Design through Making

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Made IN

NOTTINGHAM DESIGN PROCESS REPORT: ITERATIONS AND EXPERIMENTATION

DESIGN THROUGH MAKING CHARLIE HARRIS


“How can new interventions be made and built fabric restored, using modern design and fabrication methods, without detracting from the original building and in doing so how can we reveal what is authentic in the built fabric and expose the means of production and procurement?� Design Intent Statement


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CONTENTS

OVERVIEW

AUTHENTICITY FORM SURFACE MOTIF Design Intent

Responses to site and general arrangement conditions

Material Exploration

A louvered screen



AUTHENTICITY

01





FORM

02


Re-using the triangular central island as a core transitional space


Initial massing studies, responding to site and general arrangement qualities

Making new openings in response to facade rhythms


Hotel developed within “Red House� as a series of projecting boxes


Celebrating access through grand staircases

Stepped roof-scape allows for rooftop planting


1:20 hotel room study investigates internal qualities and spatial requirements



Smithfield street Elevation - mediating the changing roof-scape heights.

Rooftop planting


Inserting new program above existing fabric

Inserting new program above existing fabric


Louvred screens form a partial threshold

Development of hotel rooms


Making new openings in response to facade rhythms

Re-interpreting the roof-scape


Development of the louvred screen as a motif throughout the scheme


Screen pulls apart theatrically like drawn curtains


Screen is pulled apart to express the constraints of the “Red House�, with hotel rooms projecting through it



Board-formed concrete


SURFACE

03


01 02 03 04

Weathering steel White painted steel Brushed stainless steel Black painted steel


01

02

03

Investigating finishes for cladding See motif chapter for further details

04



MOTIF

04


The development a screening system as and architectural motif has been central to the poetics of the project. The screen gives a direct connection to the craft of fabrication, dramatises the quality of light and distinguishes spaces. As an external screen, it can be used in various applications throughout the scheme and at different scales.

Mesh screens


Metal louvers were chosen due to their connection with the Victorian ironmongery around the site and the farriers itself.

Development of metal louvres


1:20 model


1;1 mock-ups express qualities of light and shadow



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