

Vicenç Altaió, Francesc-Marc Álvaro, Xavier Antich, Nicolás Barbieri, Miquel Berga, Toni Casares, Marta Clari, Eduard Escoffet, Marina Garcés, Joan Miquel Gual, Simona Levi, Emili Manzano, Xavier Marcé, Jorge Luis Marzo, Antonio Monegal, Han Nefkens, Jordi Oliveras, Vicent Partal, Isona Passola, Rosa Pera, Jordi Puntí, Ricard Robles, Catalina Serra, Teresa Sesé and Francesc Torres Cautivas 26 September

María Alasia, Rosa Cendón, Miguel Pajares and Jaume Saura Data Journalism Sessions 26 September, 8 and 22 November and 16 December

Carles Agustí, Isaac Aparicio, Michael Bauer, Concha Catalán, Sergio Jerez, Eduard Martín-Borregón, Gilbert Martínez, Amparo Moreno, Francisco José Moya, Karma Peiró, Aron Pilhofer, Mar Santamaria, Lluís Sanz and Eli Vivas Evolution and Culture 19 and 28 October, 4 and 11 November

Juan-Luis Arsuaga, Guido Barbujani, Jaume Bertranpetit, Jared Diamond, Cristina Junyent, Joandomènec Ros, Núria Sebastián and Montserrat Vendrell Franco Farinelli 30 October

Núria Benach, Franco Farinelli and Bernat Lladó Mas

Who’s in Charge? The Mutations of Contemporary Power 13 November

Adolescence. Transgression, Risk and Foster Care 14 November

Lluís Duch, Luis Feduchi and Jorge Tió Energy Challenges: Present and Future 26 November, 3, 10 and 19 December

Jeroen van den Bergh, Andreu Cabot, Xavier Duran i Escribà, Mònica López Ferrado, César R. Ranero and Joan Vila i Simon Reading Machiavelli Today 2 December

Remo Bodei, Jordi Boixaderas, Juan Manuel Forte and Rosa Rius Gatell This Is Not on Sale! 4 December

Marina Garcés and Michael J. Sandel Barcelona a cau d’orella 12 December

Consuelo Bautista, Manuel Delgado, Joan Sala and Xavier Theros Love, Sex and Brain 18 December

Xavier Bassas Vila, Catherine Malabou and Felip Martí-Jufresa

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Use and rental of spaces

AEDIPE Session on “Optimisation of a Timetables Management System” Ajuntament de Barcelona / Barcelona City Council The Mayor Responds Ajuntament de Barcelona / Barcelona City Council Commission for Citizen Participation and Promotion of Associations 4th Social Responsibility in Catalonia Week Ajuntament de Barcelona / Barcelona City Council Department of Communication Urban Sketchers Barcelona 2013 International Symposium Ajuntament de Barcelona / Barcelona City Council Department of Quality of Life, Equality and Sports. Health Programme Management Conference to coincide with World Rare Diseases Day Ajuntament de Barcelona / Barcelona City Council Institut Barcelona Esports / Barcelona Sports Institute “Count to Three” Prize Awards Ceremony Ajuntament de Barcelona / Barcelona City Council Resources Agency 13th International Congress of Educating Cities American Express Barceló Viajes S.L. Talk about Convatec Asociación Acción y Participación / Action and Participation Association DH Festival, 5th International Festival on Films for Human Rights of Barcelona Asociación Emprendedores Filipinos de Barcelona / Association of Philippine Entrepreneurs in Barcelona Mutya Ne Barcelona 2013

Asociación Igualdad Animal / Animal Equality Association Public lecture by Will Potter, “We Greens Are The New Reds”

Col·legi Oficial de Gestors Administratius Catalunya / Official Association of Administrative Managers of Catalonia Christmas Aperitif Cogac 2013

Diputació de Barcelona International Relations Management Sessions on the European Union’s Structural Funds 2014-2020

Asociación Poros / Poros Association Barcelona Freudian Field Foundation Seminar

Col·legi oficial de Treball Social de Catalunya / Official Social Work Association of Catalonia Series of lectures by Jaume Botey

Diputació de Barcelona Invoices Register 2nd Products of the Land Networking Conference

Associació Professional d’Il·lustradors de Catalunya / Professional Illustrators’ Association of Catalonia Tacca’13 Barcelona Ypo Christmas Dinner 2013 Ypo wpo Betaprocess Viajes s.l. Racó Cap i Coll Birchman Consulting S.L. Sap Fashion User Group Brahma Kumaris Association Lecture “Choose Calm” Brand Space, S.L. Nike Event Caixa d’Enginyers ICO Lines: Support and finance for companies and entrepreneurs Centre d’Estudis Jordi Pujol / Jordi Pujol Studies Centre -Public Lecture by Graham Watson -2nd Edu21 Congress: Education, the Core of the New State Centre for Genomic Regulation (CRG) -Easy Science Conference: “The Problem with the French, Spanish and Catalan Flags” -Easy Science Conference: “A Computer in Every Living Cell” CESS Sports Association Move

Consorci d’Estudis, Mediació i Conciliació a l’Administració (CEMICAL) / Consortium of Studies, Mediation and Reconciliation in the Administration “Collective dismissal in the administrations and public sectors” Consorci Museu d’Art Contemporani de Barcelona (MACBA) / Barcelona Contemporary Art Museum (MACBA) Consortium “Open All Areas” sessions. Case studies of Barcelona Consorci per la Normalització Lingüística / Consortium for Linguistic Standardisation Debates at the Centre: public lecture by Albert Bastardas deba-t.bcn -Challenges of Journalism in the 21st Century -Will Democracy Survive Globalisation? -Culture as a Tool for Social Transformation Demanoenmano social association Demanoenmano social market Dèria Editors S.L. Presentation of the book Entrevistes amb el quart poder Diputació de Barcelona Economic Development Board Presentation of the 2013 Services Catalogue

EMI-Asociación contra la violencia familiar / Association against Family Violence “A New Road Forward” Escola de cinema Bande à Part / Bande à Part Film School 4th Godarín Prizes 2013 and Awarding of Final Diplomas Espacio de arte contemporáneo Diezy7, S.L. Swab Barcelona 2013 Eurosolar Conference on the Democratisation of Energy Solar Prizes 2013 Fèlix Martí Presentation of the book Déus desconeguts Foundation for the Universitat Oberta de Catalunya Management Staff Meeting Fundació Acollida i Esperança / Shelter and Hope Foundation Round table with Arcadi Oliveres and Eduard Sala, “What Can Be Done About Structural Poverty?” Fundació Alfons Comín / Alfons Comín Foundation After the Crisis Fundació Apip-Acam / Apip-Acam Foundation Apip-Acam Conference

95 General Details

Fundació Carme Serrallonga / Carme Serrallonga Foundation Collective Construction of a New Politics Fundació Claror / Claror Foundation Fundació Claror / Claror Foundation Fundació CREAL / CREAL Foundation CREAL Scientific Retreat Fundació Escolta Josep Carol / Josep Carol Scouting Foundation Presentation of the book Educar en el lideratge Fundació Jaume Bofill / Jaime Bofill Foundation What Can Governments Do to Improve Quality of Life? Fundació Joia / Joia Foundation Celebration of the 30th anniversary of the Fundació Joia Fundació Periodisme Plural / Plural Journalism Foundation Presentation of the digital newspaper Catalunyaplural.cat Fundació Privada Bioregió de Catalunya / Catalonia BioRegion Private Foundation (BIOCAT) MOEBIO & d·HEALTH Fundación Hazloposible / MakeItPossible Foundation Sustainability of Your NGO in Times of Crisis Generalitat of Catalonia. Ministry of Education Art and Design Conference: From School to Company Generalitat of Catalonia. Universities and Research Industrial PhDs Plan

Institut d’Estudis Regionals i Metropolitans de Barcelona / Barcelona Institute for Regional and Metropolitan Studies Presentation no. 55: The Barcelona Metropolitan Territorial Plan

MCI Spain Event Services, S.A. -Analyst & Press Conference ST -Ericsson MWC Training

Institut de Salut Global de Barcelona/ Global Health Institute of Barcelona (ISGlobal) -Science of Eradication: Malaria -Seminar “Building a Global Health Social Contract for the 21st Century”

Millennials Strategy Marketing S.L. -Filming of Sant Miguel Commercial -Where’s the Party? by Carlsberg

Institut d’Estudis de la Sexualitat i la Parella / Partnerships and Sexuality Studies Institute Seminar with Mark Beyebach. Solution-Centred Therapy Institut Català d’Oncologia / Catalan Institute of Oncology Presentation of the Book Som com moros dins de la boira? International Sport and Culture Association (ISCA) Move Congress La Troupe Creativa S.L. Víctor Valdés Press Conference Lliga dels Drets dels Pobles / Peoples’ League of Rights Philosophy and Science Conference Macular Degeneration Foundation Ldt. Global Ageing and Vision Advocacy Summit Mahala Comunicación y Relaciones Públicas S.L. Barcelona Contemporary Art Circuit Mamma Team S.L. Volkswagen Photography Session

Mecal Mecal

Òmnium Cultural Presentation Òmnium Ciutat Vella ONG Dar es Infinito/ Giving Is Infinite NGO Connections and Experiences Congress P(A)T - Association for the Prevention of Road Accidents 18th Mediterranean Road Safety Conference Parameswara Art Productions Bollywood Picap, S.L. Presentation of the record Espriu en pròpia veu Planeta Med S.L. Docs Barcelona Pitching Forum Sociedad Interdisciplinaria del Sida / Interdisiciplinary AIDS Society (SEISIDA) 16th National Congress on AIDS / 11th International AIDS Impact Conference Televisió de Catalunya SA Pre-premiere of the documentary on Jordi Pujol TreeHouseBCN Press Conference for the “Live Art” Campaign

U.P.A. MSFE (Metges sense Fronteres) / Médécins Sans Frontières of Spain 26th General Meeting of MSFE Universitat Autònoma de Barcelona / Autonomous University of Barcelona Citizens’ Conference for the Elderly People of Barcelona Universitat Autònoma de Barcelona / Autonomous University of Barcelona Department of English CIEN Group Mobilities, Language Practices And Identities: Theoretical and Methodological Universitat de Barcelona / University of Barcelona Presentation of the book by Enric Prats L’educació, una qüestió d’estat. Una mirada a Europa Universitat de Barcelona / University of Barcelona Physics and Chemistry Centre Administration LSC Congress 2013 Universitat Pompeu Fabra / Pompeu Fabra University Music and Sounds of the Brain Via Quatro Comunicación S.L. -The Power of Action -Janosh - The Keys to Freedom VIVI FILM S.L. Barilla Ready Meals Vueling Airlines Vueling Press Conference: Growth Summer Season 2014 Webvisions Event Europe S.L. Web Visions

96 General Details

Visiting figures Exhibitions Bolaño Archive, 1977-2003 Espriu. I Looked Upon This Land Paral·lel Avenue, 1894-1939 Pasolini Rome World Press Photo 12 + Samuel Aranda World Press Photo 13 Total Activities Alzheimer Programme Animac Art House Film Festival of Barcelona ArtFutura BAM - BCNmp7 Barcelona Reads Barribrossa BCNmp7 Bolaño Day, screenings and readings Calderón by Pasolini, staged reading Christmas Screenings DocsBarcelona Drap’Art’13 Emergència! Estrena at the CCCB Flic Friends of the CCCB Gandules Grec experimental Barcelona Group Itineraries Hipnotik Festival Kosmopolis L’Alternativa Light on the Waves competition concert Mecal Medellín-Barcelona Reading Club Miniput Mira Lab Món Llibre Off Programme Photography Workshop at the MACBA and the CCCB Picto-writing Programme Poetry Slam Barcelona Première of the film Colors Primera Persona Screening of El Cosmonauta Sónar 2013 Concert The Infuencers The Shortest Day Voices from the Street, Rosa Novell speaks Espriu Weekend Itineraries Xcèntric Zeppelin Comprimit Total

21.190 11.279 25.573 36.349 6.572 41.383 142.346

183 1.806 3.418 2.011 6.000 462 470 1.240 300 205 548 1.738 4.593 735 148 700 879 5.916 1.512 2.889 2.850 6.044 9.267 263 849 47 1.666 445 18.000 796 881 46 3.382 250 1.019 350 1.315 1.500 1.005 100 291 2.576 65 88.760

Debates Alzheimer Sessions 100 Apropa Cultura (Closer to Culture) Programme 50 Collaborative Design of the Public Space 85 Conversation between Luis Feduchi and Lluís Duch 400 Conversation with Yu Hua 160 CUIMPB 2.228 Data Journalism Sessions 306 “Energy Challenges: Present and Future” Debate 196 Escena Poblenou Course for Spectators 20 “Evolution and Culture” Debate 617 “Great Challenges in Biomedicine” Debate 340 Homage To Orwell 75 I+C+i Special Pasolini 59 “In Common” Debate 3.341 Institut d’Humanitats de Barcelona 9.403 Lecture by Catherine Malabou 200 Lecture by George Soros 335 Lecture by Michael J. Sandel 430 Lecture by Moisés Naím 100 Lecture by Tahar Ben Jelloun and dialogue with Thuram 160 Master’s Degree in Design and Production of Spaces 1.180 Metropolis Master’s Degree 198 “Open All Areas” Sessions 45 “Places” Series 185 Postgraduate Course on Public Space 96 Presentation by Jordi Borja 150 Presentation of the book Franco Farinelli. Del mapa al laberinto by Bernat Lladó 60 Presentation of the book House of Leaves by Mark Z. Danielewski 50 Presentation of the book Salvemos el Euro by Christian Felber 65 Presentation of the book Sociofobia by César Rendueles 145 Presentation of the Exhibition “Bolaño Archive” 130 Presentation of the Exhibition “Pasolini Rome” 90 Presentation of the journal La Maleta de Portbou 395 Presentation of the novel Cautivas by Miguel Pajares 120 Reading Machiavelli Today 95 Teacher Training: Beta City 32 Teacher Training: Cinema in the Classroom: 72 TED Youth 360 TEDxRambles 65 “The Future of the Paral·lel” Debate 550 “The Legacy Of The International Community In Afghanistan” sessions 125 “The Meaning Of Culture” Debate 795 “The Murmur of Superman” Lecture-Concert 120 “Thinking Differently” Debate 932 Total 24.660 Archives CCCB Archive Xcèntric Archive Total

8.155 8.860 17.015

Venue Use-Hire Corporate events Venue uses Total

30.433 10.431 40.864

97 General Details

Total visitors Activities Archives Debates Exhibitions Hire Total

88.760 17.015 24.660 142.346 40.864 313.580

Debates 8% Activities 28%

Archives 6%

Hire 13%

Exhibitions 45%

Average daily visitors to the exhibitions

Bola帽o Archive, 1977-2003 Espriu. I Looked Upon This Land Paral路lel Avenue, 1894-1939 Pasolini Rome World Press Photo 12 + Samuel Aranda World Press Photo 13

days open 105 47 55 102 5 30

visitors/day open 202 544 205 356 1.314 1.379

98 General Details

Audience Visits to the CCCB The total number of visits during the year totalled 313,850. This means that during this year a great effort was made to maintain the number of visits despite the partial closure of the CCCB for building work during the months of September and October. This also meant that during the year 2013, the average number of visits to the Centre for each day it was open stood at 896, slightly below that of the previous year, which stood at 932. In general figures, if the year 2013 is compared with the previous year, visits to exhibitions decreased slightly (from 149,796 to 142,346). The number of people attending activities also fell (from 108,807 to 88,760), above all due to the reduction in the programming and especially because this was the first year without the Sónar Festival. Furthermore, the figure of people attending courses was maintained (from 24,948 to 24,595) and visits to the Xcèntric and CCCB Archives increased (from 13,426 to 17,015 visits), despite their being closed for six weeks. Finally, a figure that increased considerably was that of people attending venue hire events (from 18,955 to 40,864). The number of visits exceeded that of the previous year in the months of November, January and February, and it descended considerably in the months of June and October. As for the exhibitions programme, “World Press Photo 13” had the highest attendance, with 41,383 visitors, followed by “Pasolini Rome”, with 36,349. With regard to the activities programme, it is important to highlight for the first time the absence of the Sónar Festival. Of the other festivals, those with the largest audiences in attendance were Món Llibre with 18,000 visitors, L’Alternativa with 9,267 and Kosmopolis with 6,044. With respect to more specific activities, it is worth highlighting the offering of urban itineraries with 3,180 participants. As for the audiovisual offering, the Xcèntric programme totalled 2,436 viewers, while Gandules totalled 5,916. These two programmes increased their audience in comparison with the previous year. As regards debates and courses, the “In Common” debate reached a total of 3,341 people attending the season’s nine sessions, each of which had an audience in excess of 220 people. Highlights included the lectures given by Zygmunt Bauman with 700 in attendance and by Ulrick Beck with 550, as well as that of Josep Ramoneda with 450. This debate was followed by the debates related with the exhibition “Pasolini Rome”, with a total of 932 people attending. Finally, as regards the CCCB holdings, during the entire year, the CCCB Archive received 8,155 visitors, a similar figure to the previous year, and the Xcèntric Archive received 8,860. It is important to take into account that both archives were closed for six weeks.

Profile of the Exhibition Audiences In order to learn about the profile of the CCCB’s audience, regular surveys were carried out among visitors to the exhibitions. In relation with the five exhibitions of 2013, there were three that had a common point in terms of theme, as they focused on the figures of writers and artists: Roberto Bolaño, Pier Paolo Pasolini and Salvador Espriu, but with regard to the public they had different results. The exhibition “Pasolini Rome” had a higher percentage of visits from outside of Barcelona and over 50% of its visitors spoke French, English and other languages. In spite of everything, in all cases, people resident in the city of Barcelona continued to constitute the largest volume of visitors. The other two exhibitions had more visitors who were Catalan and Spanish speakers. “Espriu. I Looked Upon This Land” was the exhibition visited by the highest percentage of people who spoke Catalan, some 64%, and by a larger volume of people from municipalities from all around Catalonia. At all the exhibitions, the day with the highest volume of visits throughout the year was Sunday, followed by Saturday, except in the case of the exhibition on Espriu, which was Tuesday, a fact that can be explained by the large number of groups that visited it. With respect to ages, the two exhibitions that had audiences with the highest average age were “Paral·lel Avenue” and “Espriu”, while the “World Press Photo” exhibition was that with the lowest average age. In all cases, visitors came mainly on their own or accompanied by just one other person. Only the “World Press Photo” had a higher percentage of visitors that came accompanied by a group of friends (some 18%).

99 General Details

Budget Income

Direct income from activities Contributions from public organisations Asset capitalisations Capital transfers for financing of investments TOTAL

Initial forecast 1.098.000,00 7.696.000,00 141.000,00 8.935.000,00

Actual income at 31-12-2012 740.389,83 7.636.258,29 104.811,01 544.966,77 9.026.425,90

Initial forecast 4.055.000,00 4.632.700,00 2.000,00 45.300,00 200.000,00 8.935.000,00

Actual expenditure at 31-12-2012 4.028.405,35 4.251.281,08 982,78 42.917,00 639.927,06 8.963.513,27

Expenditure

Personnel Activity and structure Financial expenses Current transfers Real investments TOTAL

Result before adjustments Financing variations and credits financed with surpluses ADJUSTED BUDGET RESULT

Income

Direct income from activities 8% Capital transfers 6%

Asset capitalisations 1%

62.912,63 (-) 148.471,66 (-) 85.559,03

Expenditure

Personnel 45% Contributions from public organisations 85%

Real investments 7% Current transfers 1%

Activity and structure 47%

100 General Details

CCCB Staff

General Director Marçal Sintes Olivella Assistant Managing Director Elisenda Poch Granero Assistant Director of Contents Jaume Badia Pujol Head of the Exhibitions Service Rosa Ferré Vázquez Head of the Documentation and Debate Centre Judit Carrera Escudé Head of Projects - CCCB Lab Juan Insua Sigeroff Head of Promotion and External Resources Imma Mora Boguñá Head of Audiovisuals and Multimedia Service Àngela Martínez García Head of Technical and General Services Manel Navas Escribano Head of the Systems Section Gerard Bel Torres Head of the Financial Section Sara González Puértolas Head of the Contracting and Human Resources Section Cori Llaveria Díaz Head of the FinanceBudgets Section Anna Sama Vaz Management Montse Mitats Flotats Montserrat Novellón Giménez

Exhibitions Service Carlota Broggi Rull Anna Escoda Alegret Mònica Giménez Moreno

External Resources Management Unit Amàlia Llabrés Bernat Teresa Pérez Testor

Exhibitions Coordination Unit Mònica Ibáñez Dalmau Teresa Anglés Pérez Liliana Antoniucci Eva Gimeno Cases Miquel Nogués Colomé

Publications Unit Marina Palà Selva Rosa Puig Carreras

Registration and Conservation Unit Neus Moyano Miranda Susana García San Vicente Àlex Papalini Lamprecht Josep Querol Pugnaire Documentation and Debate Centre Sònia Aran Ramspott Neus Carreras Font Marta Giralt Romeu Elisabet Goula Sardà Anna Ibàñez Tudoras Masha Zrncic CCCB Lab Eva Alonso Ortega Maria Farràs Drago Education Service Bàrbara Roig Isern Cultural Activities Service Manel López Jiménez Olga Pratdesaba Druguet Belén Simón Bazán Audiovisuals and Multimedia Service Eduard Coll Deopazo Toni Curcó Botargues Marc Desmonts Glòria Fernández Vilches Jordi Gómez Farran Juan Carlos Rodríguez González José Antonio Soria Soria Ígor Viza Serra Promotion and External Resources Service Eulàlia Muñoz-Castanyer Gausset Susana Fernández Alonso Núria Salinas Calle

Audiences Unit Maria Ribas Bruguera Teresa Roig Sitjar Matilde Betoret González Carme Blanco Pérez Magda Llaberia Cots Elena Martínez Bermúdez Press Unit Mònica Muñoz-Castanyer Gausset Lucía Calvo Bermejo Irene Ruiz Auret Production Unit Mario Corea Dellepiane Francisco García Rodríguez José Luis Molinos López Òscar Monfort Pastor Antonio Navas Escribano Gabriel Porras Zambrano Rosó Tarragona Ramírez Technical and General Services Francesc López Artero Emili Maicas Guillén José Antonio Pérez Barrera Maribel Zamora Gómez Systems Section Guillem Bellmunt Duran Lluís Sangermán Vidal Contracting and Human Resources Section Mònica Andrés Beltran Núria Ferrer López Lara Martín Tarrasón Financial-Budgets Section M. Dolors Aran Perramon Xavier Boix Lara Remei Jara Cuenca Jordi Jornet Espax Montse Martínez Izquierdo

Selection from the

ÂŠ Miquel Taverna

Press

104 Selection from the Press — Exhibitions

Bolaño Archive, 1977-2003

ABC Cultura

06/03/2013

105 Selection from the Press — Exhibitions Bolaño Archive, 1977-2003

El País Cultura

06/03/2013

106 Selection from the Press — Exhibitions Bolaño Archive, 1977-2003

La Vanguardia Cultura

06/03/2013

107 Selection from the Press — Exhibitions Bolaño Archive, 1977-2003

La Vanguardia Cultura

06/03/2013

108 Selection from the Press— Exhibitions Bolaño Archive, 1977-2003

La Tercera de Chile

09/03/2013

109 Selection from the Press â&#x20AC;&#x201D; Exhibitions BolaĂąo Archive, 1977-2003

Frankfurter Allgemeine Zeitung

23/03/2013

110 Selection from the Press — Exhibitions Bolaño Archive, 1977-2003

Die Zeit

27/03/2013

111 Selection from the Press â&#x20AC;&#x201D; Exhibitions BolaĂąo Archive, 1977-2003

El Nacional de Colombia

26/05/2013

112 Selection from the Press â&#x20AC;&#x201D; Exhibitions BolaĂąo Archive, 1977-2003

Dominical Diari de Girona Contraportada

02/06/2013

113 Selection from the Press â&#x20AC;&#x201D; Exhibitions BolaĂąo Archive, 1977-2003

Dominical Diari de Girona Contraportada

02/06/2013

114 Selection from the Press â&#x20AC;&#x201D; Exhibitions

Pasolini Rome

El Mundo Cultura

23/05/2013

115 Selection from the Press — Exhibitions Pasolini Rome

El País Cultura

23/05/2013

116 Selection from the Press — Exhibitions Pasolini Rome

El Periódico Cultura

23/05/2013

117 Selection from the Press â&#x20AC;&#x201D; Exhibitions Pasolini Rome

Il secolo XIX Cultura

04/06/2013

118 Selection from the Press â&#x20AC;&#x201D; Exhibitions Pasolini Rome

Il Secolo XIX Cultura

04/06/2013

119 Selection from the Press — Exhibitions Pasolini Rome

El País Cultura

06/06/2013

120 Selection from the Press — Exhibitions Pasolini Rome

Ara Opinió

29/06/2013

121 Selection from the Press â&#x20AC;&#x201D; Exhibitions Pasolini Rome

ZAZPIKA Cultura

11/08/2013

122 Selection from the Press â&#x20AC;&#x201D; Exhibitions Pasolini Rome

Ara Societat

19/08/2013

123 Selection from the Press â&#x20AC;&#x201D; Exhibitions Pasolini Rome

Faro da Cultura

10/10/2013

124 Selection from the Press â&#x20AC;&#x201D; Exhibitions

Espriu

Ara Cultura

29/10/2013

125 Selection from the Press — Exhibitions Espriu

El Periódico Cultura

29/10/2013

126 Selection from the Press â&#x20AC;&#x201D; Exhibitions Espriu

El Punt Avui Societat

29/10/2013

127 Selection from the Press â&#x20AC;&#x201D; Exhibitions Espriu

El Punt Avui Societat

29/09/2013

128 Selection from the Press — Exhibitions Espriu

La Razón Cataluña

29/10/2013

129 Selection from the Press â&#x20AC;&#x201D; Exhibitions Espriu

La Vanguardia Cultura

29/10/2013

130 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

XcĂ¨ntric

Ara Cultura

10/01/2013

131 Selection from the Press — Festivals and Open Formats Xcèntric

El Periódico Gran Barcelona

10/01/2013

132 Selection from the Press — Festivals and Open Formats Xcèntric

El País Cataluña

28/01/2013

133 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats XcĂ¨ntric

TimeOut Cultura

01/02/2013

134 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

Soy CĂĄmara

La Vanguardia Vivir

15/04/2013

135 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

EmergĂ¨ncia

La Vanguardia Cultura

19/02/2013

136 Selection from the Press — Festivals and Open Formats

BCNmp7

El Mundo Televisión

04/04/2013

137 Selection from the Press — Festivals and Open Formats BCNmp7

El Mundo Cataluña

10/10/2013

138 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

Kosmopolis

Ara Catalunya

09/03//2013

139 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Kosmopolis

Ara Catalunya

09/03/2013

140 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Kosmopolis

El Punt Avui

13/03/2013

141 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Kosmopolis

El PaĂs Quadern

14/03/2013

142 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Kosmopolis

El Mundo

16/03/2013

143 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Kosmopolis

La Vanguardia

16/03/2013

144 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Kosmopolis

La Vanguardia Cultura

17/03/2013

145 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Kosmopolis

El Mundo Tendencias

30/05/2013

146 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

Primera Persona

El Punt Avui Cultura

02/05/2013

147 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Primera Persona

El PeriĂłdico Cultura

08/05/2013

148 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Primera Persona

El PeriĂłdico Cultura

08/05/2013

149 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Primera Persona

Rockdelux Reportaje

01/06/2013

150 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Primera Persona

Rockdelux Reportaje

01/06/2013

151 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

Grec Experimental CCCB

TimeOut Revista

18/07/2013

152 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Grec Experimental CCCB

TimeOut Revista

18/07/2013

153 Selection from the Press — Festivals and Open Formats Grec Experimental CCCB

El Periódico Verano

25/07/2013

154 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

Gandules

Ara Play Especial

19/07/2013

155 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Gandules

La Vanguardia Cultura

19/08/2013

156 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats Gandules

La Vanguardia Cultura

19/08/2013

157 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

L'Alternativa

La Vanguardia QuĂ¨ fem?

15/11/2013

158 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats L'Alternativa

Ara Cultura

18/11/2013

159 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats L'Alternativa

El PeriĂłdico Gran Barcelona

18/11/2013

160 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

Miniput

Ara TelevisiĂł

28/11/2013

161 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

Drap-Art

Ara Play Especial

20/12/2013

162 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

Christmas Screenings

El PeriĂłdico Gran Barcelona

20/12/2013

163 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

In Common

El PaĂs Contraportada

16/01/2013

164 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection In Common

ABC Cultura

29/01/2013

165 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection In Common

La Vanguardia Cultura

03/02/2013

166 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection In Common

Ara Cultura

12/03/2013

167 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection In Common

La Vanguardia Cultura

12/03/2013

168 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection

The Legacy of the International Community in Afghanistan

Ara Entrevista

08/02/2013

169 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection

George Soros

La Vanguardia Economia

12/04/2013

170 Selection from the Press — Spaces for Debate and Reflection

Racism is Still Here

El País Cataluña

23/04/2013

171 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection Racism is Still Here

Ara Entrevista

26/04/2013

172 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection Racism is Still Here

Ara Entrevista

09/05/2013

173 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection

Places

La Vanguardia Cultura

29/09/2013

174 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection

The Meaning of Culture

La Vanguardia Cultura

02/10/2013

175 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection The Meaning of Culture

La Vanguardia Cultura

02/10/2013

176 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection The Meaning of Culture

La Vanguardia Cultura

02/10/2013

177 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection The Meaning of Culture

La Vanguardia Cultura

02/10/2013

178 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection

ÂĄThis Is Not on Sale!

La Vanguardia Cultura

10/12/2013

179 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection

Energy Challenges: Present and Future

Ara Suplement

22/12/2013

180 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection

Adolescence

Ara Entrevista

07/01/2014

181 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection

IV Philosophy Conference of Barcelona

La Vanguardia Cultura

12/02/2014

182 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection IV Philosophy Conference of Barcelona

La Vanguardia Cultura

12/02/2014

183 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection IV Philosophy Conference of Barcelona

La Vanguardia Cultura

12/02/2014

184 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection IV Philosophy Conference of Barcelona

La Vanguardia Cultura

12/02/2014

185 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection

In Common

La Vanguardia Contraportada

16/01/2013

186 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection In Common

La Vanguardia Contraportada

08/02/2013

187 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection

Citizenship, Internet and Democracy

La Vanguardia Contraportada

10/01/2013

188 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection Citizenship, Internet and Democracy

La Vanguardia Contraportada

28/03/2013

189 Selection from the Press â&#x20AC;&#x201D; Festivals and Open Formats

Off Programme

La Vanguardia Contraportada

17/09/2013

190 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection

Evolution and Culture

La Vanguardia Contraportada

08/11/2013

191 Selection from the Press â&#x20AC;&#x201D; Spaces for Debate and Reflection

Who's in Charge?

La Vanguardia Contraportada

27/11/2013

www.cccb.org

ÂŠ Miquel Taverna

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