Jean Jacques Porret Ode to Joy II Cast Bronze, Edition of 3
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On the Front Cover Jean Jacques Porret https://www.jjporret.com
Ode to Joy II Cast bronze, Edition of 3 32 in. and 30 in. granite pedestal
On the Back Cover Cheng Cheng represented@circle-arts.com
White Snake Series No.5 Painting on Paper 60 x 75 cm
Featured Artists
JEAN JACQUES PORRET
CHENG CHENG
PAAL ANAND
JULIA ANDRIADOU
PAUL ANTON
ORI AVIRAM
HOLGER A. BAEHR
KATHRYN BAGWELL
DANIEL BH
CORNELIA B. BIENZ
STEPHANIE BING
OLIVIA MARIE BRAIDA
JOVANNA BRISCOE
GLENYS BUZZA
MARINA CAVLINA-KOCH
PREETI & PRASHANT CHACKO
KEN CROST
BEN DE MARCO
VIOLETTA DE SAGA
MELISSA DE WINTER
GLENN DENEVE
MATT DOMINGER
CHRISTINE DRAKE
PING DU
PETE ECKERT
BARBE ENNIS
ALAN FINK
CLAUDIA FISCHER
FITZWALLS
FONG FAI
CHRISTOPHER B FOWLER
CHELSEA FRIES
GAO MUYAN
LARRY GARMEZY
RICHARD GLICK
ADRIENNE GODET
GOLFO ART
MICHAEL IAN GOULDING
DANIEL GRANNAN
PAUL GRÉGOIRE
SAFOURA HAGHIGHI
YUEHAN HAO
SONIA INDELICATO ROSEVAL
DITA JACOBOVITZ
FRANCES JORDAN
GISELA KRAUSE
KAREN KUCHARSKI
RICARDO LAIRES
KYUNGHEE LEE
YOUNGSOO LEE
JULIETTE LEPAGE BOISDRON
LON LEVIN
JIANI LI
ANSON LIAW
SARA LISCH
JIN LIU
RICHARD LJOENES
JOACHIM LOMBARD
MARK LORE
PAUL SCOTT MALONE
GWEN C MANFRIN
PAT MARINO
LINDA METZGER
BERNARD MITCHELL
WILLIAM T MOORE III
L. SCOOTER MORRIS
RIITTA NELIMARKKA
NEONSENSES (NINGXIN ZHANG, SPARK WU)
GABRIELLA NORUM
OLIVIA-PATRICIA O’NEAL
MURAT ÖZBAKIR
ALLEN PENNIMAN
GERGANA POPOVA
CHANTAL PROULX
CARLOTTA RODA
RUHI SALI
MARIA H. SARKANY
STASIA SCHMIDT
SCHMIDT
MIA SEGAERT
JOHAN SIGGESSON
MICHELE SIMONETTI
BETSY STEWART
STUDIO DE PASQUALE
SOTARO TAKANAMI
AVA TESORIERO
E.A TOFTE
IKENNA UMEH
ED VARGAS
FAY WOOD
KIMBERLY WURSTER
KENDRA YAPYAPAN
JEANNINE ZAMBRANO
JOE ZANRÈ
FRANCA ZE
JIANZHONG ZHOU
Jean-Jacques Porret
Mastery and Innovation in Bronze
Sculpture
Porret’s artistic journey is a testament to his profound dedication and inventive spirit in the realm of sculpture. Starting from an early age, Porret’s passion for carving and woodwork was fostered through self-guided exploration and mentorship from esteemed sculptors. His exposure to the creative environments of influential figures like Pomodoro and Moore ignited his fascination with bronze and lost wax casting—a medium he found both challenging and rewarding. Porret’s deep connection with bronze, described as ‘responsive’ and ‘sweet to the touch,’ is evident in his commitment to this demanding material, which he has mastered through years of meticulous practice.
Porret’s sculptures exemplify a unique blend of abstract and figurative elements, reflecting his ability to transcend traditional artistic boundaries. His work resonates with a rhythmic interplay of forms, capturing the essence of human experience through fluid curves and dynamic compositions. This synthesis of abstract and figurative approaches allows Porret’s pieces to evoke a sense of both tactile and visual engagement. His sculptures invite viewers to explore the nuanced dialogue between material and imagination, offering a modernistic yet timeless interpretation of the human form.
The evolution of Porret’s work, particularly his incorporation of marble and granite into his bronze sculptures, illustrates his innovative approach and relentless pursuit of artistic excellence. By integrating these elements, Porret creates a captivating interplay between the forces of nature and human expression. His art, displayed in prestigious collections worldwide, embodies a profound sensitivity and individuality, solidifying his position as a distinctive voice in contemporary sculpture. Jean-Jacques Porret’s contributions continue to inspire and resonate, celebrating the enduring legacy of bronze sculpture while pushing the boundaries of artistic expression.
Ode To Joy II
Cast bronze, Edition of 3 32 in., with 30 in. Granite pedestal
Reve Nocturne Cast Bronze, Edition of 3, 15 1/2 in.
9 ▫ Spotlight 39 ▫ Jean Jacques Porret
Fille de Joie Cast Bronze, Edition of 3, 15 1/2 in.
Jean Jacques Porret
“This diptych represents my thoughts and emotions as a prophetic message about the labyrinthine nature of real life. The ever-changing doors in the Labyrinth symbolize the confusion between reality and imagination, reflecting a universal desire to escape or invade. My work, created with acrylic, collage, and mixed media, embodies this ongoing quest.”
JULIA ANDRIADOU
www.andriadou.gr
Labyrinth A+B
Acrylic and Collage 220 x 140 cm
“My practice centers on creating sensory experiences that evoke silence, serenity, and contemplation, encouraging viewers to disconnect from the digital world. Drawing from 20th-century constructivist geometry and my architectural background, I use layered paper to create tactile volumes that evoke fragility and physicality, inviting a mindful presence and a reconnection with the material world.”
PAUL ANTON
Dasonomia C1 C2 C3
Plinths
Andromeda Rears Pegasus
Photography and Digital Media
“I love stories and storytelling. Stories lie at the heart of the human experience—the myths and legends passed down through generations that help explain the world around us and give meaning to our existence. For my latest photography series, I was drawn to the enduring narratives of Greek mythology and the rich tapestry of tales centered around gods, heroes, and the eternal struggle between order and chaos.”
PAAL ANAND
https://paalanand.com/
Portrait of Medusa Photography and Digital Media
“Color, oil paint, is the main issue in my art. Color is a matter that can be sculpted, shaped, engraved, and shoveled. Being a 20th-century product, realism, modernism, and abstraction are my points of reference and the periods that influenced and shaped me. In the past few years, I’ve become more absorbed in the abstract. Basic forms intrigue me; I keep reverting to them obsessively and am never satisfied. The free play and the relations between shapes and colors are what I relish.”
ORI AVIRAM
This series, featuring ‘Swivel,’ is about negative space and restraint. The artist parallels it to the silence in music, emphasizing its significance. The title ‘Swivel’ implies the motion of the figure and exemplifies Bagwell’s interest in ‘emotional geometry’—how shapes can evoke diverse emotional responses.
KATHRYN BAGWELL
“In my photography, and my art in general, I aim to touch life delicately. I strive to express the subtle nuances—both good and bad, stormy and clear, struggle and privilege. These photographs, taken across different countries, continents, and cultures, ultimately seek to reveal a common baseline and broad perspectives on life.”
https://www.danielbh24.life/
“My acrylic paintings are inspired by the Irish landscapes, particularly the Shannon region where I live. Painting from memory, I distill these scenes into abstract forms that capture the light and moods of the countryside. Through layering and sketching, I create depth and texture, often linking pieces into cohesive series. My goal is to evoke a personal connection in the viewer, inviting them to experience the quiet beauty and emotional resonance of the landscapes I cherish.”
HOLGER A. BAEHR
Blue Mountains, 2023 Acrylic on Deep Canvas 120 x 120 cm
Venice My Love II
Photograph Print dimensions may vary
“The ICM (intentional camera movement) photography gives me the opportunity to paint with the camera. In this way, I can capture and depict a feeling that I perceive and feel in a certain situation much more clearly. It is no longer primarily about a concrete image statement but about sensations and emotions, about the soul or essence of an object or place. The pictures show a dreamy, sometimes magical view of the world and its events. The viewer can sink into them, pause, and be.”
CORNELIA B. BIENZ
“I start painting without any outside trigger of inspiration. The painting process itself is of the utmost importance in my daily life. Painting is comparable to breathing for me. I like to plunge into my painting process as others plunge into a pool.”
“Botanical art represents the ascent of man and parallels the human spirit and its quest for knowledge. My techniques include the Renaissance Canonical Painting Modes, the Dutch style of glazing, and watercolor techniques inspired by Gerard van Spaëndonck’s French Court Velins du Roi period. My work emphasizes perspective to give movement to the subject. Details are created with the paintbrush, and perspective enhances this movement. Images are hand-drawn from actual subjects, not from photographs.”
OLIVIA MARIE BRAIDA
www.omartdesigns.com
Olivia Marie Braida Prayer Watercolor
“My paintings explore themes of girlhood, escapism, and resistance against conventional gender norms. They often incorporate family archival images and childhood memories, blending distorted memory and fantasy to address the experiences of young girls and the desire to confront misogyny and generational trauma.”
But Dad I’m Hot! Oil on Canvas 36 x 48 in.
Contemplation
Charcoal on Paper 56 x 45 cm
“Charcoal on paper is, for me, the soul of all media. The paper can be soft and yielding or hard and brittle, smooth or textured, and the charcoal can glide or drag over it or crumble into it. Fingers can explore the possibilities. Add an empathetic model to the mix, and together you strive to create a work of art that suggests meaning or mystery. How exciting.”
GLENYS BUZZA
www.glenysbuzza.com
“Coincidence leads me to places where the intention would never go. My work is about the beauty of chance that appears during my work. I try to follow this path to create art my mind would never do.”
Marina Cavlina-Koch is an Austrian artist known for her vibrant abstract works. Her art combines dynamic shapes and rich colors, reflecting a spontaneous and intuitive creative process. CavlinaKoch’s pieces invite viewers into a deep visual dialogue, blending abstract forms with personal expression to create striking and emotionally resonant artwork.
“Our work celebrates nature through the beauty of its wild beasts. We photograph in timeless monochrome to create a vision of a time past, but hopefully never finished. In nature, there is a still, ethereal quality that comes and goes in the blink of an eye, and we try to capture those moments for eternity. In our images, we strive to portray our love and respect for the subjects we photograph and the thrill of seeing them in their natural environment. Our photos are printed on fine art archival paper.”
PREETI & PRASHANT CHACKO
https://www.composingthewild.art
White Snake Series No.4
Painting on Paper 60 x 75 cm
Cheng Cheng, a meticulous painter and special editor at Xiling Engravers’ Society, is a prominent member of the Zhejiang Artists Association and the Beijing Artists Association. Recognized as a cultural exchange ambassador for the Beijing Association, Cheng Cheng channels the essence of Chinese classical aesthetics into her art. Her work is celebrated for its exquisite beauty, particularly in her nuanced portrayal of the White Snake myth. By weaving traditional aesthetics with intricate detail, Cheng Cheng brings this legendary tale to life with a distinctive elegance and depth.
CHENG CHENG
chengcheng3969@sina.com
White Snake Series No.1
Painting on Paper
Since the late 1990s, Ken Crost’s journey as a digital artist has been a continuous exploration of the intersection between technology and creativity. The advent of digital technology opened a new realm of possibilities, allowing him to transcend traditional artistic boundaries and delve into the abstract. Ken’s work is a testament to the transformative power of digital tools, which have enabled him to express complex emotions and ideas through vibrant, dynamic compositions.
“I am not one who photographs just one type of subject matter due to my roots as a freelance photojournalist. The varied subjects I shoot are reviewed and contemplated to make them my own personal statement. I achieve this through manipulation, composites, texturizing, and distortion. A photograph of a beautiful sunset, flower, or animal is great, but I didn’t create it; I captured it at that moment in time. Through my process, I make it my own. It is my statement. It is my creation.”
BEN DE MARCO
Feathered
“I am an artist. I can be anyone, as long as it does not hurt anyone. I identify my interdisciplinary approach as ‘Abstractisms,’ which through various mediums conveys an intellectual-sensory premonition of past, present, and future. I explore themes of symbolism, mythology, intercultural interactions, and challenging socially constructed concepts.”
A Posse Ad Esse
Acrylic on Canvas 80 x 60 cm
“As an artist driven by experimentation and a deep love for nature, Melissa frequently uses her art to subtly address environmental issues. Though she has explored various artistic mediums, her journey as an Apiarist led her to delve into the ancient art of encaustic painting. By employing hot beeswax as her base medium, she discovered a unique way to blend structure with spontaneity, layering sketches and paintings into each piece.”
Solitude Encaustic on Recycled Board 95 x 47 cm
“In my world, every canvas is an homage to the inherent beauty of nature. My art, born from a profound connection with the environment, transcends mere visuals to offer a serene retreat from the ordinary. I aim to create not just beautiful imagery but curated experiences. Each piece is a testament to the joy of spontaneous creation, painted only when the moment feels right, ensuring authenticity in every brushstroke.”
Back to Nature #1
Painting
“As an artist, I strive to use my craft to spark conversations about the environment and to encourage others to take action to protect our planet for future generations. Through my work, I seek to capture the fragility of our ecosystems and the urgent need for conservation and preservation. I hope to inspire people to connect with nature and to appreciate the beauty and complexity of the world around us.”
BARBE ENNIS
Photographed by Hornick/Rivlin Studio
“Taking photos as a blind photographer is like a fishing trip. Let me tell you a little story as an analogy. When you go fly fishing, you investigate the whole environment; you learn about the life cycle of the fish’s favorite food. You learn the habits of the fish and their fears. You learn to cast and play with very nicely made tools. Then, if you are lucky and skilled, you catch a fish. Taking photos as a totally blind photographer, working with nice tools, is very similar.”
PETE ECKERT
www.peteeckert.com
“Through
Summer Sunrise
Acrylic on Canvas 18 x 18 x 1.4 in.
Maple Leaf (Acer nigrum)
Watercolor 12 x 16 in.
“Nature is a powerful and cerebral art form. When I combine abstract mark-making with traditional botanical illustration to uncover ‘the order of nature’ (Helen Frankenthaler), it feels like walking a tightrope between the hidden and the obvious. We live in a remarkable ecology—the web of plants and animals is a constant source of fascination. Subjects chosen for a painting are intuitive. It is a precarious balance, stepping outside myself and letting the art develop on its own.”
CHRISTINE DRAKE
www.teravarna.com/artists/christine-drake
“I use circular strokes to recreate new images of world-famous landscape paintings. My refined theme, ‘Dancing with the Nuclear,’ invites people to reflect and critique. Absurdly, in 2022, just after completing ‘Evening in Ukraine,’ the Russia-Ukraine conflict broke out; shortly after finishing ‘In the Crimean Mountains,’ the Crimean Bridge was bombed; and just after completing ‘Jerusalem Landscape,’ the Palestinian-Israeli conflict erupted.”
PING DU
www.facebook.com/profile.php?id=61563785136017
Flower Series; Russia Kuinzhi “Evening in Ukraine” Oil on Canvas 97 x 162 cm
The Discussion Pastel 21 x 20 in.
“Although I paint a variety of subjects, there is something uniquely captivating about people and faces that completely draws me in. Just as I am inspired by the play of light and color in nature, I find myself moved by the emotions and stories that a face can convey. The human expression, much like the changing light in a landscape, offers endless possibilities for interpretation. The use of soft pastels, with their vibrant richness, enables me to capture these qualities effectively.”
ALAN FINK
“My feeling creates my image. Emotions and acrylics, combined with the use of a palette knife and a thick application of paint, sometimes supplemented by materials like sand and coffee grounds, shape grooves, ridges, splatters, and impressions that invite viewers to ‘feel’ the artwork. Experience the inner explosion of color in the details of my paintings!”
CLAUDIA FISCHER
Party’s Over!
Acrylic on Canvas 80 x 60 cm
Photograph 57 x 66 cm
“My passion for photographing horses extended to the zebras of Kenya, including both the Plains Zebra and the endangered Grevy Zebra. The images from this trip, alongside photos of other African wildlife such as elephants, lions, and cheetahs, are available on my website. I also feature a range of subjects including travel, water reflections, and abstract themes.”
Zebra Pair
African Elephant 1
Photograph 57 x 66 cm
Friesian Mare and Foal
Photograph 59 x 58 cm
“Abstract art is a reality that does not exist, a product of thought, momentary feelings, and musical melodies—anything that could serve as inspiration for creation. Artists’ works are often inseparable from their cultural background, and I am no different. Eastern influences constantly guide my path. I use the rhythm of calligraphy and color strokes to create my work.”
”I’ve found three statements that resonate with my approach to photography: The first is from Dylan Thomas, who said art is about telling the truth. The second is from Georgia O’Keeffe, who said what appeals to us about mountains and rocks and trees is not that they’re mountains and rocks and trees, but the lines, planes, and textures they present to us. The third is from Joseph Campbell, who said it’s the task of the artist to convey the radiance behind the physical reality.”
CHRISTOPHER B FOWLER
www.christopherbfowler-photographer..com
The Last Walk of the Day Film Photograph 12 x 18 in.
“’Blue Ridge Parkway’ is meticulously crafted on a wooden cradle board. What makes it truly unique is that it is composed entirely of dried leaves and flowers that I personally collected and pressed from my own yard. Each element has been carefully chosen and dried to capture the vibrant colors and intricate textures found in the landscape of the Blue Ridge Parkway. With great care, I arranged these botanical elements, transforming them into a breathtaking composition.”
CHELSEA FRIES
Blue Ridge Parkway Oshibana 12.5 x 15.5 in.
Richard Glick explores feelings of disconnection from technology through his art. His paintings, created with acrylics, spray paint, inks, and stencils, evoke the grandeur of the cosmos, featuring textured forms reminiscent of planets, stars, and moons. These tactile works reflect Glick’s personal struggle with technology, bridging the gap between digital disconnection and the awe-inspiring beauty of space.
RICHARD GLICK
richardglickstudio.com
Pink Horizon Blue Moon, 2023
Acrylic & Spray Paints Inks and Stencils on Canvas 40 x 40 in.
“Experimenting with humble materials like pulp and exploring their potential is a slow but playful process. It involves gradually developing a personal relationship with each piece through a dialogue with the material. Starting with a typical shape and gradually transforming it into a character full of uncertainty.”
GAO MUYAN
https://muyanmuyan.com
Fake Vases No.5 Paper, Glue, Color Paint 41 x 34 x 8 cm
Photograph Through 400-Year-Old Glass 24 x 18 in
“My photographs chronicle what I find visually and intellectually intriguing in the natural world. The common thread across my work is the effect created by the distortion of light, color, and shape, whether by ripples in a spring, surface tension around a leaf, the convoluted fracturing on a cliff, or the impurities in a 400-year-old pane of glass.”
LARRY GARMEZY
https://www.larrygarmezy.com
Amethyst
Larry Garmezy
Maksim
Photograph Through 400-Year-Old Glass 24 x 18 in. (The original image has been slightly cropped to fit.)
“When life turns and twists, art is my sanctuary. I feel liberated in my own world. Painting ‘Happy at Last’ mirrors my twirl and twist—dark and light parts of my life.”
Happy at Last Acrylic on Canvas
“My artistic journey is driven by a fascination with the macabre, dreamscapes, and the intricate forms of the human figure, infusing each piece with an eerie undertone that beckons viewers to unravel hidden narratives. Emphasizing craftsmanship, I meticulously apply materials to create visually captivating compositions that seamlessly blend reality with the surreal. Through my art, I aim to provoke curiosity, spark dialogue, and transport viewers to realms of imagination and introspection.”
ADRIENNE GODET
www.adriennegodet.com
Nocturnal Whispers Oil on Canvas
“My work celebrates the beauty of the female form and spirit, aiming to uplift and inspire appreciation for life’s beauty. I am fascinated by the physical reality of the body and its potential for transformation into abstraction. My art has been exhibited across North and South America, Europe, and Asia, earning multiple awards and publications.”
MICHAEL IAN GOULDING
www.gouldingphotography.com
Luna XLIII
Michael Ian Goulding
Aileen CCXLI
Digital Photograph 11 x 14 in.
Michael Ian Goulding
Kimberly LXXIV
Digital Photograph 14 x 11 in.
MICHAEL IAN GOULDING
Michael Ian Goulding
Kimberly LXXV
Digital Photograph 14 x 11 in.
Manifestation LG5
Daniel Grannan, a contemporary American artist born in Arizona in 1956, creates abstract paintings deeply inspired by nature and the environment. His works are distinguished by their strong compositions, vibrant colors, and innovative techniques. Focusing solely on colors, textures, and composition, Grannan aims to craft compelling art that transcends specific subject matter, allowing the viewer to experience the visual and emotional impact of his creative process.
DANIEL GRANNAN
www.dangrannan.com
Grannan
“I am a fifth-generation artist whose art blends traditional Persian painting with contemporary elements, creating a mix that connects the old and the new. By avoiding shadows and portraying objects in two dimensions, I convey a divine plane of existence where all creatures are immersed in absolute divine light. Drawing inspiration from the mystical poetry of Rumi, my works seeks to explore the quest for union with the divine.”
SAFOURA HAGHIGHI
Fruits of Life
Gouache 12 x 14 in.
“My pictorial practice delves into various narrative forms related to contemporary human conditions. My work combines fascination and anguish, exploring the complexity of existence and inner duality. Death and injustice are central themes, and my art, often imbued with dark humor, seeks to provoke curiosity and dialogue through narrative storytelling. I frequently use oil on large canvasses.”
PAUL GRÉGOIRE
https://www.paulgregoire.quebec
Picasso in 40 Years, 2024 Oil on Canvas 68 x 84 in.
The Death of Mara & Boulard’s Mansion, 2024 Oil on Canvas 65 x 78 in.
Grégoire
Time Wet-Plate Photograph 35.49 x 28.4 cm
“Nuclear pollution intertwines with the passage of time and life, leaving a lasting impact on our collective memory. The faces and memories of those affected endure in everyone’s heart, shaping lives until death. The aftermath of a nuclear power plant explosion profoundly affects individuals, highlighting the constant clash between human nature and disaster. Is this devastation a victory, or does it mark the beginning of an irreversible descent?”
YUEHAN HAO
https://www.yuehanhao.com
“My Japanese ink on paper art, created through freehand drawing and inspired by meditation, captures my inner world and connection to the universe. The delicate, lace-like patterns formed by circular and geometric shapes symbolize unity and interconnectedness. Through intuitive brushstrokes, these forms come together to represent a harmonious whole, reflecting the unity of all beings.”
SONIA INDELICATO ROSEVAL
soniarosevalartist.net
“I trained at Central St Martins in London and obtained a BA Hon’s Degree in Fine Art. I now exhibit in galleries and group shows across the UK. Passionate about the natural world, I draw inspiration from the forces of nature. I inject both calming and active energy into the homes of my collectors. Working in oils and mixed media, I layer my work using a limited palette. Through tone and texture, I aim to create strong, powerful images that depict nature at its most sublime.”
FRANCES JORDAN
Flaming River Oil on Boxed Canvas 105 x 105 cm
”As for my work, I strive for truth and expression. True is what rises from the depths of our consciousness, if we allow it and succeed in giving it an adequate form. Without this gift from the deepest bottom of our soul, any art remains superficial, even it is ‘well made’.”
GISELA KRAUSE
https://giselakrause.ch
Alles Walzer
Acrylic on Canvas 80 x 80 cm
“Frank Lloyd Wright’s iconic masterpiece, Fallingwater, is the quintessential marriage of nature and architecture, blending beautifully the power of natural elements and the hand of man. In my ‘ArcWater: Fallingwater’ series, I create imagined combinations that further highlight this beauty and vision. I explore how water and light, rhythm and color play a part in the imagery of this fascinating place. I am grateful to the Western Pennsylvania Conservancy for project approval.”
KAREN KUCHARSKI
www.karenkucharski.com
ArcWater Cross Acrylic Paint on Panel 24 x 32 in.
”In my style of painting, there is no preliminary sketch. My creative process is the antithesis of intellectual work; I often surprise myself with the results. Ideas emerge during the process, and the muse appears in the act of creation. The idea unfolds through the unconscious mind, working freely. This is a world of nonrepresentation, art that has shed its forms, focusing on emotions, dreams, and overlapping memories.”
RICARDO LAIRES
Arabesques Oil on Canvas 89 x 116 cm
Ricardo Laires ▫
Inevitability
“In modern society, the expansion of capitalism amplifies human desires, often leading to social violence. Power hierarchies, domestic violence, and war are prime examples. Such social violence suppresses the human psyche, inducing anxiety, fear, and tension. My work contemplates these suppressed desires and anxieties at the intersection of the conscious and unconscious, expressing them through meditative beauty.” lkh.gallery25.co.kr
KYUNGHEE LEE
“Just observing water drops and dewdrops offers a sense of purity, elegance, and brilliance. Tiny dewdrops reflect sunlight and shine like jewels, capturing everything around them like a mirror. This is why dewdrops are called microcosms. Even for a brief moment, the painter hopes viewers will shed their greed and embrace a small sense of purity and innocence, contributing to the purification of a society that has become murky.”
The world Youngsoo Lee’s paintings aim for is absolute aesthetics. Thus, her paintings are rich in aesthetic elements and focus on the beauty of the moment. Dewdrops are chosen as aesthetic materials. She usually paints waterdrops or dewdrops in the morning to capture the world or surroundings reflected in those drops. This is why people who see her paintings have said that the drops she depicts are a small universe, as the reflection of the whole world is in them.
YOUNGSOO LEE
Youngsoo Lee
Natural Image Oil on Canvas 100 x 100 cm
Inspired by animism, Juliette Lepage Boisdron’s aesthetic universe is both fascinating and poetic. Her work features expressive and mystical women, caring insects, large observing eyes, exuberant plants, and numerous animals. She explores notions of femininity, courage, vulnerability, and power, questioning societal codes and the role of women. Her art evokes maternity, family, and transgenerational relationships.
JULIETTE LEPAGE BOISDRON
https://juliette-lepage-boisdron.com
Juliette Lepage Boisdron
“My artwork reflects my deeply held convictions and a unique perspective that challenges the status quo. Employing a mix of traditional tools like pen and ink, oil sticks, pastels, and oil paints, as well as digital image-making tools, I bring my creations to life. While the projects may differ in appearance, they are connected by recurring themes and my unwavering commitment to the subject matter. Through my art, I aspire to inspire hope for a brighter future.”
Do It in the Jardin Oil Painting 32 x 39 in.
“I am a multimedia artist rooted in the vibrant San Francisco Bay Area, where I delve into the intersection of transformation and spirituality within the fabric of everyday life. My work weaves together various mediums to capture the subtle shifts and profound moments that define our human experience. Through my art, I aim to illuminate the extraordinary within the ordinary, exploring how the ephemeral and the eternal coexist in our daily existence.”
SARA LISCH
www.saralisch.com
Nowhere to Hide
“In my artwork, ‘Nowhere To Hide,’ I explore the theme of the objectification of women across various media and societal contexts, as well as the male gaze. This piece serves as a catalyst for introspection and discussion, confronting viewers with the uncomfortable realities women often face in public spaces. It raises awareness of the need for gender equality and seeks to end the objectification of the female body.”
Alarming Peace
“I feel I am useless as an artist when I am happy. Pain is what creates my artwork. The painful experiences that people go through as they journey through life in the world around us from childhood to adulthood which in many ways is full of chaos and hardship are what sparks and motivates me to possess my objectives to make purposeful artwork that hopefully generates meaningful and fulfilling empathetic connections to people. As I observe and interpret the world around me combined with creating my artwork, I discover time and time again that true beauty lies within the darkness and that sometimes nightmares are the birthplace of some of the best ideas for an artist.”
ANSON LIAW
www.illoz.com/liaw
Pencil, Ink and Digital 16 x 20 in.
2024 49th Annual Toronto International Film Festival (Version 4C) Pencil, Ink and Digital 18 x 24 in.
“Taking photographs requires a specific kind of energy. The possibility of a well-balanced black-and-white composition totally distorts the reality in front of me. There’s potential in everything.”
JOACHIM LOMBARD
www.joachim-lombard.com
Jin Liu is a New York-based illustrator whose art emerges from a tapestry of dreams, fantasies, and hypnagogic states. Her work is a meticulous exploration of these ephemeral moments, capturing their fleeting beauty with a focus on simplicity. Jin’s illustrations weave visual poetry that celebrates the magic of imagination, inviting viewers into a world of delicate wonder.
hydeimlj@gmail.com
Man V. Nature Book Cover Design Collage for HarperCollins Publishers 5.5 x 8.25 in.
Richard Ljoenes is a distinguished Designer and Art Director with a specialization in publishing and book covers. After starting his career in Oslo, Norway, and gaining extensive experience in New York City, Ljoenes established his own studio in Boulder, Colorado, in 2017. His design and art direction have earned accolades from prestigious institutions including The One Show, Type Directors Club, Cannes Lions, and Time Magazine
RICHARD LJOENES
Sings Best Book Cover Design for Alejandro Jodorowsky and Restless Books Uncoated
RICHARD LJOENES
Manly Health and Training by Walt Whitman Book Cover Design for Regan Arts Uncoated Stock 5.5 x 8 in.
Mid-Day at Monarch Beach Oil 30 x 24 in.
“As a contemporary landscape painter, my work is a conscious and intuitive play of color and texture. My oil and acrylic works depict seasonal New England scenes with a bold, tactile, and evocative expressionist palette. I use a variety of tools and techniques that blur and blend the lines of abstraction and realism.”
MARK LORE
http://mark-lore.pixels.com
Sunrise at Echo Lake Trail Oil 24 x 30 in.
Mother and Child, 2024
Mixed on Canvas 48 x 48 in.
“I began my career out of college as a newspaper journalist because I needed a job, but wound up a painter. My work today is but a continuation of that beginning nonetheless. I make artworks out of what I have done in my life, seen in my life and, especially, what I’ve heard.”
PAUL SCOTT MALONE
https://www.paulscottmalone.net
Paul Scott Malone
“My practice has evolved into thematic and narrative-driven Conceptualism, influenced by my academic background in the Humanities. I create series of semiotic forms based on individual concepts and themes, focusing on modern identity, the intersection of the physical and digital realms, socio-cultural phenomena, and contemporary socio-political ideologies.”
PAT MARINO
https://www.patmarinoworks.com
Doubt / Generalization / Fallacy
Acrylic Charcoal Oil Stick and Cotton Collage on Primed Cotton 140 x 140 cm
Sweet Surrender
Watercolor on Paper 24 x 36 in
“I am inspired by emotion, capturing the essence of an individual through a chance encounter. Through watercolor and graphite, I create illustrations of the subtle movements that make one question: the why’s, the what if’s, and the how’s. It’s a standstill in that space of time, that last flicker in a second, a truth in that space. The last moment you look back at a human and etch it into your subconscious is the spark that touches a deep part of our souls.”
https://www.gcmanfrin.com/
”I have been asked why I draw pets more than any other subject. For me, our pets can be a source of the unconditional love we all need in our lives, some days more than others. The response from my clients when they see my work brings me joy. How many of us can create something that brings tears?”
LINDA METZGER
Murray Colored Pencil on Paper 9 x 12 in.
“I have a love of things that fly and love looking at birds be they at rest or at flight. This propensity for all things avian comes from an early age of having birds in a mobile above my crib as an infant. I create my images to be bird like not copying a species or animal design.”
wtmsculpture.wixsite.com/sculp
Bernard Mitchell, a sculptor trained in industrial design at ArtCenter College of Design in Pasadena, CA, delves into the realm of post-industrial digital craft. His work is an exploration of non-objective, additively created sculpture that plays with the relationship between illuminated inner and outer surfaces. By meticulously arranging these surfaces, Mitchell varies translucency at curves and intersections, creating moments of intrigue through contrasting intensities and geometric excavations. His sculptures are a fusion of light, form, and texture, inviting viewers to engage with the dynamic relationships within his intricate designs.
BERNARD MITCHELL
https://qwrkhouse.design
NeonSenses, an artist duo from Stanford, consists of Ningxin Zhang and Spark Wu—composers, musicians, producers, and multimedia artists. They create installations and sculptures blending audio, visual, and interactive elements, crafting novel, exploratory artistic worlds. Their work transforms mundane experiences into complex sensory explorations, inviting deep audience engagement with both the art and their own perceptions.
“We, the people, have found ourselves at this defining moment, with the grand desire to change the course of our future, deciding to be more than we are at present, more than we have been, and challenging the best of ourselves to become something we have only hoped possible. As one of the many, I use my vision as an artist to reveal social injustice and suggest a possible alternative by inspiring others to use their voice. The named style of my work is called ‘Sculpted Paintings.’
L. SCOOTER MORRIS
L. Scooter Morris
“I paint figurative art in acrylic. Balancing my artisanal love for detail with painterly expression is crucial in my creations. I paint what I find beautiful, appealing, and what fascinates and challenges me. Immortalizing what I see, depicting it, and bringing it to life on canvas with my colors and brushes is my passion. I also paint commissioned portraits. I am a self-taught, full-time artist with my own studio in Österåker, Sweden.”
GABRIELLA NORUM
Aqua Lilium I
Acrylic on Linen 81 x 65 cm
Happiness Allowed Serigraphy 45 x 60 cm
Riitta Nelimarkka has an extensive academic background in the arts, studying painting in Paris, animation and photography in Stockholm, and art history and music theory at Helsinki University. She holds a Doctor of Arts degree from Aalto University and was honored with the title of Professor by the President of Finland in 2008. In 2016, Nelimarkka was awarded the Officier des Arts et Lettres by France. Notably, she created Finland’s first feature animation, 7 Brothers, in 1979. www.nelimarkka.com
RIITTA NELIMARKKA
Murat Özbakır, born in Adana in 1976, is a distinguished artist who graduated in 2003 from the Faculty of Education, Department of Fine Arts Education at C.U. He continues to develop his art in his studio in Adana. His accolades include being a finalist for “Young Painter of the Year” by rh+ Art Magazine in Istanbul (2007), receiving an Achievement Award at İnönü University’s 3rd National Painting Competition (2008), and earning another Achievement Award at Anadolu University’s 50th Year Painting Competition in Eskişehir (2008).
MURAT ÖZBAKIR
www.goruntusanat.com
“My work addresses societal, cultural, and emotional experiences tied to the human condition. Through symbolic figurative realism and subtle distortions of reality, I aim to create a visual dialogue between the seen and unseen. I invite viewers to reflect on fleeting moments, those with profound impact and those that often go unnoticed. My art contrasts the human desire between permanence and change, encouraging a deeper contemplation of life’s transient nature and how we navigate through it.”
https://apartworksgallery.com/
Disregarded and Malignant Outcome Oil and Acrylic on Canvas 60 x 72 in.
“I began drawing in 2020 during a severe mental illness. To date, I have created more than 160 works. The ideas for my images come to me in my dreams—lush, colorful, decorative elements, memories of my old souls. Initially, I see a wild whirl of colors that gradually forms into recognizable structures. While awake, I try to translate what I’ve seen. I am self-taught, using techniques that I cannot explain.”
Gergana Popova
“I am an astronomy, landscape, and nocturnal cityscape photographer. My photographs celebrate the wonder that the night hours can offer, creating fascination in viewers as they discover how much light there is in the darkness. Focusing on both the intimate and the grand, my goal is to evoke a sense of awe and reflection. My photographs aim to provide an escape, helping people recapture their dreamscapes and offering a unique and powerful perspective on the everyday.”
CARLOTTA RODA
https://www.carlottaroda.it
Carlotta Roda
A Galaxy of Lavender Photograph 70 x 100 cm
“A self-portrait, ‘Lightfall’ is part of a larger project that explores feminine presence and perspective in realms typically associated with danger and adventure. As a photographer, I am drawn to unexpected surrealism within the natural environment, working to layer subversive femininity with stark reality. Photography is my chosen method for pushing creative boundaries and challenging expectations to create provocative, vivid, and resonant art.”
STASIA SCHMIDT
https://www.stasiaschmidt.com
Nobody Wants to See the Real Parts of Me Charcoal
“I am a 14-year-old self-taught artist with a deep passion for the arts that is continuously growing. The majority of my pieces are inspired by the darker side of life, particularly emotions that people often tend to hold back or hide. I’m inspired by feelings such as sadness, anger, emptiness, fear, and love because of the depth that these emotions hold. They have the power to universally connect people because they reflect humanity in its rawest forms.”
RUHI SALI
Ruhi Sali ▫
10.5 x 13.5 in.
One Last Goodbye Charcoal 9 x 12 in.
Among Us: The Volunteer
“My art is an emotional response to contemporary life and my urban and rural community. The beauty around me, from nature walks to local events, is important to me. These experiences are edited and altered to create meaningful artworks of lasting beauty, capturing fleeting moments in time and fulfilling my creative desires.”
MARIA H. SARKANY
Angel
Acrylic 36 x 48 in.
Maria H. Sarkany ▫
“My art harnesses the power of color, movement, and spontaneity to evoke raw emotion. Inspired by nature, I aim to transmit joy and beauty, capturing the essence of emotionally charged natural scenes. Working spontaneously and intuitively allows me to let my unconscious guide the process, resulting in dynamic brushstrokes, dots, and lines that add layers of complexity and unique storytelling.”
CHANTAL PROULX
https://chantalproulx.com/en/
Chemin de Traverse Mixed Media on Canvas 40 x 40 in.
”The challenge for me when making a photogram is to connect my models and objects to the light-sensitive material in complete darkness. To bring this spirit onto and into the paper so that it stays there is what I want.”
SCHMIDT
https://photograms-deluxe.com
Tulip Blossom 2 Photogram on Ektachrome Film 40 x 50 cm
“Deeply inspired by nature in general, the ocean in particular, contemporary architecture, and crosscultural relations, I focus with my fine art photography on extraordinary landscape phenomena. I attempt to create a new (sur)realism by accentuating the aesthetic of our precious blue planet with intuitive photography. By observing patterns and shapes in detail, accompanied by movement, I enter into dialogue with nature as a source of tranquility, beauty, and, above all, knowledge.”
MIA SEGAERT
https://www.miasegaert.com
“Driven by a desire to harmonize the intricate, chaotic beauty of nature, my photography captures the essence of untamed animals and their surroundings. I aim to create images that reflect the natural world’s spirit and its raw beauty.”
JOHAN SIGGESSON
www.johansiggesson.com
“My work explores the relationship between real and imagined worlds. It is an invitation to explore reality with new eyes, drifting into a disorienting environment and experiencing estrangement. Reality becomes liminal, a hollow space for new visual connections. Minimal purity and spatial tension trigger deep emotional responses. Saturated colors take over geometry, and fine textures create a vibration in the field of vision. The gaze falters beyond the focal point, edges are blurred, and definition is lost.”
MICHELE SIMONETTI
https://www.michele-simonetti.com
Biocriticals No. 3
Acrylic and Sumi Ink on Canvas 48 x 48 x 3 in.
“I create paintings of microscopic and macroscopic nature: origins of life from a drop of water to systems in the vast cosmos I honor the words of the naturalist John Muir: “when we tug at a single thing in nature we find that it is attached to the rest of the world”.
BETSY STEWART
www.betsystewart.com
The Attraction of an Interplay
“Touching people’s inner selves through the emotional power of flowers is where I find my purpose. I create floral art installations and botanical set designs with the beauty of a flower’s short momentum as a metaphor to reconnect with nature. The shape of my installations is always as organic and fluid as you would find in real nature.”
STUDIO DE PASQUALE
www.studiodepasquale.de
Floral Art Installation for Walter Knoll at Salone del Mobile Milano 5 x 5 x 5 m
Sotaro Takanami, a renowned Japanese artist, was born in Tokyo in 1949. His artistic talent lies in the realm of painting, and his career has been marked by numerous notable achievements. In 1986, he achieved a significant milestone by simultaneously releasing the print book “Nature” in Tokyo and Paris, through the prestigious Française Collection. In 2002, Takanami held a solo exhibition at the esteemed Yoshii Gallery in Paris, showcasing his captivating artworks. Two years later, in 2004, Yoshii Gallery exhibited the original paintings of his acclaimed work “12 Monkey Haiku” at the RMN (Reunion des Musees Nationaux ARLYS), and the collection was subsequently published. His remarkable success garnered him an invitation to the Elysee Palace, and his works were made available for sale at renowned bookstores in Paris, including those at the Louvre and Guimet.
SOTARO TAKANAMI
https://circle-arts.com/sotaro-takanami
When Crimson Flowers Bloom Oil on Canvas 65 x 53 cm
Sotaro Takanami ▫
Goodbye Oil on Canvas 53 x 46 cm
“What is concealed and what is revealed. Sunglasses, sometimes called shades, can be seen as masks, with striking derivations of protection and affectation. I have a continuous interest in masks and their mystique, from ancient multi-cultural forms, purposes, and meanings to modern renditions of dark glasses, “shades,” and their style.”
OLIVIA - PATRICIA O’NEAL
https://pterrelloneal.com/home.html
Olivia - Patricia O’Neal ▫
Foujita’s Cat Oil on Hand Prepared Linen 36 x 30 in.
“As a visual artist, I work across disciplines. Often using nature as my medium, the observation of terrain over a long period allows me to examine measurements and proximity to social and environmental challenges. I see myself as a storyteller, with my personal space being part of a larger, universal identity. I invite viewers to engage with my work and start a dialogue, often letting nature dictate and exploring connections through psychological distancing.”
from the Series Interstellar 2024
“My ceramic work explores the challenge of creating forms that feel both familiar and new. The gentle tapering of this bottleneck profile serves as an invitation to contemplate what the vessel might hold, much like the mystery in the stars that fill our skies. The small, narrow opening of each vessel in this series, ‘Interstellar,’ adds an element of curiosity by drawing the viewer in closer and encouraging them to think about the unseen, the hidden, and the possibilities that lie within.
AVA TESORIERO
Ava Tesoriero ▫ Spotlight
Protostar
Stoneware 3.5 x 5 in.
Nebula from the Series Interstellar 2024 Stoneware 4 x 6.5 in.
This subtle constriction adds a sense of intimacy and secrecy, as if the bottle is encapsulating something precious. It mirrors the way we approach the unknown in life— with a mix of intrigue and caution, wondering what lies just out of sight. The surface of each unique vessel also echoes the celestial world above, with glazes and textures that are reminiscent of the intricate patterns of the vast universe.”
Ikenna Umeh (he/him) is a Maryland-based illustrator, writer, and sequential artist, holding an MFA from Towson University. His work, characterized by a whimsical narrative and vibrant style, utilizes real-life references to craft unique characters that propel storytelling. His digital illustrations, showcased on his website, encompass a range of projects including character design and sequential artwork.
IKENNA UMEH
www.ikennaumeh.net
Ed Vargas is an award-winning artist and Color Supervisor for Titmouse’s Legend of Vox Machina. With a rich background in acclaimed productions such as Metalocalypse: Army of the Doomstar, Golden Axe, I Was a Teenage Exocolonist, and Netflix Stories: Virgin River, Vargas has established himself as a prominent figure in the industry. His work has garnered prestigious awards from renowned organizations including iJungle Awards, Teravarna, Art Collide, and Blue Space Gallery, solidifying his reputation as a critically acclaimed artist
ED VARGAS
www.edvargasart.com
Sharon
Overachiever
“I have been an artist for a long time, which has allowed me to perfect my skills, resulting in six portfolios of work. My passion lies in found object sculpture. I have exhibited in Europe (including the Florence Biennale and Cologne), numerous venues in the USA (such as The National Sculpture Society and Brookgreen Gardens), and online. I will soon be moving my studio to Greensboro, North Carolina, where I will continue working on ‘The Pandemic Circus.’”
FAY WOOD
A Delicate Balance (Wilson’s Warbler in Elderberry) Pastel on Paper 20 x 16 in.
“I saw this male Wilson’s Warbler in a red elderberry as he reached up to snatch an insect from the underside of a leaf. I greatly enjoyed painting the lyrical quality of the elderberry’s growth habit and capturing the intriguing position of this bird. Currently listed as ‘a common bird in steep decline,’ I was thrilled to see this beautiful warbler. The title of the piece refers to his precarious position on the branch and in this world.”
https://www.kimberlywurster.com
“I am an illustrator and educator working on my tenure research and creative scholarship. My illustrations are done both digitally and traditionally and revolve around themes of heritage, death, and folklore.”
https://www.kendrayap.com
KENDRA YAPYAPAN
“Painting is my passion! It is how I express myself, connect with others, and explore my identity. My work centers on themes of nature and everyday culture, where I strive to infuse a sense of mystery and depth. I use detailed techniques in oil and watercolor, focusing on vibrant colors, reflections, and precise strokes. Inspired by both the natural world and the cultural significance of everyday objects, I aim to reflect my deep respect for art and share its beauty with the world.”
JEANNINE ZAMBRANO
Teardrop In The Eye
Photograph on Metal/Acrylic 60 x 40 cm
“Because my equipment operates with millisecond timing, there is no need to add viscosity-altering solutions to the water. Using natural water gives incredible results, with authentic ripples apparent in the splash membrane and an overall full-bodied appearance to the subject.”
https://www.piranhaprints.com
“Thoughts come and go. Images become firmly anchored in my mind, and then a wonderful creative path begins, accompanied by colors and shapes, imagination, and the indispensable will for artistic expression. They constantly accompany me, always present in my thoughts.”
FRANCA ZE
www.franca-ze.art
Jianzhong Zhou has an exceptional ability to capture light and shadow in everyday scenes. His work, celebrated with numerous awards, offers a unique perspective and aims to recreate the ambiance of fleeting moments with profound depth and emotion. Zhou actively showcases his art at prestigious international exhibitions across the USA, the UK, and the EEA.
JIANZHONG ZHOU
https://www.facebook.com/jianzhong.noah.zhou/
Jianzhong Zhou ▫
Jianzhong Zhou
Cheng Cheng
Cheng Cheng is a dedicated painter and special editor at the Xiling Engravers’ Society. She is a prominent member of the Zhejiang Artists Association and the Beijing Artists Association, recognized as a cultural exchange ambassador for the Beijing Association
Cheng Cheng focuses on Chinese classical aesthetics in her art, combining traditional styles with intricate details, she brings this legendary tale to life with unique elegance and depth.
Cheng’s painting depicted here is a painstaiking work on paper that draws from traditional Chinese art and the famous White Snake myth. The composition centers on a graceful female figure in traditional attire, surrounded by lotus leaves and vibrant birds, symbolizing purity and renewal. The fine details and delicate lines are reminiscent of classical Chinese ink painting, while the reference to the White Snake myth suggests themes of transformation, love, and the connection between humans and nature. The overall work emphasizes harmony and balance, both visually and thematically.
White Snake Series No.5
Painting on Paper 60 x 75 cm
Cheng Cheng White Snake Series No.5 Painting on Paper 60 x 75 cm
