Colosoul Ezine 08// June 2011

NEWEST INDEPENDENT MAGAZINE INSPIRING YOUTH

June 2011

Timo thy N elson Solo Travl and t es// B he In Photo fidels anks grap // y//50 hers/ /and 0 much more ...

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103 Francis Street Northbridge, Perth 0403 960 642

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07 48 43

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Stories including CD reviews, Film features and much much more...

06 Timothy and the Infidels 08 A Ganster’s Paradise - Film Review 12 A social Issue featuring Music Feedback.

14 A new fashion store 22 A Solo Travels words 24 Songs from the Dalai Lama 26 Wasteland Art Space Exhibition 35 Jebediah Music Review 39 CD Reviews 44 500 Photographers 54 Sugen’s Blog review

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Timothy Nelson “I find it much easier to be myself when I’m playing music, but I can’t say there’s one particular thing about it that I love the most. I just need music. “

– Timothy Nelson Spoken like a truly devoted musician, Nelson is the artistic lyrical genius and driving force behind the local Perth band. A band with great drive and big ambitions, their upcoming debut album, not yet named, has just hit the local scene to an affirmative reception. Two of their songs, Nothing’s in Tune and You Don’t Know What You’re Waiting For, have been played on local radio stations and their latest single is gaining popularity and receiving an abundance of positive community support.

Giving an insight into the intricacies of the band and the complexities to creating a debut album in Perth, Timothy Nelson opens up to Colosoul.

Starting in late 2007, the band presently consists of 5 members. Timothy Nelson on lead vocals, Peter Forgus on drums, Brad Forest on bass, Luke Dux on lead guitar and joining them one year in, Ellen Oosterbaan on backing vocals and acoustic guitar. Together, this 5 person band creates pop songs decorated with country and folk influences. Summed up perfectly by Nelson, the group is blazing a trail in Perth under the banner of ‘folk and roll’.

Nelson’s sense of humour is woven through his answers in a manner as skilful as his lyrical song writing, which subsequently won him a couple of WAAMI awards. When explaining the complexities behind creating a debut album, Nelson also conveys a determination and

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attention to detail that has proven fruitful to the band’s growing popularity. The band spent two years in and out of studios, playing with different guitars and microphones along with various instrumentations and arrangements.

As far as the sound of the band is concerned, Nelson takes inspiration from many musical influences such as The Beatles, Bob Dylan, The Shins, Wilco and the Beach Boys. Avid fans of Bob Dylan may even recognize the link between the band name and one of Bob Dylan’s albums.

A charismatic title, it rings out with a Dylanesk type boldness that stays in your mind long after the captivating tunes stop.

When it comes to writing lyrics, however, Nelson prefers to keep them as personal and honest as possible, composing lyrics in his head when he can while working during the week in a warehouse.

Rehearsals aren’t strict, but their system clearly works. In creating their debut album, Timothy Nelson and The Infidels found their biggest challenge lay in creating an album that didn’t sound second rate. In their attempt make the album achieve the sound they wanted, the band have also found one of their biggest challenges is ensuring that their individual sounds mesh

and The Infidels

By Lynn Loo

together musically. As time went on, their abilities also evolved to the stage where they felt confident enough to test new songs at live gigs.

Their album is a culmination of these musical trials, containing music collected over several years of experimentation and then produced at a more complex level. Perhaps, as Nelson points out, it is being in Perth that has allowed them to hone their art and to develop such a solid musical foundation. Nelson explains that being so isolated from the rest of the music industry takes away a lot of the pressure bands on the east coast may face as it allows them to focus on their music and not the image of the band.

“The feeling you get out of having people at a show sing your own song back at you is one of the best feelings in the world and you could

argue that a song’s not really finished until you’ve reached that point.” Nelson clearly loves being in a band and shows a passion and dedication for music that will no doubt be reflected in the album.

The band promises to deliver an album with a big production sound, one where you can listen to it and hear something new each time. However, in order to fulfil such an ambition, the debut album’s release date which was scheduled for April has now been pushed to June of this year. Those who were eagerly anticipating the release may be slightly disappointed but for those who have been truly captivated by the sounds of Timothy Nelson and The Infidels, the wait will no doubt be worth it.

Nelson and The Infidels found their biggest challenge lay in creating an album that didn’t sound second rate.

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Gangstas

Paradise

by Matthew Savino

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Gangster films have been counted amongst some of the most critically acclaimed and enduring films of modern cinema. In short, they rule.

Here is my tribute to some of my all time favourites...

The Godfather One must start with the seminal work of this violent canon - no other than The Godfather. This classic was not only masterfully directly and superbly cast but also left an indelible imprint upon popular culture.

“I am gonna make him an offer he can’t refuse!”

That line has been uttered throughout films and TV programs since. Other iconic moments include the ‘kiss of death’, the horses head in the bed and the view of the kneeling figure kissing Don Corleone’s hand.

Each have imbibed themselves into the mainstream consciousness while Marlon Brando’s performance became the staple impersonation for The Godfather. aThe close knit family to chase Although flawed Godfather wastrying lauded by realthe life‘American gangstersdream’. for its realistic depiction they were sympathetic characters who drew youwith intoviewers their world. of their lives but also struck a poignant chord as it depicted If you have not watched it you can’t call yourself a serious film lover.

Goodfellas Next in line is one of my favourite films of all time, Goodfellas. Martin Scorsese grew up around mobsters in New York so he knew the subject matter he was dealing with.

The story of Henry Hill and his rise through the Italian an American crime family was stylistically shot with Scorsese’s’ fantastic ability to use his score to enhance the emotional impact of the narrative.

The voice over is effective and gives rise to many classic lines in the film, one of my favourites has to be:

“Paulie might have moved slow, but it was only because Paulie didn’t have to move for anybody.”

The Godfather may have set the benchmark but Goodfellas, with its stylistic aesthetic and strong storytelling, continued where it left off 10

Scarface Perhaps the most impersonated figure after Brando’s’ godfather would be Pacino’s’ Tony Montana in Scarface.

He gives a startling and sometimes downright scary performance as the Cuban refugee chasing his dreams in Miami, Florida.

“Say hello to my little friend” It’s got to be one of the most frequently quoted lines and this visceral experience has garnered a cult following over the years.

This tale really shows the self-destructive nature of the power hungry despot as Tony ends up destroying anything and anyone who meant something to him.

We could go back further and uncover many more gangster classics and it would be criminal to forget the brilliant Casino. If your planning to go on a Gangster watching binge then may I also give honourable mention to; One Upon A Time In America, The Untouchables, A Bronx Tale, Donnie Brasco, Hard Boiled (Hong Kong action) and Carlito’s Way. In reflecting on the appeal of this genre one can obviously see some great filmmakers have taken on the task but I think it is also the exploration of the darker elements of society that intrigues us. Ultimately though as glamorous as it seems each story inevitably ends up in suffering and destruction.

They are damn entertaining so I raise my glass to the men of organised crime and the cinematic entertainment they have brought us.

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Music

It is a rather disturbing statistic that over 50 per cent of Australians believe that having a mental illness is a sign of personal weakness. Particularly concerning is the belief that a person suffering a mental illness can just “snap out of it�.This perception of mental illness seems to me to be rather outdated, certainly a little ignorant, and ultimately highlights a lack of common knowledge about the issue.

Encouragingly there are organisations like Music Feedback who are working to reduce stigma attached to mental illness by blowing away these uninformed preconceptions.

Initiated by the Mental Health Division in collaboration with the WA Music Industry Association, the campaign is devoted to the mission of using music to talk about mental health.

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and

Men

Launched in 2009 the project aims to increase awareness of issues of mental health and educate people through utilising music as a medium that is accessible and comprehensive to a diverse range of young people.

The project has several objectives and is targeted at youths aged 14 - 25 to encourage them to improve their wellbeing on several fronts. Through participation in music young people are expressing themselves and connecting with other people, helping them to feel secure in seeking advice about mental health. The work is enriched further by a commitment to promote an understanding of the importance of supporting their peers who are fighting similar battles.

ntal

Heatlth

On a broader social level, by helping people to achieve these aims Music Feedback is working to increase mental health literacy across the state to reduce social discrimination concerning mental health issues.

Music’s reach covers many diverse groups of people it is an ideal medium to draw attention to and address important issues.

Music Feedback reinforces an understanding of music as a universal language, meaning messages about mental health issues can be promoted everyone regardless of cultural difference.

The aim is to encourage people to talk about mental health in the same way we talk about music leading to an increased awareness and transforming

Issues

By Fiona May

images from Karnivool discussion about mental health into typical public discourse. In other words, as people talk and think about mental health in an informed and open way it generates a greater opportunity to effect positive social change.

Ultimately projects such as Music Feedback are assisting in building a generation of people who, through increased social understanding, can appreciate the importance of acceptance. Ideally increased awareness about mental health issues will reach a point where knee-jerk reaction is one of understanding and acceptance rather than exclusion.

For more information on Music Feedback head to their website www.musicfeedback.com.au. You’ll find an awesome variety of music and videos featuring musicians talking about mental health as well as more general information on mental health and resources for finding any help you might need.

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Globalize a range to suit almost any demographic

by Patricia Higgins

There is a new kid on the block in fashion and its name is Globalize. As the name suggests, this fashion destination stocks a melting pot of brands.

Newly opened in Perth Level 1, 140 William Street, Globalize speaks the language of urban cool and offers a range of limited edition, exclusive and one off’s. It stocks such iconic and dynamic brands as Lee, G Star Raw, Ben Sherman, One Teaspoon, Mink Pink, Lonsdale, Converse and Havianas.

Globalize is a refreshing addition to the Perth fashion scene, a Mecca to subcultures and their associated styles. The spacious and uber-trendy interior is sure to appeal to the youth market.

The staff are friendly, the vibe chilled – so you can feel free to relax while you check out some stylish threads.

National Training Manager Jonathan Hyde was in store when I popped in. He said that the store is the first in WA and the second largest in Australia behind the Adelaide flagship store.

Starting as a small boutique seven years ago, Globalize quickly expanded to VIC, NSW and ACT. “A lot of people can’t believe it’s from Adelaide,” said Jonathan - it certainly does have the feel of the Australian fashion capitals of Sydney and Melbourne.

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Jonathan said the reason for the broadness of brands and styles to be found at Globalize was based on the idea of a ‘one stop shop’ that would appeal to teenagers through to 30+.

There is a range to suit almost any demographic – emo, punk, hip-hop – and many items that would appeal to those who don’t ascribe to a particular trend but just appreciate quality and a fine aesthetic.

Globalize staff members Rachel Morrow and Zepf Rolls were only too excited to model some of their favourite fashion items from Globalize.

Young and vibrant, Rachel and Zepf embody the Globalize attitude. Approachable and fashion savvy, they are more than happy to assist with your styling options.

Globalize is active in supporting local youth events.

They are also responsible for Globalize House, an organisation set up to provide aid and education to orphans in Uganda. A worthy destination for fashion, Globalize is also a socially responsible company worth visiting.

Special offer: Mention your status as a newcomer to Globalize to receive a generous 10 percent discount off your entire purchase.

Globalize is a refreshing addition to the Perth fashion scene.

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“A Mecca to subcultures and their associated styles.”

Photo courtesy of Acadamee

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“It stocks such iconic and dynamic brands.”

Photo courtesy of Ladakh

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Check out Globalize and Globalize House at: www.globalize.com.au.

Photo courtesy of Eleven Raindrops

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Photography by Proof27 photography

Clothing for Men & Women

www.methodclothing.iinet.net.au

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Solo Travels article and photos by Luke Gribble

“You have to put yourself out there and be open to everything that comes your way.”

After spending another lonely night in an abandoned, run-down camp ground on Portugal’s west coast, my spirits were low and I knew I had to change my luck. I decided to pack my tent, grab my surfboard and head down to Sagres, the most southern point of Portugal. Not really knowing why I was going there, but ready for something new, I stuck my thumb out and waited for a ride.

After a couple of hours in the sun, I was picked up by a German couple. Their car was already full with gear, however being enthusiastic hitch-hikers themselves they insisted my bag, cameras, and surfboard would fit. The great thing about travelling alone is the amount of opportunities you get to meet new and interesting people.

You have to put yourself out there and be open to everything that comes your way. Of course that doesn’t always work out and sometimes it’s lonely, but most of the time it will be completely rewarding, and no matter the situation, you will only become a better person for the experience.

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As we made our way south we decided to stop into some beaches along the way. With the salty sea air filling our lungs while watching waves smash into the diverse and spectacular coast, a feeling of friendship was established, and was a reminder as to why travelling solo is so great. After a few pictures, a drink and a chat with other admiring tourists, we crammed back into the car and continued south.

Everyone has a different idea of what travelling is and how you should do it. Some like to relax and recharge after a stressful year of work or study, others enjoy the hotels, bars and shopping side of things, and some want to do and experience as much of a country’s culture as humanly possible each and every day. “It doesn’t matter how you do it, as long as you do it” said Jules, my new German friend, and I agreed completely.

Making our way into Sarges we were totally over being crammed in the car and in need of a drink and some food. I remember a friend telling me how amazing people’s generosity can be when you are on the road. Stories of dinners, all night partying that never makes a dent in your wallet, and accommodation all offered to you through the pure kindness of honest, wonderful people who understand what it is like to be like travelling on a shoestring budget and want to help as much as they can. So it was my turn to receive such kindness. Jules and his wife insisted I go to lunch with them, and in Europe when someone offers you something it is because they mean it; it would be offensive not to accept without good reason. With this in mind and the fact I had been eating pasta for the last month, I accepted with no hesitation. The beer flowed; we ate great food, drunk great wine, and talked about past travel adventures all afternoon.

“A feeling of friendship was established, and was a reminder as to why travelling solo is so great.”

I had decided to head a little further west; Jules and his wife were staying for the night in Sarges so this was where our adventure ended. He drove me to a good hitch-hiking spot, unloaded my pack, board, and cameras, we thanked each other for a memorable day and he headed off.

As I stood on the side of the road once more, dusty dry fields boarding the highway, with the sun slowly slipping behind the horizon, I thought back on how fantastic my day had been, how lucky I was to be doing what I was doing, and that the transformation from feeling lonely to happy was as simple as getting up and putting myself out there.

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SONGS FOR THE

DALAI LAMA Sharing a Common Journey

Dalai Lama in Australia is pleased to announce an exclusive Perth only concert featuring a handpicked selection of the finest musicians, as they come together and play tribute to Nobel Peace prize winner, His Holiness the 14th Dalai Lama of Tibet at the Burswood Dome from 2pm on Sunday, June 19, 2011.

“Songs for the Dalai Lama: Sharing a Common Journey” will feature THE DALAI LAMA himself and performances by TIM ROGERS, TEX PERKINS AND THE DARK HORSES, GURRUMUL, KATIE NOONAN’S ELIXIR TRIO, OLD MAN RIVER, LIOR WITH STRING QUARTET, ADALITA, LUKA BLOOM, LYRICS BORN, TENZIN CHOEGYAL, THE GYUTO MONKS OF TIBET and the NOBEL FUNK OFF.

“Songs for the Dalai Lama: Sharing a Common Journey” is an extraordinarily unique and once in a lifetime experience to celebrate the journey of Nobel Laureate, His Holiness the Dalai Lama with over 7 hours of incredible music.

“Songs for the Dalai Lama: Sharing a Common Journey” provides a bookend to the Dalai Lama’s 10-day visit to Australia in June and will see His Holiness joined by an amazing selection of musicians, each performing an intimate set. It is a one-off charity event exclusive to Perth during the Dalai Lama’s visit to Australia.

Earlier on the same day (9.30am–11.30am), His Holiness will have participated in “Public Conversations” on Happiness, Life & Living – Spirituality in the Modern World” at the Burswood Dome – tickets for this event are selling fast!

His Holiness the 14th Dalai Lama, Tenzin Gyatsos is both the head of state and the spiritual leader of Tibet. He was born on 6 July 1935, to a farming family, in a small hamlet located in Taktster, Amdo in north-eastern Tibet. At the age of two the child, who was named Lhamo Dhondup at that time was recognised as the reincarnation of the 13th Dalai Lama, Thubten Gyatso. The Dalai Lamas are believed to be manifestations of Avalokiteshvara or Chenrezig, the Bodhisattva of Compassion and patron saint of Tibet. .

All artists are donating their talent and time for charities supported by His Holiness for the benefit of the people of Tibet.

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LET THEM EAT POP

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W

WASTELAND ART SPACE

by Kate Hodges

Images courtesy of www.wastelandone.com.au

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After the Oscar-nominated success of art documentary Exit Through The Gift Shop, interest for an exhibition featuring its main stars Mr Brainwash and Banksy was understandably high.

To this end, the Wasteland Art Space on King Street was teeming with the trendy and the curious, all there for a glimpse of the pop art featured in the exhibition Let Them Eat POP!

“Instant statements making for instant gratification, and certainly at Wasteland, making for instant success. “

Looking at ‘her’ pieces, the connection certainly seems to make sense. With the same union of iconic imagery and current cultural motif making the Miss Bugs pieces a comical and colourful addition to the exhibition.

By far the most recognisable name here was Banksy. Operating under the strictest anonymity, the subversive street artist has become synonymous with the stencil and satire style. Titles such as Toxic Mary and Bomb Hugger are indicative of the type of dark humour Banksy has become infamous for, with

Banksy has become such an overwhelming international success.

Along with artists Miss B and D*face the event felt more like an intimate house party, albeit with some very expensive decorations (most were priced in the thousands). Despite the space being rather small and uncomfortably hot, everyone seemed to be having a great time immersed in lively conversation and clearly enjoying the refreshments.

There has been much speculation about whether Mr Brainwash - aka Thierry Guetta - is actually a real artist in his own right or simply a hoax within Exit.

Tonight however the speculation mattered little and Wasteland was treated to his trademark celebrity and pop culture silkscreens, featuring darkly funny depictions of Elvis, Star Wars, Jimi Hendrix, and the king of pop himself, the late Michael Jackson.

Speculation has also been rife about the true identity of the artists behind moniker Miss Bugs, with Banksy himself being rumoured to be behind the project.

a depiction of the Christian virgin feeding the infant Jesus with a bottle of poison explaining why Banksy has managed to ruffle feathers the world over.

But beneath the surface shock value attendees at Wasteland could certainly see why Banksy has become such an overwhelming international success. Pieces such as Napalm, with its depiction of the infamous nude Vietnam girl holding hands with Ronald McDonald and Mickey Mouse, stood out proudly from the rest, seething with its deep criticism of consumer culture in Banksy’s unique confrontational style. This type of social commentary, the type that underpins the vast majority of Banksy’s works, is surely the reason why his style has become so popular with the iPod generation – instant statements making for instant gratification, and certainly at Wasteland, making for instant success.

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This band from Perth has made a name for themselves around Australia,

New Album Kosciuszko

PRESENTS

JEBEDIAH CHRIS DAYMOND

By Stephanie Lane

With the release of their new album, Kosciuszko on April 15 2011, Jebediah begins their Australian tour. The album is already off to a great start with singles ‘Lost My Nerve’ and ‘She’s Like a Comet.’

Having formed in 1995, this band from Perth has made a name for themselves around Australia, this being their fifth studio album. Band members are locals Kevin Mitchell (guitar, vocals), Brett Mitchell (drums), Vanessa Thornton (bass) and Chris Daymond (guitar). I recently had a chat with Chris to talk about the album, the tour and what the future holds for the band.

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So your new album came out in April and you start your Australian Tour very soon, how do you feel now towards touring in comparison to actually creating the album?

Well touring, it’s a luxury at the moment, getting back on the road. I guess that’s kind of the whole essence of being in a band, I think. From my point of view, I’m definitely more into the playing live side of things than I am interested in recording stuff. I’ve been looking forward to this for a long time, a few years at least. It’s good we’ve been able to take a bit of a break. I’ve been working full time for the last few years. There hasn’t been any extended Jebediah tours in that time, so the fact that it’s all been pulled together, I’m really happy about it.

In terms of the album, what was the reasoning behind the title?

Kev bought the title to the table. I know what inspired it. He threw it in coz he thought, he’s a big fan of the Beatles and he’d been reading something. They had planned at one point to call an album ‘Everest’ but it never eventuated.

I think he thought, shit, they didn’t use it so we’ll

use it. The more he thought about it, he realised that Everest probably didn’t have too many connections with us or anything else. He’s been explaining as though Kosciuszko as being the tallest mountain in Australia would be more of a title for a Jebediah album. To me that would be the smallest part of choosing it. The best part of it is that it’s just a really cool word. It’s got a ‘K’, it’s got a ‘Z’, you know, it’s a great word and even if it didn’t mean anything, even if he made it up, I still would have gone with it.

It definitely looks cool on front of the album that’s for sure.

Yeah, and you know, it’s quite difficult sometimes to pull, I mean you’ve got to get artwork and all that kind of stuff for a record. A lot of the time you take your direction from your lyrical content or the title. I think we saw that we might be making for once, that job on ourselves a bit easier, because it’s been difficult in the past. I mean, ‘Of Someday Shambles’ how do you represent that visually?

It’s kind of hard. I think because of the amount of time involved in all that kind of stuff, to get a handle on that was good, so the lock on the title made that process a fair deal as well.

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So how long did the album actually take to make?

Well that’s difficult and I think because of all this promo we should have actually sat down and calculated it because it does sound really daft saying we started making the album three years ago. It kind of implies we spent three years making it, which isn’t the truth. I mean, we’ve worked on and off on it, but mostly off I guess, over the three years. But if we put all the studio time together it probably would have been three months all together, only just longer than what it took us to put ‘Of Someday Shambles’ together. It wasn’t too much of a departure from what we’ve done in the past, which it was spread out over an extended period of time. But we certainly weren’t cracking any whips as well. We had the luxury of taking as much damn time as we wanted (laughs). It was awesome, it was really great. I think if we had have put out a record two years ago, I don’t know how it would have gone. I think it may have been the same record but it may have been received differently. It’s very difficult to know, but the way things have happened now, I’m kind of glad that now is the time rather than then.

Kosciuszko as being the tallest mountain in Australia

would be more of a title for a

Jebediah album.

The best part of it is that it’s just a really cool word.

So you think doing it over that longer period of time has been beneficial?

Yeah, I think it has been very beneficial. I think everyone really enjoyed making it like that.

Whether we have the opportunity to make another record like that or if we make another record, I think there’s a lot of things that you think about when you’re involved in this kind of thing such as what lies up in the future, or will we make another record. You need to make a success out of your band, you need to have a lot of things all working in harmony and it takes a lot of effort to get those things, to make it that way. You know, it’s when it comes to try and figure out whether you’re going to make another record, well you can be as enthusiastic as all hell but you’re only one member of the band. If it was going to be the last record we ever made, you kind of got to be aware

Out of all your albums, which one is your favourite? Do you feel like the most recent is always the favourite?

of that while you’re making it as well. Experience is paramount to what you’re going to take away at the end. There were times when you’d think, I mean you’ve got to be realistic. If something happens to a band member or something like that this record may never get completed or released.

You make the most of when you’re doing what you’re doing, having fun. I hope if we can do another record I hope it’s approached with that kind of direction as well, where everyone needs to enjoy the process for it to work for them.

Yeah, it’s not very good if you’re not having fun at the same time.

No, but sometimes people create music and they don’t need to be having fun. Their music may be inclined or be a different thing for them but for this band, for me, that’s all I’d have wanted... It’s an important thing for me to retain.

That’s a pretty tricky question because they’re all quite different and obviously Kosciuszko, I’m really proud that that’s the record we’re speaking about at the moment. But you do have a kind of nostalgia; I mean it’s been a long time since we put out our first record, but that first record is really why we’re still around making records. The songs and the kind of band that gave us the direction to be, I hold a very fond regard for. I look back nostalgically on the first record and look at what the record’s given me the opportunity to do. So, in some ways that would be my favourite record. It’s been the catalyst for what’s happened since then and if it hadn’t have ever been made I wouldn’t have had that opportunity. I kind of thank my lucky stars that we had that success with the first record. Because of that, it’s got to be a favourite.

I would definitely choose tracks off every album if I had to compile a best of.

Online, you were all talking about the track ‘Lost my Nerve’ and how it all just came out of jamming, do you think at the end of it, the result is better when you’re able to play around with the songs and just have fun with them?

Of course yes. Music’s something I’m passionate about and I’ve listened to a lot of different bands 33

Once you know where about in the game plan it’s going to sit, then you can lock it in and work towards building it from there. and stuff so I’m aware that when I’m in the studio, even though I don’t play music everyday or even every week, I’m aware of what kind of music I want to create and what the bench marks that I aspire to are as well. It’s a process in the studio, trying to capture what it is that gives you that feeling you know, that tingles up the spine. I think sometimes you make your best music when you’re thinking about it the least. You have no idea what you’re doing, but it’s sounding good, so you’re doing it.

Songs like ‘Nerve,’ they do come about that kind of stuff and if it wasn’t for the way we approached it in the studio this time around, songs like that wouldn’t be there and they wouldn’t make it past the jamming stage because there’s not actually a lot to the song. But when you have the luxury of recording as you go, you build it up layer by layer.

Dave Parkin, the producer, I thank him a lot for helping us mould, because a lot of what he adds to that process is very important. I think one of the things we were trying to get in was that every song has its own voice and it was pretty obvious that that was a really bold kind of opener for the record from early days. Once you know where about in the game plan it’s going to sit, then you can lock it in and work towards building it from there. I’m glad that we released that first as well, it was always something different. When I first started playing that to other people they were like f*** is this you guys? So yeah I mean I think that’s probably one thing we were trying to achieve was to give people something new.

My favourite song from the album is ‘She’s Like a Comet.’ It’s really catchy. Did you know this was going to be a single from the start?

Yeah, I think so. We never really spoke about it as a band. We didn’t start thinking about those kinds of things until we were in conversation with Dew Process, the record label that we put it out on. A lot of that stuff comes down to listening to your management and your record label and their ideas on singles and stuff like that. Having said that, there was no debate at any stage about what should be a first single, it was obvious to everyone. It seems to have worked really well, it’s been the most commercially successful single we’ve ever had. People seem to think we’ve been 34

supported that way throughout our careers, but we never have, aside of ‘Slightly Odway’ played on commercial radio. It’s different what people perceive but we don’t have a whole record of that kind of song either so it’s not so much a change in the way of the band’s music but it may be the fact that because of the musical climate, maybe more commercial radio is looking for a bit of ‘rockn-roll’ at the moment. So, if those things all fall into place, then yeah, it’s been working well.

So a bit more about the tour, you’re playing in Perth. How is playing where you’re from, different to playing somewhere else?

It’s a show where most of your family and friends are going to be at, so I’ve definitely been thinking about the Perth show for quite a long time. We’re playing in an actual theatre which is in my own neighbourhood. It’s been beautifully renovated

“one thing we were trying to achieve was to give people

something new.”

show party and invite all our friends.

Sometimes gigs in other parts of the town you’ve got schedules to adhere to, and probably not as free to stick around after the gigs and that kind of stuff. I just wish more of my friends had gone out and bought tickets coz it’s sold out and they aren’t going to be there (laughs).

Does it feel good knowing you have sold out concerts over Australia?

Well yeah, it’s a part of my job (laughs).

If the shows weren’t going well I wouldn’t have that opportunity and would probably have to be a lot more stressed with what I was going to be doing with my life. It’s a fine line between having successful shows sometimes, and not having successful shows. A lot of it comes down to some crucial factors and I think our managers have done really well getting this tour up. art deco. I’ve been to shows there before and it’s been the perfect kind of venue and we haven’t played at a venue like that in Perth before, or at any other stage of our career so it seems really special. We’ve been together for a long time, we’ve got a large back catalogue that we still continue to draw from when we play gigs, and like I said early on, the live aspects of being in a band is my favourite part of it and so I get quite excited thinking about shows and getting to do my thing.

Because you do, you spend a lot of time talking about your band, so to actually get to forget about all that kind of stuff and get lost in the moment of playing and doing what you do. I really look forward to those moments, and I’m not trying to impress anyone, I’m just trying to get out of it something that impresses myself you know, and I think that’s probably why when we play, I feel as though I probably approach it about a quote from something else; as a painter you need to paint as though no one else has ever painted. It’s that way when I get on stage, I play my guitar and I’m not really considering what other guitarists do or how they would perform, it’s just, kind of get lost in your own moment there. I don’t know, maybe that’s kind of what people want, especially from a band like us and we get a lot of feedback saying it’s great to see your band enjoy themselves. Putting all that together, I can’t wait for the Perth show, it’s going to be a huge night. We’re going to have an after

What is the future for Jebediah, and what are you plans after the tour?

Without being crass, we want to make the most of the opportunities this record has given us. We want to be able to play festivals this summer. If we get offered these things, we’re going to be, I think milking it’s the wrong word (laughs). But I hope we get to have this album see us through an extension of time because we don’t know what’s coming up in the future for us. We don’t have a plan any further passing this record at this stage. I have a lot of optimism we’ll continue to be Jebediah, but as to where we head to, I don’t know. They’re really short term future plans and if all those goals we’ve got can get fulfilled, then it’s certainly shined a light down the path I guess to where we’re headed.

Jebediah plays a few shows in WA including the Astor Theatre on June 10, and Hillarys Bar 120, July 15 2011. For more information on the band and their tour dates head to the website www.jebediah.net. If you haven’t checked out Kosciuszko already, do it! It’s a great album.

“Hope we get to have this album see us through an extension of time.”

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MUSIC REVIEW:

Boy In A Box (3.5/5 rating)

by Ashleigh Rowland

Thinking outside the box is what Boy In A Box are all about. Yes this may sound slightly ironic but on the other hand I think it creates Boy In A Box’s cheeky get-up material. Best of all, they’re Aussies living in Melbourne.

All in all, Boy In A Box is a force to be reckoned with. Their music is captivating, they leave their fans breathless and hungry for me, they are the definition of sheer brilliance. What more could you ask for?

“We watched the moon come up and the stars come out,” sings Tobias Priddle amongst fellow Boy In A Box rockers Kris Scott, Athan Hewett and Thomas Crimmins. The band’s song Moon Comes Up is immersed in playful, upbeat guitar riffs and has an empowering, youth inspired message which will have you shouting and living out their lyrics to your heart’s content.

If you ever find yourself in the presence of Boy In A Box be sure to check them out.

Just when you think Moon Comes Up is the be all and end all of Boy In A Box get ready for some more Boy In a Box fun with their latest tracks Glitter Gold Ruin and Killing Machines.

Boy In A Box’s latest single Glitter Gold Ruin/ Killing Machines is available through iTunes.

“Upbeat guitar riffs and has an empowering, youth inspired message.”

“All in all, Boy In A Box is a force to be reckoned with. “ These latest tracks have taken a slightly darker turn in comparison to Moon Comes Up but nevertheless they are great easy-listening tunes. Glitter Gold Ruin is one of my favourites with intoxicating guitar riffs, drum beats and of course Priddle’s amazing voice. You’ll find that Glitter Gold Ruin is not only a catchy tune but it’ll certainly take you on a journey.

It’s all about the lyrics in Killing Machines - the people that died for this country and the history of it. I suggest this song for the music lovers that are into slightly heavier rock with an old style tweak.

“Great easy-listening tunes.”

Photo courtesy of sounddoc.blogspot.com

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MUSIC REVIEW: DAVE GRANEY- ROCK AND ROLL IS WHERE I HIDE

by Sarah Arrowsmith

Take a ride on Dave Graney’s smooth rock and roll sound on his new album Rock And Roll Is Where I Hide. This album is packed with a classic yet electric feel of rock and roll. It is mellow, strong with sounds of guitar and vocals giving the album an awesome vibe.

It is very instrumental and filled with great melodies and tunes to satisfy a hardcore rock and roll appetite.

Dave Graney has successfully combined a mix of blues and rock and roll carrying elements and sounds from both genres.

This is also what gives the album a soft and easy sound while staying true to its traditional rock and roll charm.

Since the release of his last album Knock Yourself Out in 2009, Dave Graney has created a truly unique album carrying indie, blues and rock and roll sounds that make him stand out.

My favourite track, Apollo 69, sounds very different from the others. The track has strong instrumental sounds from the guitar and piano giving the track a bluesy, rock and roll sound with a great classic feel.

It is both powerful and easy to listen to.

Dave Graney definitely created a unique sound as cool as his finely trimmed moustache.

Be sure to immerse yourself in Dave Graney’s new album Rock And Roll Is Where I Hide and let it take you back to the good old rock and roll days.

The album reminds me of old school rock and roll

The first song on his new album is Rock And Roll Is Where I Hide and starts off with heavy guitar leading into a mellow song carrying a rock and roll edge. The track is also slow paced and complimented by vocals and instruments which gives the song more depth in its sound.

In comparison the track Feeling Kinda Sporty is faster paced and carries old school rock sounds is complimented by more strong vocals.

“This album is packed with a classic yet electric feel of rock and roll. “

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MUSIC REVIEWS:

“The tracks are reminiscent of the sixties and sound of The Beatles.”

Written by Sarah Arrowsmith : Photo courtesy of Shiny Entertainment Art pop duo YellowFever have certainly infected me with their eclectic, mellow sound. It’s as addictive as it is contagious. Originally from Austin Texas the duo released their first self-titled album filled with soft indie, folk, rock sounds. So whether you’re stressed, tired or in need of some mellow sounds, this album will definitely perk up those cheeks with a big smile.

YellowFever’s members Jennifer Moore and Adam Jones have a unique, quirky sound that I haven’t yet heard before. They take you on journey of the mind. Listening to their tracks makes you forget all your thoughts and worries and instead makes you feel like you’re at a picnic on a sunny day.

What also amazed me about the album is its vintage quality. The tracks are reminiscent of the sixties and sound of The Beatles. It makes you feel as if you’re in an ice-cream van driving along the coast with your friends. The duo creates their distinct sound through a balance of Jennifer’s vocals, guitar, drums, organ and bass, which gives their tracks a unique charm.

The tracks carry indie, rock elements with a cool twist. It’s very much an album to listen to on the porch hammock on a hot summers day or while sitting on the beach.

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The album also has the ability to be hard and soft at the same time. This is because most of their tracks carry a certain indie rock edge to it, but also carries softness through the vocals.

Their first track, Rat Catcher is a gentle melody dominated by a guitar. Its simplicity is what gives this track an effortlessly appeal. Other tracks on the album such as Psychedelic, Metarie, Joe Brown and Culver City have a classic rock appeal and more faster paced. It reminds me of old school indie rock sounds from eighties bands such as The Smiths My personal favourite is Alice which has a soft, slow melody. The gentle vocals and the guitar gives the song a smooth, indie, folk sound. The tracks on their album reflects the sophistication of artists today, who take elements from some of the best artists in history and turn in into something modern and folksy.

The captivating duo are an amazing addition to artists such as Angus And Julia Stone and Gregory And The Hawk, who seem to be defining indie folk music today.

So, go on, let the music infect you with its charm and take you away. Pop this bad boy on and enjoy the YellowFever.

BAD MATCHINES

By Sarah Arrowsmith

“Extremely successful in creating a unique country sound helping to define the genre today” Shane Nicholson’s back with his new album Bad Machines, packed with his unique country sound.

The new album is reflective of his past collaboration with Casey Chambers in their album Rattlin Bones, released in 2008. It is also reminiscent of his album Familiar Ghosts that was also released in 2008. They were both extremely successful in creating a unique country sound helping to define the genre today.

The country roots are prevalent throughout and the entire record reflects a strong western vibe.

The cool sound of the guitar also gives the album a good folksy feel, which adds more depth to the songs. It’s a great album to listen to on the porch on a hot summers day.

Famous Last Words is the first track on the album is very easy to listen to. It is definitely more fast paced than his other songs, but still carries his unique country sound. It also has a strong folksy tune all through the song, giving it a cool, mellow vibe.

My favourite song on the album would definitely be Jimme Rodgers Was A Vampire. It reminds me of Huckleberry Finn by the creek chewing on a piece of grass. It is a mellow song to listen to in the car or when you’re in need of some cheering up. The guitar also gives the song a

classic and timeless feel.

So make sure to grab Shane Nicholson’s new album Bad Machines and take yourself on an amazing journey through the country.

Photo courtesy to mushroom group records

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500 BLOG REVIEW:

Photographers

by Sean Mooney On 5 April 2010 Peter Weise began a project to compile an archive of 500 photographers within 100 weeks. Himself a photographer based in Rotterdam in Holland, Peter’s plan was to promote the work of five photographers every week on his blog until the 10 March 2012.

Peter set himself this task purely for the love of photography. The project doesn’t generate any income and relies on donations for support while selling t-shirts and his own photo-book, I Believe In 88.

The contributors are aged 19-60 from 53 different countries, including eight from Australia. The site has become a huge success with nearly 4,000 ‘likes’ on Facebook and it’s no wonder with the evident talent on show.

“The photographers can be from any discipline within the photographic range,” writes Peter, “but they have to be worth looking at and have a certain level of quality.” “[In] 100 weeks … this weblog will be finished and done.

It will then only be here with the function of being an archive of amazing photographers of the 21st century.”

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“Peter set himself this task purely for the love of photography.�

www.500photographers.com 43

Peter Dupont Australian photojournalist and portrait photographer who focuses on fragile cultures and marginalized people.

Dupont does not limit himself, he uses polaroid, medium format and 35mm camera’s.

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“The site has become a huge success.”

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Kevin Cooley A landscape photographer and video artist especially known for his night photography.

He often uses man made light sources creating unusual and strong effects.

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Mitch Dobrowner His black and white photography concentrates on mountains, water, trees and heavy clouds.

His landscapes are threatening yet peaceful and serene.

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He states that when shooting a quality image, he knows it; “At those moments things are quiet, seem simple again.�

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“Her blog acts as a personal record of her work and the feedback she recieves motivates her to continue long into the future.”

BLOG REVIEW:

Sugen

by Sean Mooney

“Birgitta has always considered herself an artist.” http://birgittahelmersson.blogspot.com

Sugen is Swedish for ‘craving’ and the author Birgitta Helmersson’s favourite word from the country she grew up.

“It could be as simple as being sugen for chocolate,” she says, “or it could mean you are longing for something, lusting, yearning.”

Birgitta has always considered herself an artist only recently has she begun to take it seriously.

“As soon as I started my blog it motivated me to start producing more work and has been a great creative outlet” In Perth Birgitta completed a year of a fine arts degree at Curtin University but deferred and never went back. She moved to Melbourne for a job soon after. Since then she has prefered to take short courses in illustrations, textiles and patternmaking while learning everyday as a design assistant for Melbourne fashion label Obus. “[The courses] always suited me more than full time study,” she says.

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All of Birgitta’s work is freehand. She draws inspiration from identity and has recently recognised a subconscious trend in her work.

“I am inspired a lot by identity, especially as a woman, and my own. I like the idea of dressing up and changing and morphing into something else.

“There is an animal somewhere in every single one of my new pieces, and strangely enough that is something I have only just noticed!”

With her first exhibition coming up this will be the first time Birgitta will be selling her drawings. In the future she plans to continue working for Obus while taking up freelance costume making for theatre in her spare time.

“I have also learnt enough now to have more faith and confidence in my own ideas. I want to start exhibiting more and be a full time artist.”

She says her blog acts as a personal record of her work and the feedback she recieves motivates her to continue long into the future.

“For me it is like keeping an online visual diary. It becomes a record of the things I have done.”

“I do it because in some way it makes my ideas seem more real.”

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COLOSOUL www.colosoul.com.au

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