Coast 2 Coast Magazine Issue 10

One of the biggest things on our plate lately has been the planning and execution of the 2nd annual Coast 2 Coast New Music Convention in Miami August 27th-29th at Newport Beachside Hotel and Resort. We’ve been working hard to bring together the some of the best in the industry for a weekend full of information, networking, and, of course, the type of parties that can only happen in Miami. Coast 2 Coast would like to give a special shoutout to all of the sponsors of the event, as well as all panelists and attendees coming from all over the country. There is an updated list of all sponsors, panelists, and schedule at www.Coast2CoastConvention.com.

We have some exciting things in this issue of the magazine. Coast 2 Coast’s own LA.SMOOTH caught up with GUnit’s 50 Cent and Lloyd Banks recently at their Miami concert, so we thought what better time for an update on one of the most infamous groups in hip hop? Check out information on these two, as well as Tony Yayo, inside. We also thought we’d give you a little insight into the man behind these interviews—as well as the host of the LA.SMOOTH show on Coast 2 Coast Radio.

Speaking of Coast 2 Coast Radio, you can now tune in to the station on iTunes. Simply go to the “Hip Hop / Rap” stream and look for Coast 2 Coast Radio. You can also listen at www.Coast2Coast.fm anytime. We have a lot of great hosts, DJs, and music, so make sure to check it out!

We’d like to thank both Short Dawg and Bizarre for taking the time to talk with Coast 2 Coast. They represent two different experiences within the industry, but you can definitely tell that they both recognize the importance of the grind and finding the right situation for themselves as artists.

And as always: a big thanks to all the indie artists that are featured in this issue.

Be on the lookout for the next issue of Coast 2 Coast Magazine as well. We’re sure to have some amazing photos and highlights from the convention, as well as other information and surprises!

Kyle Hiersche aka Lil Fats Katie Kervin Owner/CEO Executive Editor Coast 2 Coast Mixtapes & Coast 2 Coast Magazine Magazine Twitter.com/KervinWorks

www.coast2coastmixtapes.com | 3

P

ower 96’s LA.SMOOTH recently started with Coast 2 Coast Radio. A ten-year veteran of the music industry in South Florida, SMOOTH does a little bit of everything. You can catch him coordinating events, hosting parties and radio shows, and interviewing your favorite celebrities. Check him out at Coast2Coast.fm every Monday through Thursday from 7–9 p.m.

So you’re in Miami now? Where are you from, because the LA in your name does not refer to California, right?

No, I’m originally from New York.

LA.SMOOTH is basically the initials of my name, L.A., and Smooth because I play smooth jams here on the radio. Never been to California.

Can you talk a little about how you got started in the industry?

I’ve been here in South Florida over ten years in the music industry. I started Underground Radio with Mix 96, then I moved on to a local TV show here in South Florida…live TV for two hours. After that I went on to Mun2, sister station of Telemundo…they picked me for the English-speaking host of the top-ten countdown show…After that I had the opportunity to do a radio show in West Palm Beach…a love-hour Sunday night

4 | Coast 2 Coast Magazine

show. Then I had an opportunity to do a show in Miami. I had an interview with them on a Wednesday, and then hired me and put me on the air that Sunday, and I’ve been with the radio station, Power 96, doing the Love Hour for a year and a half. Then they offered me another position there as Event Coordinator in the Promotions department, and I’ve been there since. They’re going on five years, and I do a lot of concert hosting, club hosting, a lot of interviews for artists; I do a little bit of everything.

What is your daily routine like?

Waking up at 7 a.m., going to the radio station—I’m featured on the morning show. After that I do event coordinating all the way ‘til five in the afternoon, Monday through Friday.

After that I do Coast2Coast.fm Internet radio show Monday through Thursday, 7–9. On the weekends I’m booked to host parties.

How have you seen the music industry changing?

Here in South Florida, they way I’ve seen it change: in the beginning you could not find a club in South Florida that played hip hop music.

You rarely would find a small room in a club that was playing hip hop; maybe one or two. Hip hop music started growing and growing, and now you can’t ignore it. And it’s still getting bigger; it’s bigger than rockand-roll. But when I started, it was very rare here in South Florida, coming from New York City. Now you have every other club in South Florida is a hip hop club. To find every thing else is rare.

You recently started working with C2C at coast2coast.fm?

How is that different, if at all, from you Power 96 gig? …I think it’s a big plus here in South Florida to give the young talent the opportunity to shine and to be heard. That’s the difference between regular radio stations here and doing Internet radio. The good thing about it is you can say, speak

your mind, say what you want, play what you want. And I always say that on my show on Coast 2 Coast Radio. I always say that it’s a great thing that I can play a certain type of music, or more types of music, that you won’t here. I get a lot of people saying, Is that a new song?

But it’s about three years old. You haven’t heard it on the radio, but you will hear it here. And we have a lot of talent that’s coming out of South Florida…and I’m glad hip hop is on the map here and we’re about to expand a lot more…Coast 2 Coast is like another tool. It’s a great opportunity, I believe.

Based on your experience, do you have any advice for aspiring artists looking to break into the game?

Follow your goals and follow your heart. I must say, there were many times that I wanted to quit, but I had a lot of people that were supporting me, behind me that were very positive and kept pushing me.

If this is your goal do it, do it, do it. I don’t want to be one of those people that’s in their 50s and 60s saying, I could have did this or could have did that. Instead, I tried, and here I am. I didn’t expect to be this far in the industry. I tell people all the time, this is the hardest industry to be successful in, the entertainment industry….It took Rick Ross ten years to be noticed. It tool Pit Bull a long time to be noticed. But they didn’t give up. They kept going and kept putting out mixtapes.

They wanted everybody to hear ‘em, and look at ‘em now.

Any last words?

I love music.

The Coast 2 Coast 2nd Annual New Music Industry Convention is an event not to be missed! It is a professional music-industry networking event, which focuses on the new music industry. Sponsors include iStandardProducers.com, DatPiff. com, AllHipHop.com, HipHopDX.com, HipHopGame.com, MusicDealers.com, Myxer.com, and many more. The convention will be a weekend long series of events August 27th-29th, 2010, in Miami, FL at Newport Beachside Hotel and Resort.

The main panel event, hosted by J Hatch, will feature presentations on marketing, promotion, new media, industry etiquette, production tips, monetizing promotion, and much more. Panelists from every major urban website and record label will sit alongside platinum producers and artists to inform fans and aspiring artists alike of the changing landscape of music.

Coast 2 Coast has recently added a huge list of new panelists and media partners to the already impressive number of attendees and sponsors. New panelists include Tony Neal (Founder of Core DJs), Dave Mays (Co-Founder of The Source Magazine and Hip Hop Weekly), Kaspa (President of Hittmenn DJs), Issy Sanchez (Elite ATM), Bigga Rankin (Vice President of CTE/Hittmenn DJs), Jill Strada (Music Director/Assistant PD – Hot 97 NY), Otha “Vakseen” Davis III (A&R – Slip N Slide Records), Stan Marseille (A&R – Nappy Boy Records), Gordan Dillard (A&R – Universal/Motown), Travis Acker (Content Manager - Myxer. com), James Love (Director of Lifestyle Marketing – Interscope Records). Newly added media partners include ThatsHipHop. com, On Wax Magazine, Hype Magazine, Twenty4Seven Magazine, South Promo, iBlog126.com, The Blast King, Hip Hop Watch, Chop Shop, and more.

The event will be covered in over 70 urban media publications, blogs, and websites, with more partners added daily.

Some of our main sponsors include iStandardProducers.com, Datpiff.com, HipHopDX.com, Digiwaxx.com, AllHipHop.com, HopHopGame.com, NewIndustryTips. com, 2520 Clothing, MusicDealers.com, Jango.com, Scratch DJ Academy, Bottom Feeder Music, and WordUpDJ.com.

Other official Coast 2 Coast Convention official events include a Coast 2 Coast model casting, a convention kickoff party hosted by Bigga Rankin at Sobe Live, the after party at Club Play hosted by DJ Khaled and friends, and a pool party/beach bash at Newport Beachside Resort!

To find more information on the event and a full updated list of panelists, sponsors and schedule please visit http://www. coast2coastconvention.com

DJ Coalitions have always been a staple of the music industry, mostly behind the scenes. A record literally can NOT be broken to major airplay without the assistance of DJs and, by association, the DJ coalitions. In today’s industry, the DJ is ever more important, as a fragmented industry has to be unified by the DJs and major tastemakers to bring records to the masses as they once were. The DJ represents all that is left of the traditional music industry, as power has shifted to the consumers from major labels, radio, and distributors. The benefits of joining a DJ coalition are many, including an expanded network for marketing and promotion and access to exclusive music.

Core DJs – Probably the most widely known DJ coalition in the world headed by national mixshow director Tony Neal. The Core DJ Retreats are must-attend industry events—the next one hosted in Charlotte, NC, on September 10-13, 2010. The roster includes such names as Big Tigger, Green Lantern, DJ Chill, Lil Jon, and many more. Core DJs also has a syndicated radio show that plays on more than 30 stations. www.coredjs.com Coast 2 Coast DJs – Represent over 750 DJs that do mixtapes, as well as the Coast 2 Coast All Star Radio DJs. Includes notable industry names such as DJ Noodles, DJ Ykcor, DJ Whiplash, and hundreds of others. www.coast2coastmixtapedjs.com Hittmenn DJs – Highly influential group of DJs, mostly located in the South region— now expanded to Hittmenn West.

Hittmenn DJs pride themselves on representing the “street side of

the industry,” and include DJ Bigga Rankin (who also serves as vice president of Hittmenn DJs), DJ Teddy T, and many others. www.hittmenndjlive.com Bumsquad DJz – Large group of radio DJs headed by Latin Prince. The Bumsquad has a large network that includes radio and mixtape DJs, producers, label reps, and artists. www.bumsquaddjz.com Shadyville DJs – A short but highly effective list of top DJ talent. The group is headed by DJ Whoo Kid of 50 Cent fame. The coalition includes DJs from all over the U.S. as well as several international names. www.shadyvilledjs.net Also See: Fleet DJs - An amazing mix of onair radio talent and mixtape gritty DJs ready to break the next best artist in their city or in their hood.

DJ Klassik and DJ Profulent started building their organization in early 2006 without any thought of it being a DJ crew. www.fleetdjs.com RocHarder DJs – Headed by DJ T-Roc. Well-known for breaking “snap” records. www.rocharderdjs.com Hood Hard DJs - Headed by DJ Aaries with the slogan “Teamwork Makes the Dream Work!” www.djaaries.com Southern Style DJs – Headed by DJ Jelly and DJ Montay. This coalition is of course well-known for mixtapes featuring music from the South. www.southernstyledjs.com Slip ‘N Slide DJs – Well-known South Florida DJ coalition associated with Slip ‘N Slide Records. www.slipnslideworld.com

www.coast2coastmixtapes.com | 5

After signing with Def Jam in 2005 but never releasing any material, Short Dawg, aka “Elvis Freshley,” is finally getting where he wants to be with Young Money. Since inking a deal with Lil Wayne at the end of 2009, Short Dawg has been steadily working and has a few projects in the works, including a complimentary album produced by Honorable C.N.O.T.E. The Southern Flame Spitta took some time to talk with Coast 2 Coast about how he feels about his recent career changes, working with the Young Money crew, and what we can expect from his upcoming releases.

You’ve been pretty busy since your release from Def Jam and signing to Young Money. Can you talk about that transition?

I mean it’s been cool. It’s pretty much what I’ve been looking for; a place where I could just do me, work hard, and see the work pay off.

What stands out the most from your various experiences in the music game?

I guess the fact that I’m [now] with a group of people that was equally as talented and hard working as I am.

Most of my situations I’ve been kind of by myself, doing things on my own, and now I got a full label around me which is a bunch of my friends, so we all kind of work together.

How is it working with the rest of the Young Money crew?

It’s fun. It’s friendly competition. It brings out the best in all of us.

What are you working on now?

I hear you have an interesting project coming up...

I’m finishing up this complimentary album entitled Fresh...I haven’t got a release date for it yet, but it’s in the closing stages. Also at the same time, I’m doing “Southern Flame Spitta Vol. 4,” so I’ll be dropping those two things before the year is out.

Are those projects different from the mixtapes you have been putting out?

The Fresh complimentary album is different because…I wanted more than just a compilation of dope songs. I wanted to give people more of an album-feeling project. Being a new artist, you really don’t know

6 | Coast 2 Coast Magazine

when your actual album release date is, so for the fans, I wanted to give them an album that will build up to a major album. So I sat back and really put it together, made a theme for it, and stuck to the script.

You’ve talked about how you actually like to do different types of music, so what can listeners expect from the album?

For the most part, they’ll get to see what it’s like for me to do a project all at once, not taking songs I did a couple months ago, probably a song from last year that never came out. This has all been recorded in a two-month time span. They get to see me at my best, every day. This is what I’ve been working on since you last heard me.

I don’t think you live in Houston anymore, but how do you think the music scene there influenced you and how do you view it now?

That’s where I came up, so that’s where I get my slang…and plays a big part in where I get my lyrics from.

Other than that, I just pay homage to those that have done it before me. I hope they respect what I’m doing as I try to further our city.

How do you feel about the mixtape game and your own career?

I’m loving where it’s at, ‘cause a lot of people are saying the mixtape game is dead and it’s over, but the problem was that enough people wasn’t putting out quality mixtapes, they would just get to rapping over

other people’s beats and hand it to you, like here’s my mixtape. But that’s not what a mixtape really is. A mixtape is really a album, you know, but it’s a free album for the streets. For those who haven’t got a chance to see you on a major scale, this is kinda like your tryout. The mixtape game is definitely great right now, ‘cause a lot of new artists and a lot of older artists—everybody doing mixtapes. I’m enjoying it.

What’s a day in the life of Short Dawg at this point?

It varies…but I try to get up, do a little exercise, maybe try to play some basketball, and end up at the studio somewhere around six o’clock. If not, I’ll be in there around ten, ‘cause I like to work overnight into the morning.

I try to do every day in the studio, if not I’m at least in the studio six times a week, and I do overnight sessions.

Do you have any advice you’d give to aspiring artists about the game or your experiences?

Just continue to work hard. If you got quality product it’ll be noticed by somebody. Good work never goes unheard.

Is there anything else you’d like to add?

Shoutout to Young Money. www.twitter.com/ElvisFreshley www.myspace.com/southernflamespitta www.ElvisFreshley.blogspot.com

Known for his onstage antics, sense of humor, and trademark shower cap (which we don’t see him wearing much anymore), D12 member Bizarre has always stood out from the pack. But the Detroit native certainly has a more serious side as well. His latest album, Friday Nights at St. Andrews pays homage to the legendary Detroit nightclub, taking his music back to the essence and lyricism of D12’s battle rap and freestyle past. Bizarre talked with Coast 2 Coast about his solo album, the more serious nature of business and music with D12, and his view of the changing music industry.

You recently released Friday Nights at St. Andrews. How’s the album doing and what makes it different from your other projects?

The album is doing great. It’s a little more serious than your average Bizarre album. We wanted to take it back to the roots of the hip hop shop days and St. Andrews days. So this is dedicated to the battle days, you know back in the day when D12 was doing battle rapping.

You have a lot of features on the album. How did you decide who you wanted to work with?

I really didn’t have nobody in mind, I’d just go into the studio and vibe out, and listen to beats…and just deciding from there who’d be good on a song. I never really had a clear idea on who I wanted on, so basically it was just vibing…

Your group, D12 has been through a lot in recent years.

How have things changed for you and the group as a whole?

We’re definitely on the grind more. We’re more mature businessmen…so everybody is playing a big part and stepping up to the

plate as leaders. We’re taking control of our own destiny, basically.

And you guys are in the studio working on new projects now?

Yep, we’re in the studio working on the new D12 album.

And I heard something about a mixtape coming before the album drops?

Yeah, we’re doing a mixtape right quick. We’re one of those groups, we like to do mixtapes with original music, so we’ll do like a tensong mixtape first just to give them a warm up.

What can listeners expect to hear from the mixtape and album? Is it what we normally expect when we think of D12?

This will be a little different stuff, more serious objects and subjects we touch on. There are a lot of questions people ask, that they wanna know, so we’re gonna try to answer them with the album.

With a mixtape in the works and others under your belt, how do you feel about the mixtape game and market?

I think it’s cool. A lot of people can use mixtapes—because an album is going to be a little more structured—the mixtapes can be more raw.

You’ve been in the hip hop game for some time now. How do you see things have changed?

I just see more and more one-hit wonders. You see labels getting people in and out the door. There’s folks like legendary on Def Jam— like EPMD, Redman—they’ve been with Def Jam for years…Now you see these rappers that change labels like they change drawers.

Would you say your approach to music or your career has

changed over the years?

I’m just trying to keep it the same, man. We’re just trying to keep our longevity—D12 is a movement and we love our fans, sign autographs, take pictures, hug the babies after the shows. So no, ain’t nothing changed for us.

How do you see the Detroit music scene these days, aside from your work and D12?

The Detroit music scene is very diverse. We all respect each other; we all know each other…from Slum Village to Trick Trick and Guilty Simpson…it’s all love. We all got respect for each other.

Do you have any advice for upand-coming artists?

I would say build your own buzz, stay in the streets and grind. At the end of the day you want to control your own destiny. To me, then you won’t have an excuse like well this is what the label did. Try to keep the faith in your hands as much as possible. Keep a movement going, man, ‘cause no label or nobody can stop a movement. Once a movement grows, the labels and radio stations have no choice but to listen to you.

So you think it’s important for people to get their indie hustle going as opposed to holding out for a major label deal?

Yeah definitely. Ain’t no major deals. Only way a major deal is coming is from an independent hustle. Rarely do you see somebody go in a meeting and they say Oh that’s dope. I think you sweet and I’m gonna sign you. That’s like obsolete now. If you go in there and see that you’re hot in North Caroline and your buzz is already up, they have no choice but to sign you. www.bizarresworld.com

www.coast2coastmixtapes.com | 7

10 | Coast 2 Coast Magazine

Recently, Coast 2 Coast’s own LA Smooth met up and talked to the two biggest names in the infamous rap clique, G-Unit: 50 Cent and Lloyd Banks. The interviews took place backstage while the pair was preparing to perform at a concert for their fans in Miami, Florida. The G-Unit founder and general, 50 Cent, spoke on his upcoming movie role, forthcoming music project and also gave some insight on how he manages to keep his performances from being repetitive and stale. The lyricist of G-Unit, Lloyd Banks, also provides details of his upcoming project and who he would like to work with in the near future. The muscle of G-Unit, Tony Yayo, also shares perspective on bringing Game back into the Unit.

Yayo also talks about how G-Unit could have signed one of Young Money’s Records biggest names, and why it did not happen.

LA Smooth started off his interview with 50 Cent by asking a question most of us have been dying to hear the answer, how did Curtis “50 Cent” Jackson lose so much weight for his upcoming role in Things Fall Apart so quickly? The answer is 50 Cent was on a liquid diet. 50 explained how he went from bulky 214 pounds to scrawny 160 pounds to fully get into his character, who happens to be a cancer patient. In Things Fall Apart, 50 portrays Deon, a senior college football player who is diagnosed with cancer. Over the past few years, 50 has taken more acting roles and is becoming more of a threat onscreen (no pun intended). His newly found passion for acting as well as the subject matter in the movie was evident when the rapper/actor stated: “…I felt like it was a cool project to commit to because the topic is so relevant. Like one out of eight people in the world die of some sort of cancer... ”

Things Fall Apart is a Cheetah Vision film and is slated for release sometime in the summer of 2011.

As for music, 50 let us in on the developing changes to his next anticipated “Black Magic” concept album. “I think it’s me being back in America and hearing what’s going on out here.” So it seems that fans and critics alike should expect something a bit different than the usual from 50 Cent this year. That led to Smooth’s next question, probing to see which artists 50 wanted to work with in the near future. Unfortunately, 50 does not feel most of today’s mainstream artists are doing anything too special, saying that “the music business in general doesn’t have artist development anymore.” LA Smooth closed the interview out by asking about what the people of Miami should expect to see on the stage that night. 50 explained how he likes to keep his audience on their toes by taking them through various places in his catalog. “I don’t like the show being the same every night. Because I got portfolio of music that I enjoy, hit music that the public enjoys.”

Tony Yayo garnered attention in a very similar manner to his boss, 50 Cent. Yayo recently sat down with XXL and responded to questions and speculation about the Game rejoining G-Unit. Game recently stated that he would be open to talks to rejoin the one-time powerhouse of hip hop. However, Game is not getting any votes from Tony Yayo: “You know what I think would be cool if Game comes back? I’d set him up and smoke him on the tour bus or something.” Yayo continued to poke fun at the subject, as he described other ways he would go about ending the life of his once group member. While many may have taken the previous statements as overly harsh, Tony Yayo went onto explain his reasoning for the lack of compassion: “That guy’s bi-polar. He’s going to say ‘Fuck G-Unit’ tomorrow.

He’s crying one day saying, ‘Oh, hip hop,’ then he said, ‘Oh, I want to be with the Unit.’ Then he said, ‘I don’t want beef with niggas.’

Then, ‘Fuck Yayo.’ I don’t got time for that man.” (www.xxlmag.com) Tony Yayo also spoke on GUnit’s missed opportunity with the Harijuku Barbie herself, Nicki Minaj. Yayo expressed that it would have made sense for her to have signed with G-Unit Records as she and the current members of G-Unit are all from the South Side Jamaica, Queens.

Yayo is currently working on a new mixtape, but no word yet of a follow up to 2005’s Thoughts of a Predicate Felon. In 2010, Yayo has already released two mixtapes “Gunpowder Guru” and “Gunpowder Guru 2: The Remixes.” The Haitian artist has also been keeping busy by contributing his efforts in aid of the Haiti disaster.

Lloyd Banks has been fairly lowkey over the last few years since releasing The Rotten Apple in 2006 and then being dropped from Interscope Records in 2009. However, earlier in 2010 Banks dropped the single “Beamer, Benz, or Bentley,” which became a Billboard Hot 100 hit and spawned many remixes and freestyles to the instrumental. With his recent success, it is rumored that Interscope wants to resign Banks. During LA Smooth’s interview with Lloyd Banks, the rapper said he is willing to work with new artists and producers: “My doors are always open.” Banks expressed his eagerness to put on a good show for his Miami fans and stated he should be returning within the next couple months on his own solo tour. In July 2010, Lloyd Banks was preparing a video for his next single “Any Girl,” which features R&B singer Lloyd.

After taking a backseat to the Young Money Era, it seems the rest of 2010 and 2011 promise to be great for the G-Unit members and the group as a whole. Will the competition between Young Money become confrontational, as we have seen in G-Unit rivalries in the past? Regardless, G-Unit appears to be ready to reclaim its spot as a dominant force in hip hop.

www.coast2coastmixtapes.com | 11

Sylent Bossking T.McVay – Ten Bricks By RasheedVP Sylent Bossking T.McVay’s “Ten Bricks” mixtape is more like an album. At least that’s what the infamous DJ Kay Slay says as he co-signs the “Bossking.” With such a strong stamp of approval from the “Drama King,” the mixtape from the “Bossking of the Bean” has a lot to live up to.

“Ten Bricks” sounds official both in production and in content. The beats are gritty and reflect the adrenaline of the city streets perfectly. The lyrics are straightforward and hard. Sylent is the boss of Boston (hence the name). Throughout the mixtape, Sylent paints a very American Gangester-esque picture with his lyrics. With titles like “Pure & Uncut” and “Ten Bricks,” the Roxbury native proves his former allegiance to the drug game. “Damaged Goods” chronicles his troubles as a boss and how his business affected his personal relationships and, mixed with a soulful sample chorus, makes for one of the best tracks on the mixtape. On “My City,” Sylent comes out swinging for Boston (Roxbury area to be exact) and why he runs those streets. Fake rappers should take cover because chances are Sylent has goons in your part of town.

The only features on the mixtape are the drops by DJ Kay Slay when he puts on for Sylent T.McVay and the rest of his fellow Coast 2 Coast DJs. The Boston area always has a lot of hometown pride (the Celtics, Red Sox, various actors, and rap legend Guru, to name a few) and it seems it may have a new reason.

Goons United by the New School – Independence Day by RasheedVP G.U.N.S., which stands for Goons United By The New School, are not your typical mainstream Florida rappers. The group prides themselves on being about more than just making hits, but representing the South with lyricism. The group enters the rap game in the perfect climate with an increased focus on new Southern lyricists such as J.Cole, Big K.R.I.T., and Curren$y. The “Independence Day” mixtape, which dropped on July 4, 2010, is a solid effort and an enlightening listen.

From the first track, G.U.N.S. set themselves apart by exercising their lyrical prowess on beats that sound like they were made for the latest dance craze. The first two songs (“Snap” and “Wow”) break any questions of the intentions of the Goons United by the New School. While the rappers are far from what listeners would consider “conscious rap,” the group sticks to what they know and they spit it skillfully.

The topics range from gangbanging to love to riding in candy cars. On “Bang,” the rappers represent their affiliations and rap about their gang life experiences. In “Over My Dawgs,” the group speaks on the concept of “bros before hoes.” The last song of the mixtape “Hold You” samples dancehall artist Gyptian’s “Hold Yuh” and the rappers set aside any reservations of exactly how lyrical each member is.

The “Independence Day” mixtape was a warm-up to the group’s upcoming album. This group has immense potential to change forever how rap listeners view young Southern rap artists. Young A.C., T-Stunna, Pebo Florida, and Jay Balla are Goons United By The New School (G.U.N.S.).

B.Baby - Street Talk Vol.1 By Anika “DinoAni” Garcia B.Baby, a Slip-N-Slide “On Da Grind” artist, has flooded the streets with yet another hot mixtape, a project presented by Slip-N-Slide DJ Purfiya. Repping both Baltimore, MD, and Sarasota, FL, he’s sure to let no one down with his latest effort “Street Talk Vol.1,” whether they are returning fans or brand new listeners.

A predominately solo project, B.Baby is able to show what he’s about here. The songs have a range from hood appeal, to a certain dance appeal, to sex appeal for the lady fans out there. The mixtape itself has a little something in it for everyone. Unlike many other mixtapes we get from rising stars, the tracks on it are full length songs, no snippets, and no super-short remixes; even the Intro is a full song, giving everyone a sample of what’s to come. The beats on the mixtape were well selected, and fit B.Baby’s flow quite well. The tracks were all pretty up-tempo, on a flashy, feel-good tip—which happens to be what Baby was aiming for—his goal being to rep for the street dudes who aren’t signed, but still manage to stay fitted, living well, and fly.

Standout tracks are songs like “Hello,” and “Main Chick,” which have a lot of crossover appeal, without losing their original “Street Talk” feel; and “Grind On” which is just what it sounds like, a nanthem and ode to working hard. It’s obvious from this mixtape that B.Baby does indeed practice what he preaches.

Big Mon Ent - Nice Wreck By TazDatMC This mixtape gets you in the zone as the track “Highya” blazes you with a reggae vibration. This is the perfect intro to the “drought being over” in music as well as in “chronicville.” This “smoker’s anthem” is the perfect addition to start off any session.

The mixtape continues to bring you a variety of music for the clubs or to get you in the mood to do what ya do. It also features a diverse array of artists with lyrics to get you “hyphy” or for the streets.

With tracks like “All Da Henny,” “Call Me O.G.,” “K.I.M.” and “Strapped,” you get a feel for Big Mon Ent, and a vision that is shared amongst its supporting and contributing artists. To add, the beats are nicely composed and the skits and samples are entertaining as well as are in perfect placement with regard to the production of this compilation.

Overall, “Nice Wreck” is a pretty good collaboration effort. The mix of beats, artists, and styles mesh well together and it features a little something for everybody. While staying consistent to its style, the diversity of talent brought a solid blend of music for party people, hustlers, and pot heads. “Nice Wreck” embraces hip hop, R&B, and reggae to give exposure to various music cultures. While no artist really outshines the next, the common goals of these talented individuals is well expressed through lyrics, beats, and a vision.

12 | Coast 2 Coast Magazine

DJ EFN Presents: Capone-N-Noreaga - Camouflage Summer By Miss Ls For those that claim hip hop has gone soft, they must have slept on Capone-N-Noreaga’s “Camouflage Summer.” Amid CNN’s preparation for the release of The War Report 2, the sequel to their debut LP, the rap duo brings us this lyrically charged street album. Its title as a mixtape is no downplay of the content, however. Nothing short of a summer war manual, cameos from Wu-Tang legend Raekwon, Fat Joe, and Imam Thug make a valuable addition to the release.

A well-balanced masterpiece, this project has the gritty hood anthems like “War,” “Bodega Stories,” and “Animal Kill,” yet adds a diverse touch with more conceptual tracks like the verklempt “Pain” that cries of life’s grievances, and the thought-provoking “Feelings,” where Capone raps “Some try to reach for the stars but only hit the clouds / in and out of they trials, tryna’ see a hundred thous.’”

Prized lines are not all sentimental. CNN keeps it witty on “Thugged Out Anthem,” where Noreaga spits, “Ayyo headed uptown, get the re-up on the arm / And then I shit on niggas, diarrhea dot com.” The duo gives us a pleasing appetizer, with a satisfying mixture of guest features, clever rhymes, and street bangers.

If you enjoy “Camouflage Summer,” The War Report 2 will likely be a crucial addition to your disc collection, having you feeling like it’s hip hop in 1997 again.

E.Mazing - Million Dollar Signing Bonus by TazDatMC aka Tazzy E.Mazing is just that. As soon as you press play on this mixtape you are hit with cool beats and lyrics for the underground. This blind rapper comes hard by drawing you in with lines like “Look at life thru my Gucci glasses” and “Put me in the fast lane, I can’t see ya hataz!” As each track progresses, you are exposed to a vision of music that reveals both the life and struggles of this upcoming lyricist.

E.Mazing off top invites you in to his world by talking about his blindness, the industry, and bby asking God for forgiveness. He then transitions his versatile style by dropping a little something for the ladies, gets laid back by smoking a little something with the smokers, and puts the hood on his back by hustling hard. The “Million Dollar” man not only goes on to teach you why they call him “The Blind Truth,” but he demonstrates why he spits “hip hop” versus “rap” music. With a consistent flow followed by confident scriptures, E.Mazing does it big despite having a disability. He is proof that with God, anything is possible!

Overall, E.Mazing’s “Million Dollar Signing Bonus” mixtape is a solid listen and has a little something for everyone. He not only gives you a well-rounded project, but his content gives you something to think about. From tracks like “See No Evil,” “Gutta Shit” and “U My Nigga Tho,” this DC native wants the world to see why he is one of hip hop’s best kept secrets.

Kaiser – Black Hitler by RasheedVP The listening experience of Kaiser’s “Black Hitler” mixtape is just as unique as the mixtape’s front and back covers. For those not in the know, the bigger symbol on the cover is the free masonry emblem. Instead of the free mason “G” there is a swastika, which most people relate to Nazis and Nazi leader Adolf Hitler. As stated earlier, the name of the mixtape is “Black Hitler” and fans should expect to hear some fairly different things as the title matches the music. Throughout the whole mixtape Kaiser repeats “It’s the K-K-K, okay?!”

The music is very bouncy and without even listening to the words will incite a level of energy in the listener. Kaiser manages to create a Lil Jon-esque crunkness while maintaining his gangster, which he proves on the songs “I’m A Gangsta” and “War.” The artist decides to show his ability to flex outside of hardcore rap on “Pleasure” and adds a verse to Usher’s “Daddy’s Home.”

Other remixes of hit songs on the mixtape include Nelly’s “Party People,” Drake’s “Over,” and Young Money’s “Bedrock.”

An interesting technique the Jamaican rapper uses to get his overall point across are the many short tracks stating a Biblical quotation or inspirational saying. Getting more political, he also takes shots at America on the skit “Dubai” and song “America is Broke.”

“Black Hitler” is a comprehensive mixtape not leaving out many topics, but it’s important to listen to the last track, “The Explanation” to understand his motivation behind the title. Kaiser proves his versatility as an artist by adding his own verses on mainstream songs, and covering everything from the gospel to gangster-living.

R.D. Peoples - For What it’s Worth By TazDatMC R.D. Peoples’ “For What it’s Worth” is a solid mixtape complied of nicely composed lyrics and motivation. The first track, “That’ll Work,” is one of the hardest tracks on the mixtape. The beat fits the style of the track and gets you pumped and ready for more. R.D. sets the tone on “That’ll Work” by displaying lyrical skill as well as consistent flow. A line that stands out is “Me and this hip hop has steady been monogamous.” For artists or people pursuing their dreams, that line hits your heart and demonstrates a loyalty to sticking to your craft or goal.

The mixtape goes on to be a straight overall effort. The content is strong and the flow catches the beat like bobbing ya head. However, at times the delivery could have been harder, or switched up to compliment the track as well as the concept. Adding a few more collaborations from other artists would have highlighted certain tracks and made up for any weak points on this mixtape. It would have also brought out the versatility embedded in the production as well as complimented both the old school and new school style of today’s hip hop.

Overall, the determination is there, as expressed in tracks like “Dressed in Black,” “Thr33 Verses,” and “Like Nike.” “For What it’s Worth” if anything will make you appreciate the craft of real hip hop and the potential of an emcee. It has an old school feel and is an overall solid effort.

www.coast2coastmixtapes.com | 13

Sonyae Elise - Lady Rebel Vol. 1 By Miss Ls Sonyae Elise leaves a bittersweet impression with the release of Lady Rebel Vol. 1. Hitting us with pop like rap songs as well as some tasteful slow jams, Sonyae leaves her mark of potential as an R&B singer.

When you first hit play you’re faced with a false notion of “this is going to be good.” Her pleasant voice and uptempo beats give a false impression. Songs like “Superbad” and “We Heard (Retweet)” are casualties of a gimmick and don’t offer much we haven’t already heard. Her rhymes don’t stray far from the tired topics of superficial propaganda, with lines like “You could be fully dressed in your best and I could go birthday suit in some boots / I’d still have more expensive shit on than you” Things take a quick turnaround in songs like “Prego, ” “Love Me Back,” and her Maxwell cover “Handsome Wings” where Sonyae’s skills as a singer are showcased, and honestly go a lot further than her perky rhyming. While the mixture may appeal to those not into sentimental records, Sonyae should have switched up the mood of her singing to make it more upbeat and nixed the rapping.

Altogether the mixtape was well balanced. Sonyae does win in that her music caters to the ladies, while still being something that could appeal to the male listeners as well. Being that the majority of her music is covers however, her fans might enjoy more original music.

Deena Jonez – Memoirs of a Libra By DinoAni One of our favorite females in this rap game is back at it. Deena Jonez has released several very successful mixtapes in the past, all of which gained her a buzz. “Memoirs of a Libra” is no different; it almost makes you wonder why we aren’t required to pay for it!

Jonez, who has quite a following because of they way she uses her rapping ability rather than her looks, and doesn’t have overtly raunchy lyrics in her music like many other female rappers, has once again stayed true to herself, and her underlying message. “Blinded by the Lights,” a song about the struggle to keep it real while being successful, is an ode of sorts to her trying to keep that balance.

One of her signatures being her beat selection, she tends to use more laid back tracks that allow us to pay attention to her flow. Though a lot of the tracks are short, they definitely get their point across.

“Moments In Love,” where Deena is on her grown woman tip, gives perfect opportunity to inject those lyrics you’d typically hear from a female MC, but Jonez still has no blatantly inappropriate content in the song. Instead it is a song to be proud of—sexy without being nasty. “Brooklyn Life,” couldn’t have been much better, with samples of Jay-Z and Lil Kim, scratching, and a slow tone in the beat. Every track on this mixtape is enjoyable, and it’s safe to say that such has come to be expected from Deena Jonez. Listeners should be anxiously awaiting her next project.

Hot Shot - Seven Day Friday By TazDatMC Laid back flow, catchy hooks, and lyrics are what come to mind when listening to Hot Shot’s “Seven Day Friday.” The content is real and the subject matter relates to today’s male/female relationships (or encounters), street life, as well as grinding for ones hopes and dreams. You also get a dose of some cool beats and a taste of a few decent collaborations. One track that stands out on this mixtape is “Stallion.” With lines like “potential for the baddest, looking for the greatest,” this track caters to the best of the “Stallion women” and is a few steps up from just calling women bitches. Cuzzo is a featured artist on “Stallion” and helps compliment the track. “Games Hero” and the album-titled “Seven Day Friday” are also solid tracks to listen to.

“Yes I” is another track that shines. The concept is nice and the hook is on point. With the sample lyrics, “Yes I make mistakes that I don’t ever make excuses for” and “leaving girls that love me / constantly seducing hoes,” you get a sort of confession vibe on this one. Basically, this track just taps into what some men do, and you can love it or hate it!

To conclude, this mixtape has a commercial-type sound with an underground feel. The production meshes well with Hot Shot’s flow, but at times things started sounding the same and could have benefited from a switch up. Overall “Seven Day Friday” was a solid project and pretty decent listen.

J.R. – The Playground By DinoAni New Orleans representer J.R.’s new mixtape, “The Playground,” is sure to be a hit with most who hear it. The 21-track mixtape has a nice balance of styles, all the while keeping J.R.’s personal style relevant and present throughout.

The music on “The Playground” is versatile. You have everything from upbeat dance tracks to those with more serious subject matter. The mixtape ranges from songs like “Shake It,” whose name explains what it’s about, to “Song For The Struggle,” a motivational track that touches on issues real people face—unpaid bills, a family to maintain—and tells the story of a man just trying to get by. “Fall Back,” a song with an undeniably Three 6 Mafia reminiscent sound to it, is definitely going to be a favorite amongst listeners. The testament to where he’s from, “In My City,” is also sure to please. The fact that J.R. isn’t afraid to use slightly older instrumentals than other rappers tend to put on their mixtapes also helped set his work apart in a good way. Where you’d usually hear an “O Let’s Do It” remix on many of these projects, J.R. chooses to rap on Lloyd Banks’ track “I’m So Fly,” and the Young Gunz’ “Can’t Stop Won’t Stop” beat. This offers a nice change from the average mixtape you’ve probably been hearing in recent days. The mixtape may be titled “The Playground,” but J.R. certainly doesn’t seem like he’s come to play around.

14 | Coast 2 Coast Magazine

Klassic – Da Come Up By DinoAni Up-and-coming rapper Klassic, who also produces (and did so on this mixtape), has come with his “A” game on “Da Come Up” mixtape. Although his style of rap may not appeal to every kind of hip hop fan, he has a rather commercial sound that is sure to sit well with people who listen to that kind of music.

Klassic makes self-proclaimed “get money music.” His songs have a singsong feel to them, a more fun tone, nothing too serious; or rather the serious message is often hidden behind the light feel of the beats. His music is the type that you might catch yourself humming without even realizing it. One of the most standout songs is the track “Rushin” that has a sample of Gucci on the beat, and the line “rushin like a Russian” is sure to be stuck in your head for plenty of time to come. He also doesn’t fail to have a track for the ladies; “ILuva” aims to please the female audience. End of story is, if you’re looking for something extremely lyrical, then no, you probably won’t find it here. However, even if that’s the case, that doesn’t mean you should write Klassic off completely. He obviously has big things planned for himself, and we’re curious to see what his next move will be.

Mishon - The Homecoming By Miss Ls Young R&B singer Mishon came out with a bang, dancing his way into the limelight with his radio hit single “Just A Kiss.” Since then he has released a few more songs, his most recent featuring Mr. Turnt Up himself, Roscoe Dash. Personally, these follow ups were a bit disappointing, but the young star definitely redeems himself on “The Homecoming.”

What was supposed to be his next album turned out to be a brilliant compilation showcasing Mishon’s versatile ability as an artist. Perhaps he had me sold me by starting off with a cover of one of my favorite Michael Jackson records, “Remember The Time.” While I would expect many modern day artists to ruin this great urban classic, Mishon accomplished the song tastefully. The varying sounds within the production add to his unique flavor as well, leaving a smashing first impression.

As we go deeper within the mixtape, Mishon keeps consistency. Songs like “Love Games,” “Island of Love,” and “Pose For Me” give us a taste of what the artist is really capable of. However on the flipside, “Superstar Swag” and “Picture Perfect Girl” are a bit out of range, and I felt took away from envisioning him as a vocal talent. His watered down version of “I Wanna Be Your Man” is a let down too.

I could suggest a few improvements for Mishon, but “The Homecoming” is an enjoyable listen. Most importantly, it gives Mishon the room to prove himself beyond his acting skills, re-affirming his credibility within the music scene.

Tay Dizm - Point Em Out Mixtape Tay Dizm is signed to T-Pain’s Nappy Boy Records. He has been a long time friend and touring partner of T-Pain, proving himself on the road and behind the scenes with writing credits for Pain— winning him an ASCAP Writer Of The Year Award and other acknowledgments. He has also had successful international singles featuring artists such as Rick Ross, T-Pain, Akon, and more. The “Point Em Out Mixtape” showcases Tay’s talent in a way never seen before, giving the “T-Pain Artist” an outlet to stand on his own legs as a solo artist and be seen to the world as “Tay Dizm.” The mixtape is more of a free album, or FreEP, when you go down the track list and see that every track features original production by notable producers such as Gorilla Tek, Allstar, I.N.F.O., Bishop Jones, The Agency, Dave B, Lounge Lazardz, DJ Spedy, and Superstar 01. Features on the mixtape are scarce, leaving room for Tay Dizm to shine, but guest appearances by Shawnna, T-Pain, Ball Greezy, Picallo, and Once Chance add to the futuristic Florida sound throughout the mixtape. From tracks 1 through 12, start to finish, the “Point Em Out Mixtape” is an easy play all the way through for your summer activities. Find more information and music at www.taydizm.com.

Young Mac – Life Behind Bars By Miss Ls Young Mac’s “Life Behind Bars” caters to the streets, but you won’t find the entire project sounding like one long track. He keeps it fresh, rapping about various topics: the harsh pains of street life, life behind bars, and love.

“Life Behind Bars” starts off strong with street hits like “iLike”and radio friendly tracks “Jump Down” and “I’m Aiight.” As we proceed through the mixtape, there is a strange transition in audio quality of his rapping, but it doesn’t detract too much from enjoying the music. “Turnt Up” was a track he could of done without.

Rapping over the Roscoe Dash beat, Young Mac doesn’t offer much originality in his punchlines. The rapper speaks to the ladies in the self-produced “Sunshine,” where he showcases his capabilities as a beat maker.

Right after that is another one for the ladies, “Wit Me.” With a few improvements on the hook, this could be a great single with its hypnotic beat. Young Mac gets sentimental on “Reality Check,” where he speaks from the heart about pushing through struggles and keeping spiritual faith. “Friends” provides a similar feel, expressing the unfortunate outcomes of street life.

In its entirety, Young Mac gives us a well-balanced product. No matter what mood you’re in, you’re likely to find something to suit the occasion. Whether you’re looking for something to blast out of your car speakers, or something catering to your sentimental side, he has just the thing waiting for you.

www.coast2coastmixtapes.com | 15

Big Boi – Sir Lucious Left Foot: The Son of Chico Dusty By RasheedVP The Son of Chico Dusty may not sound like the typical name for a hip hop album, but then again when did anything involving Big Boi’s music ever seem ordinary? From start to finish this album holds strong and provides a great listen. The Son of Chico Dusty gets progressively better and listeners should expect to be full-out dancing the by the end of “Shutterbugg.”

Fans of Big Boi’s umbrella group, the Dungeon Family, will definitely have this album on repeat. Go back and do your research if you must, but their sound and songs have been classic for a couple decades.

The claims that Big Boi is not lyrical should have been long dispelled by anyone with an understanding of what lyricism really is. Big Boi continues to skillfully mix new concepts with wordplay. “Yo Ain’t No DJ” is the perfect example of the combination, as Big Boi lyrically holds his ground against up-and-coming lyricist Yelawolf. The lyricism of “Shine Blockas” is also impressive, especially that of Gucci Mane.

Notable features include George Clinton, Bun B, Jamie Foxx, T.I., and Too Short. Other guests include Vonnegutt and Janelle Monaé, who are both signed to Purple Ribbon Records, which Big Boi both runs and is signed to. The songstress Monaé, who has a joint deal with the legendary Bad Boy Records, blesses the “Be Still” track.

Live band Vonnegutt contribute to “Follow Us,” with sample-sounding vocals that give greater life to the song through the chorus.

The question remains: Is The Son of Chico Dusty a classic album? Is Outkast the greatest rap duo ever?

That’s your answer right there.

16 | Coast 2 Coast Magazine

M.I.A. - MAYA: Deluxe Edition By Miss Ls Eccentricity is surely a strong point for M.I.A. With the release of her third studio album MAYA, you get just that. The listening experience with this project is comparable to being at a rave party or feeling as if you’re strung out on drugs; and I say this with the utmost admiration for the Sri Lankan singer.

The album has an expansive range of sounds, from the Caribbean feel on “It Takes A Muscle,” where M.I.A. talks about the hardships of falling in love, to the synthesized sounds of “Space.” The majority of her album is completely erratic with original sounds beyond your imagination.

MAYA doesn’t have any records comparable to the hit “Paper Planes,” but don’t be too disappointed. “It Iz What It Iz,” serves as one of the album’s highlights. Not only is it more consumer-friendly with lyrics that you can actually understand, but the structure of the song is not as erratic as some of the other records. “Caps Lock” also comes highly recommended with a similar easy-going vibe, as well as the party banger “Meds and Feds.”

MAYA is not something you’ll feel like hearing on a regular basis—some songs even give the illusion of being in a mental institution. However, it is uniquely unparalleled. Energized production and M.I.A.’s ability to paint an image with her sounds make the album stand out among similar dancehall and house music artists.

Rick Ross - Telfon Don Rick Ross has taken the urban music industry by storm lately. Maybe it’s due to his recent management “partnership” with Diddy, or maybe it’s because he has the hottest record on the streets and in the clubs right now, “B.M.F.” The album everyone is talking about right now is Teflon Don; the buzz mostly caused by the “Albert Anastasia” EP that Ross dropped a few months prior to this release to heat the streets up. “Albert Anastasia” was a dope EP, but, in comparison, it has nothing on Teflon Don. This album flosses quality production from NO I.D., The Justice League, Kanye West, and more. Features include the hottest names in the industry such as Drake, Jay-Z, Diddy, Jadakiss, Styles P, Ne-Yo, Trey Songz, Cee-Lo, and many more.

Perhaps the best joint on the album is “Tears Of Joy” featuring Cee-Lo Green from The Dungeon Family. The beat is produced by NO I.D.—bringing a “beautiful struggle” feeling to the song while Ross reminisces about his past, reflects on his present situations, and looks to the future. Other highlights include “Maybach Music III,” “Aston Martin Music,” and of course, “Free Mason” featuring Jay-Z, where Hov addresses rumors of his involvement in the Illuminati. Overall, Teflon Don is a great purchase and even though its only 11 tracks, it bumps all the way through, leaving you nothing to do but press re-play. Good job Rick Rozay, quality product keeps your pockets full...keep it up!

How did you first become a recording artist?

I was born in Brooklyn, NY. The influence of the street, hip hop culture, and life in general provided the catalysts as well as the canvas for my creativity to evolve through my music. Music like life is constantly evolving; the artists should conform and do as such! I grew up in an artistic family—singing before I could speak, and soprano at that! As my voice changed, so did my musical interests and talents and I discovered hip hop. The first time I heard my voice on cassette I was hooked (it’s ya fault BNew!) That was the day the world stood still. I finally realized my reason for being; to deliver the language of hip hop to the masses. I call my style ghetto-visual, because you can actually see what I spit! I paint pictures with words.

Are you currently with a record label?

Currently, I am still unsigned, but accepting all offers!

Where are you currently based?

I rep the 6th Borough; The 6-0-7; Elmira, NY. Big ups to HHDS, Corning, Ithaca, and the Bing. Elmira, stand up!

What’s the current project you’re promoting?

DJ Brandnew Presents Hostile a.k.a.

Mr. Getit Regardles “N2DEEP: The Brown Paperbag Diaries” mixtape.

What can listeners expect to hear from your music?

I want them to get to know me as the person I am, as the writer/artist that I am, and as someone they would like to hear more music from.

I did the mixtape for my listeners. I did it to get my music out there; it is a stepping-stone in my career and a great vehicle for getting my name and music out there. I’m glad I did

18 | Coast 2 Coast Magazine

it! I spoke about my family, my life, my friends, my haters, my music, my world. Every song was a scene from someone or something relevant to me, as a whole, shows my dedication to my music.

What is your opinion of the mixtape game and market?

The new mixtape is the Internet.

If you want to get on, the new market medium is the World Wide Web. I feel that the days of the showcase, the hand-to-hand CD hustle, the demo, even spitting on a radio show are numbered. For up-and-coming artists, a digital camera and a username is the way to possible stardom, provided you have the traffic. Looking at the state of the music industry, it’s easy to see why label execs are looking to the ‘net to find new acts. There just aren’t enough people at the labels to scout the country for talent. Which is one of the reasons A&R’s depend on BDS numbers to sign acts these days. But, the Internet is a big help to industry heads because it’s easy. It’s easier for A&R’s to get on the ‘net and find an artist.

You can log into MySpace and see unsigned rappers and producers by the thousands. Now, the hits each MySpace page gets (and the song plays) are a huge part of the MySpace equation. The hits equal buzz, and some skewed equation for potential buyers. The artists on MySpace do have to market themselves. They just can’t put songs on their page and hope that somebody just stumbles across them. But, if an artist, producer, or DJ has a strong marketing game and great songs, the Internet can be an excellent medium to be heard. Since digital cameras are relatively cheap, it’s way easier for an unsigned act to make their own lowbudget video.

Are there any other ventures you want to let our readers know about?

Of course the grind don’t stop.

Late August you can find me at the Coast 2 Coast Convention…I’m looking forward to networking, collabs, and politicking. August 28th come get it in with ya boy at Club Play and catch my performance…

August 29th I perform the hit single “I Lyke It” at the official Coast 2 Coast poolside [party] at Newport Beachside Resort. The debut album Focus is scheduled to be released mid-late fourth quarter…More time behind the lens with Beau Kester/Round 1 Productions creating scenes for “The Blue Bill” and “Not a Care. AlwayzATargetFashions (ATF), my clothing line, is developing a following as well—currently available through Upstate NY and online through Reverbnation. November 11th the Hollywood Music in Media Awards—I was nominated best new unsigned rap artist…

Anything else you’d like to add?

Officially over 10,000 “real” YouTube views! It just took five weeks to do! Thank you God. Thank you family, friends, fans, and haters. I could not have done it without you. Thank you for your support and love! I am truly blessed to have you behind me; I won’t let you down! Big ups to Jo-Jo of Rocksteady “The Originator” and Curtis “Blackey Robinson/ Blicka Swag,” I ain’t forget you fam!

You already know how I do. Live life, love living, getit regardless… www.mrgititregardles.com www.reverbnation.com/hostileakamrgititregardles www.twitter.com/gititregardles www.myspace.com/mrgititregardles

How did you first become a recording artist?

When I moved to California I met a few people in my high school that loved to rap. These select people began to tell me about a youth center that not only focused on recording artists (rappers and singers) but also [taught you how to] dance and train you in Pro Tools. So I joined Youth Uprising and recorded my first song, which was “What It Do.” Artists and fans caught onto my music and liked it so much I began to work with other producers that had joined in Youth Uprising. I began recording more of the songs that I wrote and began to mold them to their beats. At the same time, other artists began to like my catchy hooks and wanted me to collaborate with them on their songs.

What’s the current project you’re promoting?

My current project is called Love’s Translation. I am aiming for the project to be finished in October/November.

What can listeners expect to hear from your music?

Listeners can expect to hear tracks that range from lovemaking to meeting someone and getting to know them. I also have songs that talk about getting another chance, after making so many mistakes, because you love and care for that one person and you want to make the point that you recognize they are “the one and only” person that matters in your life. The album is basically based on all the ways you can translate love.

What are your career plans for the rest of 2010?

My career plans for 2010 are to of course finish this album, but also create two or three music videos for my album as well as work with well-named artists. I am not only looking to gain their respect, but others’ respect as an artist as well. I also plan on eventually starting my own record company when established. I would like to be seen by record companies and possibly picked up, but even if I am not, I am still going to push myself and my music because I am determined to make it not only for myself but for my kids and family.

Anything else you’d like to add?

First, I would like to thank God for what I’ve been blessed with so far, and for the blessings that will come. Second, for those of you that have dreams and are following them, keep on reaching out for your goals and keep God first. You will be blessed in all you strive to do. Keep a look out for my new video “Sexaholic” ft. T.1.Foe.

How did you first become a recording artist?

Well I always loved and been around music; my older brother used to write little raps for me. I had like two raps [laughs] but I always stuck with it. I got older and started writing my own material. From there I used to just cypher with other rappers and I always got a good reaction.

Where are you based?

I’m from Trenton, NJ, but music has taken me a lot of places.

What’s the current project you’re promoting?

I just released “American Rebel.” It’s 11 original songs. I worked with some great producers. Not a lot of features, but from the response I will have a few on my next one.

What can listeners expect to hear from your music?

Just real music, man. Nothing too cool, or too tough, just real music. Also, the listeners can expect something new and fresh. I think I have a different approach.

Are there any artists or DJs you’ve been working with, or would like to?

Well I’ve done some work [with] DJ Black Jesus, so shoutout to him. Shout out to 2G7 ENT. I been on a few Coast 2 Coast mixtapes. They always show me love. As far as artists, I would love to work with anyone who wants to work with me. The work ethic and the quality of the music mean more than the name of the artist.

What have you been doing career-wise for the past few months?

I’ve been recording. Like I said, I’m doing more collabs, mixtapes, and a few shows. I’m doing everything myself, so I’m looking for a manager. If you’re reading this, I got myself here.

What is your opinion of the mixtape game and market?

It’s great. Artists are able to eat and even tour from mixtapes. A lot of rappers’ mixtapes are better than their albums and I think that’s because it’s unsupervised and it’s more freedom.

Where do you think the music industry is headed as a whole?

It’s a lot of good music out right now. I like the fact that rappers are actually doing songs together again.

It’s coming back, man. I miss the unity in the culture.

Anything else you’d like to add?

I’m Cash Gotti. Support my music and support Coast2Coast. I Do.

myspace.com/noel1283 twitter.com/noel122883

www.Twitter.com/AmericanRebel1 www.MySpace.com/CashGotti

www.coast2coastmixtapes.com | 19

Sonyae, let’s get right to it. Who is “Lady Rebel”?

Lady Rebel is Sonyae Elise and I’m passionate, focused, a hard worker, and a dedicated individual who loves to express herself through music. I call myself “The Lady Rebel” quite simply because I am a rebellious individual. I tend to go against the grain and find my own way of making things work.

Talk about your lead single, “We Heard (Re Tweet).” What’s it all about?

It’s a fast tempo, high energy, slick-talking type of record.

“Re-tweet” refers to the reiteration of different points and ad-libs throughout the song. In the song I talk about the biters and gossipers of the world. I also take a few shots at those who sit behind the safety net of their computer screen and hate on the next person. I’ve had a few experiences with that. Overall it’s a fun, sarcastic song that I am sure people are going to enjoy.

The production is crazy! I’m in love with the beat on “We Heard.”

Who are the producers?

My brothers Bruce Waynne and Dirty Swift of Midi Mafia.

What was your creative approach toward the mixtape?

Any featured artists?

“Lady Rebel Vol. 1” is unlike any

20 | Coast 2 Coast Magazine

compilation of work that I have ever done. It’s young and fresh, yet also raw and heartfelt; which was the overall concept for the mixtape. The process of putting this mixtape together was truly organic. I literally worked in the studio along with my team Midi Mafia six to seven hours per day doing nonstop writing and recording. There is one feature by Rahman Apollo.

You come from New Jersey, a city known for incredible talent, how do you plan on standing and putting on for your city?

I bow to those who have come before me and thank them for laying the foundation that I am standing on right now. Some may say that I have big shoes to fill. However, I choose to believe otherwise. I am not looking to fill the shoes of greats such as Queen Latifah and Lauryn Hill, I am simply looking to carry the torch that they have ignited as far as I can and eventually pass it off to the next talented, focused, and dedicated individual who will continue to represent for New Jersey. I intend on staying true to myself and never losing sight of my beginning during my journey to my end. I plan to treat my first like my last, my last like my first, and my thirst like the first song I sang.

You’re cultured in the art of acting as well as singing, how does your Broadway experience tie into your music?

I was raised around entertainers, so taking control of a stage has always been quite natural and easy for me.

However, I attribute a large portion of how comfortable I am on stage to the many years I spent acting.

I’ve never been afraid of a crowd; as a matter of fact, when I am in performance mode I feel most liberated and free. Acting allowed me to bring life to the stories of others, but my music is allowing me to bring life to the many stories that I need to tell.

Ok so being that you’re a trained actress, what can we expect to see at a Sonyae performance?

In my show, I tend to wear my heart on my sleeve so that my audience can really feel what I’m saying and really feel the emotion that I have put into the song. Certainly when I hit the road with a more elaborate show, you can expect skits and scenes as interludes from song to song.

What’s next on the list?

I am excited to say that “Lady Rebel Vol. 1” dropped on June 14, 2010. I am already back in the studio working on my next mixtape “Lady Rebel Vol. 2” and simultaneously recording new songs for my first official LP. Also, I just shot a new video for my next single, which should be coming to you very soon.

Can I get your shout outs?

Shout out to God, Midi Mafia, all of my supporters, and of course Coast 2 Coast for supporting me and showing me the only love…Rebel Approved! www.Youtube.com/SonyaeElise www.Twitter.com/SonyaeElise www.SonyaeElise.com www.Myspace.com/Sonyae_Elise

How did you first become a recording artist?

I started recording at about 15 at studios and at some producers’ homes. My first recording was at my homie’s, house—Richard aka Richie Rich. I would take a tape recorder and put a instrumental beat and record like that. I write poems, and now I do mixtapes as DJ Hemanifezt aka Mr. Do Everything.

Are you with a record label?

No, I’m not, but I am starting a production team. I make beats now, so record labels get at me!

I got some hear. The record label I would love to be signed to is G Unit. They are hard workers in the game. Shoutout to G Unit, 50 Cent, Lloyd Banks, Tony Yayo, and DJ Whoo Kid. Where are you based?

I live in Arkansas. Batesville, stand up; Ruddell Hill, stand up; Jonesboro, stand up; Little Rock, AR—where grass gets green, niggas get mean.

What’s the current project you’re promoting?

I been promoting my video, editing by Brick, called “Hemanifezt Spit the Truth” off the Watkinz Da General album, The Men & Women of Honor. Get the album, it’s a classic album.

What can listeners expect to hear from your music?

You hear negative and positive, good and bad. I try to rap to all types of beats. I can make love songs, club songs, battle songs, rock songs, house songs, rave songs, I make hooks…I’m Mr. Do Everything.

Are there any artists or DJs you’ve been working with, or would like to?

I send songs to DJ Smoke from the Chi. I do mixtapes too. Now I work with Pure E.T.C from the Show-Me state, Dragonhawk— I’m down with him too—Watkinz Da General, and Realsyles. I would like to work with G Unit, Soulja Boy, KRS-One, Jay-Z, Lil Wayne, Drake, Ice Cube, the real Rick Ross, DJ

Whoo Kid, DJ White Owl, J. Cole, and many more.

What have you been doing career-wise for the past few months?

Getting more beats done, just trying to get heard. Just promoting on the Internet and the streets; hopefully I can get music on film or TV. Just trying to go hard.

What are your career plans for the rest of 2010?

To bleed the Internet and the streets, so I’m looking for a DJ, artists, producers, promoters—looking for the whole thing. I got so many ideas, I just can’t do it by myself.

Have you done or are you planning to do mixtapes in the future?

I do a mixtape every month. DJ Hemanifezt—be on the lookout because more is coming. Rappers, get at me; DJs, get at me.

What is your opinion of the mixtape game and market?

I love it; good game for me and others. Now for me, I’m a new artist [so] it helps me get known; it’s good for the new artist. On the other hand, it helps them even more, because nowadays you got to make more music than ever, that mean’s you got to step your game up. So I’m for it. Just don’t forget, it’s a tool. So use it.

Where do you think the music industry is headed as a whole?

It’s going downhill because they don’t got me. I can help them out—put a deal on the table so we can see what’s up.

Are there any other ventures you want to let our readers know about?

Go check out my video, Hemanifezt “I Spit the Truth,” and the album, Watkinz Da General, The Men & Women of Honor.

And be on the lookout for Stormin Norm and Watkinz album.

Anything else you’d like to add?

Shoutout to moms, pops, brothers and sisters, nieces and nephews, uncles and aunts. Pure E.T.C., cousins all over the world, Brick, Realstyles, Obey, DopeTracks, Coast 2 Coast, Lil Fats, DJ Smoke, all DJs that play my songs, all my people from Compton, CA, Gardena High. Batesville, AR, Jamal, Raz, Nzinga Asantewa, Kimmi, FTNS, Shadow Schools, Pop Squad, Rounds Flowtron, JT Da 45, P Money, Kinetic, Richie Rich in Ft. Wyane, Dragonhawk, Core DJ Retreat. www.reverbnation.com/hemanifezt7776668pointra www.myspace.com/myspacecomhemanifezt twitter.com/HEMANIFEZT www.youtube.com/user/HEMANIFEZT

www.coast2coastmixtapes.com | 21

How did you first become a recording artist?

First, hearing songs from Pac inspired e. The first album I bought when I was younger was the Ol’ Dirty Bastard first album. Remember the one with his actual welfare card on it?...But I really started rhyming in early 1997. All thanks to my boy Doe Pesci “The Great.”

Where are you currently based?

New York, NY, big city of dreams / And everything in New York is always what it seems! Queens baby all day!

Hillside stand up! 169.

What’s the current project you’re promoting?

Let me say this: there are a lot of mixtapes out, and will always be coming out. The project I am putting together must be creative! I have over 200 songs, NOT verses. So, to be real with you, I have a couple of titles I haven’t chose yet. But when I do choose, y’all will be the first to know!

What can listeners expect to hear from your music?

They expect to hear our everyday struggles, government issues, street politics, club music, all that good shit!

I make the connection with fans that rappers CAN’T make today. If you call it music, that’s what I do. Music!

Are there any artists or DJs you’ve been working with, or would like to?

Well, I’ve been working with underground dudes. Artists you don’t know, but will know shortly, like Phillz the MC and Hype. Also my dude Vain, who just did a joint with Jim Jones. Me and Vain got this joint called “How You Do” that’s crazy.

What have you been doing career-wise for the past few months?

I’ve been putting together a package to start shopping for a major. Videos, songs, pics, and a bio you know?

Anything else you’d like to add?

Heck yeah! Yo look, if you’re a well-established manager then I am your artist! It’s just that simple. I need people around me who aren’t snakes and are about their business. At the end of the day, I’ma bring back that connection fans have been longing for because, on some real shit, I’m a fan first. Oh, and shoutouts to Coast 2 Coast ‘cause they didn’t have to put me in the mag.

That’s love! numberonemusic.com/lijamesthechosen

22 | Coast 2 Coast Magazine

How did you first become a recording artist?

Music was always my little escape from reality. When I was young, I’d put my headphones on and rap other folks’ songs for hours. Then I’d start switching the words up with the same style to it. Throwing my name instead of theirs, or my city, and it just escalated from there. I started freestyling in my teens and word just got out that I was that dude!

Are you currently with a record label?

I’m unsigned, but I run my own independent label, 3x Ent. My ears are still open for business, if folks are talking properly. If not, it’s still 3x Ent! Where are you currently based?

I’m From Sacramento, CA, West Coast of course. But I been residing in Las Vegas for the last two years almost.

What’s the current project you’re promoting?

Right Now I’m pushing my newest singles on iTunes called “The Art Of Pain” and “Adios.” Two crazy singles; completely different from what’s out right now. If you ain’t got ‘em, make sure you check ‘em out.

What can listeners expect to hear from your music?

A true artist’s work. My Picasso’s and Da Vinci’s. Something completely different from what you’re used to. I don’t follow any guidelines, trends, or what’s hot at the moment. I like to just get in the lab and create ridiculous music! Extremely versatile and never ordinary. I love to have fun in my music.

What have you been doing career-wise for the past few months?

Making countless album and mixtape appearances, and dropping these singles left and right on iTunes. Doing a lot of reading on the behind-the-scenes end and soaking the knowledge as it comes.

What are your career plans for the rest of 2010?

For the rest of ‘010, I’m getting ready to shoot a few HD videos and commercials, do a few more magazines, singles, and many more mixtape and album appearances.

Gotta keep it movin’.

What is your opinion of the mixtape game and market?

I just dipped into the Mixtape game this year and I’m feelin’ it. The real mixtapes, that is. I think it’s a real good look.

Anything else you’d like to add?

Last but never the least, much love to all my fans! My gamily, my DJs and producers, I love y’all to death. Praise Jah and stay ridin’ with me. www.Y-DRESTA.com www,Myspace.com/THEYDRESTA Ydresta@yahoo.com for buisness or collabs

How did you first become a recording artist?

One person: Wil Da Beast! He has been my producer for the last eightplus years. The first time we worked together I knew this was the edge I needed to best every one else. I started off my career in South Jamaica Queens. Growing up in Queens instilled a competitive spirit, as artists such as Mr. Cheeks, LL Cool J, and Nas set very high standards. Then came 50, Banks, and Yayo, and they completely destroyed those standards. Coming from a drug infested war zone of 109th Ave and Guy Brewer Blvd, I saw lots of real life drama unfold before my eyes.

Sometimes I would be caught up in it. Before I became a mural with candlelights, I picked up to escape the constant bedlam and relocated to sunny West Palm Beach, FL in ‘05. While working at a nightclub, I ran into Wil Da Beast and he and I clicked as friends first…I got a sample CD of his and the rest is history unfolding right before your eyes…

Without Wil Da Beast, I would not be here today.

Where are you currently based?

As of now I’m back in NYC. I have been a w a y from

home since ‘05, so to complete the push I had to get back and re-establish my presence in my backyard.

What’s the current project you’re promoting?

I have a lot popping off something serious right now. Just dropped a mixtape with DJ Kay Slay called “Coming For The Crown Vol 1,” with features such as Mr. Cheeks, DJ Ames, Bun B, Slim Thug, Gillie Da Kid, and Shade Sheist, just to name a few off hand. I made sure to cover every region in the game. Next, I just chose my first single that I will be dropping called “Look @ His Chain” featuring Styles P from the Lox. This track definitely has the makings of a complete crossover smash that everyone can listen to. My engineer P Breezey went in on the hook with a rock-and-roll theme and Wil Da Beast outdid himself on the production.

What can listeners expect to hear from your music?

My tracks vary, but if one thing is certain, you will hear nothing but smash hits. I’m a perfectionist, so I make sure you can hear every syllable and understand what comes out my mouth. Then of course I make tracks that you can party to all night, work out to, play around the kids, and relate to every day instances. I been doing this for nine years, so I have a catalog from every stage in my life.

What is your opinion of the mixtape game and market?

The mixtape game is the hardest field to try to come into because you have to have discipline and serious work ethic. The market is very oversaturated as there are too many rappers and not enough fans...

It’s a proven road to success, but the DJ makes the artist. One must work themselves up the ranks, and once you find that DJ who believes in you and makes you a priority, stay with him until the wheels fall off. The DJ decides

whether you make it or not.

Are there any other ventures you want to let our readers know about?

I have my own clothing line dedicated strictly for the females. Been working very hard to get everything right for the launch. Also, I work on developing upcoming talent so they know how to stand on their own two feet and avoid pitfalls other artists make. Right now I am working with an upcoming emcee from Albany, NY named 80 G Da Grizzleee. It’s just a great experience when you can cultivate talent that would have been overlooked.

I have both my show DJs working on mixtapes also. We just finished up our first two while working at D Block studios. The goal is to get all the exclusive joints before they even hit the airwaves and blow it up in the club. I’m always thinking of ventures so I can go forever, but this is what’s popping at this very moment.

Anything else you’d like to add?

Just want to thank God for making everything happen the way it did. Big shouts out to all my haters—I love y’all. Shouts out to Them Chokalate Boyz (they be the team), my little brother CBW Reese, Twix—where you at? Cappachino, The Original Glen Birch Guapo, Big Manacho for taking me under his tutelage and making me the responsible man I am today, Big Danny for taking his time to show me the light, Ms. Angela Wolfe for being the best P.R ever, and most importantly Ms. Jacky Ayala for believing in me and going all out to make my dreams come true. Baby Blast—Daddy loves you. http://www.whoismokablast.com http://www.myspace.com/mrmywrisses http://www.facebook.com/mokablast www.twitter.com/mokablast

www.coast2coastmixtapes.com | 23

tant for the streets to hear that material, ‘cause the streets control the game.

Where do you think the music industry is headed as a whole?

Autotune [laughs]. Just kidding, I think real hip hop is coming back.

Are there any other ventures you want to let our readers know about?

I would love for the readers to know that I’m currently working on an independent film called Me, which is based on the life of Warchild.

Anything else you’d like to add?

Yes, my name is Warchild, and I would like to thank Coast 2 Coast Mixtapes for giving me the opportunity to be featured in your magazine and for being featured on your mixtape volumes.

Where can we find you?

Hopefully on the next Coast 2 Coast mixtape! www.reverbnation.com/ warchildent www.youtube.com/warchiltv www.hoodlogic.com www.myspace.com/hot16s www.myspace.com/warchildent How did you first become a recording artist?

I come from a very musically inclined family and I was born to MC. Are you currently with a record label?

No, I’m an independent artist.

Where are you currently based?

South Florida.

What’s the current project you’re promoting?

My album, Hate Is Love, produced

by Deaf Star Productions.

What can listeners expect to hear from your music?

Some of the greatest hip hop of all time. Straight classics.

Are there any artists or DJs you’ve been working with, or would like to?

I’ve worked with DJ Jay Ski, and various artists such as Math&Rhetoric, Roscoe P, Coldchain, and Family Ties. I would like to work with everyone in the industry.

What have you been doing

24 | Coast 2 Coast Magazine

career-wise for the past few months?

Pushin’ my street album, “Me the Album,” doing shows all around South Florida, shopping my press kit to record labels, and shooting music videos.

What are your career plans for the rest of 2010?

To have my name on the tongues of everybody around the world and to hit the music industry like a tsunami!

Have you done or are you planning to do mixtapes in the future?

Yes, I have done three mixtapes: “Hot 16’s,” “RnB (Rhythm n Blunts),” “Back 2 School,” and I am currently working on a new mixtape “Back from the Future.”

What is your opinion of the mixtape game and market?

I think mixtapes are very important for artists because you get to show versatility and it’s very impor-

How did you first become a recording artist?

Young J Diamondzz started making beats for rappers in the hood.

DJ 16 started recording himself, and Big Poppi started when DJ 16 was producing on his projects full time.

Are you currently with a record label?

Naw, but we are looking to crush any label that wants to sign Young J Diamondzz, DJ 16, and Big Poppi.

But together we are Big Hitz/Paper Cuttzz Committee, which is based out the Midwest, and we have created a crazy buzz as producers and artists. All-around superstars.

Where are you currently based?

The Midwest: Milwaukee, Madison, and Chicago. That’s what makes our sound so unique; we have the pimpin’ sound and struggle from three different areas of the Midwest.

What’s the current project you’re promoting?

We have the Young J Diamondzz Presents: “Radio Singles Volume 1 Interstate Money 90-94,” which has six hot radio bangers from the whole team.

What can listeners expect to hear from your music?

Big Hitz brings more of a hip hopmeets-soul, with a futuristic swag that has hard 808s and catchy hooks. Young J Diamondzz and L.u.v. bring rap-meets-R&B, with a different twist on it that has a grown and sexy feel to it for the clubs and the bedroom.

Are there any artists or DJs you’ve been working with, or would like to?

Big Hitz works with Drastic,

Young J Diamondzz, Princess, Ray Rizzy, Core DJs, and many other local and mainstream artists. Young J Diamondzz works with DJ Pain1, Big Hitz, D.C, L.u.v., DJ Datdatdat, and many other artists in the surrounding areas of the Midwest.

What have you been doing career-wise for the past few months?

Big Hitz and Young J Diamondzz have been involved in interviews for Crack DVD, multiple mixtapes, magazines, shows, producing for artists and ourselves, as well as just staying busy. It’s Big Hitz/Paper Cuttzz all day From the Mil-town to Mad-town.

What are your career plans for the rest of 2010?

To stay busy as both producers and artists. We want to work with everybody, so if you looking for songs or beats contact bighitzent@ yahoo.com or youngjdiamondzz@ gmail.com to book us for shows or for producing. Our goal is to work with any artist on the planet.

Have you done or are you planning to do mixtapes in the future?

Big Hitz has multiple mixtapes on datpiff.com, including the trunkbanging Going Firm “Trunk Muzik Volume 1,” and you can catch Young J Diamondzz on DJ Khaled’s “Halftime Report,” Soulja Boy 125, and other Coast 2 Coast mixtapes.

Just go to the Google button and type any name from Young J Diamondzz, DJ 16, and Big Poppi, and you can find all the music and updates that you need.

What is your opinion of the mixtape game and market?

It’s a great way to promote yourself as an up-and-coming artist trying to get nationwide coverage, like 50 Cent did before he became a main-

stream artist. Coast 2 Coast is by far the hardest mixtape site and so is datpiff.com. Both can open doors for Young J Diamondzz and Big Hitz Ent. Where do you think the music industry is headed as a whole?

We feel like it’s missing our sound and we can add so much to the music industry as a whole if people take the time to learn Big Hitz and Young J Diamondzz music. We feel we have the right formula to be on MTV and BET networks and sell millions of records.

Are there any other ventures you want to let our readers know about?

We got the Hoodlife Crack DVD Midwest coming out soon, hosted by the big homie Terrell Blair, featuring all the hot artists on “9094,” so please tune in for that. We have multiple albums dropping to iTunes from Young J Diamondzz, DJ 16, and Big Poppi, so stay tuned for that. In the meantime, check out our Reverbnation pages where we update new music every week.

Anything else you’d like to add?

Young J Diamondzz wants to shout out all the artists in Madison, Chicago, Milwaukee, and all over.

Also the big homie Terrell Blair and the whole team From L.u.v., DJ Pain1, and D.C. of DCNY Pro. Big Hitz wants to thank all the hustlers and hard-working people supporting our music, because with out y’all, there is no us. Milwaukee stand up, Midwest stand up, Madison-Chicago stand up...much love. www.reverbnation.com/youngjdiamondzz www.reverbnation.com/djsixteen www.reverbnation.com/bigpoppi

www.coast2coastmixtapes.com | 25

How did you first become a recording artist?

It’s basically in my blood. My Grandfather (R.I.P.) Lonnie Smith SR, and uncle Billy Ray Carteeze, are both performing musicians, and I grew up hip hop in the 80s when Eazy-E and N.W.A. was the business. We lived the life they rapped about at the time, so the craving to get on wax and have my story from the street heard started around the same time N.W.A. opened up the airwaves and made it possible for street MCs to be accepted by the general public.

Are you currently with a record label?

Yeah, my own independent, LeftsideMusic, distributed by Interscope Distribution. This will be our first release—September 7—in your favorite music store nationwide.

Where are you currently based?

California, the home of the brave.

I represent West Coast! LA County, from South Central to the borderlines of Pamona. Shoutout to all my fam, West Side West.

What’s the current project you’re promoting?

I’m currently promoting my album Back to the Basics, with production from myself, Clinton Place (Rockwilder’s BeatGang), Rockwilder, Big Jess (Watts Up Productions), King Scratch (TruWest Ent), my nephew Clip12, and a few other secret weapons. I’m releasing the single “Is This Mic On?” September 7. It’s a song where I get real lyrical from a hood perspective, real West Coast hip hop! The album is due to release at the end of this year.

What can listeners expect to hear from your music?

Original West Coast hip hop. I’m givin’ you lyrical from the West, I’m givin’ you Gangsta from the West, I’m givin’ you club from the West, and I topped it off with that flava for the ladies. It’s a well-rounded album. I don’t mean to brag, but I’ve be told it gives you a good thewest-is-still-at-it vibe, like the leaks you’ve been hearing from Dr. Dre’s Detox album.

Are there any artists or DJs

26 | Coast 2 Coast Magazine

you’ve been working with, or would like to?

My click, Dogg Pound Next Generation to be exact, masterminded

by West Coast bad boy and muchacclaimed producer Daz Dillinger, and VP of Marketing Arnold “Bigg A” White. I’ve also been working with my nephew Clip12, he’s my protege in this game…and my dog Big Bo, that’s my right hand man, he got my back. Young Immense, and the homie from out of Long Beach, G-Crow from Dogg Pound Special Teams—my nizzle be killin’ ‘em on the mic, check for ‘em in Long Beach. I got collabos overseas: shoutout to Pass Pass from France.

They pushin’ that West Coast movement heavy out there. And as far as collabos, I’ma keep it real like a lot of West Coast MCs wouldn’t do right here, Ice Cube—he’s a big inspiration. We used to really kick back in the hood and check his lyrics. He’s always been nice. His style never changed to me..

Have you done or are you planning to do mixtapes in the future?

Yeah, I’m actually a Coast 2 Coast DJ too. I’ve been a part of the coalition for a couple months now.

I’ve released two mixtapes so far, “DPG or Nuthin” Vols. 1 and 2 and I’m working on Vol. 3 right now. My current mixtapes feature some of the hottest DPG affiliates that might not be a s well-known as their founding members, Snoop Dogg and Daz Dillinger, Kurupt, Supafly, and Nate, but bring that same West Side flavor West Coast fans look for.

Where do you think the music industry is headed as a whole?

I think it’s headed in a good direction.

The mainstream no longer has a hold on an artist’s chance to be heard by the world. With the In-

ternet and digital distribution, there is room for everybody to be heard, it’s just up to your sound to be appealing to the music consumer. If so, the industry is headed in a direction to make a better world actually—now the average MC that might have the intentions of doin’ a robbery to get paid (‘cause damn near nobody can get a record deal), he can put out his music digitally on a nationwide level and make money like the “big boys” and avoid any illegal activities to get paid. So the industry is in a good position right now.

Anything else you’d like to add?

Yeah I wanna give a shoutout to my mom, Shirley McIntosh, the mother like no other! Thanks for puttin’ me out there Moms, I love you! And to Shamia Miller (introduced me to the fam at DPG Recordz) and the whole DPG fam, Daz and Big A especially, for giving me that boost I needed in the game to let people know I’m comin’. Dogg Pound Next Generation 4Life and 4Eva! And cop my single “Is This Mic On?” dropping on Interscope Distribution/LeftsideMusic September 7…chuuuch! http://www.myspace.com/4five http://www.facebook. com/4fivedpg http://www.thedpng.blogspot.com http://www.westv.biz