Chiswick Auctions Jewellery November 2018 by Chiswick Auctions

Jewellery 20 November 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Jewellery

London 20th November 2018

SPECIALISTS

SALE CALENDAR

NOVEMBER

WEDNESDAY

Designer Handbags & Fashion Wine & Spirits Sarah Duncan GD

Lissa Holmes FGA

Head of Department Jewellery sarah.duncan@chiswickauctions.co.uk

Specialist Jewellery lissa.holmes@chiswickauctions.co.uk

WEDNESDAY

Printed Books & Manuscripts Photographica

DECEMBER

TUESDAY

Fine Rugs & Carpets Wine & Spirits

Inez Flynn FGA

WEDNESDAY

Fine European Works of Art & Clocks

Specialist Jewellery inez.flynn@chiswickauctions.co.uk

THURSDAY

Urban & Contemporary Art

BUYER’S PREMIUM The buyer shall pay Chiswick Auctions Ltd a premium on the hammer price of 25% plus VAT on that commission. TELEPHONE BIDDING Please note that requests for telephone bids should be submitted no later than 5pm on the day prior to the sale. LIVE BIDDING the-saleroom.com Please note there is a 3% +VAT surcharge for using this service.

COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale.

IMPORTANT INFORMATION CITES

Please be aware that all lots marked with the symbol λ are subject to CITES regulations. Please see our Terms & Conditions for more information. ARTIST’S RESALE RIGHT/DROIT DE SUITE

Lots marked with ARR indicates that an additional levy may apply for this lot. Please see our Terms & Conditions for more information.

TUESDAY

Winter Jewels Affordable Luxury Antiquities & Tribal Art Interiors & Design

WEDNESDAY

Modern & Post-War British Art

“A gem-set ‘Coco’ ring by Chanel” Estimate £800 - £1,200 coming up in our 12th of February Jewellery auction

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Jewellery

Tuesday 20th November 2018, 11.00

VIEWING AT SOUTH KENSINGTON selected highlights only Thursday Friday Saturday Sunday Monday

8 November 9 November 10 November 11 November 12 November

11.00 - 17.30 11.00 - 17.30 12.00 - 17.30 12.00 - 16.30 11.00 - 16.30

VIEWING AT CHISWICK full sale Saturday Sunday Monday Tuesday

17 November 18 November 19 November 20 November

11.00 - 17.00 11.00 - 17.00 10.00 - 18.00 10.00 - 11.00

CHISWICK LATES You are kindly invited to Chiswick Lates at our South Kensington gallery. Join us for a complimentary glass of wine and explore a preview of forthcoming highlights. Thursday

8 November

18.00 - 20.30

PHOTOGRAPHERS GENERAL ENQUIRIES +44(0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk 1 Colville Road, London W3 8BL 127 Fulham Road, London SW3 6RT

Steven McCauley Jordan Salzmann Darrell Russell Monika Olek

Basak Ulukose

Front cover: Lot 271 & 274 Back cover: Lot 112

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IN CONVERSATION WITH MAYA MK We were delighted to welcome Maya MK to Chiswick Auctions South Kensington. Maya MK is a jewellery professional and journalist. She hosts Hidden Gems with Maya on Women’s Radio Station, showcasing extraordinary women in the jewellery world from mine to market. Maya is also the Founding Editor of The Carat Soup. A blog about gemstones, jewellery and arts. Maya’s multifaceted background gave her a unique approach to both the antique and contemporary lots in this auction. After much admiring, examining and trying on, she was able to narrow her favourites. “Absolutely delighted to attend a private jewellery viewing at Chiswick Auctions. As soon as I arrived, I behaved like a ballet of swans. Gliding to pieces I was immediately drawn towards. I impatiently enquired about the detailed and delicate brooches. I couldn’t wait to try them on. <PZW]OPW]\ Ua KIZMMZ 1¼^M JMMV NWZ\]VI\M \W PI^M M`XW[]ZM \W LQ‫ ٺ‬MZMV\ I[XMK\[ WN \PM RM_MTTMZa []XXTa KPIQV AW] VIUM Q\ 1¼^M JMMV \PMZM NZWU \PM UQVM[ \W Å VM RM_MTTMZa [ITM[ jewellery design to gemstone marketing. This led to an unending appreciation of what OWM[ QV\W MIKP IVL M^MZa ZQVO XMVLIV\ IVL MIZZQVO[ ) OIZOIV\]IV M‫ ٺ‬WZ\ \PI\ ZMXZM[MV\[ hundreds of lives. I’m drawn to the buzz of the auction room on sales day, completely electric. It’s bizarre because sometimes I don’t even realise I want something until I see it. Though the biggest pull and allure, has to be knowing that all lots are select pieces that are hand-picked and superbly curated. As is evident in this auction.”

Lot 112 “The setting and rich colours are phenomenal. These are also fun pieces, especially if worn together.”

Lot 50 “As an Art Deco fan, it’s MI[a \W ILWZM \PQ[ ;XMKQÅ KITTa \PM millegrain detailing and old mine cut diamonds, what’s not to love!”

Lot 225 “After seeing this 19th century, unusual piece on Instagram, I couldn’t wait to see it in person. As soon as I arrived, I simply HAD to see it straight away. From the hue of purple to the closed-back setting, it was most certainly worth the wait!”

*See inside front cover for information regarding fees

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Lot 200 ¹-^MZa RM_MTTMZa JW` IVL M^MZa Å VOMZ LM[MZ^M[ I [\I\MUMV\ ZQVO <PQ[ Q[ Q\ -`KMX\QWVITTa UILM IVL 1 KIV¼\ \ISM Ua MaM[ W‫ ٺ‬WN \PM []OIZTWIN IUM\Pa[\ º

Lot 195 “Deceptively simple and tremendously chic. You can’t go wrong with Chaumet. Paired with a scoop neck top and doubling up, or as one long necklace over a TQVMV [PQZ\ º

Lot 19 “A functional and fabulous piece. The craftsmanship is elegant and understated. As an avid fan of brooches, I’m more likely to wear it as a pin than XMVLIV\ )T\PW]OP 1 ZI\PMZ MVRWa \PM Æ M`QJQTQ\a \W KPWW[M After over half a century of design, Lalaounis remains \QUMTM[[ IVL I Å ZU NI^W]ZQ\M º

Lot 217 “I’m besotted by jewellery that tells a story. More so when it’s a fairy-tale, like this enchanting piece. Having a closer look at the back, \PM _QZM_WZS IVL \]ZY]WQ[M QUUMLQI\MTa KIX\]ZML Ua I\\MV\QWV º Lot 274 “There’s beauty in simplicity. This 7.80 carat diamond ring is simple, beautiful and the MXQ\WUM WN UIOVQÅ KMVKM 1\¼L OW _MTT _Q\P Ua W\PMZ daily jewellery pieces, so I’d be indulgent and wear it M^MZaLIa º 3

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*See inside front cover for information regarding fees

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1 A diamond-set ‘Penelope’ bracelet, by Cartier Composed of seven rows of interconnected circlet links, to a brilliantcut diamond-set double ‘C’ clasp, diamonds approx. 2.15 carats total, signed Cartier, maker’s mark, numbered, French assay mark, length 18.0cm £4,000-£6,000

4 A pair of yellow diamond and enamel earclips Each of scrolling form pavé-set with brilliant-cut diamonds of yellow tint, spaced by lines of black enamel, diamonds approx. 5.05 carats total, diamonds untested for natural colour, length 2.7cm £1,200-£1,500

2 A pair of diamond-set earstuds Each polished bead, with a detachable brilliant-cut diamond circlet surround, post fittings, diamonds approx. 0.65 carat total, length 1.2cm £250-£350

5 A citrine ‘Tank’ ring, by Cartier Set with a buff-top cabochon citrine, to a polished hoop, signed Cartier, numbered, maker’s mark, French assay mark, ring size L £550-£650

3 An ‘Empreinte’ ring, by Louis Vuitton The polished band decorated with six concave circlets, one set with a brilliant-cut diamond, signed Louis Vuitton, maker’s mark, numbered, French assay mark, ring size I £600-£800

6 A diamond-set ‘Juste un Clou’ bangle, by Cartier Realistically designed as a hinged 18 carat gold nail with brilliant-cut diamond-set terminals, diamonds approx. 0.40 carat total, signed Cartier, maker’s mark, numbered, European Convention mark, Swiss assay mark, inner diameter 6.1cm, maker’s pouch, case and box £5,000-£7,000

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7 A sapphire and diamond ring The cushion-shaped sapphire, in a four claw-setting, to a surround of brilliant-cut diamonds, diamonds approx. 0.20 carat total, ring size O Accompanied by a report from GCS stating that the sapphire, weighing approximately 7.10 carats, is of Madagascan origin, with no evidence of heating. Report number 79178-77, dated 8th October 2018. £2,200-£2,800 8 A sapphire and diamond spray brooch The baguette-cut diamond stem within a surround of marquise and brilliant-cut diamonds, accented by pear-shaped and oval-cut sapphires, diamonds approx. 3.55 carats total, length 7.2cm £1,500-£2,000

10 An emerald and diamond cluster ring The oval-cut emerald in a split-claw mount, within a brilliant-cut diamond surround, diamonds approx. 0.30 carat total, ring size M £1,800-£2,200 11 A diamond cluster ring Designed as a tiered cluster of brilliant-cut diamonds, diamonds approx. 1.05 carats total, ring size R½ £300-£400 12 A diamond single-stone ring The brilliant-cut diamond to a slightly tapered band, diamond approx. 0.45 carat, ring size O £300-£500

9 A diamond eternity ring Composed of a continuous row of oval-cut diamonds in four-claw mounts, diamonds approx. 5.50 carats total, two diamonds chipped, ring size P £2,500-£3,500

*See inside front cover for information regarding fees

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13 A pair of sapphire and diamond cluster earrings Each oval-cut sapphire within a brilliant-cut diamond surround, post fittings, diamonds approx. 1.40 carats total, length 1.7cm £3,000-£4,000 14 A cultured pearl and gem-set necklace The double strand of 8.5-8.9mm cultured pearls, to a gem-set spray clasp set with cabochon emeralds, oval-cut sapphires and brilliant-cut diamonds, diamonds approx. 0.35 carat total, length of shortest strand 36.0cm £700-£900

15 A pair of emerald and diamond earrings Each oval-cut emerald collet-set within a brilliant-cut diamond surround, post fittings, diamonds approx. 1.20 carats total, length 1.7cm Accompanied by a report from GCS stating that the emeralds, weighing approx. 2.00 carats total, are of Brazilian origin, with indications of minor clarity enhancement. Report number 78171-82, dated 6th August 2018. £3,000-£5,000

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16 A fire agate and diamond ring The oval fire agate cabochons in a polished rubover setting, to a brilliant-cut diamond surround, diamonds approx. 0.40 carat total, ring size L £450-£650 17 A fancy coloured diamond and diamond ring The Fancy Deep Yellowish Brown marquise-cut diamond, weighing 3.12 carats, between pear-shaped diamond shoulders, remaining diamonds approx. 0.70 carat total, ring size O½ Accompanied by a report from IGI stating that the diamond is Fancy Deep Yellowish Brown, natural colour. Report number 301774047, dated 6th February 2018. £2,000-£3,000 18 A cultured pearl necklace The single strand of 11.8-13.9mm cultured pearls, to a textured ball clasp, length 45.5cm £300-£500

19 A brooch / pendant, by Ilias Lalaounis Designed as a stylised flask, of hammered finish, signed Ilias Lalaounis, maker’s mark, length 4.0cm £250-£350 20 A pink tourmaline dress ring The heart-shaped cabochon pink tourmaline, in a tiered collect setting, to a multiple band hoop, ring size G½ £700-£900 21 An orange sapphire and diamond ring The central cushion-shaped orange sapphire, weighing 7.11 carats, flanked by rows of brilliant-cut diamonds, to bi-furcated shoulders and a polished band, diamonds approx. 0.40 carat total, ring size Q £1,800-£2,500

*See inside front cover for information regarding fees

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22 A diamond-set fish pendant The stylised textured fish with single-cut diamond gills and gem-set eye detail, length 5.4cm £300-£400 23 A coloured diamond and diamond ring The pear-shaped Fancy Intense Yellowish Orange diamond, weighing 0.35 carat, to a brilliant-cut diamond surround and shoulders, remaining diamonds approx. 0.25 carat total, ring size N Accompanied by a report from HRD, stating that the diamond is of Fancy Intense Yellowish Orange, natural colour. Report number 20033697816, dated 29th April 2003. £1,500-£2,000

24 Two fire opal rings 1st: Set with a triangular cabochon fire opal, in a closed back setting, to a textured 22 carat yellow gold band; 2nd: Of similar design, set with a circular cabochon opal, 1st: maker’s mark RC and London hallmark, ring sizes: N½ and O (2) £300-£500 25 An enamel and diamond pufferfish pendant The bombé body decorated with orange and yellow guilloché enamel, accented with polished spines, to single-cut diamond-set eyes with blue enamel detail and fins of brushed finish, later pendant fitting, converted from a brooch, length 3.5cm £250-£350

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26 An emerald and diamond ring The oval-cut emerald within a brilliant-cut diamond surround and baguette-cut diamond sides, diamonds approx. 0.25 carat total, ring size P £700-£900 27 A diamond eternity ring Set with a continuous row of brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 0.25 carat total, UK hallmark, ring size T½ £300-£500

29 An emerald and diamond half-hoop ring The band set with alternating brilliant-cut diamonds and circular-cut emeralds, ring size M £300-£500 30 A diamond dress ring Of contoured form, set throughout with brilliant-cut diamonds, the largest to the centre, principal diamond approx. 0.95 carat, remaining diamonds approx. 2.55 carats total, ring size O £1,800-£2,500

28 A diamond bracelet and earrings The bracelet set to the front with brilliant-cut diamond scrolls, framed by similarly-cut diamond clusters, to a fancy-link bracelet of textured finish, the earrings designed as polished and textured fanned scrolls accented with brilliant-cut diamonds, clip fittings, diamonds approx. 4.10 carats total, Austrian assay marks, lengths: bracelet 17.5cm, earring 2.4cm (2) £500-£700

*See inside front cover for information regarding fees

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31 A gem-set necklace and bracelet The necklace set with brilliant and single-cut diamond circlets, accented with graduated rectangular-cut emerald four-stone sections, between collet-set similarly-cut diamond line connections and backchain, mounted in 18 carat white and yellow gold, together with a bracelet of matching design, set throughout with circular-cut white sapphires and emeralds, diamonds approx. 7.20 carats total, necklace with UK import mark, lengths: necklace 44.0cm, bracelet 15.5cm (2) £3,000-£5,000

32 An opal and diamond dress ring The oval cabochon opal, to a crossover design mount, one shoulder set with a graduated line of brilliant-cut diamonds, diamonds approx. 0.40 carat total, ring size O £250-£350 33 A pair of diamond earrings Each open hoop set with a line of brilliant-cut diamonds, post fittings, diamonds approx. 1.00 carat total, length 2.0cm £350-£450

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34 A diamond-set ‘Hug’ pendant necklace and earrings, by Boodle & Dunthorne, 1993 The pendant designed as an 18 carat gold heart-shaped embracing couple, one half pavé-set with brilliant-cut diamonds, to a palmierlink chain, together with a pair of earrings en suite, diamonds approx. 1.00 carat total, earrings signed Boodles, necklace unsigned, maker’s mark B&D, London hallmark, lengths: necklace 41.0cm, earring 1.9cm, maker’s cases (2) £1,200-£1,500 35 A pair of cultured pearl and diamond earrings Each cluster of 5.8-7.0mm cultured pearls, interspersed with brilliant-cut diamond three-stone sections, mounted in 9 carat gold, post and clip fittings, UK hallmark, length 1.9cm £300-£500

36 A sapphire and diamond cluster ring The oval-cut sapphire, within a brilliant-cut diamond surround, to fleur-de-lys shoulders, diamonds approx. 1.00 carat total, ring size L½ £600-£800 37 A pair of cultured pearl and diamond earrings Each 18.3-18.5mm baroque cultured pearl, to a brilliant-cut diamond line surmount, post fittings, length 3.5cm £350-£450 38 A pair of diamond-set earrings Each curved, pierced panel set with brilliant-cut diamonds, post and clip fittings, diamonds approx. 1.00 carat total, length 2.1cm £300-£500

*See inside front cover for information regarding fees

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39 A cultured pearl necklace and earrings The trace-link chain suspending a series of 7.9-8.5mm cultured pearl drops, each earring designed as an 8.8mm cultured pearl suspended from a trace-link chain, to a brilliant-cut diamond surmount, post fittings, lengths: necklace 42.5cm, earring 5.3cm (2) £600-£800 40 A pair of diamond-set cufflinks Each set with an 18 carat gold rectangular reeded plaque, accented with three baguette-cut diamonds, to T-bar terminals, diamonds approx. 0.60 carat total, UK hallmarks, plaque length 1.8cm £250-£350

42 A pair of enamel earrings Each modelled as a fly, the body decorated with blue and red enamel, the wings highlighted with green and blue plique-à-jour enamel, post fittings, length 1.8cm £250-£350 43 A diamond ‘Ellipse’ ring, by Cartier The wide, slightly tapered hoop inset with a brilliant-cut diamond, diamond approx. 0.20 carat, signed Cartier, maker’s mark, numbered, French assay mark, ring size J½, maker’s pouch and certificate of authenticity £1,000-£1,500

41 A diamond single-stone ring The princess-cut diamond, weighing 0.41 carat, in a four-claw mount, to an 18 carat gold hoop, UK hallmark, ring size L Accompanied by a printout of a GIA diamond dossier stating that the diamond is F colour, VS1 clarity. Report number 15895144, dated 17th April 2007. £350-£450

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44 A diamond-set pendant necklace The late 19th century floral spray, set with old mine-cut and cushionshaped diamonds, mounted on a later 18 carat white gold palmier-link chain, diamonds approx. 0.65 carat total, length 38.0cm £250-£350 45 A turquoise, half-pearl and diamond double heart brooch, circa 1890 The opposing hearts set with an oval cabochon turquoise and a halfpearl, within a surround of old brilliant-cut diamonds, to a similarly-set bow surmount with pendant loop, diamonds approx. 0.65 carat total, later pin fitting, length 1.6cm £300-£500

48 A 19th century sapphire and diamond pendant/brooch and earrings, probably Portuguese The brooch designed as an openwork rose-cut diamond cartouche, centrally-set with a circular cabochon sapphire in a pinched collet setting, to a similarly-set pear-shaped drop and circular surmount, together with a pair of earrings en suite, later screw-back fittings, composite, lengths: brooch 7.5cm, earring 4.5cm (2) £4,000-£5,000

46 An emerald and diamond pendant The rectangular cushion-shaped emerald, within an old brilliant-cut diamond surround, diamonds approx. 1.65 carats total, length 2.6cm £1,800-£2,500 47 An enamel and diamond brooch pendant The late 19th century openwork surround of rose-cut and cushionshaped diamonds, set with a later oval enamel plaque, carved in relief to depict a lady in profile, within a raised enamel border, suspended from a diamond-set bow surmount, diamonds approx. 4.50 carats total, composite, minor enamel loss, length 6.4cm £4,000-£6,000

47 *See inside front cover for information regarding fees

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49 A diamond bar brooch, circa 1910 Composed of a graduating line of old brilliant-cut and cushionshaped diamonds in millegrain-settings, diamonds approx. 2.30 carats, French assay mark, length 8.0cm £1,000-£1,500

51 A ruby, sapphire and diamond swivel ring, circa 1935 Half channel-set with calibré-cut rubies, the other half with calibrécut sapphires, between pivoting borders of brilliant-cut diamonds, with foliate engraved sides, diamonds approx. 0.40 carat total, ring size I £250-£350

50 An Art Deco diamond jabot pin, circa 1925 Each end terminating in an openwork plaque, millegrain-set with old brilliant and single-cut diamonds, diamonds approx. 1.20 carats total, maker’s mark SM, length 9.0cm, fitted case by Tessier, New Bond Street, London £800-£1,200

52 A pearl and diamond bar brooch The pierced elongated lozenge, set with old brilliant and rose-cut diamonds and three 5.0-6.0mm pearls, French assay marks, pearls untested, length 8.5cm, cased £600-£800

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54 55

57 53 An enamel fancy-link longchain Composed of alternating faceted cylindrical and spherical links decorated with green and red enamel circlets, length 80.0cm £600-£800

56 A charm bracelet The 9 carat gold curb-link bracelet, suspending various 9 carat gold charms, including a crown, an anchor, a scorpion, a crab, a jug and a dolphin, UK hallmarks, length 19.0cm £350-£450

54 λ A pair of coral pendent earrings, second half of the 19th century Each faceted coral Corallium Rubrum drop, with a chased cap, suspended from a faceted cabochon coral surmount in a tiered collet setting, hook fittings, composite, length 6.8cm £700-£900

57 λ A coral and seed pearl pendant The oval coral Corallium Rubrium plaque pierced and carved with floral motifs in high relief, within a ropetwist surround and seed pearl frame accented with foliate quarters, length 6.1cm £250-£300

55 A 19th century ring, formerly recovered from the wreck of the General Abbatucci The tapered band with engraved geometric decoration, later-set with an old brilliant-cut diamond, diamond approx. 0.25 carat, ring size F £250-£350 Provenance: Previously offered as part of a group lot 255, Christie’s, London, 7th October 1997. This lot is accompanied by a certificate of authenticity from Christie’s and Blue Water Recoveries Ltd. The General Abbatucci was a French steam packet which sank off the Corsican coast on the 7th of May 1869. The wreck was discovered by Blue Water Recoveries Ltd. in 1996 at a depth of over 2,000 metres. The cargo of jewellery, coins, watches and porcelain was subsequently sold at Christie’s, London the following year.

*See inside front cover for information regarding fees

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58 λ A charm bracelet The palmier-link bracelet, suspending four pendants including a carnelian fob seal, a carved coral Corallium Rubrum figure of a buddha, a fossilised ammonite and an amber bead, amber untested, length 19.2cm £250-£300 59 A diamond single-stone ring The old brilliant-cut diamond in an eight-claw mount, between tapered shoulders, diamond approx. 0.70 carat, ring size H £250-£350 60 λ A coral longchain and bar brooch The longchain composed of alternating coral Corallium Rubrum beads, and navette-shaped openwork link; the brooch set with five graduated coral Corallium Rubrum beads, lengths: chain 104.5cm, brooch 10.0cm (2) £300-£400

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61 A diamond-set head ornament The openwork plaque composed of a cluster of brilliant-cut diamond-set teardrop shaped links, to five cable-link chains designed to fit the crown of the head, diamonds approx. 1.60 carats total, plaque width 3.7cm, length adjustable £300-£500 62 A diamond single-stone ring The brilliant-cut diamond, between pierced kite-shaped shoulders, diamond approx. 0.60 carat, ring size K £350-£450 63 A diamond bracelet Composed of a continuous row of brilliant-cut diamonds, in concave circular mounts, diamonds approx. 0.50 carat total, length 18.5cm £250-£350

64 A ruby single-stone ring The circular-cut ruby in a collet setting, to a curved hoop, ring size L £500-£700 65 A tourmaline pendant necklace and earring suite, by Kerry Richardson The snake-link chain, suspending a pendant channel-set with three step-cut pink and green tourmalines, accompanied by a pair of earrings, similarly-set with a cushion-shaped green tourmaline and a princess-cut pink tourmaline, mounted in 18 carat white gold, maker’s mark, UK hallmarks, lengths: pendant 3.6cm, chain length adjustable maximum length 53.3cm, earring 2.6cm (2) £400-£600

*See inside front cover for information regarding fees

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66 A pair of diamond earrings Each brilliant-cut diamond, in a four claw setting, post fittings, diamonds approx. 1.10 carats total £1,300-£1,500 67 A pink sapphire and diamond cluster ring The cushion-shaped pink sapphire, within a surround of brilliant-cut diamonds, between baguette-cut diamond shoulders, mounted in 18 carat white gold, diamonds approx. 0.35 carat total, London hallmark, ring size L £800-£1,200

68 A diamond necklace Composed of a continuous row of brilliant-cut diamonds in 18 carat white gold collet settings, to an adjustable clasp pavé-set with similarly-cut diamonds, diamonds approx. 4.60 carats total, UK hallmark, maximum length 55.0cm (adjustable) £2,000-£2,500 69 A pair of green tourmaline and diamond pendent earrings Each brilliant-cut diamond hoop suspending a trio of oval-cut tourmalines with brilliant-cut diamond highlights, diamonds approx. 0.80 carat total, length 2.2cm £700-£900 70 A diamond single-stone ring The brilliant-cut diamond, weighing 1.01 carat, in a six-claw mount of crossover design, to a shaped hoop, ring size N Accompanied by a report from IGI stating that the diamond is E colour, I1 clarity. Report number 324898794, dated 10th July 2018. £1,500-£2,000 19

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*See inside front cover for information regarding fees

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71 A diamond bombé cluster ring Set with a cushion-shaped diamond, within a radiating surround of brilliant-cut diamonds, to a ridged hoop, diamonds approx. 1.75 carats total, maker’s mark, French assay mark, ring size K £800-£1,200

74 A cultured pearl necklace with a diamond clasp The single strand of 12.0-15.0mm cultured pearls, to a clasp set with a square step-cut diamond, within a marquise-cut diamond surround, diamonds approx. 3.20 carats total, length 41.7cm £2,500-£3,500

72 A pair of cultured pearl and diamond pendent earrings Each 11.1mm cultured pearl, to a brilliant-cut diamond line surmount, post fittings, length 3.8cm £350-£450

75 A diamond cluster ring The central brilliant-cut diamond, within a surround of similarly-cut diamonds, principal diamond approx. 1.30 carats, remaining diamonds approx. 1.00 carat total, ring size P £3,000-£4,000

73 A diamond band ring The wide band, set with brilliant-cut diamonds, between millegrainedged borders, diamonds approx. 1.80 carats total, ring size N £250-£350

76 A spinel and diamond ballerina ring The central oval-cut spinel, weighing 2.17 carats, to an undulated surround of baguette-cut diamonds, diamonds very approx. 0.70 carat total, ring size N Accompanied by a report from GCS stating that the spinel is natural, with no evidence of heat treatement. Report number 79180-21, dated 8th October 2018 £1,800-£2,000

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77 λ A black diamond, diamond and coral dress ring The cushion-shaped black diamond collet-set within a raised surround set with alternating coral Corallium Rubrum panels and brilliant-cut diamonds, black diamond very approx. 11.10 carats, remaining diamonds approx. 1.50 carats total, diamonds untested for natural colour, ring size L £2,500-£3,500 78 A ‘Tubogas’ ring, by Bulgari The circular onyx plaque within a polished surround engraved ‘BULGARI’, to a bi-colour hoop of flattened gaspipe linking, signed Bulgari, ring size K £650-£850

79 A diamond bracelet Of articulated bi-coloured lattice design, collet-set with alternating brilliant and princess-cut diamonds, with brilliant-cut diamond twostone connectors, diamonds approx. 19.50 carats total, length 19.5cm £3,000-£5,000 80 A ‘B.Zero1’ ring by Bulgari The polished segmented band engraved ‘BULGARI’ to the rims, signed Bulgari, ring size M £550-£650 Almost two decades ago, Bulgari established the B. Zero1 ring, inspired by the Colosseum in Rome. It was named B. Zero1, to symbolise the “B” of Bulgari and the zero.1 of infinite beginnings. Its bold architectural design combines two established Bulgari motifs, the Tubogas, which originated in the 1970s and the double logo engraved in the band, turning it into an instant classic.

*See inside front cover for information regarding fees

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84 A pair of ‘Tubogas’ earrings, by Bulgari Each of tapered bi-coloured flattened gaspipe linking, clip fittings, signed Bulgari, length 2.3cm £1,200-£1,500 81 Three diamond bangles The tri-coloured bangles, composed of continuous rows of brilliantcut diamonds in collet mounts, diamonds approx. 2.10 carats total, inner diameter 6.0cm (3) £700-£900

85 A bi-coloured ring, by Cartier Of bi-coloured tubular gaspipe design accented with twin bi-coloured bands, signed Cartier, numbered, ring size H, maker’s case £400-£600

82 A bi-coloured ‘Gancio’ ring, by Bulgari Designed as opposing stylised hooks, to a polished tapered hoop, signed Bulgari, ring size N £700-£900

86 A pair of earclips, by Cartier Of bi-coloured tapered and twisted design, to a tri-coloured reeded surmount, clip fittings, signed Cartier, maker’s mark, numbered, length 2.1cm £400-£600

83 A diamond-set fancy-link bracelet, by Cedric Jones Composed of bi-coloured 18 carat gold three row links, inset with brilliant-cut diamonds, between circlet connectors, diamonds approx. 0.35 carat total, maker’s mark, UK hallmark, length 18.0cm £1,000-£1,500

87 A diamond ring, by Boodle & Dunthorne The princess-cut diamond, between smaller similarly-cut diamond shoulders, mounted in an 18 carat white gold band, with 18 carat gold borders, principal diamond approx. 1.20 carats, signed Boodles, maker’s mark, UK hallmark, ring size U, maker’s case £3,500-£4,000

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88 A diamond single-stone ring The old brilliant-cut diamond, in a four-claw setting, between channel-set baguette-cut diamond shoulders, principal diamond approx. 0.55 carat, remaining diamonds approx. 0.30 carat total, ring size I½ £400-£600

91 An amethyst and diamond dress ring The cushion-shaped amethyst, within a brilliant-cut diamond surround, mounted in 18 carat white gold, diamonds approx. 0.40 carat total, London hallmark, ring size M £1,200-£1,500

89 An amethyst and diamond flower brooch / pendant Designed as an orchid, the carved amethyst petals accented by a central brilliant-cut diamond, to a similarly-cut diamond stem, diamonds approx. 0.55 carat total, length 7.0cm £1,200-£1,500

92 A pair of amethyst and diamond pendent earrings Each cushion-shaped amethyst, suspended from a brilliant-cut diamond line surmount, mounted in 18 carat white gold, diamonds approx. 0.50 carat total, London hallmarks, length 4.1cm £1,000-£1,500

90 A diamond single-stone ring The Asscher-cut diamond, weighing 1.70 carats, mounted above a brilliant-cut diamond line, to a platinum hoop, European convention mark, partial UK hallmark, ring size M Accompanied by a report from HRD stating that the diamond is F colour, SI1 clarity. Report number 06007549002, dated 27th March 2006. £4,000-£6,000

*See inside front cover for information regarding fees

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93 λ A pair of amethyst, mother-of-pearl and diamond ‘Crystal Haze’ earrings, by Stephen Webster Each faceted amethyst with a mother-of-pearl backing within a shaped 18 carat white gold surround set with brilliant-cut diamonds, diamonds approx. 0.50 carat total, maker’s mark, numbered, UK hallmarks, length 2.2cm, maker’s case £800-£1,200 94 A purple sapphire and diamond cluster ring The oval-cut purple sapphire, within a brilliant-cut diamond surround, between baguette-cut diamond shoulders, mounted in 18 carat white gold, diamonds approx. 0.45 carat total, London hallmark, ring size M £800-£1,200

96 A diamond eternity ring Composed of a continuous row of horizontally-set baguette-cut diamonds, channel set in 18 carat white gold, diamonds approx. 1.00 carat total, London hallmarks, ring size L £400-£600 97 An amethyst, rock crystal and diamond ‘Lady Stardust’ pendant necklace, by Stephen Webster The kite-shaped fancy-cut rock crystal with amethyst backing accented with brilliant-cut diamond zigzag lines, to a similarly-cut diamond surmount, suspended from a palmier-link two-row chain with brilliant-cut diamond slides, diamonds approx. 0.80 carat total, maker’s marks, numbered, UK hallmarks, lengths: pendant 7.3cm, chain 43.0cm £1,500-£2,000

95 A ‘Baby Puffa Fish’ amethyst and diamond pendant necklace, by Stephen Webster Modelled as a fish, the body pavé-set with circular-cut amethyst and accented by collet-set brilliant-cut diamonds, to articulated fins of textured finish, suspended from an 18 carat white gold ball-link chain, maker’s marks, numbered, UK hallmark, lengths: pendant 3.9cm, chain 45.5cm £1,200-£1,500

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98 A pair of lapis lazuli and diamond earrings Each of curved tapered design, set with a central brilliant-cut diamond line between twin lapis lazuli plaques, post and clip fittings, length 2.0cm £500-£700 99 A pair of gold and enamel cufflinks, by Theo Fennell Double-sided: Each 18 carat gold oval plaque, set with an oval hematite panel, within a red guilloché enamel surround, to chainlink connections, maker’s mark TF, rubbed UK hallmarks, terminal length 1.8cm £800-£1,200

100 A diamond single-stone ring The brilliant-cut diamond in a rubover setting, to a 14 carat gold mount, diamond approx. 0.95 carat, UK hallmark, ring size N £1,000-£1,500 101 A coin pendant The 100 Corona, Franz Joseph I coin, dated 1915, in a later 9 carat gold mount of openwork design with a ropetwist frame, UK hallmark, length 5.3cm £700-£900 102 A ‘Parentesi’ ring, by Bulgari The sprung open band of flexible geometric linking, signed Bulgari, ring size L (flexible) £800-£1,200

*See inside front cover for information regarding fees

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103 A pair of carved lapis lazuli and ruby cufflinks Double-sided: The torpedo-shaped fluted lapis lazuli terminals, set with cabochon rubies, with belcher-link connectors, terminal length 2.4cm £250-£350

105 A charm bracelet The 9 carat fancy-link bracelet, suspending eleven charms of various European locations, each engraved with dates between 1969-1977, bracelet and one charm with UK hallmark, length 20.5cm £600-£800

104 λ A coral ring The oval cabochon coral Corallium rubrum, within a scalloped bicoloured surround, to a wide tapering mount, ring size G½ £250-£350

106 λ A coral and seed pearl ring The bouton-shaped coral Corallium Rubrium within a surround of seed pearls, ring size Q £250-£350

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107 A cultured pearl necklace with diamond clasp The three graduated rows of 6.5-8.8mm cultured pearls, to a quatrefoil openwork clasp set with brilliant and single-cut diamonds, diamonds approx. 1.00 carat total, length of shortest strand 45.4cm £350-£450 108 A pair of aquamarine and diamond pendent earrings Each pear-shaped aquamarine within a rose-cut diamond surround, to an old brilliant-cut diamond three-stone surmount, post fittings, old brilliant-cut diamonds approx.1.00 carat total, Russian assay marks, length 4.9cm £1,000-£1,500

109 An enamel and diamond pendant necklace The openwork plaque, set with brilliant-cut diamonds and decorated with black enamel, suspending an articulated brilliant-cut diamondset fringe, to a similarly-cut diamond-set loop, millegrain-detail throughout, on a trace-link chain, diamonds approx. 1.30 carats total, brooch fitting, lengths: pendant 6.5cm, chain 41.5cm £1,000-£1,500 110 An aquamarine single-stone ring The cut-cornered rectangular-cut aquamarine, in a four-claw setting with a pierced gallery, ring size O £600-£800

*See inside front cover for information regarding fees

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111 A green tourmaline and diamond pendant necklace The step-cut green tourmaline in a four-claw setting, within a geometric openwork surround set with brilliant-cut diamonds, to a trace-link chain, mounted in 18 carat white gold, diamonds approx. 0.60 carat total, London hallmark, lengths: pendant 5.1cm, chain 45.5cm £1,200-£1,500 112 A pair of gem-set insect brooches Graduating in size, each of the bodies set with a pear-shaped amethyst and a trapezoidal-shaped emerald, the wings and legs set with rose-cut diamonds, the face set with old brilliant-cut diamonds and collet-set circular-cut ruby eyes, one diamond deficient, lengths: 4.2cm and 3.1cm (2) £1,500-£2,000

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113 A pair of amethyst and diamond earrings Each oval-cut amethyst in a rose-cut diamond surround, hook fittings, Russian assay marks, length 3.0cm £500-£700 114 An emerald and diamond cluster ring The oval-cut emerald, within a tiered surround set with two rows of brilliant-cut diamonds, ring size M £250-£350

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115 An emerald and diamond ring The rose-cut diamond within a surround of square-cut emeralds and pear-shaped rose-cut diamonds, all in foiled closed-back settings, to a vari-coloured enamel mount and hoop, ring size P (sizing band) £400-£600

116 An emerald and cultured pearl necklace The collet-set oval emerald cabochon, weighing 3.28 carats, between baton shoulders set with brilliant and baguette-cut diamonds and circular emerald cabochon terminals, to a 3.5-3.9mm cultured pearl three-row necklace, length of shortest strand 44.0cm £500-£700 117 A gem-set dress ring Designed as a wide tapered ebony band between polished borders, inset with circular-cut emeralds, ring size O (leading edge) £400-£600 118 A pair of emerald and diamond pendent earrings Each tapered articulated drop set with two graduated rectangular step-cut emeralds within brilliant-cut diamond openwork surrounds, to a square-cut emerald and brilliant-cut diamond cluster surmount, post fittings, diamonds approx. 1.80 carats total, length 5.2cm £1,200-£1,500

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119 A gem-set coin bangle The wide sprung bangle decorated with Ionic column motifs, oval cabochon emeralds and centrally highlighted by a Roman coin, inner diameter 6.3cm £2,000-£3,000

*See inside front cover for information regarding fees

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120 A set of three diamond and yellow sapphire stacking rings, by Kerry Richardson The first, set with a brilliant-cut diamond, bordered by two squarecut yellow sapphires, to a square hoop, accompanied by two channel-set brilliant-cut diamond square hoops, mounted in 18 carat gold, maker’s marks, UK hallmarks, ring size O (3) £250-£350 121 A pair of diamond-set earrings Each polished hinged hoop inset with brilliant-cut diamonds, post fittings, diamonds approx. 0.60 carat total, length 1.8cm £500-£700

122 A gem-set pendant necklace, brooch and earring suite, retailed by H. Stern The pendant and earrings each designed as a double-sided Inca figure, accented on one side with azurmalachite panels, the pendant suspended from a fancy-link chain of similar design, together with a brooch/pendant of similar design, earrings with post fittings, lengths: pendant 6.3cm, necklace 49.5cm, earring 3.1cm, brooch 4.6cm, H. Stern cases (3) £800-£1,200 123 A pair of cultured pearl, emerald and diamond earrings Each 11.6mm cultured pearl, to a brilliant-cut diamond three-stone connection and oval-cut emerald surmount, post fittings, length 2.6cm £500-£700

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124 A ring, by Henry Pilstrup for Georg Jensen, circa 1925-35 The rectangular plaque with ridged borders, to a tapered split shank, signed Georg Jensen, patent no. 70, ring size L £100-£150

125 A silver brooch, by Vivianna Torun Bülow-Hübe for Georg Jensen Designed as a tapered scroll, with ball finial, signed Torun, signed Georg Jensen, patent number 392, length 9.7cm £120-£150

Henry Pilstrup (1890-1967) was Georg Jensen’s first apprentice, starting at the young age of 14 in 1904. His talent was soon recognised and he became a principal designer, eventually managing the entire workshop. Pilstrup worked for Jensen for 50 years before retiring in 1957.

Vivianna Torun Bülow-Hübe (1927-2004) was born in Malmö, Sweden. She graduated from the Academy of Industrial Arts in Stockholm in 1945 and in 1956 she settled in Paris where she quickly became known for her jewellery. In 1969 she began designing exclusively for Georg Jensen. 126 A novelty brooch, by Meister Designed as a turtle, the head and shell of textured finish, with circular cabochon ruby eyes, maker’s mark EM, length 3.0cm £800-£1,200

*See inside front cover for information regarding fees

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127 A pair of tanzanite and diamond rings, by Kerry Richardson 1st: The triangular-cut tanzanite, set off-centre to a brilliant-cut diamond-set square hoop, 2nd: The square hoop, similarly set with four brilliant-cut diamonds, both mounted in 18 carat white gold, diamonds approx. 0.35 carat total, maker’s marks, UK hallmarks, ring size O (2) £400-£600 128 A diamond-set swivel ring, by Mellerio The rotating rectangular plaque pavé-set on one side with brilliantcut diamonds, in closed-back settings, to an angular band, diamonds approx. 0.95 carat total, signed Mellerio, rubbed maker’s mark, numbered, French assay marks, ring size K½ £3,000-£4,000 129 A diamond cross pendant necklace Designed as a Latin cross, set with a brilliant-cut diamond to the centre, the arms channel-set with baguette-cut diamonds, mounted in 18 carat white gold, to a spiga-link chain, diamonds approx. 4.20 carats total, pendant with London hallmark, lengths: pendant 5.9cm, chain 46.3cm £1,000-£1,500

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130 A ‘Double C Décor’ ring, by Cartier The brushed band framed by polished borders, with C-shaped terminals, signed Cartier, numbered, ring size L½ £600-£800 131 A diamond bracelet, 1967 The four rows of textured flattened 18 carat white gold links set to the centre with graduated brilliant-cut diamonds, diamonds approx. 0.30 carat total, UK import mark, length 19.5cm £700-£900 132 A ‘B.Zero1’ ring, by Bulgari The coiled sprung band, engraved ‘BULGARI’ to the outside band, signed Bulgari, ring size Q½, maker’s case £600-£800

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133 A ruby and diamond brooch and earring suite The brooch of openwork design, composed of a series of circlets accented with circular-cut rubies and brilliant-cut diamonds, to single-cut diamond-set foliate accents, accompanied by earrings en suite, post fittings, diamonds approx. 0.70 carat total, lengths: brooch 4.8cm, earring 2.6cm (2) £250-£350 134 A ruby and diamond cluster ring Set with a brilliant-cut diamond, within an oval-cut ruby surround, to a plain hoop, ring size N £300-£500

136 A diamond line jewel The articulated row of brilliant-cut diamonds, graduating in size from the centre, each within a four-claw setting, diamonds approx. 9.00 carats total, length 19.5cm £1,500-£2,500 137 An opal, diamond and ruby dress ring The central marquise-shaped opal within a surround of brilliant-cut diamonds and circular-cut rubies, to a pierced scrolled collet and a bi-furcated hoop, diamonds approx. 0.75 carat total, opal chipped, ring size Q½ £800-£1,200

135 A pair of diamond earstuds, by Theo Fennell Each brilliant-cut diamond, collet-set within a reeded 18 carat gold surround with ‘X’-motif quarters, post fittings, diamonds approx. 1.50 carats total, maker’s mark TF, UK hallmarks, length 1.3cm £1,000-£1,500

*See inside front cover for information regarding fees

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138 A sapphire, ruby and diamond pendant necklace The triangular-shaped sapphire, to an articulated surmount set with a pear-shaped ruby and a brilliant-cut diamond, on a belcher-link chain, diamond approx. 0.25 carat, lengths: pendant 2.3cm, chain 43cm £1,200-£1,500

141 A ruby and diamond three-stone ring The circular-cut ruby between brilliant-cut diamonds, to an 18 carat gold hoop, diamonds approx. 0.65 carat total, UK hallmark, ring size N½ £300-£500

139 A ruby and diamond dress ring The oval-shaped ruby in a four claw-setting, within a brilliant-cut diamond cluster, to calibré-set ruby shoulders, bordered by brilliantcut diamonds, diamonds approx. 0.70 carat total, ring size L £1,200-£1,500

142 A diamond bracelet Composed of a series of bi-coloured rectangular links, alternately pavé-set with brilliant-cut diamonds, mounted in 18 carat yellow and white gold, diamonds approx. 0.70 carat total, UK import marks, length 17.8cm £250-£300

140 A pair of diamond-set earrings, by Tiffany & Co. Each wide polished hoop inset with four brilliant-cut diamonds, post and clip fittings, signed Tiffany & Co., diamonds approx. 0.25 carat total, length 2.0cm, maker’s pouch and case £600-£800

143 A star ruby and diamond cluster ring The oval cabochon star ruby, displaying a six-ray star, within a surround of brilliant-cut diamonds, diamonds approx. 0.40 carat total, ring size O £500-£700

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148 144 A blue zircon and diamond ring and earring suite The ring set with a cut-cornered rectangular-cut blue zircon within a brilliant-cut diamond surround, between baguette-cut diamond twostone shoulders; together with earrings of matching design, post fittings, diamonds approx. 1.00 carat total, ring size W, earring length 1.4cm (2) £700-£900 145 A diamond single-stone ring The brilliant-cut diamond, between tiered baguette-cut diamond twostone shoulders, principal diamond approx. 0.90 carat, ring size O £1,000-£1,500 146 A diamond line bracelet Composed of a continuous line of brilliant-cut diamonds, in four-claw settings, diamonds approx. 2.90 carats total, length 18.5cm £1,600-£2,000

147 An aquamarine and diamond ring The rectangular step-cut aquamarine in a four-claw setting, between ridged shoulders, to a plain hoop, ring size N £300-£400 148 A pair of turquoise and diamond cluster earclips Each designed as an asymmetric cluster of circular cabochon turquoise in textured collet mounts, accented with brilliant-cut diamonds, clip fittings, diamonds approx. 0.30 carat total, length 2.2cm £250-£350 149 A pair of diamond earrings Each hoop set throughout with brilliant-cut diamonds, diamonds approx. 0.80 carat total, length 3.5cm £500-£700

*See inside front cover for information regarding fees

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150 A diamond jewel and pair of earclips The jewel designed as an ‘S’, set with brilliant and baguette-cut diamond lines; each earring of bi-furcated half-hoop design set with a brilliant and a baguette-cut diamond line, clip fittings, diamonds approx. 2.10 carats total, lengths: pendant 2.9cm, earring 1.8cm (2) £250-£350 151 An aquamarine and diamond dress ring The heart-shaped aquamarine within a double openwork surround of brilliant-cut diamonds, diamonds approx. 0.85 carat total, ring size N £800-£1,200

152 A diamond longchain Spectacle-set with brilliant-cut diamonds, between 18 carat white gold trace-link connections, diamonds approx. 1.60 carats total, UK hallmark, length 74.5cm £300-£500 153 A gem-set dress ring Of torc design, each terminal set with a carved fancy-shaped cabochon aquamarine, in a looped frame set with brilliant-cut diamonds, diamonds approx. 1.00 carat total, ring size K £800-£1,200 154 A turquoise and diamond wreath brooch The openwork circlet set with circular cabochon turquoise and brilliant-cut diamond flowerheads, between single-cut diamond leaves, diamonds approx. 0.40 carat total, length 3.5cm £250-£300

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155 A spinel and diamond bangle The hinged bangle set to the front with a graduated line of alternating old brilliant-cut diamond duos and cushion-shaped pink spinel, diamonds approx. 0.90 carat total, inner diameter 5.8cm £1,500-£2,000

157 A sapphire and diamond bangle The hinged bangle set to the front with a graduated line of cushionshaped sapphires, between old brilliant-cut diamond two-stone spacers, diamonds approx. 0.30 carat total, inner diameter 5.7cm £1,500-£2,000

156 A diamond and emerald brooch The brilliant-cut diamond in a pinched collet setting, within an early 20th century plaque, set with rose-cut diamonds and circular-cut emerald accents, between trifurcated knife-edge bar shoulders set with similarly-cut diamond and emerald trios, principal diamond approx. 1.90 carats, composite, length 6.4cm £2,000-£3,000

158 A seed pearl pendant necklace Designed as a multi-strand seed pearl tassel, to a bi-coloured cap with engraved foliate decoration and inset with alternating rose-cut diamonds and circular-cut emeralds, to a tumble-polished emerald bead surmount, suspended from an associated curb-link chain, lengths: pendant 8.5cm, chain 65.0cm £600-£800

*See inside front cover for information regarding fees

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159 A ruby and diamond ring, circa 1890 Set with three graduated cushion-shaped rubies between old brilliant-cut diamond duos and rose-cut diamond points, to a scrolling gallery, old brilliant-cut diamonds approx. 0.25 carat total, one diamond deficient, ring size M £700-£900 160 A diamond five-stone ring Set with five graduated old brilliant-cut diamonds, diamonds approx. 0.75 carat total, ring size K £350-£450

162 A sapphire and diamond ring The central bi-coloured plaque modelled as a pharaoh’s head, with calibré-cut sapphires and rose-cut diamonds, ring size Q £250-£350 163 A sapphire and diamond cluster ring The cushion-shaped sapphire, within an old brilliant-cut diamond surround, diamonds approx. 0.40 carat total, ring size L £700-£900

161 A late nineteenth century enamel and gem-set necklace The later oval cabochon opal, within a wirework surround decorated with seed pearls and enamelled floral finials, to a fancy-link chain with enamelled flower-head spacers and swag connections, composite, enamel loss, length 46.0cm £1,500-£2,000

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*See inside front cover for information regarding fees

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164 A diamond, coloured diamond and cultured pearl ‘Honeysuckle’ brooch, by Boodles The openwork brooch of stylised floral design, pavé and collet-set with brilliant-cut diamonds and yellow diamonds, suspending a 13.4mm cultured pearl of golden tint, diamonds approx. 6.25 carats total, unsigned, one diamond deficient, diamonds untested for natural colour, length 6.3cm, maker’s case £1,800-£2,200 165 A diamond-set brooch, by De Vroomen Designed as an 18 carat gold four-leaf clover, each leaf of textured finish collet-set with a brilliant-cut diamond, to a square central plaque set with brilliant-cut diamonds, diamonds approx. 0.50 carat total, signed De Vroomen, maker’s mark, UK hallmark, length 3.5cm £1,500-£1,800 166 A diamond pendant necklace The hexagonal pendant of pierced geometric design, set with brilliant-cut diamonds, to a similarly-set bi-coloured surmount, suspended from a triple trace-link chain, diamonds approx. 1.10 carats total, lengths: pendant 3.7cm, chain 42.0cm £500-£700 167 A diamond eternity ring Channel-set with a continuous row of princess-cut diamonds, diamonds approx. 1.30 carats total, ring size N £250-£350

168 A cultured pearl and diamond brooch, by De Vroomen, 1989 Designed as two opposing 18 carat gold trefoil terminals decorated with grey guilloché enamel, with pavé-set brilliant-cut diamond centres, connected by three graduated lines of 4.0-6.7mm cultured pearls, diamonds approx. 0.35 carat total, signed De Vroomen, maker’s mark, UK hallmark, length 6.2cm £1,000-£1,500 169 A ‘B.Zero1’ ring, by Bulgari Designed as a polished segmented band, engraved ‘BULGARI’ to the rims, signed Bulgari, ring size L £250-£350 170 A citrine and diamond turtle brooch The domed cluster of circular-cut citrines, to a surround, feet and head pavé-set with brilliant-cut diamonds, with circular-cut ruby eyes, diamonds approx. 3.45 carats total, length 4.3cm £1,000-£1,500

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171 A ruby and diamond flower brooch The realistically modelled textured petals with single and brilliant-cut diamond highlights, issuing mixed-cut ruby stamen, diamonds approx. 1.25 carats total, one diamond deficient, length 5.2cm £800-£1,200 172 A diamond dress ring, circa 1935 Of odeonesque design, centrally-set with a curved line of six graduated brilliant and old brilliant-cut diamonds, diamonds approx. 0.70 carat total, ring size O £450-£550

174 A garnet bracelet Set with a row of oval and circular-cut garnet clusters with chain-link connections, length 22.0cm £250-£350 175 A double-clip brooch, circa 1940 Of bi-coloured design, each terminal of fanned undulated design, length 5.9cm £1,000-£1,200

173 A mid 20th century ruby brooch and a ruby ring The brooch of scrolling openwork design with brushed and polished finish, accented by two lines of graduated circular-cut rubies, accompanied by an 18 carat gold ring of crossover design, one terminal pavé-set with circular-cut rubies, the other of brushed finish, ring with UK import mark, brooch length 4.2cm, ring size L (2) £300-£500

*See inside front cover for information regarding fees

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176 A curb-link bracelet, 1968 The 9 carat gold curb-link bracelet, suspending two sovereigns dated 1911, UK hallmark, length 20.5cm £700-£900 177 A diamond single-stone ring The old brilliant-cut diamond in a split-claw setting, to a ridged tapering mount, diamond approx. 1.50 carats, maker’s mark, ring size N £1,500-£2,000 178 A pair of sapphire and diamond cufflinks Double-sided: Each baton centred by a row of calibré-cut sapphires and single-cut diamonds, with circular cabochon sapphire terminals, belcher-link connectors and cylindrical cabochon sapphire-set backs, one sapphire deficient, largest baton length 2.6cm £300-£500

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179 A sapphire-set bracelet The wide articulated bracelet of openwork fancy linking, to a latticework clasp of brushed finish, set with circular-cut sapphires, length 20.5cm £1,000-£1,500 180 A pair of diamond earclips Each of openwork scroll design, edged with a graduated line of brilliant-cut diamonds, clip fittings, diamonds approx. 0.60 carat total, length 1.8cm £250-£350

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181 A pair of garnet and diamond pendent earrings Each oval-cut garnet, within a surround of brilliant-cut diamonds, suspended from an articulated line of graduated similarly-cut diamonds, mounted in 18 carat white gold, diamonds approx. 0.90 carat total, London hallmarks, length 4.0cm £1,500-£2,000 182 A diamond line bracelet Set with an articulated row of brilliant-cut diamonds each within a four-claw setting, to a concealed clasp, diamonds approx. 1.50 carats total, length 17.4cm £250-£350 183 A pair of diamond earstuds Each set with a fancy-cut flower-shaped diamond, weighing 0.49 carat and 0.48 carat, in a five-claw setting Accompanied by a report from IGI stating that the 0.48 carat diamond is D colour, VVS2 clarity. Report number 314880411, dated 21 June 2018.

184 A garnet and diamond cluster ring The cushion-shaped garnet, within a surround of brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 0.30 carat total, London hallmark, ring size N £1,000-£1,500 185 λ A pair of coral and diamond pendent earrings Each suspending a drop-shaped coral Corallium Rubrum drop, to a brilliant-cut diamond line surmount, post fittings, length 3.9cm £250-£350 186 A coloured diamond and diamond ring The marquise-cut Fancy Dark Reddish Brown diamond, weighing 0.79 carat, between brilliant-cut diamond shoulders, ring size N Accompanied by a report from IGI stating that the diamond is Fancy Dark Reddish Brown colour, natural colour, VS2 clarity. Report number 324898771, dated 17th July 2018. £1,000-£1,500

Accompanied by a report from IGI stating that the 0.49 carat diamond is E colour, SI1 clarity. Report number 314880410, dated 21 June 2018. £800-£1,200

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187 A diamond and ruby pendant necklace Centrally set with a geometric cluster of baguette and brilliant-cut diamonds, within an alternating surround of brilliant-cut diamonds and calibré-cut rubies, to a ruby and diamond-set surmount, on a belcher-link chain with collet-set diamonds, diamonds approx. 0.75 carat total, lengths: pendant 2.5cm, chain 42.5cm £1,000-£1,500 188 A ruby and diamond cluster ring The brilliant-cut diamond, raised within a circular-cut ruby surround and single-cut diamond border, to an 18 carat white gold hoop, diamonds approx. 0.45 carat total, UK hallmark, ring size L £400-£600 189 A pink sapphire and diamond bracelet The articulated bracelet, composed of a series oval-cut pink sapphires, interspersed with brilliant-cut diamonds, between brilliantcut diamond-set line borders, diamonds approx. 3.80 carats total, length 18.0cm £1,200-£1,500

190 A ruby and diamond band ring The openwork band randomly-set with circular-cut ruby and brilliant-cut diamond collets, diamonds approx. 1.05 carats total, ring size L £800-£1,200 191 A ruby and diamond line bracelet Composed of a line of brilliant-cut diamonds, interspersed with four claw-set circular-cut rubies, mounted in 18 carat white gold, diamonds 0.45 carat total, London hallmark, length 18.7cm £500-£700 192 A pair of ruby and diamond cluster earrings Each oval-cut ruby, within a surround of brilliant-cut diamonds, diamonds approx. 1.20 carats total, length 1.7cm £2,000-£3,000

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193 An amethyst brooch, circa 1970 The oval-cut amethyst, in a four-claw setting, to a wave design mount of textured finish, length 5.7cm £250-£350 194 An ‘Atlas’ ring, by Tiffany & Co. The reeded band set with Roman numeral quarters, signed Tiffany & Co., ring size K £250-£350 195 A longchain, by Chaumet Of fancy palmier linking with chased decoration, signed Chaumet Paris, maker’s mark, French import marks, length 77.0cm £1,500-£2,000

198

196 A peridot ring, by Chanel The cut-cornered step-cut peridot collet-set to a hoop of chain-link design, signed Chanel, maker’s mark, numbered, French assay mark, ring size N £800-£1,200 197 A pair of gem-set pendent earrings Each briolette-cut citrine within an openwork frame of brushed finish, to a collet-set oval-cut peridot and amethyst two-stone surmount, post fittings, length 5.1cm £300-£400 198 An amethyst and diamond ring The oval-cut amethyst, between brilliant-cut diamond three-stone shoulders, ring size N £250-£350

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199 A pink tourmaline and diamond dress ring, circa 1975 The tumble-shaped pink tourmaline in a four-claw setting, between raised shoulders of textured spike design with brilliant-cut diamond terminals, to a triangular hoop, diamonds approx. 0.60 carat total, ring size L £500-£700 200 An amethyst ‘Pyramide’ ring, by Bulgari The sugarloaf amethyst in a tapered bi-coloured mount, signed Bulgari, ring size L, maker’s case £1,200-£1,500

202 A set of three gem-set stacking rings, by Kerry Richardson Composed of two 18 carat white gold square hoops, each channel-set with a row of brilliant-cut yellow diamonds, and a similar 18 carat yellow gold hoop, channel-set with a row of circular-cut pink sapphires, diamonds approx. 0.20 carat total, maker’s marks, UK hallmarks, diamonds untested for natural colour, ring size O (3) £250-£350 203 A rose quartz dress ring The oval cabochon rose quartz collet-set within a wide tapered mount, ring size J £600-£800

201 A diamond line bracelet Designed as a continuous line of channel-set baguette-cut diamonds, diamonds approx. 12.30 carats total, length 18.0cm £5,000-£7,000

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208 204 206

204 A sapphire and diamond cluster ring The oval-cut sapphire in a four-claw setting, within a tapered baguette-cut diamond surround, mounted in 18 carat white gold, diamonds approx. 0.40 carat total, London hallmark, ring size L £800-£1,200 205 A cultured pearl and diamond necklace The single strand of 6.1-12.9mm cultured pearls of grey tint, to a spherical clasp, suspending a 14.2mm x 16.9mm cultured pearl drop, with an oval-shaped diamond surmount, diamond approx. 0.95 carat, lengths: necklace 45.0cm, pendant 2.4cm £1,000-£1,500 206 A pair of sapphire and diamond earrings Each hoop pavé-set to the front with circular-cut sapphires, between brilliant-cut diamond borders, post fittings, length 1.9cm £300-£500

207 A pair of sapphire and diamond pendent earrings Each oval drop of openwork design, set with oval-cut and pearshaped sapphires and accented with vari-shaped rose-cut diamonds and a brilliant-cut diamond line, to a similarly-set surmount, in blackened mounts, post and clip fittings, brilliant-cut diamonds approx. 0.70 carat total, length 7.7cm £2,000-£3,000 208 An amethyst and enamel ring, by Simon Benney, 2002 The circular cabochon amethyst, in a collet setting, to a blue enamel surround, mounted in 18 carat white gold, signed SFSB, London hallmark, ring size L £500-£700 Provenance Previously sold at Bonhams Knightsbridge, London, 2016 as part of the Private Collection of the Benney Family Gerald Benney (1930-2008) was the first British craftsman to hold four Royal Warrants simultaneously. Whilst Benney was most celebrated for his designs in silver, he also produced jewellery and objets in brightly coloured enamels. In 1993, together with his son Simon, also an accomplished goldsmith, Benney opened up a shop in Knightsbridge, London. Gerald Benney was awarded a CBE by Her Majesty the Queen in 1995.

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209 A pair of labradorite and diamond pendent earrings Each polished labradorite drop, suspended from an articulated line of brilliant-cut diamonds, mounted in 18 carat white gold, diamonds approx. 0.60 carat total, London hallmarks, length 6.5cm £600-£800 210 A sapphire and diamond cluster ring The marquise-cut sapphire within a brilliant and marquise-cut diamond surround, diamonds approx. 1.00 carat total, ring size M £400-£600

212 A tanzanite and diamond cluster ring The cut-cornered rectangular-cut tanzanite, within a brilliant-cut diamond surround, diamonds approx. 1.20 carats total, ring size N½ £400-£600 213 A lapis lazuli and diamond dress ring The domed front set with a tapered curved lapis lazuli plaque between pavé-set brilliant-cut diamond borders, diamonds approx. 0.95 carat total, ring size P £800-£1,200

211 A sapphire and diamond bracelet Composed of a double row of marquise-cut sapphires, framing a row of single-cut diamonds, diamonds approx. 0.30 carat total, length 18.0cm £1,200-£1,500

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214 Two micromosaic and malachite jewels, circa 1870 Each with an oval micromosaic of a figure in traditional dress, mounted on a malachite plaque, within a scrolling openwork surround with filigree and beadwork decoration, one with detachable brooch fitting, the second without fittings, some damage to plaques, lengths 5.1cm and 4.1cm (2) £1,500-£2,000

216 An early 20th century pearl and diamond ring The 5.6mm pearl within an old mine-cut diamond cluster surround, between rose-cut diamond shoulders of scrolling crossover design, diamonds approx. 0.30 carat total, French assay mark, pearl untested, ring size K £2,000-£3,000

215 λ A coral cameo and gold brooch, 1886-87 Centrally-set with a coral Corallium Rubrum plaque carved in high relief depicting a female bust, within a 15 carat gold surround with beadwork and cannetille decoration, UK hallmark, width 4.9cm £250-£350

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218 221 220

217 222

217 An Art Nouveau enamel and diamond brooch, circa 1900 The circular plaque depicting a multi-coloured enamel portrait of Athena wearing a winged helmet, with rose-cut diamond accents, within a red guilloché enamel surround, length 2.8cm £700-£900

220 A mother-of-pearl and diamond brooch Composed of two mother-of-pearl domed plaques, applied with rose-cut diamond initials ‘J B’, originally part of a larger piece, several diamonds deficient, length 3.7cm, Wartski case £150-£250

218 A diamond-set cigarette cutter, first half of the 20th century Of curved rectangular form, the circular opening with rose-cut diamond borders, French assay mark, length 4.6cm, Wartski case £250-£350

By repute, this jewellery is from the private collection of the Wartski family.

By repute, this jewellery is from the private collection of the Wartski family. The firm Wartski’s has long been a byword for the pinnacle of quality and scholarship in the antique jewellery world. Established in 1865 in North Wales by Morris Wartski, the firm grew to prominence in the early 20th century under the patronage of King Edward VII. In 1911, they opened a second location in London. Since the 1920s, the firm has been connected with works of art from Russia, particularly the craftsmanship of Peter Carl Fabergé. Still a family firm, Wartski’s current chairman Nicholas Snowman OBE is the maternal great grandson of the company’s founder. In the autumn of 2018, Wartski’s relocated to a new premise on St James Street launching a new chapter in this important company’s history. 219 A diamond brooch and ring, first quarter of the 20th century The ring set with an openwork cluster of old brilliant-cut diamonds, to a plain hoop, the brooch set with old brilliant-cut diamonds within an openwork plaque, diamonds approx. 0.90 carat total, one diamond deficient, ring size I½, length 6.1cm £250-£350

221 An enamel and diamond ring The early 20th century oval plaque decorated with an enamelled bust of a lady in historic dress, set with a rose-cut diamond, within a raised border, to a later shank, ring size L, Wartski case £150-£250 By repute, this ring was the engagement ring for a member of the Wartski family.

222 A turquoise and seed pearl brooch, circa 1830 The beadwork and wirework cannetille plaque, set with cabochon turquoises and seed pearls, length 4.0cm £250-£350 By repute, this jewellery is from the private collection of the Wartski family.

By repute, this jewellery is from the private collection of the Wartski family. 51

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*See inside front cover for information regarding fees

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223 A garnet brooch, second half of the 19th century Of quatrefoil design, the central circular-cut and pear-shaped garnet cluster to four similarly-set cluster arms, all in foiled closed-back settings, later pin fitting, length 4.2cm £250-£350 224 A pair of 19th century verre eglomisé bracelet clasps Each oval verre eglomisé plaque depicting a male profile, within a chevron design surround, in a half-pearl frame, clasps with later Soviet assay marks, lengths 4.5cm (2) £400-£600

225 An amethyst and diamond pendant, circa 1825 Designed as a cross, the oval-cut amethyst cluster centre, between similarly-cut arms, all in foiled closed-back settings, with old brilliantcut diamond accents and terminals, to a similarly-set amethyst single-stone surmount, diamonds approx. 0.75 carat total, length 7.5cm £1,800-£2,500 226 An emerald and chrysoberyl snake necklace, circa 1850 The textured head set with a graduated foiled-back rectangular-cut emerald crest and chrysoberyl eyes, the reverse with engraved foliate scrolls, suspending a similarly-set circular openwork pendant with glazed compartment to the reverse, on an articulated tapering scalelink chain, length 38.0cm, fitted case £1,000-£1,500

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227 An enamel pendant necklace The locket modelled as a Quran, on side decorated with green enamel, the other with red enamel, each applied with central Arabic script set with colourless gemstones, suspended from a fancy-link longchain, enamel loss, lengths: pendant 4.0cm, chain 74.5cm £800-£1,200 228 A malachite and diamond pendant, by Bucherer The oval openwork malachite drop, to a reeded surmount, set with a central brilliant-cut diamond line, maker’s mark CB, length 5.3cm £500-£700 229 A malachite, rock crystal and diamond dress ring The fancy-shaped rock crystal with a malachite backing, with graduated brilliant-cut diamond line shoulders, to an 18 carat gold hoop, maker’s mark PVG for Ponte Vecchio Gioielli, sponsor’s mark, partial UK hallmark, ring size O £500-£700

230 An emerald and diamond ring Set with a cut-cornered rectangular-cut emerald and two similarly-cut diamonds, to a tapered hoop, diamonds approx. 0.60 carat total, ring size N £500-£700 231 A tourmaline and diamond snake brooch Designed as a coiled snake, the head and tail set with oval tourmaline cabochons, set throughout with brilliant-cut diamonds, diamonds approx. 2.65 carats total, length 6.5cm £4,000-£6,000 232 A set of four gem-set band rings Each 18 carat gold band inset with either a circular-cut ruby, sapphire or emerald or a brilliant-cut diamond, UK hallmark, ring size P (4) £700-£900

*See inside front cover for information regarding fees

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233 A green tourmaline and rock crystal dress ring Set with a cushion-shaped green tourmaline between half moonshaped rock crystal shoulders, in a wide mount, ring size O £800-£1,200 234 A pair of diamond earrings Each square panel set with eight baguette-cut diamonds, post and clip fittings, diamonds approx. 1.90 carats total, length 0.9cm £500-£700 235 A fancy-link necklace, by Caplain Of tapered palmier linking, the clasp accented by a cabochon sapphire, signed Caplain Paris, maker’s mark, French assay mark, length 45.0cm £800-£1,200

236 A pair of emerald and diamond earrings Of stylised trefoil design, set with three cut-cornered square-cut emeralds, within brilliant and baguette-cut diamond surrounds, post fittings, diamonds approx. 0.70 carat total, length 1.3cm £400-£600 237 An emerald and diamond dress ring Of bombé-design, set throughout with circular cabochon emeralds, within a brilliant-cut diamond and ropetwist cluster, to a ropetwist hoop, diamonds approx. 0.70 carat total, ring size K £1,200-£1,500

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240 238 An aquamarine, blue topaz and moonstone bracelet and earring suite The bracelet spectacle-set with oval-cut aquamarines and blue topaz, centally featuring an oval cabochon moonstone between trace-link chain connections, accompanied by a pair of pendent earrings of similar design, lengths: bracelet 19.0cm, earring 6.9cm (2) £350-£450 239 A pair of gem-set earrings, by Kim Poor Each oval cabochon moonstone collet-set within an openwork surround with cabochon aquamarine quarters and bead spacers, suspending a pear-shaped panel fringe of brushed finish, post and clip fittings, signed Kim Poor, length 4.0cm £700-£900

241 A blue topaz brooch / pendant, circa 1985 Composed of a collet-set kite-shaped blue topaz between twin ovalcut blue topaz, to a crescent-shaped surmount, set with a similarly-cut blue topaz, length 6.2cm £500-£700 242 A diamond-set ‘Spiga’ ring, by Bulgari The sprung hoop composed of chevron-shaped links, with pavé-set brilliant-cut diamond sections, diamonds approx. 0.60 carat total, signed Bulgari, ring size J (flexible), maker’s case £2,000-£2,500

240 A moonstone and diamond ring, by Roberto Coin The circular cabochon moonstone backed with mother-of-pearl, within a brilliant-cut diamond surround, to a tapered 18 carat gold band, diamonds approx. 0.35 carat total, signed Roberto Coin, UK hallmark, ring size K½ £1,000-£1,500

*See inside front cover for information regarding fees

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243 A gem-set ‘Doppio’ ring, by Bulgari Designed as twin bi-coloured bands, each centrally-set with opposing pear-shaped pink tourmaline or blue topaz, to a single reeded shoulder, signed Bulgari, ring size M £1,500-£2,000

246 A pair of blue topaz and diamond earrings Each oval fancy-cut blue topaz, to an openwork gallery and base set with single and brilliant-cut diamonds and scissor-cut blue topaz, post and clip fittings, length 1.9cm £200-£300

244 λ A coral and diamond cluster ring The oval cabochon coral Corallium rubrum, within a surround of pearshaped rose-cut diamonds, to a pavé-set brilliant-cut diamond border, gallery and shoulders, brilliant-cut diamonds approx. 1.20 carats total, ring size N £1,500-£2,000

247 A diamond-set dress ring Of wide bifurcated design, each band pavé -set with a row of brilliant-cut diamonds, connected by a trace-link chain with central brilliant-cut diamond plaque, diamonds approx. 0.45 carat total, ring size N £350-£550

245 A Krugerrand pendant necklace The Krugerrand, dated 1975, within a scrolled border, suspended from a fancy-link chain of polished and textured links, lengths: pendant 5.8cm, chain 82.3cm £1,500-£2,000

248 A blue topaz and diamond ring The circular-cut blue topaz in a four-claw mount, accented with a single brilliant-cut diamond, between bifurcated shoulders, ring size I½ £250-£350

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249 A diamond necklace Set with a fancy-shaped flat-cut diamond, within a brilliant-cut diamond surround, to a trace-link chain, suspending three collet-set brilliant-cut diamonds, length 42.0cm £500-£700

252 A ‘Tube’ ring, by Hermès The wide band engraved with various letters forming the word Hermes, signed Hermès, maker’s mark, numbered, French assay mark, ring size P £500-£700

250 A ‘Hercules’ band ring, by Hermès Designed as alternating fancy ‘H’-shaped links, signed Hermès, maker’s mark, ring size K £350-£450

253 A diamond dress ring Designed as a daisy, the pavé-set brilliant-cut diamond bombé centre, within a layered articulated surround of polished and diamond-set petals, to a bifurcated hoop, diamonds approx. 2.20 carats total, ring size I (sizing band) £1,500-£2,000

251 A diamond and coloured diamond bracelet Of curb-link design, pavé-set with brilliant-cut diamonds and black diamonds, to a similarly-set lobster clasp, diamonds approx. 9.80 carats total, diamonds untested for natural colour, two diamonds deficient, length 20.5cm £1,200-£1,500

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254 A pair of cultured pearl and diamond earrings, by Kim Poor Each 15.9mm cultured pearl of grey tint, set behind a slightly curved line of brilliant and single-cut diamonds, post fittings, diamonds approx. 0.35 carat total, signed Kim Poor, length 4.5cm £700-£900

257 An obsidian and diamond dress ring The large cabochon obsidian sphere, within a pavé-set brilliant-cut diamond surround, to a trifurcated hoop, diamonds approx. 2.00 carats total, ring size Q £1,000-£1,500

255 A diamond-set pendant necklace, by Frieden The teardrop-shaped 18 carat white gold pendant of openwork design, composed of two layers of brilliant-cut diamond scrolling lines, to a similarly-set suspension and fine trace-link chain, diamonds approx. 2.00 carats total, maker’s mark, UK hallmark, lengths: pendant 4.7cm, chain 45.0cm £1,200-£1,500

258 A moonstone and diamond ring, by Frieden The oval cabochon grey moonstone, collet-set within a pavé-set brilliant-cut diamond tapered surround, diamonds approx. 1.80 carats total, maker’s mark, ring size M £1,200-£1,500

256 A diamond dress ring Centrally-set with a domed navette-shaped plaque pavé-set with brilliant-cut diamonds, to reeded borders and hoop, diamonds approx. 0.45 carat total, ring size N £450-£550

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259 A ruby and diamond dress ring, circa 1940 Of odeonesque design, set with a line of four square-cut rubies, between brilliant-cut diamond scrolls, to a tapered hoop, diamonds approx. 0.50 carat total, ring size M £500-£700

261 An Art Deco chalcedony pendant, by Jean Després, circa 1925 The shield-shaped silver plaque of tiered geometric design, centrallyset with a large oval cabochon blue chalcedony, signed Després, maker’s mark, numbered, French assay mark, length 7.5cm £1,500-£2,000

260 A diamond single-stone ring The old brilliant-cut diamond, to a pierced surround and shoulders, set with old brilliant and single-cut diamonds, to an engraved hoop, principal diamond approx. 2.50 carats, ring size M½ £5,000-£7,000

Jean Després (1889-1980) was born in Souvigny, France. His father owned a small jewellery shop and sent his 16 year old son off to be apprenticed in Paris where he also studied design at night. During World War I Després became a draughtsman for the French Air Force, which later influence his modernistic designs. After the war, he took over the family business, which was to mark the beginning of his design career. Innovative with his use of materials, he embraced the dramatic contrasts of silver, enamel and semi-precious stones. He exhibited at the 1925 Exposition Internationale in Paris. His work was well received and was collected by many important writers and artists including Anatole France, Paul Signac and Andy Warhol. Literature: Gabardi, Melissa, “Jean Després; Jeweler, Maker, and Designer of the Machine Age”, Thames & Hudson, New York, 2009. 262 A pair of diamond earrings Each designed as three tapered lines of baguette-cut diamonds with brilliant-cut diamond terminals, hook fittings, diamonds approx. 1.60 carats total, length 2.9cm £350-£450

*See inside front cover for information regarding fees

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263 264

265 266

263 A cultured pearl, jade and diamond giardinetto brooch The baguette and brilliant-cut diamond vase, surmounted with pearshaped jade, grey 5.0-5.2mm cultured pearls and brilliant-cut diamonds, diamonds approx. 1.25 carats total, jade untested, length 4.0cm £800-£1,200 264 An onyx and diamond brooch Composed of four old brilliant and single-cut diamond-set pierced lozenge-shaped panels, within calibré-cut onyx borders, to a central old brilliant-cut diamond flowerhead cluster, diamonds approx. 1.20 carats total, length 5.1cm, fitted case by Moira, New Bond Street, London £2,600-£3,000

265 An aquamarine, cultured pearl and diamond brooch The shield-shaped openwork plaque centrally-set with a line of varishaped step-cut aquamarines, between alternating graduated 2.6-5.0mm cultured pearl and graduated single-cut diamond lines, to a rose-cut diamond surmount, diamonds approx. 0.25 carat total, length 3.4cm £800-£1,200 266 A diamond brooch, circa 1950 Designed as a wreath of pavé-set old brilliant and rose-cut diamonds, with a stylised flowerhead and ribbon, set with similarly cut diamonds, old brilliant-cut diamonds approx. 9.70 carats total, length 4.4cm, fitted case £3,000-£5,000

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271 269 268

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274 273

267 A sapphire and diamond dress ring, circa 1965 The circular cabochon sapphire, within an openwork spiral surround set with tapered lines of step-cut sapphires, spaced by brilliant-cut diamonds, between bifurcated shoulders, diamonds approx. 1.30 carats total, ring size K £3,000-£4,000 268 A sapphire and diamond pendant necklace The cushion-shaped sapphire within a tiered bi-coloured collet setting, to an old brilliant-cut diamond three-stone surmount, suspended from a flattened curb-link chain, diamonds approx. 0.30 carat total, length 39.0cm £1,500-£2,000 269 A pair of lapis lazuli and emerald cufflinks Double-sided: Each fluted square terminal, set with a cabochon emerald, between a belcher-link connector, largest terminal length 1.5cm £250-£350 270 A sapphire and diamond ring The cushion-shaped sapphire to a tiered bi-coloured collet mount and hoop, between single-cut diamond three-stone shoulders, ring size J £800-£1,200

271 A diamond flower brooch, by Cartier Of wirework design, the pierced petals centring around a cluster of brilliant-cut diamonds, diamonds approx. 2.05 carats total, signed Cartier, maker’s marks, French export marks, length 7.0cm £6,000-£7,000 272 A sapphire and diamond cluster ring, by Garrard The pear-shaped cabochon sapphire, collet-set within a brilliant-cut diamond surround, mounted in 18 carat gold, signed Garrard, UK hallmark, ring size I, maker’s case £500-£700 273 A pair of knot cufflinks, by Tiffany & Co. Each of double-sided knot design, signed Tiffany & Co., largest terminal width 1.2cm, maker’s pouch £400-£600 274 A diamond single-stone ring The brilliant-cut diamond, weighing 7.80 carats, to a four-claw setting and tapered band of vertical reeded design, ring size I £6,000-£8,000 275 A collection of jewellery boxes (20) £80-£120

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Index of Makers Maker Lot Number Boodle & Dunthorne............................................................87, 164 Bucherer ....................................................................................228 Bulgari ........................78, 80, 82, 84, 102, 132, 169, 200, 242, 243 Caplain........................................................................................235 Cartier ..................................................1, 5, 6, 43, 85, 86, 130, 271 Cedric Jones..................................................................................83 Chaumet ....................................................................................195 Chanel ........................................................................................196 De Vroomen ......................................................................165, 168 Frieden................................................................................255, 258 Garrard ......................................................................................272 Georg Jensen ......................................................................124, 125 Henry Pilstrup ............................................................................124 Hermès ..............................................................................250, 252 Ilias Lalaounis ..............................................................................19 Jean Després ..............................................................................261 Kerry Richardson ......................................................120, 126, 202 Kim Poor ............................................................................239, 254 Louis Vuitton ..................................................................................3 Mellerio ......................................................................................128 Roberto Coin ..............................................................................240 Simon Benney ............................................................................208 Stephen Webster ..............................................................93, 95, 97 Theo Fennell ........................................................................99, 135 Tiffany & Co. ..............................................................140, 194, 273 Vivianna Torun Bülow-Hübe ....................................................125

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Diamond Grading GIA Colour Grade Colourless

D E F

Diamond appears colourless both table-down and face-up.

Near Colourless

G H I J

Diamond displays a slight tint of colour when viewed table-down and appears colourless when viewed face-up.

Faint

K L M

Diamond displays obvious colour when viewed table-down and a slight tint of colour when viewed face-up.

Very Light

N O P Q R

Diamond displays obvious colour in both the table-down and face-up position.

Light

S T U V W X Y Z

Diamond displays obvious colour in both the table-down and face-up position.

Fancy Colours

Z+

Diamond displays darker tone or more colour saturation than a Z masterstone.

Internally Flawless

No inclusions or blemishes visible at 10x magnification.

VVS1 -VVS2

Very Very Slightly Included

No inclusions and only insignificant blemishes visible at 10x magnification.

VS1 -VS2

Very Slightly Included

Minute inclusions that range from extremely difficult to very difficult to see at 10x magnification.

SI1 -SI2

Slightly Included

Noticeable inclusions that are easy or very easy to see at 10x magnification.

I1 â&#x20AC;&#x201C; 13

Included

Obvious inclusions visible at 10x magnification.

GIA Clarity Grading

20th November Jewellery Pages..qxp_Layout 2 25/10/2018 14:43 Page 66

Luxury Valuation Days An invitation to consign to our 2019 auctions of Jewellery Watches, Designer Handbags & Fashion

Monday 12th November & 10th December 10.00 - 16.00 luxury@chiswickauctions.co.uk +44 (0)20 3949 7130 | chiswickauctions.co.uk | 127 Fulham Road, London SW3 6RT

20th November Jewellery Pages..qxp_Layout 2 25/10/2018 14:43 Page 67

<MZU[ IVL +WVLQ\QWV[ NWZ *]aMZ[ I\ +PQ[_QKS )]K\QWV[

1. BEFORE THE SALE 1.1 Agent for the seller Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer. ,MĂ&#x2026;VQ\QWV[ For the purposes of the current Terms and Conditions, the Seller shall JM LMĂ&#x2026;VML I[ \PM W_VMZ WN \PM /WWL[ 1\ Q[ QUXTQML \PI\ \PM ;MTTMZ Q[ \PM legitimate owner and is authorised to sell the Lot. The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot. The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply. +I\ITWO]M LM[KZQX\QWV[ Any representation in any catalogue or otherwise as to the origin, date, age, attribution, genuineness or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description. The absence of mention related to prior restorations in the Catalogue descriptions does not imply that the good is exempt thereof. Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representa-tion of the said Lot. The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good. 1V[XMK\QWV Prior to auction, prospective purchasers are strongly advised to personally examine personally any property in which they are interested to satisfy themselves in relation to matters which may concern them. +WVLQ\QWV ZMXWZ\ CA Ltd may issue a Condition Report on request prior to the sale. <PQ[ +WVLQ\QWV :MXWZ\ Q[ NWZ QLMV\QĂ&#x2026;KI\QWV X]ZXW[M[ WVTa IVL KIVVW\ JM considered as giving a precise account of the Lotâ&#x20AC;&#x2122;s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report. As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyerâ&#x20AC;&#x2122;s sole duty to inspect in person the Lot in order be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto. -TMK\ZQKIT[ )TT MTMK\ZQKIT Q\MU[ IZM [WTL I[ [MMV IVL +) 4\L Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZ[ VW O]IZIV\MM I[ \W the working condition of such items or their safety. 1\ Q[ \PM *]aMZÂź[ L]\a \W \ISM VMKM[[IZa [\MX[ \W JM I[[]ZML \PI\ \PM 4W\ is safe for normal use. -[\QUI\M[ Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the

condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates. 1.8 Reserves 5IVa 4W\[ IZM Wâ&#x20AC;ŤŮşâ&#x20AC;ŹMZML []JRMK\ \W I ZM[MZ^M _PQKP Q[ \PM KWVĂ&#x2026;LMV\QIT minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids. ! :MOQ[\ZI\QWV \W \PM [ITM 6M_ JQLLMZ[ _QTT VMML \W ZMOQ[\MZ XZQWZ \W \PM [ITM 1\ Q[ [\ZWVOTa advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneerâ&#x20AC;&#x2122;s entire discretion. 1V\MZVI\QWVIT JQLLMZ[ UIa JM ZMY]QZML \W ZMOQ[\MZ PW]Z[ JMNWZM \PM sale and to submit bank details. A deposit may be requested prior to each sale. Failure to register shall result in the impossibility for the bidder to purchase a Lot. 8ZWWN WN QLMV\Q\a Bidders not previously known to CA Ltd will be required to provide: Â&#x152; 7â&#x20AC;ŤŮťâ&#x20AC;ŹKQIT XZWWN WN QLMV\Q\a QV \PM NWZU WN I XI[[XWZ\ WZ XPW\WKIZL LZQ^QVO TQKMVKM 6W W\PMZ NWZU[ WN 1, IZM IKKMX\IJTM Â&#x152; 8ZWWN WN ILLZM[[ WN UIQV ZM[QLMVKM 7VTa Wâ&#x20AC;ŤŮťâ&#x20AC;ŹKQIT LWK]UMV\[ showing name and address will be accepted. â&#x20AC;˘ Both landline and mobile telephone numbers â&#x20AC;˘ A bank reference for foreign bidders may be requested Â&#x152; +WZXWZI\M KTQMV\[ _QTT PI^M \W XZW^QLM I KMZ\QĂ&#x2026;KI\M WN QVKWZXWZI\QWV XZQWZ \W \PM I]K\QWV ITWVO _Q\P \PM ZMXZM[MV\I\Q^MÂź[ 1, QV IKKWZLIVKM with the abovementioned requirements for proof of identity. Any Bidder that does not match the provided identity for registration may not purchase during the sale. 2. DURING THE SALE )\\MVLIVKM I\ I]K\QWV Attending the auction in person is recommended. CA Ltd has the right in their absolute discretion to refuse participation QV IVa I]K\QWV \W ZMRMK\ IVa JQL IVL \W ZMN][M ILUQ[[QWV \W \PM XZMUQ[M[ Bidders are not obliged to be present in person at the auction. Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale. 8MZ[WVIT JQLLQVO Bidders attending the auction in person shall be required to collect a number plate prior to the sale.

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+WUUQ[[QWV JQL[ +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KIZZa W]\ +WUUQ[[QWV JQL[ received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it. +WUUQ[[QWV JQL[ [PITT JM M`MK]\ML I\ \PM TW_M[\ XW[[QJTM XZQKM []JRMK\ to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyerâ&#x20AC;&#x2122;s responsibility to check if they have been successful in purchasing a Lot. 1V \PM M^MV\ WN U]T\QXTM KWUUQ[[QWV[ I\ \PM [IUM XZQKM \PM KWUUQ[[QWV set at the older date shall be taken into account.

<ZIV[NMZ WN ZQ[S[ Purchased Lots shall be at the Buyerâ&#x20AC;&#x2122;s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.

<MTMXPWVM JQL[ 1N I JQLLMZ Q[ VW\ IJTM \W I\\MVL QV XMZ[WV IV I]K\QWV +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ \W KWV\IK\ XZW[XMK\Q^M *]aMZ[ _PW UISM IZZIVOMUMV\[ prior to commencement of the sale to bid by telephone. +) 4\L KIVVW\ JM PMTL ZM[XWV[QJTM QV \PM M^MV\ WN Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\Q^Q\a resulting in the loss of a chance of purchasing the Lot for the Bidder.

/ZW]VL[ NWZ KIVKMTTI\QWV ]VLMZ \PM XZM[MV\ [MK\QWV [PITT QVKT]LM J]\ VW\ be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences WZ KMZ\QÃ&#x2026;KI\M[ IVa []J[MY]MV\ KPIVOM[ QV LWUM[\QK WZ QV\MZVI\QWVIT legislations restricting the sale of export of goods etc. 1V \PM M^MV\ WN QV\MZVM\ WVTa I]K\QWV[ \PM *]aMZ [PITT PI^M I LIa right to retract, after reception of the Lot, under EU Consumer Law. Public auctions are not covered by this right to retract.

1V\MZVM\ JQL[ Some sales may be available to internet bidding, as well as personal I\\MVLIVKM 1V \PQ[ M^MV\ +) 4\L [PITT VW\ JM PMTL ZM[XWV[QJTM NWZ Q[[]M[ Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\QVO KWVVMK\QWV *QLLQVO WV JMPITN WN [WUMWVM ) *]aMZ UIa JQL Ja XZW`a 1V \PQ[ M^MV\ XZWWN WN QLMV\Q\a WN JW\P \PM Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required. *QLLQVO WV IV Q\MU Bid incrementing is at the auctioneerâ&#x20AC;&#x2122;s entire discretion. >QLMW \ZIV[UQ[[QWV For the purpose of the sale, Lots may be displayed on video during the I]K\QWV 1V \PM M^MV\ WN \ZIV[UQ[[QWV Q[[]M[ +) 4\L [PITT VW\ JM PMTL responsible for any subsequent outcome. ! 7VTQVM WVTa I]K\QWV[ Some auctions may be available to bidders only through an online XTI\NWZU 1V \PQ[ M^MV\ *]aMZ[ PI^M I LIa XMZQWL I\ ZMKMX\QWV WN \PM Lot to withdraw from the sale, in accordance with EU Consumer Law. ,Q[X]\M ZM[WT]\QWV L]ZQVO \PM I]K\QWV Any dispute shall be settled at the auctioneerâ&#x20AC;&#x2122;s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneerâ&#x20AC;&#x2122;s entire discretion. 3. CONTRACT FORMATION AND EFFECTS 3.1 Contract of sale The contract of sale is between the Buyer and the Seller. The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd. ?PMV I *]aMZ X]ZKPI[M[ U]T\QXTM 4W\[ MIKP 4W\ Q[ \PM []JRMK\ WN I separate contract of sale. <ZIV[NMZ WN XZWXMZ\a Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyerâ&#x20AC;&#x2122;s premium, relevant taxes, and costs in relation to shipping.

+IVKMTTI\QWV WN \PM [ITM At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter. Under no circumstances can the Buyer cancel the sale. CA Ltd may at its entire discretion, during or after the auction, cancel \PM [ITM WN \PM 4W\ WZ ZMWâ&#x20AC;«Ùºâ&#x20AC;¬MZ IVL ZM[MTT \PM 4W\ QN Q\ JMKWUM[ I_IZM WN any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.

3.5 Returns and refunds CA Ltd will only issue a refund using the same method of payment originally used by the Buyer to pay for the purchase, or by bank transfer. The Buyerâ&#x20AC;&#x2122;s refund will be processed without undue delay and in any M^MV\ _Q\PQV VW UWZM \PIV LIa[ WN \PM LIa \PM *]aMZ OI^M +) 4\L notice of cancellation. 1N \PM *]aMZ M`MZKQ[M[ \PMQZ ZQOP\ WN ZM\ZIK\QWV _PMV I]\PWZQ[ML \W LW [W by Law, CA Ltd shall proceed to issue a complete refund, comprising the hammer price of the Lot, buyerâ&#x20AC;&#x2122;s premium and shipping fees. However return fees shall remain at the expense of the Buyer. 4. AFTER THE SALE 8IaUMV\ All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be in cash, debit, credit card or bank transfer. Cheques are not accepted. +I[P XIaUMV\[ [PITT VW\ JM ZMKMQ^IJTM NWZ IUW]V\[ W^MZ Ã&#x201A; ZMOIZLTM[[ of the payment being for one or multiple Lots. Payments made by someone other than the registered Buyer shall not be accepted. Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer. *]aMZÂ¼[ 8ZMUQ]U The Buyer will pay CA Ltd a premium of 25% on the hammer price XT][ >)< WV \PI\ KWUUQ[[QWV WV \PM Ã&#x2026;Z[\ Â&#x160; IVL XT][ >)< WV \PM JITIVKM \PMZMIN\MZ ) *]aMZÂ¼[ 8ZMUQ]U WN ! XT][ >)< Q[ charged on Wine & Spirits Lots. The VAT payable varies by symbol as below: No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 WN -+ ;\IVLIZL =3 >)< _QTT JM KPIZOML WV \PM J]aMZ[Â¼ premium and invoiced on an inclusive basis. â&#x20AC; : Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium. *: These lots have been imported from outside the EU for sale and XTIKML ]VLMZ \PM <MUXWZIZa )LUQ[[QWV ZMOQUM 1UXWZ\ >)< Q[ XIaIJTM I\ WV \PM PIUUMZ XZQKM >)< I\ _QTT JM ILLML \W \PM J]aMZÂ¼[ premium but will not be shown separately on the invoice.

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1V WZLMZ \W ZMKMQ^M I ZMN]VL WN >)< IUW]V\[ 1UXWZ\ >)< I[ applicable) non-EU buyers must: (a) have registered to bid with an address outside of the EU; and J M`XWZ\ \PM TW\ NZWU \PM -= _Q\PQV LIa[ WN KWTTMK\QWV NWZ TW\[ IVL 3 months of collection for all other lots and immediately afterwards provide us with satisfactory proof of export. (c) Details of the documents which you must provide to us to show [I\Q[NIK\WZa XZWWN WN M`XWZ\ [PQXXQVO IZM I^IQTIJTM NZWU W]Z .QVIVKM \MIU ) XZWKM[[QVO NMM WN Â&#x160; XMZ QV^WQKM Q[ KPIZOML \W KPMKS [PQXXQVO M`XWZ\ LWK] UMV\[ L 6W >)< IUW]V\[ WZ 1UXWZ\ >)< _QTT JM ZMN]VLML _PMZM \PM \W\IT ZMN]VL IN\MZ LML]K\QVO \PM XZWKM[[QVO NMM Q[ ]VLMZ Â&#x160;

CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law. â&#x20AC;¢ To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs. â&#x20AC;¢ To take such other action as is permissible by Law and in the discretion of CA Ltd. +WTTMK\QWV Purchased Lots can be collected from the auction room after the sale PI[ MVLML WZ JM\_MMV IU IVL XU ]X ]V\QT KTW[M WN J][QVM[[ WV the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltdâ&#x20AC;&#x2122;s discretion.

4.3 Taxes The Buyer is responsible for paying VAT on any Lot, above hammer price and Buyerâ&#x20AC;&#x2122;s premium. The rate applicable shall be the legal rate at the date of the sale. /WWL[ []KP I[ JWWS[ IVL IV\QY]M JWWS[ U][QK UIX[ IVL KPIZ\[ M\K IZM []JRMK\ \W bMZW ZI\ML >)< 1V ILLQ\QWV IVa QUXWZ\ \I`M[ \PI\ UIa JM QVK]ZZML [PITT JM XIQL Ja \PM Buyer above hammer price, VAT and Buyerâ&#x20AC;&#x2122;s premium. The present paragraph applies in particular to imports within the United-States and Australia. The Buyer is advised to verify such matters prior to the sale.

4.7 Storage Purchased Lots not collected before 6pm on the day after the sale shall QVK]Z [\WZIOM KPIZOM[ WN Â&#x160; XMZ 4W\ XMZ LIa WZ XIZ\ \PMZMWN +) 4\L shall be entitled to retain purchased Lots sold until all sums due have been XIQL \W +) 4\L 1N IVa X]ZKPI[ML TW\ ZMUIQV[ ]VKWTTMK\ML LIa[ IN\MZ \PM [ITM [\WZIOM KPIZOM[ [PITT \PMZMIN\MZ JM Â&#x160; XMZ LIa IVL +) 4\L [PITT in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.

)Z\Q[\ :M[ITM :QOP\[ ,ZWQ\ LM ;]Q\M 4W\[ UIZSML _Q\P Â»)::Â¼ UIa JM []JRMK\ \W I TMâ Droit de Suite is a royalty payable to a qualifying artist or to the artistâ&#x20AC;&#x2122;s heir each time a work is resold during the artistâ&#x20AC;&#x2122;s lifetime and up to I XMZQWL WN aMIZ[ IN\MZ \PM IZ\Q[\Â¼[ LMI\P :WaIT\QM[ IZM KITK]TI\ML on a cumulative sliding percentage scale based on the hammer price excluding the buyerâ&#x20AC;&#x2122;s premium. The royalty does not apply to Lots [MTTQVO JMTW_ \PM [\MZTQVO MY]QÎTMV\ WN Ã&#x201A; IVL \PM UI`QU]U ZWaIT\a XIaIJTM WV IVa [QVOTM 4W\ Q[ \PM [\MZTQVO MY]QÎTMV\ WN Ã&#x201A; Royalties for Droit de Suite are as follows:

;PQXXQVO Any shipping costs that may arise subsequently to the sale shall be at the Buyerâ&#x20AC;&#x2122;s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union. +) 4\L LWM[ VW\ Wâ&#x20AC;«Ùºâ&#x20AC;¬MZ QV[]ZIVKM NWZ [PQXXQVO 0W_M^MZ +) 4\L UIa arrange insurance upon the Buyerâ&#x20AC;&#x2122;s request and at the Buyerâ&#x20AC;&#x2122;s expense. CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.

Â&#x152; .ZWU \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; .ZWU Ã&#x201A; \W Ã&#x201A; Â&#x152; -`KMMLQVO Ã&#x201A; :MUMLQM[ NWZ VWV XIaUMV\ 1N \PM *]aMZ NIQT[ \W UISM N]TT XIaUMV\ QV KTMIZML N]VL[ _Q\PQV \PM \QUM required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available: â&#x20AC;¢ To cancel the sale â&#x20AC;¢ To charge interest at 4% per annum above the base rate of Lloyds Bank Plc. â&#x20AC;¢ To resell the Lot on such terms by auction or otherwise entirely at CA Ltdâ&#x20AC;&#x2122;s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale. Â&#x152; <W Wâ&#x20AC;«[Ùºâ&#x20AC;¬M\ IOIQV[\ IVa []U[ _PQKP +) 4\L UIa W_M \PM *]aMZ \PM outstanding sums unpaid by the said Buyer Â&#x152; ?PMZM \PM *]aMZ W_M[ []U[ \W +) 4\L QV ZM[XMK\ WN LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ transactions, to discretionarily apply any sum paid by the Buyer for discharge of any owed sums. Â&#x152; <W ZMN][M MV\Za \W \PM *]aMZ I\ IVa N]\]ZM I]K\QWV IVL WZ ZMRMK\ IVa N]\]ZM JQL[ Ja \PM *]aMZ IVL WZ [MMS I LMXW[Q\ NZWU \PM *]aMZ entirely in the discretion of CA Ltd. â&#x20AC;¢ To exercise a lien over the Buyerâ&#x20AC;&#x2122;s property in the possession of

! 4W[[ WZ ,IUIOM CA Ltd does not accept liability for loss or damage occurring to Lots after \PM [ITM +) 4\L _QTT ][M ZMI[WVIJTM Mâ&#x20AC;«Ùºâ&#x20AC;¬WZ\[ _PMV PIVLTQVO XIKSQVO IVL shipping of Lots purchased, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third partyâ&#x20AC;&#x2122;s care. +]T\]ZIT /WWL[ QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +]T\]ZIT OWWL[ UIa JM []JRMK\ \W QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ =VLMZ EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the itemâ&#x20AC;&#x2122;s ^IT]M M`KMML[ \PM -= \PZM[PWTL =VLMZ =3 4I_ I TQKMVKM UIa IT[W JM required for intra-EU trade. Licenses are issued by Arts Council England and it is the Buyerâ&#x20AC;&#x2122;s duty to WJ\IQV \PMU ;WUM KW]V\ZQM[ ZM[\ZQK\ \PM QUXWZ\ WN [XMKQÃ&#x2026;K K]T\]ZIT OWWL[ For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural OWWL[ QV XZW^MVIVKM NZWU [WUM KW]V\ZQM[ []JRMK\ \W IZUML KWVÃ&#x2020;QK\[ The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible. +1<-; QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ +MZ\IQV MVLIVOMZML [XMKQM[ IZM TQ[\ML QV \PM +1<-; +WV^MV\QWV 4Q[\ML [XMKQUMV[ IVL IVa XIZ\[ WZ XZWL]K\[ \PMZMWN IZM []JRMK\ \W Q[[]IVKM WN IV export permit when leaving the European Union. )XXMVLQ` 1 [XMKQM[ IZM IT[W []JRMK\ \W Q[[]IVKM WN I XZQWZ QUXWZ\ XMZUQ\ from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyerâ&#x20AC;&#x2122;s duty to initiate the proceedings with the relevant authority. The Buyer must be aware that certain countries prohibit the import of

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some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter. ?WZSML Q\MU[ \PI\ IZM LI\ML JMNWZM ! IZM M`MUX\ NZWU QUXWZ\ restrictions for intra-EU trade and shall not require export licences. Please be aware that all Lots marked with the symbol Æ&#x20AC; IZM []JRMK\ \W +1<-; ZMO]TI\QWV[ 4QUQ\I\QWV WN TQIJQTQ\a ZMOIZLQVO +1<-; M`XWZ\ TQKMV[M[ Where licences are required for importing or exporting outside of the European Union, it is the Buyerâ&#x20AC;&#x2122;s duty to obtain them. CA Ltd cannot be held responsible if the Buyerâ&#x20AC;&#x2122;s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale. ?IZZIV\QM[ CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law. )]\PMV\QKQ\a _IZZIV\a 1V \PM M^MV\ WN I 4W\ JMQVO [WTL I[ I]\PMV\QK ]VLMZ \PM KI\ITWO]M description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not, CA Ltd will refund the purchase price. <PM *]aMZ [PITT OQ^M VW\QKM \W +) 4\L _Q\PQV LIa[ NZWU SVW_TMLOM or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall JM LMÃ&#x2026;VML I[ \PM [\I\M WN I 4W\ \PI\ Q[ OMV]QVM IVL VW\ I NWZOMZa WZ I KWXa 5. ANTIQUITIES AND TRIBAL ART 1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ IVL ZMO]TI\QWV[ )ZKPIMWTWOQKIT OWWL[ W^MZ aMIZ[ WN IOM ]VTM[[ KW^MZML Ja M`MUX\QWV WN TQUQ\ML [KQMV\QÃ&#x2026;K QV\MZM[\ _QTT ZMY]QZM IV -= 4QKMVKM NWZ M`XWZ\ \W I third country, regardless of their value. 1\ Q[ ZMKWUUMVLML \PI\ \PM *]aMZ KWV\IK\ \PM -`XWZ\ 4QKMV[QVO =VQ\ at Arts Council England in order to be assured the good is or not of TQUQ\ML IZKPIMWTWOQKIT WZ [KQMV\QÃ&#x2026;K QV\MZM[\ )ZKPIMWTWOQKIT OWWL[ NW]VL WV =VQ\ML 3QVOLWU [WQT WZ QV =3 \MZZQ\WZQIT _I\MZ[ W^MZ aMIZ[ WN IOM [PITT ZMY]QZM I =3 4QKMVKM regardless of their value and regardless of the export destination. 7\PMZ IZKPIMWTWOQKIT WJRMK\[ ZMOIZLTM[[ WN \PMQZ WZQOQV _QTT ZMY]QZM IV 1VLQ^QL]IT 4QKMVKM WZ 7/-4 LMXMVLQVO WV \PMQZ ^IT]M *W\P -]ZWXMIV =VQWV IVL =3 4QKMVKM[ UIa JM ZMY]QZML [QU]T\IVMW][Ta NWZ [WUM Q\MU[ 1\ Q[ \PM *]aMZÂ¼[ L]\a \W ]VLMZ\ISM \PM VMKM[[IZa [\MX[ CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences. 6. JEWELLERY /MU[\WVM \ZMI\UMV\ IVL M[\QUI\M[ Many gemstones on the market have been treated so as to augment their appearance, in a reversible or permanent manner. Treatments under the present section may be but not limited to: â&#x20AC;¢ Heat treatment to enhance sapphires and rubiesâ&#x20AC;&#x2122; clarity and colour Â&#x152; 7QT IVL ZM[QV \ZMI\UMV\[ NWZ MUMZITL[ IXXTQML QV LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ _Ia[ \W enhance clarity of the stone â&#x20AC;¢ Staining Â&#x152; 1ZZILQI\QWV â&#x20AC;¢ Coating Estimates provided by CA Ltd are deemed to be based on the fact that the

OMU[\WVM UIa PI^M JMMV []JRMK\ \W IVa \aXM WN \ZMI\UMV\ QV \PM XI[\ +) Ltd shall not be responsible in the absence of mention thereof. ) KMZ\QÃ&#x2026;KI\M UIa JM Q[[]ML Ja I TIJWZI\WZa XZW^QLQVO _Q\P LM\IQTML information on the condition of the gemstone and any treatment applied \PMZM\W <PM *]aMZ U][\ JM I_IZM \PI\ LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ TIJWZI\WZQM[ PI^M LQâ&#x20AC;«Ùºâ&#x20AC;¬MZMV\ approaches as to the degree or type of treatment for a particular gemstone. 1N I KMZ\QÃ&#x2026;KI\M IKKWUXIVQM[ \PM 4W\ \PM *]aMZ U][\ JM I_IZM \PI\ Q\ Q[ merely a statement of the laboratoryâ&#x20AC;&#x2122;s opinion and in no way can CA Ltd JM PMTL ZM[XWV[QJTM NWZ IVa UMV\QWV[ \PMZMQV ;]KP KMZ\QÃ&#x2026;KI\M[ IZM LMMUML to be delivered with the Lot for informative purposes only. -[\QUI\ML _MQOP\[ 1N I [\WVMÂ¼[ M`IK\ _MQOP\ IXXMIZ[ _Q\PQV \PM JWLa WN \PM LM[KZQX\QWV \PM [\WVM PI[ JMMV ]V UW]V\ML IVL _MQOPML Ja +) 4\L 1N \PM _MQOP\ WN a stone is stated to be approximate, the stone has been assessed by CA 4\L _Q\PQV Q\[ [M\\QVO IVL \PM LMÃ&#x2026;VML _MQOP\ Q[ I [\I\MUMV\ WN WXQVQWV only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy. ;QOVI\]ZM[ â&#x20AC;&#x2DC;) LQIUWVL ZQVO Ja @â&#x20AC;&#x2122;: When the makerâ&#x20AC;&#x2122;s name appears in the title, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion the piece is by that maker. â&#x20AC;&#x2DC;) LQIUWVL ZQVO [QOVML @â&#x20AC;&#x2122;: Has a signature that, in Chiswick Auctionsâ&#x20AC;&#x2122; opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered. â&#x20AC;&#x2DC;) LQIUWVL ZQVO UW]V\ML Ja @â&#x20AC;&#x2122;: Has been created by the RM_MTTMZ QV +PQ[_QKS )]K\QWV[Â¼ WXQVQWV J]\ ][QVO [\WVM[ WZ LM[QOV[ supplied by the client. â&#x20AC;&#x2DC;5ISMZÂ¼[ UIZS NWZ @â&#x20AC;&#x2122;: Has a makerâ&#x20AC;&#x2122;s mark which in Chiswick Auctionsâ&#x20AC;&#x2122; opinion is authentic. Some items may include parts or products derived from endangered [XMKQM[ []KP I[ Q^WZa WZ KWZIT ;]KP Q\MU[ UIa JM []JRMK\ \W QUXWZ\ WZ M`XWZ\ ZM[\ZQK\QWV[ ;MM [MK\QWV WV +1<-; ZMO]TI\QWV[ NWZ UWZM LM\IQT[ 7. CLOCKS AND WATCHES All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and _Q\PW]\ LMNMK\[ WZ PI[ JMMV []JRMK\ \W ZMXIQZ WZ ZM[\WZI\QWV CA Ltd makes no representation or warranty that any clock or watch Q[ QV _WZSQVO WZLMZ )[ KTWKS[ IVL _I\KPM[ WN\MV KWV\IQV Ã&#x2026;VM IVL complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto. The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof. Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for QUXWZ\ WZ M`XWZ\ X]ZXW[M[ QV IKKWZLIVKM _Q\P +1<-; ZMO]TI\QWV[ CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps. 8. FURNITURE =XPWT[\MZML N]ZVQ\]ZM IN\MZ ! According to The Furniture and Furnishings (Fire Safety) Regulations ! N]ZVQ\]ZM \PI\ _I[ ]XPWT[\MZML IN\MZ \PM [\ WN 2IV]IZa ! Q[ []JRMK\ \W ZM[\ZQK\QWV[ QV \PM =VQ\ML 3QVOLWU Exempt upholstered furniture that does not meet such requirements

20th November Jewellery Pages..qxp_Layout 2 25/10/2018 14:43 Page 71

is deemed sold for purely aesthetic purposes.CA Ltd shall not be ZM[XWV[QJTM NWZ TI\MZ IT\MZI\QWV[ \W \PM N]ZVQ\]ZM UISQVO Q\ ]VÃ&#x2026;\ NWZ [ITM 9. GLOSSARY OF PICTURE CATALOGUING TERMS Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. 1 JMW Turner: 1V W]Z WXQVQWV I _WZS Ja \PM IZ\Q[\ ?PMV \PM IZ\Q[\Â¼[ forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. )\\ZQJ]\ML \W 25? <]ZVMZ" 1V W]Z WXQVQWV XZWJIJTa I _WZS Ja \PM artist, but less certainly as to the authorship expressed than in the preceding category. ;\]LQW WN 25? <]ZVMZ" 1V W]Z WXQVQWV XZWJIJTa I _WZS Ja IV unknown hand in the studio of the artist, which may or may not have been executed under the artistâ&#x20AC;&#x2122;s direction. +QZKTM WN 25? <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja IV I[ aM\ ]VQLMV\QÃ&#x2026;ML but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil. ;\aTM WNÂ°# .WTTW_MZ WN 25? <]ZVMZ" 1V W]Z WXQVQWV I _WZS Ja I painter working in the artistâ&#x20AC;&#x2122;s style, but not necessarily his pupil. 6 Manner of JMW Turner: 1V W]Z WXQVQWV I _WZS QV \PM [\aTM WN \PM artist and of a later date. 7 After JMW Turner: 1V W]Z WXQVQWV I KWXa WN IVa LI\M WN I SVW_V work of the artist. 8 <PM \MZU Â»[QOVMLÂ¼ IVL WZ Â»LI\MLÂ¼ IVL WZ Â»QV[KZQJMLÂ¼ UMIV[ \PI\ QV W]Z WXQVQWV \PM [QOVI\]ZM IVL WZ LI\M IVL WZ QV[KZQX\QWV IZM NZWU \PM PIVL of the artist. 9 <PM \MZU Â»_Q\P [QOVI\]ZMÂ¼ IVL WZ Â»_Q\P LI\MÂ¼ IVL WZ Â»_Q\P QV[KZQX\QWVÂ¼ UMIV[ \PI\ QV W]Z WXQVQWV \PM [QOVI\]ZM IVL WZ LI\M IVL WZ QV[KZQX\QWV have been added by another hand than that of the artist. 10 Pictures are framed unless otherwise stated.

Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of â&#x20AC;&#x2DC;bindingâ&#x20AC;&#x2122; or â&#x20AC;&#x2DC;bindingsâ&#x20AC;&#x2122;. 12. WINES AND SPIRITS 1V IKKWZLIVKM _Q\P IOZMML [\IVLIZL[ QV \PM \ZILM M[\QUI\M[ [PITT JM LMMUML \W PI^M \ISMV QV\W IKKW]V\ \PM Ã&#x2026;TT TM^MT For the purposes of the present Terms and Conditions, the â&#x20AC;&#x2DC;Fill Levelâ&#x20AC;&#x2122; refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit. Lack of mention thereof in the description is not a representation of IV Â»IKKMX\IJTMÂ¼ Ã&#x2026;TT TM^MT NZWU +) 4\L CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc. 13. COPYRIGHT CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the abovementioned materials without the prior written consent of CA Ltd. ;WUM 4W\[ UIa JM []JRMK\ \W KWXaZQOP\ XZW\MK\QWV +) 4\L LWM[ VW\ guarantee said Lots are free thereof. 14. DATA PROTECTION The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyerâ&#x20AC;&#x2122;s prior consent. CA Ltd never sell, lend or trade in personal data provided by any Bidder.

10. ASIAN ARTS

15. SEVERABILITY

1UXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ ?PMV LMITQVO _Q\P )[QIV )Z\[ IVL UWZM [XMKQÃ&#x2026;KITTa _Q\P Q\MU[ UILM WN exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must JM I_IZM WN QUXWZ\ IVL M`XWZ\ ZM[\ZQK\QWV[ QV IKKWZLIVKM _Q\P +1<-; Regulations. As aforementioned in the Section relating to such matters, QUXWZ\ IVL M`XWZ\ XMZUQ\[ WZ ZM M`XWZ\ KMZ\QÃ&#x2026;KI\M[ UIa JM ZMY]QZML >MZQÃ&#x2026;KI\QWV TM\\MZ[ _QTT JM ZMY]QZML NWZ ZM M`XWZ\ WN _WZSML ZPQVWKMZW[ Q\MU[

Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, []KP XZW^Q[QWV Q[ \W \ISM Mâ&#x20AC;«Ùºâ&#x20AC;¬MK\ WVTa QV [W NIZ I[ Q\ UIa LW [W without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way \W JM Iâ&#x20AC;«Ùºâ&#x20AC;¬MK\ML WZ QUXIQZML I[ I ZM[]T\ 16. AMENDMENTS

.QVM +PQVM[M 8IQV\QVO[ +]ZZMV\ [KPWTIZ[PQX QV \PM Ã&#x2026;MTL WN +PQVM[M 8IQV\QVO[ IVL +ITTQOZIXPa LWM[ VW\ XMZUQ\ ]VY]ITQÃ&#x2026;ML [\I\MUMV\[ I[ \W \PM I]\PWZ[PQX WZ LI\M WN execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings. 6W\_Q\P[\IVLQVO QN _Q\PQV LIa[ WN \PM [ITM WN IVa []KP 4W\ \PM original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, I Â»NWZOMZaÂ¼ Q[ LMÃ&#x2026;VML I[ I _WZS KZMI\ML _Q\P \PM QV\MV\ \W LMKMQ^M 11. BOOKS AND MANUSCRIPTS *WWS[ IVL UIV][KZQX\[ [WTL I[ QVKWUXTM\M IZM VW\ []JRMK\ \W ZM\]ZV[

The current Terms and Conditions may be amended, verbally or in writing, prior to the sale. 17. LAW AND JURISDICTION The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales. .WZ \PM JMVMÃ&#x2026;\ WN +) 4\L ITT JQLLMZ[ IVL [MTTMZ[ IOZMM \PI\ \PM +W]Z\[ WN -VOTIVL IZM \W PI^M M`KT][Q^M R]ZQ[LQK\QWV \W [M\\TM ITT LQ[X]\M[ IZQ[QVO QV connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply. All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.

20th November Jewellery Pages..qxp_Layout 2 25/10/2018 14:43 Page 72

SPECIALISTS

20th CENTURY DECORATIVE ARTS & DESIGN James Nurse, Head of Department james@chiswickauctions.co.uk

JEWELLERY Sarah Duncan, Head of Department sarah@chiswickauctions.co.uk

ANTIQUITIES & TRIBAL ART Alice King, Head of Department alice.king@chiswickauctions.co.uk

Inez Flynn, Specialist QVMb ÆaVV(KPQ[_QKSI]K\QWV[ KW ]S

ASIAN ART Lazarus Halstead, Head of Department lazarus@chiswickauctions.co.uk Yasuko Kido, Japanese Art Specialist yasuko@chiswickauctions.co.uk CERAMICS & GLASS Dr. Jim Peake, Head of Department jim@chiswickauctions.co.uk CONTEMPORARY & URBAN ART Harry Parkinson, Sales Coordinator harry@chiswickauctions.co.uk DESIGNER HANDBAGS & FASHION Meg Randell, Head of Department meg@chiswickauctions.co.uk Winnie McGee, Specialist winnie.mcgee@chiswickauctions.co.uk EUROPEAN WORKS OF ART & CLOCKS Rachael Osborn-Howard, Head of Department rachael@chiswickauctions.co.uk

Lissa Holmes, Specialist lissa.holmes@chiswickauctions.co.uk PRINTED BOOKS & MANUSCRIPTS

Clive Moss, Head of Department

clive.moss@chiswickauctions.co.uk

Andrew Kerr, Specialist

andrew.kerr@chiswickauctions.co.uk

Dr. Carmen Donia, Specialist

carmen.donia@chiswickauctions.co.uk

Nicholas Worskett, Specialist

nicholas@chiswickauctions.co.uk

Valentina Borghi, Head of Sales - Autographs & Memorabilia valentina.borghi@chiswickauctions.co.uk RUGS & CARPETS Mark Henry Lampé, Head of Department mark.lampe@chiswickauctions.co.uk Chris Vin, Consultant chris@chiswickauctions.co.uk

FINE ART Suzanne Zack, Head of Department suzanne@chiswickaucions.co.uk

SILVER & OBJECTS OF VERTU John Rogers, Head of Department john.rogers@chiswickauctions.co.uk

Rohan McCulloch, Specialist rohan@chiswickauctions.co.uk

Amicie de Villenfagne, Specialist amicie@chiswickauctions.co.uk

Krassi Kuneva, Head of Sales - Modern & Post-War British Art kkuneva@chiswickauctions.co.uk

WATCHES Matthew Caddick, Head of Department matt@chiswickauctions.co.uk

Melissa Van Vliet, Head of Sales - Old Masters melissa.vanvliet@chiswickauctions.co.uk GUITARS & MUSICAL INSTRUMENTS Dr. David MacGregor, Specialist david@chiswickauctions.co.uk ISLAMIC & INDIAN ART Beatrice Campi, Head of Sales beatrice.campi@chiswickaucions.co.uk

Tomas Aznar watches@chiswickauctions.co.uk WINE & SPIRITS Peter Mansell, Head of Department peter.mansell@chiswickauctions.co.uk

SPECIALISTS

SALE CALENDAR

NOVEMBER

WEDNESDAY

Designer Handbags & Fashion Wine & Spirits Sarah Duncan GD

Lissa Holmes FGA

Head of Department Jewellery sarah.duncan@chiswickauctions.co.uk

Specialist Jewellery lissa.holmes@chiswickauctions.co.uk

WEDNESDAY

Printed Books & Manuscripts Photographica

DECEMBER

TUESDAY

Fine Rugs & Carpets Wine & Spirits

Inez Flynn FGA

WEDNESDAY

Fine European Works of Art & Clocks

Specialist Jewellery inez.flynn@chiswickauctions.co.uk

THURSDAY

Urban & Contemporary Art

COLLECTION OF LOTS Buyers are asked to collect their lots on the day of the sale or between 10.00 and 18.00 up until close of business on Friday following the sale.

IMPORTANT INFORMATION CITES

Please be aware that all lots marked with the symbol λ are subject to CITES regulations. Please see our Terms & Conditions for more information. ARTIST’S RESALE RIGHT/DROIT DE SUITE

Lots marked with ARR indicates that an additional levy may apply for this lot. Please see our Terms & Conditions for more information.

TUESDAY

Winter Jewels Affordable Luxury Antiquities & Tribal Art Interiors & Design

WEDNESDAY

Modern & Post-War British Art

“A gem-set ‘Coco’ ring by Chanel” Estimate £800 - £1,200 coming up in our 12th of February Jewellery auction

Jewellery 20 November 2018

1 Colville Road, London W3 8BL +44 (0)20 8992 4442 info@chiswickauctions.co.uk chiswickauctions.co.uk

Jewellery

London 20th November 2018