城市當代舞蹈節2023 City Contemporary Dance Festival 2023

城市當代舞蹈團 City Contemporary Dance Company (CCDC)

城市當代舞蹈團是香港首個全職專業當代舞團，以體現香港當代文化為宗旨，編創風格 鮮明的作品，刻劃當代舞蹈發展軌跡。舞團於 1979 年創立，2021 年起由香港資深舞蹈

家伍宇烈擔任藝術總監，至今製作超過二百齣原創舞碼，常與藝術家跨界合作，並活 躍於國際文化交流，致力在亞洲開拓舞蹈新想像。歷年來，舞團代表香港在國際多個 主要城市演出，海外巡演二百七十多場，備受國際藝壇重視，更被譽為「當代香港藝術 靈魂」。

City Contemporary Dance Company (CCDC), the flagship of contemporary dance in Hong Kong, undertakes to blaze the path of contemporary dance scene with extraordinary performances representing contemporary Hong Kong culture. Founded in 1979 and directed by Yuri Ng since 2021, CCDC has presented more than 200 original works by leading choreographers, and pioneered in Asia to reimagine the possibilities of contemporary dance through innovative collaborations. Representing Hong Kong in over 270 overseas performances at the world’s foremost dance stages and festivals, CCDC is regarded as ‘the artistic soul of contemporary Hong Kong’

我衷心恭賀城市當代舞蹈團再次舉辦「城市當代舞蹈節」， 並歡迎東亞地區藝術家和海外朋友來港參與其盛。

兩年一度的「城市當代舞蹈節」始於 2017 年，現已成為城 中舞壇大事。今屆舞蹈節邀得多位東亞精英來港獻藝，與 本地舞蹈家為觀眾帶來各式各樣的演出，展現當代舞蹈的 獨有魅力及無限可能。

今年的重點節目「

HOTPOT 東亞舞蹈平台」匯聚中國內地多

個城市及香港、韓國首爾、日本橫濱等的新進藝術家，以 多個原創舞蹈表演一饗觀眾。他們舞藝精湛，透過平台互 動合作，既可推動香港的當代舞蹈發展，也可建立友誼和 促進文藝交流。

政府資助城市當代舞蹈團，讓舞蹈團立足香港，匯聚華人 精英，致力創造當代中國舞蹈。展望未來，我深信舞蹈團 定能在推廣當代中國舞蹈和培育人才方面，續獻嘉猷，在 香港發展為中外文化藝術交流中心的征程上作出貢獻。

謹祝「城市當代舞蹈節 2023」圓滿成功，各位海外朋友香 港之旅愉快。

It gives me great pleasure to extend my heartiest congratulations to the City Contemporary Dance Company (CCDC) on staging the 'City Contemporary Dance Festival' again and bid a warm welcome to all participating artists from East Asian regions as well as overseas friends.

Debuted in 2017, the biennial 'City Contemporary Dance Festival' has now become a signature dance event in Hong Kong. In this edition, top-notch dancers from East Asia will join our local artists in showcasing a wide range of performances to unfold the distinct charm and the possibilities of contemporary dance.

As the Festival's highlight, 'HOTPOT East Asia Dance Platform' will draw the participation of emerging artists from the Mainland cities and Hong Kong of China, Seoul of Korea, Yokohama of Japan, etc., entertaining the audiences with a number of original dance productions. The interactions and collaborations among these outstanding artists will not only help promote contemporary dance in the community, but also foster friendship and arts and cultural exchange.

With subvention from the HKSAR Government, CCDC establishes itself as a Hong Kong-based professional dance company that rallies the best of Chinese talent to create dance in the contemporary context of China. Looking ahead, I am sure that CCDC will sustain its efforts in promoting Chinese contemporary dance and grooming talents, thereby playing a part in the process of the development of Hong Kong into an East-meets-West centre for international cultural exchange.

I wish the 'City Contemporary Dance Festival 2023' another resounding success and all overseas friends a pleasant stay in Hong Kong.

Kevin YEUNG Secretary for Culture, Sports and Tourism

城市當代舞蹈團多年耕耘當代舞藝術，以發展創作及培育 優秀作品為己任，同時積極建立亞洲舞蹈網絡，鞏固香 港為中外文化藝術交流中心的地位。2023 年，在經歷全 球實體交流停擺數年後，舉辦第四屆「城市當代舞蹈節」 (CCDF)，重新啟航，邀請各界再次聚焦當代舞。

「城市當代舞蹈節 2023」的開幕節目為 CCDC 駐團編舞 桑吉加的全新作品《和光同塵》，一眾舞蹈藝術家們將聯同 香港演藝學院舞蹈學院的畢業班學生攜手演出龐大群舞。

CCDF 與「首爾國際舞蹈節」及「橫濱國際舞蹈節」成立的 「HOTPOT 東亞舞蹈平台」已踏入第五屆，今年以《聚焦香 港》、《聚焦大中華 I》、《聚焦大中華 II》、《韓國篇》及《日

本篇》命名的製作呈獻合共十七個風格迥異的優秀舞作， 展示中日韓舞蹈多元新力量。

精選舞碼以外， CCDF 亦將舉辦不同的交流活動，包括

「Open Studio」系列、舞蹈劇場構作座談會和圓桌交流 會。透過與不同文化單位的合作，期望開拓更廣闊的空間 探討藝術及促進與藝術家的深度對話。

另一方面， CCDC 與節目伙伴西九文化區積極擴大交流， 面向國際。我們邀請過百位來自世界各地的策展人及藝術 家，以推介本地及亞洲的優秀舞蹈藝術家，期望與區內及 其他地方的同業建立更緊密的聯繫。

最後，我謹代表 CCDF 團隊，感謝各伙伴和單位的支持， 以及歡迎各位參與「城市當代舞蹈節 2023」。

For years, City Contemporary Dance Company (CCDC) has been committed to its mission of promoting contemporary dance, nurturing talented creators and building Asia's dance network, to elevate Hong Kong as a hub for the exchange of Chinese and foreign art and cultures. In 2023, after years of hiatus during the pandemic, we are resuming the journey with the 4th 'City Contemporary Dance Festival' (CCDF), bringing the spotlight back on the genre with the participation of top talents from the region and worldwide.

The 'City Contemporary Dance Festival 2023' will open with a brand-new work by CCDC's Resident Choreographer Sang Jijia, Stream of Dust, to be performed by a large ensemble of dance artists and graduating students of School of Dance, The Hong Kong Academy for Performing Arts. Meanwhile, the 'HOTPOT East Asia Dance Platform', now in its 5th edition and established by CCDF, 'Seoul International Dance Festival' and 'Yokohama Dance Collection', will feature 17 outstanding dance works of uniquely different styles. The works display the emerging and thriving diversity of the region's contemporary dance scene, including HongKongFocus,GreaterChinaI,Greater China II, Korea and Japan.

In addition to an exciting line-up of productions, we have organised a range of interactive activities, including the 'Open Studio' Series, dance dramaturgy talk and roundtable. By working with various cultural organisations, we hope to create a more inclusive space for the discussion of art and to promote deeper dialogues with artists.

At the same time, CCDC is also actively expanding its collaboration with Festival Partner West Kowloon Cultural District, in an effort to engage with the international dance community. We have invited over 100 curators, artists and delegates from around the world to promote exceptional local and Asian dance artists, hoping to forge closer ties with peers in the region and beyond.

Lastly, on behalf of the CCDF team, I would like to express my heartfelt gratitude to all our partners and every individual and organisation that have made the event a tremendous success. We hope you enjoy the exciting programmes at the 'CCDF 2023'.

Cathy LAU Executive Director, CCDC Festival Director, 'City Contemporary Dance Festival 2023'

城市當代舞蹈節

City Contemporary Dance Festival (CCDF)

「城市當代舞蹈節」由城市當代舞蹈團主辦，是兩年一度於香港舉行之具標誌性國際大型當代舞蹈藝術 節。舞蹈節旨在透過一系列演出、研討講座及文化交流活動，向本地觀眾、國際策展人及業界同仁推 介香港本土及海外的當代舞蹈精英，藉此促進當代舞發展及建立國際網絡。

'City Contemporary Dance Festival' (CCDF) is an iconic contemporary dance event in Hong Kong initiated by City Contemporary Dance Company (CCDC). Through a series of performances, seminars and various artistic exchange activities, the CCDF connects top-notch contemporary dance artists from Hong Kong and abroad with local audiences, international curators and dance practitioners, as well as promoting the development of contemporary dance and building international networks.

HOTPOT 東亞舞蹈平台

HOTPOT East Asia Dance Platform

「HOTPOT 東亞舞蹈平台」由「城市當代舞蹈節」、「首爾國際舞蹈節」（韓國）及「橫濱國際舞蹈節」

（日本）於 2017 年共同建立，致力推廣及培養東亞地區的現代舞及藝術家，促進亞洲區內合作與 互動。

'HOTPOT East Asia Dance Platform' was launched as a collaborative effort by 'City Contemporary Dance Festival', 'Seoul International Dance Festival' (Korea), and 'Yokohama Dance Collection' (Japan) in 2017. The three festivals are dedicated to nurturing and promoting dance artists in East Asia, bringing together their collective experience, expertise, and international networks.

目錄 Contents

開幕節目 Opening Performance

《和光同塵》Stream of Dust

「HOTPOT 東亞舞蹈平台」《聚焦香港》'HOTPOT East Asia Dance Platform' HongKongFocus

〈數位世界絕對的 0 與 1〉01Waiting

IT'SNOTMYBODYchapter3.5

〈遮詮〉noBODY Through THE LENS

「HOTPOT 東亞舞蹈平台」《聚焦大中華 I》'HOTPOT East Asia Dance Platform' Greater China I

Let's Leave This Place Roofless

BoilingBo

〈這是一個普羅塞斯〉This is a Process

「HOTPOT 東亞舞蹈平台」《韓國篇》'HOTPOT East Asia Dance Platform' Korea

〈別樣〉Byeol Yang

〈以我之名〉In my own name

Quotation Dance

No Comment

〈幽靈學〉Hauntology

「HOTPOT 東亞舞蹈平台」《聚焦大中華 II》'HOTPOT East Asia Dance Platform' Greater China II

〈至小的〉Little One

〈月亮為什麼夜裡出來？〉Whydoesthemooncomeoutatnight?

〈退化進化論〉DegenerateEvolution

「HOTPOT 東亞舞蹈平台」《日本篇》'HOTPOT East Asia Dance Platform' Japan

Da Dad Dada

〈煙象〉ZOU made from fume

「Open Studio」系列 'Open Studio' Series

舞蹈劇場構作活動：座談會及圓桌交流會 Dance Dramaturgy Events: Talk and Roundtable

票務 Ticketing

節目時間表 Programme Schedule

自由空間大盒 The Box, Freespace

西九文化區 West Kowloon Cultural District

自由空間細盒 The Room, Freespace

12.11

香港文化中心劇場 Studio Theatre, Hong Kong Cultural Centre

香港九龍尖沙咀梳士巴利道 10 號

10 Salisbury Road, Tsim Sha Tsui, Kowloon, Hong Kong

上環文娛中心劇院

Theatre, Sheung Wan Civic Centre

西九文化區 West Kowloon Cultural District 4 - 6pm 「HOTPOT 東亞舞蹈平台」

香港皇后大道中 345 號上環市政大廈 5 樓

5/F., Sheung Wan Municipal Services Building, 345 Queen's Road Central, Hong Kong

▲「舞蹈節通行證專屬活動」Exclusively for 'Festival Pass' holders

8 - 9:10pm

《和光同塵》

Stream of Dust

5 - 7pm

舞蹈劇場構作活動： 座談會 Dance Dramaturgy Event: Talk

'HOTPOT East Asia Dance Platform' Hong Kong Focus

'HOTPOT East Asia Dance Platform' Greater China I

'HOTPOT East Asia Dance Platform' Korea

開幕節目 Opening Performance

《和光同塵》Stream of Dust

光束下，塵埃飛舞。

是無盡的微小粒子，自古至今在萬物齒輪中來去復返，見證時間，跨越歷史，聚散 來回；既是流動飄揚，又是沉澱靜止，映照每人自身內在，凡事兩極。

城市當代舞蹈團最新製作《和光同塵》由駐團編舞桑吉加繼獲獎作品《想見有時》後 編創，帶領團內舞蹈藝術家連同香港演藝學院舞蹈學院應屆畢業生超過 40 位舞者 同台演出，在精心設計的舞台及觀演空間中見證塵埃飄然落地生根，和光同舞，與 世浮沉。

Dust Dances in Infinite Light.

For eternity, endless specks of dust have churned with the wheels of nature. Gathering and dispersing, they witness the passage of time while traversing history. Both billowy and static, they reflect the polar extremes within each of us.

As the latest production of CCDC, Stream of Dust is the new creation by Resident Choreographer Sang Jijia following his award-winning work Meeting In-between Time. Featuring a troupe of over 40 dancers from the company as well as graduating students of School of Dance, HKAPA, the performance invites audiences to witness the motion of dust within a captivating stage and spectating space, as it floats and puts down roots while dancing with the light, rising and falling with the world around it.

桑吉加 Sang Jijia

桑吉加為 CCDC 駐團編舞，屢獲本地及國際殊 榮，曾獲亞洲文化協會獎學金赴美研習。2002 年入選「勞力士創藝推薦資助計劃」，遠赴德國 成為威廉．科西門生，先後在法蘭克福芭蕾舞團 及科西舞團擔任助理編舞及舞者。他曾為城市當 代舞蹈團、北京雷動天下現代舞團及廣東現代舞 團創作多個長篇作品，並獲世界頂尖舞團委約創 作。近年作品包括《煙花．冷》（2016）、《茫然先 生》（2018）、《Re-Mark》（2019）、《停格中的 塑像》（2022）及《想見有時》（2022）。

編舞 Choreography 原創音樂 Original Music

Dramaturgy 桑吉加 Sang Jijia 李勁松 Dickson Dee 潘詩韻 Janice POON*

舞台美學構作 Scenography 排練指導 Rehearsal Mistresses

張國永 Leo CHEUNG 李咏靜 *、樂知靄 LI Yong-jing*, Shirley LOK

燈光設計 Lighting Design 聲音設計 Sound Design 服裝設計 Costume Design

羅文偉 Lawmanray 梁寶榮 LEUNG Po-wing* 孔德瑄 Charfi HUNG

演出 Performance

安子桓、韓淑賢、柯志輝、高嘉敏、鄺彥璋、駱曉玟、王佳妮、任詠楠、姚欣玥、 丘善行、莊綺婷

AN Tzu-huan, Suyi HON, Felix KE, Natalie KO, Eric KWONG, Genie LOK, Nini WANG, Brian YAM, Skye YAO, Simpson YAU, Tally ZHUANG

香港演藝學院舞蹈學院畢業班學生 Graduating Students of School of Dance, HKAPA 蔡淇淇、陳紀忻、陳景晴、陳心妍、鄭晴安、張嘉倩、張諾硏、朱仟青、朱曉晴、徐浠林、Jon Henri Sagolili FERRER、Christabella GEORGIANA、何家慧、何雪柔、黎凱瀛、賴欣欣、劉彦、羅好逑、 李嘉麟、李昔姿、駱焯怡、吳靜、岑海琳、石强、蕭遊、Alliah Xandra Reyes TORTE、尹可頤、 王庭恩、楊棨泓、顏劭卉、葉曉樺、葉嘉懿、曾婉瑩

Kiki CAI, Leanne CHAN, Jade CHAN, Vanessa CHAN, Coco CHENG, Kathy CHEUNG, Nicole CHEUNG, Ching CHU, Vicky CHU, Kitty CHUI, Jon Henri Sagolili FERRER, Christabella GEORGIANA, Kryspina HO, Issie HO, Angel LAI, Yandy LAI, LAU Yin, Michelle LAW, LI Ka-lun, Stephanie LI, Cherry LOK, Serena NG, Miki SHAM, Anson SHI, SIU Yau, Alliah Xandra Reyes TORTE, Chloe WAN, WANG Ting-en , Darell YANG, YEN Shao-Hui, Ferrida YIP, Angel YIP, Sarah ZENG

Sang Jijia is the Resident Choreographer of CCDC. He received multiple international dance awards and the Asian Cultural Council Fellowship. In 2002, he studied choreography with William Forsythe in Germany under the 'Rolex Mentor and Protégé Arts Initiative'. He also danced with the Forsythe Company and acted as Assistant Choreographer with the Ballet Frankfurt. Sang has created works for CCDC, BeijingDance/LDTX, Guangdong Modern Dance Company, and more. His recent choreographies include Fragile Beauty (2016), Mr Blank (2018), Re-Mark (2019), Pa | Ethos (2022), and Meeting In-between Time (2022).

合辦機構 Co-presented by

In collaboration

合作伙伴

with * 承蒙香港演藝學院允准參與是次製作 With support and kind permission of The Hong Kong Academy for Performing Arts

〈數位世界絕對的 0 與 1〉

01Waiting

我們難以逃脫充滿厭世感和荒謬的時代，唯有保持毫不妥協的意志與激情，才能在 這個混沌世界好好「虛度」時光。「先跳舞，後思考」，編舞董仲勤透過此作品引領 觀眾一同釐清思緒，找尋途徑洞悉和安身於折磨人心的時代。

It is difficult to escape this time of extreme weariness and absurdity. Only with uncompromising determination and passion, could we 'waste' time well in this chaotic world. 'Dance first, think later' - choreographer Duncan Tung welcomes the audience to clear their minds and search for insight into this torturing era.

董仲勤

Duncan TUNG

編舞及演出 Choreography and Performance

董仲勤 Duncan TUNG

演出 Performance 黎芷欣、黃育婷、黃征嵐、楊紫卿

Ruby LAI, Tina WONG, Wesley WONG, Richelia YEUNG

音樂 Music Composition

史彥庭 Jerry SZE

佈景及道具設計 Set and Props Design Stephanie LEE

服裝設計 Costume Design

王浩輝 Sailo WONG

董仲勤，香港人，自由身工作者。喜歡以身體表 達，穿梭於文字、空間與想像。2018 至 2021 年 間加入城市當代舞蹈團為教育藝術家，並參與不 同製作與教育工作。先後畢業於香港知專設計學 院視覺傳意系及香港演藝學院戲劇學院表演系。 曾遠赴法國巴黎賈克樂寇國際戲劇學校修讀面具 課程。近期演出及創作包括《農曆四月十九日》、 《蹈賞生活 Ins n Outs》2.0 、《數位世界絕對的 0 與 1》、音樂影片《妖》、舞蹈影片《等待��》、 《Nomad》。

Duncan Tung is a Hong Kong native and freelancer. Enamoured with the body expression, wandering within words, space and imagination. He was a Teaching Artist of CCDC from 2018 to 2021 and was involved in a wide range of arts education and dance productions. He graduated from the School of Drama at The Hong Kong Academy for Performing Arts and Visual Communication at the Hong Kong Design Institute. He attended Mask Class under Manifesto Poetic's Artistic Director Carlos Garcia Estevez in Ecole Internationale de Theatre Jacques Lecoq. Recent performances and creations include The 419 of lunar, Ins and Outs 2.0, 01 Waiting, music video The HertzFairy Godmonster ft. Serrini and dance video WaitingFor... and Nomad.

The

本項目為城市當代舞蹈團「當代舞蹈研究獎勵計劃」獲獎勵項目

This project is one of the awarded projects of CCDC's 'Fellowships for Contemporary Dance Creation and Research'

本節目之首演由香港舞蹈聯盟主辦，為「舞蹈新鮮人」系列（2022）委約作品

premiere of this work was presented by Hong Kong Dance Alliance as a commissioned work of the 'New Force in Motion' series (2022)

IT'S NOT MY BODY chapter3.5

「IT'S NOT MY BODY」創作系列於 2014 年展開，編舞王丹琦以獨有舞蹈觸覺，以 身體作實驗，在肉身與影子的搏鬥對奕中，重建舞蹈的理由。今次節內帶來系列的 章節 3.5 ，延續對身體的研究，探索舞蹈動作的動機，邀請觀眾一同觀察舞者的抉 擇。跳或不跳、自困或被困、to be or not to be?

'IT'S NOT MY BODY' series began in 2014. With his unique dance sensibility and experimentation with the body, choreographer Tanki Wong recreates the purpose of dance through a duel of flesh and shadows. Coming to chapter 3.5 this time, the series continues its study of the human body and exploration of the motive of dance, inviting the audience to witness the dancers' choice: to dance or not to dance; to trap or not to trap oneself; and to be or not to be?

編舞、演出、道具設計、聲響設計及編輯 Choreography, Performance, Props Design, Sound Design and Editing 王丹琦 Tanki WONG

原創音樂 Original Music

Wolff Bergen

燈光設計 Lighting Design 羅文偉 Lawmanray

道具統籌 Props Coordination 徐偉康（大寶）＠小鳳製作 TSUI Wai-hong (Voyu) @Siu Fung Production

王丹琦 Tanki WONG

王丹琦現為舞者、導師、編舞、錄像設計，亦是 NEO Dance HK 創辦人之一。作品《分割》獲第 七屆耶路撒冷國際編舞比賽第一名；《Galatea and Pygmalion》及《Galatea X》分別於 2011 年及 2014 年獲香港舞蹈年獎「最值得表揚獨立舞 蹈製作」及「最值得表揚編舞」。王氏於 2014 年獲 香港藝術發展獎「藝術新秀獎」。其錄像作品《其 實落雨又有乜好怕喎》於「Manifest Dance-film Festival 2022」中獲「最佳攝影」及「最佳影片」。

Tanki Wong is a freelance dancer, teacher, choreographer, multimedia designer, and one of the founders of NEO Dance HK. His creation Division was awarded the 1st prize at the 7th Jerusalem International Choreography Competition. Galatea and Pygmalion and Galatea X received the Hong Kong Dance Awards for 'Outstanding Achievement in Independent Dance' and 'Outstanding Achievement in Choreography' in 2011 and 2014 respectively. Wong received the 'Award for Young Artist' at the Hong Kong Arts Development Awards in 2014. His video work Come Rain Or Shine got the 'Outstanding Cinematography' and 'Outstanding Film' at 'Manifest Dance-film Festival 2022'.

Mak

本節目之首演由香港比舞主辦

Dance Exchange

燈光熄滅，你還會記得誰？人的狀態，有多少本質能被看見？作品以「看見」、「看 不見」及「不被看見」為題，以群體中的每一個獨立個體來對應社會，隱喻生存與 消失。編舞邱加希試行「減法實驗」，在局促的環境當中，尋找人的真實狀態及創 造存在價值。

The lights go off – who do you remember? How much of oneself is visible on stage? The work revolves around the theme of what is 'seen', 'unseen', and 'ignored', responding to society with each individual in the group, in a metaphor of survival and disappearance. Choreographer KT Yau conducts a 'reduction' experiment, in which she searches for oneself's true state and creates value of their existence in a cramped environment.

邱加希 KT YAU

邱加希畢業於香港演藝學院，曾為不加鎖舞踊館 駐團編舞及多空間舞者，於 2016 年赴以色列進 修。邱氏於 2018 年獲香港藝術發展獎「藝術新秀 獎」及香港舞蹈年獎「新晉編舞」。作品《純生》及 《圄》分別獲香港舞蹈年獎 2018 及 2019「傑出小 型場地製作獎」，並獲提名為「傑出編舞」。《睇 我唔到》則於「哥德堡藝穗節」獲選「Out of the Box」獎項。

編舞 Choreography 邱加希 KT YAU

創作演出 Devising Performance 許真、高凱琳、林靖嵐、盧敬燊、莫嫣 HUI Zen, Helen KO, Jasmine LAM, Kingsan LO, Jennifer MOK

燈光設計 Lighting Design 羅文偉 Lawmanray

音響設計 Sound Design 梁寶榮 LEUNG Po-wing*

* 承蒙香港演藝學院允准參與是次製作

With support and kind permission of The Hong Kong Academy for Performing Arts

本節目之首演由城市當代舞蹈團主辦，為《流轉 X 思浪潮》（2020）作品之一

The premiere of this work was presented by City Contemporary Dance Company as one of the works in ProjectNEXTWave (2020)

本項目為城市當代舞蹈團「當代舞蹈研究獎勵計劃」獲獎勵項目

This project is one of the awarded projects of CCDC's 'Fellowships for Contemporary Dance Creation and Research'

鳴謝 Acknowledgement

首演之全體 CCDC 舞蹈藝術家及戲劇構作陳顯龍

All CCDC Dance Artists and Dramaturg Chan Hin-lung of the premiere

KT Yau graduated from The Hong Kong Academy for Performing Arts. She was a Resident Choreographer of Unlock Dancing Plaza and a Dancer of Y-Space. In 2016, she furthered her dance studies in Israel. In 2018, Yau received the 'Award for Young Artist' at the Hong Kong Arts Development Awards and 'Emerging Choreographer' at the Hong Kong Dance Awards. She received 'Outstanding Small Venue Production' at the Hong Kong Dance Awards for Unmixed (2018) and Confine (2019), both of which were also nominated for 'Outstanding Choreography'. Remain Invisible won the 'Out of the Box' award at the 'Gothenburg Fringe Festival' in 2018.

ThroughTHELENS

一陣微風，將蒲公英的種子吹起飄零在半空。它隨風飄蕩，也不知道會被帶到哪 裡，身不由己的旅程，卻也因為有風才能夠乘風而去。舉手投足都仿似預設劇本， 我們就在既定的情景下，飾演着既定的角色。 編舞吳希維以舞蹈表達強加於靈魂上的妄念，喚醒觀眾在日常中遺忘的自我面貌。

The wind blows. Dandelion seeds flow in the air, drifting and not knowing where they will end up. An involuntary journey indeed, yet there's the wind, so they flow... Each and every move seems to be from a written script, and we are playing predetermined roles in a given circumstance.

Choreographer Rosalie Ng Hei-wai uses dance to portray the delusions imposed upon our souls, rousing us to our true selves which have been forgotten in everyday life.

吳希維 Rosalie NG Hei-wai

吳希維畢業於香港大學翻譯系， 2017 年修讀 AS Dance Project 專業舞蹈員培訓課程，同年在 日本樂隊 YUZU 演唱會擔任舞蹈員，現為綽舞場 晚間課程導師。除舞台經驗外，亦曾參與影視作 品，如於電影《你咪理，我愛你》中出演舞蹈員。 近期演出包括「舞蹈新鮮人」系列《Before�》、 綽舞場《遺角》、《無風之域》。吳氏亦曾於音樂 劇《今年初雪，把失戀完結》和綽舞場《Train Of Thoughts》中〈Through THE LENS〉擔任編舞。

編舞及演出 Choreography and Performance 吳希維 Rosalie NG Hei-wai*

監製及藝術顧問 Producer and Artistic Advisor 麥卓鴻 Kelvin MAK Cheuk-hung*

演出 Performance 陳詠瑜 *、張煒彥 *、鄒柏賢 *、林凱鈴 *、黃瑤 CHAN Wing-yu*, Rhyn CHEUNG*, Peggy CHOW*, LAM Hoi-ling*, Valarie WONG Yiu

燈光設計 Lighting Design Light Q Go

舞台及服裝設計 Set and Costume Design 朱紹銘 CHU Siu-ming

Rosalie Ng Hei-wai graduated from the University of Hong Kong, majoring in Translation. In 2017, she completed a professional dancer training programme, AS Dance Project, as well as cooperating with a Japanese music band YUZU and performed in their concert. She is one of the regular evening class tutors of Beyond Dance Theater. Apart from stage performance, she participated in filming as well, including the role of a dancer in I Love You, You're Perfect, Now Change. Recent performances include: Before� in 'New Force in Motion' Series, Beyond Dance Theater's Remnants, The Wind Of Empty. She was the choreographer of musical Love at First Snow and Through THE LENS in Train Of Thoughts by Beyond Dance Theater.

本節目之首演由綽舞場主辦，為《Train Of Thoughts》（2022）作品之一

The premiere of this work was presented by Beyond Dance Theater as one of the works in TrainOfThoughts (2022)

本項目為城市當代舞蹈團「當代舞蹈研究獎勵計劃」獲獎勵項目

This project is one of the awarded projects of CCDC's 'Fellowships for Contemporary Dance Creation and Research'

* 承蒙綽舞場批准參與製作及演出 By kind permission of Beyond Dance Theater © WONG Yiu-kuen, Jack

Let's Leave This Place Roofless

新生代詩人露琵．考爾寫道：「高山生長在我們的腳下，我們所經歷的一切都讓我 們做好一切的準備。拿起我們的錘子和拳頭，我們要一同打破玻璃製的天花板。」

澳門菲裔多媒介藝術家 Albert Garcia 的創作題材甚廣，多討論社會性議題。此雙 人舞作品於 2021 年在台北首演後曾獲邀赴韓國大邱及澳門演出。

Poet Rupi Kaur wrote:

Therearemountainsgrowingbeneathour'feet'thatcannotbecontained Allwe'veenduredhaspreparedusforthis

Bringourhammersandfist

Wehaveaglassceilingtoshatter.

Raised in Macau with a Filipino descent, Albert Garcia's works are wide-ranging and dive into myriad social issues. Following its debut in Taipei in 2021, this duo piece was invited to perform in Daegu, Korea, and Macau.

編舞及概念 Choreography and Concept

Albert GARCIA

演出 Performance

梁君寶、梁保昇

LEONG Kuan-pou, LEONG Pou-seng

排練助理 Rehearsal Assistance

袁以婕 YUAN Yi-chieh

本節目之首演為「漂鳥舞蹈平台」（2021）特邀作品之一

The premiere of this work was one of the works in 'Stray Birds Dance Platform' (2021)

鳴謝 Acknowledgement

澳門當代舞展及交流平台 Macao CDE Springboard

Albert GARCIA

Albert Garcia 出生成長於澳門，是菲律賓裔多媒 介藝術家。作為不斷經歷遷移的表演創作者，他 以身體及各種媒介為載體，探問及展演他的多重 身份在澳門反映的形象。作品多圍繞身份、歸屬、 遷移、身體勞動、生存等議題。他畢業於澳門大 學傳播系及北藝大舞蹈表演系研究所。曾獲邀參 與國際藝術節，從表演到視覺藝術，亦與多位國 際藝術家合作。

Albert Garcia is a multi-disciplinary artist and was born and raised in Macau of Filipino descent. As a migrant and performance maker, he uses the body and multimedia as a vessel for questioning and showing their identity, reflecting when viewing the landless state of a multi-hybrid identity. His works interrogate topics about identity, belonging, movements, migration, body of labor and survival. Garcia is a graduate of University of Macao where he majored in Media studies and Masters of Fine Arts in Dance Performance at Taipei University of the Arts. He was also invited to different productions, festivals, and collaborated with international artists.

BoilingBo

壓迫一步一步的逼近，再回歸自身，像一回頭便回家坐着。我不是＿＿？ 我是＿＿？我可以是＿＿？作品運用汽球改變身體形狀，從而反思自身的存在和情 緒。有情緒是否就是不正常？當汽球慢慢消失或突然爆破，是選擇還是被選擇？ 前 CCDC 資深舞蹈藝術家黎家寳自編自演，從生活場域提煉舞蹈劇場作品，誘發 觀眾聯想。

The oppression is getting one step closer, yet I return to myself, like returning home. Am I not ? I am ? I could be ? The point of origins is to reflect on self-existence and emotions and use balloons to change the shape of the body. Is it abnormal to have emotions? The balloon slowly disappears and suddenly explodes is it a choice or being chosen? Former CCDC Senior Dance Artist Bobo Lai choreographs and performs Boiling Bo, creating a dance theatre work from daily life, stimulating the audience's imagination.

編舞及演出

黎家寳 Bobo LAI

黎家寳，畢業於香港演藝學院現代舞系。2009 至 2014 年間為廣東現代舞團全職舞者， 2015 年 加入城市當代舞蹈團， 2022 年晉升為資深舞蹈藝

術家。2023 年轉為自由工作者，以獨立編舞及 舞蹈藝術家身份參與不同形式的創作。近年發表 多個編舞創作，包括《螞蟻 1+1》、《X-85213》及 《Boiling Bo》。

Bobo Lai graduated in Contemporary Dance from The Hong Kong Academy for Performing Arts. She was a full-time dancer at Guangdong Modern Dance Company from 2009 to 2014. She joined CCDC in 2015, becoming a Senior Dance Artist in 2022. In 2023, she transitioned as a freelancer and participated in various art creations as an independent choreographer and dance artist. Her recent choreographic works include One Plus One Ant, X -85213 and BoilingBo

Choreography and Performance 黎家寳 Bobo LAI

本節目之首演由東邊舞蹈團主辦，為《當代舞台．香港》（2020）作品之一 The premiere of this work was presented by E-Side Dance Company as one of the works in SPOTHongKong (2020)

〈這是一個普羅塞斯〉

This is a Process

「普羅塞斯」是一個地方？一個人？一個動態的身體檔案館？一個場域的化身？ 這個過程就像一部關於流動、經驗的連續劇；是一段回音、一場遊行，亦是身體在 不同文化中穿梭。作品從個體出發，探索自身經歷如何轉化為創作素材，並以連續 及二維的圖像與身體，共同構造新空間。它浸入當下的時刻，也夾雜了新的想像。

Is 'pǔ luó saì sī ' a destination? A person? An archive of a moving body? An avatar of a place? This process is like a serial drama about moving and experimenting. It is an echo, a march, where the body travels across different cultures and where different cultures flow through.

Starting from the experiences of an individual, this piece explores how the personal experiences are transformed into creative elements. A new space is constructed by combining continuous two-dimensional images and body movement - when it is immersed in the present moment, it also comprises new imagination.

概念、編舞及演出 Concept, Choreography and Performance 劉卿羽 LIU Qingyu

劇場構作 Dramaturgy 陳然 CHEN Ran

燈光設計 Lighting Design 劉詩豪 LOW Shee-hoe

製作 Production 二高表演 Ergao Dance Production Group

劉卿羽 LIU Qingyu

劉卿羽是一名舞者、編舞、教師，亦是二高表演 駐團編舞。劉氏畢業於香港演藝學院舞蹈藝術 碩士編舞專業，獲香港演藝學院友誼社獎學金。

2009 至 2017 年在廣東現代舞團任全職舞者， 2021 年加入二高表演。她的創作興趣聚焦於個體 成長經歷，用身體回應關於「自我與自身」的思考 以及自身的重建過程，同時實踐如何與多樣人群 進行連接。

Liu Qingyu is a dancer, choreographer, teacher and the Resident Choreographer of Ergao Dance Production Group. She graduated from The Hong Kong Academy for Performing Arts with a Master of Fine Arts in Dance Choreography and received the Society of the Academy for Performing Arts Scholarship. She was a full-time dancer in Guangdong Modern Dance Company from 2009 to 2017, and joined Ergao Dance Production Group in 2021. Her choreographies focus on her growth process. She uses the body to respond individually thinking about 'The Self' and her own reconstruction process, while also practising how to connect with diverse groups of people.

本項目為城市當代舞蹈團「當代舞蹈研究獎勵計劃」獲獎勵項目 This project is one of the awarded projects of CCDC’s ‘Fellowships for Contemporary Dance Creation and Research’

〈別樣〉 ByeolYang

席捲全球的疫情無可避免地改變了人類的慣性和生活模式，在充滿限制和不穩定的 環境中，日常變得離奇荒誕，身體也有新的理解和感覺。

編舞崔素瑛透過簡約的雙人舞，探索周遭環境如何在無意識下對身體帶來影響和變 化，從而重新建立與身體的連繫。作品繼參與韓國多個舞蹈藝術節及到訪英國倫敦 之後，首次來港演出，當中音樂由剛獲香港舞蹈年獎 2023「傑出配樂設計」的金 在德設計。

The pandemic has inevitably changed the way we live. In an environment full of constraints and uncertainties, everyday life has become bizarre and ludicrous. In turn, our bodies have responded by embracing new understandings and feelings.

Through a striking minimalist duet, choreographer Choi Soyoung explores how the environment impacts our bodies subconsciously and reshapes its relationship with them. Following features at multiple dance festivals in Korea and London, this will be the piece's debut in Hong Kong, with its music created by Kim Jaeduk, recipient of 'Outstanding Music Composition' at the Hong Kong Dance Awards 2023.

崔素瑛 CHOI Soyoung

崔素瑛為首爾編舞和舞蹈家，畢業於韓國藝術綜 合大學舞蹈系，現就讀於聖公會大學。崔氏為 Art Project BORA 創始成員之一，代表作品為 《Gold》、《別樣》、《Material》。她透過重現物質 化日常生活的感受和經驗，探索各種藝術形式。 她亦對偏離現有舞蹈特徵的形式感興趣，聚焦研 究以更加隱喻和直觀的方式，詰問個人、社會或 當代問題。

藝術總監 Artistic Director

KIM Bora

編舞 Choreography

崔素瑛 CHOI Soyoung

演出 Performance

徐藝眞、孫承利

SUH Yejin, SOHN Seungri

燈光設計 Lighting Design 服裝設計 Costume Design

李承昊 LEE Seungho CHOI Insook

音樂 Music 企劃 General Manager

金在德 KIM Jaeduk 李美珍 LEE Mijin

製作 Production

Art Project BORA

Choi Soyoung is a choreographer and dance artist based in Seoul. She graduated from Korea National University of Arts and is studying at Sungkonghoe University. She is a founding member of Art Project BORA. Her choreographies include Gold, Byeol Yang and Material. She is interested in reproducing keywords expressed in everyday life or experience and materialising them to explore various subjects of arts. She is also interested in forms that deviate from the existing characteristics of dance and researching ways to solve personal, social or contemporary concerns in a metaphorical and intuitive way.

© CHOI Narang

〈以我之名〉 InMyOwnName

我們因著不同人的名字而認識別人以及被認識，每人都擁有自己的名字以外的身 份，我們是「某某的兒子」、「某某的丈夫」、「來自某地的人」等等。當人們以各種 詞語描述著人的身份，我們又有沒有用自己的名字生活過？

〈以我之名〉打破固有創作風格，呈獻一場具反思性的舞蹈演出。編舞趙寅浩擅於 以當代編舞手法詮釋韓國傳統舞蹈中的氣韻和律動，是次演出將結合舞蹈、形體及 現場奏樂為本地及來自國際的觀眾展現當代韓國舞蹈魅力。

We know others by their different names, and vice versa. Each of us has layers of identity beyond our names, such as "someone's son", "someone's husband", "someone from somewhere", etc. While various adjectives describe us, have we ever truly lived by our own name?

A creative breakthrough of conventional styles, In My Own Name is a thoughtprovoking work by Cho Inho, a choreographer best known for his modern interpretation of breathing and rhythm in traditional Korean dance. By combining dance, movement and live music performance, the piece will showcase the appeal of contemporary Korean dance to local and international audiences alike.

編舞及演出 Choreography and Performance 趙寅浩 CHO Inho

形體創作及演出 Physical Creator and Performance

池抒烜 JI Seohwon

樂師及演出 Live Music and Performance

尹歲備 YUN Sebi

排練總監 Rehearsal Director

金美瑩 KIM Miyoung

趙寅浩 CHO Inho

趙寅浩為韓國當代舞蹈藝術家。他將自己的風格 融入韓國當代舞，創作別樹一格的作品。他聚焦 韓國舞蹈的精髓，運用其舞蹈語言創作具體和深 刻的作品。

趙氏的創作圍繞傳統韓國元素，包括呼吸、節奏 和動作，及現代舞的表現形式。作品探索舞蹈的 深度並描繪其形式、音樂和空間的變化。他的作 品蘊含傳統舞蹈和現代演繹，展現韓國當代舞蹈 的多樣性。

Cho Inho is a contemporary dance artist from Korea. He creates his works in a unique way by incorporating his own style into Korean contemporary dance. He focuses on the essence of Korean dance and utilises his dance language to create more concrete and profound works.

His work revolves around traditional Korean elements such as breathing, rhythm and the flow of dance, as well as modern dance expressions. He strives to explore the depth of dance by depicting the transformations that occur based on the form of dance, music, and spatial characteristics. Through his works, he aims to showcase the diversity of Korean contemporary dance with strong Korean breathing in traditional dance and modern interpretations.

Quotation Dance

舞蹈和編舞可以被擁有、被收藏、或屬於某人嗎？〈Quotation Dance〉是 Chung Da Soul「版權系列」的第三個編舞作品，延續了關於舞蹈和編舞的著作 權、擁有權和版權的探究。台上可見其他編舞家的作品段落，亦不時即場揭示作品 來源。表演者的身體、舞台物體、聲音、燈光等，都不能被完全複製，這些「不完 美的引用」則形成虛構的編舞，將作者的位置重新定位。

Can dance and choreography be owned, collected or belong to someone? As the third piece in the 'Copyrights Series' by Chung Da Soul, Quotation Dance raises further questions about the authorship, ownership, and copyrights of dance and choreography. On stage, she cites passages from other artists' works while constantly revealing their source. From a performer's body, object to sound and light, elements of choreographic works can never be fully replicated, and such 'imperfect quotations' form imaginary choreography and redefine the position of the author.

概念、編舞及文本 Concept, Choreography and Text CHUNG Da Soul

劇場構作 Dramaturgy 鄭京美 JUNG Kyungmi

藝術總監助理 Art Director Assistant 權泰鉉 KWON Taehyun

演出 Performance

林垠呈、朱惠英、劉祗榮

IM Eunjoung, JOO Hyeyoung, YOO Jiyoung

燈光設計 Lighting Design

金恩彬 KIM Eunbin

CHUNG Da Soul

Chung Da Soul 為駐首爾和漢堡的編舞家。她的 創作興趣集中於不會舞動的東西，以及編舞作為 社會和政治工具的可能性。她的作品探討編舞的 存在論，詰問擁有舞蹈和編舞的系統和方法。

她曾在首爾梨花女子大學及德國埃森富克旺根音 樂學院修讀舞蹈。她於 2018 年取得漢堡大學表 演藝術碩士學位。現為首爾舞蹈中心的駐場藝術 家。

Chung Da Soul is a choreographer based in Seoul and Hamburg. Her choreographic interests lay on the things that do not dance in choreography and the potential of choreography as social and political apparatus. Her works investigate the ontology of choreography and addresses the question about systems and methods of possessing dance and choreography.

She studied dance at Ewha Womans University in Seoul as well as at Folkwang University of Arts in Essen, Germany. In 2018 she received her Masters in Arts from the Performance Studies at University Hamburg. Currently she is a resident artist at Seoul Dance Center.

鳴謝 Acknowledgements

No Comment

靈感來自 EuroNews 無旁述新聞節目《No Comment》，編舞申昌昊認為純畫面 的影像遙勝千言萬語，更能中立地呈現社會現況，藉此思考如何透過抽象的藝術吸 引觀眾討論生命的本意和揭示真相。〈No Comment〉展現強而有力的肢體力量 和引人入勝的群舞。作品於 2002 年首演，先後於加拿大、德國、意大利巡演，備 受國際舞壇觸目。

Inspired by the eponymous news programme without commentary by EuroNews, Shin Changho created NoCommentwith the belief that a picture paints a thousand words and reflects society through a more neutral lens. Guided by this ethos, he seeks to elicit discussions among audiences about the fundamental purpose of life and reveal its truth through abstract art. This is on full display in No Comment with its muscular moves and intriguing dance ensemble. Debuted in 2002, the work has been performed in Canada, Germany, and Italy with great acclaim.

申昌昊 SHIN Changho

申昌昊畢業於韓國藝術綜合大學，曾任 Laboratory Dance Project 藝術總監，亦曾於 英國拉邦中心和瑞士的聖加倫劇場工作。其編舞 作品《No Comment》曾在多個藝術節和劇場演 出，包括雅各之枕舞蹈節、荷蘭市政劇場、 葡萄牙 Olhao Municipal Auditorium 、 瑞典 Dansens Hus 、英國 The Place 、德國 Künstlerhaus Mousonturm 及瑞士 Theater Winterthur。他現為韓國藝術綜合大學教授。

編舞 Choreography 申昌昊 SHIN Changho

演出 Performance 安珍成、車知赫、鄭建世、趙政翊、金在敏、文大奎、徐永斌、梁玹碩 AHN Jinsung, CHA Jihyuk, JEONG Geonse, JO Jeongik, KIM Jaemin, MOON Daegyu, SEO Yeongbin, YANG Hyunseok

Shin Changho graduated from the Korea National University of Arts (K-Arts) and was the Artistic Director of Laboratory Dance Project. He previously worked at the Laban Dance Centre and the Theatre of St. Gallen in Switzerland. His major work No Comment received international acclamation and was performed in overseas festivals and theatres including Jacob's Pillow Dance Festival (US), Stadsschouwburg Amsterdam (The Netherlands), Olhao Municipal Auditorium (Portugal), Dansens Hus (Sweden), The Place (UK), Künstlerhaus Mousonturm (Germany) and Theater Winterthur (Switzerland). He is currently a professor at K-Arts.

〈幽靈學〉 Hauntology

「是什麼讓我們的身體舞動？」身體是實質的存在，隨著時間和狀態而無形中產生 變化。哲學家雅克．德希達提過「變化」是轉瞬發生的，就如尚未捕捉到便消失得 無影無蹤的鬼魂一樣。由 Kim Bora 編創的〈幽靈學〉打破固有的編舞結構，多名 舞者赤裸演出展示現實與幻想之間的界限，他們將在台上如鬼魂一樣自由地舞動，

以最原始的狀態帶領觀眾一同尋求舞蹈最純粹的本質。

'What makes our bodies dance?' Our body is a tangible form that however changes depending on time and condition. Philosopher Jacques Derrida said that the moment of 'change' is instantaneous like a ghost that disappears without a trace before it can be captured. In Hauntology, Kim Bora breaks away from established structural forms of choreography and tells about the boundary between reality and fantasy through nude performers. Dancing freely on stage like spectres, in their most primitive and naked form, they bring the audience in search of the purest essence of dance.

藝術總監及編舞 Artistic Director and Choreography

KIM Bora

演出 Performance

崔素瑛、金煕濬、李奎憲、鄭宗雄、金玧志、洪性賢

CHOI Soyoung, KIM Heejun, LEE Kyuheon, JEONG Jongung, KIM Yunji, HONG Sunghyun

燈光設計 Lighting Design

李承昊 LEE Seungho

音響設計 Sound Design

李東俊 LEE Dongjune

企劃 General Manager

李美珍 LEE Mijin

製作 Production

SIDance, Art Project BORA

KIM Bora

Kim Bora 為 Art Project BORA 的藝術總監和編 舞。她以身體為主體，打破類型和空間概念，通 過探索身體的原始形態發掘原始的形象和變化。 她的作品意念偏向抽象，非言語能表達，但每人 都會有個人詮釋和想像。她聚焦通過探索身體， 將動作設計變成信息。

Kim Bora is the Artistic Director and Choreographer of Art Project BORA. Kim breaks down the concepts of genre and space with the body as a subject and discovers the original image and sense of transformation by exploring the original form of the body.

Kim's choreographic concepts are not verbalised. Although the structure is not expressed by language, her works contain abstract but imaginary images that are interpreted for each individual. She focuses more on image-telling, as the 'design' image of movement becomes a message by exploring the phenomenon of the body.

〈至小的〉 Little One

我們身處的時代和社會，不論人的位置高低，都會面臨不同的隱藏困境。它有時會 被提及，有時卻不被看見。雖然難以單靠個人力量扭轉局面，但若能有意識改變， 足以星火燎原。

主創陳夢曦於作品中擔任導演及視覺設計，以其過去的工作經驗作為靈感，透過舞 者和投影的配合去描述生存狀態的內外衝突，使人思考真實的生活，聽見那些沒有 被發現的「聲音」。

Regardless of our social status, all of us face different hidden dilemmas in the current age and society. Sometimes, they are mentioned; at other times, they are ignored. A single individual may have limited power to make a paradigm shift, but with the will to change, you can spark a revolution.

As the Director and Visual Designer of this work, Cici Chen portrays the inner and outer conflicts of one's survival by combining the dancers' movements and projections, while drawing on inspirations from her previous work experience. It provokes us to think about our day-to-day life in realistic terms and listen to those hidden 'voices'.

陳夢曦 Cici CHEN

陳夢曦為舞蹈藝術家和導演。作品關注生活中隱 而未現的信息，探索畫面與身體交疊的關係。陳 氏現為 SEED studio 負責人，曾加入北京均然藝 術，與團隊進行當代劇場和舞蹈創作實踐。她畢 業於奧地利薩爾茨堡實驗舞蹈學院 SEAD 獲碩士 學位，代表作品包括《至小的》、《海灣》。

導演及視覺設計 Direction and Visual Design 陳夢曦 Cici CHEN

演出 Performance

丁麗、賀新燁、李錦輝、羅渙渙、王美志

DING Li, HE Xinye, LI Jinhui, LUO Huanhuan, WANG Meizhi

視覺製作及設計 Visual Creation and Design

朱嘉鵬 ZHU Jiapeng

Cici Chen is a dance artist and director. Her works focus on the hidden and unseen messages of life, and she is interested in exploring the overlapping relationship between the screen and the body. She is currently the Director of SEED studio and joined Beijing Junran Art, where she developed contemporary theater and dance creation practices. Chen graduated from Salzburg Experimental Dance Academy, Austria (SEAD) with a master's degree, and her representative works include Little One, The Cove.

〈月亮為什麼夜裡出來？〉

Whydoesthemooncome outatnight?

作品源自少數民族海南黎族的神話故事，創作人張乜以太陽、月亮和大地的關係， 揭示對命運的深刻思考。多位土生土長的海南舞者擔任演出，融入當地文化特色， 音樂亦結合不少海南文昌話和儋州話對白。這些元素與當代舞融為一體，碰撞出充 滿現代風格的表演。

The piece originates from the mythology of the ethnic group, the Hlai, Hainan. By exploring the relationship between the sun, moon, and earth, creator Zhang Mie reveals her contemplations about fate. It is performed by a group of native Hainanese dancers, infused with local cultural features and music that incorporates dialogues in the regional Wenchang and Danzhou dialects. These elements blend and clash with contemporary dance, to present a performance steeped in the modern style.

構思、編舞、錄音及音樂設計 Concept, Choreography, Sound Recording and Music Design 張乜 ZHANG Mie

演出 Performance

林康媚、劉義豐、 羅文文、寧康杰

張乜 ZHANG Mie

張乜，三亞正經跳舞創始人，安徽省舞蹈家協會 會員和國際舞蹈委員會成員。曾為國家藝術基金 項目《更路傳奇》執行導演及編舞，中意文化交流 項目《撫琴．亂山昏》專場導演等。她更於 2019 年發起舞蹈實驗《飛花令》，尋找在不同因素環境 中，身體內在與外在的平衡，拆解固化的肢體與 思維習慣。主要作品包括《沍沍》、《張三和他的 頭顱與四肢》、《請保持安靜》。

Zhang Mie is the founder of Ought To Dance, member of Anhui Dancers Association and member of International Dance Council. She was the Executive Director and Choreographer of the China National Art Fund project The Legend of Geng Lu and the Special Director of the China-Italy cultural exchange project Nature body and sound. In 2019, she initiated the dance experiment Fei Hua Ling, looking for the balance between the body's internal and external aspects in different environments, dismantling solidified habits of the body and mind. Her major works include The Catch, ZhangSanandHisHeadandLimbs,Shh

〈退化進化論〉 DegenerateEvolution

不進則退；你認為的退化，卻可能是我前進的方向。當大部分人都說某個方向好， 若我不跟從，是不是成為了別人眼中的一種「退化」？

成功的定義是什麼，一定要成功嗎？進化、退化，因人而異。這是一場自我懷疑、 自我實現、自我安慰；編舞戴啟倫把生活中的事物融入作品，提煉出充滿個人風格 的美感，上演一場「二零二三年的退化進化論」。

If you don't move forward, you'll fall behind. What you perceive as regression might be the direction of my progress. If everyone favours a certain direction which I refuse to follow, am I then 'degenerating' in the eyes of others?

What is the definition of 'success'? Is success a necessity? Evolution and degeneration mean different things to each of us. This is a journey of self-doubt, self-realisation, and self-consolation. Choreographer Tai Chi-lun integrates objects of daily life into this work, distilling an aesthetic suffused with his personal style and presenting a 'theory of degeneration and evolution in 2023'.

戴啟倫 TAI Chi-lun

戴啟倫的創作富有虛無主義色彩，讓觀者抒發內 心負面情緒，體會其中頹喪的美感。作品融合跨 領域元素及裝置，追尋自我意志自由的昇華，體 現對現實存在感悟的價值觀。他曾受邀與不同單 位合作創作及演出，包括嘉義新舞風、草草戲劇 節、雲門創計畫、種子舞團、臺北藝穗節、數字 搖滾樂團大象體操、草口未影像工作室。現為白 蹈場舞團主理人。

編舞及演出 Choreography and Performance

戴啟倫 TAI Chi-lun

演出 Performance

廖錦婷、陳怡廷

LIAO Chin-ting, CHEN Yi-ting

Tai Chi-lun's creative style incorporates elements of nihilism, allowing viewers to express their negative emotions and experience the melancholic beauty within. His works integrate interdisciplinary elements and installations, seeking the transcendence of individual will and embodying a sense of realisation of the value of existence in reality.

Tai was invited to collaborate and perform with various organisations, including Chiayi New Style Choreography, Grasstraw Festival, Cloud Gate Art Makers Project, Seed Dance, Taipei Fringe Festival, Math-rock Band Elephant Gym, and Grass Power Studio Production. He is currently the Director of White Dance Theatre.

東亞舞蹈平台」

Da Dad Dada

此紀錄式演出以原沙織的父親原健為主題，藉舞蹈、他生前的錄音及錄像描述父親 在她成長期缺席所衍生的各種模糊地帶，借此重構對父親的印象，並切入至社會議 題。原健生前是一名音樂劇舞蹈員，活躍於上世紀 60 年代日本戰後重建及經濟起

飛的黃金年代。原沙織對父親的印象模糊薄弱，舞蹈成為兩者重要的連結。經歷短 暫的重逢及喪親之痛後，她對父親作為音樂劇舞蹈員的一生感到好奇，因此透過僅 存的作品錄像展開創作研究。

This self-documentary performance centres on Saori Hala's late father Ken Hara. Through dance, sound and video recordings from his lifetime, it describes how his long-term absence during her childhood and adolescence created fuzzy zones in the artist's life and memory. It is an attempt to reconstruct her impressions of her father as well as a discourse on a social issue. Ken Hara was an active musical dancer in the 1960s, the post-war golden years in which Japan was rebuilding itself and its economy boomed. Saori's memory of her father is vague and tenuous, dance has become an important connection between them. After their brief reunion and her father's death, she grew curious about his life as a musical dancer, thus embarking on a creative study through surviving works and recordings.

概念、演出、舞台裝置、作曲及錄像設計

Concept, Performance, Staged Objects, Music Composition and Video Design 原沙織 Saori HALA

聲音演出 Voice Over 原健 Ken HARA

舞台裝置 Staged Objects 中村瑞乃、女屋理音、遠井公輝、吉﨑裕哉

Mizuno NAKAMURA, Rion ONAYA, Koki TOI, Yuya YOSHIZAKI

作曲 Music Composition

Christophe CHARLES

服裝設計 Costume Design

富永美夏 Mika TOMINAGA

舞台監督 Stage Manager

原口佳子 Yoshiko HARAGUCHI

原沙織 Saori HALA

原沙織，駐柏林及東京的編舞和表演者。她在舞 蹈、設計和生態心理學的背景基礎上，運用自己 的身體和多樣媒介進行創作。她的作品探索社會 環境與身體之間的關係，在舞台上虛實交錯，同 時建構有機和無機材料、空間和時間。2011 年東 日本大地震和福島核事故後，她搬到德國，並展 開以環境和身體為題的研究。自 2020 年起，她 在橫濱舞蹈基地擔任駐場藝術家，自 2022 年起在 德國漢堡塔利亞劇院擔任劇碼《Brüste und Eier》 的客席藝術家。

Saori Hala is a choreographer and performer based in Berlin and Tokyo. She works with her own body and diverse media, based on a background in dance, design and ecopsychology. Her projects explore the relationship between the social environment and physical body, interweaving reality and fiction on stage while constructing organic and inorganic materials, space and time. The Great East Japan Earthquake in 2011 and the nuclear accident in Fukushima inspired her relocation to Germany, and the start of her research into environment and body. Her works have been performed mainly in Japan and Europe. She has been working as Resident Artist at Dance Base Yokohama since 2020, and Guest Artist in the repertory piece Brüste und Eier at the Thalia Theater in Hamburg, Germany since 2022.

部份錄像源自日本電影《Asphalt Girl》© KADOKAWA (1964) Video excerpt taken from Japanese movie AsphaltGirl © KADOKAWA (1964)

〈煙象〉 ZOU made from fume

無形的「煙霧」可以是面對未來的焦慮感，亦可以是一則未經核實的消息，充斥著 幻象、情感和想像，同時挑戰人類解構現實的目標。戴上狀似防毒面罩的舞者在 台上互相追逐和牽制，以充滿張力的動作和神秘的氣氛呈現獨一無二的舞台氛圍。 編舞黑須育海致力研究獨特和非常規的身體概念和運動方法而備受關注，是次為

「城市當代舞蹈節 2023」的觀眾帶來曾於 2020 年「橫濱國際舞蹈節」世界首演的 作品。

Intangible 'smoke' can represent our anxiety about the future, or an unverified piece of news. Filled with illusions, emotions, and imagination, it challenges us to deconstruct our real-life goals. Wearing what appears like gas masks and chasing and restraining one another on stage, the dancers conjure a mystical atmosphere with vibrant and dynamic movements. Choreographer Ikumi Kurosu, well-known for his passionate pursuit of unique and unconventional bodily concepts and movements, will be delighting the audience at the 'CCDF 2023' with his work debuted at the 'Yokohama Dance Collection' in 2020.

黑須育海 Ikumi KUROSU

©

黑須育海為日本舞團 Bushman 創辦人。2018 年 加入 Condors ，因其對非常規身體動作的獨特探 索而備受關注。黑須育海分別於「橫濱國際舞蹈 節」EX2015 及 2017 榮獲獎項，更受邀到「錫比烏 國際劇場藝術節」演出，亦曾到訪韓國、匈牙利和 馬來西亞演出。2020 年，更獲得「日本舞蹈論壇 獎」。

黑須育海藉自己多年的教學經驗，為殘疾人士、 兒童和長者舉辦舞蹈工作坊。目前在有明教育藝 術短期大學擔任兼職講師。

編舞、導演、構成及演出 Choreography, Direction, Composition and Performance

黑須育海 Ikumi KUROSU

演出 Performance 江口力斗、香取直登、中村駿、手塚 Bausch Rikito EGUCHI, Naoto KATORI, Shun NAKAMURA, Bausch TEZUKA 製作監督 Production Manager

Koujirou YAMAMOTO

Daichi KUTSUMI

Stage Manager

Yoshiko HARAGUCHI

Ikumi Kurosu is the founder of Bushman. Since 2018, he has been participating as a member of Condors and has gained attention for his unique exploration of unconventional body movements. He has received three awards at 'Yokohama Dance Collection', including the Jury Prize, at the 'Yokohama Dance Collection' EX2015 and 2017. He has been invited to perform at the 'Sibiu International Theatre Festival' as well as in Korea, Hungary, and Malaysia. In 2020, he received the 'Japan Dance Forum Award'.

Leveraging his decade-long experience as an educator, he conducts workshops for children, seniors, and individuals with disabilities. Additionally, he serves as a part-time lecturer at ARIAKE College Education and the Arts.

「Open Studio」系列 'Open Studio' Series

「Open Studio」系列旨在連結海外及本地藝術工作者，開放平台予藝術家 發表他們就當代舞相關的關注議題、分享研究所得、共同討論業界生態以 及最新發展。

一連三日的「Open Studio」將有 9 位 CCDC「當代舞蹈研究獎勵計劃」 獲獎勵藝術家，以及與西九文化區合作的舞蹈藝術家，以不同展現模式分 享、互相啟發、推動當代舞蹈藝術發展。

'Open Studio' Series connects overseas and local arts practitioners through an open platform, in which artists are encouraged to present and share their research outcomes on certain contemporary dance issues and delve into the ecosystems and latest trends of the field.

The three sessions feature 9 awardees of CCDC's 'Fellowships for Contemporary Dance Creation and Research' as well as dance artists in collaboration with West Kowloon Cultural District to share their deliverables through different formats, inspire each other and promote the development of contemporary dance.

語言 Language | 英語 English

部分分享將以廣東話或普通話進行，設英語即時傳譯服務

Some sharing sessions will be conducted in Cantonese or Putonghua, with simultaneous interpretation in English

「舞蹈節通行證」專屬活動 Exclusively for 'Festival Pass' holders

座位有限，先到先得 Limited seats on a first come, first served basis

此節分享尚有其他西九文化區的合作舞蹈藝術家參與

「Boiling Bo」系列 《媽媽》 'Boiling Bo' Series - Mom

◎黎家寳 Bobo LAI

黎家寳（Bobo）透過今次研究，與沒有舞蹈經驗、但與她有親密連繫的媽媽一同發掘舞蹈界 線。在黎媽媽的角度下，Bobo 會否重新定義自己的舞蹈價值觀，或者賦予新觀點？ In this research, Bobo invited her mother, who has the most irreplaceable relationship but with no dance experience, to collaborate. With mama Lai's participation, will Bobo acquire new perceptions or re-define her dance values?

溝通媒介 對肢體語言（手語）的研究

Communication Medium - A Research on Body Languages (Sign Language)

◎曾景輝 Terry TSANG

曾景輝將透過聾人深入理解手語的表達方法和傳遞意思，探索手語和舞蹈之間的橋樑和差距。 究竟最能表達和觸動自己的媒介，是說話、舞蹈，還是手語？

Terry Tsang explores from hearing impaired persons the expressive methods and meanings conveyed through sign language, to find out the connections and disparity between dance and sign language. Which medium best expresses and resonates with you, is it speaking, dance or sign language?

Session

❷ 18.11.2023 （六 Sat）1:30pm

「風景區」之《春江花月夜》

'Expressive Sight' - TheSightsofFemininity

◎吳卉 WU Hui

吳卉的作品以獨特的女性視角喚起想像力和情感。新作《春江花月夜》將在以景抒情的觀照下， 用「景」來重新思考和想像對「女性」的界定。

Wu Hui is known for evoking imagination and emotion from the perspective of women. 'Expressive Sight' series explores the connection between human and ecological environment. Wu will work on TheSightsofFemininity, which rethinks and re-imagines femininity.

This session features dance artists in collaboration with West Kowloon Cultural District as well

身份建構

對中國民間舞的當代舞蹈研究

Constructing Identity - A Contemporary Dance Research on Chinese Folk Dance

◎郭睿 GUO Rui

自由藝術家郭睿通過對中國民間舞、現代舞和當代舞的全面學習，對身體、動作和舞蹈作為文 化和社會政治的表現形式有著複雜及跨文化的理解。此項目將透過研究民間舞解放和重新建立 身份的認知。

Independent artist Guo Rui is trained in Chinese folk dance, modern dance and contemporary dance. He has a complex and trans-cultural understanding of the body, movements and dance as cultural and sociopolitical expressions. In this project, Guo experiments the emancipation and reconstruction of identities through folk dance.

重組記憶中的第一支獨舞 尋找消失的身體與靈魂

Reconstructing Memories of My First SoloIn Search of the Lost Spirituality and Physicality

◎葉奕蕾

藝術家葉奕蕾與獨立舞者楊怡孜共同創作，遠赴日本宮崎縣對當地的神樂進行採風，嘗試重組 葉奕蕾對第一支獨舞的身體記憶。

Artist Elysa Wendi collaborates with independent dancer Gigi Yang in this project, they travelled to Miyazaki Prefecture in Japan for further research of Kagura dance and ritual through residency practice. They attempted to reconnect and reconstruct the memories of Elysa's first solo dance.

《雞血》

Chicken Blood

Alberto Gerosa 由表演研究理論及舞蹈方式的角度出發，透過研究民間療法「雞血」探索中國 新興編舞風格的形成、姿勢和動作。

Alberto Gerosa adopts a theoretical tool of performance studies and dance studies to delve into the folk therapy exercise 'Chicken Blood', and explores the formations, poses and movements of the Chinese choreographic style.

Elysa WENDI

◎ Alberto GEROSA

《20QQ》 「科技 X 肉身」創作實驗計劃 20QQ - 'Technology x Corporeality' Experiment

◎俞亞男 YU Ya-nan

創作實驗計劃聚焦技術與肉身議題，透過虛擬和現實空間身體的轉換和結合，進一步探討人類 身體、科技機械和肉身性三者之間的關係。

The creative experiment focuses on technology and corporeality. By examining the transformation and shifting of the body in between virtual reality and real space, it further explores the relationships among human body, technology and corporeality.

《這是一個普羅塞斯》 This is a Process

◎劉卿羽 LIU Qingyu

劉卿羽由自身出發，探索如何將個人經歷轉化為創作素材。當流動的身體與二維的圖像在一個 空間之中互相交流，會帶出什麼新想像？

Liu Qingyu explores how personal experiences can be transformed to be creative materials. When body movements are combined with two-dimensional images, what imagination will she evoke?

服裝部：一個研究香港舞蹈的批判路徑 Wardrobe: A Critical Approach to Dance Studies in Hong Kong

◎董顯亮 DONG Xian-liang

董顯亮（董言）透過訪談和文獻整理，梳理 CCDC 服裝部的組織運作模式及舞蹈服裝紀錄系 統，從而思考服裝部對舞團和本地表演藝術領域的意義和角色。

Dong Xian-liang (Dong Yan) conducted interviews and studied institutional documents to understand the operative models and production records of CCDC's wardrobe department. He discussed the meaning of the department to a dance company and to wider Hong Kong's performing arts industry.

舞蹈劇場構作活動 Dance Dramaturgy Events

透視舞蹈劇場構作的實踐

The Uprising Practice in Dance Dramaturgy

不少舞蹈製作都有劇場構作參與其中，不論是一個獨立的崗位，或是編舞帶著劇場構作的概 念進行創作。近年都有不同方式的探索與實踐，亦延伸成為藝術節和節目製作人的視野。社 會、文化、舞蹈語言、空間、媒體、科技等不同面向在當代語境的複雜性，令劇場構作這角 色和概念更顯重要。座談會和圓桌交流會邀請舞蹈藝術家、劇場構作和製作人分享經驗和想 像未來發展。

Numerous dance productions involve dramaturgy, whether it is a stand-alone position or choreographers infusing the concept of dramaturgy into their creative process. In recent years, there have been various methods of exploration and practice, which have extended into the perspectives of arts festivals and programme producers. The complexity of society, culture, dance language, space, media, technology and other aspects in the contemporary context has elevated the role and concept of dramaturgy. The Talk and Roundtable invite dance artists, dramaturgs and producers to share their experiences and envision future developments.

合辦機構 Co-organised by

舞蹈劇場構作 不同應用及面向

Dramaturgical Practice in Various Contexts

12.11.2023 （日 Sun）5pm 西九文化區自由空間細盒

The Room, Freespace West Kowloon Cultural District

免費參與（10 月起網上登記）

Free admission (online registration from October)

舞蹈劇場構作因應多變的舞蹈生態和形式，衍生出多樣性的角 色，執行方法也高度開放。舞蹈劇場構作在創作及製作過程中身 兼橋樑角色，既是一位問題解決師，也是一種激發創意團隊的思 維方式。多位講者將於是次座談會分享舞蹈劇場構作在不同背景 下的實踐經驗，包括舞團、節目、製作和獨立創作。

Dance dramaturgy responds to the evolving ecology and forms of dance, yielding a diverse array of roles and an exceptionally open approach to execution. Dance dramaturgy plays a bridging role in the creative and production processes, serving as both a problem solver and a thinking mindset that sparks the ideas within the creative team. In this talk, our guests will share their practice in different contexts, including institutional, programming, producing, and independent creation.

圓桌交流會 Roundtable

Dramaturgical Practice in Dance Making

18.11.2023 （六 Sat）10am

The Room, Freespace West Kowloon Cultural District

「舞蹈節通行證」專屬活動

Exclusively for‘Festival Pass’Holders

座位有限，先到先得 Limited seats on a first come, first served basis

Cantonese or Putonghua

With simultaneous interpretation in English

面對當下充滿挑戰的社會氣候，創作人不斷重新思考舞蹈身體， 尋找屬於這個時代的表演語言。來自不同背景的編舞及劇場構作 將分享及交流他們在創作過程中的合作關係及模式。有哪些有效 的劇場構作思維和策略？這些實踐又是如何影響作品的身體美學 以及製作模式？

Given the current challenging social climate, artists have to rethink the essence of dance and develop a performance language that resonates with the times. Choreographers and dramaturgs from different backgrounds will come together to discuss the relationships and forms of collaboration during the creative process. What are the effective mindsets and strategies of dramaturgy? How will these practices impact the aesthetics of their works, as well as the modes of production?

舞蹈創作及製作中的 劇場構作實踐

票務 Ticketing

門票現於 CCDC、CCDF 網站及城市售票網公開發售

Tickets now available at CCDC, CCDF websites and URBTIX

節目及活動 Programmes and Activities

開幕節目《和光同塵》

Opening Performance Stream of Dust

「HOTPOT 東亞舞蹈平台」節目

Programmes of 'HOTPOT East Asia Dance Platform'

「Open Studio」系列

'Open Studio' Series

舞蹈劇場構作圓桌交流會

Dance Dramaturgy Roundtable

舞蹈劇場構作座談會

Dance Dramaturgy Talk

舞蹈節通行證 Festival Pass

立即購票 Book Now

HKD $300 $240

「舞蹈節通行證」專屬活動

Exclusively for 'Festival Pass' holders

免費參與，需預先登記

Free admission with registration in advance

於 CCDC 及 CCDF 網站獨家發售 Exclusively available at CCDC and CCDF websites

開幕節目《和光同塵》（11 月 17 日場次）

Opening Performance Stream of Dust (17.11 Performance)

「HOTPOT 東亞舞蹈平台」所有節目

All programmes of 'HOTPOT East Asia Dance Platform'

「Open Studio」系列

'Open Studio' Series

舞蹈劇場構作座談會及圓桌交流會

Dance Dramaturgy Talk and Roundtable

套票優惠 Package Discounts

$1,200

城市當代舞蹈節網站

CCDF Website

於 CCDC、CCDF 網站及城市售票網發售 Available at CCDC, CCDF websites and URBTIX

同時購買 3 個不同節目門票

Each purchase of standard tickets of 3 different programmes

同時購買 5 個不同節目門票

Each purchase of standard tickets of 5 different programmes

設全日制學生、六十歲或以上高齡人士、殘疾人士及看護人、綜合社會保障援助受惠人優惠

九折 10% off

八折 20% off

Concessionary tickets are available for full-time students, senior citizens aged 60 or above, people with disabilities & the minder and Comprehensive Social Security Assistance recipients

更多優惠詳情，請瀏覽 CCDC、CCDF 或城市售票網網站 For other discount details, please visit CCDC, CCDF or URBTIX website

輪椅座位只於 CCDC 及 CCDF 網站發售 Wheelchair seats are available at CCDC and CCDF websites only

購票條款 Terms and Conditions

◉「舞蹈節通行證」只限持證人使用 ◉ 一人一票，所有門票一經售出，概不退款 ◉ 所有折扣優惠均不可同時使用 ◉ 如遇特殊情況，主辦單位保留更改節目、表演者以及座位編 排和場地容納觀眾數目的權利 ◉ 優惠票持有人入場時必須出示可以證明身份或年齡的有效證件，否則主辦有權拒絕沒有相關證件之人士入場或需補回門票差額及手續費 ◉《和光 同塵》及「HOTPOT 東亞舞蹈平台」《日本篇》門票於城市售票網發售至節目開始前 3 小時止，演出場地不設城市售票網售票處或自助售票機，建議觀眾提前取票 ◉ 除特別註明外，

所有節目恕不招待 6 歲以下觀眾 ◉ 遲到或中途離場觀眾需待適當時候方可進場 ◉ 觀眾於 CCDC 或 CCDF 網站購票時，所提供之資料會用作票務及宣傳之用

◉ Each 'Festival Pass' admits the passholder only ◉ One person one ticket, tickets sold are non-refundable ◉ The above discounts cannot be used in conjunction with any other offers ◉ Audience eligible for concession or membership discounts have to present a valid identity card or membership card, otherwise, the organiser has the right to refuse admission without any compensation or covering the price difference for the tickets and handling fees ◉ The presenter reserves the right to change the programme, artists, as well as seating arrangements and audience capacities, should unavoidable circumstances make it necessary ◉ Persons aged below 6 will not be admitted unless stated otherwise ◉ Latecomers or re-admission audiences will not be admitted until a suitable break of the performance ◉ Stream of Dust and 'HOTPOT East Asia Dance Platform' Japan ticket sales are available at URBTIX until 3 hours before the event starts. There are no URBTIX outlet or self-service ticketing kiosks at this event's performance venue, audiences are recommended to collect their tickets in advance ◉ Audience information will be given to presenter for ticketing and promotion purpose when purchasing through CCDC or CCDF website

節目查詢 Programme Enquiries 2329 7803

城市售票網網站

URBTIX Website

票務查詢及客戶服務

Ticketing Enquiries & Customer Service

3166 1100

電話購票 Telephone Booking

3166 1288

網上購票 Internet Booking www.urbtix.hk

流動購票應用程式 Mobile App URBTIX (Android/iPhone/iPad)

Festival Director Cathy LAU

Festival Artistic Consultant Yuri NG

Festival Coordinators Amy LEE

Phoebe MO

HON Wing-hin

Programme Coordinators Kevin CHEUNG

Rosaline CHOI

David LOK

Artistic Coordinators Melissa LEUNG

Alysa LEUNG

Marketing Coordinators

Stephanie MAK

Thalia WONG

Kathy LIN

Ticketing

Phebe LEE

Interns TUNG Wing-tong

Aretta WONG

Technical Director Anther LAM

Technical Manager FOK Shu-wing

「HOTPOT 東亞舞蹈平台」《聚焦香港》、《聚焦大中華 I》、《聚焦大中華 II》

'HOTPOT East Asia Dance Platform' HongKongFocus,GreaterChinaI,GreaterChinaII

燈光統籌 羅文偉

舞台監督 徐偉康（大寶）

執行舞台監督 羅嘉敏

Lighting Coordinator Lawmanray Stage Manager TSUI Wai-hong (Voyu)

Deputy Stage Manager Karman LAW

「HOTPOT 東亞舞蹈平台」《韓國篇》

'HOTPOT East Asia Dance Platform' Korea

技術統籌 賀富龍 舞台監督 張詠宜

Technical Coordinator HO Fu-lung

Stage Manager Jess CHEUNG

「HOTPOT 東亞舞蹈平台」《日本篇》

'HOTPOT East Asia Dance Platform' Japan

技術統籌 霍樹榮 舞台監督 馬志恆

Technical Coordinator FOK Shu-wing

Stage Manager Jason MA