Sem2 processbk

SD 2 5 6 2 STU D IO III Conny YUEN Ying C hing 16038076d

CON TEN T

1/ S EM ESTER 1 R E VI E W 01

2/ S E M E S TER 2 C A SE S TUD I E S 17

3 / S PAT I A L D E V ELOPM E N T 73

4 / CON C LU S I O N T H E B E AU T Y OF UN F I N I SHM EN T 133

SE ME S TE R 1 RE V IE W

1

I n Xi anL i ang B ro o k , I st udied t he co m po sit io n o f t he Hak k a walled ho use st r uc t ure det ai ls. I t has im p o r t ant ef fec t wi th t he L IGHTPATH and p eo p le ac t ivi t ies. The fo llowing wi ll analy ze how t he li ght goes i n f ro m t he asp ec t o f SU NPATH, SEA SONS TIM E and t he C IR CU L ATION.

2

N 1400

4600

3250

3200

3200

3700

3250

B a se Pl a n 3

3570

1300

1700

1600

4900

3170

3200

3650

5000

11550

4100

3170

3800

3600

2170

5000 8100

4

750

2500 North

650

1900

4500

3800

10am

5500

8am

6am

1550

4600

3250

The alteration & additions

5

Remained Part of block 3

Kitchen 2 Courtyard2

850

12nn

2pm

4pm

6pm

1800

1900

750

650

300

900

3000

2100 3170

5000

800

800

3150

South

4750

12920

Block 2

Kitchen 1 Courtyard1

Block 1

6

7

10.00 8.00 6.00 4.00 2.00 0.00

2

2.5 0.5

0600

3 1

0700

5 2

0800

7

9

9.5

4

5.5

7.5

0 900

1000

1100

10

9

8.5

9

1200

1300

8.5 8

1400

8

5

3

6

5

3

1500

1600

1700

1800

Tim e (Sum m e r & Winte r )

Sunr ise

Culm ination

Sun set

S un r ise

Morning 0630 Wak ing up Food Preparation1 0700 Breakfast 0830 Exercising/Playing 0900 R esting 1000 G oing out 1100 Food preparation2

80%

No on 1200 Lunch

Af te r n o o n 1330 H ousewor k ·C leaning ·Launder y ·Food dr ying 1700 Food Preparation 3 1800 Dinner

N i ght

Sunse t Cul m in at ion

1900 Bathing/ S leeping

8

S o l ar Path

S E

W N

9

10

Typ es of L I GH T Sk y Component (sc) D irec t Su nlight E x ter ior R efl ec ted Component (e rc ) I nter ior R efl ec ted Component (irc ) S k y Va ul t

Sk y Comp one nt ( s c ) Dire c t Sunl ig ht Ex te r ior R e fl e c te d Comp one nt ( e rc ) I nte r ior R e fl e c te d Comp one nt ( irc ) Pe op l e Vis ion

S un path in d i f fe re nt S E A SO N S

Aug ust 9 a m

Ja n ua r y 9 a m

6 am

Aug us t 2 p m

J a nua r y 2 p m

11

S k y Co m p o n e nt (s c) Di re c t S un li g ht E x te r i or R e fle c te d Co mp on e nt (e rc) I nte r i or R e fle c te d Comp on e nt (irc) Pe o p le Vi s i o n

S k y Va u l t

Sk y Va ul t

Au g u st 1 1 a m

Jan uar y 11am

August 4pm

Januar y 4pm

Au g u s t 6 p m

12

LIGHT & SH A D O W

6am

North

South

Nor t h

2pm

North

13

S o ut h

Nor th

11am

9am

S outh

North

South

4p m

6pm

S outh Nor t h

S out h

14

LIGHT in S KYLI N E CO U R T YARD

15

16

SEMESTER 2 C ASE STUDIES

17

18

Light & Compositi o n

S PAC E

19

20

21

22

Shadows o n the Wa l l

PAT T E R N

The m useum are divi ded in to t wo tower s. The m ai n tower co nsi st s o f 8 f lo o r s and i t has a shap e o f a up - side - down co ne.

I n o t her wo rds, t he sp aces inc reases f ro m t he gro und to t he up p er f lo o r s. Eac h o f t he f lo o r s share t he sam e cent re as t he fo c us.

Thi s system m akes t he who le desi gn har m o nio us.

23

24

25

26

Light & Pro gramm es

FORMS

27

28

29

VO I D Positive & Negative

30

31

32

33

34

Light & Openings

F R AM E S

35

36

37

38

CONCEPTUAL MODEL BUILDING

39

A

f te r d o i n g th e r e s e a rch e s a b o u t R i ch a r d M i e r e a n d S o u Fuj i m o to w h o s e d e si g ns s h ow t h e g o o d co m b i n ati o n o f l i g ht a n d a rc h i te c t u r e w i th th e w is e u s e o f f o r ms a n d w h i te co l o r, th e n e x t s t a g e is to s t a r t to c r e ate a sp a ce w h i ch is e f f e c ti ve f o r th e u s e r s to e x p e r i e n ce d i f f e r e nt t y p e s o f li g ht as t h e t i m e ch a n g e s . Co nt r as t , co m p o si t i o n , f o r ms a n d b l u r r e d b o u n d a r i e s a r e th e key co n ce p t s .

40

Fo r ms Stu di e s

41

The fo m r s fo arc hitec t ure is i m p o r t ant fo r a st rc ut ure to p resent t he interac t i o n b e t ween light, shadow and st r uc t ure. Co m b ining di f ferent elem ent s wi t h var i o us p at ter n, I have tested fo r dif ferent fo r m s o f p resent ing li ght in t he b est way.

42

A sp a ce fo r d i f fe re nt T YPE S o f L IG H T M y co n ce pt e m phasizes t he p at ter n o f f ram es, co m p o si t io n and co nt rast, pro p o r ti o n a n d the vo id to let t he user s ex p er ience dif ferent t y p es o f l i g ht a s th e l i g ht penet rate and shows a var i at io n o f shadow t hro ugh d i f fe re nt ti m e. I t is a 10m - c ub e ho use whi c h is ab le to show t he sp at ial tra n s fo r m ati o n w it h it s p hysic al fo r m s and design p ro gram m es. The var i ati o n o f l i g ht a n d shadows also ac t as an index fo r t he user s’ ac t ivi t ies and pr i va c y.

43

44

45

I nter loc k ing & O ve r l a p p i n g Af ter te st i ng t he va r i ati o n o f d i m e n s i o n a n d s h ap e of th e for m s, I found th e o n e cre ate d by m u l ti pl es o f over lap p i ng c ub e s cre ate a g o o d s p a ce w i th a n i nno vative out l i ne. O ve r la p p i n g g e o m e tr i c fo r m s re s ult in inte r l oc k i ng. I n ot h e r wo rd s, tra n s i ti o n a n d b uf fer zon e is m a d e. Thi s stru c tu re e n a bl e th e u s e rs to divide t he sp a ce s sepa rate l y, b u t s ti l l re m a i n s u it ab le buffer zone s for com m o n s pa ce s.

46

47

48

49

Thi s co ncep t divi de t he sp ace i nto 3 p ar t s, f ro m t he gro und to t he ro o f, f ro m p ub li c sp ace to p r ivate sp ace. The st r i p s are used as t he m ai n elem ent s t hat c an do var i at io n fo r t he fo r m s i n o rder to allow t he li ght to p enet rate wi t h dif ferent degrees and intensit y. As a result, t he sp aces c an also b e divi ded by t he li ght and shadows.

Plan 50

E a ster n Vi e w

51

S o ut her n View

N o r t her n Vie w

Wester n Vi ew

52

53

The Gro und f lo o r i s an o p en sp ace co nsi st s o f the li vi n ro o m and t he gardem nex t to t he lo by. This lare areas wi t h low intensit y o f st r i p s allows more sunli ght to p enet rate i n. The sem i- p r i vate sp aces and t he ro o m s o n t he up p er f lo o r i s c reated with hi gher intensit y o f st r i p s so t hat a tenser sp ace is c reated fo r a higher p r i vac y fo r t he user s.

54

55

Fo r m s & I nte n s i t y The st r i p s fo r m c reated wit h different intensit y ac t s as an index for showing t he t ransi t io n b et ween p r ivate sp aces and p ub li c spa ces.

56

57

Open in gs & Posi t i on Th e p osi t i on a nd d i m e n s i o n o f o p e n in gs a re i mp or t a nt fo r a l l ow i n g th e sun li ght to p e ne trate i nto th e s p a ce s.

I t c re ate s a n i nte ra c ti o n b e t we e n th e user s f rom t he i nd o o r a n d th e ex te r i o r.

58

Posi t i ve & N e g ati ve Spa ce s Th e s tr i p fra m e s cre ate a b ig co nt rast wit h so lid and vo i d i n th e h o u s e. I t help s to c lar i f y t he sp at ial arra n e m e nt b u t s ti l l m ai nt ain t he t ransit io n o f sp aces.

59

60

R eflec tion Af te r i ng t r yi ng to cre ate a fo r m a n d s p a ce wit h t he re fe re nce f rom th e m a s te r a rch i te c te c t, i t i s ef fec tive to l e a r n how to b r i n g a n i nte ra c ti o n b et ween lig ht a nd a rc hte c tu re i nto th e s p a ce. H owe ver, var i ous e l e me nt sho u l d be co n s i d e re d ca re fu l l y in o rder to ma ke t he usa g e o f l i g ht a n d s h a d ow wi t h ut ilit y. S ol i d a nd vo i d i s a k e y fo cu s o f th i s i s sue t hat it a f fe c t how a n d h ow m u ch o f l i g ht co m e in wi t h di f fe re nt i nte nsi t y a s ti m e p a s s e d. Th e d e si gn p ro gra m m e s a nd s pati a l a r ra n g e m e nt w i l l be an im po r t a nt f a c tor fo r d e ci d i n g th e fo r m s o f th e sp ace.

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62

Giovannitti House R i c h ard M e i e r & Pa r tn ers Arch i tec ts/ 1979-1983

Th is p roj e c t i s d e s i gn e d fo r a 2 p e o ple f a m i l y sur roun d e d by fe w re s i den ce s i n a sub ur ba n a re a . Th e re fo re, th e ne e d of p r i va c y be co m e s a n impo r t a nt i ssue of th i s p ro je c t. I t re sults i n a w i se use o f s o l i d a n d vo i d to pre se nt t he sp ati a l a r ra n g e m e nt in ord e r to have a b e tte r tra n s i ti o n bet we e n sp a ce s a n d p ro ra m m e s. Th e user s c a n have t he i r ow n pr i va c y b u t still have good i nte ra c ti o n w i th th e sur round i ngs.

63

S olid & Voi d Pr ivate & Pub l i c Th is p roj e c t i s a g o o d ca s e s tu d y fo r my light top i c b e c a us e o f i ts w i s e u s e o f s o l i d an d voi d to p re se nt th e s pa ce w i th l i g ht.

R ic ha rd M e i e r use th e b l o ck s a n d pl a n e s wh ic h a re t he sol i d i n d i ffe re nt d i m e n sion a nd p rop or t i o n to cre ate th e p r i vate progra mm e s i nsi d e. At th e s a m e ti m e, th e void c re ate d by t h e i nte r l o ck i n g s o l i d a l s o prov i d e a sp a ce fo r th e tra n s i ti o n to th e su bl i c p rogra m m e s.

64

Pu blic Space s

Th e ground oor ha s an o pe n s tru c tu re w h e n co m p ar i ng with the ot he r oor s. I t h a s a s ys te m o f cu r ta i n wall i n a gr id for m t hat t he l i g ht ca n p e n e trate e a s i l y i nto t he str u c tu re. The w i nd ows fo r th i s l aye r a re tra n s p arent th at obv i ous sha d ows a re cre ate d a s th e ti m e changes. Also i t i s t he l a rg e s t vo i d a m o n g th e w h o l e ho use th at it a c t s a s a p ub l i c s p a ce s fo r th e u s e r to gat her.

65

Pr i vate Sp aces

This p ro jec t do es no t co nsi st s o f do o r s to sep arate the p r ivate ro o m s. I nstead, i t uses t he p ar t i t io n wall to c reate t he b o undar ies o f di erence sp aces. The u pper o o r i s co nst r uc ted wi t h a sm aller vo id i n o rder to cre ate a tenser sp ace wi t h higher p r i vac y fo r t he u s ers alo ne. There is no t m uc h o p eni ng when co m p are with t hat o f t he gro und o o r. As a result, i t uses ar t i c ial lig ht m ai nly and no t m uc h li ght c an enter to t he spaces.

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67

Co nceptu a l M od e l M ak in g a m oc k up m o d e l o f G i ova n i tti h o u s e h elps m e und e r st a nd m o re a bo u t i ts s tru c tu re and com p osi t io n . I h e re by d i s m a n tle the cont r uc t i on o f th i s bu i l d i n g a n d see its d i m e nsi on. I t i s i nte re s ti n g to s e e th at t he re a re ce r t a i n p ro p o r ti o n a m o n g th e di m e nsi on of e a ch f l o o r th at re l ated to t he ove ra l l SPAT IAL ARR AN G E M E N T.

68

Grou nd Fl oor

69

Level 1

Level 2

Level 3

Divi ding t he who le st r uc t ure into 4 layer s, i t i s mu ch easier fo r m e to get t he sp at i al co ncep t o f t hi s des ign.

B ui lding t hi s m o dels by p lanes, I c an see t he link ag e b et ween t he b lo c ks and p lanes and how t hey related to t he INTER IOR PR OGR AM M ING by R ic hard M iere.

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71

The wise use o f SOL ID & V OID wit h great CONT R AST m akes an im p o r t ant ef fec t o n t he p ro gram m es zoning and SPATIA L A R R A NGEM ENT. The V OID b et ween eac h SOL ID var i es acco rdi ng to t he DIM ENSIO N and PR OPOR TION. The large and sm all sp aces pres ent t he PU B L IC and PR IVATE ZONES wit h TR A NS I ST I ON resp ec t i vely.

72

SPATIAL DE VELOPMENT

73

Spati a l E x p e r i ence This drawi ng pre sent s t he s patial quali t y o f c k ’s hou s e t hat I c an feel the co nt rast bet ween B IG and SMALL, SOLID and V OID a mong t he ro o m s and zones.

74

O teiza Jorge S c ul p t ure s tu d i e s G ett i ng t he i mp o r ta n ce o f th e B AL AN C E bet ween PL A NE an d B OX E S , I saw th e i m p a c t o n th e O PE N I NGS. I n o t her word s, t he VO I D on a SO L ID. O te i z a i s k e e n o n using t he U NF IN S I H ME N T to m a k e a w h o l e. S o th at th e B LA NK sp aces is lef t for t he use r s to ex pe r i e n ce th e s pa ce s f reely wit h less L IM ITAT I O N . H e ha s a w i s e u s e s o f th e FO L DED and NTER LOCK I N G p l a ne s w i th h o l e s. A s tro n g i nte rc t io n b et ween th e ex te r i or a nd i nte r i o r ca n b e fo u n d a m o ng his wo r k .

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O te i z a h o u s e Tak i ng o ne o f t he O tei z a’s c ulp t ure as the b ase, I t ransfer it to a ho use f ro m a sc u lp t ure. I t s large o p enings c reate t he V O I D at t he cent ral sp aces and an i nterac t ion b et ween t he EX TER IOR and t he INTER IOR. However, it do es no t f unc t io n ver y ef fec t i vely fo r t he zo ning and PR OGR AM M ING .

78

I N SI D E THE W OOD This p ro jec t aim s to p rovide a resident i al sp ace for a f am i ly o f 2- 3. I t em p hasizes t he sp at ial intera c t i o n var ied by SOL ID and V OID. The ho use div ides t he sp aces i nto 3 layer s f ro m t he gro und to t he level 2. The vo id o f t he gro und f lo o r p resent s a pu b li c sp ace fo r t he f am i ly and i t t ransfo r m s i nto the so lid by i nc reasing b lo c ks gradually. The t rans ition f ro m vo i d to so li d i s rep resent i ng by t he planes and b oxes. The light p enet rates in ac t s as an index o f t he sp at ial p r ivac y. M o re t he so li d, t ig hter t he sp aces i s, t he user s wi ll b e ex p er i enc ing the sp t i al t ransit io n t hro ugh light and so lid and void.

79

Cour t yard

B a l co ny Guest s Living R oom

I n t he PR OPOR TION and CON TR A ST b et ween so li d and vo i d, t he di m ensio n o f sp aces and i p ro gram m es i s invo lved. I n t hi s p ro jec t, t he am p li t ude st r uc t ure co nnec t i ng t he p ub lic and p r i vate sp aces o nly t hro ugh t he vi sual. Their shap es and co nnec t i ng p o i nt s i s a key fo r linking up t he HU MA N AC TIV ITIES.

K itc hen Washroom Pr i vate L i v i n g R oom

P R OG AM ME S

Ad j a ce n c y Vi s u a l Co n n e c ti on R e l ate d / N e a r by I n d i re c t Co n n e c t i on

Co ur t yard K itc hen Guest s L i vi ng R o o m Washro o m Pr ivate L ivi ng R o o m

Wo r k pl a ce

Wo r k p lace B ed room Free Sp aces Pu b l i c

Pr i vate

B alco ny B edro o m Free Sp aces Co r r ido r 80

SPAT IA L A R R ANG EM EN T Th e house store ys in th re e f l oor s. Th e grou n d f l oor i s a semi-p ub l i c sp a ce w i th glass wa l l i n t he for m of void. I t e na b l e s th e family to st ay w i t h t h e guests. The re fore, th e k itch e n a nd wa shroo m are also ava l i a b l e. Th e upper l e ve l i s t ra ns i tin g from p ub l i c to p r i vate sp a ce s w i t h m o re walls a nd w i nd ows.

Level 2 a nd 3 i s i n a str u c tu re of AMP L ITUDE t hat t he y sha re th e sa m e sp a ce s w i th VIS UA L CO N N C E T I O N .

I t c reate s a l a rge sp ace for the p r i vate l i v i n g room. At t he sa m e time, t he re d uce d a re a of leve l 3 a l so b r i n g a inte nse d fe e l i ng o f th e sma l l sp a ce. Fro m th e ground to t he to p, it sh ows t he T R A N S ITION f rom l a rge to small a re a . f rom P U B L IC to P R I VAT E sp a ce s.

81

3/F B e d ro o m Fre e Sp a ce s

2/F Wo r k pl a ce Pr i vate L i vi n g R o o m Ba l co ny

G/F Wa s h ro o m K i tch e n G u e s ts L i v i n g R o o m

3/F

2/F

G/F

82

SC ULP T U R E & S H E LT E R Th e insi p i rat i on of th e s tru c tu re fo r m comes f rom a f a mo u s s cu l ptu re o f Jo rg e O teiza . I t p re se nt s a s pa ce s h ow i n g th e positive a nd ne gati ve s pa ce s w i th th e wise u se of t r i mm e d PL AN E S. I ts o p e n i n g s give good D I VI S I O N o f s pa ce s w h i ch a f fec t the d e si gn of p ro gra m m e s. M o d i f y i n g some o f i t s D I ME N S IO N a n d PR O PO R TIO N , th is p roj e c t st a r te d w i th th e s tru c tu re wh ich ha s a sol i d to p a n d a ce ntre d vo i d.

MA PL E

HUE S & CO LO RS I n th e col or te st, wo o d t y p e s i n d i ffe re nt color s a nd tone s b r i n d i f fe re nt fe e l i n a n d TEX TU R E. Al t hough wo o d s a re m a i n l y i n war m col or s, t he at m o s ph e re th e y cre ate ca n be diffe re nt. The col o r o f o a k , p i n e a n d m a pl e are teste d t hat t he y p re s e nt d i ffe re nt to n e s o f pale pi nk . And ha ze l n u t i s s e l e c te d b e ca u s e of its CO MF O R TA B LE a n d RE L AXIN G fe atu re s.

83

PINE

OAK

84

CUBE S Var i at i on I n spire d by t he sc ul p tu re by O te i z a w i th th e t wi ste d a nd fol d e d fo r m , I tr i e d to develop t he sp at i a l q u a l i t y o f IN TE N SIT Y an d RE LI E VE by T W IST IN G a n d fo l d i n g th e c ub e s w i t h P E N E T R AT E D pl a n e s a n d boxes. As t he D I ME NSIO N a n d PR O PO RTION va r y, t he I N T E NSIT Y o f s pa ce s va r i e s an d ma ke s good e f fe c t o f SO L ID & V O ID.

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86

B oxe s & Pl a n e s The COM B INATIONS o f b oxes and p lanes are p u t in neat o rder. R EU L A R V OID and sp aces are c reated t hat it is m o re ef fec t ive to do a SYSTEMATIC ZONI NG and COM PA R ISON b et ween sim i lar sp at ial st r uc tu re.

87

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90

Pl a ne s & O p e n i n g s Ad d i n g O PE N IN G S to t he p lanes, t he COM B INATIO N S va r y m o re i n sp aces t hat c reates c ub es w i th d i f fe re nt PR OPOR TION OF SOL ID & V OID. The U N FIN ISH M E N T o f a c ub e b r i ngs a co m p lex it y.

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92

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94

I r regular O p e ni ngs Th e p l a ne s w i t h o pe n i n g s co m bi n e d an d c re ate d a c ub e w i th th e be a u t y o f UN FI N I S H ME N T. I t l o o k s l i k e be i n g s o l i d an d f ra m e s b ut t h e V O ID ta k e s a l a rg e occ up at i on t hat m a k e s a g o o d co ntra s t bet we e n S O LI D & V O ID.

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98

S o l i d & Vo i d i n C U B E Co m p o s i ti on I t is i nterest ing to see how a c ube is COM POSED. The num b er o f PL A NES a nd t he p ro p o r t io n o f POSITIV E and NEG ATIV E sp aces b r ings reat im p ac t o n the ef fec t o f SOL ID & V OID. The fo llowing ser ies shows t he co m p o si t io n o f cu be and how it s var ies wi t h SOL ID & V OI D. 99

100

FU L L Cu be I t co nsi st s o f 6 p lanes whic h has a HEAVY SOL ID co m p o sit io n. At t he sam e t i me, t hi s st r uc t ure enab les it to have t he m o st COM PL EXIT Y due to t he am o unt of o p enings wit h dif ferent VA R IATION.

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102

Q U IN TU PL E Pl a n es I t has 5 p lanes t hat b reaks a f ully comp leted c ub e. Thi s co m p o si t io n shows a c ub ic fo r m / f ram e and t he B A L ANCE b et ween SOL ID & V OID as t he c ube is st ar ted to b e SPINNED OF F.

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104

Q UAD RU PL E Pl a n e s

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106

TRIPL E Pl a n e s I t i s t he m o st i nterest ing st r uc tu re t hat co nsi st s o f 3 p lanes o nly. I t indic ates t he HA L F - HA L F R elat io ns hip b et ween t he SOL ID and V OID. M any co m b inat io n and VA R IATION c an be c reated as it lo o ks li ke a c ub e bu t it is no t ac t ually. The sp at i al q u a lit y has dif ferent t y p es o f COM PL EXI T Y wit h di f ferent co m b i nat io n b et ween it s SOL ID p ar t and U NF INISHMENT.

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108

D O U B L E Pl a n e s I t is no t an OB IOU S c ub e any m o re bu t st i ll i t has an OU LTINE. I t s F OLDI NG co m p o si t io n c reates a larger V OID for t he who le sp aces whi c h i s suit ab le for link ing up i ndent i c al CU B ES to ea ch o t her.

109

110

CUBE S COM B I N AT I O N

Two cu b e s c a n b e CO M BIN E D to g e th e r in orde r to c re ate a n d i n cre a s e th e CO M P L EXIT Y of a sp a ce s. Th e re a re d i f fe re nt var iation w i t h d i f fe re nt CO M B IN AT IO N ME THO D S .

V ER TIC AL I nte r l oc ks Wh en t wo c ub e s are i nte rs e c ti n g to each ot he r ve r t i c a l l y, we ca n s e e th e IN CRE A S I N G VO I D vol u m e w h i ch i s g o i n g upward. H owe ve r, d u e to th e va r i ati o n alon g t he sa m e AX I S, th e m a s s b e co m e s OVE RL A R GE w hi c h re s u l ts i n IN BAL AN C E bet we e n S O LI D & VO ID.

111

I nte r l o ck s w i th PL ANE Put t ing a p lane fo r a c ub e c an also ENCLOSE t he who le sp ace i n o rder to co m p lete the SOL ID & V OID. However, t he p lane B LOCKS t he vo id and m akes t he who le st r uc t ure be co m es a F R AM E t hat is sim i lar to a C U BE.

112

113

H ORIZON TA L I nte r l oc ks I nter se c t i ng hor i zonta l l y h a s th e s i m i l a r e f fe c t with that of Ve r t i ca l i nte rs e c ti o n . Th e w h o l e str u c tu re a nd sp a ce s ex p a n d a l o n g th e G R O U N D th at re qui re s more PL AN E S fo r zo n i n g a n d PR AC TIC A L sp at i a l a r ra ng e m e nt. Th e re fo re, ove r SO LID may b e re sul te d i n .

114

115

X Y Z I nter loc ks S imply com b i ni ng t h e cu be s H O RIZO N TAL LY o r VE R TIC A LLY re sul t s i n th e bi g MASS o f th e s o l i d par t. The re fore, i n o rd e r to m a k e a CO M PL E XE D space w i t h t he good PR O PO R T IO N be t we e n s o l i d & void, i nte r se c t i ng cu be s o n X, Y, Z a x i s i s e ffe c tive. Ne w sp a ce s w i t h e n cl o s u re b e t we e n V O ID i s c reate d w i t hout b r i n gi n g BARRIE RS. B l a n k s pa c es is le f t to p re se nt t h e be a u t y o f U N FIN ISH M E N T. 116

L AYERINGI N G P L A N E S 117

One o f t he c ub es co m b i nat io n i s c ho sen fo r develo p m ent. This test ing di d t he SPATIA L A R R A NGEM ENT and zo ni ng wi t h t he FAC A D E at t he sam e t im e. I t t r ies to di vi de t he F LOOR S in layer s R ESPEC TIV ELY. I t is c lear to see t he Flo o r s & ro o m s wit h f unc t io ns SEPA R ATELY. And it t r ies to p resent t he TR A NSISTION f ro m SEM I- PU B L IC to PR IVATE sp ace t hro ugh t he sp at i al MA SS. However, it is no t DYNAM IC eno ugh fo r showing t he CONTR A ST b et ween SOL ID & V OID.

118

M in i- Co u r t yard

119

L3

B edro o m Freesp ace

L2

Wo r ksp ace Guest R o o m L ivi ng R o o m II

L1

B alco ny Guest R o o m L ivi ng R o o m II

G /F

Co ur t yard K i tc hen / Pant r y L ivi ng R o o m I Ent rance

120

E X TE N D IN G P L A N E S 121

This testing com p l e te s th e s pa ce by EX T E N DIN G t he E X I S T I N G wa l l to f l o o rs a nd P L AN ES . The re a re op e n i n g s fo u n d on th e P L AN E S t hat c re ate s a CO N SISTENC Y with t hat of t he FAC AD E cu b e s.

However, it i s si m i l a r to th e pre vi o u s tes t but mo re d i f f i c ul t fo r d o th e PR O GR AM MES D E S I GN b e c a u s e o f th e U N F INIS HMEN T i n a com p l e te d re gi o n .

122

E n tr a

nce

Wo r kspa ce+ Freespace

K itc hen

123

L3

B edro o m Freesp ace

L2

Wo r ksp ace Guest R o o m L ivi ng R o om I I

L1

B alco ny Guest R o o m L ivi ng R o om I I

G /F

Co ur t yard K i tc hen / Pa ntr y L ivi ng R o om I Ent rance

124

FI LLI N G IN U N F I N I S HM EN T 125

The sp aces i s f uni shed by F IL L ING t he i nter i o r wit h di f ferent COM B INATION o f c ub es i n di f ferent PL A NES and VA R IATON. I t m ai nt ains t he sam e L A NGUA E wi t h t hat o f t he FAC A DE to p resent t he U NF INISHM ENT by t he OPENINGS. I t is t he n enc lo sed by using t he GL A SS whic h is used to b e t he W INDOWS and TR A NSPA R ENT WA L L . Therefo re, i t reduce t he var iation o f t he f ac ade and keep s t he b eaut y o f t he U NF U NISHMENT o f t he ho use. I nside t he sp aces, user s are ab le to fee l the CHA NGES f ro m INTENSED to R EL IE V ED Sp aces and f ro m PUB L IC to PR IVATE SPAC ES.

126

G/ F

L1

127

1 / E N TR AN C E 2 / CO U R T YARD 3 / L IV IN G R O O M I 4 / KITC H E N & PA NTRY 5 / D IN IN G R O O M

1 / L IV IN G R O O M II 2 / CO M M O N SPACE 3 / STO R AG E

O u tdo o r

L2

1/ L IV ING R OOM II 2/ COM M ON SPAC E 3/ GU EST R OOM

S e mi - Pr i vate

I n do o r

L3

1/ W OR K SPACE 2/ B ED R OOM 3/ PR IVATE F R EESPACE

Pr i vate

128

129

L3

B edro o m Freesp ace Wo r ksp ace

L2

Guest R o o m L i vi ng R o o m I I Washro o m

L1

B alco ny Guest R o o m L i vi ng R o o m I I

G /F

Co ur t yard K itc hen / Pantr y L i vi ng R o o m I Ent rance

130

131

132

133

CONCLUSION BEAUT Y OF UNFINISHMENT Th e f inal sp aces i s f i nished by F IL L ING t he i nter i o r wi t h diffe re nt COM B INATION o f c ub es in dif ferent PL A NES and VA R IATO N. I t m aint ains t he sam e L A NGUA E wi t h t hat o f t he FAC A DE to present t he U NF INISHM ENT by t he OPENINGS. I t i s t hen en cl o sed by using t he GL A SS whic h is used to b e t he W INDOWS a n d TR A NSPA R ENT WA L L . Therefo re, it reduce t he var i at ion o f the f ac ade and keep s t he b eaut y o f t he U NF U NISHM ENT o f t he ho use. I nside t he sp aces, user s are ab le to feel t he C H A NGES f ro m INTENSED to R EL IE V ED Sp aces and f ro m PU B L IC to PR IVATE SPAC ES.

134

1/F -Living Room 2

GROUND BASE - E nt ra n ce - L i v i n g ro o m 1

1/F - Co m m o n S p a ce - B a l co ny

135

GROUND BASE -Living Room 1 - K i tc h e n & D i n i n g -Acce s s to 2 / F

2/F -Living Room 2 -To i l e t - Co r rd o r

Thi s ho use design co nsist s o f 4 F LOOR INGS f ro m t he gro und to t he to p. I t c an b e di sam m b led i nto 3 b i g gro up s o f c ub e, t he MA IN B U IL DING, L IV ING R OOM A ND PR IVATE B U IL D INGS. They are co nnec ted to eac h o t her by t he c ub es p ar t. The sp ace o f PU B L IC GR OU ND f lo o r dec rease gradually. S o t hat a TR A NSIS TION b et ween t he R EL IE V ED PU B L IC sp aces and INTENSED PR IVATE SPAC E i s c reated.

3/F Wo r k s p a ce

1/F

-Guest Room

3/F - B u ffe r Zo n e

3/F - B e d ro o m

136

Ba ck way

To 1 / F K itch e n & D in in g

Balcony

To 1/F Common Space

Livin g R oom 1

Entra n ce

137

Fre e Sp a ce

Livin g R oom 2

Gu e st R oom

138

Free Space

To 3/F Li vi ng R oom 2 R eading Space Gu est R oom

139

Free Space Washroom L iv ing Room 2 To 2/F

Wor kspace B ed R oom

140

+ 1 0 .3 9 m

+ 6 .7 5 m

+ 5 .6 4 m

+ 3 .0 0 m

+2 .7 0 m

+ 0 .0 0 m

141

+ 10 . 39m

+ 6.75m

+ 5.64m + 3.00m

+ 2 . 00m

+0. 00m

142

+10.39m

+8.78m

+5.64m

+2.00m

+0.00m

143

144

145

146

147

148

149

Th e w h o l e s p a ce i s b ui lt o f t he C U B ES wi t h d i ffe re nt t y p e s o f OPENING. This k ind o f U N FIN ISH M E N T STR U C TU R E m akes t he SO L ID & V O ID s ta nd o ut f ro m t he o rdinari l y- bu i l t H ISE RISE b uilding. The B OU NDARIE S be t we e n e a ch zo nes i s B LU R R ED b ut s ti l l m a i nta i n s o me PR IVAC Y fo r t he user s.

Th e b e a u t y o f U N F INISHM ENT is to enab le th e u s e rs to u s e the sp aces f reely as t hey wa nt.

150

151

152

153

Th rou ghout t he w h o l e p ro je c t, s ta r te d f ro m s tudy i ng t he S UN PAT H to t he A R C H IT E C TU R AL D E TAIL S, I g e t t he im p o rtant conce p t b e t wee n th e SPAC E a n d L IG H T. I n s em ester 2, I foc us on c re at i ng a s p a ce w i th bi g CO N T R AST o f SOL ID & VOID p re se nte d by t h e U N FIN ISH M E N T o f a cu be. I t i s interestin g to st ud y how a cu b e i s fo r m e d by d i f fe re nt PL A NES. L ittle t hi ng m at te r s th at th e IN CO M PL E TE D PAR T always i s th e fre e sp a ce e na b le th e u s e rs to a c t f re e l y. Th e deep er de velop m e nt on how to CO M BIN E D th o s e SO L ID & V OID wi t h differe nt VA R I AT I O N fo r a be tte r p ro gre s s fo r this p ro jec t.

154