Christian Menna Architectural Portfolio by Christian Menna

Chapter 4

Christian Menna Architectural Portfolio 2017 ccmenna@gmail.com +1-909-242-4726

East Elevation

South Elevation

This elevation is looking from the south side of Goat Canyon, where the reflection rooms are located. This elevation shows the distance and relationship between the memorial and the trestle. 1

AGGREGATION THROUGH SCARCITY PAGES

CASA COMO CIUDAD

9 44 --11

10 17 12 - 19

THESIS -IMPRINT UNTITLED 02 28 -- 29 24 35

CONTENTS 2

“Do you mean to tell me that you’re thinking seriously of building that way, when and if you are an architect?” “Yes.” “My dear fellow, who will let you?” “That’s not the point. The point is, who will stop me?”

AGGREGATION THROUGH SCARCITY

- Ayn Rand, The Fountainhead

4 - 11

12 - 19

PAGES

MURMURATION BRIDGE 18 20 - 21 23

CASA COMO CIUDAD

COMMON DENOMINATOR UNTITLED 02

RENDERINGS STRIATED TRAJECTORIES

22 24 27 28--23 29

CONTENTS 06

MODELS KICK IT SPORTS ACADEMY 3630-33 - 37

MODEL MAKING 36 - 37

34 -- 39 35 38

MILLER HULL RENDERINGS 38 - 39

01 01

PROJECT TITLE:

Aggregation Through Scarcity

PROJECT YEAR:

2014

Project Title: Aggregation Through Scarcity PROJECT TYPOLOGY: Studio Project Project Typology: Research Facility LOCATION:Location: La Jolla, California La Jolla, California

Description: The site was situated on a university campus DESCRIPTION: The site; corner of a university campus. The proposed building is to be a research inand the building was to be a research institute. The site offered clues in spatial planning due to stitute; the site offers clues in spatial planning with a man made pedestrian path runa man made pedestrian path running right through Constrained boundaries ning right through it. However the site it. offers other clues;bytothe findsite dimensions of theand the pathway, the grid on placed site formed The concept came from the reaction site aplaced grid was over it ato pattern. see if any obvious organization is occurring. Constrained by the site boundaries and the pedestrian path, the grid forms an organization. of dictyostellium cells when they begin to decay. 400 ft.

DICTYOS TELIUM CELLS

277 ft.

62 ft.

203 ft.

336 ft. 400 ft. 400 ft.

SITE STUDY

246 ft. 26,950 sq ft. 26,950 sq ft.

277 ft. 277 ft.

INTERSECTIONS

62 ft. 62 ft.

203 ft. 203 ft.

336 ft.

32,620 sq ft. 246 ft.

32,620 sq ft.

246 ft.

INTERSECTIONS

PROCESS

CENTERAL POINTS

CMME

CMMW

AN E

LIBRARY WALK SOUTH

CENTER FOR MOLECULAR GENETICS

FIR EL

FIRE LANE

BIOMED LIBRARY

Wall

BIOMED LIBRARY ADDITION

BRID

RIV

GIL NE

CENTRAL UTILITIES PLANT

SITE PLAN

35’

50’

40’

u o

ELEVATION

According to the reactionwas thedone decaying beginofto and those circles havecells when Various site analysis/exploration to arrive tocells the concept the spiral form. The concept is the reaction(spirals) of dictyostelium a they gravitational pull to them the larger they grow, in this way the spirals formed spaces. begin to decay. The process is the application of the decay reaction on site. Inflamed red dots on the diagram seen on the previous Diagrammatically, red below, nodes that show scarcity areas page specify nodes thatinflamed show scarcity anddots, areas seen of inactivity whichspecify are similar to the starving dictyostelium cellsand in their desolate state. of inactivity which are similar to the starving dictyostellium cells in their desolate state. In the aggregation from cell to space the circles were constrained by their own domains they morphed into these constraints and a spatial pattern was formed. 6

Wall Section CASTERS

STEEL C CHANNEL

a. facade connection 3x b. operable facade c. steel cable connection GRID TRACK SYSTEM d. operating facade mechanism e. water drainage/collection f. water proofing RUBBER CUSHIONING g. perferation for natural light BOLT FOR heliostat skin system h.FIXED CONNECTION MODULE i. suspended grid frame WELDED heating, ventilation and air conditioning j. REINFORCING k. steel truss l. double glazing m. maintance cat walk n. connection for heliostat skin o. connetion between modular spaces and structure p. steel deck and concrete slab q. steel truss f r. modular walkways s. steel grid frame for modules t. modular office space

60’

50’

Details c. PRIVATE OFFICE SPACES STEEL CABLE

PRIVATE EXTERIOR SPACES BEGIN TO FORM ORGANICALLY

40’ BOLT & WASHER

DIFFERENTIATION OF LEVELS CREATE HIEARCHY TO SPACE

TRUSS GUSSET PLATE

WELDED

o. CASTERS

STEEL C CHANNEL

GRID TRACK SYSTEM

RUBBER CUSHIONING BOLT FOR FIXED CONNECTION REINFORCING

40’

MODULE WELDED

According to the reaction the starving cells begins to spiral & those circles (spirals) have a gravitational pull to them the larger they grow, in this way the spirals form spaces & domains. In the aggregation from cell to space the circles are constrained by their own domains; they morph to these constraints and a spatial pattern is formed.

40’

W 7

Typing back to the concept of growth and decay occurring through scarcity, the skin system consists

Tying back to the concept of growth and decay occurring through scarcity and forming population, the skin system consists of a grid of of a grid apertures. Thesetoapertures are istriggered to open whenthethere is athe person present, the apertures. Theofaperatures are triggered open when there a person present, the higher occupancy more apertures open, they higher the occupancy the more apertures open, occupants have the ability to control openings are automatically controlled but occupants have the ability to control the openings manually as well.

manually as well.

SKIN SYSTEM THAT REACTS TO OCCUPANCY

0-1

-1

GENETICS

BIOMED LIBRARY

Wall

Wall SectionBIOMED

SECTION A

BRID

SECTION B

CASTERS

N MA

GIL DR IVE

c. PRIVATE OFFICE SPACES SECTION B

[C]

STEEL CABLE

Directorial Office Space

PRIVATE EXTERIOR SPACES BEGIN TO FORM ORGANICALLY

[C]

SECTION A

50’

Details

ll Wa

FLOOR PLANS

60’

ll Wa

CENTRAL UTILITIES PLANT

STEEL C CHANNEL

a. facade connection 3x LIBRARY b. operable facade c. steel cable connection ADDITION GRID TRACK SYSTEM d. operating facade mechanism e. water drainage/collection f. water proofing RUBBER CUSHIONING g. perferation for natural light BOLT FOR heliostat skin system h.FIXED CONNECTION MODULE i. suspended grid frame REINFORCING WELDED j. heating, ventilation and air conditioning k. steel truss l. double glazing m. maintance cat walk n. connection for heliostat skin o. connetion between modular spaces and structure p. steel deck and concrete slab q. steel truss f r. modular walkways s. steel grid frame for modules t. modular office space

[A]

40’ BOLT & WASHER

[Q] Record Keeping

DIFFERENTIATION OF LEVELS CREATE HIEARCHY TO SPACE

[G] Energy Technology Electronics Lab

[E]

GUSSET PLATE

Reusable Energy Lab

TRUSS WELDED

[Q]

[G] Energy Technology Electronics Lab

Lounge

Fabrication Shop OPEN TO BELOW Lounge

[M]

[H] Test Space For Efficient Units

LEVEL 2

ft. ABOVE GROUND 20 ft.20above ground

LEVEL 2

LEVEL 3 o. LEVEL 3

25 ft. and 30 ft. ABOVE GROUND

30 ft. above ground CASTERS

STEEL C CHANNEL

GRID TRACK SYSTEM

RUBBER CUSHIONING BOLT FOR FIXED CONNECTION REINFORCING

PIEZOELECTRIC FLOOR TILES

FORCE

MODULE

WELDED

ELECTRIC STO

40’

ELECTRIC POW

W 9

0202

PROJECT TITLE:

Casa Como Cuidad

PROJECT YEAR:

2014

Project Title: Casa Como Ciudad PROJECT TYPOLOGY: Studio project Project Typology: Community Housing Master Plan LOCATION: San Diego, California San Diego, California Location:

Description: The project is on a 260,000 square-foot block in DESCRIPTION: The project is on a 260,000 sq. Ft. Block in between and eastthe small between Barrio Logan and East Village. The concept of the complexbarrio waslogan to address village. The concept of the complex was to address the small scale residential homes of scale residential homes of Barrio Logan and the urban environment of downtown San Diego barrio logan and the urban environment of downtown san diego and still keep a human and still keep a human scale.units Thethatindividual that create â&#x20AC;&#x201C; blocks all have scale. The individual create the units sub - blocks all have the opensub space in between them a open space in between them andinto brings the city home. This is the a model researching the and brings the city the home. Thisinto is a the model for reshaping modes for of connectivity, urban expansion and expansion how people live workpeople from daylive to day. flexibility in day the mini modes of connectivity, urban andand how andThe work from today. The blocks gives the users opportunities to use their spaces as homes, craft working or business. flexibility in the mini blocks gives of the users opportunities to use their spaces as homes, craft working or business.

The block is divided by a grid into approximately 66 sub blocks. In those sub blocks the program of the units is split up into private spaces separated from each other by The outer perimeter of the site is encouraged to be used for commercial and retail. The open space. The outer perimeter of the site is encouraged to be used for commerce and mercantile. The northern corner of the site closest to the transit center uses the toare city consists larger scaled units to respond to the city toscape. same modules as thenorthern living units oncorner the rest ofclosest the site but scaled to largerof spaces and have massive structures atop the modules/units accommodate more produce.

+ BARIO LOGAN

S A N D I EG O / EAST VI LLAGE

URBAN ENVIRONMENT

HUMAN SCALE

~ 11

P O S S I B L E V A R I A T I O N S, C I R C U L A T I O N & TRAJECTORIES OF VISUAL CORRIDORS

Individual blocks promote communal living and interaction, each individual lot consist of Individual blocks promote communal living and interaction; each individual lot consists of approxiapproximately dwelling spaces. Families have thetoopportunity toif move in,is however if the matelysix 6 dwelling spaces. Families have the opportunity move in, however the family not big family is not big enough to occupy the subplot, the extra space may be rented out or used enough to occupy the sub block, the extra space may be rented out or used for commercial use. The for commercial use. units are established rent to own to encourage occupants to stay and help grow their community. 12

USES & INTERACTIONS BETWEEN ROOFTOPS

r 0

u d k l

The rooftops of of thethestructures arepredominantly predominately I for occupants potential grow The rooftops structures are flat andflat offerand occupants the potential the to grow a garden,tosun bathaorgaruse the space fororsolar Programmatically housingThe opportunities growofin the number the further north-eastrelief on theand site den, sunbathe usepanels. the space for solar the panels. circulation sub-block provides thethe structures more people. This offers orderand from what grow feelstaller liketoa house dis-organized layout of allmore the occupants units. views and natural sunlight for their roof-

tops. The circulation of the sub blocks provide relief and order from the what feels like a disorganized layout of all the units. 13

CIRCULATION

C O M M E R C E, F I T N E S S C O O P E R A T I V E, W A S T E M A N A G E M E N T, & FILTRATION CENTER

ESTABLISHED GREEN SPACES

FOOTPRINTS

PROPERTY LOTS

FLOOR PLANS &PROGRAM

Live Work Units - occupants are able to live & /or work in this space.

Established plumbing

Unites are designed for either living or working; if it is not used for either it is a living space for occupants of the site.

UP UP

The modules of the housing program are of theashousing are capable The to modules be used live program work spaces. capable to be usedconsists as live work com- of The complex of spaces. four The methods plex consists of 4 methods of circulation; the first circulation, the first method of transportation method of transportation connects from the fitness connects from the fitness cooperative and is cooperative and is an elevated walkway/ jogging an elevated walkway/jogging path around path around the site that can be used as a shortthe site that can be used as a shortcut cut or viewing spot for the residents of the complex. or viewing spot for the residents of the The second and most obvious are the pathways for complex. The second and most obvious are the public and which branch into the third method, the pathways for the public and branch into smaller private short cut paths to lead occupants the third method, smaller private shortcut through the sub - blocks. The fourth method of cirpaths to lead occupants through the sub â&#x20AC;&#x201C; culation is most informal and not obvious however blocks. The fourth method of circulation is the lots are spread out in a grid which adds ample most informal, the lots are spread out on clarity of how to maneuver through the complex. a grid which adds ample clarity of how to maneuver through the complex.

POTENTIAL GROWTH

PROPERTY

GEOTHERMAL ENERGY

16 18

MODULAR ADJUSTMENTS

SOLAR PANELS

AGGREGATION TO DENSE BUSINESS AREA

ELEVATED JOGGING PATH

WATER COLLECTION &FILTRATION

0303

PROJECT TITLE:

Murmuration Bridge pedestrian bridgeTitle: Project

Murmuration Bridge Typology: Pedestrian Bridge Escondido, California LOCATION: Project Location: Escondido, California PROJECT YEAR: 2013

PROJECT TYPOLOGY:

The proposal was surroundings & haswas a networking system of DESCRIPTION: Description: to design a bridge that responds to it’sThe proposal to design a bridge that cooperating mechanics. Murmurations are bird flocking clouds; they’re known to have incredible netresponds to its surroundings and has a networking system of cooperating mechanics. working/cooperation & was the inspiration for the bridge design. The bridge responds to it’s occupants; Murmurations are bird flocking clouds, they’re known to have incredible networking/ through their weight & movement the bridge comes to life. From enevelope to lighting, the bridge focuses cooperation and the inspiration for the bridge design. The bridge response to its on give & takewas interactions that are seen in murmuration.

occupants, through their weight and movement the bridge comes to life. From envelope to lighting the bridge focuses on give-and-take interactions that are seen in murmuration.

EXPLODED DETAILED AXONOM ETRIC

Cross Cable Fitting

Cable diameter of 1”

Fiber Reinforced Polymer (FRP) Deck

Gradient Ethylene Tetrafluoroethylene (ETFE) Walls

Dual Cavity Beam Unit

Adhesive Bondline

Mirrored Unit

15’

Parallel Truss System

4’

3 Loading Face Clevis Pin

Piston Rod

1 Branching Point

Pressure Sensitive Mechanism

Trunk Base Heathrow Casting

l ELEVATION

PLAN

80’

Office w/ Storage (160 sf) (200sf)

Office (160 sf)

850’ Café (500 sf)

Restrooms (400 sf)

Office w/ Storage (160 sf) (200sf)

50 ft

100 ft

150 ft

0504

PROJECT TITLE:

Untitled 02 Furniture Project Title:

Untitled 02 Project PROJECT YEAR: 2014Typology: Furniture Location: --

PROJECT TYPOLOGY:

DESCRIPTION: The inspiration furniture designs, however the steel Description: for this piece came from danish mid-century The inspiration for this piece came from brings the piece back to contemporary mid-century modern furniture. The chair uses formal Scandinavian mid century furniture designs. The chair uses formal geometry to achieve a geometry to achieve a minimalistic approach. the used chair isitnot being used acts for as a any books minimalistic approach. When the chair is notWhen being still acts asitastill shelf shelf for any books or bric-a-brac in the hollow space below. I began by cutting the walnut wood or brick-a-brac in the I began bywood cutting the the walnut and forming and making thehollow box. The space box/shelfbelow. has a strip of padauk to balance designwood in the side the box. The boxâ&#x20AC;&#x2122;s has strip offor padauk to balance design in the views. I, thenshelf welded the asteel frame the chairwood to only touch the groundthe in two areas and finallyside views. the rectangle and frame circle cushions were upholstered for touch the piece. I then welded the steel for the chair to only the ground in two areas and finally

the rectangle and circle cushions were upholstered for the piece.

WOOD:

Walnut and Padauk Wood

METAL:

Steel

FABRIC:

Burnt Orange Tweed 23

Project Title: Imprint, In Search for Sacred Space Project Typology: Memorial - Thesis Location: Anza Borrego State Park, California

Mrote ro

Can

yon

Roa

CarrizooGrg eRao d

Description: The Thesis began by exploring the role of sacred space as a retreat from the everyday life, in which the program began as a cemetery. However it shifted when the research began to reflect an alteration occurring in a generation spending so much of their lives on the internet. A cemetery without bodies is interpreted as a memorial for the remainder of the thesis. Although cemeteries and memorials are still being used, the current architecture is not addressing contemporary methods of mourning for today’s society, where technology is sacred. This cemetery requires the body to make a journey and would no longer house bodies but memories. Therefore if this ‘cemetery’ stores no corpses it is simply a memorial, something designed to preserve the memory, the imprints of lives. The thesis arguesContextual for the importance of the body and the need to distance oneself Analysis from too much technology. The site purposefully had no ties to “sacred space” and was an architectural relic to hold on to the balance between life and death. A decommissioned set of train tracks in Anza Borrego State Park, California became the site introducing a journey, and the life and decay of a structure. With the proposed site of the Goat Canyon Trestle for this project, the thesis had a unique opportunity to embrace the journey. This journey consists of three architectural narratives inspired by 3 different stages in life- infancy, ego and transcendence.

Anza-Borrego Desert State Park s

e aCb

600

500

CA 98

600

400

700

beza Roa d

oad

sC ae bzo s

o rlo neOev o Scato

y n r nC treo No

100

Anza-Borrego Desert State Park

Dos

Roa d

Canyon Jojoba

Mount Tule (1413)

Anza-Borrego 90 Desert State 0 Park 1100

32°40'

Anza-Borrego Desert State Park Anza-Borrego Desert State Park

Squaw Tit (1184) 0 110

Gray Mountain (1113) I8

1000

Hig 80

Table Mountain (1245)

Round MountainI 8 (1014)

Old

tain

ain

900 Jacumba Peak (1025)

This map shows the location of the site. The thick black line below represents the border

Anza-Borrego Desert State Park

i dH

between the United States and Mexico. and the curved black line is the Interstate 8 Highway. Lastly for better context the small grid directly above this paragaph is Ocotillo, California.

Chapter 4

195

According to the philosopher Micheal Washburn, there are three different stages of life. If this thesis was to narrate an architecture addressing death, the design of the memorial was going to address the three different stages of life. These diagrams represent the three life stages, in regards to designing for death. This is a design celebrating life and the imprint a person may have on another individual.

Terminal

Parti

Life Stage

3,295 ft.

Structure

2,010 ft.

Architectural Narrative

Terminal

Building Development

Renderings

199

197

Chapel

Grieving Rooms

Way Point

Chapel

Grieving Rooms

Chapel

Grieving Rooms

Chapter 4

Terminal

Life Stages

Infancy The Trailhead and Terminal marks the beginning of the Journey. It is Infancy represents the beginning. It is inspired by the parti and intends to evoke infancy, or fear of the unknown. described as oneâ&#x20AC;&#x2122;s childhood, birth, fragile, In the lobby, the individual is asked to leave their phones and cameras to light, developmental, very early stage and essentially get off the grid, throughout the duration of their stay. The visitor delicate. is handed a sky lantern in exchange, with out really knowing what to do with it yet. The sky lantern holds the light and and has a small pocket with flower seeds. Known of which is told to the user yet.

Ego Parti The ego is the knowledge of self, being aware

The trail-head and terminal mark the beginning of the journey. Itâ&#x20AC;&#x2122;s inspired by the part of the psychic apparatus that the parti and intends to evoke infancy, experiences and reacts to the outside world and fear of the unknown. In the lobby, the and mediates between primitive drives individual is asked to the leave their phones ofand the cameras id and theto demands of the social essentially get off and the physical environment. It is stay, simpley be. grid, throughout their thetovisitor is handed a sky lantern in exchange. The sky lantern holds the light and has a small pocket of flower seeds to release off of the Goat Canyon Trestle the end of the userâ&#x20AC;&#x2122;s journey. of who one is and having/ finding identity.

Transcendence Transcendence is described as departing, reaching beyond and ascending to further depths. Many conceptions of transcendence are known as dying, or entering into a higher realm 134

figu

28 117

figure 4.5

Terminal Exploded

Structural Frame

Steel Pipe Frame

Fabric

Metal Ties

Polytetrafluoroethylene (PTFE) Coated Fiberglass Fabric

Terminal

Vehicle Placement

Information Center Terminal Trail Head

135

figure 4.13

described as Infancy one’s childhood, birth, fragile, It is represents the beginning. described very as one’s childhood, light, developmental, early stagebirth, andfragile, delicate.

light, developmental, very early stage and delicate.

Chapter 4

Ego

The ego is the knowledge of self, being aware who one isofand having/ The ego is the of knowledge self, beingfinding awareidentity. the part of the psychic apparatus that

of who one is and having/ finding identity. Building Development

experiences and reacts to the outside world

the part of and the mediates psychicbetween apparatus that drives the primitive of the id andto thethe demands of the social and experiences and reacts outside world Memorial & Chapel physical environment. It is simpley to be. and mediates between the primitive drives of the id and the demands of the social and physical environment. It is simpley to be.

Transcendence

Parti

Memorial Descends into Canyon

Transcendence is described as departing, reaching beyond and ascending to further depths. Many conceptions of transcendence These diagrams represent methods Transcendence are known as dying, or entering into a higher and purposes for form generation of realm the Memorial. The form began to trace Transcendence is described as departing, topography and was half buriedBuilding into the Development reaching beyond and ascending to further canyon. In order to translate the terminal depths. Manystructure, conceptions transcendence into this theof interior chapel are known as the dying, or entering into aithigher represents absence of space, These diagrams is the represent realm negative space of methods what resembles and purposesthe for form original terminal’s generation form. Theof Chapel is the Memorial. intended to be theThe voidform of the self, began to that trace the missing piece within one’sand selfwaswhen topography half buried mourning a loss. into the canyon. In order to

Site Integration 117

Memorial Descends into into Canyon Memorial Descends Canyon

translate the terminal into this structure.

The

interior

figure 4.5

chapel

represents the absence of space which resembles the

terminal.

The Chapel is intended to be

117

figure 4.5

the void of the self, that missing

piece within one’s self when These

mourning a loss.

diagrams

represent

methods and purposes for form generation

the

Memorial.

Angled Roof for Solar Pads Site Integration Site Integration

The form began to trace the topography and was half buried into the canyon.

In order to

translate the terminal into this structure.

The

interior

chapel

represents the absence of space which resembles the

158

figure4.30

terminal.

The Chapel is intended to be the void of the self, that missing piece within one’s self when mourning a loss.

Angled Roof for Solar Pads

Absence of Space Absence of Space

159

figure 4.31

30 Absence of Space

Chapter 4

Building Development

Elevation

0’ 0’

East Elevation

South Elevation

0’ 0’

16’ 16’

32’ 32’

This elevation is looking from the south side of Goat Canyon, where the Chapter 4 reflection

rooms are located. This elevation shows the distance and

Building Development

Elevation

relationship between the memorial and the trestle.

156

157

figure 4.29

0’ 0’

East Elevation

16’ 16’

32’ 32’

East Elevation

This elevation is looking from the Goat Canyon Trestle. The boardwalk is split show the full elevation. The reflection rooms are located on the highest point of the site.

154

155

figure 4.28

Building Development

Axonometric

Circulation & Chapel

Chapel Explosion

Created Incisions Along the Facade for Sun and Views

161

figure 4.32

Green Technology

Section Perspective

WATER COLLECTION

FORCE

PIEZOELECTRIC FLOOR TILES

EMERGENCY GENERATOR

ENERGY STORAGE THERMAL & SOLAR

INFO./ DOC SERVERS

ELECTRIC SOTRAGE DEVICE ELECTRIC POWER SUPPLY

172

figure 4.41

Ego The ego is the knowledge of self, being aware of who one is and having/ finding identity. the part of the psychic apparatus that experiences and reacts to the outside world and mediates between the primitive drives of the id and the demands of the social and physical environment. It is simpley to be.

Transcendence Transcendence is described as departing, reaching beyond and ascending to further depths. Many conceptions of transcendence are known as dying, or entering into a higher realm

117

figure 4.5

Grieving Rooms

Chapter 5

These rooms aim to encourage users to mourn, grieve, self reflect, contemplate, or simply meditate in solitude. They consist of wood exterior and concrete interior. Through the manipulation of light, rooms are intended to provoke a feeling of transcendence for individuals on site. The journey back to the memorial continues along a boardwalk for a final individual moment, this time intersecting the architectural relic, the Goat Canyon Trestle. At this intersection, between life and decay, is where the visitor is to let go of the sky lantern mentioned on page 28. The sky lanterns were to plant flower seeds where ever they landed within the canyon.

Inside Grieving Rooms

View to Reflection Rooms

figure 4.43

0806

PROJECT TITLE:

Models

PROJECT TYPE:

Process and Final Models

PROJECT YEAR:

2011 - 2015

Project Title: Models Project Typology: Process & Final Models LOCATION: San Diego, CA Location: --

Description: through With the tothis produce excellent DESCRIPTION: With the ability to produce excellent model crafting variousability mediums, spread exhibits models model crafted crafting wtih through various mediums, this spread exhibits models crafted with materials materials such as bass wood, mdf board, cardstock, museum board and cardboard. Models range from 1such inch by 4 inches to 4board, feet widecard by 3 feet widemuseum by 2 feet tall.board Precisely measured models were made range by handfrom and with as basswood, MDF stock, and cardboard. Models 1” assitance a laser cutter,wide CNC router, certain times 3D printed.measured models were made by x 4” to 4thefeet wideof by 3 feet by 2orfeet tall. Precisely hand and with the assistance of Laser Cutter, CNC router, and on certain occasions where 3-D printed.

Laset Cut 1/4” MDF, Gesso, Cardstock, Wood, 3D Printed Resin

Laser Cut 1/4” MDF, Gesso, Acyrlic Paint, Wire, Cardstock, Lavender

Bass Wood, Cardboard, Wire, Acrylic

DESCRIPTION:

Capable of producing high quality visuals, was brought onto the team for rendering & later successfully drafted floorplans through various softwares such as Revit, Lumion and Photoshop at the world-renowned sustainable Architecture Firm, Miller Hull. PROJECT TITLE: IDEA District

0907

PROJECT TYPE:

Renderings for Title: Miller HullRenderings Partnership LLP Project

Project Typology: Renderings for Architecture San Diego, CA Firms PROJECT YEAR: 2015 LOCATION:

DESCRIPTION:

Capable of producing high quality visuals, was brought onto the team for rendering Description: With the capability to produce high quality & later successfully drafted floorplans through various softwares such as Revit, visuals, Lumion was brought onto teams to render different projects. and Photoshop various at the world-renowned sustainable Architecture Firm, The renderings for these different offices were later in the press. Millerproduced Hull.

Rendering for Miller Hull Partnership

Revit > Rhino > Lumion > Photoshop

38 Rendering for Frederick Fisher & Partners

SketchUp > Enscape > Photoshop

39 Rendering for Miller Hull Partnership

Thank you

Christian Menna ccmenna@gmail.com 34