CCCB ANGLES.indd 1
16/9/08 11:24:17
CCCB ANGLES.indd 2
16/9/08 11:24:21
INDEX
CCCB ANGLES.indd 3
Exhibitions Bamako 05 That’s not entertainment! Hammershøi and Dreyer Borders Apartheid In Transition Exhibitions in collaboration Somalia: Surviving oblivion World Press Photo
3 6 7 8 9 10 11 7 12 12
Cultural activities Cycles and festivals Festivals in collaboration Other activities Urban itineraries
13 14 20 26 28
Debate and reflection New humanism The city and public space Ongoing reflection Debate and reflexion in collaboration
29 30 36 39 40
Open CCCB Projects on the net Exhibitions. Beyond the CCCB Debates. Beyond the CCCB Networks
42 43 44 49 50
CCCB Holdings Archive Publications Audiovisual productions
51 52 55 57
GENERAL INFORMATION CCCB staff list Collaborating Institutions and Companies Visitor figures Budget List of Speakers in Debates and Lectures Venue hire
58 59 60 61 63 64 66
SELECTION OF PRESS CLIPPINGS
68
16/9/08 11:24:23
Edition CCCB Graphic Design Postdata disseny i comunicació Printer Centre d’Impressió i Reprografia - Diputació de Barcelona
CCCB ANGLES.indd 4
16/9/08 11:24:26
EXHIBITIONS 2007 CCCB ANGLES.indd 5
16/9/08 11:24:26
EXHIBITIONS
BAMAKO’05. ANOTHER WORLD AFRICAN PHOTOGRAPHY MEETINGS Dates
October 5, 2006 – February 28, 2007
Venue
gallery 3, CCCB
With the sponsorship of Fundació Caixa Catalunya and Consorci Zona Franca
Curator
Pep Subirós
Exhibition design
Organised by
CCCB and AFAA/Afrique en créations, Ministère de la Culture du Mali, les Rencontres de Bamako
Bracha Berkovitch, Elisabet Cristià and Alejandro Quintillá
Graphic design
With the support of
the Generalitat de Catalunya’s Department of Culture and Media
Avantgardebcn (image and interior) and Joan Barjau (catalogue)
CCCB©Jordi Gómez,2007
For the second time, the CCCB offered a selection of works shown at the most recent Rencontres Africaines de la Photographie, the African international photography exhibition held in Bamako between November 10 and December 10, 2005. In keeping with the spirit and structure of the Rencontres, the CCCB selection was wideranging and included: work by the photographers who won the major awards, Rana El Nemr (Egypt), Uchechukwu James Iroha (Nigeria), Mikhael Subotzky (South Africa) and Zohra Bensemra (Algeria); the most interesting projects from the main section of the biennale, under the theme Another World; monographs on the work of John Mauluka (Zimbawe), Malick Sidibé (Mali) and Ranjith Kally (South Africa); work by nine photographers from Algeria in the national section; and, finally, in the Transversals section for plastic artists who also work with photography, the work of Jane Alexander (South Africa) and Pascal Marthine Tayou (Cameroon).
The CCCB exhibition was organised into the following sections: International exhibition: Another World Raymond Barthes (Madagascar), Rana El Nemr (Egypt), Yoyo Gonthier (Reunion), Bruno Hadjih (Algeria), Uchechukwu James Iroha (Nigeria) (Elan Award), John Kikaya (Tanzania), Helga Kohl (Namibia), Malik Nejmi (Morocco), Francis Nii Obodai (Ghana), Zaynab Toyosi Odunsi (Nigeria), Sarah Sadki (Algeria), Mikhael Subotzky (South Africa) Tribute John Mauluka (Zimbawe, 1932-2003) Coup de chapeau Malick Sidibé (Mali) Remembering Ranjith Kally (South Africa) National exhibition: Algeria Louisa Ammi-Sid, Zohra Bensemra, Cherif Benyoucef, Nadia Ferroukhi, Farida Hamak, Nasser Kamr-Eddine Medjkane, Mohamed Messara, Hamid Seghilani, Samir Sid Transversals Jane Alexander (South Africa), Pascal Marthine Tayou (Cameroon)
6
CCCB ANGLES.indd 6
16/9/08 11:24:28
EXHIBITIONS
THAT’S NOT ENTERNTAINMENT! CINEMA BEGETS CINEMA Dates
December 21, 2006 – March 18, 2007
With the sponsorship of
ADN and the collaboration of Infinia Art
Venue
gallery 1, CCCB
Exhibition design
Bracha Berkovitch, Elisabet Cristià and Alejandro Quintillá
Graphic design
David Torrents (image and catalogue) and Anaïs Esmerado (interior)
Curators
Andrés Hispano and Antoni Pinent
Production
CCCB
CCCB©Jordi Gómez,2007
A whole series of film-related activities were organised to celebrate five years of the CCCB’s cinema - Xcèntric. They began with the release of a complilation of some ot the films shown until December 2006 at the CCCB, then the major event - the exhibition THAT’S NOT ENTERTAINMENT! Cinema begets Cinema. Other activities included the launch of the Xcèntric Archive, the Xperimenta conference and the screening of a film by Brakhage. Finally, a new season of Xcèntric, which has been extended to three Xcèntric Nights, on which the exhibition opened till midnight. When cinema became a big entertainment factory, an industry that recruits creative minds and homogenises tastes, it produced small-big reactions ranging from the subversive to the ironic, abstract, alternative and minimalist. Filmmaking would never be the same again for a generation that received its emotional and intellectual education in front of cinema and television screens. Cinema begets cinema. This exhibition presented cinema of experimentation and social and artistic commitment: a form of cinema that is the product of rage or reflection, that doesn’t seek to please the tastes or opinions of a majority, that is motivated by the urgency of transmitting something important, something that will open our eyes, move us and expand our knowledge. The exhibition makes it possible to go beyond the screenings and set the works, movements and filmmakers in the context of the spirit that inspires them. Here, cinema takes the form of texts, images and references – technical, social or political - that illustrate its reason for being.
THAT’S NOT ENTERTAINMENT!! offered new audiences a chance to access this form of expression. It was curated to offer a few keys that could open up a vast area of cinema full of small and big revolutions that shape the world that we live in, more than we imagine. The exhibition included installations and films that, despite their invisibility on the commercial circuit, are key pieces of contemporary art, by filmmakers such as Stan Brakhage, Gustav Deutsch, Peter Kubelka, Jonas Mekas, Matthias Muller, José Antonio Sistiaga etc. The Xcèntric Archive was also presented at the exhibition. This permanent project is open to the public for individual consultation, and began with a selection of 200 works. It also included a space for presenting the Xcèntric Archive, which starts of with a selection of 200 titles and is available to the public for individual consultation.
RELATED EVENTS Conference Xperimenta. Contemporary Looks at Experimental Film, February, 19 to 21. (see page 14) Xcentric Nights
7
CCCB ANGLES.indd 7
16/9/08 11:24:29
EXHIBITIONS
HAMMERSHØI AND DREYER Dates
January 25 - May 1
Venue
Gallery 2, CCCB
Curators
Anne-Birgitte Fonsmark, Annette Rosenvold Hvidt, Casper Tybjerg and Jordi Balló
Production
CCCB and Ordrupgaard Museum (Denmark)
With the support of
the Generalitat de Catalunya’s Department of Culture and Media
With the sponsorship of La Vanguardia and the collaboration of the Queen Isabel of Denmark Foundation Exhibition design
PCR Aranda Pigem Vilalta Arquitectes with the collaboration of Ventura Llimona Taller d’arquitectura
Graphic design
Lali Almonacid (image and catalogue)
CCCB©Jordi Gómez,2007
The exhibition presented the work of the two most universal Danish artists of all time, the painter Vilhelm Hammershøi (1864-1916) and the filmmaker Carl Th. Dreyer (1889-1968), in a highly innovative and evocative visual dialogue. The work of these two artists was brought together for the first time in an exhibition that demonstrated the visual and creative relationship between them, their methods, their personal vision of art and their aesthetic similarities. With 36 essential works on display, this was the first Hammershøi exhibition in Spain. The exhibition began with a biographical overview of the two artists, which showed their points of contact in the key period between 1916 (the year of Hammershøi’s death and a major retrospective exhibition) and 1918 (Dreyer’s first film). This overview provided the key to the exhibition, and was followed by 12 audio-visual presentations with fragments from Dreyer’s films.
Next, visitors entered various spaces constructed around Hammershøi paintings in order to highlight the intimate relationship between the spectator and the work, and to convey the central ideas of his work: austerity, sobriety, silence and slowness. Dreyer remained present throughout this section through light, which illuminated the space and Hammershøi’s work in a subtle dialogue that allowed visitors to rediscover Hammershøi’s paintings through new eyes. RELATED EVENTS Cicle Dreyer after Hammershøi, from March 7 to April 25 (see page 31) Hammershøi - Dreyer Variations. Children’s workshop. Children from 8 to 12 years old will create their own stories by mounting their chosen Hammershøi’s paintings. From February 18 to April 15.
8
CCCB ANGLES.indd 8
16/9/08 11:24:30
EXHIBITIONS
BORDERS Dates
May 3 - September 30
Venue
Gallery 3, CCCB
Curators
Michel Foucher and Henri Dorion
Production
Musée de Lyon (Departement du Rhône) and CCCB
Exhibition design
Massip-Bosch, Natàlia Valldeperas and Megan Charnley
Graphic design
Postdata
CCCB©Jordi Gómez,2007
This exhibition showed a series of eight “worlds”, linking photographic reports with meditations on various problems relating to the issue of political borders. The exhibition Borders focused on geopolitical issues and aimed to demonstrate the ambiguity of the concept of a “border” (which both separates and connects, and which encourages both division and exchange etc.), while reflecting on the actual situation on the ground. The eight “worlds” of the borders were: European borders and the issue of their limits The global challenges of migration (the European situation) Borders that remain closed: North Korea and its “Paradise” Land disputes: Kashmir, a contentious region A frontier being formed: Israel and Palestine The economic challenges of borders arising from globalisation: between Mexico and the United States. The world of communities without homogenous territories: the Gypsy peoples distributed throughout Europe. Permeable and non-permeable borders: refugees in exile Nine specialists were invited to offer their expert opinions on each of these eight territorial scenarios: two experts in geopolitical boundaries, eight photojournalists and one cartographer, a total of eleven guests involved in the
problems of border policies, who were requested to offer their perspective on specific problems, and shared their experiences and observations. The exhibition included two installations produced by the CCCB: An installation created as a result of the series of talks entitled Fronteres (Debate de Barcelona VII), which took place at the CCCB from January 12 to the March 29, 2004, with original work and artistic direction by Frederic Amat. The installation OceanMalecónDrive, created by Enric Massip and Ángel Morúa, which juxtaposed the seafronts of Malecón in Havana and Ocean Drive in Miami Beach which are separated by just 200 km of water _opposite one another to create a “border street”. RELATED EVENTS Guided visits by specialists. From June 7 to September, 20 (see page 15) BCNmp7 - Border Music, Screening of the documentary Crossing the Bridge: the Sound of Istanbul (Fatih Akin, 2005), Round table with the musician Alexander Hacke and the music journalist and writer Charlie Gillett, and Concert with Ceza. May, 17. Premiere at the CCCB of the documentary DeNadie by Tin Dirdamal, Mexico, 2005, 82 min. A documentary that approaches the reality lived at the border of Mexico and USA. Thursday 27, Saturday 29 and Sunday 30 September. 9
CCCB ANGLES.indd 9
16/9/08 11:24:31
EXHIBITIONS
APARTHEID Dates
September 26, 2007 – February 3, 2008
Venue
Gallery 2, CCCB
With the support of
Curator
Pep Subirós
With the sponsorship of El País
Production
CCCB and Bancaja
Graphic design
Exhibition design
Anna Alcubierre
the Generalitat de Catalunya’s Department of Culture and Media Avantgardebcn (image and interior) and Manuel Cuyás with David Lorente (catalogue)
CCCB©Jordi Gómez,2007
The narrative thread that ran through this exhibition was one of a return journey: starting with the European origins of modern racism, it followed racism’s spread throughout the world during the colonial era, before returning to the wealthiest regions of the world in the post-colonial era. The aims of the exhibition were: to show and explain how racism originated and took root in our tradition as the dark side of and counterpoint to enlightened and democratic values. to offer an understanding of apartheid in South Africa during the period from 1948-1994 –and how difficult it was to move on– not just as an extreme manifestation of historical racism of Western origin but also as a forerunner and paradigm of certain central issues inherent in the current process of globalisation
The majority of the exhibition consisted of original works of art that are representative of the creativity of the areas most affected by apartheid, as well as areas of cultural opposition to it. There was a special emphasis on artists from the ethnic majority, most of who are barely known outside South Africa. There was also a selection of objects and documents from the period 1750-1950 sourced from history, anthropology and natural science museums and archives, which illustrated attempts to establish a scientific basis for racism. Documentary photography and videos were also presented as part of the exhibition. RELATED EVENTS Debate Local racism, Global Apartheid. South Africa as a Paradigm. September 27 and 28. (see page 33)
to show how these issues have found and continue to find their correlation in the field of artistic creation, and how this field has influenced, and could continue to influence, the struggle against these prejudices and practices, and to provoke reflection and debate about old and new forms of racism operating in the western world, an issue that will doubtless have a growing importance as socio-cultural diversity increases in this region due to the increase in immigration.
10
CCCB ANGLES.indd 10
16/9/08 11:24:33
EXHIBITIONS
IN TRANSITION Dates
November 20, 2007 - February 24, 2008
Venue
Gallery 3, CCCB
Curators
Manel Risques, Ricard Vinyes and Antoni Marí
Consultants
Kiko Amat, Jordi Calafell and Santos Julià
Exhibition design
Emiliana Design Studio
Graphic design
La Japonesa (image and interior) and Marc Valls and Oriol Soler (catalogue)
Production
CCCB, Departament d’Interior, Relacions Institucionals i Participació de la Generalitat de Catalunya (D.G.de la Memòria Democràtica), the Sociedad Estatal de Conmemoraciones Culturales (SECC),linked to the Ministerio de Cultura, and the Sociedad Estatal para la Acción Cultural Exterior (SEACEX), which will take care of the international touring of the project
With the sponsorship of El Periódico de Catalunya
CCCB©Jordi Gómez,2007
This exhibition did not set out to be a chronological, narrative description of a historical period but rather a way of understanding a dense, complex process that acted as a bridge between dictatorship and democracy and which affected, and developed through, the people who experienced it. In line with this, the exhibition focused on the general public, establishing a history of the experiences of a generation. The result was a multidirectional narrative linking personal and collective stories, of both success and failure.
The exhibition also demonstrated the disparity in the pace of change between the creation of political systems on one hand and social change on the other, as well as the tension between them. The exhibition was structured along different thematic lines in order to explain the development of a society in transition, and illustrated the process through which everything that the Francoist regime seemed to have tied down, unravelled.
Visitors experienced the exhibition in the present. It was not a retrospective look at the Transition. The exhibition aimed to convey the feeling of movement and personal experience, without reference to time.
11
CCCB ANGLES.indd 11
16/9/08 11:24:34
EXPOSICIONS IN COLLABORATION WITH
SOMALIA SURVIVING OBLIVION Dates
April 10 – May 1
Venue
Gallery 1, CCCB
Organised by Doctors Without Borders (MSF) with the collaboration of the CCCB
There is a map on which communities that are not part of the processes that dominate world geopolitics are condemned to oblivion. These communities are overlooked by the international political agenda, and so are banished from the sphere of solutions and political responsibilities.
CCCB©Jordi Gómez,2007
In this awareness-raising project by MSF, the multimedia installation Somalia, based on photographs by Pep Bonet, is the starting point for a series of activities, culminating in the debate Geography of forgotten crises, organised by the CCCB. Words and images will be used to highlight the crises that are overlooked today, suggesting the reasons and the agencies
responsible, but above all aiming to voice questions about the suffering of invisible communities caught between oblivion and violence. With this initiative by MSF, the CCCB reopened the debate on the most overlooked humanitarian crises on the planet. RELATED EVENTS Debate Somalia. The west and the destruction of Hope. April, 12 (see page 33)
WORLD PRESS PHOTO INTERNATIONAL PROFESSIONAL PHOTOJOURNALISM EXHIBITION Dates
October 16 – November 11
Venue
Gallery 1, CCCB
Production
Photographic Social Vision with the collaboration of the CCCB
An image by photographer Spencer Platt (USA, Getty Images) was the winner of the World Press Photo competition, and represented the World Press Foundation, exhibition and competition throughout 2007.
CCCB© Photographicsocialvision, 2007
The choice of the image Young Lebanese drive through devastated neighborhood of South Beirut, 15 August was surprising in relation to WPP winners in recent years. It seems that the 2007 wasn’t looking for an image that could become an icon representing the victims of our age, but rather for a more in-depth exploration that includes humanity as a whole. This photograph moved us as human beings living in society. We could contemplate the path that was shown to us: the increasingly harsh
inequalities among us and total indifference in the face of fellow human beings. With his camera, the photographer marks a new attitude to the world’s problems: it’s not about just another inequality between upper and lower classes within a country or between developed and poor countries, but rather about the growing rift that separates the rich and the poor at a global level. Lifestyles and material goods are no longer the only markers of difference; instead, we are facing the increasingly obvious disappearance of human feeling and solidarity.
12
CCCB ANGLES.indd 12
16/9/08 11:24:34
CULTURAL ACTIVITIES CCCB ANGLES.indd 13
16/9/08 11:24:40
CULTURAL ACTIVITIES CYCLES AND FESTIVALS
XCÈNTRIC THE CCCB’S CINEMA Organised by
CCCB
After five editions, Xcèntric has established itself in Barcelona as a regular program of film and audiovisual works that that don’t fit into the commercial mainstream, selected for their artistic potential, irrespective of genre or format. The Xcèntric programme offers recent and archival works with shared affinities, counter-cultural classics, and new productions aimed at an audience that is hungry for creative, unfettered audio-visual initiatives. Núria Aidelman, Gonzalo de Lucas, Núria Esquerra, Laida Lertxundi, Antoni Pienet and Andrés Hispano make up the team of programmers, directed by Carolina López.
(cinema relating to the other arts), Variations of Reality (documentary) and Invisible Cinema (experimental), which included the work of filmmakers like Peter Watkins, Albert and David Mayless, António Campos, Yukio Mishima, Fumio Kamei, Heddy Honigmann, Pedro Costa, Sophie Fiennes, Bob Dylan, Howard Alk, Andy Warhol, Frans van de Staak, Bärbel Neubauer, Jean Claude Rosseau, Louise Bourque and Bretzy Bromberg, among others. There were also one-off and dedicated sections, such as a one dedicated to life in the ghetto, with work by the filmmakers Shirley Clarke, Ken Mackenzie, Billy Woodberry and Lionel Rogosin.
The 2007 programme continued its now-familiar sections: Rewritten
XPERIMENTA’07 CONTEMPORARY PERSPECTIVES ON EXPERIMENTAL CINEMA Dates
February 19-21
Organised by
CCCB
Directed by
Miguel Fernández Labayen and Antoni Pinent
Running in parallel with the exhibition That’s not entertainment! Cinema begets cinema that was held at the CCCB until March 18, 2007, the Xperimenta conference set out to become a regular meeting point that brought together experts from all over the world –academics, theorists, filmmakers, programmers, distributors, documentary-makers and others- to debate the current state of experimental cinema. Over three days, the conference will sound out the genera-
Consultants
Loïc Diaz Ronda, John Sundholm, Andrés Hispano and Eugeni Bonet
tional, technological and epistemological changes that have taken place in the world of avant-garde filmmaking in recent decades and encourage discussion of innumerable questions that don’t always have answers. Participants: Craig Baldwin, Peter Tscherkassky, Peter Kubelka, Paul Arthur, Martin Arnold, Dominic Angerame, Mark Webber, John G. Hanhardt, Emmanuel Lefrant, Nicole Brenez and Pip Chodorov.
14
CCCB ANGLES.indd 14
16/9/08 11:24:43
CULTURAL ACTIVITIES CYCLES AND FESTIVALS
BORDERS GUIDED VISITS BY SPECIALISTS Dates
June 7 to September 20
Organised by
CCCB
The world today is crisscrossed by over 226,000 kilometres of land borders. The exhibition “Borders” looks at geopolitical issues, with the presentation of 10 examples of borders The exhibition is designed as a journey through different worlds, a movement that brings together history and geopolitics, the views of photographers and eye-witnesses, sounds and maps, general reflections and field studies. We know how to get in... What will we have discovered by the end of our trip, when we pass the final landmark CCCB©Jordi Gómez, 2007
This cycle of guided visits is organized in the conviction that crossing borders helps us to see and understand. With the help of people who have worked on, studied and experienced in depth the borders they
present, it sets out to teach us something more about them The visits to the ten borders were guided by the following specialists: México- USA, by Teddy Cruz The Borders of Europe, by Mónica Zgustova North Korea, by Marine Buissonière Exiles, by Mariano Aguirre Gypsies scattered throughout Europe, by Manel Zabala Melilla, by Rafael Vilasanjuan Miami – Havana, by Richard Schweid Israel-Palestine, by Isabel Galí Africa, by Alfonso Armada Kashmir, by Kenny Gluck
I+C+i RESEARCH AND INVESTIGATION IN THE FIELD OF CULTURE Dates
February 7, March 9, April 26,
Organised by
CCCB
May 31, September 20, October 17
CCCB©Xavier Soto, 2007
While science and business have adopted processes of R+D+i (research, development and innovation), the same thing can’t be said for the world of culture. The accelerated pace of current changes raises the need to include these processes in the new cultural scene. What formats are in crisis? How is the exhibition genre reacting to new technologies? Can festivals be sustainable? How can new audiences be developed? How can complex cultural projects be better publicised? What type of programming encourages the emergence of a new culture? Is it necessary for cultural organisations to create R+D+i departments? A debate about research and innovation in the cultural arena will be developed over
the course of seven working sessions with artists, architects, curators, designers, scientists, technicians, business people and journalists. During 2007, I + C + i has included the participation of artists, curators, cultural managers, designers and experts in innovative cultural projects. Gerfried Stocker, Arantxa Mendiharat, Roberto Gómez de la Iglesia, Santi Eraso, José Luis de Vicente, Óscar Abril, Pedro Soler, Ian Kirk, Rosa Pera, Joan Roca, Friedrich von Borries, Marleen Stikker and Shaun Chang, among others, have presented innovative initiatives of national and international scope: Ars Electronica, Disonancias, Shrinking Cities, The Waag Society... 15
CCCB ANGLES.indd 15
16/9/08 11:24:43
CULTURAL ACTIVITIES CYCLES AND FESTIVALS
BCNmp7 MUSICS IN PROCESS Dates
April 13, May 17, July 20, September 21, October 19 and November 8
Organised by
CCCB with the collaboration of Imprevist and Pocket
CCCB©Marta Amat, 2007
BCNmp7 is a regular event of creation, agitation and discussion about popular contemporary kinds of music. In its second year, it presented a program that explored alternative visions of today’s music scene, together with new concerts that aimed to illustrate the fusions and frictions that influence different music genres. BCN mp7 aims to highlight Barcelona’s specific musical character, while also looking at the increasingly complex ties that link cities, areas and trends throughout the world.
The following sessions were held in 2007: The revivers (concert by Bert Jansch), Music from the borders (concert by Ceza), The hit of the Summer (several groups in concert), Cover versions, copies and tributes (Exclusive presentation of the documentary of the same title and concert by Nouvelle Vague), Soundtracks. New music for filming (concert by Carlos Casas, Sebastián Escofet, Miquel Marín and Ciudadano) and The music of the future (concert by Jaume L. Pantaleón, David Mengual, Oriol Roca and Sergi Sirvent).
16
CCCB ANGLES.indd 16
16/9/08 11:24:45
CULTURAL ACTIVITIES CYCLES AND FESTIVALS
NOW MEETINGS IN THE PRESENT CONTINUOUS Dates
March 22, 23 and 24, November 29 and 30 and December 1
Organised by
CCCB In the framework of Barcelona Science 2007
CCCB©Xavier Soto, 2007
Now is a project focussing on the scientific, technological, artistic, social and spiritual transformations taking place at the start of the 21st century. A process of research, creation and diffusion bringing together different local and international agents involved in actions and alternatives that promote a change of paradigm in the information and knowledge society and in globalised cultures. Now is designed as a space for knowledge around the following thematic areas: Open science / Cybersphere / Eco factor / Art now Emerging factor / Psi particle / New activism The first Now event for 2007 included the participation of David Peat (researcher at the National Research Council of Canada) in a conversation with the artist Victoria Vesna, co-ordinated by Raquel Paricio, the philosophers Peter Singer (author of Animal Liberation, one of the key texts of speciesism), Jesús Mosterín (senior professor of Logic and Philosophy of Science) and the political scientist Joost Smiers, who presented a new vision of copyright in the age of electronic globalisation. Other participants included the collective Platoniq, who presented the Bank of Open Knowledge and the independent publishing company Traficantes de Sueños.
For the NOW event in November 2007, there was a session on the uses of the radio spectrum, with the presence of the artists Jonah Brucker-Cohen, Honor Harger and Armin Medosch who participated in a teleconference conversation with William Mitchell (Professor of Architecture at MIT), co-ordinated and moderated by José Luis de Vicente; a session on the uses and politicization of public space organised by the RiSc collective, with contributions from Pierre Humeau (activist), Stueve Lambert (artist) and Richard Sennet (sociologist); and another session co-ordinated by the collective Capsula, which explored the urban habitat and it’s tendency to absorb rural areas, and included contributions by the geologist Václav Cílec, the environmentalist Alex Steffen and the researcher in environmental technology Joan Rieradevall. Other activities included the screening of an unreleased, exclusive interview with Vandana Shiva, the participation of the Orquesta del Caos, a performance by BandaÈria and Xavier Maristany, as well as the screening of various documentaries. Programmed with the collaboration of Platoniq, Orquesta del Caos, Raquel Paricio, Traficantes de sueños, José Luis de Vicente, Observatori del RiSc, Capsula.
17
CCCB ANGLES.indd 17
16/9/08 11:24:47
CULTURAL ACTIVITIES CYCLES AND FESTIVALS
PANTALLA CCCB ONE MONTH, ONE ARTIST Organised by
CCCB
It’s difficult for audiences to access video art - works that aren’t produced by commission but rather from the artist’s own desire. Apart from festivals, showcases and a few art galleries, there are no other channels that allow them to reach potential viewers. The PANTALLA CCCB program aims to create a space and allow a time for people to become familiar with these independent works. Just as we’d hang a work of art, the CCCB has hung a screen, as though it were a painting. One month in which to contemplate the audiovisual works of artists with an interest in experimenting and innovating with new formal and thematic languages.
The artists presented in 2007 were: Andrés Duque, Ernesto Kofla, Kikol Grau, Blanca Casas, Peter Wels, Jordi Oliver, Lope Serrano, Morrosko VilaSan-Juan, Kike Barberá and Marianela Vega.
OFF-PROGRAM PERMANENT UNPLANNED AUDIOVISUAL PROGRAMMING Organised by
CCCB
Once again, the CCCB presented the Off-program series, which provides a space for audiovisual works that respond quickly to events of social and human importance, as a result of the author’s social committment.
The screening was followed by a discussion with the participation of Samba Mballo, director of the Fundació Gune’s comprehensive education project in Senegal.
The CCCB will continue to identify and follow these works throughout the year, and present them with the inmediacy inherent to them. This year, the off-program premiered the documentary Euroafricanos by Lluís Vidal, an artist who participated in a project that merged Art and development and aimed to bring Africa closer to Europe by creating a new currency called “Euroafricanos”.
18
CCCB ANGLES.indd 18
16/9/08 11:24:49
CULTURAL ACTIVITIES CYCLES AND FESTIVALS
GANDULES TRAVELLING. TRAVEL, DISCOVERY AND EMOTIONS AT 24FPS Dates
August 1, 2, 7, 8, 9, 14, 16, 21, 22, 23, 28, 29 and 30
Organised by
CCCB
CCCB©Martí Pons, 2007
Gandules’07 was a cartographic journey in which cinema broke beyond known territory to map new frontiers. This map was sketched out by filmmakers from different countries and periods who, through their journeys, sent us films as though they were postcards: world images and words that took us to different continents (Africa, Asia, Europe, America), to the sea, the mountains, cities, islands, the snow. An exploration of areas and routes that configured a film atlas. With Goddard we went to Rome and Capri, with Wenders we visited the United States and Germany; Sissako showed us Mali; Herzog, his extreme journeys; Olmi, the Italian high country; Bernet, an island in the Caspian Sea and Cassavetes, New York.
Under the title “Travelling. Travel, Discovery and Emtions at 24fps”, the month-long program offered a double journey: physical movement and emotional movement. Escapes and return journeys that showed us that to move is always a moving experience. Some of the journeys were more explicitly and covered long tracts; others were an in-depth exploration of a borderland or showed us how we also travel when we try to reach the other.
Over the month, the films were grouped into thematic blocks: Rediscovering the Territory, The Search for the Other, In Transit, Off the Map, and Escapes. In this way, each session made up a specific journey, while the overall program marked out a broader journey that began with Oskar Fischinger’s 1927 documentary, filmed between Munich and Berlin, and ended with the premiere of a film by Benoit Jacquot À tout de suite (2004), that covered France, Spain, Morocco and Greece.
A program of short films, documentary, essays, video clips and narrative films that mixed internationally renown directors with lesser-known ones: Oskar Fischinger, Abderrahmane Sissako, Jonathan Hodgson, Wim Wenders, Georges Schwizgebel, Jean-Luc Goddard, Stuart Hilton, Jem Cohen, Sophie Calle y Greg Shephard, David Cronenberg, Werner Herzog, Bennett Miller, D.A. Pennebaker, Nagisa Oshima, Aki Kaurismäki, Boris Barnet, Kelly Reichardt, Poman Polanski, Ermanno Olmi, Georges Schwizgebel, Terrence Malick, Jonathan Glazer, John Cassavetes, Johan van der Keuken and Benoît Jacquot.
19
CCCB ANGLES.indd 19
16/9/08 11:24:51
CULTURAL ACTIVITIES FESTIVALS IN COLLABORATION
LP’07 BODY, MOVEMENT AND ACTION DANCE FESTIVAL...OR NOT Dates
From March 9 to 14
Organised by
La Porta
An interdisciplinary and kaleidoscopic event that sounds out new projects and formats related to contemporary arts that are evolving around the body, movement and performance. The festival was held in Barcelona from March 9 to 24, 2007, at the Mercat de les Flors, the CCCB, La Poderosa and La Caldera. Dance is not just one single thing, and it’s increasingly becoming less like what its name suggests. The idea of LP is to generate a dynamic context by bringing together particular formats and ways of doing, looking to movement for the best way to “publish” the ideas, processes or performances of guest artists. The CCCB
hosted the performances Slow Down by Martine Pisani, Freeze/Défreeze by *Melk Prod./Marco Berrettini, Dueto by Idoia Zabaleta and Filipa Francisco, the screening of Death Is Certain by Eva Meyer-Keller, Experiencias con un desconocido by Sònia Gómez, the collective Nits salvatges and a round table with Isabel de Naverán, Jaime Conde-Salazar and Paula Caspão. Each night in the CCCB Hall, an open stage allowed guest artists and companies to present their works, surrounded by an audience eager for new expressive discourses who filled the venue every night of the festival.
BAFF 9TH BARCELONA ASIAN FILM FESTIVAL Dates
From April 27 to May 5
Organised by
100.000 retinas
The BAFF is considered to be the best festival in Europe specialising in Asian Cinema, and it is the only one is Spain. The 2007 festival closed after ten days during which viewers attended the different festival venues, where 60 feature films and 11 short film programs were screened.
CCCB©Jordi Azategui, 2007
The BAFF’07 jury awarded the Golden Durian to the film Summer Palace by Lou Ye (China), pointing out the way in which Lou Ye tells a love story set against a political backdrop with excellent interpretations. This recognition was also a gesture of solidarity with the director, who was unable to release the film in his own
country and is facing a five year ban on filming. Two special mentions: the Chinese film The Exam and Strawberry Shortcakes, from Japan. The audience award went to the Chinese film Getting Home, closely followed by A Dirty Carnival. The tenth BAFF featured the films of guest country Hong Kong.
20
CCCB ANGLES.indd 20
16/9/08 11:24:57
CULTURAL ACTIVITIES FESTIVALS IN COLLABORATION
OFFF INTERNATIONAL FESTIVAL FOR THE POST-DIGITAL CREATION CULTURE Dates
May 10, 11 and 12
Organised by
OFFF
As its slogan “Re:fresh” made clear, the seventh OFFF festival championed simplicity as a tool for reconsidering basic concepts. A leitmotiv that mobilised the loyal fans of an event that had once again sold out all tickets for the three daily sessions at the CCCB by the time it opened its doors. The CCCB hall, renamed the ROOTS space, witness a parade of over 80 design and digital artists, including John Maeda, Neville Brody, James Victore, Zachary Lieberman, Alva Noto, Raster Noton, Frank Bretschneider, Olaf Bender and Stefan Sagmeister, together with groups like the Wooster Collective, Graffiti Research Lab, Universal Everything
and Stamen. But OFFF isn’t only about conferences and presentations. Showplace exhibited the most outstanding work coming out of Spain, Openroom and Cinexin were reserved for new artists and the Pati de les Dones was once again transformed into the social hub and meeting point for the festival. Without forgetting the two workshops with Erik Natzke and ISO50 Scott Hansen.
XIV FESTIVAL DE FLAMENCO DE CIUTAT VELLA Dates
from May 22 to 26
Organised by
Taller de Músics, CCCB and Ajuntament de Barcelona Districte Ciutat Vella
In the 14th Festival de Flamenco de Ciutat Vella, the cante or flamenco singing, the rhythm of the baile or dance, and the creativity of different musical arrangements were the thread that linked this festival, which attracted 6,080 visitors.
The guest artists who participated in the festival included: Carles Benavent, Israel Galván, Pepe Habichuela, Josemi Carmona, La Negra, Javier Colina, Calima, La Troba KungFu and Son de la Frontera.
The main concerts in the Pati de les Dones put the spotlight on the bass and double bass as jazz instruments applied to flamenco. The hall catered for small-scale concerts, which featured the female voice, and a short look at rumba catalana.
21
CCCB ANGLES.indd 21
16/9/08 11:24:59
CULTURAL ACTIVITIES FESTIVALS IN COLLABORATION
SONAR’07 INTERNATIONAL ADVANCED MUSIC AND MULTIMEDIA ART FESTIVAL, BARCELONA Dates
June 14, 15 and 16
Organised by
Advanced Music, CCCB and ICUB
One again, Sónar was able to close its doors knowing that it had fulfilled its objectives. The festival involved three days of activities in which music and multimedia art invaded the different venues, which attracted a total of 83,230 visitors. In total, 275 works were presented by 421 artists from all disciplines. This 14th Sónar festival included big names that need no introduction as well as many projects that, precisely because they are not as well known, also managed to surprise and capture the attention of audiences and the media. The program included headliners the Beastie Boys and Devo. CCCB©Albert Uriach, 2007
with audiences and the media alike. This project involved recovering the idea of conjuring through the link between magic and technology. Emphasising its international nature, the Sónar 2007 program included many artists from all over the world. The presence of China and, of course, Japan, stood out among the dozens of countries invited along with local and Spanish projects. Sónar closed having been clearly successful in terms of audience numbers and national and international media coverage.
The 2007 program was full of surprises and special performances. The exhibition Et Voilà, held at the CCCB, was one of the most popular
DIES DE DANSA INTERNATIONAL DANCE FESTIVAL IN URBAN LANDSCAPES Dates
from June 28 to July 1
Organised by
Marató de l’espectacle
In 2007, the International Dance Festival in Urban Landscapes at the CCCB focused on Asia. Big names featured included Satomi, Sachiko Shigetake, Hisako Horikawa and the grand master Min Tanaka from Japan, as well as Tribal Sarong/ Yiphun Chiem from Cambodia. Other performances worth noting included those by Antón Lachky & Milan Tomasik (Slovakia), Julie Dossavi (Benin), Jordi Galí (Catalonia-
France) and Lali Ayguadé and Ramon Graell (Catalonia-Belgium). All the presentations were very popular with audiences, who once again created a warm and intimate atmosphere at the CCCB’s Pati de les Dones.
CCCB©Alberto Casanova, 2007
22
CCCB ANGLES.indd 22
16/9/08 11:25:00
CULTURAL ACTIVITIES FESTIVALS IN COLLABORATION
INN MOTION 4TH INTERNATIONAL BIENNALE OF VISUAL AND PERFORMING ARTS Dates
from July 4 to 7
Organised by
Asociación Cultural Conservas with the collaboration of the CCCB, the ICUB and the Departament de Cultura i Mitjans de Comunicació de la Generalitat de Catalunya. This activity was part of the GREC festival program.
Interventions in public space, contemporary dance, actions and DJ sessions. But these labels don’t always manage to define works that aim to erase the borders between different arts disciplines in a search for new communication channels through the fusion of art, thought, science and technology or to generate new ways of understanding the creative act in relation to the transformation of the imaginary and society.
SALGADO (Barcelona), JUDIT SAULA / MARTA GALAN (Barcelona), GOB SQUAD (UK - Germany), COMPARTIENDO CAPITAL (everywhere), ACCIDENTS POLIPOÈTICS (Barcelona), LLONOVOY (Mallorca), CONSERVAS (Barcelona), SLAVINA amb dj UX, KERNOW CRAIG and MATTHEW DAY, JULIUS POPP (Germany), JONATHAN GITELSON (USA), ZOOP (Mallorca).
The participants in the fourth Inn Motion were: ANNE JUREN & KRÖÖT JUURAK (Estonia, France, Belgium), CUQUI JEREZ (Madrid), Cia. LAS SANTAS / BEA FERNANDEZ (Barcelona), Cia. LAS SANTAS/ MONICA MUNTANER & KIKE
CCCB©Martí Pons, 2007
EL PAÍS HIPNOTIK HIP HOP UP IN ARMS Dates
September 15 and 16
Organised by
Hipnotik
CCCB©Martí Pons, 2007
In 2007, Hipnotik aimed to show that Hip Hop culture goes way beyond the same tired old clichés, and looked at Hip Hop Up in Arms. Over two days, the festival presented a selection of the most outstanding artists in Spain and around the world, and carried out activities open to anybody who was interested, including: DJ workshops, music productions, writing Hip Hop and Krumping, as well as MC battles and graffiti, photography and video competitions.
23
CCCB ANGLES.indd 23
16/9/08 11:25:05
CULTURAL ACTIVITIES FESTIVALS IN COLLABORATION
DOCÚPOLIS BARCELONA INTERNATIONAL DOCUMENTARY FESTIVAL Dates
October 3 to 6
Organised by
Tercer Ojo
Bruno Ulmer’s documentary Welcome Home was named winner of the 7th Docúpolis festival, following a selection from more than 600 competitors from around the world. The jury also awarded a special mention to the South African film The Mother’s House. Festival highlights included: Patricio Guzmán’s seminar, the retrospective on Slovenian film, guest presentation of Witness for the Rescat section and, as always, the parallel sections together with the international competition, which included OFF as a new category in 2007.
Docúpolis, Barcelona’s Documentary Festival, remained loyal to its conceptual line, that is, a desire to contribute to developing new languages, new directors and the ideal platform for discussing and reflecting on the documentary genre. However there is still much territory to be covered, and the festival only plays a small role in the social and cultural relevance of documentary films as a mirror of our culture.
L’ALTERNATIVA 14TH BARCELONA INDEPENDENT FILM FESTIVAL Dates
November 16 to 24
Organised by
La Fàbrica with the collaboration of the CCCB, ICUB and the Departament de Cultura i Mitjans de Comunicació de la Generalitat de Catalunya
For L’Alternativa, 2007 was a year of major achievements. Firstly, the festival was able to offer a program of 350 films from 46 countries, through its official sections, parallel sections and Pantalla Hall, as a result of a rigorous selection of the 2,500 films received throughout the year. Secondly, the wide media coverage helped the festival become an essential event in the independent cinema scene in Spain and Europe. Thirdly, the number of accredited journalist doubled the 2006 figure, and, finally, the festival once again attracted its loyal audience of independent film fans, who eagerly await the festival each year.
Another positive note was the increase in the number of directors present, which allowed visitors to converse with filmmakers in a unique opportunity for exchange. Directors specially worth mentioning due to the relevance of their work include Peter Brook, Don Askarian, Paul Bush and Eugenio Polgovsky. The program was rounded off by round table discussions, cinema concert, presentations and workshops.
CCCB©Lisbeth Salas, 2007
24
CCCB ANGLES.indd 24
16/9/08 11:25:11
CULTURAL ACTIVITIES FESTIVALS IN COLLABORATION
BAC! 2007 Dates
November - December
Organised by
La Santa
BAC! is a contemporary art festival that plays an important role in Barcelona’s cultural scene. It has consolidated itself as a key event for critical reflection on different plastic and audiovisual arts languages generated from an initial theme suggested by participating artists. The eighth BAC!, under the title Bac Babylon, focused on the concept of the contemporary city, inviting artists working in different disciplines to recreate and offer a critical vision of the phenomenon. Through their participation, they contributed to building a more active and committed cultural awareness.
As in earlier editions, the official opening of the main exhibition took place at the CCCB, and it remained open over one month. This exhibition brought together the work of almost 80 artists from all over the world, who offered their own particular vision. Collaborating venues all over the cities presented other exhibitions and events.
DRAP ART 2007 INTERNATIONAL CREATIVE RECYCLING FESTIVAL Dates
December 14, 15 and 16
Organised by
Drap Art Associació
CCCB©Consuelo Bautista, 2007
The aim of Drap-Art is to encourage creative recycling as a tool for transformation in art, society and ecology. To recycle, reuse and recover is a way to re-value things. As well as leading to more thoughtful consumption, this also helps to increase respect for the environment and the people who inhabit it, thus favouring cultures based on knowledge and respect. As it becomes increasingly easy to discern a bleak future on the horizon, provoked by insustainable global development, Drap-Art believes that it is imperative to encourage new generations to use recycling - not just as a critical resource, but also as a tool within everyone’s reach for the
transmutation of protest into positive ideas, which are the seeds of a more sustainable world. The traditional market, the workshops, round tables, concerts, stage productions and film screenings formed part of the DRAP ART’07 program. Participants included Circus Delirium vs Selva de Mar, L.U.V.E. + The Ultraviolet Experience, El Gran Litófono and la Funk reggae latin jazz old-school, La Cònica lacònica, FICMA and Tadeusz Wierzbicki.
25
CCCB ANGLES.indd 25
16/9/08 11:25:13
CULTURAL ACTIVITIES OTHER ACTIVITIES
READING WILL MAKE US GO FAR Dates
January 26 - February 4
Organised by
Frankfurter Buchmesse, Goethe-Institut Barcelona and the Generalitat de Catalunya’s Departament de Cultura i Mitjans de Comunicació
With the collaboration of
CCCB, British Council, Institut Français, Istituto Italiano di Cultura, Instituto Camões, Gremi d’Editors de Catalunya, Consell Català del Llibre per a Infants i Joves, Fundación Bertelsmann and Gremi de Llibreters
With the support of
Fundación Goethe España, ICUB-Biblioteques de Barcelona, Diputació de Barcelona-Xarxa de Biblioteques
“Reading will make us go far” was the slogan for Barcelona’s International Week of Books for Children and Young People co-organised by the Goethe Institute in Barcelona and the Frankfurt Book Fair, with the collaboration and support of the Generalitat de Catlunya, the Institut Ramon Llull and the CCCB. The exhibition attracted 15,000 visitors who came to participate in the many different activities offered as part of the week’s program, and to see the varied exhibition of over 2,000 books by Catalan, German, Austrian, Swiss, French, English and Portuguese publishing companies.
Children’s books illustration was one of the main themes of the week, with original art works by acclaimed German and Catalan illustrators on display, as well as those by up and coming younger artists. The idea that the Week of Books would target professionals on one hand, and lovers and readers of children’s books – especially children themselves - resounding success. Lectures, readings and presentations, together with a diverse program of children’s activities (with workshops, films and theatre) rounded off the program.
BOOK WORLD Dates
April 21 and 22
Organised by
ICUB
Book World is an area full of stories, shows, films, exhibitions, workshops, music, magic and circus, all with the same principal theme: books. Adventure books and scary books, fairytales and tales of witches or animals lost between the jungle and the zoo... The great book fair for boys and girls returned to the CCCB, this time coinciding with Sant Jordi - Sant Jordi for kids.
made possible thanks to the collaboration of over 40 children’s book publishers all over the world, who brought a wide range of activities and hundreds of books to the fair.
Over two days, visitors were able to enjoy over 150 activities organised around the Story Kitchen, the Island of Rats and the Library of Lost Books. All these activities and surprises were CCCB©Jordi Casañas Muñoz, 2007
26
CCCB ANGLES.indd 26
16/9/08 11:25:14
CULTURAL ACTIVITIES OTHER ACTIVITIES
TRÀFIC 07 Dates
October 21 to 28
Organised by
Centre de Fotografía Documental de Barcelona
The aim of the Centre de Fotografía Documental de Barcelona is to deepen research into documentary photography focusing on urban subject matter, and help spread this kind of photography to a wider public. In 2007, the Centre faced the challenge of organising a festival conceived as a forum and platform allowing materials to move through the public and those who dedicate themselves to photography in Barcelona (collectives, associations, curators, galleries, publishers, specialist libraries) in order to offer a diverse and interactive event –a festival!– that complements the work of organising exhibitions that had been the Centre’s only focus so far. Activities organised between the 21st and the 28th of October included documentary photography workshops, audiovisual screenings, debates, exhibitions and a series of varied, interactive activities, all with the same objective: to stimulate citizens to learn about and reflect upon their personal and social environment through documentary images that are beautiful, committed, complex and made by the photographers who best represent the image cul-
With the collaboration of:
Photographic Social Vision, Ojo de Pez, NoPhoto and Carles Guerra, among others.
ture, with a creative and critical sense in the face of reality, and a desire for authorship in relation to production of series. TRÀFIC is more than the title of this week of photography. The idea of “traffic” brings together a whole lot of issues that concern us and that we’ve observed in the work of photographers, social and political synergies and cultural forms today: information flux, speculation, overaccumulation, immigration, speed, cultural exchange, changes and modifications in the landscape and urban environment, abusing goods and resources... Other collectives were invited to contribute activities as part of the TRÀFIC photography experience. These included: Photographic Social Vision, Al·liquindoi and No Photo.
27
CCCB ANGLES.indd 27
16/9/08 11:25:14
CULTURAL ACTIVITIES URBAN ITINERARIES
BARCELONA, CITY, CITIES
A program of itineraries designed to offer a critical look at the new challenges facing the city of Barcelona today: transformations in the metropolitan environment, social cohesion, cultural leadership, environmental regeneration, the quality of public space, communications networks, high velocity... Fundamental issues that are becoming increasingly important, which this series of urban and metropolitan itineraries aims to demonstrate. The program of itineraries for schools and the general public for 2007 has been: El Raval. First Port of Call This itinerary sets out to offer perspectives from several viewpoints of a neighbourhood that has been a port of call from the 19th century up until the present day. Views of La Ribera Views of La Ribera takes the form of a historical route that explains the evolution of the city from the 15th century up until the present. The Golden Square Starting out from the CCCB and ending at la Pedrera, this itinerary takes a closer look at the economic and social context that led to the construction of the Eixample. Poblenou@22
Besòs. A Second Opportunity This itinerary analyses the territory through which the river Besòs flows and its function as a corridor for all kinds of flows (trains, cars, electricity, water...). Llobregat. Last Chance This itinerary comprises an analysis of the territory that the Llobregat river passes through. The river forms the southern limit of the city and organises one of the major lines of communication for the entire Metropolitan area. When it Rains in the City... This itinerary centres on the construction of a network of subterranean deposits built to collect runoff water during torrential rainfall, and includes a visit to two new deposits: at the Escuela Industrial and Bori i Fontestà. The Garraf Dump. Solution or Problem? This itinerary aims to analyse, on site, both the treatment of waste and the environmental problems presented by the dump, and the recently begun landscape restoration project, which won the 3rd European Prize for Urban Public Space in 2004. This itinerary was cancelled due to the closing of the Dump.
In one visit, this itinerary combines spaces and building related to 19th century forms of life and production, and the first areas to be urbanised and the buildings associated with the 22@ project.
28
CCCB ANGLES.indd 28
16/9/08 11:25:15
DEBATE AND REFLECTION CCCB ANGLES.indd 29
16/9/08 11:25:16
DEBATE AND REFLECTION NEW HUMANISM
MEANING QUESTIONS ON LIFE IN TIMES OF HYPERCONSUMPTION Dates
Mondays from February 12 to March 26
Production
CCCB and Fundació Collserola
With the collaboration of
El País
After the crisis of religion and of the great ideologies that marked the 20th Century, our own time appears to be a triumph of the most superficial aspects of existence: leisure, personal beauty and consumption are the panaceas that will supposedly ensure our happiness. However, behind the dazzling surface of this hedonistic society, our anguish for the meaning of our existence has not gone away. A vague and undefined spirituality, suffused with oriental wisdom and off-the-shelf beliefs is increasingly revealing this nostalgia for absolute values. How do we find meaning in a world dominated by pre-packaged formulas for happiness and imme-
diate consumption? How are spiritual needs expressed in the contemporary world? Through this cycle, the CCCB and Fundació Collserola continued the critical reflection on the human condition in the contemporary world that began with the ‘Passions and Life’ series of discussions in 2005 and 2006. Speakers: Víctor Gómez Pin, Gilles Lipovetsky, Carlos Castilla del Pino, Gianni Vattimo, John Gray, Frédéric Lenoir and Javier Muguerza.
CCCB©Susana Gellida, 2007
INVISIBLES Date
March 5
Organised by
CCCB and MSF (Doctors Without Borders)
The first in a series of activities organised in collaboration with MSF was the screening of the film Invisibles, five stories looking at five international crises, directed by Wim Wenders, Isabel Coixet, Fernando León de Aranoa, Mariano Barroso and Javier Corcuera and produced by Javier Bardem with the support of MSF. The screening was followed by a discussion session with Aitor Zabalgogeazkoa, director of MSF Spain, Javier Bardem, Fernando León de Aranoa, Javier Corcuera and Mariano Barroso. CCCB©Susana Gellida, 2007
30
CCCB ANGLES.indd 30
16/9/08 11:25:17
DEBATE AND REFLECTION NEW HUMANISM
PRESENTATION OF THE BOOK RETORNO DE FILIP LATINOVITZ Date
March 7
Organised by
Editorial Minúscula, Embassy of the Republic of Croatia and CCCB
Predrag Matvejevi_, the internationally renown Croation writer and essayist presented the novel El retorno de Filip Latinovicz by Miroslav Krleza, the most emblematic Croatian writer of the 20th century. With the participation of Simona _krabec, literary critic, and Jadranka Vrsalovi_Carevi_, who translated the book into Spanish.
DREYER AFTER HAMMERSHØI Dates
7, 14, 21 and 28 March, 11, 18 and 25 April
Organised by
CCCB with the collaboration of the Ordrup Gaard Museum of French Impressionism
A film cycle with screenings of the essential works of Carl Theodor Dreyer, accompanied by presentations offering different approaches to the central themes of the exhibition. These included the connections between the painter Vilhelm Hammershøi and the filmmaker Carl Theodor Dreyer, who in spite of working in a different medium, can be considered to be the most authentic –and perhaps the only successor– to the Danish painter in terms of the dramatic intensity, austerity, light and silence of his work.
CCCB©Susana Gellida, 2007
Screenings and presentations: Master of the House (1925), with Juan Manuel Bonet; Gertrud (1964), with Pere Gimferrer; Vampyr (1932), with Pilar Pedraza; President (1918), with Casper Tybjerg; Dies Irae (1943), with Miquel de Palol; Michael (1924), with Carlos Martí; and Ordet (1954), with Antoni Marí.
31
CCCB ANGLES.indd 31
16/9/08 11:25:20
DEBATE AND REFLECTION NEW HUMANISM
POPULISMS Dates
16 and 17 of April
Directed by
Bashkim Shehu, CCCB advisor on Eastern Europe
Production
CCCB and Casa del Libro in Tirana, Albania
Hostile to traditional ideologies, populism feeds off the charisma of its leader and of the constant exaltation of the people that makes it similar to xenophobic discourses and, paradoxically, also to the most advanced theories in defence of human rights and social justice. Thus, populism is linked to a wide range of political trends that go from the extreme right to the radical left, from economic liberalism to egalitarianism, from nationalism to the anti-globalisation movements. Its ambivalent relationship to democracy and its authoritarian turns make populism a multifaceted phenomenon that both fascinates and disturbs. CCCB©Miquel Taverna Homs, 2007
With the collaboration of
Tusquets Editores and El País
The CCCB brought together various experts who compared specific experiences in order to offer a shared conceptual framework that contributed to understanding of populism today. This seminar was part of the ongoing collaboration with the Institute of Dialogue and Communication and the Albanian Institute of Tirana (Albania), through which the CCCB aims to promote and strengthen intercultural exchange in the new Europe. Speakers: Guy Hermet, Fermín Bouza, Ivan Krastev, Pavol Demes, Michael Kaza, Francisco Panizza and Norman Manea. Moderators: Bashkim Shehu, Piro Misha, Remzi Lani, Francisco Fernández Buey and José María Ridao.
CHECHNYA, THE SILENCED CONFLICT TRIBUTE TO ANNA POLITKÒVSKAIA Date
Tuesday March 20
Production
CCCB
With the collaboration of the
Centro Internacional de Prensa de Barcelona and El País
Within the framework of the worldwide reading of the tribute to Russian journalist Anna Politkòvskaia, promoted by the Peter Weiss Foundation in Berlin, Anna Lizaran read texts by this journalist who was assassinated in Moscow on the 6th of October 2006. The following debate looked at the country’s history from the fall of the Berlin Wall and its current complex political and social situation. Speakers: Andrei Babitski, Mairbek Vatxagàiev and Jonathan Littell Moderator: Carmen Claudín
CCCB©Susana Gellida, 2007
32
CCCB ANGLES.indd 32
16/9/08 11:25:21
DEBATE AND REFLECTION NEW HUMANISM
SOMALIA THE WEST AND THE DESTRUCTION OF HOPE Date
April 12
Production
CCCB and MSF (Doctors Without Borders)
The discussion on one of the most important but also most forgotten crises in the world, was held in parallel to the MSF exhibition Somalia, Surviving Oblivion. The aim of the discussion was to analyse the delicate political and social reality of Somalia, a country that has been in a state of permanent crisis since the start of the civil war over 15 years ago. Speakers: Jabril Ibrahim Abdulle, Ibrahim Hassan Addou, Mohamed Abdi Mohamed “Gandhi” and Nuruddin Farah. Presenters: Kenny Gluck and Alfonso Armada. CCCB©Susana Gellida, 2007
LOCAL RACISM, GLOBAL APARTHEID SOUTH AFRICA AS A PARADIGM Dates
September 27 and 28
Organised by
CCCB and Bancaja
Directed by
Pep Subirós
With the collaboration of
El País
To mark the opening of the exhibition Apartheid: The South African Mirror, the CCCB organised a symposium that, like the exhibition itself, focused on the South African experience as its main point of reference. Likewise, the symposium covered new forms of discrimination and segregation inherited from traditional racism, which feed the old mechanisms of inequality and exclusion and create new ones, both within the most developed areas of the North-Western work and, especially, in the relationship between richer and poorer countries. In this sense, to consider the phenomenon of racism, especially South African apar-
theid, means immersing ourselves in another peoples’ past history and also in the dark side of one of the forms of reason – and practices – inscribed in our on history and, in part, still alive today. Participants: Pascal Blanchard, Ash Amin, Ciraj Rassool, Patrick Pond, Les Back, Peter McKenzie, Carles Lalueza, Zaid Minty, Edgar Pieterse, Nandipha Mntambo, Verena Stolcke, Jane Alexander, Elvira Dyangani, Núria Vives, Angèlica Sátiro and Alfred Bosch.
33
CCCB ANGLES.indd 33
16/9/08 11:25:24
DEBATE AND REFLECTION NEW HUMANISM
PRESENTATION OF THE BOOK LA CONSCIÈNCIA MORAL DE RÚSSIA BY ANNA POLITKÒVSKAIA Date
October 1
Organised by
Catalan PEN, la Lliga dels Drets dels Pobles, la Federació Catalana d’ONG pels Drets Humans and the CCCB
As part of the event organised as a tribute to the assassinated Russian journalist Anna Plitkòvskaia, La consciencia moral de Rusia, a book published by Atesta that compiles ten of her articles on the Chechnyan conflict will be presented. Journalist Llibert Ferri, ex-correspondent for TV3 in Eastern Europe and Russia, and Oleg Panfilov, director of the Moscow Centre of Journalism in Extreme Situations, looked at freedoms in Russia, the status of journalists, the repression that civil society is subjected to and political opposition to the Kremlin.
PRESENTATION OF NAOMI KLEIN’S THE SHOCK DOCTRINE Date
October 26
Organised by
CCCB, Editorial Paidós and Editorial Empúries
Far from the cliché that unquestioningly fuses democracy and capitalism, The Shock Doctrine reviews the recent history of the world (from Pinochet’s dictatorship to the reconstruction of Beirut; from Katrina to the tsunami; from 9/11 to the Madrid bombing attack), bringing to the fore the civilian populations that have been subjected to the ruthless voracity of the new lords of the world: the industrial, commercial and government conglomerates for whom disasters, wars and citizen insecurity are the sinister fuel of the shock economy.
Speaker: Naomi Klein Presenter: Antoni Doménech
34
CCCB ANGLES.indd 34
16/9/08 11:25:30
DEBATE AND REFLECTION NEW HUMANISM
ELÍAS CANETTI, CROSSROADS OF CULTURES Date
October 30
Directed and organised by
CCCB and Círculo de Lectores
Leading specialist on the writer Elías Canetti discussed his literary output (the recently published Sketches and Crowds and Power, 50 years on), as well as the various elements that come together and colour his body of work: nations, cosmopolitanism, extraterritoriality... Participants: Jordi Llovet, Marisa Siguán and Ignacio Echevarría.
THINKING EUROPE Dates
November 12 and 26, and December 3
Directed by
Judit Carrera and Lisa Appignanesi
Production
CCCB
With the collaboration of
El País and Editorial Crítica
CCCB©Susana Gellida, 2007
With the series “Thinking Europe”, which Jorge Semprún inaugurated in September 2006, the CCCB opened a forum of debate on the future of Europe with a humanistic and cultural perspective. More than sixty years after the Second World War, Europe is currently a united space of peaceful coexistence between nationstates that have decided to share their sovereignty under a set of common principles. Yet the difficulties in the processes of integration and expansion, together with the increasing global flows of people, ideas and goods, make the limits of Europe vaguer than ever and reopen the debate on the very notion of European civilisation.
In this context, the CCCB invited leading intellectuals from around the world in order to try and answer some of the following questions: What unites Europeans today? What does European culture mean to us? What is Europe’s contribution to universal culture? What philosophical categories or new political principles could help to configure a cosmopolitan, hospitable and more deeply democratic Europe? Participants: Eric Hobsbawm, Donald Sassoon, Josep Fontana, Timothy Garton Ash and Ian Buruma.
35
CCCB ANGLES.indd 35
16/9/08 11:25:30
DEBAT AND REFLECTION CITIES AND PUBLIC SPACE
BARCELONA’S NEW CITY WALLS Date
February 20
Directed by
Francesc Muñoz, lecturer in Geography, UAB
Production
CCCB
CCCB©Susana Gellida, 2007
One by one, the walls of Europe’s cities gradually came tumbling down at different times throughout the second half of the 19th Century. From then on, an intensified urbanisation process and the changes gradually brought on by new means of transport such as the railway first and then the cars produced a dynamic that gobbled up available land and gradually colonised it on an unprecedented scale and dimension. In the 20th century, cities, which had previously been exceptions to mainly undeveloped lands, would be come the most recognisable features of the humanised landscape.
In a sense we find, the closed, continuous walls of the 19th century dismembered and multiplied in a series of discontinuous limits that draw out a the new map of the city – and its new walls – in the 21st century Speakers: Ivan Muñiz, Matias Serracant, Maria Buhigas, Josep Font, Josep Bàguena, Anna Badia, Joan Roca, Laura Cantarella, Andreu Ulied, Enric Mendizàbal, Octavi Rofes and Silvia Bianchini.
This continuing process of urban expansion did not, however, mean the disappearance of the limits and borders of the city. The end of cities delimited by city walls was replaced by a combination of physical limits that show how the fact the urban landscape has spread through most of the territory doesn’t mean that it has done so in an unlimited, continuous and homogenous way. On the contrary, motorway toll barriers, petrol stations-cumshops and endless rows of terraced housing form the new limits of the urban world.
36
CCCB ANGLES.indd 36
16/9/08 11:25:33
DEBAT AND REFLECTION CITIES AND PUBLIC SPACE
CITIES OF THE NEAR EAST Directed by
Fred Halliday, Professor in International Relations, London School of Economics
Production
CCCB
With the support of the
Departament de Cultura de la Generalitat de Catalunya and the Ministerio de Cultura, and the collaboration of El País
CCCB©Miquel Taberna Homs, 2007
In this conference series, the CCCB offers a new look at some of the Middle Eastern cities that are in the foreground of international current affairs and that we only usually hear about in relation to the stigma of war and the stereotype of poverty. Without shying away from this reality, the discussions aim to bring us closer to the spirit and cultural life of these cities. In 2006, the debates dealt with Beirut, Teheran and Mecca, and in 2007 they centred on Baghdad and Istanbul.
Baghdad, a City in the Throes of Death March 6 Founded in the 8th century as the capital of the Abbasid empire, in modern times Baghdad has been the artistic and architectural centre of the Arab world and the capital of Iraq. Over the last three decades, the city has been victim to war, insurrection and denominational conflict. Following an eight-year war with Iran (1980-2988) and the United States bombings (1991-2003), since the North American invasion in March 2003, the city has become the centre of increasingly serious conflicts that is a mix of the insurrection against the US and its allies on one hand, and an intense civil war between Sunni and Shiite Muslims on the other. The CCCB brought together three leading experts on Iraq, who explained the keys behind the current conflict and analysed the impact of so many years of violence and destruction on the city of Baghdad. Participants: Faleh A. Jabar, Yahia K. Said, Patrick Cockburn and Fred Halliday.
The Destinies of Istanbul November 5 and 6 (debates); November 3, 4 and 5 (screenings) Along with Athens and Rome, Istanbul is one of the three great historic and cultural centres of the Mediterranean. Substituted by Ankara as the Turkish capital since the beginning of the Kemalist period, in recent decades it has undergone major transformations. On one hand, a great interest in the earlier Christian and Ottoman pasts, and in the diverse cultures and peoples that have come together in the city, has surfaced. Likewise, the collapse of the USSR and the Balkan communist regimes has brought new commercial and migratory links to the Black Sea and beyond. Yet at the same time, while parts of the Turkish intelligentsia have sought to restore Istanbul as a model of cosmopolitanism and tolerance, mass migration from rural Anatolia has changed the character of much of the city and made it a base for new Islamist forces. This seminar (the fifth in the series on the Middle East) explored a set of visions of the role played by Istanbul in modern Turkey and Europe. Speakers included leading contemporary Turkish and Armenian academics and writers, and the debates were accompanied by the screening of films and documentaries about Istanbul. The aim of this conference was to create a forum for debate to question the stereotypes of the past and to analyse the challenges of the contemporary city. Participants: Ayhan Aktar, Umut Ozkirimli, Soli Ozel, Murat Belge, Nouritza Matossian, Fred Halliday and Francisco Veiga.
37
CCCB ANGLES.indd 37
16/9/08 11:25:35
DEBAT AND REFLECTION CITIES AND PUBLIC SPACE
ARCHITECTURES OF FEAR: TERRORISM AND THE FUTURE OF URBANISM IN THE WEST Dates
May 17 and 18
Production
CCCB
Directed by
Stephen Graham, Professor in Human Geography, University of Durham
Sponsored by
COPCISA and El País
CCCB©Miquel Taberna Homs, 2007
New York, 11 September 2001. Madrid, 11 March 2004. London, 7 July 2005. The spectre of terrorist attacks has come to dominate the collective unconscious of many cities of the West. Planes, trains, underground transport, features of urban infrastructure that were once symbols of cosmopolitan freedom and prosperity, have now become, in the hands of terrorists, lethal weapons that threaten the very life of the city. In the aftermath of the attacks, many urban spaces are being represented as objects of total security within the framework of a recently declared war against global terrorism that has no clear end in temporal terms and no fixed geographic limits. Not only terrorism but also counterterrorist responses have begun to influence urbanism in the West and may be striking at the heart of an urban way of life that is founded on inclusion, anonymity and pluralism.
The aim of this symposium was to reflect upon the ideology of fear that has characterised the international scene since 9/11 and thus to draw conclusions about the reshaping of the politics of security in the West, its impact on city design and the difficulties this entails for keeping democratic principles alive. Directed by Stephen Graham (University of Durham) and hosted by the CCCB, the present debate forms part of an ongoing series reflecting on the intersections of power and territory. This began in 2004 with the “Frontiers” cycle after and was further explored by debates on “Urban Traumas” (2004) and the “Archipelago of Exception” (2005). Participants: Stephen Graham, Peter Marcuse, Angharad Closs, José María Irujo, Marina Garcés, Frank Furedi, Francesc Muñoz, Jeremy Parker, Carles Guerra, Jordan Crandall, Gemma Galdon Clavell, Louise Amoore, Deborah Natsios, Francisco Klauser, Ulrike Engel, Joan Subirats, Julie-Anne Boudreau and Eyal Weizman.
38
CCCB ANGLES.indd 38
16/9/08 11:25:36
DEBAT AND REFLECTION CITIES AND PUBLIC SPACE
URBAN PERIPHERIES Dates
December 13 and 14
CCCB©Susana Gellida, 2007
Directed by
Teresa Caldeira, Professor of Anthropology, University of California
The exponential growth of urban populations and the expansion of cities everywhere are the most obvious symptoms of the tremendous pace of urbanisation all over the world and are giving urban peripheries a new importance. Today, the periphery is an area that is part of a city and simultaneously excluded from it. The outskirts of cities have become containers for the problems that can’t be assimilated by city centres, but often also the refuge of the better-off looking to improve their living conditions away from the contaminations of traditional historic centres. Far from the commonplaces of marginalization and violence that tend to be associated with it, the periphery is often a space for artistic creation and experimentation with new ways of understanding and experiencing democracy. This intensification of cultural life on the urban outskirts and the emergence of movements of insurgence and demands for improved living conditions seem increasingly to indicate that the future of the city centre will be played out in the
Production
CCCB
periphery. This debate goes to the heart of the many ambivalences of the periphery at the global scale. This discussion was a continuation of Esquerdes urbanes. Segregació i contracultura al Brasil (“Urban lefts. Segregation and the counterculture in Brazil”) conference held in July 2006. A second part will be held in October 2008 at the Centre for Global Metropolitan Studies as part of an ongoing collaboration between the CCCB and the University of Berkeley, California.
DEBAT AND REFLECTION PERMANENT REFLECTION
INTERNAL SEMINARS Meetings between experts on some of the key issues in contemporary society, who come together for discussions behind closed doors. After a period of working together, they have the possibility of producing a synthesis that can be addressed to the main agents and responsible parties in political, economic or social life.
The business world and culture
Religion and society
Dates
Dates first 6 months of the year
first 6 months of the year
Organised by
CCCB and Esade
Organised by CCCB and Fundació Joan Maragall Participants: Pere Lluís Font, Jaume Fontbona, Antoni Matabosch, Josep M. Carbonell, Joan Rigol, Jaume Casals, Josep Joan Moresco, Manuel Cruz, Valentí Puig and Josep Ramoneda.
39
CCCB ANGLES.indd 39
16/9/08 11:25:37
DEBATES AND REFLECTION IN COLLABORATION…
INSTITUT D’HUMANITATS From philosophy to literature, cinema to theatre and history to art, the Institute aims to penetrate deep into the world of humanities and discover different disciplines through the opinions of leading intellectuals and thinkers. Through a series of conferences featuring a different guest each week, and specialist seminars imparted by a single lecturer, the cycle encouraged interchange between different fields of cultural, participate in widening their
reach and contribute to the reception of the most important instances of European culture. The courses programmed for 2007 included: Theodor W. Adorno, The Culture of Landscape, Dance as a Language of the Body, Technology and Ethics, Theory of Fantasy literature, Thinking Cinema, Great Books of Western Culture.
CUIMPB – CENTRE ERNEST LLUCH The Universidad Internacional Menéndez Pelayo-CUIMPB offers a series of courses and master seminars that can be taken as optional credits towards various degrees. The following courses have been carried out during 2007: Islam South of the Sahara, The challenges of local urban planning law in the 21st century, Emerging Eurasia: a big new game surrounding Central Asia, Public policies for regional competitiveness, Neuroethics: Law and the science of willpower, The Euro-Mediterranean Association in the globalisation era,
Annual Accounts Financing and expenditure policies, Multilingualism and universities, Legislating audiovisual freedom, Multi-culturalism, the key to international business, Carbobi, Climate and Society. Towards decarbonisation, Renewable wind and solar energies, Living with volcanoes, Cities and immigration. Urban planning and local politics, Cooperation amongst public administrations, Strategic territorial planning, Model of protected rental dwellings, Governing mobility, and Brain and Cognition. Women vs. Men.
ELISAVA In the first six months of the year, Elisava (Escola Superior de Disseny) presented its Postgraduate and Masters
programs in Communication and Graphic Design, Design and Product and Design and Space.
METRÒPOLIS MASTER ESCOLA TÈCNICA SUPERIOR D’ARQUITECTURA DE BARCELONA-UPC A post graduate course for graduates in art, the humanities, social sciences or architecture, led by philosophers, anthropologists, art critics and artists, urban designers and architects, to reflect on the new realities emerging around major cities.
This year 2007 we have had the following lecturers Xavier Costa, Suzanne Strum, Teddy Cruz, Stephen Graham, Ilka & Andreas Ruby, Judit Carrera, Ernest Ferré, Rafael Gómez-Moriana, Antoni Luna, Armando Montilla, Martí Peran, Alexander Pilis and Juan Carlos Sánchez-Tappan.
40
CCCB ANGLES.indd 40
16/9/08 11:25:40
DEBATES AND REFLECTION IN COLLABORATION…
SOCIAL MOVEMENTS AND TERRITORIAL CONFLICTS. TOWARDS A NEW CULTURE OF TERRITORY? Date
April 20
Organised by
The Institut de Govern i Polítiques Públiques at the Universitat Autònoma de Barcelona (IGOP)
Based on the research project “Per una nova cultura del territori? Mobilitzacions y conflictes territorials a Catalunya” carried out by the IGOP and the Jaume Bofill Foundation, this seminar setted out to go deepen the debate on the role of social movements in territorial conflicts. What effects do the have on public policy? What do the different kinds of mobilisations share? Is a movement in favour of
With the collaboration of
the CCCB and Jaume Bofill Foundation
the territory taking shape? What’s happening in this area in the rest of Europe? Participants: Joan Subirats, Enric Tello, Gianni Piazza, John Karamichas, Charlotte Halpern, Christopher Rootes, Toni Altaió, Eva Fernández, Raül Valls and Maria Herrero.
BARCELONA AND THE SOCIAL RIGHTS OF FOREIGNERS. THE REALITY AND PROPOSALS Date
November 8
Organised by
Observatorio del Sistema Penal y los Derechos Humanos, at the University of Barcelona (OSPDH)
Round table to coincide with the presentation of the report “On the exercise of the right to education of foreign minors in primary school and health care for foreigners residing in the city of Barcelona”, prepared by the OSPDH and published by the Regidoria de Drets Civils de l’Ajuntament de Barcelona.
With the collaboration of the
CCCB
Participants: Oriol Amorós i March, Joaquim Mestre i Garrido, Ma. Jesús Larios Paterna, Sheila González Motos, Lourdes Ponce and Héctor Silveira Gorski.
LAUNCH OF “RELATOS DE KOLIMÁ” BY VARLAM SHALÁMOV Date
December 12
Organised by
Editorial Minúscula and CCCB
Presentation
by Jorge Semprún
Relatos de Kolimá is one of the greatest and most tragic odysseys of the 20th Century. Varlam Shalámov, a Russian writer born in 1907, penetrated de white hell of Kolyma, a region located in the far north-eastern area of Siberia, and described the Stalinist work camps in great detail. This book - the first of the six volumes that form
the overall work – marks the start of a process that will lead to the complete work being published in Spanish, following the structure given to the project by its author. Participants: Jorge Seprún, Ricardo San-Vicente and Josep Ramoneda.
41
CCCB ANGLES.indd 41
16/9/08 11:25:40
OPEN CCCB CCCB ANGLES.indd 42
16/9/08 11:25:40
OPEN CCCB
PROJECTS ON THE NET Participating institutions
Xarxa Transversal, Fundació I2Cat, Departament de Cultura i Mitjans de Comunicació de la Generalitat de Catalunya and CCCB.
Information and communication technologies are developing quickly and transforming the possibilities for producing and spreading culture. Through this project, the CCCB aims to set out a mid- and long-term strategy that will strengthen the use of the net as a tool for diffusion of cultural production and facilitate innovation in terms of formats. Rather than constructing a project based on technology, the idea is to explore how technology can help improve the fulfilment of traditional aims of cultural facilities. The project is organised around two separate initiatives:
CULTURAL RING http://www.anellacultural.cat/ The Cultural Ring is a project that seeks to strengthen the use of the Internet as a tool for diffusion and production in cultural exchange, and to promote innovation in terms of formats. As the first project of its kind to be based on cultural activities, it is a pioneering project in the area of research, innovation and development (R+I+D).
With the collaboration of
SETSI, ICUB, Ministerio de Cultura and Ministerio de Economía y Hacienda.
The implementation of the fibre optic network in Catalonia was carried out in two phases. The first phase connected the CCCB and four cultural centres from the Xarxa Transversal (Lleida, Granollers, Olot and Reus). The remaining Transversal cities (Manresa, Figueres, Tortosa, Sant Cugat del Vallès, Mataró, Vilanova i la Geltrú, Girona, Vic, la Seu d’Urgell and Perpinyà) will be connected in the second phase. Ultimately, the network will become a tool for exchange at the service of all the cultural centres in Catalonia. In September 2007, the first phase begun with the HIPNOTIK FESTIVAL, were the following network activities were developed: GRANOLLERS – Granollers Museum, interactive live connection. Break dance exhibition and workshop. REUS - Centre d’Art Cal Massó, live interactive connection. Rap concert and DJ. LLEIDA – IMAC, live interactive connection. Graffiti demonstration. BARCELONA – CCCB, live broadcast at the three centres of the finals of the Festival’s MC and Break Dance competition.
The project consists of developing a network of cultural facilities –“Anella Cultural” or Cultural Ring- that allow intensive use of the new possibilities offered by second generation Internet. The aim is to activate content exchange and co-production of online events, and promote new lines of research into Internet use in cultural production, improving diffusion and offering artists a platform for experimenting with new digital arts applications.
43
CCCB ANGLES.indd 43
16/9/08 11:25:41
OPEN CCCB EXHIBITIONS. BEYOND THE CCCB
THE CITY OF K. FRANZ KAFKA AND PRAGUE IN PRAGUE Directed by
Juan Insua
Production
CCCB
Although Prague doesn’t ever explicitly appear in Kafka’s work, Prague and Kafka are inseparably intertwined. The way in which Kafka sifts his city into his work remains one of the most enigmatic operations in modern literature. In his books, Kafka doesn’t name the places he describes. The city draws back; it is no longer known for its buildings and monuments. In his fictions, Kafka carries out a difficult operation: Prague is transformed into an imaginary topography that transcends fallacious realism.
This exhibition, the third in the Cities and Their Writers cycle produced by the CCCB, was presented at the Jewish Museum in New York from August 2002 to January 2003. Since June 2005 it can be visited as a permanent exhibition in Prague at the Hergetova Cihelena, which has become the Franz Kafka Museum.
ONCE UPON A TIME CHERNOBYL IN ALCALÁ DE HENARES Curator
Galina Ackerman
Production
CCCB i Bancaja
The exhibition, sponsored by Fundación Bancaja, explains the catastrophe that took place in Chernobyl and its consequences, as a framework and tool for reflecting upon the important challenges of the 21st Century: techno-science and its real and imaginary dangers. The exhibition includes photographs, audiovisual material, recovered objects, children’s’ drawings and some art works inspired by the catastrophe
CCCB©Julio C. Palacio, 2007
44
CCCB ANGLES.indd 44
16/9/08 11:25:42
OPEN CCCB EXPOSICIONS. MÉS ENLLÀ DEL CCCB
LITERATURES OF EXILE
IN BUENOS AIRES, SANTIAGO DE CHILE AND MEXICO AND SANTO DOMINGO Curators
Julià Guillamon, Joaquim Jordà and Francesc Abad
Production
CCCB, SEACEX and Institut Ramon Llull
This exhibition traces an itinerary that follows places linked to the Catalan literary exile (1939-1975) through testimonies narrated by the writers themselves, in their literature and personal experiences and histories. The exhibition allows visitors to relive the experience of exile through the voices and words of its protagonists: how the disappearance of a world leads to certain decisions being made and survival strategies developed, and also to the opening up of new horizons, resulting in a great number of cultural initiatives.
de la Moneda in Santiago de Chile form March 1 to April 30, at the Centro Cultural de España in Mexico from July 16 to October 14, and, finally, at the Museo de Arte Moderno in Santo Domingo from November 29 until February 10, 2008.
The exhibition was presented at the Centro Cultural Recoleta in Buenos Aires until February 15, at the Palacio CCCB©Jodi Gómez, 2007
JULIO CORTÁZAR: TRAVELS, IMAGES AND OTHER TERRITORIES IN SAN SEBASTIAN Curators
Juan Insúa and Rocío Santacruz
Production
CCCB
The aim of this exhibition is to explore the personal and literary world of Julio Cortázar by means of his travels, his letters and his incursions into photography, a discipline that was accorded particular importance by the author of Rayuela, who compared it to the short story form.
CCCB©Jordi Gómez, 2007
The exhibition was presented at the Centro Cultural Okendo in San Sebastian from April 26 to June 26.
The exhibition includes the series of photographs from Meditations on the Observatory which Cortázar himself took on a trip to India, the originals from the Los autonautas de la cosmopista and the Muñeca rota series, as well as photos from other journeys, unpublished portraits, letters to friends, etc.
45
CCCB ANGLES.indd 45
16/9/08 11:25:42
OPEN CCCB EXHIBITIONS. BEYOND THE CCCB
CITIES AND THEIR WRITERS IN VALENCIA Curator
Juan Insúa
Production
CCCB
The CCCB has conceived a travelling literature project for the new century, made up of a series of creations which share an open and heterodox vision of the literary phenomenon and the new expositive formats and languages. The productions include the audiovisual version of the series Cities and their writers and will be presented from October to 7 January
2007 in the Valencia Centre of Contemporary Culture, sponsored by the Caixa Catalunya Foundation.
THE CENTURY OF CINEMA IN ZARAGOZA, TORRENT AND SABADELL Curator
Jordi Balló
Production
CCCB
A touring adaptation of the major exhibition organised at the CCCB in 1995 to commemorate 100 years of cinema. It consists of five sections that illustrate the world of cinema in a meaningful way, through photographs and audiovisual materials: An Industry of Prototypes, A Mythology, Basic Instincts, Universal Viewers and Forms of Seduction.
at the main venue of the Fundació Caixa Sabadell from March 29 to June 3.
After its exhibition period in Zaragoza, until the 7th of January 2007, the exhibition was on display at the new Espai Metropolità d’Art in Torrent (Valencia), from January 26 to March 11, with the sponsorship of the Fundació Caixa Catalunya, and
46
CCCB ANGLES.indd 46
16/9/08 11:25:44
OPEN CCCB EXPOSICIONS. MÉS ENLLÀ DEL CCCB
THAT’S NOT ENTERTAINMENT! CINEMA BEGETS CINEMA IN MURCIA AND VALENCIA Comissaris
Andrés Hispano i Antoni Pinent
Producció
CCCB
La mostra proposa un recorregut pel cinema de les idees, aquest cinema que no és part de la indústria de l’entreteniment i que en la seva factura i el seu contingut demostra el potencial artístic, reflexiu i documental del mitjà.
Una versió reduïda de l’exposició es presentà al Centro Párraga de Múrcia entre el 6 de juny i el 28 de juliol. El 13 de desembre s’inaugurà en l’espai remodelat de la Fundació Bancaixa de València.
L’exposició presenta autors i moviments clau del cinema experimental i independent, però no està plantejada com una història alternativa al cinema de consum. La idea és definir el cinema des de pràctiques que, tot sovint, contravenen tòpics, mostren un món del cinema que es pot exercir de maneres properes a la pintura, la música o l’assaig. CCCB©Jordi Gómez, 2007
THAT’S NOT ENTERTAINMENT! CINEMA BEGETS CINEMA IN MURCIA AND VALENCIA Curators
Andrés Hispano and Antoni Pinent
Production
CCCB
This exhibition offers a journey through a cinema of ideas - the kind of cinema that isn’t part of the entertainment industry, that shows the medium’s artistic, thought-provoking and documentary potential through its content and the way it is made.
A reduced version of the exhibition was presented at the Centro Párraga in Murcia from June 6 to July 28. On December 13, it moved to the Fundación Bancaja de Valencia’s recently remodelled exhibition space.
The exhibition presents key authors and movements from the experimental and independent cinema circuit, without pretending to be an alternative history parallel to mainstream cinema. The idea is to define cinema based on practices that often contradict clichés and show a world in which cinema can be practiced in ways similar to painting, music or literary essay.
47
CCCB ANGLES.indd 47
16/9/08 11:25:47
OPEN CCCB EXHIBITIONS. BEYOND THE CCCB
IN FAVOUR OF PUBLIC SPACE IN TIRANA Production
CCCB
An exhibition of the work carried out by the CCCB so far in the field of critical reflection around the contemporary city, understood from the urban and architectural point of view, but also in its political, social and philosophical dimensions. This exhibition offers a selection of material from the projects submitted to the European Prize for Urban Public Space in 2006, focussing specially on the two winning projects and the three honourable mentions. Other reference material available for public consultation includes the European Archive of Urban Public Space and a compilation of lectures, books and audiovisual archives from the CCCB’s
collection of documentation on public space and the contemporary city. It will be presented at the Institut Français de l’Architecture in Paris and in Tirana (Albania). The exhibition was presented at the gallery of the Faculty of Visual Arts in the Tirana Academy of Arts from October 15 to November 25, and accompanied a series of debates on urban public space.
CCCB©Masha Zrncic, 2007
ERICE – KIAROSTAMI. CORRESPONDENCES IN PARIS Curators
Alain Bergala and Jordi Balló
Production
CCCB and La Casa Encendida, with the collaboration of SEACEX
The exhibition brings together Victor Erice and Abbas Kiarostami, two acclaimed filmmakers, in a dialogue about their creative concerns: the transparency of filming, the search for reality and they way it can be captured etc. The starting point was the hypothesis of a possible encounter between these two filmmakers, a proposal which was accepted enthusiastically by both. Following its presentation in Barcelona and at La Casa Encendida cultural centre in Madrid, this exhibition will be shown at the Centre Georges Pompidou in Paris from September 19, 2007 to January 7, 2008. CCCB©Jordi Gómez, 2007
48
CCCB ANGLES.indd 48
16/9/08 11:25:48
OPEN CCCB DEBATES. BEYOND THE CCCB
INCLUSIVE CITIES: THE CHALLENGES OF URBAN DIVERSITY Dates
March 10-14
Place
Johannesburg, South Africa
Production
CCCB, the Woodrow Wilson International Center for Scholars (WWICS) de Washington and the Development Bank of Southern Africa in Johannesburg
development. This inherent diversity of cities is a source of material and immaterial wealth as well as conflicts an confrontations so that, at least in the modern and democratic sense, cities only fully exist as such to the extent that they manage to become the stage and mechanism for the integration and synergy of diversity. That is, the stage for organising a certain cohesion based on difference. Cities are necessarily settings of cultural diversity, in particular with regard to traditions, beliefs, knowledge, technical skills, professional activities and the aspirations of their inhabitants. It is on the basis of this heterogeneity that cities are born, grow and frequently prosper as centres of interaction and interchange, innovation and
The aim of the debate was to look at ways of creating and maintaining this organisation in a period of accelerate growth of urban diversity and, at the same time, ways of implementing strategies of civic inclusion that construct effective share citizenship mechanisms that surpass individual differences. The debate, which was held over two days
behind closed doors and included a public session on November 7, was part of the research and discussion project “Inclusive Cities: Challenges of Urban Diversity”, promoted by the Woodrow Wilson International Center for Scholars (WWICS), Washington, the Development Bank of Southern Africa, Johannesburg and the CCCB. Participants: Mejgan Massoumi, Ellen Brennan Galvin, Caroline Kihato, Loren Landau, Edesio Fernandes, Blair Ruble, Viktor Stepanenko, Alícia Fuentes, Steven Friedman, John Hannigan, Edgar Pieterse, Ash Amin, Michael Crang, Nezar Alsayyad, Ananya Roy, Pumla Gqola, Richard Stren, Joseph Tulchin, Josep Ramoneda, Joan Roca and Josep Subirós.
BARCELONA – KRAKOW Dates
March 29 and 30
Place
Krakow, Poland
Production
CCCB and the IMCK (Krakow International Centre for Culture)
This conference aimed to explore the roles of Barcelona and Krakow within modern European civilisation and to share the historical and urban experiences of these two cities that have many points in common. Some of the issues to be discussed include urban development in each of the cities throughout their history, the experience of living through dictatorships in the 20th Century (Barcelona under Franco and Krakow under Nazism and communism) and the fact that although neither city is the capital, they both play an important role as cultural capitals. CCCB©Masha Zrncic, 2007
In collaboration with the IMCK (Krakow International Centre for Culture), this initiative was organised as part of the CCCB’s policy of tending bridges to Eastern Europe. Speakers: Joan Roca, Jacek Purchla, Josep Ramoneda, Andrzej Chwalba, Jordi Balló, Jan M. Ma_ecki, Miguel Pajares, Jerzy Miku_owski-Pomorski, Francesc Muñoz, Monika Murzyn, Jordi Puntí, Bronis_aw Maj, Pasqual Maragall and Janusz Sepio_. Moderators: Josep Ramoneda, Jacek Purchla, Janusz Sepio_, Jacek Purchla, Jerzy Miku_owski-Pomorski and Bashkim Shehu.
49
CCCB ANGLES.indd 49
16/9/08 11:25:50
OPEN CCCB DEBATES. BEYOND THE CCCB
URBAN PUBLIC SPACE, IN TIRANA Date
October 15
Place
Tirana (Albania)
Directed by
Bashkim Shehu
Organised by
CCCB, Institute of Dialogue and Communication (Tirana) and the Albanian Media Institute
With the support of the Spanish Embassy in Tirana and the Agencia Española de Cooperación Internacional (AECI). With the objective of promoting the exchange of ideas and experiences between Albanian and Catalan intellectuals and architects, a series of debates were organised to look at the issue of public space from the perspectives of philosophical, political, sociological and urban design.
CCCB©Masha Zrncic, 2007
The issue of public space is particularly important at a time when globalization is seeing the rise of private space. This is a key issue in relation to citizenship and ensuring that citizenry and peaceful coexistence based on diversity. Albania, a country that has just opened up to the world, and its capital Tirana, provide a setting of great interest thanks to the context of an incipient energetic, chaotic and very aggressive form of capitalism that highlights various problems at a scale that goes beyond the country itself.
The conference coincided with the exhibition “In Favour of Public Space”, organised by the CCCB at the Gallery of the Faculty of Visual Arts at the University of Tirana. It was part of an ongoing collaboration between the CCCB and the Institute of Dialogue and Communication and the Albanian Media Institute in Tirana, with the aim of promoting and strengthening cultural exchange in the heart of the new Europe. Participants: Olivier Mongin, Artan Fuga, Manuel Montobbio, Edi Rama, Piro Misha, Elías Torres, Artan Shkreli, Josep Ramoneda, Carme Ribes, Besnik Aliaj and Dritan Shutina.
OPEN CCCB
INTERNATIONAL NETWORKS Within the framework of ongoing critical reflex ion around the city and new cultural imaginaries, the CCCB will set up stable collaborations with the following institutions:
• Centre for Research Architecture Goldsmiths College (London, United Kingdom) • The Development Bank of Southern Africa(DBSA), Johannesburg
• Bard College (New York, United States)
• ESPRIT magazine (Paris, France)
• Casa del Libro (Tirana, Albania)
• The New School University (New York, United States)
• International Centre for Culture (Krakow, Poland)
• Social Science Research Council (New York, United States) • Wits Institute for Social and Economic Research (WISER) (University of Witswatersrand, Johannesburg, South Africa) • Wilson Center (Washington D.C., United States)
• Partners for Urban Knowledge and Action Research (Mumbai, India)
50
CCCB ANGLES.indd 50
16/9/08 11:25:53
CCCB HOLDINGS CCCB ANGLES.indd 51
16/9/08 11:25:56
CCCB HOLDINGS
ARCHIVE European Archive of Urban Public Space and Urban Library http://urban.cccb.org Production CCCB With the sponsorship of COPCISA and the collaboration of Cité de l’Architecture et du Patrimoine (Paris), The Architecture Foundation (London), Architecturzentrum Wien (Vienna), the Netherlands Architecture Institute (Rotterdam) and the Museum of Finnish Architecture (Helsinki). The European Archive of Urban Public Space brings together some of the most important public space renewal interventions that have been carried out in various European cities over the last twenty years. The idea is to contribute to extending the reach of projects that, while setting out to re-evaluate the nature of urban public space, have improved its collective use, the activates that take place within it and the identification of citizens with these spaces that they use in their daily lives.
Urban Library http://urban.cccb.org/urbanLibrary The Urban Library offers the main texts on the city and urban issues that the CCCB has been collecting since it first opened its doors. Exhibitions, debates and conferences comprise this source on the contemporary city that is now presented in the form of a virtual library, putting within reach of the public the more theoretical approaches to the phenomenon of the city that have been generated by the CCCB. The library includes texts by Zygmunt Bauman, Jordi Borja, Manuel Castells, Jean-Louis Cohen, André Corboz, Robert Fishman, Jan Gehl, Oriol Nel·lo, Xavier Rubert de Ventós, Saskia Sassen, Michael Sorkin, Eyal Weizman and Sharon Zukin, among others.
XCÈNTRIC Archive http://www.cccb.org/xcentric/homeg.htm The idea of the Xcèntric Archive is to reflect its programming, without any attempt to create an exhaustive collection of experimental cinema. Each year, the archive will continue to grow in parallel with the themes that make up the program. The films programmed by Xcèntric are hard to see and are seldom or never programmed in other commercial distribution circuits. The archive allows public access to a wide selection of movies – over 300 works – that have been screened over these last five years. From December 22 to March 18 2007, the archive has been presented in conjunction with the exhibition That’s not entertainment! Once the exhibition was over, it wwnt to form part of the CCCB reference collection, available for public consultation.
52
CCCB ANGLES.indd 52
16/9/08 11:26:00
CCCB HOLDINGS
ARCHIVE Sonoscop. Sound Art Archive http://www.sonoscop.net Sonoscope is the ongoing collaboration project between the Orquestra del Caos and the Centre de Cultura Contemporanía de Barcelona. Its aim is to create a multimedia archive of experimental music and sound art that is accessible to the public, either physically or through other forms of electronic presence, such as the net. There are already more than a thosand sound art works in the archive, which also includes catalogues, programs, publications, audiovisual material and CD-ROMs.
The Observatory Archives. OVNI. http://www.desorg.org/intro_arxius.php The OVNI (Observatori de Video No Identificat) archives are structured around specific themes and have a clear purpose: to encourage a critique of contemporary culture using different strategies such as video art, independent documentary and mass media archeology. The archives cover a huge range of works of different kinds that all share a commitment to freedom of expression and reflect on our individual and collective fears and pleasures. Together, they offer a multifaceted view, thousands of tiny eyes that probe and explore our world and announce other possible ones. It is a discourse that above all values heterogeneity, plurality, contradiction and the subjectivity it arises from. In itself, an antidote to the cloning and repetition of corporate mass media.
53
CCCB ANGLES.indd 53
16/9/08 11:26:01
CCCB HOLDINGS
DOCUMENTATION CENTRE The CCCB’s documentation centre is open to the public and organised around the following main sections:
CCCB reports • documentation generated by exhibitions since 1994 • documentation of cultural activities (festivals, workshops, etc.) • photographic and audiovisual reports
CCCB publications • institutional reports • exhibition catalogues • collection of reflections with an urban theme: Urbanitats and Urbanitats digital • philosophical collection: Breus • digital publications
Specialised library • the history of the CCCB and its impact on the Raval • the Raval, Ciutat Vella and Barcelona • specialist collection on urban design and public space (2,000 volumes) • specialist collection on culture and globalisation
The Documentation Centre is also the core of internal information management among the different departments of the CCCB and liaison with the documentation and research centres outside of the C’CB. Throughout 2007, the Documentation Centre returned to and promoted its project to reorganise and digitalise its collection, in order to improve access to it, and continue the process of integrating its bibliographic collection in the Collective Catalogue of Universities in Catalonia (CCUC).
54
CCCB ANGLES.indd 54
16/9/08 11:26:01
CCCB HOLDINGS
PUBLICATIONS 1994-2006. CCCB Exhibitions A collection of the introductions by Josep Ramoneda published in each catalogue that has been produced by the CCCB since its doors opened. The publication, lovingly illustrated, is a graphic report of the exhibitions programmed by the CCCB since 1994 to the present. The book closes with an article by Jordi Balló (head of exhibitions at the CCCB), which reflects on the CCCB’s exhibition policy over the thirteen years of the Centre’s existence. 17 x 24 cm Catalan and Spanish, with English translation at the end 328 pages, 350 colour images Published by: CCCB and Institut d’Edicions de la Diputació de Barcelona
EXHIBITION CATALOGUES
Hammershøi - Dreyer Presentation of selection of paintings by the Danish artist Vilhelm Hammershøi (1864-1916), and a comparasion of the fundamental elements that his work shares with that of the filmmaker Car Theodor Dreyer (1889-1968): light, domestic space, landscape, the human face. 17 x 24 cm Catalan and Spanish, with English translation at the end 160 pages, 150 colour and black and white images Published by: CCCB and Institut d’Edicions de la Diputació de Barcelona ISBN: 978-84-9803-138-6
Fronteres Reflection and analysis on the transformation of current geopolitical borders and the displacement of symbolic borders, and the repercusions of these developments. The border as a place of transit, coexistence or conflict. This publication also includes reports by international photographers that illustrate current border conflicts: Europe, migrations, North Korea, Kashmir, Palestine, Mexido, etc 17 x 24 cm Catalan with Spanish translation at the end 206 pages, 160 images Published by: CCCB and Institut d’Edicions de la Diputació de Barcelona ISBN: 978-84-9803-208-6
Apartheid A return journey: from the European origins of modern racism, following the tracks of its expansion throughout the globe in the colonial era, and returning to the most priviliged areas in the world in the postcolonial periood. 17 x 24 cm Published in Catalan, Spanish and English 208 pages, 195 images Published by: CCCB, Institut d’Edicions de la Diputació de Barcelona and Actar ISBN (Catalan): 978-84-9803-208-6 ISBN (Spanish): 978-84-96954-02-1 ISBN (English): 978-84-96954-03-8 55
CCCB ANGLES.indd 55
16/9/08 11:26:02
CCCB HOLDINGS
PUBLICATIONS En transición A reflection on the transition to democracy in Spain, a complex and dense process that acts as a limit between dictatorship and democracy and affects and takes form within the people who lived through it. 17 x 24 cm Published in Catalan and Spanish 208 pages, 320 images Published by: CCCB and Institut d’Edicions de la Diputació de Barcelona ISBN (Catalan): 978-84-9803-247-5 ISBN (Spanish): 978-84-9803-248-2
URBANITATS COLLECTION This collection collects the materials generated through the seminar, conference cycles and symposium that have taken place in the CCCB, leaving a record of current discussions and reflections around subjects that are relevant to contemporary society. The presentations are published in their original language. In 2007 we published Arxipèlag d’excepcions. Sobiranies de l’extraterritorialitat, which documents the conferences held at the CCCB on the 10th and 11th of November 2005. These meetings analysed the proliferation of enclaves that lie outside of traditional sovreignty, and seem to be goverened by a permanent state of emergency. From concentration and refugee camps to urban guetos, the discussions were a critical reflection on the intersection between power and territory in the contemporary world. The publication includes texts by Zygmunt Bauman, Teddy Cruz, Keller Easterling, Stephen Graham, Thomas Keenan, Simón Naveh, Lluís Ortega, José Luís Pardo, Josep Ramoneda, Eyal Sivan, Rafael Vilasanjuán and Eyal Weizman.
BREUS COLLECTION As from a year ago, the CCCB has been publishing this collection with the aim of highlithting, in brief publications, some of the presentations or conclusions-documents arising from the debates, seminars, conference cycles and symposiums held at the CCCB. The collection, with bilingual versions of the texts, already includes conferences by Jürgen Habermas (International law in the transition towards a postnational juncture), Zygmunt Bauman (New universal values and borders), Michael Walzer (Terrorism and just wars), Roger Bartra (Liquid cultures in a waste land), Ulrich Beck (Reinventing Europe: a cosmopolitan view), Alain Touraine (Economic globalisation and social fragmentation), Pascal Bruckner (The good life), Harvie Ferguson (Desire, oasson and surrender) and Daryush Shayegan (Is Teheran and emblematic city?). This year it continued with lectures by Olivier Roy (The worldlying of Islam), Jean & John Comaroff (Postcolonial law and violence: a reflection on the complicities between North and South) and Gilles Lipovetsky (Hypermodern Times).
56
CCCB ANGLES.indd 56
16/9/08 11:26:03
CCCB HOLDINGS
AUDIOVISUAL PRODUCTIONS Borders An audiovisual work based on the lectures presented within the cycle Borders (Barcelona Debate VII) held at the CCCB between January 12 and March 29, 2004. These conferences aimed to analyse the transformations of traditional borders and discuss the extent to which the emergence of new borders puts the defense of universal values at risk. Through this audiovisual work, we hear the reflections of Tzvetan Todorov, Manuel Cruz, Francisco Fernández Buey, Georges Corm, Roger Bartra, Eyal Weizman, Michel Foucher, Zygmunt Bauman and David S. Landes. The artist Frederic Amat has participated in the physical creation of this 9screen set-up.
Nomads: East and West Audiovisual project for an installation Dates July - August Created by Montse Arbelo and Joseba Franco Organised by CCCB Over the last few years, the artists Montse Arabelo and Joseba Franco have been on a permanent journey, crossing one border after another. Accompanied by still and video cameras and a computer, they walk through a world full of contradictions, sharing and assimilating cultures, learning the human biodiversity on the streets. In an almost linear path that takes them from New York to Tokyo, passing through many European and Asian countries, their aim has been to capture the rhythm and day to day reality of life in the places they visit, tapping into the vital pulse of the cities. Over 50 hours of material recorded on video and thousands of photographs create a mosaic, a puzzle that will be presented to viewers on two oblique screens that converge in the centre of the viewer’s field of visions. The furious pace of our civilisation, focusing mainly on cities, defines the visual discourse. The comparison between the real and imagined, actor and viewer, inside and outside, will be offered to visitors so that they can construct their own experience.
57
CCCB ANGLES.indd 57
16/9/08 11:26:04
CCCB GENERAL INFORMATION 2007 CCCB ANGLES.indd 58
16/9/08 11:26:04
CCCB GENERAL INFORMATION 2007
CCCB STAFF General Director Josep Ramoneda Molins Deputy director-Manager Rafael Vilasanjuán Sanpere Services Co-ordinator Elisenda Poch Granero Administrator Clara Rodríguez Serrahima Head of Exhibitions Service Jordi Balló Fantova Head of Documentation and Debate Centre Judit Carrera Escudé Head of Cultural Activities Service Juan Insúa Sigeroff Head of Audiovisuals and Multimedia Section Àngela Martínez Garcia Head of Communication and External Resources Section Imma Mora Boguña Head of General Services Manel Navas Escribano Head of Recruitment and Human Resources Cori Llaveria Díaz Head of the Budgets and Finance Section Anna Sama Vaz Management Office González Castro, Carolina Mitats Flotats, Montse Novellón Giménez, Montserrat Exhibition Services Amice Corella, Esther Escoda Alegret, Anna Giménez Moreno, Mònica Exhibition Co-ordination Unit Ibàñez Dalmau, Mònica (head) Anglès Pérez, Teresa Antoniucci Garcia, Liliana Broggi Rull, Carlota Gimeno Cases, Eva Nogués Colomé, Miquel Pérez Bares, Cira Romeu Coloma, Miriam
Records and Conservation Unit Moyano Miranda, Neus (head) García San Vicente, Susana Papalini Lanprecht, Alex Querol Pugnaire, Josep Educational Services and Touring Unit Navas Ferrer, Teresa Production Unit Corea Dellepiane, Mario (head) Aznárez Antigas, Luís García Rodríguez, Francisco Martínez Torrente, Jesus Molinos López, José Luis Monfort Pastor, Oscar Navas Escribano, Antonio Pérez Hernández, David Porras Zambrano, Gabriel Saludas Fortuna, Albert Tarragona Ramírez, Rosó Debate and Documentation Centre Aran Ramspott, Sònia Ciurana Risques, Muntsa Goula Sardà, Elisabet Ibàñez Tudoras, Anna Mallart Romero, Lucila Porta Aguila, Ferran Vila Fernández, Cristina Zrncic, Masha Cultural Activities Service Alonso Ortega, Eva Garsaball Collado, Carolina Giralt Romeu, Marta Guarro Navarro, Anna Herrero Ferran, Laura López Jiménez, Manel Roestel Antigas, Victoria Roig Isern, Bàrbara Rosell Nicolás, Teresa
External Resources Management Unit Llabrés Bernat, Amàlia (head) Pérez Testor, Teresa Publications Unit Palà Selva, Marina (head) Puig Carreras, Rosa Ma. Communications Unit Ribas Bruguera, Maria (head) Betoret González, Matilde Blanco Pérez, Carme Fernández Alonso, Susana Llaberia Cots, Magda Martínez Bermúdez, Elena Muñoz Castanyer-Gausset, Eulàlia Muñoz Castanyer-Gausset, Mònica Roig Sitjar, Teresa Ruiz Auret, Irene Salinas Calle, Núria Technical and General Services Bellmunt Duran, Guillem Maicas Guillen, Emili Sangerman Vidal, Lluís Zamora Gómez, Maribel Recruitment and Human Resources Section Andrès Beltran, Mònica Ferrer López, Núria López Artero, Francesc Martín Tarrason, Lara Pérez Barrera, José Antonio Budget and Finance Section Aran Perramon, Ma Dolors Boix Lara, Xavier Esteve Mateu, Mariàngela Jara Cuenca, Remei Jornet Espax, Jordi
Audiovisuals and Multimedia Section Desmonts, Marc Carreras Font, Neus Coll Deopazo, Eduard Curcó Botargues, Toni Gómez Farran, Jordi Mallol González, Maria Rodríguez González, Juan Carlos Soria Soria, José Antonio Viza Serra, Igor
59
CCCB ANGLES.indd 59
16/9/08 11:26:05
CCCB GENERAL INFORMATION 2007
COLLABORATING INSTITUTIONS AND COMPANIES CCCB is a concorcium of:
Co-producers:
Sponsors:
Collaborating Media:
Sponsors and collaborators: Albanian Media Institute / Editorial Paidós / Editorial Tusquets / Fundación i2Cat / Fundación Reina Isabel de Dinamarca / Goethe-Institut Barcelona / Imprevist / Institute of Dialogue and Communication (Tirana) Lafotobcn / MECAD / Orquestra Caos / Platoniq / Pocket Producciones / Xarxa Transversal d’Activitats Culturals Fundación Collserola / Vestas / Novo Nordisk.
60
CCCB ANGLES.indd 60
16/9/08 11:26:05
CCCB GENERAL INFORMATION 2007
VISITOR FIGURES EXHIBITIONS EXHIB BAMAKO 05. Another World EXHIB That’s not entertainment! EXHIB Hammershøi and Dreyer EXHIB Borders EXHIB Apartheid EXHIB In transition Total
6.817 28.933 44.052 36.361 25.403 9.787 151.353
SMALL SCALE EXHIBITIONS Manos Unidas Somalia Tres videos tristes - Made in Mad Barcelona - El Consorci Installation Nomads World Press Photo 08 BAC! Total
680 6.068 3.490 4.190 1.589 29.178 8.546 53.741
ACTIVITIES Reading will make us go far I+C+i Xperimenta Invisibles Ciclo Dreyer after Hammershøi Homenage tp KAPUCISKI LP’07 Dance Festival...or not NOW Festival Magdalena Book World Festival BAFF Festival OFF Festival Flamenco Ciutat Vella LOOP MICEC Festival Sonar Dies de Dança Inn Motion Evening, Friends of CCCB Gandules ‘07 Festival Hipnotik Documentary De Nadie BAM Labrys Festival Docupolis OCC - Concerts Documentary La Ribot Trafic
11.355 596 825 925 1.550 180 2.660 2.700 80 12.000 5.850 5.070 5.730 1.000 885 33.626 3.000 1.200 400 8.550 6.700 349 10.200 76 2.960 340 100 1.600
…ACTIVITIES Screenings Mauritania Festival La Alternativa Drap’art Off program - Euroafricanos BAC! BLA Resfest BCNmp7 Xcèntric Archive Xcèntric Pantalla CCCB Weekend Itineraries Groug Itineraries Total Courses, Debates and presentations Meaning. Questions on Life ...... New City Walls Bagdad Chechnya Debate Somalia Debate Populisms Debate Architectures of fear Lectures Master Metropolis Debate Mediterranean Festivals and Music from the Mediterranean Debate Apartheid Naomi Klein- book presentation Debate Canetti, crossroads of cultures Debat Istambul Cicle Thinking Europe Debate Urban Periferies Press presentation CCCB – 2008 program Institut d’Humanitats CUIMPB Total VENUE HIRE Company functions Miscellaneous Presentations Miscellaneous conferences Other arrangements Total TOTALES
130 11.781 3.800 400 185 650 2.870 2.682 1.258 10.413 730 3.992 159.398
2.373 40 160 220 145 100 200 300 300 47 300 420 180 525 1.055 183 100 8.364 2.114 17.126
3.752 7.123 6.408 1.776 19.059 400.677
61
CCCB ANGLES.indd 61
16/9/08 11:26:07
CCCB GENERAL INFORMATION 2007
CCCB 2007 VISITES Courses and debates 4% Venue hire 5%
Small scale Exhibitions 13%
Activities 40%
Exhibitions 38%
EXHIBITIONS 2007
CCCB 2007
VISITS PER OPEN DAY
600
500.000
500
400.000
400.677
516 374.321
400
300.000
438 310 275
280
300
220.831 205.094 195.583
Total ‘07
Total ‘06
Activities ‘07
Activities ‘06
Exhibitons ‘07
0
153.490
Exhibitons ‘06
In transition
Apartheid
100.000
Borders
0
That’s not entertaiment
100
Barmako 05. Anohter Wold
200
Hammersshoi and Dreyer
200.000 284
62
CCCB ANGLES.indd 62
16/9/08 11:26:07
CCCB GENERAL INFORMATION 2007
BUDGET AND SETTLEMENT FOR 2007 FISCAL YEAR REVENUE Revenue from activities Patrimonial revenue Contributions from collaborating institutions Capital contributions Total
Budget 4.338.886 132.800 8.114.782 681.500 13.267.968
Provisional Settlement 3.622.335 208.714 8.117.217 648.682 12.596.948
Capital contributions 5% Revenue from activities 29%
Patrimonial revenue 2%
Contributions from collaborating institutions 64%
EXPENDITURE Staff Structural Activities Investments Total
Budget 4.028.650 2.551.283 5.891.005 797.030 13.267.968
Provisional Settlement 3.998.335 2.362.794 5.395.966 757.556 12.514.652
Investments 6% Staff 32%
Activities 43% Structural 19%
63
CCCB ANGLES.indd 63
16/9/08 11:26:11
CCCB GENERAL INFORMATION 2007
LIST OF SPEAKERS AT THE DEBATES AND LECTURES Meaning. Questions on Life in Times of Hyperconsumption. (12/02/07 - 26/03/07) Castilla del Pino, Carlos Gómez Pin, Víctor Gray, John Lenoir, Frédéric Lipovetsky, Gilles Muguerza, Javier Vattimo, Gianni Barcelona’s New Walls (20/02/07) Badia, Anna Bàguena, Josep Bianchini, Silvia Buhigas, Maria Cantarella, Laura Font, Josep Mendizàbal, Enric Muñiz, Ivan Muñoz, Francesc Roca, Joan Rofes, Octavi Serracant, Matíes Ulied, Andreu Invisibles (05/03/07) Bardem, Javier Barroso, Mariano Corcuera, Javier León de Aranoa, Fernando Zabalgogeazkoa, Aitor Bagdad, a City in the Throes of Death (06/03/07) Cockburn, Patrick Jabar, Faleh A. Halliday, Fred Said, Yahia K.
Dreyer after Hammershøi (07/03/07 - 25/04/07) Bonet, Juan Manuel Gimferrer, Pere Marí, Antoni Martí, Carlos Palol, Miquel de Pedraza, Pilar Tybjerg, Casper Presentation of the book Retorno de Filip Latinovitz by Miroslav Krléza (07/03/07) Matvejevič, Predrag Ŝkrabec, Simona Vrsalovič-Carevič, Jadranka Ciudades inclusivas. Inclusive Cities. Johannesburg workshop (12/03/07 - 13/03/07) Amin, Ash Crang, Michael Dineo Gqola, Pumla Fernandez, Edesio Friedman, Steven Fuentes-Calle, Alicia Gotz, Graeme Hannigan, John Hornberger, Julia Huczermeyer, Marie Kihato, Caroline Landau, Loren Massoumi, Mejgan Morojele, Mphethe Narsoo, Monty Nieftagodien, Noor Pieterse, Edgar Roca, Joan Ruble, Blair Subirós, Pep Spiropolous, John Stepanenko, Viktor Stren, Richard Vatxagàiev, Mairbek Winkler, Tanja
Chechnya, the Silenced Conflict. Tribute to Anna Politkòvskaia (20/03/07) Babitski, Andrei Claudín, Carmen Littell, Jonathan Lizaran, Anna Presentation of the book “Ricardo Muñoz Suay: una vida en sombras” by Esteve Riambau (21/03/07) Riambau, Esteve Semprún, Jorge Barcelona – Krakow (29/03/07 - 30/03/07) Balló, Jordi Chwalba, Andrzej Maj, Bronislaw Malecki, Jan M. Maragall, Pasqual Mikulowski-Pomorski, Jerzy Muñoz, Francesc Murzyn, Monika Pajares, Miguel Puntí, Jordi Purchla, Jacek Roca,Joan Sepiol, Janusz Shehu, Bashkim Somalia, the West and the Destruction of Hope (12/04/07) Abdulle, Jabril Ibrahim Addou, Ibrahim Hassan Armada, Alfonso Farah, Nuruddin Gluck, Kenny Mohamed, Mohamed Abdi Populisms (16/04/07 - 17/04/07) Bouza, Fermín Demes, Pavol Fernández Buey, Francisco Hermet, Guy
64
CCCB ANGLES.indd 64
16/9/08 11:26:13
CCCB GENERAL INFORMATION 2007
LIST OF SPEAKERS AT THE DEBATES AND LECTURES Kazin, Michael Krastev, Ivan Lani, Remzi Manea, Norman Misha, Piro Panizza, Francisco Ridao, José María Shehu,Bashkim Architectures of fear: Terrorism and the Future of Urbanism in the West (17/05/07 - 18/05/07) Amoore, Louise Boudreau, Julie-Anne Carrera, Judit Closs, Angharad Crandall, Jordan Engel, Ulrike Furedi, Frank Galdon Clavell, Gemma Garcés, Marina Graham, Stephen Guerra, Carles Irujo, José María Klauser, Francisco Marcuse, Peter Muñoz, Francesc Natsios, Deborah Packer, Jeremy Subirats, Joan Weizman, Eyal Mediterranean: Mith and Reality (19/09/07 - 20/09/07) Alcoverro, Tomás Armstrong, Karen Balta, Paul Bessis, Sophie Bramon, Dolors Çiçekoglu, Feride Fabre, Thierry Gürsel, Nedim Halliday, Fred Hitti, Nassif Martí, Jordi
Martinell, Alfons Murado, Miguel-Anxo Ridao, José María Valenzuela, Javier Local racism, Global Apartheid. South Africa as a Paradigm (27/09/07 - 28/09/07) Alexander, Jane Amin, Ash Back, Les Blanchard, Pascal Bond, Patrick Bosch, Alfred Dyangani, Elvira Lalueza, Carles McKenzie, Peter Minty, Zayd Mntambo, Nandipha Pieterse, Edgar Rassool, Ciraj Sátiro, Angèlica Stolcke, Verena Subirós, Pep Vives, Núria Urban Public Space: debate in Tirana (15/10/07) Aliaj, Besnik Bravo, David Fuga, Artan Misha, Piro Mongin, Olivier Montobbio, Manuel Rama, Edi Ribes, Carme Shkreli, Artan Shutina, Dritan Torres, Elías
Elías Canetti, Crossroads of Cultures (30/10/07) Echevarría, Ignacio Llovet, Jordi Siguan, Marisa The Destinies of Istanbul (03/11/07 - 05/11/07) Aktar, Ayhan Belge, Murat Halliday, Fred Matossian, Nouritza Ozel, Soli Ozkirimli, Umut Veiga, Francisco Thinking Europe (12/11/07 - 03/12/07) Buruma, Ian Fontana, Josep Garton Ash, Timothy Hobsbawm, Eric Sassoon, Donald Launch of “Relatos de Kolimá” by Varlam Shalámov (12/12/07) San-Vicente, Ricardo Semprún, Jorge Urban Peripheries (13/12/07 - 14/12/07) Caldeira, Teresa Donzelot, Jacques Holston, James Nel·lo, Oriol Simone, Adou Maliq
Presentation of Naomi Klein’s The Shock Doctrine (26/10/07) Doménech, Antoni Klein, Naomi
65
CCCB ANGLES.indd 65
16/9/08 11:26:13
CCCB GENERAL INFORMATION 2007
VENUE HIRE ACCA Associació Catalana de Ciències Ambientals
Col·legi Professional de Disseny Gràfic de Catalunya.
Advanced Music S.L.
Col·legi Professional de l’Audiovisual de Catalunya.
Agència de Gestió d’Ajuts Universitari i de Recerca
Consell Islàmic Cultural de Catalunya
Agrupación española del género de punto
Consulado General de Colombia en Barcelona
Ajuntament de Barcelona. Àrea de Medi Ambient - Parcs i Jardins de Barcelona, Institut Municipal.
COPCISA INDUSTRIAL, S.L.U.
Ajuntament de Barcelona. Departament de Participació Ciutadana Ajuntament de Barcelona. Direcció de Comunicació Corporativa i Qualitat
COPCISA SA CP Proximity Barcelona S.A. Creación, Asesoría y Desarrollo, S.L. Cristina Nadal
Ajuntament de Barcelona. Direcció de Participació Social
D’Aleph Multimedia S.L.
Ajuntament de Barcelona. Direcció d’Educació Ambiental
Diputació de Barcelona. Direcció de Serveis de Relacions Internacionals
Ajuntament de Barcelona. Divisió Serveis Personals Districte Ciutat Vella Ajuntament de Barcelona. Sector de Promoció Econòmica Albiñana Films, S.A. Asociación Bangladesh Cultural Asociación Cultural de Bangladesh a Catalunya. Assegurances Catalana Occident S.A. Assemblea de Cooperació per la Pau. Associació Catalana d’Enginyeria Sense Fronteres Associació Catalana per a la celebració del dia Internacional de la Dona Associació Escola de Clínica Psicoanalítica amb Nens i Adolescents. ECPNA. Associació IMAGO Barcelona. Associació Joventut Organitzada i Activa Autoritat del Transport Metropolità (ATM). BBDO España. S.A. Fresa Caja de Ahorros del Mediterráneo Centre de Recursos Pedagògics Ciutat Vella Centre d’Estudis Dona i Societat Centre Especialitzat en la Prevenció de Riscos Laborals. Centre Espirita Amalia Domingo Soler. CIDEM Centre d’Innvovació i Desenvolupament Empresarial. Col·legi Oficial d’Enginyers de Telecomunicacions de Catalunya.
Diputació de Barcelona. Direcció dels Serveis d’Assistència al Govern Local. Diputació de Barcelona. Gabinet de la Presidència. Diputació de Barcelona. Oficina de Patrimoni Cultural Diputació de Barcelona. Organisme de Gestió Tributària Diputació de Barcelona. Servei de Formació Local. Diputació de Barcelona. Servei de Salut Pública i Consum. Diputació de Barcelona. Servei Vies Locals. Entorn SCCL. Espai País Valencià. Esquerra Unida i Alternativa. EUiA. Estudios PIRAMIDE S.A. Facultat de Comunicació Blanquerna. URLl Ferrocarrils de la Generalitat de Catalunya Fundació Alfons Comín Fundació Alternativa Fundació Barcelona Digital Fundació Barcelona Media. UPF Fundació Bosch i Gimpera. Fundació Catalana per a la Recerca i la innovació. Fundació IES Barcelona. Fundació Institut Català d’Oncologia. Fundació Jaume Bofill Fundació Josep Sans
66
CCCB ANGLES.indd 66
16/9/08 11:26:13
CCCB GENERAL INFORMATION 2007
VENUE HIRE Fundació Mies van der Rohe.
PSC (PSC-PSOE) Partit dels Socialistes de Catalunya
Fundació Privada Carme Serrallonga.
QSL Serveis Culturals.
Fundació privada Catalunya Comerç
Red Bull España S.L.
Fundació Privada Elisava Escola Universitària.
Runtal Radiadores, S.A.
Fundació Privada Empresa i Progrés
Seguros Catalana Occident S.A.
Fundació Rafael Campalans.
Solidaritat pel Desenvolupament i la Pau. SODEPAU.
Fundació Vicente Ferrer.
TRIAC. Associació de Traductors i Intèrprets pro Col·legi de Catalunya.
Fundación Alternativas. Fundación Carmen Arnau Muro para el estudio y la difusión de la cultura de los pueblos indígenas
Universidad de Salamanca. Master en Diseño de Interiores Universitat de Barcelona
Fundación Reina Isabel de Dinamarca
Universitat Politècnica de Catalunya
Generalitat de Catalunya. Departament de la Vicepresidència
Universitat Pompeu Fabra
Generalitat de Catalunya. Departament de Salut. Secretaria d’Estratègia Coordinació. Generalitat de Catalunya. Departament de Treball Generalitat de Catalunya. EADOP. Entitat Autònoma del Diari Oficial i de Publicacions
Viatges Iberia Woodbury University Xarxa Consum Solidari. Xarxa Economia Solidària. XES
Generalitat de Catalunya. Institut Català de les Indústries Culturals. ICIC Grup Cultura 03 / Ara llibres Head Training Consultores S. L. Iniciativa per Catalunya-Verds. Institut de Govern i Polítiques Públiques. UAB Institut d’Estudis Catalans. IEC. Institut d’Estudis Territorials Institut Gestalt, S.L. Institut Ramon Llull Intelligent Coast Intracatalònia, SA. - Agència Catalana de Notícies. Mandala Creative Productions. Mehetab Hoque. Metropolis Min Hyun-sik Novart Media Films, S.L. PIRAMIDE PPM Editorial 2006, S.L.U.
67
CCCB ANGLES.indd 67
16/9/08 11:26:13
SELECTION OF PRESS CLIPPING CCCB ANGLES.indd 68
16/9/08 11:26:13
GENERAL CCCB AVUI - 10/02/2007 SECTION CULTURA
69
CCCB ANGLES.indd 69
16/9/08 11:26:15
AVUI - 18/12/2007 SECTION CULTURA
70
CCCB ANGLES.indd 70
16/9/08 11:26:15
LA VANGUARDIA - 15/08/2007 SECTION LA CONTRA
71
CCCB ANGLES.indd 71
16/9/08 11:26:16
LA VANGUARDIA - 11/01/2007 SECTION LA CONTRA
72
CCCB ANGLES.indd 72
16/9/08 11:26:16
LA VANGUARDIA - 28/03/2007 SECTION LA CONTRA
73
CCCB ANGLES.indd 73
16/9/08 11:26:17
LA VANGUARDIA - 26/08/2007 SECTION LA CONTRA
74
CCCB ANGLES.indd 74
16/9/08 11:26:18
LA VANGUARDIA - 20/02/2007 SECTION LA CONTRA
75
CCCB ANGLES.indd 75
16/9/08 11:26:19
LA VANGUARDIA - 23/07/2007 SECTION LA CONTRA
76
CCCB ANGLES.indd 76
16/9/08 11:26:19
LA VANGUARDIA - 3/04/2007 SECTION LA CONTRA
77
CCCB ANGLES.indd 77
16/9/08 11:26:20
LA VANGUARDIA - 7/05/2007 SECTION LA CONTRA
78
CCCB ANGLES.indd 78
16/9/08 11:26:20
EL PERIÓDICO - 17/08/2007 SECTION CONTRAPORTADA
79
CCCB ANGLES.indd 79
16/9/08 11:26:21
EL PERIÓDICO - 28/12/2007 SECTION CONTRAPORTADA
80
CCCB ANGLES.indd 80
16/9/08 11:26:23
EXHIBITION IN FRANKFURT AVUI - 10/10/2007 SECTION CULTURA
81
CCCB ANGLES.indd 81
16/9/08 11:26:24
AVUI - 10/10/2007 SECTION CULTURA
82
CCCB ANGLES.indd 82
16/9/08 11:26:25
EL PAIS - 10/10/2007 SECTION CULTURA
83
CCCB ANGLES.indd 83
16/9/08 11:26:26
EL PERIÓDICO - 9/10/2007 SECTION CULTURA
84
CCCB ANGLES.indd 84
16/9/08 11:26:28
HAMMERSHØI-DREYER ABC - 10/02/2007 SECTION ART
85
CCCB ANGLES.indd 85
16/9/08 11:26:28
EL PAIS - 3/02/2007 SECTION ART
86
CCCB ANGLES.indd 86
16/9/08 11:26:29
BEAUX ARTS - 2007
87
CCCB ANGLES.indd 87
16/9/08 11:26:30
BEAUX ARTS - 10/02/2007 SECTION CULTURA
88
CCCB ANGLES.indd 88
16/9/08 11:26:30
CINEMA ZEUXIS - 10/04/2007
89
CCCB ANGLES.indd 89
16/9/08 11:26:31
CINEMA ZEUXIS - 10/04/2007
90
CCCB ANGLES.indd 90
16/9/08 11:26:32
CINEMA ZEUXIS - 10/04/2007
91
CCCB ANGLES.indd 91
16/9/08 11:26:34
LA VANGUARDIA - 26/01/2007 SECTION CULTURA
92
CCCB ANGLES.indd 92
16/9/08 11:26:35
AVUI - 17/04/2007 SECTION DIÀLEG
93
CCCB ANGLES.indd 93
16/9/08 11:26:36
LIBERATION - 19/03/2007
94
CCCB ANGLES.indd 94
16/9/08 11:26:36
BORDERS EL PAIS - 04/05/2007 SECTION CULTURA
95
CCCB ANGLES.indd 95
16/9/08 11:26:37
EL PUNT - 04/05/2007 SECTION CULTURA
96
CCCB ANGLES.indd 96
16/9/08 11:26:37
LAPIZ - 01/07/2007 SECTION TRAVELLING
97
CCCB ANGLES.indd 97
16/9/08 11:26:37
APARTHEID LA VANGUARDIA - 2007 SECTION ART
98
CCCB ANGLES.indd 98
16/9/08 11:26:38
LA VANGUARDIA - 2007 SECTION ART
99
CCCB ANGLES.indd 99
16/9/08 11:26:39
EL PERIÓDICO - 11/10/2007 SECTION ART
100
CCCB ANGLES.indd 100
16/9/08 11:26:39
EL PAIS - 27/09/2007 SECTION CATALUNYA
101
CCCB ANGLES.indd 101
16/9/08 11:26:40
EL PUNT - 27/09/2007
SECTION CONTRAPORTADA
102
CCCB ANGLES.indd 102
16/9/08 11:26:40
IN TRANSITION EL PERIÓDICO -18/11/2007 SECTION CUADERNO
103
CCCB ANGLES.indd 103
16/9/08 11:26:41
EL PERIÓDICO -18/11/2007 SECTION CUADERNO
104
CCCB ANGLES.indd 104
16/9/08 11:26:42
EL PERIÓDICO -18/11/2007 SECTION CUADERNO
105
CCCB ANGLES.indd 105
16/9/08 11:26:43
EL PAIS - 20/11/2007 SECTION CULTURA
106
CCCB ANGLES.indd 106
16/9/08 11:26:43
EL PUNT - 21/11/2007 SECTION CULTURA
107
CCCB ANGLES.indd 107
16/9/08 11:26:44
BEYOND THE CCCB CINÉMA -19/09/2007
108
CCCB ANGLES.indd 108
16/9/08 11:26:45
CINÉMA -19/09/2007
109
CCCB ANGLES.indd 109
16/9/08 11:26:45
CINÉMA -19/09/2007
110
CCCB ANGLES.indd 110
16/9/08 11:26:46
EL PAIS - 17/07/2007
SECTION CONTRAPORTADA
111
CCCB ANGLES.indd 111
16/9/08 11:26:47
XCENTRIC EL PAIS - 2007
SECTION CULTURA
112
CCCB ANGLES.indd 112
16/9/08 11:26:48
EL MUNDO - 21/12/2007 SECTION CULTURA
EL PUNT - 2007
SECTION CULTURA
113
CCCB ANGLES.indd 113
16/9/08 11:26:49
NOW CINÉMA -19/09/2007
114
CCCB ANGLES.indd 114
16/9/08 11:26:56
PANTALLA CCCB BENZINA - 08/2007
115
CCCB ANGLES.indd 115
16/9/08 11:26:56
OFF-PROGRAM EL PAIS - 16/12/2007 SECTION CATALUNYA
116
CCCB ANGLES.indd 116
16/9/08 11:26:57
GANDULES LA VANGUARDIA - 2007 SECTION ARTE
117
CCCB ANGLES.indd 117
16/9/08 11:26:57
LA VANGUARDIA - 2007 SECTION ARTE
118
CCCB ANGLES.indd 118
16/9/08 11:26:58
AVUI - 16/08/2007 SECTION BARCELONA
119
CCCB ANGLES.indd 119
16/9/08 11:26:58
AVUI - 09/08/2007 SECTION CULTURA
120
CCCB ANGLES.indd 120
16/9/08 11:27:00
FLAMENCO AVUI - 10/05/2007 SECTION CULTURA
121
CCCB ANGLES.indd 121
16/9/08 11:27:00
SONAR AVUI - 15/06/2007 SECTION CULTURA
122
CCCB ANGLES.indd 122
16/9/08 11:27:01
INN MOTION EL PERIÓDICO - 03/07/2007 SECTION CULTURA
123
CCCB ANGLES.indd 123
16/9/08 11:27:05
ABC - 03/07/2007
SECTION CATALUNYA
124
CCCB ANGLES.indd 124
16/9/08 11:27:06
HIPNÒTIK EL PAIS - 16/09/2007 SECTION CULTURA
125
CCCB ANGLES.indd 125
16/9/08 11:27:07
EL PERIÓDICO - 17/09/2007 SECTION CULTURA
126
CCCB ANGLES.indd 126
16/9/08 11:27:07
DOCÚPOLIS LA VANGUARDIA - 02/10/2007 SECTION CULTURA
127
CCCB ANGLES.indd 127
16/9/08 11:27:08
EL PAIS - 06/10/2007 SECTION CATALUNYA
128
CCCB ANGLES.indd 128
16/9/08 11:27:09
BAC EL PAIS - 27/11/2007 SECTION CATALUNYA
129
CCCB ANGLES.indd 129
16/9/08 11:27:09
EL MUNDO - 27/11/2007 SECTION CULTURA
130
CCCB ANGLES.indd 130
16/9/08 11:27:10
ITINERARIES ABC - 04/11/2007
SECTION CATALUNYA
131
CCCB ANGLES.indd 131
16/9/08 11:27:10
CULTURAL RING EL PUNT - 157/09/2007 SECTION CULTURA
132
CCCB ANGLES.indd 132
16/9/08 11:27:11
AVUI - 15/09/2007 SECTION CULTURA
133
CCCB ANGLES.indd 133
16/9/08 11:27:11
EL PAÍS - 1/03/2007 SECTION CULTURA
134
CCCB ANGLES.indd 134
16/9/08 11:27:11
LA VANGUARDIA - 1/03/2007
135
CCCB ANGLES.indd 135
16/9/08 11:27:12
AVUI - 19/03/2007
SECTION CULTURA I ESPECTACLES
136
CCCB ANGLES.indd 136
16/9/08 11:27:12
LA VANGUARDIA - 21/03/2007 SECTION CULTURA
137
CCCB ANGLES.indd 137
16/9/08 11:27:13
EL PAÍS - 1/04/2007 SECTION CATALUÑA
138
CCCB ANGLES.indd 138
16/9/08 11:27:13
LA VANGUARDIA - 06/06/2007 SECTION CULTURA
139
CCCB ANGLES.indd 139
16/9/08 11:27:14
LA VANGUARDIA - 17/04/2007 SECTION CULTURA
140
CCCB ANGLES.indd 140
16/9/08 11:27:14
EL PERIÓDICO - 26/04/2007 SECTION LA ENTREVISTA
141
CCCB ANGLES.indd 141
16/9/08 11:27:15
EL PAÍS - 21/05/2007 SECTION CATALUÑA
142
CCCB ANGLES.indd 142
16/9/08 11:27:15
EL PERIÓDICO - 09/04/2007 SECTION LA ENTREVISTA
143
CCCB ANGLES.indd 143
16/9/08 11:27:16
AVUI - 13/04/2007
144
CCCB ANGLES.indd 144
16/9/08 11:27:16
LA VANGUARDIA - 26/10/2007 SECTION CULTURA
145
CCCB ANGLES.indd 145
16/9/08 11:27:17
LA VANGUARDIA-MAGAZINE - 02/12/2007 SECTION ENTREVISTA
146
CCCB ANGLES.indd 146
16/9/08 11:27:17
LA VANGUARDIA-MAGAZINE - 02/12/2007 SECTION ENTREVISTA
147
CCCB ANGLES.indd 147
16/9/08 11:27:18
LA VANGUARDIA-MAGAZINE - 02/12/2007 SECTION ENTREVISTA
148
CCCB ANGLES.indd 148
16/9/08 11:27:18
LA VANGUARDIA-MAGAZINE - 02/12/2007 SECTION ENTREVISTA
149
CCCB ANGLES.indd 149
16/9/08 11:27:18
LA VANGUARDIA-MAGAZINE - 02/12/2007 SECTION ENTREVISTA
150
CCCB ANGLES.indd 150
16/9/08 11:27:19
LA VANGUARDIA-MAGAZINE - 02/12/2007 SECTION ENTREVISTA
151
CCCB ANGLES.indd 151
16/9/08 11:27:19
LA VANGUARDIA - 4/12/2007 SECTION CULTURA
152
CCCB ANGLES.indd 152
16/9/08 11:27:20
EL PAÍS - 17/11/2007 SECTION CULTURA
153
CCCB ANGLES.indd 153
16/9/08 11:27:20
AVUI - 11/03/2007
SECTION COMUNICACIÓ
154
CCCB ANGLES.indd 154
16/9/08 11:27:21
EL PERIÓDICO - 20/05/2007 SECTION INTERNACIONAL
155
CCCB ANGLES.indd 155
16/9/08 11:27:21
EL PAÍS - 21/05/2007 SECTION CULTURA
156
CCCB ANGLES.indd 156
16/9/08 11:27:22
CULTURAS LA VANGUARDIA - 13/06/2007 SECTION ESPACIOS
157
CCCB ANGLES.indd 157
16/9/08 11:27:22
CULTURAS LA VANGUARDIA - 13/06/2007 SECTION ESPACIOS
158
CCCB ANGLES.indd 158
16/9/08 11:27:23
AVUI - 02/01/2008 SECTION MÓN
159
CCCB ANGLES.indd 159
16/9/08 11:27:24
EL PERIÓDICO - 04/01/2008 SECTION LA ENTREVISTA
160
CCCB ANGLES.indd 160
16/9/08 11:27:24
LA VANGUARDIA - 10/11/2007 SECTION CULTURA
161
CCCB ANGLES.indd 161
16/9/08 11:27:25
LA VANGUARDIA - 10/11/2007 SECTION CULTURA
162
CCCB ANGLES.indd 162
16/9/08 11:27:25
EL PAÍS BABELIA - 01/03/2008
163
CCCB ANGLES.indd 163
16/9/08 11:27:26
EL PAÍS - 13/12/2007 SECTION CULTURA
164
CCCB ANGLES.indd 164
16/9/08 11:27:27
AVUI - 26/09/2007 SECTION MÓN
165
CCCB ANGLES.indd 165
16/9/08 11:27:27
CULTURAS LA VANGUARDIA - 07/02/2007 SECTION ESCRITURAS
166
CCCB ANGLES.indd 166
16/9/08 11:27:28