a journey: Hsiao Yuan, Huang design portfolio
a journey: I am already on my way. Where's the next place?
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contents:
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Hsiao Yuan, Huang project 1
Migratory Bird Project/ 1000 Birds
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project 2
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introduction
Lacquer Plan/ LF vase LP plate / LAW plate reFINE
Compassler Corner Box Under the Tree Derivation Memory Storage
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other projects
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My name is Hsiao Yuan, Huang. Taiwan University of Science and Technology in 2010 in Taiwan. I am in a simple family: my father is a civil servant, and my mother is a housewife. They teach me in a domestic way, and always support me to do everything I love. While I was a child, they always
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I finished my bachelor degree in the Department of Industrial and Commercial Design at National
taught me to be a humble person and never stop learning. In that case, I am full of curiosity to new things and try to learn from different experience in my life. I learned about product design, graphic design and exhibition design. I never limit myself to
Birthday
09 / March / 1987
Phone
+886-9-19511509
cruzhuang13@gmail.com
Website
http://www.hsiaoyuanhuang.com/
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explore the different kinds of possibility of design. I love challenge. I want to see more of this world.
Resume
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Education 2010
National Taiwan University of Science and Technology / Master / Department of Industrial and Commercial Design
2006
National Taiwan University of Science and Technology / Bachelor / Department of Industrial and Commercial Design
2002
Taipei Municipal ZhongShan Girls’ High School Experience
2012
Qiao Design: Internship (Main Executor of Migratory Bird Project) Lacquer Plan Showed at Platform (Singapore)
2011
Franz Award 2011: Leader Graphic Designer
2010
Yodex Exhibition: Leader of Graphic Designer NTUST 99 Class Exhibition / Leader of Graphic Designer Franz Award 2010: Graphic Designer
2009
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Lacquer Plan Showed at Taiwan Designers' Week: Rising Star
Total Brand | Total Design: Internship NTUST 2009 Exhibition / Leader of Exhibition Design NTUST ICD Basketball Team / Captain
2004
ZSGH Basketball Team / Captain Contests & Awards
2012
Reddot Design Award 2012 Winner: Corner Box Taiwan International Student Design Competition: Finalist
2011
Great Design: Winner Lite-on Award: The Panel of Lite-On Judges Special Award Taiwan International Design Competition: Beneficence: winnerTaipei Industrial Design Award: Sponsor Award
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Hand-made Ability
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Pro-e, Alias Studio Tools, Imagestudio, C4D, Showcase, Keyshot, Autocad, 3D max
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Photoshop, Illustrator, Indesign, After Effects, Flash Dreamwaver
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Word, Powerpoint, Excel, SPSS
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Skills
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Statement of purpose National Taiwan University of Science and Technology
| the ability of problem solving As a designer, the most important ability might be problem solving. It must
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Dept. of Industrial and Commercial Design | Hsiao-Yuan Huang
be easy to face different problems while I study abroad. And I am ready to deal with different issue of study and daily life.
| touch different life I believed that different countries must have different things to present their life. Culture in every country is like personality in every person. And we only can learn it by experience it.
| a unique self and perspective I think to present a unique viewpoint is more important than style. I want to establish my own view and show my own point. And I regard myself as a
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melting pot can absorb culture and use it by my way.
A journey to find myself. Life is like a journey and a road of exploring myself.
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A journey to ... I have a dream that I want to travel around the world. I also want to do something that can want to start a journey and touch different life.
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show the unique of the city where I travel. I want to see different people, things and objects. I
project 1 1000 Birds
2012 Taiwan Design Expo Theme Pavilion
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Mig ra to r y Bird Pro j e c t/ 1 0 0 0 Bird s Year_2012
Category_Exhibition
Exhibition Theme_2012 Taiwan Design Expo / Passion Design Date_2012/9/29-10/14 Address_Kaohsiung Pier-2 Art Center Pavilion_Theme Pavilion / 1000 Birds (International Design Pavilion, Taste Design Pavilion, Golden Pin Design Pavilion, Design Players’ Pavilion and Kaohsiung Design Pavilion) Website_http://designexpo.boco.com.tw/ Executor_Hsiao Yuan Huang / Pei Hsuan Guan / Yu Hsuan Liao / Chien Li Lin
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Curator_Tong Ho / Rock Wang
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Exhibition's Theme: Passion Design 2012 Taiwan Design Expo's Theme was Passion Design. It means that designer use passionate attitude, sincere intention and great imagination to achieve the design goal. Creativity is not the only important element of design process. We also need to invole in it, pay more attention and care about more details of our normal life.
What’s passion? Passion is‌the subtle happiness we get from life, the extraordinary stories of ordinary people realizing their dreams and creating miracles.
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How we interpret " passion design" ?
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“Migratory Bird Project” is a large installation featuring a thousand birds, “Spreading Wings,” symbolizes how the power of many can gather together to
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realize an extraordinary goal and dream.
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Planning
to show the beauty of bird's gathering
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Planning
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The proccess of marking each birds' position.
15 Their are 1000 people that joined our migratory project. We visited 12 countries, 19 disadvantage groups. This project took 14 days and we traveled round the island over 1500km.
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Migrate to southern Taiwan, Kaoshung.
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Painting your DREAMS on it. We have been to Taipei, Taoyuan, Hsinchu, Taichung, Nanto, Changhua, Yunlin, Chayi, Tainan, Kaoshung, Ilan and Hualian. We visited to a lot of elementary schools in remote areas , disadvantaged groups and eldercare centers and let them draw the wood-made birds. After the exhibition, we will sell the birds they draw and we will donate all the money to the groups that we
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have visited.
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I’m the kid who has this habit of dreaming.
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“Dream as if you'll live forever, live as if you'll die today.�
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-James Dean
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Dream exists because of passion.
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Ready to fly
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Send wishes and dreams.
project 2 Lacquer Plan LF vase LP plate / LAW plate reFINE
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This project was associated with National Taiwan Craft Research and Department Institute.
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Learning lacquer-making with the craftman.
L a c q u e r Pl an Year_2012
National Taiwan Craft Research and Development Institute
Category_Deco
Materials_Lacquer, Fabric, Plastic,Steel, Egg Shell ,and Gold Foil Adviser_Fan-Wu, Tung / Sheng-Wen, Liao
The traditional lacquer industry, gradually disappear as the time past. With the production of industrial design point of view, combined with the use of different materials for the lacquer industry, seeking out new possibilities. We expect to create new styles and features by different application and interpretation.We attempt to show lacquer’s possibility and design modern lacquer This project is an experiment -oriented design strategy, so the use of the display elements, will retain traces of construction, and use the most basic and simple decoration, let the attention of visitors focus on the product.
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base product.
Background Lacquer factory face a situation that traditional lacquerware’s technique is almost replaced by chemistry paint. Because chemistry paint is fast drying and cheaper than painting lacquer. The most important reason is that traditional lacquer need a lot of time and people to paint.
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According to the weather, the artisan only cant paint lacquer once or twice in a day. That the reason why the need of lacquerware declines. In this case, I tried to find out the main character of lacquerware and used it in a new way.
Mass Production
Traditional Technique Balance
Hand-made Craft
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Industrial Design
Learning the process of making lacquer National Taiwan Craft Research and Development Institute / Craftmen: Sheng-Wen, Liao
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Lacquer Plan was associated with National Taiwan Craft Research and Development Institute and craft men, Sheng-Wen Liao. This plan encouraged young students to learn traditional craft’s techniques and apply it to product design. We took 12days, 5 hours per day, to learn basic technique of
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making lacquer ware.
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Lacquer Plan : LF vase Year_2012 Category_Deco Materials_Lacquer, Fabric, and Leather
Traditionally we use wood, ceramics and metal as body materials. Yet as the trends and eras shifted, bodiless lacquer; consequently, the softness of fabric creates a contrast with the hardening caused by anointing. Through sawing the waterproof fabric body piece by piece, and anointing the bottom side, weight is successfully provided for the vase to stand.
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so should the body materials. In this peace of lacquer work, we use fabric body as the base of the
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Idea Generation Characteristic X Contrast
Hard / Soft
Sense of Vison Sense of Touch Manufactoring Process
In this case, I used fabric as lacquer's body. In traditional way, craft men paste fabric on ceramic
Craft Techniques
Using fabric body as the base of the bodiless lacquerware was a traditional technique. The bodiless lacquerware are light and hard. We paint the fabric with lacquer, form it into the desired shape and allow it to dry in place. Once the fabric is dry, you can do it again til 5 or more layers.
strong but light. In this product, I want to eliminate the step of removing clay from process of making lacquer ware. I used three different kinds of fabric - cotton fabric, iscose rayon, and water proof fabric to produce a series of vase. I made it without body and also eliminate the technique of manufacture. The shape of these vases look like soft and flexible, but it's hard and firm. I was satisfied with the outcome of my efforts.
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Traditional
body. While they finish the surface treatment, they remove the potter's clay. The lacquer will be
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Materials' Testing layers, it showed the enough strength as a vase. Then, I tried different shapes ,forms and materials to paint the lacquer on it. I found out all the fabric with stitches leaked. And lacquerware were not suitable for dipping in the water for a long time. Finally, I found out a multi-fabric and an appropriate form that can fit the need.
Concept 2: Paper Structure > failed / because of leaking
Concept 3: Entire water-proof fabric without sewing > succes
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Concept 1: Smooth Shape > failed / because of leaking
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First, I only want to use fabric or paper to form a shape without the body (made by ceramic) which can use as a vase. I tried to paint the lacquer on paper for testing the strength of lacquered-paper. After I painted over 5
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a.
b.
c.
d.
e.
f.
g.
h.
a. Multi fabric (cotton fabric, viscose rayon, water
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Processing
proof fabric)
b. Join different fabrics by ironing. c.
Coated lacquer on multi fabric.
d. Molded fabric into different shapes. e. Wait for drying. f.
The object is coated layer upon layer with thitsee.
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h. Repeat the above steps.
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Lacquer Plan : LP plate & LAW plate Year_2012 Category_Deco Materials_LP plate / Lacquer, Plastic, Gold Foil ,and Egg Shells LAW plate / Lacquer, Aluminum, Wood, Gold Foil, and Egg Shells
This project combines traditional crafts techniques and the rapid process of modern industry, to make the quantization of industrial products increasing the uniqueness and economic value.
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co-Designer_Huei Yu, Tseng
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Techniques
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Craft
Eggshell lacquer is an intricate art form that is used for decorative pieces. The process of preparing eggshell lacquer can take from 7 to 50 days because each layer of lacquer has to be dried and polished. Eggshell lacquer creates a different and attractive coating for ceramic pieces. Gold leaf application is a process dubbed gilding, and it can be done with sheets of real gold, imitation gold leafing or other thin sheets of metal. Adding gold leafing to the tiniest details throughout a home adds a traditional flair to everyday objects.
Idea Generation Characteristic X Contrast
Transparent or not
Sense of Vison Sense of Touch Manufactoring Process
In order to show the lacquer ware's characteristic I tried to use a contrast way as my design philosophy. And I also want to apply some industrial process of manufacture. In this case, I tried to use a modern way to design these plates. I applied traditional technique and made it extended.
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Traditional
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I tried to find a suitable shape and traditional technique to show the beauty of lacquerware.
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And I found out a way to show and emphasize the characteristic of lacquer.
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a.
b.
c.
d.
e.
f.
g.
h.
a. Coated lacquer on plates.
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Processing: LP plate
b. Smash the egg shell into pieces. c.
According to the picture, place egg sheels on it.
d. Make sure the shape of line was clear. e. Polished! f.
Prepare to paste gold foil on the plate.
g. Paste gold Foil.
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h. Brush out useless part!
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Lacquer Plan : reFINE Year_2012 Category_Light Materials_Fabric,Lacquer, Metal, and Wood
In the learning of making lacquer ware, it strikes we that the core value of lacquer comes from its nature of handcraft. The key of lacquer’s rich tone of color is the repeated process of polishing and anointing. However, to emphasize the character of handcrafting, we expect that the meticulous, glossy feature with the raw, original texture are demonstrated simultaneously on this piece of work, Additionally, by allowing this piece of work finished “incompletely” at the manufacturing phase, and disclosing the simple process of industrialization, we hope to make industrial design friendlier for general public to appreciate.
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aiming to illustrate the original quality of lacquer as well as the polished luster.
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Idea Generation Characteristic X Contrast
Rough / Fine
Sense of Vison Sense of Touch
Traditional
Traditional techniques of lacquer have many ways to show smooth, glossy and delicate. It
In order to show the lacquer ware's characteristic I tried to use a contrast way as my design
Craft
also have different technique to show the rough surface. In this case, I want to show the
philosophy. And I also want to apply some industrial process of manufacture. In this case, I used
contrast between the fine surface and rough surface.
lacquer's character to make different texture on my product. I attempted to use rough texture that
Techniques
The rough surface need to use sticker lacquer which mix lacquer and albumin. And
can stand out the quality of lacquer ware. And the main body was produced by factory. It provided
painting by a pat way.
a new combination between lacquer and new materials.
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Manufactoring Process
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3D Modeling
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a.
b.
c.
d.
e.
f.
g.
h.
i.
j.
k.
a. Make wood model for pasting cotton fabric.
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Processing
b. Paint lacquer on fabric and place on wood model.
c.
Over 5 layers, we remove superfluous fabric.
d. Mold Release. e. Make sure 2 parts can combine with each other.
f.
Stick together.
g. Make the body smooth. h. Paint lacquer on it and polish it. Use masking tape to cover the area that I don't want paint.
j.
Paint on it
k. Remove the tape and Polish it.
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i.
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other projects Compassler Corner Box Under the Tree Derivation Memory Storage
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Compassler
Compass and Ruler
Year_2011 Category_Stationery Size_180 x 13 x 3 (mm) Materials_Plastic and Rubber
Compassler is a new stationary combined of ruler and compasses. Graduations on the ruler are also radius scales on the compasses so that user wouldn't have to worry about finding compasses.
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co-Designer_Tseng-Yin, Lin
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Fasten the slide.
Slide: In the middle of the slide is a fastener that you can fasten it at the size you want to draw. The slide has two holes that you can put pen in it. Compassler can draw circles in diameter
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between 2-29cm.
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Corner Box
Re d d o t De s i g n Aw a rd Wi n n e r 2 0 1 2
Year_2011 Category_Industrial Package Materials_Cardboard
Corner Box is a simple cardboard case design. To prevent hurting fingers from unloading a heavy cardboard case to the ground, we make a small design on the corner which provides a concave space for fingers-in by folding yellow-zone corner.
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co-Designer_Tseng-Yin, Lin
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Before: Hurt user’s fingers before putting the cardboard case down. / Use feet to hold it
After: Yellow-zone corner for folding. / Fold the corner easily.
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temporary.
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Bus Station's Design
Year_2010 Category_Traffic Materials_Solar Panel, Plastic, Glass and Wood co-Designer_Yung-Shun,Chen / Tzu-Yen, Huang / Yu-Hao, Huang / Tseng-Yin, Lin / Cyn, Liu
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Under the Tree
Numerous beautiful moments were born under the tree. Various touching stories were created at the bus stop.
In the daytime, beautiful sunshine drops tree shadows
During the night, the bus stop luminesces fine lights,
on to the floor, people waiting at the bus stop is pleased
while buses drive through and carry people home.
for the gratifying moment.
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Technology
By refining the shape of a bus stop from a traditional vertical design to a curve one, it increases shelter for the people and make a graceful sculpture on the bustling streets.The bus stop roof is
Agcl: Beautiful sunshine darkens silver chloride, thus drops tree shadows on to the floor and provides shelter for passengers.
coated with leaf-shaped silver chloride, and its transparency changes with light intensity.
Shadow: The branch and trunk parts are embedded with film solar panels, which collect daylight and furnish passengers with illumination at nights.
Lighting: This marks the bus stop location and make it easier for bud drivers to see if there are people waiting.
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Sloar panel: Daylight is the energy source for night time lighting.
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Derivation
Exhibitation of Our Department's
Size_800 x 300 x 300 (cm) / 3 floors high Category_Exhibition Design Materials_Poly Foam and Nylon Thread co-Designer_Chian-Yun, Yang
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Year_2008
189,3
59 52,15 25,4
140째
5 ,3 79
9,05
27,31 110 째
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88 21
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74 53,
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37,78 10
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53,8
123,9 37,78
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53,8 31,8 91,15
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55,95
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each other, so we parted the text into pieces, fragmented strokes with the performance of speculation to imagine that from the sporadic into the expansion.
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189,3
We want to show designers and the general public can not accurately communicate between
To make the viewer has the feeling of pure, so that all has become white in the sunlight, the work reflection, a perfect display of its pure nature, and nature interact and mutually reinforcing. We spread the floor on a soft cushion material, like the visual impact, the sense and sensibility in the consciousness can make a strong impression on visitors. Design works of the students want to be
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able to quiet, strong, deep into the creative energy to convey to every visitor of this space!
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Memroy Storage
B o o k D e s i g n w i t h Po l y.
Year_2009 Category_Book Design Materials_Poly
forget. I wanted to present the different kind of word's carrier and the feeling at the moment that I took those photos. By using the poly as paper made this book more reality and vitality. The book not only is a flat object, but also has a different structure. Show the vitality from inside to outside.
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Through my eyes, I saw the wonderful world and I wanted to keep the moment that I’ll never
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pack up my suitcase and great mood... 2006-2012 Design Portfolio
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