July 2017 ISSUE 47 inex-online.com Download the Inex app for iPhone, iPad and Android. Search ‘Inex-online’
in[sight]
ex[rated]
in[spire]
ex[pose]
Julie Gotts, interior design expert at Designer Contracts, talks inspiration, challenges and show home trends
Sculpt at Kew will open its doors to the public this autumn, offering inspiration to all those specifying for outdoor spaces
This month Inex profiles an eco-friendly, innovative project suspended 8m above ground level in Bristol’s Harbourside
The perfect statement seating for tennis season, Bespoke Sofa London unveils its custom-made Wimbledon-inspired grass armchair
3 EDITORIAL
34 Editor: Rebecca Kemp rebecca@mixedmediainfo.com Editorial Assistant: Paige Smith paige@mixedmediainfo.com Digital Advertising: Sam Ball sam@mixedmediainfo.com Michael Abrahams michael@mixedmediainfo.com Print Design Manager: Jack Witcomb jack@mixedmediainfo.com Digital Design Manager: David Perry david@mixedmediainfo.com Production Assistant: Sofia Franchi sofia@mixedmediainfo.com Accounts: Charlie Ivy charlie@mixedmediainfo.com Managing Director: Sam Ball sam@mixedmediainfo.com Publisher: Mixed Media Information Pear Platt, Woodfalls Farm, Gravelly Way, Laddingford, Kent. ME18 6DA Tel: 01622 873229 Fax: 01622 320020 Terms and Conditions No responsibility will be taken for drawings, photography or literary contributions during transmission or in the editor’s hands. In the absence of an agreement the copyright of all contributions, literacy, photographics or artistic belongs to Mixed Media Information Ltd. The publisher accepts no responsibility in respect of advertisements appearing in the magazine and the opinions expressed in editorial material or otherwise do not necessarily represent the view of the publisher. The publisher does not accept any liability of any loss arising from the late appearence or non publication of any advertisement.
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he subject of wellbeing and sustainability within interior design is prevalent within many of today’s designs. Both interior designers and architects the world over are modifying designs and concepts to meet this ever-evolving trend, using recycled building materials and upcycled interior elements to construct a truly ecological concept. Biophilic design also plays an instrumental role in end-users’ wellbeing. Including fragments of nature-inspired features within interior schemes enhances our innate connection with nature, which has a proven influence on our welfare as human-beings. Amalgamating biophilic components with sustainability generates an environment that we can organically connect with and feel comfortable within. This hypothesis was at the back of Tom Dixon and Simon Parfett’s thoughts when the duo collaborated to design and fabricate a liveable treehouse-in-a-cane concept adjacent to Bristol’s bustling Harbourside. A true wholesome sanctuary, Crane 29’s interior fit-out comprises upcycled products such as pallets, mullion windows from B&Q and corrugated iron. With sustainability at the heart of the project, pollinatorfriendly plants have also been specified to attract UK wildlife, namely bees, birds and butterflies. For more information on this unique treehouse scheme, turn to page 14. Elsewhere in this issue, Inex talks to Marc Weaver, Owner of Guinevere Antiques, about the benefits of opting for antique accessories, 33 Interiors talks through its recent scheme at Paddington Exchange and Inex interviews Julie Gotts, interior design expert at Designer Contracts. I hope you enjoy this edition. Don’t forget, you can also access all of Inex’s features and product inspiration at your fingertips via the magazine’s state-of-the-art app. To download your version free of charge, simply search ‘Inex-online’ on the App Store or Google play.
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Top left: The Copper Development Association gives readers a history lesson on the usage of copper over the years Cover: Solus Ceramics’ serpentineinspired tiles have been specified for Birmingham bar, Be At One Top: Handmade in Britain’s first inaugural sculpture exhibition is due to open its doors at Royal Botanic Gardens, Kew, this September Above: 33 Interiors talks through the ins and outs of Paddington Exchange’s Art Deco-inspired lobby design
Rebecca Kemp rebecca@mixedmediainfo.com Follow us on Twitter: @INEXonline Download the INEX app for iPhone, iPad and Android. Search 'Inex-online'.
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5 CONTENTS
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JULY DIARY
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INSIGHT Inex talks to Julie Gotts, interior design expert at Designer Contracts, concerning inspiration, challenges and the latest show home trends.
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LANDSCAPING Garden Designer, Darren Hawkes, has been commended at this year’s RHS Chelsea for his garden scheme for Maggie’s.
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INSPIRE Inex looks at a recent collaboration between Treehouse Designer, Simon Parfett, and Canopy & Stars’ Managing Director, Tom Dixon.
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LOBBY Here Mathew Freeman, Creative Director at 33 Interiors, talks Inex through Paddington Exchange’s lobby design for Taylor Wimpey Central London.
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EXRATED Handmade in Britain’s first inaugural sculpture exhibition, Sculpt at Kew, is due to open its doors in September. Here, Inex highlights what readers can expect from the display.
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EXPOSE Bespoke Sofa London has celebrated this year’s much-anticipated Wimbledon tournament with the design of a bespoke grass chair.
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BAR DESIGN Solus Ceramics has been appointed to provide a serpentine-inspired range of tiles for Birmingham bar, Be At One.
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COPPER The Copper Development Association gives Inex readers a history lesson on the origin and original usage of copper.
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WALLCOVERINGS Daniel Nevitt, Group Marketing Director at Armourcoat, gives readers an insight into the world of wallcoverings.
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DECORATIVE ACCESSORIES Marc Weaver, Owner of Guinevere Antiques, talks through the benefits of opting for antique accessories for interior schemes.
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14 Top: Julie Gotts,
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interior design expert at Designer Contracts, describes her design process Middle: Canopy & Stars, Simon Parfett and B&Q have collaborated to assemble Crane 29 – a treehouse-in-acrane innovation Bottom: In the midst of Wimbledon season, Bespoke Sofa London has revealed its custom-made grass armchair
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7 DIARY
RHS Summer Urban Garden Show RHS Lawrence Hall, London 12-13 July Following on from the success of last year, 2017’s show, co-curated by Cityscapes, will offer inspirational planting ideas for the smallest urban plots, balconies and interiors. Some of the country’s best growers will be selling an exotic mix of plants including unusual edibles, succulents and an array of tropical houseplants. rhs.org.uk Manchester Furniture Show Manchester Central, Manchester 16-18 July Returning to the stylish Manchester Central exhibition and conference venue, this year’s show will feature upholstery, cabinets, beds and interior furnishings including mirrors, art and decorative accessories. The show is one of the largest furniture and interiors events of the summer and is the go-to place for all your interior needs, right in the heart of the city. manchesterfurnitureshow.com
The Manawatu Home Show Arena Manawatu, New Zealand 12-23 July One of the largest and most popular home shows in New Zealand, The Manawatu Home Show features over 300 exhibitors and promises to be the perfect event for you whatever stage of interior design you are at. The show brings together the very best in products and services for the home. The Manawatu Home Show includes a large Taste section and Artisan Craft Zone, as well as kitchens, flooring, appliances, heating, new building and so much more. expos.co.nz
Decor + Design Melbourne Exhibition Centre, Victoria 20-23 July Decor + Design is Australia’s premier interiors event showcasing the latest interior products and furnishings from numerous leading companies. This year’s fair will provide visitors with the opportunity to see and buy hundreds of new products, learn the latest industry developments and network. decordesignshow.com.au The Summer Outdoor Living Exhibition NEC, Birmingham 11-13 July SOLEX is an annual three-day event attracting national and international retail and contract purchasing directors and managers. This unique event brings together all the leading manufacturers of garden products – furniture, barbecues, gazebos, parasols, outdoor lighting and play equipment – and provides a showcase for all the exciting new developments. lofa.co.uk/solex
Las Vegas Market World Market Centre Campus, Las Vegas 30 July – 03 August Since its launch in the summer of 2005, Las Vegas Market has become the most comprehensive furniture, home decor and gift market in the Western United States, presenting a unique cross-section of 4000+ resources in an unrivalled market destination. Thousands of retailers and designers will be able to discover what’s new, what’s hot and will be able to get ahead of latest trends in interior design. lasvegasmarket.com
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8 INSIGHT
Designer Contracts – meet the designer Here Julie Gotts, interior design expert at UK-leading supplier of floorcoverings to the newbuild sector, Designer Contracts, talks to Inex about inspirations, challenges and the latest show home trends. How did you get into interior design? I have always been interested in art and creative activity since attending a weekly art class as a child. During a technical drawing lesson at secondary school, we did an interior design project, and that’s when I knew I wanted to learn more about the subject. I went to college to study interior design and followed on to do a BSc (Hons) at university. Where do you look for inspiration? My home city of Glasgow has some amazing architecture, both old and new – particular favourites being by INEX-ONLINE.COM
Norman Foster and Zaha Hadid. I was inspired by their style and have since visited many buildings designed by them and their fellow architects. In addition, I enjoy going to art galleries, craft fairs, theatre and exploring architecture at home and abroad. Ideas are all around us.
Top left: Julie always starts her design process examining the client brief Top right: Attending art galleries, crafts fairs and the theatre inspires Julie’s designs Left: Julie is an interior design expert at UK-
How does the design process begin? The process begins with a client brief. This encompasses the desired style and expectations of the budget. We establish the client’s likes and dislikes, and projected ideas of the target client.
based floorcovering specialist, Designer Contracts Right: Julie’s passion for interior design through her childhood led her to her career path today
9 INSIGHT
What has been the most challenging project thus far? We are adding luxury retirement living projects to our portfolio. Some aspects of the projects have been quite large-scale. The main zones have to be very practical and usable for the clientele as the space is not just for show. There has been quite a lot of preliminary design work completed, but everyone is really excited about the final output. What is the most frustrating aspect of your job? There can be a frustration when you complete a design that you feel meets the brief and looks fantastic, but the client has some reservations. Sometimes there is an element of change within projects, but the main objective is to create a design that satisfies the client. We work with them to create a solution. INEX-ONLINE.COM
10 INSIGHT
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01: The most enjoyable part of Julie’s job is seeing her designs come to life 02: Working with the client, Julie establishes the client’s likes and dislikes when designing a home 03: Julie appreciates interesting and unusual structures within furniture and light fittings 04: Julie prefers to bring colour out in the artwork she chooses for her schemes
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03 And the most rewarding one? The most rewarding part of my job is being on site and seeing the ideas I have created come to fruition. It’s great fun making designs, but collecting all the pieces for it and physically being in it is the best. What tips can you recommend to update a home this season? Wallcoverings with industrial or natural material designs, plaster or wood moulding patterns, jungle prints, geometric shapes in furniture, large indoor plants, groupings or cacti, cork placemats, copper cutlery, metal and glass floating picture frames. If there is one trend we should invest in for 2017, what should it be? Rich, dark greens are back in fashion. I love green. It can be paired with the young, modern look of natural materials (wood, cork and marble) or with metallics (golds and copper) for a more expensive luxurious interior style. It also looks amazing with black and white. What advice would you give to new homebuyers on how to start choosing interiors? I would recommend having fun, express yourself and don’t be afraid to DIY. Try a bit of upcycling with pieces from charity shops and car boot sales. Even if you just use emulsion and accessorise with word pictures, colourful cushions and rugs.
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Does your home have a signature style and feel? My home has a modern interior in a period property. It is quite neutral in wall colour and pattern. I prefer to bring out the colour in artwork and a few key pieces of furniture. I like interesting structures to furniture and light fittings. I am a very tactile person, hence the importance of texture in the fabrics in my home. designercontracts.com « INEX-ONLINE.COM
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All images © Allan Pollok-Morris
LANDSCAPING
Gold for Darren Hawkes at RHS Chelsea The Linklaters Garden for Maggie’s, designed by award-winning Garden Designer Darren Hawkes, has been awarded a Gold Medal at this year’s RHS Chelsea Flower Show.
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esigned for cancer charity Maggie’s, whose centres have revolutionised the concept of therapeutic gardens, the garden is the first hidden garden ever to be built at the show. Enclosed within a 3m-high hornbeam hedge, it was designed as a private and reflective space for people living with cancer, away from the clinical environments of hospitals. The garden was one of only four show gardens to win a Gold Medal at the 2017 show, giving Darren Hawkes his second Chelsea Gold Medal for what is his third Show Garden. Darren said: “I’m so proud to have been involved with the pioneering work of Maggie’s and to have been given the opportunity to continue the extraordinary legacy of Maggie Keswick Jencks by creating an RHS Chelsea Show Garden in her name. To be awarded a Gold Medal is a tremendous thrill and one that I’m delighted to be able to share with everyone involved in bringing my vision to life. Building the first hidden garden at RHS Chelsea was immensely challenging and it’s down to the team of highly skilled craftsmen who helped create it that I’m celebrating this award today.” The garden, sponsored by global law firm, Linklaters, was inspired by the progressive vision of the late Maggie Keswick Jencks, whose personal experience of cancer helped create INEX-ONLINE.COM
the blueprint for Maggie’s Centres and their gardens. Plants and other elements of the Chelsea garden have been used to create a garden for the new Maggie’s Centre currently under construction at London’s St Bartholomew’s Hospital. The new garden, which has also been designed by Darren Hawkes, will have the same sense of enclosure and stillness as the Chelsea garden and provide a lasting legacy for the charity when it opens early in 2018. It is the first time both Linklaters and Maggie’s have been involved in an RHS Chelsea Show Garden. Maggie’s Chief Executive, Laura Lee, said: “I am absolutely thrilled that Darren’s vision and hard work has been recognised with this prestigious award. Each garden at Maggie’s has been carefully created to be a welcoming extension of our centres, offering uplifting views, a connection to the changing seasons and a place to sit and relax away
from the hospital environment. Right from the start Darren has absolutely understood everything we try to achieve within our centres and gardens and has cleverly captured this within his design. I’m really excited to continue working with Darren as we take elements of this garden to our new centre opening at St Bartholomew’s Hospital, where I know it will have a huge impact on the people living with cancer who will visit the garden when our centre opens.” Nicola Rabson, Partner at Linklaters, said: “We feel privileged to have been involved in this award-winning garden for Maggie’s and we are delighted by the recognition that the garden has received. It has been a pleasure to be part of the team and see the determination and hard work that has gone into completing this wonderful and worthwhile project. It has been designed as a restorative and tranquil space away from less peaceful environments and is a perfect reflection of the haven that Maggie’s Centres provide.” chelseaflowershow.linklaters.com «
Top left: Plants and other elements of the Chelsea garden have been used to create a garden for the new Maggie’s Centre currently under construction at London’s St Bartholomew’s Hospital Above: The garden was one of only four show gardens to win a Gold Medal at the 2017 show, giving Darren Hawkes his second Chelsea Gold Medal for what is his third Show Garden
14 INSPIRE Here: The first step in creating Canopy & Stars at Crane 29 was to digitally design the structure in minute detail Right: The unconventional duo promise an explosion of natural living that will inspire those seeking a ‘sensory style’
The sky’s the limit Here, the designer and builder of the world’s first treehouse-on-a-crane shares his experience and inspiration behind the nature-inspired sanctuary.
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or more than three years, creating a liveable space in one of the UK’s most unusual settings has been the dream of UK-leading Treehouse Designer Simon Parfitt and Canopy & Stars’ Managing Director, Tom Dixon. This summer, that dream became a reality as the world’s first treehouse on a crane launches to the public having been built using sustainable materials and brilliant solutions from B&Q. In Canopy & Stars at Crane 29, the unconventional duo promise an explosion of natural living that will inspire those seeking a ‘sensory style’ for their own projects, and have worked through the many challenges that come with building a liveable space around an industrial crane 8m above ground level. Focusing on a low-impact build with a small footprint (both sustainably and literally – it’s a tight space!), Canopy & Stars and Bower House Construction stayed true to the company’s ethical ethos, the designers worked using sustainable build materials and brilliant solutions from B&Q to create a living and breathing nature-inspired sanctuary, both inside and out, whilst retaining elements of the crane’s industrial heritage and, most importantly, leaving the listed structure as they found it. INEX-ONLINE.COM
Here, Simon from Bower House Construction, Tom from Canopy & Stars – the expert on special holiday experiences in the great outdoors – and Rachel Bradley, Sustainability Manager at B&Q, talk through the structure from concept to build. How did it all start? Tom: “I have known Simon for years. We met through a love of wood, amazing spaces and sustainable design, and have worked on several treehouse projects. We have always had a plan to create something together and, being based in Bristol, we wanted it to be here. The idea of using Crane 29 came to me at the end of a long meeting, our offices look over the harbourside and I was looking out and thought ‘wouldn’t it be amazing if people could actually stay in one of the cranes?’ and it grew from there.”
The challenges of building a treehouse in a crane The first step in creating Canopy & Stars at Crane 29 was to digitally design the structure in minute detail. The design was millimetre-accurate and, once complete, each section was cut exactly to measurement in small parts. The treehouse was initially assembled in Bower House’s workshop before being transported and reassembled on site. Simon: “The biggest challenges to the build were the scale and the physical limitations of the crane’s structure, not to mention how to get the treehouse into position. Everything had to be built in small enough parts so that two men could lift the sections into place. “The cranes obviously weren’t originally built to hold up a liveable space, meaning we had to be incredibly creative with the design and build. Added to this is a limited space to work and a tight time frame. It’s been challenging but also hugely rewarding for the Bower House team.”
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16 INSPIRE
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02 01: The team sourced materials that were originally used for industrial purposes, such as
Protecting the structure and celebrating heritage The harbourside cranes are protected structures, meaning they could not be affected at all by the build. Whilst nature was at the heart of the design, it was also vital that the final build was a celebration of the crane’s industrial heritage. The subframe and legs were crafted from specialist larch – a material known for its strength and durability – and attached to the crane by clamps, meaning there is no damage to the existing structure. The team sourced materials that were originally used for industrial purposes, such as pallets, bespoke mullion windows from B&Q and corrugated iron, and reinterpreted them into the design. The exterior OSB walls were matched to the colour of the existing structure – RAL 7406 or Telegrey 2. Whilst the interior trusts are designed to look like riveted elements from the original crane, the prominence of plants and natural materials in the build help soften the aesthetic and evoke a feeling of being in nature. Simon: “For us, builds like this are important and we hope that it makes people think about space and materials in new and different ways, pushing boundaries when creating their own space out of something unusual.”
pallets, bespoke mullion windows from B&Q and corrugated iron 02: Staying true to Canopy & Stars’ ethical ethos, sustainability was always at the heart of the design 03: One wall is clad in slices cut from a tree-branch 04: Guests can breathe in woodland scents, earth, florals, bark, lavender and sage 05: The treehouse is not just a great feat of engineering to be enjoyed by its guests, but a new garden habitat in the middle of the city
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Sustainability at the heart Staying true to Canopy & Stars’ ethical ethos, sustainability was always at the heart of the design. The zero-carbon build uses responsibly-sourced timber, supplied by build partner, B&Q. Recycled and reclaimed materials feature heavily, such as recycled pallets, corrugated iron and a reclaimed Belfast sink. The OSB walls are insulated with wool from Somerset, power-saving LED lights are used throughout and there is a compost toilet installed in the
bathroom. The roof is covered with planters filled with pollinatorfriendly plants to attract urban bees, birds and butterflies. The structure will be recycled or repurposed when it comes down in the autumn. Rachel: “At B&Q, we’re committed to becoming a responsible retailer and to helping our customers enjoy better, more sustainable homes and we worked with the Canopy team to help bring this vision to Canopy & Stars at Crane 29. As with all wood products at B&Q, the timber used in the build is forest-friendly. Additionally, the roof planters were created in line with our greener gardens principles and we selected pollinator-friendly plants to help encourage urban wildlife. The treehouse is not just a great feat of engineering to be enjoyed by its guests, but a new garden habitat in the middle of the city that butterflies and bees will love too.” All profits from Canopy & Stars at Crane 29 will go to Friends of the Earth, meaning that every stay at the treehouse will also contribute to protecting the natural world, climate and biodiversity.
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Bringing the outside in – a smart and sensory space Step inside for a deep multisensory experience of textures, colours, plants, smells and sounds that work together with the architecture and interior design to evoke a feeling of calm that can normally only be found in nature. Guests can breathe in woodland scents, earth, florals, bark, lavender and sage; fall asleep to the sounds of a gurgling stream and wake to birdsong. Materials inspired by the industrial heritage and the natural world were provided by B&Q including a polished concrete worktop, taps created from copper piping, wool rugs and natural jute mats. Smart, space-saving solutions and bespoke pieces, like a handmade wooden bed, a branch coat hanger and a corrugated iron shower cubicle with watering can shower, add to the space. Custommade shelving filled with plants, created by B&Q, brings the greenery and one wall is clad in slices cut from a tree-branch. The final look and feel is further enhanced by a carefully curated selection of furniture, textiles and ceramics from Anthropologie’s new spring collection.
Tom: “When creating a space, the sensory aspect is often overlooked, we wanted people to smell, touch and feel nature around them. With our materials, we took inspiration from the natural world, we added smells and sounds evocative of a Canopy & Stars holiday and then added greenery, and lots of it! We really hope guests enjoy our vision.” canopyandstars.co.uk/crane29 «
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18 LOBBY
Adorned in Art Deco London-based design studio, 33 Interiors, has recently completed the interior design for a new luxury residential development in central Paddington, owned by Taylor Wimpey Central London. Here Mathew Freeman, Creative Director at 33 Interiors, talks Inex through the practice’s recent Art Deco enriched scheme.
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3 interiors is an interior design practice that focuses on design narrative and attention to detail to deliver a unique and high-quality vision for each client. Working across residential, hospitality and commercial spaces, our team of six offers an approach that combines design creativity with business acumen. This means our schemes make the best use of budgets while delivering beyond client design expectations. We are passionate about translating clients’ ambitions into imaginative interiors and we are always looking for new ways to evolve and develop our approach.
Here: 33 Interiors’ brief was to create an interior that conveyed the ‘romance of a train station’
The project Paddington Exchange is located less than five minutes from Paddington train station, which was first built in the early 1850s and had a strong influence on the architectural tone of the area. The brief was to create an interior that conveyed the ‘romance of the train station’ and had links to the Art Deco period, and to interpret this in a contemporary way. Art Deco is such a rich period of design to draw inspiration from; we looked at the period as a whole and at the aspects we could translate into a contemporary design. The ‘Romance’ element of the brief made us think of black and white movies; lovers embracing in clouds of steam, and this organically led onto the design of the trains and stations. Our response was to intertwine these
elements with the machined curves of the steam trains, evident in the curves of the lobby columns, concierge desk and sleek lines of the bespoke furniture. To date, we have received so many positive comments on the design. Apart from responding to the creative brief we were given, my role was to make sure we did this on time, on budget and to an exceptionally high standard. We succeeded in the above and this is due to team diligence and consistency of quality. Whether sample reviewing or signing off, I always keep in my mind the final finished product and everything has to live up to that vision or it will be rejected. The team and I also ‘fight for the design’ to ensure quality and the delivery of our vision. How we do this is to produce a project ‘Bible’ that the main contractor agrees to deliver and we adhere to this to ensure the client receives what 33 originally envisaged.
All images © Red Photographic
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19 INSIGHT
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20 LOBBY
Above: Hattie believes that flowers complete a luxury interior design
Above left: The chevron
Right: Hattie
pattern featured on
described her
the lobby’s flooring
signature style as
references similar
a chaotic clash of
patterns used in the Art
colours
Deco period Centre: The chevron continues internally and introduces cream and slate blue as the base palette with brass detailing announcing ‘Paddington Exchange’ inlaid into the tile Left: Art Deco spheres appear on the side tables in the seating area at the front of the lobby to offer a soft focal point Right: The team chose furniture that comprised bold Art Deco shapes
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The lobby Our lighting design approach within the lobby was to create an elegant, bright feel throughout the day, becoming more sophisticated into the evening. With the double-height space at the front we wanted to create a focal point to elevate the development and support the guests in wayfinding. We used bronze mirrors and acoustic panelling to reflect the light washed down by Art Deco coffers with the ceiling. Down lights with bronze linings add a touch of decadence, while directional track lighting was chosen to subtlety direct guests to the lifts and introduce more dramatic lighting in the evening. We positioned pendant lights to draw attention to the seating area at the rear of the lobby, which reference Art Deco spheres. These spherical shapes also appear on the side tables in the seating area at the front of the lobby to offer a soft focal point at the bottom of the double-height space. Our starting point was to visit Paddington Station and look for details, patterns and textures that could inspire our design. We then began researching the Art Deco period, in particular we used a reference book from a Victoria and Albert exhibition, and this was very useful. For the residents’ lounge, we decided to be more focused with the concept and developed the design with an influence from the Miami architecture and the machine age. A lobby’s design all depends on the function of the space, but at this level of residential development, the 24-hour, hotel-style concierge is a vital element to the lobby
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experience. The Paddington Exchange concierge desk is positioned centrally to allow 360° visibility around the space. This is an important indication of the level of service the residents receive; it is synonymous to a hotel concierge experience, which also includes a subtle but rigorous security presence. The acoustics of these spaces also require a design that facilitates a comfortable environment with no background noise or echo. Finally, signage needs to speak to the residents and guests and direct them on their journey through the building and getting the balance right between subtlety, design and functionality is hugely important. Contemporary chevrons and colours The chevron pattern featured on the lobby’s flooring references similar patterns used in the Art Deco period. The aim was to create an interesting journey for all who visited. The experience begins as residents approach the development with the subtle introduction of chevronpatterned stone leading to the entrance. The pattern continues internally becoming a dynamic focal point for the lobby area and introduces cream and slate blue as the base palette with brass detailing announcing ‘Paddington Exchange’ inlaid into the tile. The chevron continues along the corridors to the apartments in the bespoke carpet design. These elements create a consistency to the design, a cohesive quality running throughout. The Art Deco period was quite extravagant and, while
we were referencing this period, we were also translating it into a contemporary design which we wanted to be more subtle. The palette we chose developed from our train station research drawing on the traditional bronze lettering in the flooring. We introduced walnut veneer to the post-boxes, a typical Art Deco material. The blue was drawn from our research into international architecture of the period, specifically Miami, and driven by our tile selection to create the chevron pattern, this also complemented the development’s branding. The cream solid surface concierge desk is reminiscent of architectural form and adds femininity to the space. To bring warmth to the palette we chose to use brass and bronze, in the tinted mirror and the perforated acoustic panelling. The furniture was conceived as part of our design concept of the residents’ lounge on the first floor, creating a synergy between the two spaces. When designing the lobby,
we chose furniture that comprised bold Art Deco shapes, but we finished these in subtle pastel colours inspired by our research of Miami Art Deco architecture and design. We designed all of the pieces for the project so each one is truly bespoke. For the chairs, we wanted both durability of the structure and the fabric specification. We have a strong pipeline of exciting projects all over the UK and overseas for next 12 months. Abu Dhabi is one of our team’s major design destinations as we have one of our largest projects to date based in the region. We have proposals in Penang, Malaysia, and our UK hospitality portfolio is also set to grow with the completion of Marriott Maida Vale and other hospitality projects. Our portfolio has grown significantly over the last three years and is really taking shape; we are looking forward to growing it even further and showing people what we can do as a practice. hlmarchitects.com/aboutus/ 33-interiors « INEX-ONLINE.COM
22 EXRATED
Featured sculptors will include Anne Curry
Geoff Jeal will be exhibiting at 2017’s show
Sculpt at Kew – the contemporary outdoor sculpture exhibition Launching for the first time this year, the inaugural sculpture exhibition Sculpt at Kew at the Royal Botanic Gardens, Kew, is set to become a popular fixture on London’s art calendar, appealing to all.
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he first edition will take place between Monday 18th September and Sunday 15th October and will site original artworks in and around iconic landmarks and Kew Gardens, offering the unique opportunity to enjoy one of the largest and best exhibitions of outdoor and indoor sculpture in London. Work by over 30 leading national and international sculptors will be featured. Between them, they will be showing over 60 original and inspirational pieces which will be curated to complement the different garden areas in a scenic outdoor trail. There will also be an indoor exhibition located in the gardens with a variety of smaller works.
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Early confirmations of pieces suggest that visitors will enjoy bold and beautiful figurative and abstract sculptures with many inspired by flora and fauna. Featured sculptors will include Anne Curry, Geoff Jeal, David William-Ellis, Philip Blacker and Simon Gudgeon and many more. Sladmore Gallery will be representing an array of contemporary and 20th century artists including Nic Fiddian Green, Sophie Dickens and Mark Coreth.
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Exhibitors for 2017: Andrey Vrabchev Andy Young Ann Coomber Anne Curry Carol Peace David Williams-Ellis Geoff Jeal Guy Portelli Hamish Mackie Hywel Pratley James Connolly Jan Sweeney Jenny Pickford John O’Connor Katerina Porter Lilly Henry Louisa Forbes Mallon Foundry Marcia Raff Mark Dedrie Michael Blow Nick Winter Norman Yap Paul Vanstone Philip Blacker Piers Mason Robert Wood Samantha Bunn Simon Gudgeon Simon Jago Sladmore Gallery (Kendra Haste Mark Coreth, Nic Fiddian Green) Sophie Marsham Stephanie Cushing Tim Hollins
Explore abstract outdoor sculptures installed throughout Kew’s botanic gardens in a scenic outdoor trail featuring one of Britain’s leading contemporary Sculptors, Simon Gudgeon, and international Artist, Mark Dedrie, incredible life-sized animals by Piers Mason and Hamish Mackie and figurative pieces by Paul Vanstone. Also on show will be work by a range of contemporary artists represented by Sladmore Gallery including Nic Fiddian Green, Mark Coreth and Kendra Haste. Complementing the outdoor trail will be an inspiring display of indoor sculptures from Geoff Jeal, Simon Jago, Marcia Raff, Ann Coomber and many others. INEX-ONLINE.COM
There will be a wide range of work and styles spanning classic, modern and contemporary. Mediums include marble, stone, bronze, ceramics and glass. All works exhibited will be available to purchase, offering visitors the chance to view and own original works of contemporary art. Sculpt at Kew is a four-week, international outdoor sculpture trail curated by leading exhibition and event organiser, Handmade in Britain, in collaboration with Kew Gardens. The exhibition will be open every day from 10am to 6pm, Monday 18th September to Sunday 15th October and is included in the cost of garden admission. A full colour exhibition catalogue and guide will also be available.
Kew Gardens The Royal Botanic Gardens, Kew, is a world-famous scientific organisation, internationally respected for its outstanding collections as well as its scientific expertise in plant diversity, conservation and sustainable development in the UK and around the world. Kew Gardens is a major international and a top London visitor attraction. Kew’s 132 ha of landscaped gardens, and Kew’s country estate, Wakehurst, attract over 1.5 million visits every year. Kew was made a UNESCO World Heritage Site in July 2003 and celebrated its 250th anniversary in 2009. Wakehurst is home to Kew’s Millennium Seed Bank, the largest wild plant seed bank in the world. Kew receives approximately just under half of its funding from Government through the Department for the Environment, Food and Rural Affairs (Defra). Further funding needed to support Kew’s vital work comes from donors, membership and commercial activity including ticket sales. handmadeinbritain.co.uk «
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Above: Philip Blacker will be a featured sculptor at Sculpt at Kew Right: Sladmore Gallery will be representing an array of contemporary and 20th century artists, including Nic Fiddian Green
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26 EXPOSE
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27
Wimbledon wonder
EXPOSE
As tennis fever floods Britain with a fortnight of the 2017 Wimbledon Championships, there’s no better way to embrace the occasion than with the new custom-made ‘Grass’ armchair from Bespoke Sofa London.
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sing techniques passed on through years of experience via artisans, Bespoke Sofa London continues to create high-quality, luxury handmade furniture from concept design through to completion, with the ‘Grass’ armchair being no exception. The perfect statement seating for the games, this creatively curated tactile piece of furniture has been cleverly upholstered in artificial grass with a rich green appearance that adds a playful modern twist to its elegantly classic shape. Sporting scrolled arms and a high back, the bespoke design features decorative daisy-detailing in a button-back style and is filled with sumptuous foam and feathers for the ultimate in luxurious comfort. Its superior solid beech wood frame has been delicately carved by hand, while its Queen Anne-style solid wood legs, with a Jacobean stain, are tailor-made to a customised height to ensure each exquisite piece caters for each individual client. Using the finest quality materials from around the UK, expert manufacturer of fine furniture, Bespoke Sofa London, draws on the highest standards of British craftsmanship at its London workshop to ensure an unrivalled collection with long-lasting appeal. Bespoke Sofa London is a British leading manufacturer of luxury sofas and bespoke furniture for both commercial and retail. The furnishings bring the opulence of a five-star hotel into homes. Bespoke pieces can be commissioned for clients following individual consultations. Each piece is hand-created by artisans and the solid beech wood frame guaranteed for 15 years. bespokesofalondon.co.uk «
Left: Its superior solid beech wood frame has been delicately carved by hand Top right: Sporting scrolled arms and a high back, the bespoke design features decorative daisy-detailing in a button-back style Middle right: A rich green appearance adds a playful modern twist to the chair’s elegantly classic shape Bottom right: This creatively curated tactile piece of furniture has been cleverly upholstered in artificial grass
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28 BAR DESIGN
Here: Solus Ceramics has added a touch of class to Be At One
Setting the bar at Be At One Leading tile supplier, Solus Ceramics, has added a touch of class to the new Be At One cocktail bar in Birmingham with the installation of its Opulence and Program floor and wall tile ranges.
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ounded by Bartenders Steve Locke, Rhys Oldfield and Leigh Miller, the first original Be At One Bar opened in Battersea Rise in 1998. Since then they have created 30 bars around the UK, with Birmingham being the 31st site. Located on Piccadilly Arcade, just outside of the newlyrevitalised New Street Station, Be At One is a destination cocktail bar serving over 150 drinks with an unbeatable INEX-ONLINE.COM
party atmosphere in the heart of Birmingham city centre. Fusion Design and Architecture, which has worked with the brand for eight years and developed many of the bars within the renowned chain, designed the late-night venue.
Solus Ceramics was thrilled once again to collaborate with Fusion Design and Architecture and supplied a variety of unique, exciting tile ranges to the bright, bold and energetic bar. The venue, which is situated at basement level, features a vast quantity of traditional-style tiles from the Opulence range. The neutral, gloss tiles from the Opulence range were selected in two sizes to create a chic banded pattern and were paired with a detailed complementary decor tile. The neutral hues of the tiles provide a wonderful canvas for the complex mood lighting that changes periodically.
020 3544 4002 sales@ajp-bathrooms.co.uk www.ajp-bathrooms.co.uk
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31 BAR DESIGN
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05 On the bar front, the designers selected a high-end, handmade hexagon tile in a serpentineinspired emerald colour, making the focal point of the establishment really standout. In the male bathrooms, marbleeffect tiles from the Palace range were used on the walls and paired with plain grey tiles from the versatile Program range that were laid in a herringbone pattern. Solid grey, glass mosaics from the Glass Source range completed the space. Featuring similar wall and floor tiles to the adjacent male bathrooms, the female bathrooms were given a blush of colour with a pink mosaic.
Jonathan Richardson, Associate at Fusion Design and Architecture, said: “Be At One Bar in Birmingham has been a fantastic project to work on, seeing the transformation of a regular building into a unique, classy cocktail bar. “One of the key aspects of the brief was to implement a design aesthetic that would be timeless. We specified Solus Ceramics’ Opulence range not only for its aesthetic appeal, but also because of its durability. Having worked with Solus Ceramics before, we knew that with the versatility of the tiles and the fantastic ranges of colours available, we would be able to implement the visuallyappealing interior we were hoping to achieve. “With the bar at basement level, there isn’t any natural light, so it was vitally important for us to implement bright and bold tiles to bring colour into the room. The Opulence range complements the decor of the bar and has allowed us to implement a design aesthetic that brings a new sense of style and vibrancy to Birmingham.”
01: One of the key aspects of the brief was to implement a design aesthetic that would be timeless 02: With the bar at basement level, there isn’t any natural light, so it was vitally important for Fusion to implement bright and bold tiles to bring colour into the room 03: On the bar front, the designers selected a high-end, handmade hexagon tile in a serpentine-inspired emerald colour 04: The neutral, gloss tiles from the Opulence range were selected in two sizes to create a chic banded pattern 05: The neutral hues of the tiles provide a wonderful canvas for the complex mood lighting that changes periodically
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32 BAR DESIGN
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02 Michael Irvine, Area Sales Manager at Solus Ceramics, said: “Using a variety of relatively traditional ranges, the designers have created something very unique, modern and interesting. I particularly like the look of the classical patterned Opulence decor paired with the field tile, which makes a real feature of the wall space in the bar.” Solus Ceramics is an established porcelain, ceramic, glass, metal and natural stone tile supplier, offering a huge range of over INEX-ONLINE.COM
100,000 products, directly sourced from manufacturing partners. Tapping into strong manufacturer relationships and the company’s wealth of experience, Solus Ceramics consistently remains at the forefront of the latest developments and trends within the tiling industry. Working with architects, interior designers and other professional specifiers, the company delivers technical and aesthetic solutions into a wide variety of tiling projects across Europe. solusceramics.com «
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01: The female bathrooms were given a blush of colour with a pink mosaic 02: In the male bathrooms, marbleeffect tiles from the Palace range were used on the walls and paired with plain grey tiles 02: Solid grey, glass mosaics from the Glass Source range completed the male bathroom
Style. Quality. Luxury. Innovation. With Hudson Reed, you can have it all. Combination bathroom furniture offers a unique range of space saving storage solutions for the smaller bathroom.
For more information or to request a brochure please visit us online, or call 01422 417099. www.hudsonreed.co.uk
Grey Avola Combination Furniture.
Image © MY Furniture
34 COPPER
Copper – an age-old history The relationship between copper and humanity stretches back to prehistoric times – with a major stage of history named after a copper alloy – and into the future, as it enables renewable energy technologies, electric vehicles and consumer electronics. In this article, the Copper Development Association takes a brief look at how and where that relationship developed.
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he oldest copper findings come from Asia Minor and Iran, and are over 9000 years old. They are fragments of beads and brooches decorated with copper particles – a demonstration of the red metal’s beauty being among its first recognised properties. At that time, the material was hammered out of natural surface deposits of pure copper. Basic methods of metal extraction and processing slowly developed between the end of the New Stone Age – or Neolithic period – and the Early Bronze Age. This is why the period is sometimes called the Copper or Copper-Stone Age. Prior to this, our knowledge of metal processing INEX-ONLINE.COM
was so basic that tools and weapons were made from stone. Between 3200 and 1160 BC, the Egyptians had extensive state copper mines on the Sinai peninsula, in which copper ore was intensively exploited and processed. At the same time, they developed techniques to solder copper plates. Copper-related trade grew in economic significance, reaching a zenith at the end of the first century BC when, for the first time, objects were produced by hollow casting.
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Image © Catchpole & Rye
Image © Boca do Lobo
Image © Tom Dixon
COPPER
As previously mentioned, the Bronze Age is named after the alloy of copper and tin. Copper remained the most important metal for a long time, even after methods had been developed for processing iron. Copper played a significant role in finance in the Roman Empire. The Romans used bronze bars as a means of payment from 500 BC onwards, long before the modern concept of money developed. A law stipulated the equation ‘one cow = 10 sheep = 100 pounds of bronze’. Stamped bronze bars appeared around 300 BC, weighing ‘one pound of copper’. By stamping the bars, the state guaranteed the purity of the metal and the weight of the bar. In the Middle Ages, copper was widely used for jewellery and objects for daily use, as it is today. It also developed into a highly prized metal for chemistry. From the 13th century
onwards, metallurgy became a huge field of experimentation for chemists, and it continues to this day. Without copper, the modern era as we know it would never have come about. The events that marked its dawn – the discovery of America and the invention of the printing press – would simply not have been possible without copper. Centuries later, copper-zinc alloys were used to create brass, which has multiple uses and helped Britain transform itself into a leading industrial nation. Since the discovery of electric current, copper has been used in almost all fields. It is an essential material in modern industry, and key to future technologies. It seems our love affair with the red metal is not likely to end any time soon, particularly when it comes to interiors! copperalliance.org.uk «
Far left: MY Furniture’s Panatella copper side table and coffee table Middle: Tom Dixon’s first flagship store in south east Asia Bottom left: Catchpole & Rye’s The Copper Bateau Above: Oblong Hallway by Boca do Lobo
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36 WALLCOVERINGS
The world of wallcoverings
Armourcoat is a market-leading manufacturer and specialist contractor of decorative surface finishes. Here, Inex talks to Armourcoat’s Group Marketing Director, Daniel Nevitt, about future design trends and how the international aspects of the business help to influence product development.
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e’re fortunate at Armourcoat to have the opportunity to access an international group of businesses and can quickly channel ideas for decorative finishes into market-ready products. Working with our international team of partners and customers, we consider design trends at a local and international level and they often influence one another. Traditionally, Europe has been considered the centre for design excellence and the source of new trends in surface finishes and colour themes. However, we’ve seen traditional and modern aspects fusing to create new directions from the Middle East, Africa and southern Europe. This adds greater potential for cross-market development and also flavours our design team with a global colour palette and forecast for future trends. Over the past few years, we have worked on projects across all market sectors including boutique retail brands, luxury resorts, hospitality groups, healthcare and commercial. We also have a significant business in the residential sector with discerning clients. The underlining design principle across all these projects considers the seamless nature of the brand finishes particularly for large-scale application, together with the recognition of the value of natural mineral materials being hand-applied by talented artisan
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applicators. The idea of small-batch material, customdesigned finishes for a particular client, perhaps even a complete one-off, never-to-be-repeated effect, resonates with the specifier and end customer alike. A popular current theme is the use of concrete colours for a distinctly urban, industrial style, perhaps combined with metal rust and verdigris colours. We are currently seeing a shift towards the specification of more luxurious metallic, opulent reflective surfaces. Also we note the subtle use of distressed or antique effects, such as the cracked gesso finish. Another important style is the use of geometric forms and repeating patterns, together with intricate layered pattern details. This could be in the form of a seamless 3D sculptural surface or by using precast shapes which work together to produce large-scale decorative effects. Precast or modular panels are a distinct trend as some sectors make a preference for off-site construction. This is favoured by both contractors and their clients due to the shorter construction schedules with less delays and cost overruns. Often projects are under tight deadlines for completion or it is impractical to work with ‘wet’ plastering trades on site. Modular solutions can be highly customised to suit the client, sent directly to site and installed by a joiner or millworker in a few hours.
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Here: Armourcoat’s local partner, Southwest Progressive Enterprises, expertly installed over 1400m2 of Smooth and Pitted Armourcoat Polished Plaster finishes, which included the impressive two VA seals measuring 64m2 and the American flag at 16m-high Left: Another important style is the use of geometric forms and repeating patterns, together with intricate layered pattern details
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38 WALLCOVERINGS
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39 WALLCOVERINGS
Consideration is increasingly being given to the positive effects of interior design to health and wellbeing, well-documented for patients in healthcare environments. The use of calming hues, colour-coding for wayfinding, with surfaces recreating natural forms help improve both client and staff morale. The new ‘Project Legacy’ veteran hospital in New Orleans, USA, for the US Department of Veterans Affairs, designed by Studio Nova (a joint venture comprising NBBJ, Eskew+Dumez+Ripple and Rozas Ward Architects), demonstrates this on a impressive scale. The Southeast Louisiana Veteran Healthcare System (SLVHCS) – or ‘Project Legacy’ – is designed to replace the original VA medical centre lost to hurricane Katrina. SLVHCS has a five-day capability to operate independently, applying the lessons learned from the hurricane, to create a resilient hospital infrastructure. The facility honours veterans’ service and reflects the culture of New Orleans. Colour, material and spatial cues were designed specifically with their needs in mind. Some colours were chosen to celebrate military service. Others including some sandy or olive-drab hues were avoided to prevent associations with combat. Armourcoat’s local partner, Southwest Progressive Enterprises, expertly installed over 1400m2 of Smooth and Pitted Armourcoat Polished Plaster finishes which included the impressive two VA seals measuring 64m2 and the American flag at 16m-high. For the millennial audience, we have worked with projects where social media-friendly backdrops for hospitality interiors are explored. Creating decorative focal points and reference wall finishes, perhaps including understated branding, offer ‘selfie’ hotspots to promote peer awareness. A great example is the renovation of the latest Las Vegas strip hotel by Elkus Manfredi Architects.
The Boston-based architect firm converted the original Imperial Palace hotel into a lavish property specifically designed for the Net Generation. The new Linq Hotel boasts 2500 rooms, a casino, retail space, pool deck, vortex roof and full service spa featuring a corridor of custom-finished ArmourFX panels. Elizabeth Lowrey, Principal and Director of Interior Architecture at Elkus Manfredi Architects, explored the idea of ‘instagramable’ backdrops within the property. This was done to redefine the hotel’s purpose in the city and also with the millennial audience’s heavy use of social media in mind. The Linq Spa includes Armourcoat Timber Effect panels created from Douglas fir planks that are hand-worked to achieve different aesthetic qualities. The panels offer great design options, often replacing exotic or expensive timber for commercial projects. ArmourFX Timber Effect panels have been used to replace or match Shou-SugiBan Japanese charred planks or, as in this project, mountain pine beetle blue-stain timber. Armourcoat has its UK head offices in Sevenoaks and has a wholly-owned US subsidiary business based in Las Vegas. Developed over 30 years, the company works with a network of partners and customers enjoying product sales and installation into 80 countries. The UK business manages the manufacture of the brand’s wide product range, global distribution and technical support. It also runs a significant contracting business operating in the UK and Europe. armourcoat.com « Far left: For the millennial audience, Armourcoat has worked with projects where social media-friendly backdrops for hospitality interiors are explored Top: Creating decorative focal points and reference wall finishes offer ‘selfie’ hotspots to promote peer awareness Middle: A popular current theme is the use of concrete colours for a distinctly urban industrial style Bottom: Armourcoat is currently seeing a shift towards the specification of more luxurious metallic, opulent reflective surfaces
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40 DECORATIVE ACCESSORIES
Antique versus modern-day accessories When buying antiques, you may be buying into history. Each piece has its own story to tell and will probably have travelled far since it was first created. But the important thing is the story for the homeowners, says Marc Weaver, Owner of Guinevere Antiques.
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hen I walk into my home, I can tell a tale about how and when my wife and I bought each piece and normally who from. These are chosen not necessarily because they go well together, but because we like them and so putting them all together creates an interior that reflects upon us. Quite apart from the fact that as these are all unique pieces; the interior is also unique. INEX-ONLINE.COM
Many of the antique pieces display a level of skill and craftsmanship that you simply don’t find today. Sure there are still some artisans working out there creating stunning objects, but remember, you are effectively paying them by the hour so the more exquisite; the more prohibitive the price becomes. So in this respect antiques are good value for money. Finishes and materials such as lacquer, micro-mosaic and shagreen are as popular today as they were when first created and beautiful examples constantly appear on the market. A bit like driving a new car off the forecourt, buying a modern-day accessory, such as a photo frame or a
decanter, loses its value as soon as it leaves the shop. With an antique item, not only are you purchasing something that your clients are unlikely to see in somebody else’s home, but you are also buying an item with value. Should your client decide that it no longer works with their interior or that they need the space for more antique finds, they can easily sell it on. And, if they choose their timing well, it might be possible to sell it for a profit!
41 DECORATIVE ACCESSORIES
Quality Glassware is a very good example of how quality has changed over time. From the weight of the crystal to the cut and design, antique glasses tend to offer much better value for money. Good quality English and Irish Regencycut crystal has never been better value. Often it’s the detail that makes all the difference. Due to production costs, designs today are often pared back. Many antique decorative accessories such as caskets, photo frames and boxes have incredible detail which shows off the craftsmanship to maximum effect. In addition to the limitations of modern craftsmanship, many antique pieces can not be recreated today simply due to the materials no longer being available. Limited supply at the time would have made the item even more sought-after and has preserved the material for generations to come. Bluejohn is a good example of this. A fluorspar from Derbyshire that was mined, there is simply no more available. Some techniques have also been lost. In the early 20th century they developed a way of bonding sheets of tortoiseshell invisibly that can no longer be achieved. Attention to detail Antique sculptures often display better proportions and attention to detail. For example, with our German 19th century sculpture, cast in copper and finished to look
like bronze, you can almost feel him pulling on the strap – and his helmet on the floor is a work of art on its own. Priceless antiquities have been copied throughout the ages. Lately known as ‘Grand Tour’ pieces, these have a desirability of their own. Quite apart from the fact that although it is a reproduction; it is still an antique and made using techniques that would be too costly today. From unique to extraordinary, there is so much more to be explored and discovered in the world of antiques. While many trends come and go, if you buy antique pieces that you love then you’ll never tire of them. Whether you go large or simply interject an interior with smaller decorative pieces, antiques will create a unique and personal space. A journey of discovery and understanding that can take you in many unexpected directions. guinevere.co.uk «
Far left: Whether you go large or simply interject an interior with smaller decorative pieces, antiques will create a unique and personal space Top left: An antique German 19th century sculpture of a gladiator standing astride his helmet and tying a strap to his arm Bottom left: A late 19th century bronze statue of Perseus, after the original found at Herculaneum which is now on display in the Archaeological Museum of Naples Middle: The attention to detail and craftsmanship found in this 20th century Sadeli (micro-mosaic) frame is another example of delicate detail Above: This bohemian gilt filigree casket c.1890 is a fabulous example of incredible detail. The pale opaque green glass is overlaid with detailed cut-out bronze sheet which is then gilded, with mounts added later.
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42 PRODUCT SPOTLIGHT
Now a product that can MATCH your vision Too often, new interior products offer limited choice and scope, asking interior designers and specifiers to compromise on their vision with restricted decorative patterns and potential applications. However, MATCH decorative panels from Vicaima present a completely new scenario.
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he new designer panel range removes limitations experienced with more commonly used decorative finishes and allows limitless design possibilities with multiple applications ranging from wall panels to furniture. MATCH is a revolutionary decorative panel that uses innovative technology and advanced production processes to create tailor-made graphic solutions directly onto veneered and other base layers. With the ability to recreate natural materials like stone, textile, metal or unique surfaces. In this way a collection of decor elements can be brought together to create synergy to a theme or chosen style, such as wall panels, door surrounds, feature bedheads, lobby displays and numerous furniture elements, untethering creative flair and removing the boundaries to realising unique concepts. Depending upon the desired application, Vicaima MATCH is available in a selection of panel types with differing physical and mechanical properties, appropriate to their desired performance and covered by EN standards. These include plywood, MDF with improved INEX-ONLINE.COM
resistance to fire or moisture, among others. ‘Choice of Surface’ finish is also flexible, with everything from dull matt to mirror-like gloss. The combination between the composition of the product and the advanced manufacturing technology used with the surface materials, allows Vicaima to achieve unparalleled results. This is perhaps particularly illustrated in the use of surfaces utilising natural veneers, where the product is able to reproduce original and unique designs to spectacular effect. With outstanding performance, product flexibility and the ability to create a truly unique space, MATCH introduces a new real freedom for interior design. It offers complete inspiration for a wide range of markets including residential, hotels, retail, corporate environments, schools, medical and public places. Why not take a closer look at MATCH yourself by visiting Vicaima’s stands at 100% Design, Olympia, from 20th to 23rd September, where you can see MATCH first hand. info@vicaima.com « vicaima.com « 01793 532333 «
Top: Depending upon the desired application, Vicaima MATCH is available in a selection of panel types with differing physical and mechanical properties Middle: A collection of decor elements can be brought together to create synergy to a theme or chosen style Above: With outstanding performance, product flexibility and the ability to create a truly unique space, MATCH introduces a new real freedom for interior design
43 PRODUCT LANDSCAPING SPOTLIGHT
Christopher Hyde continues to develop its range of lighting In keeping with changes within the lighting industry, Christopher Hyde offers advanced LED technology with both integral and retrofit energy-saving lighting solutions. This includes its ranges of picture lights. The classic Chelsea picture light is also available with LED. Each light is hand-finished in up to 20 different finishes and, if requested by the client, made to a bespoke length. Take advantage of the long lamp life, lower maintenance, and energy efficiency of Christopher Hyde’s LED light fixtures. Why not take the opportunity to visit the London showroom to discuss any projects with an expert. christopherhyde.com 0207 351 0863
Woven Image introduces Balance The latest collection of peel‘n’stick wall and ceiling tiles, Balance sees an even more superior quality of sound absorption from Woven Image. Balance, which consists of three proportionally-sized tile products in nine colourways, is made from award-winning EchoPanel in the 24mm thickness – achieving up to an outstanding 0.85 NRC value while radiating an elegant, designer surface finish. The wider range of acoustic tile designs, including the colour range options and high-quality finish found on either printed or plain Mura, as well as EchoPanel, provides an endless stream of design options and configurations that can be created for a number of settings and spaces. wovenimage.com +61 299 138668
Charles Leon announced as new BIID president The BIID (British Institute of Interior Design) has announced its new President for 2017-18, Charles Leon, Founder of Leon Black Architectural Interior Design and BIID Council Member. Charles will be inaugurated into the role at the BIID Annual General Meeting succeeding current BIID President, Susie Rumbold. Charles Leon is a highly experienced member of the BIID council, joining in 2013 as the organisation merged with the Interior Design Association (IDA) where he was formerly Chairman. Charles now leads the Professional Practice Committee, working with both students and interior designers alike through the BIID Professional Pathway. biid.org.uk 0207 628 0255
Roca’s One Day Design Challenge is a huge success On Saturday 17th June, Roca’s much-celebrated One Day Design Challenge took place for the first time at the Roca London Gallery. Young designers and professionals assembled at the acclaimed Zaha Hadid-designed space to think creatively and challenge their skills in designing new water-saving products for the bathroom. Participants were invited to ‘design one or several products’ to meet this brief, with 54 individuals and teams at the gallery, as well as online applicants working hard over a six-hour period. Over 100 competition entries were generated for the expert panel to consider. After much deliberation, Suheyl Onal was awarded first place for his innovative Water Line concept. uk.roca.com 0207 610 9503 INEX-ONLINE.COM
44 PRODUCT SPOTLIGHT
Hamilton to debut ‘primedfor-paint’ plates at DECOREX Following a successful show last year, Hamilton Litestat returns to interior design exhibition DECOREX from 17 to 20th September, held at Syon Park, London. At the event, Hamilton will launch its popular Hartland CFX and Sheer CFX ranges in a new primed finish that can be painted to match any interior colour or theme, making customisation even more accessible.
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amilton’s new primed finish plates will be displayed on stand H37a at the show, which is a key event for interior designers. As well as the sleek and modern Hartland CFX and Sheer CFX ranges, Hamilton will also extend the primed finish option to any bespoke plates so they can be painted to match a wall colour, wallpaper or soft furnishings. The primed plates are available with a choice of insert finishes, from bright chrome to antique brass, and with either black or white inset surrounds. DECOREX takes place ahead of Hamilton’s 50th anniversary celebrations in 2018. During the past five decades, the familyrun British business has become renowned for supplying highquality decorative electrical wiring accessories, lighting control and multi-room audio systems that are manufactured and finished to an exceptional standard. It will have a plethora of its products on show that have been designed to create the right look and ambience in any space, while meeting the exacting project demands of architects, interior designers and tech-savvy homeowners. INEX-ONLINE.COM
24/7 connectivity Amongst the solutions on show will be its increasingly popular range of USB switched sockets. Available in Hartland, Hartland CFX, Sheer and Sheer CFX designs, these USB sockets ensure the latest smart devices can be easily charged through a USB port, fulfilling the need to be connected 24/7. Unlike some of Hamilton’s competitors, its dual USB switched sockets have a 1A-rated USB port for charging mobile phones and a second 2.1A USB port for tablets and other devices, meaning double the charging capacity simultaneously. Create a colour wash with light Hamilton will also showcase its Smart Lighting Control, including its RGB DMX control option. This allows a colour wash to be applied to an area using LED lighting, helping to add drama, create a certain ambience or to ‘zone’ specific areas of a larger space. Typically popular in the bars, hotels and restaurants, this on-trend lighting solution is becoming more desirable domestically and is adding flair to homes and hotels. Free designers’ swatch Hamilton will also be providing free designers’ swatches at stand H37a, which is a great tool for illustrating its
vast range of product finishes. Divided into two-tone boxes, the ‘Warm’ collection includes Polished Brass, Richmond Bronze and Connaught finishes, amongst others, while the ‘Cool’ collection includes Bright Stainless, Black Nickel and Satin Chrome. The finishes can be applied to Hamilton’s enormous collection of switch and socket plate designs. Design your own However, if you can’t find exactly the right solution for you, Hamilton’s team will be on-hand to discuss its bespoke design and finishing service. The team can create an electrical wiring accessory that’s as unique as your design theme or has the exact functionality that you need. This is particularly helpful for those working on hotel projects where bespoke multifunction plates are needed. To find out more and speak to one of the Hamilton team, head to stand H37a at DECOREX. info@hamilton-litestat.com « hamilton-litestat.com « 01747 860088 «
Top: If you can’t find exactly the right solution for you, Hamilton’s team will be on-hand to discuss its bespoke design and finishing service Above: Hamilton’s new primed finish plates will be displayed on stand H37a at this year’s DECOREX
45 PRODUCT SPOTLIGHT
Stay crisp and clean with BLANCO’s Pleon sink BLANCO has introduced the minimalistic and timeless Pleon sink to its impressive portfolio. There are three models to choose from – Pleon 5, Pleon 6 and Pleon 6 Split – all featuring a striking linear design. The sinks are made from the durable Silgranit PuraDur, and are available in all 11 colours in the CombiColour range. There are also optional accessories for the Pleon. These include an elegant ash compound chopping board, a hang-in multifunctional colander in stainless steel and a practical bowl rack. The innovative new InFino waste system and the concealed hygienic C-Coverflow complete the look. BLANCO also offers a selection of mixer taps which complement the Pleon sink. blanco.co.uk 01923 635200
Silestone N-Boost – a revolution in surface technology Cosentino has revolutionised the field of quartz surfaces with the launch of a pioneering new technological development – Silestone N-Boost. Silestone N-Boost modifies the surface of the material at a molecular level to make the cleaning and maintenance of Silestone even easier, as well as achieving a greater intensity of colour and surface brightness. It enhances the functionality and beauty of the quartz surface and its water-repellent properties achieve an extraordinary level of stain resistance. The N-Boost treatment alters the surface tension of the material and eliminates the microporosity caused by the polishing process to prevent liquid penetration. silestone.co.uk 01256 761229
Lyndon steps up hospitality offering As the luxurious seating and furniture collections from Lyndon by Boss Design continue to bring panache to leading hotels, restaurants, lounges and bars, the company is stepping up its offering with the introduction of a considered collection of products that feature in a sumptuous product guide – the Hospitality Edit. Comprising 13 collections of handcrafted seating and furniture – many of which already grace leading five-star hotels and Michelin-starred restaurants around the globe – the 54-page Hospitality Edit provides a visual and inspiring guide for designers and specifiers looking to bring classic elegance to both traditional and contemporary venues. lyndon.co.uk 01242 584897
Polyflor’s Expona flooring flows through new gym High-performance commercial sheet vinyl flooring from Polyflor’s Expona Flow PUR collection was recently installed in a new gym area at Shrewsbury Sports Village in Shropshire. Two designs from the Expona Flow range were selected to be installed alongside each other – English Oak from the Wood collection and Meadow from the Cosmos collection. English Oak is a traditional timber design featuring a subtle rustic effect, while Meadow is an intense yellow-green shade with subtle pearlescent highlights which creates a fun but functional environment. Available in a 2m-wide format with a 2mm gauge, the UK-manufactured Expona Flow PUR flooring collection includes 50 high-performance wood, stone and abstract designs. polyflor.com 0161 767 1111 INEX-ONLINE.COM
46 PRODUCT SPOTLIGHT
Norcros Pro Gyp-Base Fast Track Sealer enables faster, simpler tiling onto anhydrite screeds Norcros Adhesives, manufacturer of tiling adhesives, grouts and surface preparation products, speeds up tiling onto green screeds with its latest system solution.
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ro Gyp-Base Fast Track Sealer greatly reduces the minimum drying times normally applicable for anhydrite (calcium sulphate) screeds. The new product comprises a three-stage preparation system for fixing ceramic and porcelain tiles onto screeded surfaces. It is sold as a kit containing all the elements necessary to achieve a successful bond, including a primer, moisture suppressant and gritted primer. Used together, the system allows for fast-track tile installation without detracting from the overall screed strength. It also avoids the need for a special tile-to-gypsum adhesive. Pro Gyp-Base Fast Track Sealer can be used on either heated or unheated anhydrite screeds. In an ambient temperature of 20ºC, drying times are down to two hours for the first primer coat and 24-hours for the second. The moisture suppressant and gritted primer require a total of three hours drying time before tiling commences. Screeds need to be a minimum of seven days old and have a maximum relative humidity of 95%.
After drying, tiles may be fixed with the new Norcros Pro Gyp-Base Adhesive. This is a white cement-based, flexible, fibre-reinforced, thin-bed cementitious adhesive specially formulated for fixing fully vitrified porcelain, ceramic and stone tiles to Norcros Pro Gyp-Base Fast Track Anhydrite Screed Sealer. It has a setting time of three hours at 20ºC permitting early trafficking of the tiled installation. The adhesive has excellent thermal ageing properties making it suitable for use on heated floors. norcros-adhesives.com « 01782 524140 « sales@norcros-adhesives.com «
Norcros Adhesives relaunches 4 Into 1 grout range with new formulations and colours Norcros Adhesives is relaunching its successful 4 Into 1 grout range with new improved formulations, new colours, new packaging and marketing support.
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he Norcros 4 Into 1 Grouts & Sealants range has established itself in recent years as one of the leading ranges on the market, known for technical excellence and ease of use, so the relaunch will be of considerable interest to both fixers and distributors. The new range has been considerably expanded and now includes a total of 15 colours. The products have been reformulated to be efflorescence-resistant and water-repellent. Efflorescence is the movement of salts within a porous material, including tiles and grout, to the surface of the material where it can leave an unsightly deposit. In some tiling installations it can be a real problem which negatively affects the aesthetic appearance of a tiled surface. The formulation also contains Norcros Stop Mould Antibacterial additives to protect against mould and discolouration, which can occur when wet areas are grouted. This also means that the grouts can be used either internally or externally and in permanently immersed locations, such as swimming pools. They are suitable for use with all types of wall and floor tiles, including natural stone, especially where a narrow fine-textured joint is required. Containing reinforcing polymers, the new grouts have a high flexural strength, meaning they are suitable for use in areas where movement of the substrate or vibration can occur, such as in heated floors or where tiling has been applied to wooden flooring. INEX-ONLINE.COM
norcros-adhesives.com « 01782 524140 « sales@norcros-adhesives.com «
47 PRODUCT SPOTLIGHT
Urban update for Chiswell Street The recent refurbishment of 4 Chiswell Street by Ben Adams Architects includes Armourcoat’s Istria Polished Plaster wall finish. The once tired office building has been reimagined as a modern and open workspace. A sculpturally fluted wall finished in Istria Polished Plaster and custom terrazzo floor continue a circular motif repeated throughout the design. The Istria Polished Plaster finish is made from a combination of slaked lime, recycled marble powder and special additives. Available in a contemporary range of 72 colours, the Istria finish is full of ingrained surface movement and creates a matt or honed stone appearance. Tonal variation and surface movement within the finish complements other natural materials including wood, stone and fabric. armourcoat.com 01732 467994
New telephone pod brings peace of mind In response to the trend for enclosed private areas that facilitate individual headspace, Boss Design has widened its range of telephone pods. Incorporating an integral shelving option, TP4 provides the ideal area to make private calls and encourages creative and individual working – all vital for a more productive working environment. Boss Design offers three other telephone pods. Whilst TP1 provides the perfect getaway space and offers the ideal solution for individual privacy, TP2 comes complete with a shelving area to place working or personal items. TP3 incorporates all of these features with the added option of personalising the space with branding or other designs. boss-design.com 01384 455570
GROHE Sensia Arena wins ‘Innovative Bathroom Product’ GROHE is delighted to announce its Sensia Arena shower toilet has been named ‘Innovative Bathroom Product of the Year’ in the inaugural Ireland’s Heating & Plumbing Awards 2017. Modern Plant, one of GROHE’s Irish nationwide distributors, entered GROHE’s shower toilet into the awards after helping to introduce the Sensia Arena to the Irish market. Ireland’s Plumbing & Heating Awards’ Northern Ireland counterpart is recognised as the most important event in the heating and plumbing sector. Raj Mistry, Marketing Director at GROHE UK, says : “The Sensia Arena has been designed to be ‘innovative’ and a game changer in the field of shower toilets.” grohe.co.uk 0871 200 3414
Polyflor vinyl tiles help add retro edge to diner A variety of commercial vinyl tile products from Polyflor were recently chosen to create a retro-inspired interior design scheme for Nelson’s Diner in Newbury, Berkshire. Approximately 300m² of Polyflor flooring was installed. Expona Commercial PUR luxury vinyl tiles in Light Grey Concrete were fitted around the booth seating area, with the Black Matrix design used for a highlight arc shade near the bar area. Expona Bevel Line PUR tiles in the pale Portland Stone design were also installed around the bar seating area. Polyflex Plus PU homogeneous tiles in the Anglian Red and Mourne Grey shades were used to create a chequerboard pattern floor in the middle of the diner. polyflor.com 0161 767 1111 INEX-ONLINE.COM
Ion Glass specialise in bespoke architectural and structural glass installations for commercial, residential and heritage buildings
www.ionglass.co.uk
0345 658 9988