March is a busy month for Coast 2 Coast. The relocation to Miami is opening big doors, which will allow us to bring you bigger and better music and entertainment. And March Mixtape Madness is, well, madness. We’ve paired with five of the top digital outlets in the entertainment industry to drop a new mixtape every day in March. Go to www.coast2coastmixtapes.com often to see what we come up with next! It’s been great working on this issue, we had the opportunity to talk with some huge names in the industry and mixtape game, and we are pleased that we can be an outlet for up-and-coming and independent artists to get their buzz up. Also, don’t forget to check out www.newindustrytips.com. The site gives artists, DJs, producers, and all other industry personnel tips, knowledge, and information that can help them succeed in the music and entertainment industries Prolific mixtape DJ Superstar Jay is on the cover this month. He is a beast in the industry, with his hand in over a thousand mixtapes. He shared some of his knowledge and experience in the game with us. He’ll soon be celebrating the 50th release in his series “I Am Mixtapes,” so definitely be on the lookout for that, as well as his various other projects. Our feature artists this month are Trae Tha Truth and Donny Goines. Both are heavy on their grinds now—as always—and have some big projects either just released or in the works. If you haven’t had a chance to check these artists out, be sure to do so. We’d like to thank all the independent artists who are featured in this month’s issue. There’s a lot of new talent on the horizon, so don’t sleep on these artists. And we very much appreciate all of our readers; thanks for sticking with Coast 2 Coast Magazine. We’ve got some exciting new artists coming in our next issues, so keep your eyes out! Kyle Hiersche aka Lil Fats Owner/CEO Coast 2 Coast Mixtapes & Magazine
Katie Kervin knkervin@gmail.com www.facebook.com/katiekervin
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You’ve got two singles out, “Inkredible” and “Tell You Something Real,” that are getting a lot of play. These are from the upcoming album? Yeah, the album Tha Truth. Does that have a release date? I’m actually in the process of trying to get that together now. It was supposed to come out originally February 16th, but once I get in my zone working…I don’t believe in just having a rush. I just want everything to be set up right. So how about features—anything big in the works? I mean really, music-wise, everybody know I’ve worked with just about any and everybody there is. I’ve got songs with me and Wayne, me and Ludacris, me and Jadakiss, Game, Rick Ross, Shawty Lo…I do a lot of features. I like to show people you can’t really box me in any certain corner. I also hear that you’ve been shooting videos recently? Yeah, I just got back from Miami a day ago. I was there with my little brother Lil Wayne. So we did the video to “Inkredible,” me, him , and Rick Ross. I did another video called “I’m Gon’ Bust.” My little brother Jay’Ton, we did one of his videos with me, him, and Young Buck. I don’t know, I got a little bit of everything I’m working on. This is just the beginning. You just hosted Coast 2 Coast Mixtape Vol. 111, and you have a lot of other mixtapes under your belt. What’s your opinion on the game? Mixtapes are always gonna be important to me. For me, mixtapes are where I can be more creative, ‘cause, for some reason, when I get my mixtapes on, I try stuff that I wouldn’t normally try. And then, you know, it keeps me hungry. What’s your opinion on the importance of DJs? Everybody know I’m a firm believer of DJs. A lot of DJs will tell you I’m probably one of the most humble cats. With me, man, I show every person an equal amount of respect. And people fail to realize that the DJs are very important, you know? The DJs are what kind of give me my motivation…They most definitely play a factor as far as in my situation. Is there any advice you would give independent artists trying to break into the industry? Do you, and stay focused on you. Stop really worrying about what everybody else got going on. You gotta do what suits you, because you get out here doing what everybody else do, you’re not gonna be comfortable…If you start off doing you, and you start off doing what needs to be done for yourself, you’ll be alright. Is there anybody else we should be looking out for coming out of Texas? My little bother Jay’Ton. He just dropped his mixape, “Got It By Tha Ton.” One of the hardest mixtapes from youngsters coming out. We got him, we got Lil Boss from ABN, we got J-Dawg and Mug from SDS…it’s a new generation of street cats. It’s gonna be a whole new wave, so if I get that door open, there’s gonna be a lot more street stuff that people can kinda be able to see. Are there any other ventures you want to let our readers know about? Of course, you know I got my cartoon out, The Adventures of Trae Tha Truth. The new episode is getting ready to come out real soon. You can find it on YouTube, and we actually in the process of working with a few networks to see what we can come up with. I’m always in the community, trying to help a lot of the youth gangs, a lot of the people who are incarcerated. I’m trying to get into movies, and lately I’ve been dealing with a couple of the homies from UFC. I want to get tied into that. You’re not talking about fighting in a UFC ring are you? Nah, no, no [laughs]. I would be bringing them out. You gotta have patience to do that, that training takes long days and hours. I ain’t got that type of patience. Anything else? Make sure you go download that Coast 2 Coast, with Trae hosting it. It’s the first, but it won’t be the last, I guarantee. Tha Truth is on the way though. It’s gonna be one of the hardest solo albums people can get in a long time. It’s coming baby. www.myspace.com/traethatruth, www.twitter.com/traeabn, www.thatruthishere.com
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Donny Goines is one of the hardest working cats in the game, even taking calls while running on the treadmill. He took some time to talk with us about his start, his hustle, and his new EP, 20X. How did you get started? I started in early 2006, I was working a regular nine to five just going through the motions, not really doing anything. Long story short, I had seen this movie one day, called Fade to Black. So after I finished watching the movie, I just became really, really inspired to pursue music seriously. I just decided it was something I could do. So I had bought a Mac, and I just started a MySpace page, and about four years later, here I am. So you’re from New York…how is the current hip hop scene there? I love it. I think that it’s a lot of great talent emerging from this city, and it’s much unity right now. I like to see the artists getting shine, and doing a lot of different things. I’m a New Yorker to the heart, I’m always gonna represent my hometown. Honestly, I think being from New York and being an artist right now, it’s almost like a stigma. It’s not positive [laughs], at least from the industry. I don’t know what it is. My whole thing is that, it doesn’t matter how people view it, I’m gonna represent the city to the best of my abilities. Your Internet presence is heavy. How important is that for you as an independent artist? Thank you, I appreciate that [laughing]…I really just focused my energy for the first couple years strictly on my online presence. That’s why I have such a strong foundation, because that was my cornerstone of my hustle and my representation as an artist. And one of the reasons why I chose it is because, as an independent artist, it’s free. It’s like, why would you pay for something when you can do it for free? [laughing] That’s really one of the biggest things that I try to preach to some of these up-and-coming artists, is that you gotta be smart and you have to utilize the tools that you have available to you in order to further your goal and further your career. Tell us about your current project? It is an EP, and it’s called 20X, which is sponsored by a clothing company called Rocksmith Tokyo. It’s something that I’m very excited about. I think that a lot of people are gonna really enjoy the music that I crafted for the project…It’s a sixsong EP, it’s free, and by the time I get this interview out, it’ll be floating around the ‘net and hopefully in a state near you. What’s your opinion on the mixtape game and market? Honestly, I think that mixtapes are good if you’re trying to showcase your lyrical ability and you’re really trying to showcase various types of music in one shot…I definitely am a fan of the mixtape, but I think that it’s not the way that it used to be. I remember when I was growing up and I was listening to mixtapes, like a DJ Clue or a Ron G, or whoever the case was, it was something to me that was special, and it was different from the kind of mixtapes I hear today. Honestly, I can’t really tell the difference between street albums or mixtapes…I mean shit, some artists are putting out albums and calling them mixtapes. There’s always a lane for mixtapes. I just think if you’re gonna do it, you gotta do it right. How do you stay motivated to do what you do? Honestly speaking, I love what I do. It doesn’t matter how disappointed I may become, or discouraged with anything. I truly love the act of creating music for people, and just being an artistic person. Even if I was in a cave somewhere and nobody knew who I was, I would still be writing music. And I would just be listening to it on my own [laughs]. You’ve been featured in magazines, blogs and Internet sites, on BET and MTV…what are you shooting for next? The stars [laughs]. Make no mistake, I came here to become great. I really don’t care so much about money and fame and women. That stuff is cool, but to be honest, it’s by-product of the thing that drives me. I just want to be known as one of the greats. If I can make a living doing what I love to do, and be comfortable, then I’m fine with that. Shoutouts? I want to say shoutout to the magazine. I appreciate you supporting me. Thank you to everybody, Lil Fats and the readers. Much love and respect to everybody. www.myspace.com/donnygoines, www.twitter.com/donnygoines, www.donnygoines.blogspot.com
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S
uperstary Jay may be the definition of the mixtape DJ. The Queens, NY, native has had a prolific career, and he’s definitely not stopping now. We caught up with the host of Coast 2 Coast Vol. 115 to talk about his thoughts on the music industry, the mixtape game, and what he’s got in store for 2010 and beyond.
How did you get started with the mixtapes? I always DJ’d, and I was raised in Queens. So I was raised around all the legendary artists like LL, Run DMC...so basically when I went to college, I was a big DJ out there, and I transferred to radio, and then I came back here to New York. I always was doing mixtapes here and there, but it was never big. And New York is crowded with so many DJs, I said, maybe I can start this mixtape campaign from all my contacts being on the radio and in college. And I created my first mixtape. Now you literally have more than a thousand mixtapes under your belt. So what’s your opinion of the current mixtape game? It’s a gift and a curse. I think the mixtape game, as far as money-wise, when it was the Clue era, to the Whoo Kid era, to the Kay Slay era, to the Big Mike, it was big money in making mixtapes. Nowadays, the mixtape era is bigger than ever as far as gearing to the audience and reconstructing people’s careers. Mixtape is the biggest promotional tool ever. I think every label around the world should have a spot for mixtapes, right? A forum for mixtapes. I think mixtapes are big. You’re from Queens, what’s the music scene like out there right now? I represent Queens, but I represent the whole of New York. I just think the current scene in New York, as far as mixtapes-wise and music-wise, it’s about putting product out. A lot of artists don’t put enough product out to deliver to their fans…including artists that’s out now. The magic of the Internet is you can put one song out, and it can reach over a billion people in half a second. So people need to utilize that tool, as far as the Internet and the web, you know. You got Coast 2 Coast Mixtapes, and you put out a mixtape and a person from Africa just downloaded the mixtape. I think New York is a state of mind, and we need to make good records. I don’t believe in it was the South’s time, or Miami time, or the West Coast time. I think it’s the time for making good records. You just hosted Coast 2 Coast Mixtape Vol. 115 as the first release of our March Mixtape Madness. How about your own mixtape series? …I think as far as me listening to mixtapes from ’92 from Ron G, to The Dream Team, to people that would do mixtapes way beyond when they was just doing live mixtapes…and me just knowing the culture of mixtapes, what could be better than me doing “I Am Mixtapes?” When I created “I Am Mixtapes,” it started sticking. Before it wasn’t working to my favor. It was working, people were respecting my work, but they couldn’t identify me…Right now I’m on my forty-fifth one. Doing it real big for “I Am Mixtapes Part
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50.” Gonna have 50 Cent hosting it, and we have a whole bunch of artists that respect my craft that wanna pop in like “Yo, celebrating ‘I Am Mixtapes’ 50th anniversary.” And I feel pretty good with that because I started that, and it’s sticking around the world. What makes your mixtape series different from what people are hearing nowadays? It’s always different, you know. Everybody gets the same type of music. You gotta grind your hardest to get these artists to give you special music, or give you the music first. Nowadays, you can have the music first, and somebody will just put your music out on the site anyway, with your drops on it anyway, so… Getting that exclusive music is pretty much knowing about what’s happening first. With my success, I have an ear to music. You can give me thirty records, and I can listen to it a half a second and be like, “yo, that’s a good record.” So I think that’s a difference from other DJs. Can you speak on the DJ’s role in the music industry? Our role to the industry is that the industry wouldn’t survive without us. The industry look to the DJ, but they don’t respect us…we’re the one that’s breaking these records, we’re the ones that’s making these people feel good. You know, DJ’s about a feeling. You can’t have a robot DJ. It’s about feelings and emotions. I could be playing some hip hop music, and people might not be in the mood, and I can switch it up…and just drop Jodeci, or Tony! Toni! Toné! “Just Me and You” [singing]…and they dancing crazy. You’ve also got a radio show? Yeah, Bang Radio in London, 103.6 Bang Radio. I’m in conjunction with UrbanWorld Radio, it’s going real good, we got a lot of big artists coming through there. The London scene is definitely loving us bringing our American culture, music. Now we’re looking for more London artists to join in my radio show and send their music so we can blend it in and make things happen. [7–9 p.m. EST] What’s on deck for the rest of 2010? It’s from 2010 and beyond for me…I’m on that bus that don’t stop at all. I got a lot of mixtapes coming up. Actually [my artist] Storm P’s coming out with a movie in May, Memorial Day—The Cookout 2—that we co-produced and finished filming in Miami. I just found two great writers that are actually writing two movies, we’re trying to pitch it to Lionsgate. And also I got a big single that’s coming out, it’s called “Where the Ladies At.” I’m also working on my album, and that’s looking pretty good. I got a record that’s kind of an anthem for New York, so got a couple of artists that are coming up that’s rockin’ New York. And always dropping mixtapes, every week. I can’t keep up with Coast 2 Coast, I can’t drop every day, but… Any shoutouts? Look out for the album, Superstar Jay Why Not? Look out for my artist, Storm P. Hopefully the single will be out before the album, ‘cause singles bring albums. Shoutout Coast 2 Coast, I respect y’all grind. www.twitter.com/djsuperstarjay www.djsuperstarjay.ning.com
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I
n this new industry, digital distribution plays a key part in artists’ ability to market themselves. There are now many different options for independent artists seeking online distribution. The largest online retailer is obviously iTunes, but a complete digital distribution deal should include the other 100+ online music outlets. Many distributors will also collect publishing on your behalf for streaming, ringtones, and more. With an effective online strategy combined with digital distribution, it is now more than ever a level playing field in the music industry, with your release just as effectively distributed as the biggest international artists. This also means your music will be accessible to consumers from every country around the world, something that was literally impossible just ten years ago for the average independent artist.
Options for digital distribution are endless, but a few key players are listed below. We use the largest distributor of independent music, The Orchard, to distribute our projects, but they have a very stringent application process before they accept new labels. The sites below all have different splits and agreements so be sure to explore your options. Also be sure to check out the post on cnet.com about TuneCore vs. CDBaby to determine which might be a better solution for you! In my opinion, the best distributor hands down is The Orchard, but they are for more serious labels. For the average artist the most popular choice is usually CD Baby, with higher selling artists going for TuneCore. TuneCore is one of the only services that lets you keep 100% of your profits from sale.
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September 7 th Presents: Stacee Adamz – Katharsis Stacee Adamz has brought a mixtape for true West Coast hip hop fans with “Katharsis.” Presented by Coast 2 Coast and Cali Untouchables DJ September 7th (the “West Coast mixtape king”), the rapper claims the project to be a “release of emotion through tragedy and triumph, through poetry.” While this definition might be a bit ambitious, Adamz definitely demonstrates his lyrical skill and dedication to his coast. “Katharsis” is West Coast through and through. Each track beats hard, and the mixtape features production from a host of California producers including Phonix, J. Wells, DJ Khalil, and Chuck Heat, among others. Super-producer and artist Timbaland also contributes to the mix on the September 7th remix track “Krazy” featuring Hux Fam. California heavy-hitters Ras Kass and Game make appearances, as well as Phenom, Freddy Kaine, Bianca Diane, and more. Adamz shows off his storytelling skills on tracks like “Black Roses” and “Jones’n” is one of the better representations of his quick delivery on the mic. “West Up,” which features Game and is produced by Rocko, is an anthem-type track that has been getting a good amount of buzz online. In all, Stacee Adamz is a West Coast representer, and “Katharsis” won’t let you forget it. While he hasn’t given us anything that will revolutionize the game, his experience with the West Coast lifestyle is apparent in his lyrics. Anyone that really feels street music mixed with great beats and a hard-spitting flow will want to download this one. New Money Twinz – 2000 Twin: It’s the Return The New Money Twinz, representing their label New Money Records, teamed up with Coast 2 Coast recently for their contribution to the mixtape game, “2000 Twin: It’s the Return.” The twin brothers, Ryan and Bryan Wood, highlight their musical versatility on the project, with several of their R&B and rap tracks showcased. The songs “Bite You,” “Lovin U,” and “Miss New Money” are clearly geared toward the ladies, but the duo also have tracks that show a harder side, like “It’s the Return of Pac & Biggie” and “We New Money.” They are clearly getting exposure, as they show in the last track, “We Everywhere,” listing all the places they’ve been featured online. The Twinz certainly aim high with this mixtape. Their work is mixed in with other artists that are heavy both in the mainstream and mixtape worlds. Tracks like Ludacris ft. Nicki Minaj “My Chick Bad” and the remix of “Invented Sex” from Trey Songz and Usher tend to dominate, and the addition of music from Shawty Lo, 50 Cent and Neyo, Yo Gotti and Lil Wayne, and DJ Kahled, among others, will make this a must-download for many hip hop fans. While the contributions from New Money Twinz are mostly solid and fully exhibit their passion and dedication to the craft, they get somewhat lost in the shuffle at times. But for anyone that’s looking for a different spin on a hybrid R&B and hip hop style, “2000 Twin” is definitely worth the download.
DJ Noodles - Fix Your Face Radio 17: Super Bowl Edition DJ Noodles is back at it again with “Fix Your Face Radio 17: Super Bowl Edition.” An eminent mixtape DJ, Noodles pulled out all the stops for the Super Bowl with a compilation of bangers from the biggest names in hip hop today. The S.I.N. Radio Award’s 2009 Mixtape DJ of the Year created this series to accompany his weekly “Fix Your Face Radio” show, which airs on Rhythmic Wild 94.1 in Tampa and XM/ Sirius Radio. This twenty-two-track Super Bowl edition features six exclusive DJ Noodles remixes, including the mainstream smashes “Say Something” by Timbaland and Drake and “Say Ahh” by Trey Songz and Fabolous. The mix also appropriately has tracks from Miami representatives Pit Bull, Rick Ross, and DJ Kahled, as well as new music from Cassidy, Ron Browz, and more. Other remix tracks are Ludacris’ “How Low,” featuring Twista and Rick Ross, and one of the surprising standouts on the tape, Trey Songz’ cocky remix to Rihanna’s “Hard.” When this kind of star power is brought together on one mixtape, there isn’t much more to say than go download. This isn’t one of those tapes you have to skip through to find the decent tracks, and DJ Noodles puts a fresh spin on the songs that are currently in radio rotation. Track nine is DJ Kahled’s “All I Do Is Win,” which could just as easily have been the theme for “Fix Your Face Radio 17.”
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Doesya – The Doesya Grind 2.1: The Addiction – Hosted by DJ Whoo Kid On Track 9 of Doesya’s “The Doesya Grind 2.1: The Addiction,” he proclaims “This shit’s easy to me, man.” It certainly appears so, based on this mixtape. With his style and DJ Whoo Kid, legendary general of the Shadyville DJs hosting, it’s hard for him to not command listener’s attention with this one. A follow-up to “The Doesya Grind 2.0” (also hosted by Whoo Kid), and various other mixtapes, “2.1” showcases the Philadelphia rapper’s skill over original and industry beats. Doesya worked on several of the tracks with producers Mike Jerz and Faust. These songs are some that stand out most on the project, including “It’s On” featuring The Mad Rapper, “Live it to the Limit,” and the boastful “Who Dat.” Fat Man Scoop makes an appearance on the first release, “Getting’ Money,” which is getting spins around the country. Money is the focus through most of the tracks, including the hard-hitting “Throw Money on Urself” featuring Gaab n Duce. This is not the mixtape with sentimental tracks or ones targeted heavy to the ladies. This one is for hip hop fans that like an East Coast style, with upbeat tracks and freestyles throughout. Doesya’s style ranges from hyped up club-type tracks, to those that are perfect for beating while riding around town. “The Doesya Grind 2.1: The Addiction” is definitely a worthy download, and good promo for any of Doesya’s upcoming projects.
Will Vill – Hood World Order – Hosted by DJ Noodles New York emcee Will Vill is on pace to have released what may be one of the hotter mixtapes of 2010. “Hood World Order,” hosted by the prolific DJ Noodles is a raw and gritty project that exemplifies East Coast hip hop. There’s not a track to be skipped on the mixtape, a preview to Will Vill’s upcoming album, Mangattan. It’s a great taste of what we can hope to hear from this hard-spitting lyricist in the future. Will Vill, aka The Foul Priest, has some impressive credentials. Some of his previous work led to performances with such hip hop greats as Mos Def and The Roots, and also got him recognized in major mainstream publications Esquire and the New York Times. Backed by Barrio Jamz Recordings, the rapper also has a strong list of previous singles to go with the heat he’s given on this project, including “Devil in a Blue Dress” and the recently released “Cop Shot.” “Hood World Order” includes full tracks and a few shorter samples, where Will Vill raps mostly over industry beats. Listeners get a view of some of his more reflective and poetic lyrics on “Use the Pain” and “Reflecting,” while tracks such as “Wish They Would,” (with a decidedly West Coast feel) “Live From Mangattan,” and “The Product” are some of the hardest bangers on the whole mixtape. All tracks are the emcee’s work alone, refreshing in the game where many artists use features as a way to gain recognition. But it is clear that Will Vill wants us to hear what he has to offer, and we definitely do on “Hood World Order.” This mixtape will no doubt become a staple in any true hip hop fan’s collection. Michael DeAngelo – Kid Wit Da Flow “Kid Wit Da Flow” is Michael DeAngelo’s first venture into the mixtape game. He confesses in the Intro that the equipment he’s recording on isn’t the best, but that he’ll still go hard. And it’s clear that he does, putting his passion and character into this short, 8-track mixtape. While it’s apparent that DeAngelo is no veteran in the mixtape or hip hop game, the young emcee nonetheless has a confident flow that will likely only get stronger. With a style that fits in with the skateboarder hip hop that is prominent among the younger generation of fans, DeAngelo will certainly appeal to certain audiences. Tracks like “Ya Dig” and “Dreams and Nightmares” stand out and seem to exemplify the image he is trying to project. “Make Her Say,” where DeAngelo raps over Lady Gaga’s “Poker Face” would be stronger if the lyrics weren’t so similar to those found on other remixes, but this lineup of songs should peg DeAngelo as a new artist to watch for. It’s clear that this young cat has talent, and a little more work on lyrics and delivery will go a long way. But the slightly cocky demeanor that is evident on this mixtape as well as his numerous videos on YouTube, will help him easily gain fans, especially among the young female set. In the end, for a debut mixtape that is widely distributed, “Kid Wit Da Flow” will generate interest with the younger generation, and possibly grab the attention of older hip hop fans as well.
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DJ Khaled - Victory It seems that DJ Khaled has perfected the art of being a major DJ, and has now transcended that role to become more than just the man behind the turntables. His album releases have been competing with all of the other major artist releases for years, plus most of those artists end up appearing on his album anyway. Bottom line is, DJ Khaled is a beast with the guest features and putting together good combinations of artists. He flexes his muscles again on his new album, Victory, which features appearances by Diddy, Busta Rhymes, T-Pain, Rick Ross, Plies, Lil Wayne, Young Jeezy, Drake, Usher, Nas, Jim Jones, Birdman, Bun B, Soulja Boy, Nelly, Lil Boosie, Ace Hood, Kevin Cossom, Pibtull, and more. Highlights of the album include the singles, “Fed Up” and “All I Do Is Win,” as well as the Nas and John Legend collaboration on the title track “Victory”. Although it’s only 12 songs long, Victory still gets the job done and the message across: DJ Khaled made it, and is victorious. “I made y’all listen on my first album. I let the world know we the best on the second album. And We The Best got so big that we turned into being global. So I let you know We Global,” said Khaled. “And now the new album is called Victory. It’s time to celebrate the wins.”
DJ Kay Slay – More Than Just a DJ More and more DJs are putting out full albums nowadays, but the trend may well have started with DJ Kay Slay, and his major-label backed Streetsweeper series. He’s back at it with More Than Just a DJ, which features more than fifty artists over twenty tracks. The lineup includes Jim Jones, Papoose, Busta Rhymes, Bun-B, Twista, and many, many more. Production is handled by many capable names, including The Alchemist, Amadeus, DJ Green Lantern, and others. Well known as a battle-rap DJ, the “Drama King” also has a talent for putting together artists to make up his albums. All of the tracks here flow pretty well together, although the album may have been easier to swallow with a few less. Slay’s reputation and connections in the industry are clear, as the artists featured on More Than Just a DJ are huge names in the underground and mainstream markets. The tracks mostly highlight New York street and hustler lifestyles, though other regions are represented as well. One of the stronger tracks is “Layed Out,” with Bun B Twista, Papoose, Twista, Jay Rock, Young Chris, and Dorrough—a Texas-influenced banger. The first single, “Blockstars,” features Yo Gotti, Jim Jones, Busta Rhymes, and Ray J. The lyrics are about what you would expect from the title, though it’s a little hard to believe Ray J on a hustler-anthem hook, based on his recent career ventures. While More Than Just a DJ probably won’t make it into the hip hop hall of fame, DJ Kay Slay certainly has. Star power alone makes this album worth a listen. Freeway & Jake One - The Stimulus Package Freeway and the Northwest-based producer Jake One have been working on music together more and more over the past few years. It was only a matter of time before the two collaborated on a whole album together. The Stimulus Package is that product. The production is left in the hands of Jake One all the way through, however, the guest feature list is impressive, with cameos from Beanie Sigel, Raekwon, Birdman, Bun B, Latoiya Williams, and State Property affiliates Young Chris and Omillio Sparks. The majority of the album has a great, classic hip hop feel, with head-nodding beats that are sonically warm and pleasing to the ear. Freeway’s original flow and rhyme scheme pattern fit into the beats like puzzle pieces, clearly displaying a great producer/emcee combination. The Stimulus Package is an honest piece of work that you can play all the way through without skipping a track. So far, it’s the most solid release of 2010 hands down, haters aside. Not only is the album solid, but it’s a perfect length of 15 tracks; fans shouldn’t feel like they are sold short, yet they’re not overwhelmed by twenty plus tracks. This leaves listeners respecting the body of work, replaying it over again, and craving another Freeway release soon. Knowing Free’s work ethic, I’m sure fans are in for another treat very soon, considering this is a Stimulus Package.
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You’re out of Baltimore? Or New York? Ok, we’ll put it like this: born in Brooklyn, NY, parents are Panamanian—from Panama—so I’m a Panamanian descendent. I lived in Baltimore for seven years of my life…But I do represent Baltimore because I feel this is the city I owe my craft…I filmed The Wire here, I started my t-shirt line here, I started the idea of music here. So Baltimore is definitely an area I want to shed light on. A lot of people will recognize you from The Wire, but acting came before the music right? Yeah, acting’s the foundation, you know…I was doing all these small little gigs as far as acting, until the actual platform came, which was The Wire. I was always doing music on my own, but my main focus was definitely acting. Did you know you wanted to get into music? I did want to get into music, but I wanted to come into music when it was ready… I came back home with a polished flow, character, demeanor, you know, articulation, and the way I deliver my swag. That’s when Panama came alive, using the platform from The Wire. So what’s your movement? Are you with a label? So the imprint is Young Execs, which is YE. That’s the foundation, that’s the family… Now we’re trying to manifest into something bigger. Labels—as far as majors—I just have interest. A&Rs are starting to look at my project, entertainment lawyers are starting to try to pick me up and review my material so they can pitch me and land me a situation. You’re about to drop “Ring Side Seats.” Tell us about the project Yeah, I’m about to drop “Ring Side Seats: The Weigh In,” March 9. This is how I explain it. I say it’s an album, because it’s all original content. But I made it a mixtape because I have four DJs involved, so there’s scratching, there’s bringing it back, there’s drops, you know that makes it a mixtape. Then it’s free…and it’s my ode to hip hop. This tape is basically produced all by Blackjab, which is a young producer out of Baltimore, and it features certain artists that Coast 2 Coast is familiar with, like Skyzoo, Sha Stimuli, Vic Damone, Esso. And your current single, “Addicted” is from that project, right? Is that they style we can expect to hear from your other music? Yeah, “Addicted” is my current single. That’s on the radio. That’s on Power 105 in NYC, that’s on 107.5 in Chicago, and it’s soon to be submitted in XM Satellite Radio with Terry Urban and Mick Boogie, and it’s on Music Choice. That’s a certain sound that you may hear from me, but not the majority of my music. I’m very personable. I like stadium status, motivational-type music. Live instrumentation, musical composing, production. “Addicted” is an attention-grabber for young ladies… Who were the DJs that you worked with? DJ L Gee from Queens; DJ Boy Wonda, which is my personal DJ, that’s my boy; and DJ K Dot from the West Coast; and DJ E Dubble from Boston. Those are the four DJs. They have personal sets, each has four records then they transition to another set. I have it divided, but Boy Wonda actually pieced it all together so it flows. It’s a smooth process. And you still have the clothing line? Yeah, my t-shirt line, I co-own with a young man named Andre Williams. It’s called Bemore Creative. I’m actually ‘bout to launch a women’s line under my title, which is “It’s Panama Baby.” So it’s for the fans, but I’m making it where it’s going to be marketed back in Panama…The idea came to create something for my fans, but also to branch it out for the tourism, for the tourists that come to my home country. What can we look forward to from Panama in 2010? You can look forward to a new movie, called The Rothstein Diamond. That will feature, possibly, Mos Def, myself, but I go by my real name [Armando Cadogan, Jr.]…then interviews and magazines that people are gonna be shocked that I’m actually in, because to them I don’t symbolize the wealth or the jewelry or whatever they see when they see a person in a magazine. Any shoutouts? Yeah, the shoutouts would be the man upstairs. My man G-o-d. That’s definitely a shoutout, he’s carried me from day one. Young Execs, that’s the foundation. I want to shoutout NAP Entertainment. And my quote: “Live well, love life, and laugh often.” www.myspace.com/daspanishkid, www.panamalovesu.com www.twitter.com/itspanamababy
12 | Coast 2 Coast Magazine
How did you get started as a recording artist? My father and I own Black Pearl Tattoo Studios, and I saw a lot of entertainers and athletes come get work from my pops, so I knew I was destined for one or the other. Watching people like Nelly come through the door, rapping with my pops, I made my mind up. I think I’ve chosen the music. The music scene interests me because it has so many avenues: production, business, and actually just being an artist. Are you with a label? No, not currently. I’m an independent artist. I’m not saying I don’t want to be with a label, but being a CEO and co-owner of BP Ent. and Black Pearl Tattoo Studios, I must focus on generating money for my company. Where are you based? St. Louis, MO. What project are you currently promoting? My new single “Fresha Den A Mall,” produced by Beastaz, who is known for his work with Chain Hang LO and King Kong. What can listeners expect to hear from your music? A fresh new sound from the Midwest. I’m just 18, so my content is me, if that makes sense. Girls, clothes, and success. Are there any artists or DJs you’re working with? DJ Krisstyle is my DJ. He is also a mix specialist for Radio 1 Hot 104.1 here in St. Louis. But I would like to work with a hot DJ in Japan. You know my grandmother is from Okinawa. What have you been doing career-wise the past several months? Basically we’ve been intertwining both talents, which are music and body art. We have been setting up free tattoo parties for any promoter that books me. Oh yeah, and still in the studio man. What are your plans for the rest of 2010? To help re-nourish the St. Louis hip hop scene and to introduce a unheard movement for my fans. So promoters listen up: If you book me for a show, [there are] three gorgeous girls named the Skin Deep models that will give you two hours of free tattooing whenever and where ever. Have you done, or do you plan to do mixtapes? I did one called “The Tattoo Chronicles” with DJ Deception, a Filipino DJ out of St. Louis. I have another mixtape dropping with Spank Hayes of the MTV’s Wild ‘N Out. What’s your opinion on the mixtape game and market? The mixtape game is essential to music artists, it fits the recession. It’s like the Joe Plummer of the music scene. It just financially makes sense for artists. It separates the grinder from the non-grinder. How about the industry as a whole? Well, sales are down, budgets are being cut, and it seems like music ethics are being torn apart. But I can’t focus on disparity. I’m fine-tuning my business ethics. Making sure my marketability is straight for future endorsements. I believe the music industry will come back. It’s gonna take a unified effort. Any other ventures you’d like our readers to know about? Skin Deep models, three gorgeous tattoo models on tour with me, FREE TATTOOS. Enough said. Anything else? I would like to thank Coast 2 Coast for helping my single “Donk Dat” chart #3 on Billboard. I would say that’s some good shit for a independent artist that had been around only for a few months at that time. www.bpent.net www.runway2empowerment.com www.twitter.com/YungRo, www.myspace.com/wildboyzbp
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How did you first become a recording artist? My brother got me into writing music, and the passion for the art gradually built on me over time. Are you currently with a record label? Not currently, but we have a few offers in front of us. Waiting on the right deal, it has to be a perfect fit. Where are you currently based? In the DMV… DC-Maryland-Virginia. What can listeners expect to hear from your music? Quality, diversity. Although my music reflects my experiences, I keep my lyrics obtuse enough to make it accessible. It’s definitely music for everyone, young and old. Are there any artists or DJs you’ve been working with, or would like to? Recently hit the studio with Tyga (Young Money) and various other artists, so look out for that, some really hot music. I would like to work with T.I., Adele, Ke$ha. What have you been doing career-wise over the past few months? Locked in a huge management deal with Kid Cudi’s former managment team, Everi Exposure. I did a song with Tyga; [an] album on iTunes, Rhapsody, [and] Amazon; shot two videos with Alvo Romano Films for the singles “Imma Champion” and “When Um On”; featured in the Pop Dolls movie, plus on the soundtrack; working on multiple mixtapes; working on a national deal with Washington Capitals (hockey team); also filming [the] documentary Bases Loaded. So I’ve been very busy expanding my fan base to a whole other level. What are your career plans for the rest of 2010? Nail a few endorsements, work with artists, (T.I./Adele/Ke$ha), put the DMV on the map, make the world pay attention, and ultimately sign to a label that’s ready for a hungry, driven artist like myself. Have you done or are you planning to do mixtapes in the future? I’ve done multiple mixtapes (“EarDrum Sets,” “Unknown,” “Her Mixtape”). Also featured on dozens of various mixtapes, and will continue to do mixtapes until BDeLaney is a household name. What is your opinion on the mixtape game and market? Mixtapes now are basically albums. This is what keeps artists relevant, because it’s a direct gateway to the fans. I believe they’re both a great way to show your diversity, and keep the audience updated. Where do you think the music industry is headed as a whole? Digital! Everything is inching toward computers and the Internet. I think it’s reasonable to say the hard copy CDs won’t exist within a couple of years. Everything is going to be online if it isn’t already. Also the music is more universal now. You have a lot of the former hardcore artist making pop songs. I think it’s a great thing to evolve and adapt. Anything else you would like to add? Although I’ve already been compared to some of the hottest artists in the game, I am creating my own lane, this is why the DMV is next up, so log on, blog on, and pick up my album on iTunes—Imma Champion—and be one of the first million to download an incredible album. www.bdelaneymusic.com www.everiexposureentertainment.com
14 | Coast 2 Coast Magazine
How did you first become a recording artist? Back in the days, but on the Internet, 2007, on dopetracks.com—they gave me life again, they pulled me back in. Where are you based? Arkansas. I’m from Compton and Gardena. What’s the current project you’re promoting? As a DJ on Coast 2 Coast, dopetracks.com, and about to hit the streets. What can listeners expect to hear from your music? The truth, because the truth will set you free. And I got so many producers that bring the heat. Are there any artists or DJs you’ve been working with, or would like to? I would collab with DJs, emcees. If they promote their music, that’s where I’m at right now. What have you been doing career-wise for the past few months? Promoting [with] Coast 2 Coast, raplord.com, dopetracks.com. Just trying to get heard, put my name out there. What are your career plans for 2010? Grind harder, that’s my motto. And never give up. Hip hop is my lifestyle. Have you done or are you planning to do mixtapes in the future? I do mixtapes now, I love doing them. DJ Hemanifezt is my name, or call me Hemanifezt. What is your opinion of the mixtape game and market? Best thing for promoting yourself and others. I wish other DJs would holla at me. Where do you think the music industry is headed as a whole? They still doing they thing, but doing yourself looks better. [The] music industry’s going to take over the Internet, so get ready. They doing it already, my bad. Are there any other ventures you want to let our readers know about? Hip hop culture is a last human skill, and 2012 is not the end, it’s the beginning for us as hip hop. Peace and blessing, and death to my enemies. Anything else you’d like to add? Love yourself before you can love someone else. www.myspace.com/myspacecomhemanifezt, www.twitter.com/HEMANIFEZT Where are you based? The Carolinas, Charlotte. Originally from PA. Are you currently with a record label? I don’t really conform to industry standards. Instead of chasing that big contract, I put my energy into the construction of my own empire, Elliot Burns Music Cartel, and built it from the bottom up. Produce, write, record, manufacture, promote and distribute. So when they do call, we’ve already got that foundation in place and ready to get money. What have you been doing career-wise over the past few months? Executive Privilege is album due later this year. Get ya hands on Coast2Coast Mixtape Vols. 108 and 99. “Dignity” the mixtape this spring. Look for “The Uncut Raw” from Rawgeez, “Part of da Game” from Bar Nun and “The Truth” by Profice. What can listeners expect to hear from your music? Lyricism is always a must with me. Hard beats and a cinematic look at the game. Are there any artists or DJs you’ve been working with, or would like to? My manager, Raydon Coleman over at A-Team Entertainment, also manages CNN. Looking to do some work with them in the near future, along with AZ. What are your career plans for the rest of 2010? Flood the streets. Introduce EBMC to the world via Internet, DVDs and up-close and personal. Expand and consume. Have you done or are you planning to do mixtapes in the future? No doubt. I feel like I found a powerful ally in C2C. You can’t find a better source to get ya sound out. What is your opinion on the mixtape game and market? Unless you got that major label deal, you gotta be feeling the mixtape circuit. Even the majors gotta respect that. Most of the biggest names in the game got that way burning up the streets through mixtapes. This is a crucial element. Anything else? Anybody out there with skill that’s looking to take it to the next level, get at me. Shows, features, tracks...all things hip hop. www.elliotburnsmusiccartel.com, www.myspace.com/elliotburns
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How did you first become a recording artist? For the love of making music. I express myself through my music and only speak the truth. Plus I make beats, a lil’ something something. Are you currently with a record label? I’m with Shake Down, independent label owned by Red Café. I’m “The Hottest Nigga In The Hood.” I’m sure ya’ll know that joint right there…But I got my imprint too, Yes Boyz Ent. Where are you currently based? Brooklyn, but ya boy going global. What’s the current project you’re promoting? My mixtape I got coming out, “Without The Hate U Get No Love.” Mixtape sounding like a motion picture I tell you. Men lie, women lie, numbers don’t. Beleedat. What can listeners expect to hear from your music? When you listen to my music, you get the real deal, no fiction in this. Nothing but the truth, believe it or not. Are there any artists or DJs you’ve been working with, or would like to? Of course, stay tuned… What have you been doing career-wise for the past few months? Working on this music ‘cause there’s a lot coming. Ya boy just been on his heavy grind. What are your career plans for the rest of 2010? To go to the top, nothing else. My mixtape dropping “Without The Hate U Get No Love.” Got a mixtape for Haiti with my family, Hollywood Haiti. Then the iTunes album Who’s Uno? Yeah. Have you done or are you planning to do mixtapes in the future? Yeah, of course. Ya’ll gonna get it right here, datpiff. com, whosuno.com (my website of course), livemixtapes.com. Where ever you could download, it will be there. What is your opinion of the mixtape game and market? Well, you gotta go hard or go home. If not, don’t even bother. And invest in yourself, it will all come back to you in the long run. Where do you think the music industry is headed as a whole? Well we all know it’s going digital, what else. Are there any other ventures you want to let our readers know about? Well, I got my show coming on YouTube and whosuno.com called Who’s Uno? Stay tuned to that, and I got a venture with jango.com. Ya boy working… Anything else you’d like to add? Stay tuned, log on, and get ya blog on. Whosuno.com, and follow ya boy on Twitter @jayuno. It’s a motion picture year, beleedat. www.myspace.com/jayuno, www.twitter.com/jayuno www.youtube.com/jayunosd, www.whosuno.com www.facebook.com/jayuno
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You rep a lot of places, which do you consider home? I definitely consider Brooklyn home. It’s where beginning of life for me happened, and it prepared me for what was in store for life. I got friends and family still there, so it’s home. What best describes your music? It’s so many words to describe my music. Gritty, truthful, rebellious, edgy, fun, interesting, heartfelt, and the list goes on. It’s very diverse. I deal with life issues that everyone can relate to. I also like to talk about shit that entertains my listeners, but it’s all in fun. I try to incorporate more realistic issues than entertainment though. I feel that it’s more necessary than the bullshit. How did you feel when you won the Get Your Buzz Up Showcase? To be honest, I felt like “It’s about damn time” [laughs]. I’ve been grinding very hard to become victorious and I felt that I was jerked on some occasions, so when I won I felt that it was deserving. Not to sound arrogant, but that’s just how I felt. Your new single “Bad Feeling” is pretty dope, what was your creative approach in making that record? Before I approached the record I listened to the entire beat and zoned out. The hook was already in the song and it reminded me of times my girl would tell me to stop selling drugs and the consequences that would come behind it. My verses were like me talking to her and telling her everything is gonna be alright. Also, my boy is behind bars for not listening to people telling him to be careful. He got setup by somebody he ran with. I took elements from each situation and recorded “Bad Feeling.” What’s next up? The “Undivided Attention” mixtape is on the way. Then “The Transition” is up next. Any last comments or shoutouts ? In anything you do, keep GOD first. Shoutout to my mother, my niggas, and everyone that supports my talent. www.Myspace.com/joblakmusic, www.boxden.com, www.datpiff.com keyword jo blak
What’s good R.H. Bless? Let everyone know about your movement. Block Exchange Grindwave is the movement from Brooklyn and beyond. We’re independent hustlers with a love and passion for hip hop music—that comes first and foremost. Next comes putting in work consistently and putting out good music that effectively grabs and expands our fan base all the while properly representing the hip hop culture. Can you describe your approach to making music? I don’t stick to any one particular formula. I listen to the music and let the beat tell me what should be laid down. Sometimes it’s instantaneous and a chorus will come to thought real quick or some lines of a verse, and then I immediately start recording the thoughts as they come, most times without writing anything down at all. Other times, my thoughts and ideas come so rapidly and flooded that I need to jot down things just so that I don’t forget anything. You dropped a few mixtapes last year. How has that allowed you to position yourself and Block Exchange in the game? Dropping the projects that we’ve dropped allowed people to get familiar with who we all are individually and what we are collectively. It allowed many of our peers to acknowledge us as a force to be reckoned with and to be taken seriously as bona fide emcees and artists as well as business people. It warranted a lot of exposure both domestically and internationally… All in all you have momentum on your side, so what’s next on Block Exchange’s agenda? The next project is the Block Exchange: The Hierarchy of the Street album dropping March 15th. Beware of the Ides of March! Now till then we are dropping weekly freestyles and videos to maintain the buzz that’s stirring. We have projects dropping every three or four weeks after each other starting in March. The next R.H. Bless project will be a street album entitled “God Said SO,” set for release in April. Any last comments or shout outs? Support true hip hop. Block Exchange. Brooklyn. www.youtube.com/rhbless, www.myspace.com/rhbless, www.blockexchangebiz.com
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Texan rapper infuses hip hop beats with meaning and melodies on his forthcoming album from Southern Sickness records. Texas hip hop and rap artist Johnny Game is stepping things up for his latest album release with a set of new songs that sees this urban veteran fusing intelligent lyrics with an R&B club vibe. Since the age of 11, Johnny Game has lived and breathed music, from his early days on the break dancing scene, through to his first DJ sets at just 16, Johnny has always had music in his soul. The transformation to production and centre stage was a natural progression. Four albums and six years of military service later, Johnny’s new release shows how far this talented artist has come. “I started out many years ago with the passion to deliver a meaning and message to the fans of my music, and with the progression of life’s experiences, each successive album has brought a new depth to my music. I think you’ll really feel that when you listen to Game Recognize Game,” Johnny says. As an independent artist, Johnny is keen to complete the circle he started so many years ago, delivering great music with meaning and melodies, and in the new music industry, he has gained enormous support from online urban music communities. His loyal following of fans have helped him gain just under 50,000 plays on leading online radio station jango.com, his tracks have attracted over 350,000 plays on MySpace, and he has had no less than three of his tracks hit number one on the SoundClick hip hop chart. One of the most popular tracks from the new album is the hit song “I’m Your #1 Fan,” a smooth R&Binfused hip hop track that would fit perfectly into the iPod playlists of fans of Chris Brown, Justin Timberlake, 50 Cent, Eminem, and Jay-Z. But it’s not just online where Johnny is making waves. Throughout his career he has been working with some of the leading names in the urban music scene such as Santino, Big Will from WWS Music Group, Beat Major, Jwalk, Pappa Duck, Question, and Hardkore rap beats, to name a few. Many of the leading mixtapes have featured Johnny’s music, with the famed Coast 2 Coast and DJ Chronic mixtape series helping spread the word about the Johnny Game brand. Johnny Game is definitely the one to watch on the 2010 urban music scene, and his new album Game Recognize Game is available March 31 on iTunes, Amazon, and all leading online MP3 stores.
18 | Coast 2 Coast Magazine
How did you first become a recording artist? I got my start back in the mid ‘90s with The Boot Camp Clik, who was signed with Duckdown Records/ Priority. My first professional recording was on the Heltah Skeltah album Nocturnal. From there, I went on to feature on many Duckdown Records releases and eventually signed a deal in 2000 as half of the group The Representativz. Are you currently with a record label? I created my own lane by starting my own independent record label called Supreme Focus Records, which is being distributed digitally by Tunecore Records. Where are you based? Brooklyn, NY. What’s the current project you’re promoting? My debut solo album, called It’s My Time...The Eloheem Project, due out everywhere on March 30. What can listeners expect to hear from your music? My music is edgy but fun and energetic. It’s raw adrenaline-driven intelligent street music! If you like hard beats and ill rhymes, then you don’t want to miss this. Are there any artists or DJs you’ve been working with, or would like to? On this project I got collabos with Steele from Smif-N-Wessun, Shabaam Sahdeeq, and my homey Tamppa, and I got beats from legends like Domingo and Nick Wiz to name a few. I’ve appeared on classic Tony Touch and DJ Clue joints, and recently was featured on a Green Lantern CD as well as a Coast 2 Coast CD hosted by DJ Warrior. Now I’m working on a project with a few comrades that will be hosted by DJ Absolute. I would love to work with anybody that’s down to put in work though. What are your career plans for the rest of 2010? My plans are to release and promote this album, but I am constantly working on music. I have a mixed CD dropping soon, and I do a lot of work with up-and-coming and established artist here and overseas. Anything else you’d like to add? Stay tuned and stay focused. This only the beginning for Supreme Focus Entertainment/Recordings. Peace. http://supremefocusonline.com, www.myspace.com/supemesfocused www.facebook.com/supremesfocused, www.twitter.com/supremesfocused How did you a recording artist? I became a recording artist on the streets of East St. Louis, all the kids in the hood would come around to listen to me and my boys sing, dance, and rap. Due to the response from family, friends, and fans telling me I should record my raps and singing, I finally hooked up with my peeps who now lives in LA and New York, and began recording my first tracks on a Karaoke mic. Where are you based? I am currently based East of St. Louis, in a small town called O’Fallon, IL. What’s the project you’re currently promoting? My hit single, “I’m Ready” for my debut album/mixtape called “Before My Heart Stops.” What can your listeners expect to hear from your music? My listeners must expect to hear a message of hope. They will not just hear an artist glamorizing hood struggles, but providing a way of escape. Painting the problem, but providing some sort of solution through real talk. It’s always real talk when it comes to my music, ‘cause if it ain’t real, it ain’t right. And I ain’t recording it, homie. What are your career plans for the rest of 2010? To give a killer performance at Spring Bling this year, and to flood the mixtape/music market with heat. And to just keep putting out books and music worldwide, hoping to change more lives in the process. Are the there any artist or DJs you’ve been working with? I have been working with DJ Crunk from Miami for the BET Spring Bling. Just collaborated with a new Def Jam artist by the name of Rook, he is featured on my song “Back To You,” another single from my forthcoming mixtape/album. Are there any other ventures you want to tell our readers know about? Well, I was just asked to come to Kenya, Africa to headline a tour. The music is doing well out there. And just watch me come from the bottom up, ‘cause that’s what it is homie!
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How did you first become a recording artist? I first started off as a artist/producer for this Chitown/Madtown company called Pathway 90 East Records, run by Profile, as his young-gunner hit maker, but I was to deep into having fun with ladies and stunting to really go extra hard for his label. I was half pimp half artist. Are you currently with a record label? Not right now. Talking to people, but these companies are followers, not trying to create their own Drakes and Kanyes. My music’s too hot to be on the shelf. I need to be at the forefront as a boss. I run Tha Paper Cuttzz Committee and You So Vicious Ent., and I’m getting paid good doing shows from all over. I work very hard to be successful Where are you currently based? I’m from Chicago but go to school in Whitewater. I got a condo in Madison, WI, and I be making money all over the 90/94 highway. What’s the current project you’re promoting? I’m pushing Young J Diamondzz Presents “Mojo Music Volume 1,” hosted by DJ Datdatdat one of the hottest mixtape DJs I have met. Also writing and producing with my partner, D.C. of DCNY. He is crazy with them keys, I call him D.C. Montana. What can listeners expect to hear from your music? When you hear my music, it’s swag mojo music, get in yo head music, and Ike turner music—beat yo trunks ass… but I got a Dirty South sound I have heard, but I can go any way with this music. Don’t get comfortable rappers, singers, producers, I’m in the building. Are there any artists or DJs you’ve been working with, or would like to? I would love to work with everyone, my favorite artist Mario—the king of R&B—most. But I really feel lucky to work with DJ Datdatdat and DJ Pain 1, who is a living legend, and D.C., who is the future of music. Also my young head DJ 16 from Milwaukee, he is very talented. I got a good cast with me. What have you been doing career-wise for the past few months? I have been everywhere: BET Awards, Grammys, interviews on msdramatv.com, allhiphop.com, and more. I just like working. I’ll sing “We are the World” at the circus to get a paycheck. I like moola baby. What are your career plans for the rest of 2010? To buy some of these niggas who making songs some swag because they are stealing others rappers’ stories. Also I wanna get so much money they gon’ need another nigga to count with me. I just wanna work and follow my dreams like I been doing for these past years. Have you done or are you planning to do mixtapes in the future? “Mojo Music Volume 1,” and now I’m working on Tha Paper Cuttzz Committee album, L.U.V. solo album, Blocc Money album…I mean we just gon’ keep putting out songs on the hottest sites. Of course Coast 2 Coast, that’s when you know you made it, datpiff.com, and many more. What is your opinion of the mixtape game and market? At first I thought, hell naw, but now I’m a believer thanks to Coast 2 Coast and other sites who give black men a chance to work, and also any artist a chance to be heard. It’s a good look for an artist. Where do you think the music industry is headed as a whole? I think once I get in these offices we gon’ see a drastic change. That killing-shit-dead, please-make-money, stay hater free, and live yo life. That’s our model out in the Midwest; we love money, so for me, I’ll work for any type of paycheck. That’s my hustler’s anthem. Are there any other ventures you want to let our readers know about? Writing, producing, and working on theme songs for companies like the hottest clothing line out, Do Denim, and many more companies that want to sell more products and use my knowledge of the streets and college world to help them. Now that’s the best of both worlds, ya dig? Anything else you’d like to add? I want to shout out L.U.V., the 608 boss, D.C. of DCNY Pro, DJ Pain 1, DJ 16, Poppi, Motion, Flame, Jumz, T.C, Moe, Blocc Money, my Chitown goons, all my family who supports me, and all the artists who want to make money and not hate—it’s pointless. Special shoutout DJ Rawlz, Record Breakers, and Daiga, Nasty Norf. www.myspace.com/youngjimmydiamondzz www.facebook.com/devonbrent
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How did you first become recording artists? Well both of us (Jay Bondz and R sin) were upcoming hip hop artists with a heavy buzz in the streets. Introduced by a mutual friend, we formed the Yung Godz and been fire ever since. Are you currently with a record label? Yeah, Goodfellaz Ent/SpeedyWorld is the movement as we speak. Unless a major comes to the table with a good situation, indie is the grind for a new artist. Where are you currently based? The Yung Godz bang from New York. Jay Bondz repping Brooklyn, East New York, and R Sin repping the Queens borough. Both of us currently residing in Far Rock (the sixth borough). What’s the current project you’re promoting? The debut album, Grind Hard Till You Find God, available on iTunes, Limewire, etc. What can listeners expect to hear from your music? Set aside the current radio rotation and understand we pushing out fire in every song we do. Whether we go street, R&B, or just that raw cypher on a freestyle, we get it in every session. Are there any artists or DJs you’ve been working with, or would like to? Besides DJ Green Lantern, a lot of these people are Hollywood, and the Yung Godz don’t have time for the nonsense. It would be a good look to work with the Lox, Mary J, Red Cafe, Joe Budden, Darkchild, and every artist with a hunger true to the game. What have you been doing career-wise for the past few months? To put it short…grinding. We’ve recorded an arsenal of songs. The key is to promote it, push it, then promote it again. What are your career plans for the rest of 2010? We want the recognition we deserve as writers (ghost) and artists. The Godz are raising the bar so high that they forced to respect the grind, and the pressure is building. Have you done or are you planning to do mixtapes in the future? The mixtape titled “The Pifftapez” is in the workings, dropping in the spring. This one is gonna be a banger for the streets, believe that. What is your opinion of the mixtape game and market? The mixtape is the essence of the streets, but it has been tainted when anybody can get slot time if their money is right. You can’t separate the trash from the fire. This is our motivation to push fire that the game is forced to play, ya dig? Where do you think the music industry is headed as a whole? This is an industry where money makes thing happen, and if your money is right, you win. We are from an era where your music established your credibility as an artist, not your bank account. We wanna get it back to that essence. Are there any other ventures you want to let our readers know about? Everything we do is a venture, just continue to follow the movement and look out for our video “Gimme a Dub,” produced by Family Biz Ent. This is that piff leaning towards the women, but my g’s gotta respect it, nah mean. Anything else you’d like to add? Special shout outs to Coast2Coast Mixtapes, DJ Green Lantern, Ty Steez, Ra Charm, Family Biz Ent, Big Throwback, and Jokey Ent for the fire tracks. And every supporter of the movement, we appreciate the love. The Yung Godz are humble, but will continue to push fire to the listeners, banger after banger. www.myspace.com/yunggodz01 www.jango.com/music/yung+godz www.twitter.com/YUNGGODZENT
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How did you first become a recording artist? I was brought up in a house full of musicians, started rapping around age 11–12. Met up with a producer when I was about 15–16 and started going to the studio and laying down tracks, learning the ropes. After they relocated to California in ’98 I started my own thing. Are you currently with a record label? Not a major, but I’m owner/artist and CEO of my own independent label, ReddDott Productions. Where are you currently based? Fairbanks, Alaska—The Top Of The World. What’s the current project you’re promoting? My sophomore solo project, Trapped In The Land Of The Frozen. What can listeners expect to hear from your music? Something different. We’re in Alaska so we have a lot of different influences when it comes to this music. I make my sound for everybody. We have the joints for the streets, the club, or if you just want to kick back, ride, and smoke to something. It’s all there. Are there any artists or DJs you’ve been working with, or would like to? Yes, tons of collabs on this new CD. I got tracks with E-40, Tech N9ne, Krizz Kaliko, Kutt Kalhoun, Yukmouth, Dru Down, Devin the Dude, my patna Cool Nutz, and more. It’s been a real blessing to have the opportunity to work with these cats. What have you been doing career-wise for the past few months? Getting this album wrapped up, promoting hard online, through mixtapes, doing shows, and any avenues we can think of to spread this Alaskan Movement to the rest of the world. What are your career plans for 2010? Push this album! Get cranking on some shows down in the lower forty-eight states. Have you done or are you planning to do mixtapes in the future? Yes most definitely. I’ll jump on as many as I can and pound out as much work as I can with other artists to spread the word. What is your opinion of the mixtape game and market? I think it’s a great avenue for artists to expose themselves to a much bigger market. But you have to really come with it. Alaska DJs aren’t really putting out a lot of mixtapes so to speak, but the artists out here stay jumping on them if we can. Where do you think the music industry is headed as a whole? Digital, which has its ups and its downs. The digital realm is making it hard on the big labels. Not as many people [are] buying full albums any more. In turn, record stores are closing down. Shit, FYE just closed its doors in my town last week, ya dig. But on the other side of things, it kind of evens the playing field for the little guys like me. I have the whole world right there at my fingertips to promote to. Also, I can get my albums on iTunes just like the next guy. But you still have to get the word to the people with word of mouth, pounding the pavement, doing shows, and keeping product out there. Are there any other ventures you want to let our readers know about? Lots of thing to come from the land of the frozen. I’m working on a few new projects as we speak with some more jaw-droppers in the game. The new web site www.alaskaredd.com. Just stay on the look out for Alaska, man, that’s all I can say. Anything else you’d like to add? Yeah I would like to thank Coast 2 Coast for giving me and artists like me an opportunity and an outlet to showcase our talent on a big scale. It’s much appreciated. www.alaskaredd.com, www.myspace.com/redddottproductions
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How did you first become a recording artist? I first became a recording artist when I was nine…Whether it was freestylin,’ battling against someone, or just aiming at other rappers. Whatever it took to make a statement out here and be known. Are you currently with a record label? I am. I have started my own underground label called EmpireMoneyMakin Records. I’ve had this label now for five years. The label consists of Ares aka Krucial, D-Tenn, myself aka Tha Chosen One, and Geechie James. Where are you based? I am based out of Lubbock,TX. What’s the current project you’re promoting? MVR To MVA (Most Valuable Rapper To Most Valuable Artist), releasing late March of 2010. What can listeners expect to hear from your music? Listeners can expect a vibe from all directions. I’m very versatile. I try to touch all bases, inspirational, hood gangsta music for the streets and showin’ where I’m from, R&B— slowin’ it down for the couples and ladies, and also a hip hop feeling. What are your career plans for 2010? I plan to take an independent promotional tour of me and the label to Dallas, Houston, and Austin. Doing some shows, perhaps hitting up malls, clubs, and small events to promote ourselves independently. I will be releasing MVR TO MVA late March of 2010 with one of the hottest singles, “Dat Gurl Sexi” ft. Quazy on it. Also be on the lookout for the follow-up mixtape after the album, “Hub City Wrecker Microphone Checker” to drop in June of 2010. Anything else you’d like to add? I would like to take this time to thank God for blessing me, giving me this opportunity to network with Coast 2 Coast Mixtapes and making big moves with my music. I want to also give thanks to every fan, soon-to-be fan, friends, loved ones, producers I’ve worked with, artists, and labels because without the support of God and all of y’all believing in me, this wouldn’t be possible. www.myspace.com/youngacemvr, www.myspace.com/empiremoneymakinrecords
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Coast 2 Coast Mixtapes, Datpiff.com, HipHopDX.com, RapStar Promo and Bottom Feeder Music have come together this year to present March Mixtape Madness which will feature some of today’s leading artists. Over the course of 31 days, 31 mixtapes will be released for free digital download from artists and DJs such as Souljah Boy, Three 6 Mafia, DJ Epps, DJ Noodles, DJ Woogie, Sha Stimuli, and many more. Miami, FL (Vocus/PRWEB ) March 1, 2010 -- Five of the entertainment industry’s top digital outlets for the latest music and entertainment news have joined forces this year to present March Mixtape Madness. Coast 2 Coast Mixtapes, Datpiff.com, HipHopDX.com, Bottom Feeder Music and RapStarPromo will merge together to bring fans 31 mixtapes in 31 days featuring some of the leading Hip Hop, R&B, and Reggae artists. On a daily basis within the month of March, a mixtape will be released from artists and DJs such as Souljah Boy, AZ, Sha Stimuli, Kurupt, Omarion, Three Six Mafia, illaj, Tone Trump, Ace Hood, Trazz, Mikey Bloodshot, Statik Selehtah, DJ Noodles, The Empire, Mr. Peter Parker, DJ Epps, DJ Ykcor, DJ Nophrillz, DJ NU, and many more. The mixtapes will be available for free download on Coast2CoastMixtapes.com, DatPiff.com, HipHopDX. com, and promoted to millions of fans through Coast 2 Coast Mixtapes’ unique mixtape marketing services. Datpiff.com, the largest online mixtape site in the world, will host an exclusive page dedicated to the March Mixtape Madness campaign combined with support from HipHopDX.com and thousands of other websites that currently post Coast 2 Coast Mixtapes. March Mixtape Madness was created by Coast 2 Coast Mixtapes in 2009 and garnered international attention with the successful release of 31 exclusive mixtapes in March. The campaign generated over 30 million downloads, plays and views from postings on thousands of urban websites and blogs. The promotion these campaigns provide for the artists involved are priceless and the results are tracked through Coast 2 Coast Mixtapes’ innovative website. The 2009 campaign featured exclusive mixtapes from DJ Drama, DJ Noodles, MIMS, Terrence J, Fat Joe, Archie Eversole, Sha Stimuli, iLLAJ, Red Cafe and many more. “Coast 2 Coast Mixtapes is going to make history again with March Mixtape Madness 2010,” explains Owner/CEO Lil Fats, “we are very proud to be affiliated with all the sponsors, DJs and artists lending help to the campaign. We are confident fans of all types will be pleased with the surprises we have in store this month.”