continue the voice Pride 27/06/21
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A letter to our Readers
une is often a month where companies try to disguise themselves as allies to advertise their hot new rainbow related product. This is often met with anger and rightfully so. This issue is not about that. Continue The Voice is a non-profit organisation and as somebody who identifies as LGBTQIA+ myself, this issue is one of great importance to me. This issue is all about celebrating the LGBTQIA+ community, and the true history of Pride, whilst also recognising how far the world still has to go – through incredible art and writing from a whole range of people. Here, at Continue The Voice we believe that the LGBTQIA+ community should be celebrated everyday and not just in the month of June. However, we do recognise the historical importance of how Pride began with the Stonewall riots led by trans women and femmes of colour. I particularly enjoyed reading ‘Into the Rainbows’ by Andrena Zawinski and could not get enough of Léane Klinkow’s line art. Also Jasmine Kitterman’s photography series ‘Identity’ is one of the best I have ever seen! So, please grab something to help you get comfortable sitting in the sun or listening to the rain, grab a beverage of your choice and sit back and enjoy! Kirsty Taylor She /Her Front cover by Jasmine Kitterman Magazine Design by Anna McFarlane
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CONTENTS
The Confusing World of Labels - 6 Chay Ruby’s Art - 7 Poetry Corner: Part One - 10 Léane Klinkow’s Art - 12 Poetry Corner: Part Two - 14 Interview with an Author - 16 Into the Rainbows 18 Alice Farmer’s Art - 19 The Gallery: Jasmine Kitterman - 20 Being a Better Ally - 34 Sandi Bassett’s Art - 36 1984 - 38 Reid Erich Schwart’s Art - 40 Things We’re Loving - 42 Playlist - 44 Sustainable Art - 46 Tanner Mathews’s Art - 48 Restaurant Highlight - 50 The Art of Make-Up - 52 Small Business Spotlight - 54 Coorie Moments - 56 How Do You Celebrate Pride? - 58 Call for Submissions: Education Coming soon: Energise
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The Confusing World Wo of Labels
BISEXUAL
tantly being here we are cons w ld or w a in e fferent We liv s and it is no di ve el rs ou e fin de asked to ly, I am an avid sexuality. Personal to es m co it n (see the he w being a spectrum ity al xu se of r ve d myself belie formation) and fin in e or m r fo e al round Kinsey Sc uare peg into a sq a fit to g in constantly try sexuality, I hear n people ask my he w n, fte O . g a gun le ho meone was holdin so if l el ‘W : ng yi sa xual’. myself w, I would say bise no ht rig ng ki as l to my head under a certain labe fit to ed ne is th el ity is fluid, So, why do I fe my head? Sexual to ld he n gu a t r (if they withou er as they get olde ov sc di le op pe y ls of and man less about the labe s it’ at th ) ow kn y don’t alread when it comes about the person e or m d an on rs between a pe if I am in a battle as el fe n te of I . me with to love ng one. Labels co vi ha t no d an l be having a la hen it comes to historically and w ce an fic ni sig t ea me kind of gr n’t work without so es do it n, tio ta en repres label. important as esentation is so pr re at th ve lie brate the I be that did not cele ea ar an in up ought I grew though I was br al , ity un m m co LGBTQIA+ ways celebrated mily who have al fa ng vi lo a in ng that is up (which is somethi y tit en id y m d oks, TV me an myself in any bo w sa r ve ne I ). the a privilege life growing up to ily da y m in or shows, films existed and ow that bisexuality kn ’t dn di I at th nt phobia exte t of internalised bi lo a ith w al de I to have had up in. This is why ew gr I ld or w e th as a result of celebratory n when done in a tio ta en es pr re ve belie ne’s dream. be seen is everyo to as l ia uc cr so l myself way is at if I don’t labe th ry or w I lt, su le, So, as a re entation that peop es pr re at th g in be y need. I then I am not le, so desperatel op pe g un yo ly al talking. especi rnalised biphobia te in y m is it re at worry th live in a world whe e w at th is ity al re However, the s and, slowly to define ourselve d ha s ay w al ve ha . So from we g away from that in ov m e ar e w ly, I will but sure out my sexuality, ab k as le op pe n now on, whe e Kinsey scale. and I believe in th bi I’m y: sa y pl sim and
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student teacher rsty is a 24-year-old Ki r. achylo Ta y rst Ki By When she is not te ntinue The Voice. writing , ne wi ing the founder of Co ink dr is in triathlons, she t here, ing or competing k out her podcas ec ch n ca u Yo g. tin as dc po or ry poet re. and her poetry he
By Chay Ruby. Chay grew up in the Midwest and lived abroad in the United Kingdom for a few years (he’s since relocated to the Seattle area). As a gay man growing up in some unfriendly places, he was always trying to practice invisibility. With his artwork, he tends to use loud and vibrant colours in contrast to this. He considers all of his work to be self portraiture, be it psychological, or emotional. He wants his work to inspire people to think about things they may not have otherwise, or to feel less alone if they can relate to his artwork. His artist statement boils down to ‘stay ugly’ because he believes in the ‘ugly’ truth of things. It’s so important to be honest, to communicate, and to attempt empathy – even when it’s uncomfortable or difficult. You can find him on his website and Instagram.
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Chay Ruby’s Work Continued.
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Poetry Corner 1 Ways of Saying Goodbye At the kitchen window, washing the dishes from the meal you spent five hours preparing. Airborne. With a carving on a tree. Or a sign in the bedroom – ‘No lifeguard on duty.’ With your hand around his waist. Mingling with the roses in your front garden. Standing perfectly still on the front step. Shrinking. Blouse half unbuttoned and standing upside down. With a total absence of thought. Juggling. A kiss. Convincing him to stay with a drop of honey on your tongue. Rolling around in the front path gravel. Sitting down to a meal of leftovers. Tossing a chair. With grace. With a lack of grace. Even more airborne. So high you never will come down. Dancing on the stovetop. Or the backyard trampoline. Flipping the finger. Expanding and contracting. Turning up the radio. Lingering while there is still a possibility. Running faucets. Brief but all-encompassing. Hurling stones. Or just like every other time, whispering the word ‘Goodbye.’
By John Grey. John Grey is an Australian poet and a US resident, who was recently published in Orbis, The Dalhousie Review, and 3rd Wednesday. His latest books, Leaves On Pages and Memory Outside The Head are available through Amazon.
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Pride
Go out there a Raise your flag Paint the colo From today yo
Your dancing crowd Your laughter Today no secr And the old cr
Because here to Our struggles Celebrations l The battle has
We will carry o When these fe Until you too m And we all can
By Abdulmugheeth Peterso literature, culture and socia is Head of Academic Studie son of The Al-Ghurbaah Fo isation. Much of Abdulmug a young Muslim gay man a of the marginalised. He en movies, books and too man Johannesburg, South Africa
One Wrong In line to see our novice mistress for our Civics Test results, we don’t talk to each other since it is not one of our designated recreation times after lunch or dinner. Sister James Marie, in front of me, blows her nose in her white handkerchief then pushes the hanky up her sleeve as we do, since we don’t have habit pockets or carry a purse. (Sister is probably getting a cold from her stressful studying to keep her place on the Dean’s List.) When it’s her turn to see Sister Josephus, Sister James Marie rushes into the office through the open door. I can hear her gasping in disbelief, B, I got a B on the Civics Exam!
and stand your ground g up high ours of every sound ou will only fly. feet must call the
gives them wings ret is said too loud rone finally sings. our dreams have lead
s now have gone long are overdue s been won.
on this dance estivities are done may have your chance n be as one.
on. Abdulmugheeth is passionate about al justice. He teaches high school English, es at a private boys’ school, and Chairperoundation – a faith-based LGBTQ+ organgheeth’s writing reflects his experiences as and he aims mainly to capture the voices njoys hiking and running, and consuming ny cat videos with his partner. They live in a.
I hear comforting tones from Sister Josephus like a nurse explaining a need for an operation and she even puts a hand on Sister James Marie’s shoulder, the way our mothers did in the real world. When it’s my turn, I strut into the room smiling like I’d been complimented on my daily work of cleaning Corridor L’s blue bathroom tile. Sister Josephus smiles, too, both of us so proud that I got a B on the exam. Years later, after I’d left the convent and married, my erudite husband takes his U.S. Citizenship Test. He answers all of the one hundred questions correctly as we’d both expect: What is the supreme law of the land? Who is one of your State’s senators now? In what month do we vote for the president? He misses the individual question, however: What colour are the stars on the U.S. flag? One wrong.
By Jan Ball. Jan has had 333 poems published in international journals, as well as in the U.S. Her three chapbooks and one full length poetry collection, I Wanted to Dance With My Father, have been published by Finishing Line Press and are available on Amazon. Orbis, England, nominated her for the Pushcart in 2020. Jan was a nun for seven years then lived in Australia for fourteen years with her Aussie husband and two children. She completed a dissertation at the University of Rochester: Age and Natural Order in Second Language Acquisition then taught ESL at RIT, and Loyola and DePaul Universities back in Chicago.
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Léane Kli
inkow Art
By Léane Klinkow. Léane has been drawing for as long as she can remember, and she is amazed by the beautiful things that can be done using simply one line. She shares her work through her Instagram. Her subjects vary a lot, but she always tries to represent diversity through her drawings in the hope of making this world more accepting, loving and creative.
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The First Girl
They It’s them! They are my killers! Dear God, We were divided, yes, but for beauty In this world. But why were we not divided equally You gave humans power So much of it But why wasn’t it divided equally? Why wasn’t I given as much as them? They say that they understand, they don’t Some don’t even try to understand, they kill Dear God, Why do they take your name when they do that? They told me you loved me Why would they destroy something you love? Or is the fact that you don’t love me But why would it make me so detestable? He didn’t listen, neither did she. But you did, you do They say they have pain, They are hurt, they are defeated Indeed they are But they also have pained, hurt and defeated Me and many others. It’s control, fear and power They love it Love Dear God, Love killed me It was love, love, love.
By Ahmad Attr. Ahmad is a student of a veterinary university in Pakistan. He only started writing poetry in late 2020 as a means to discreetly describe and share his emotions online. But seeing the rather warm reception, he began to write poetry as a hobby, channeling his frustrations with the harsh, and unaccepting environment around him. He aims to become a published author after graduating from university. You can find Ahmad’s work on Hello Poetry.
We wrote haikus back and forth, four hours on the Greyhound bound from Boston to New York City, the flickering light catching on your curls as you giggled into my neck. And when daylight started to wane, you fell asleep on my shoulder, mouth resting by a ridge of collarbone, your dewy breath fogging up my sight. I tightened every muscle in my body and held it there perfectly for hours, willing myself to melt into your atmosphere so you’d never know to pull away.
Mallory Abreu is a 27-year-old creative writer and magazine editor. The body of her work centers around poetic justice stories; pieces that speak to personal experiences, while commenting on broader social issues that revolve around family, loss, sexual trauma, and her queer identity. Often, her poems take a single, short-lived moment and draw them out, dissecting the beauty of seemingly mundane actions and the impact of impulse decisions. A native New Englander, she currently lives in Des Moines, Iowa, where she works as a journalist covering design and the arts and as a piano teacher. Follow her on Instagram for her latest poems and music.
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his month, we spoke to the team behind ‘What Makes a Family?’ – author, C-Jay Quigley; illustrator, Wiktoria Orlicka; and Emily Harle, editor.
INTERview with aN AUthor
What was the inspiration behind the book and how did it come to be? C-JQ: I initially wanted to write a book about LGBTQIA+ families, as there aren’t a lot of books out there that showcase that family dynamic, but I realised there were other family situations that lacked representation. So, I decided to write about more than LGBTQIA+ families as well. Wiktoria had previously told me that she was interested in illustrating a children’s book. So, I asked her if she’d like to be up for illustrating ‘What Makes a Family’, and she jumped at the idea. I knew if I was going to do this properly I’d need an amazing editor to make sure it sounded professional. I asked Emily and not only did she edit the book, she also gave me so many ideas for characters and types of families to include. We applied for Creative Scotland and Young Scots ‘Time to Shine’ fund, and we got the funding to selfpublish the book. It was a quick turnaround, we worked on the book for 2 months and released it in February 2021. Where does the money for the book go? After printing costs, all profits are donated after printing costs to ‘LGBT Youth Scotland’, which is a Scottish charity working with young people to ensure their voices are heard, and that they have a safe space to be themselves. £5 per book is donated, and so far we’ve raised over £400! What do you hope someone will learn from reading the book? We all hope that children will learn that no matter what their family looks like, it’s still as amazing as anyone else’s family, and that love is the key to a happy family. We want to teach children that not everyone’s families are the same, and that should be normalised and even celebrated! We also hope to bring highlight to families that children don’t get to always see in their books, such as same-sex parent families, young carer families, and so on. It’s so important because lots of children grow up only seeing the ‘typical’ family of a dad, mum and children. When children only see that on TV and in books, they automatically think the ‘nuclear family’ is perfect, and if their family doesn’t look that way, they may feel that their family is not normal or as loving as others. We want to highlight and show that other families, whether they have a single parent, same-sex parents, mixed-race parents, or are adopted, mixedrace or, same-sex families, should be celebrated. It is so important that children be able to see their family reflected through one of the families so they can relate to the people in the media they consume. What was your favourite part about making this book? WO: As the illustrator, I loved seeing the characters and the story come to life. I absolutely loved seeing it all come together, and seeing the story basically become real. The characters’ names on a piece of paper were now real colourful characters illustrated amongst the pages. The excitement that we had when we got the
funding and when we finally saw the books in our hands was truly amazing. C-JQ: Writing the book was a bit stressful, but my favourite thing was seeing Wiktoria’s drawings come in and seeing the final book because we were seeing our vision finally realised. EH: My favourite part has absolutely been the reception the book received! We ordered masses of copies for printing, and I didn’t expect to sell as many of them as we have, it’s been incredible. And seeing people leave such positive reviews and tweet out pictures of them reading the book to their young children is amazing, because it really feels like what we made is being used, and is actively teaching children to be more accepting of all types of families. Is there something you would like to continue the voice on? We’d love to spread the message that no matter who you are, what your race is, what your sexuality or gender is, or what your family looks like, that you are still normal and perfect and deserve acceptance. That no matter what your family looks like, if there is love and compassion, it is still as amazing as anyone else’s. We would love for parents to keep purchasing the book and read it to their children, so it can continue to teach children to be more open, inclusive, and accepting of other people’s lives. How do you celebrate pride? WO: I have never had a chance to go to Pride, which is sad to say the least. However, when it does come around, I make sure to be a strong ally as always. Sometimes, I even like to wear rainbow clothes, and hang my mini Pride flag, so that I am still celebrating even if I am not there with everyone else. I also make content for social media. Once I drew some of my friends with their LGBTQIA+ flags to celebrate them. C-JQ: Normally, I go to the Pride March and events in Glasgow. I love Pride so much because I had 18 years of feeling like I was alone and then suddenly being surrounded by thousands of allies and people like me. It made me feel that who I am is normal, and I’m sure the more we publicise Pride, the fewer young people will grow up feeling weird or like a freak like I did. EH: I’ve only attended a Pride March once before, and it was so amazing and empowering. This was when I was just beginning to talk about my sexuality more, and realising that it’s okay to be loud and proud! However, I believe it’s important that we don’t only celebrate our Pride once a year. The conversations don’t end after the marches, because there are still violations of the rights of LGBTQIA+ people every day. Though the legal protections for LGBTQIA+ people have improved in Scotland, there are still many societal biases that inhabit our everyday lives, and particularly for trans and non-binary people – instances of hate crime are still painfully prevalent. The world can still be a scary place for members of the LGBTQIA+ community, so it’s important that we stay loud and proud, because too often, the world silences us. By Grace Balfour-Harle
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Into the Rainbows It was a bumpy ride in the back of the Peugeot pickup, its rakes, hoes, and shovels banging up against the rusting sides and bags of stinky fertiliser. Joy and I had taken the train from Gare St. Lazare to Giverny from Paris. We delighted in the Rouen bound ride, taking window seats across from each other to relish fields of sunflowers, leggy geraniums at sills, even a backyard wedding with bride and groom waving at the passing train in a sticky July. In the pickup, we had no fear of the three men, all in green jumpsuits, sharing the truck bed with us. The gardeners, PRDM stamped on their shirt pockets, seemed a bit young for hard work. They kept their eyes nervously but politely averted, except the carrot top puffing on one of those lavender gold-tipped cigarettes instead of an expected Gauloise, who seemed weirdly fascinated with my Tiva rainbow hiking sandals. I was wearing them for the first time since I bought them two weeks earlier from a vendor at San Francisco’s Pride March, stamped with ‘It Will Get Better’ across the back strap. We would later discover these young men were from the Programme de Resocialisation des Détenus Mineurs that France’s detention centres require for older juvenile offenders. Earlier, we had stopped at a small brasserie near the Vernon depot to share a ham and cheese croissant and café au lait, thumbed through our ‘Poor Gal’s Paris & Beyond’, and decided to forego a taxi or bus for a hike along the old railway path to make our way to Monet’s gardens. When the trail suddenly came to an end, we dashed through the weeds toward the sound of a truck rumbling near and flagged it down. Fortunately, Joy was fluent in French and the driver found her Swiss accent and tale of being lost charming and gave us a lift. I heard her say my name, Adelaide, to him; but she didn’t tell me at the time he asked if I were ‘irlandais’, my auburn pixie reminding him of folk where he grew up in Dublin. The young workers passed a small canteen to us they shared, which wasn’t the anticipated water thirst quencher, not even a surprise of wine. Seems the French, unbeknownst to us, were fond of an afternoon whiskey. Not wanting to seem ungrateful or unfriendly, we took some, coughing to their amusement on our sips.
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Inside Monet’s home, I felt l mirror where he must have his Japanese prints reflectin slightly tipsy, I wished I coul time to him, smooth his tou straighten his shirt over his with age, watch him pad thr as sunflowers to lift a brush canvases and paint big with
Outside, stretched out on th the cooling canopy of a will the seafoam sky, we kicked watched dragonflies flirt flo edge as a boy from the truc from around the lily pads w net, occasionally glancing o
We cat napped, and when w my rainbow sandals missing budget for that month’s spl now having to buy shoes in out our thumbs to hitch a ri Like kismet, the Peugeot pu only the driver and red-head We hopped into the back o canteen in the corner.
In a second-hand store in th lacing up a pair of espadrille and whispered, ‘Look out th
And there they were – the m boy’s senior, dressed in flash lad in a boho skirt with a flir
‘Look again,’ she said a bit r And there he was, pointing shoes. ‘Oh, well, and there la différence – and into the
By Andrena Zawinski. Andre appeared or is forthcoming ‘Unlikely Stories’, ‘Summer S Paper’, ‘Panoplyzine’, ‘Bene Stories & Poems Weekly’, ‘Oye Drum’, ‘Sabr’ and ‘Loud appeal to the LGBTQ+ com part. She has three full poe collections in print. Born and she is a veteran teacher of who has made her home th from where she runs a Wome as Features editor for NJ-bas
locked before the looked so many times, ng from behind. Feeling ld walk through it and usle of greyed hair, belly grown large rough rooms yellow h then shuffle between h his sight on the wane.
he grass beneath low and staring up at our shoes aside and owers at the pond’s ck skimmed flotsam with his long-handled our way.
we woke discovered g. Sticking to the lurge in France, and the village, we stuck ide back to the station. ulled up, this time with ded lad in the cab. of the truck, only the
he village, as I was es, Joy leaned into me he window.’
Alice Farmer’s Art
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By Alice Farmer. Alice Farmer is an abstract artist based in the East Midlands and currently undergoing a Foundation Art degree course at Lawrence Sheriff School. From her time spent there she has developed a clear and distinctive style in the form of line art as a means of conveying what cannot be spoken. Much of her work stems from her experience with mental health – each piece is an extension of her familiarity with the subject, and which is still ongoing today. This specific type of art style was developed mostly as a means to counteract these negative feelings, the many lines and curves being found to be therapeutic and calming. Each line drawn is as unique as the other, no pen stroke being the same as the last. A similar premise can be found within people too, I suppose, but that is for your interpretation.
man, a few years the hy gabardines and the rty flounce hem.
ruffled, ‘at the feet!’ and pivoting in my ya’ go,’ I crooned, ‘vive rainbows!’
ena Zawinski’s flash fiction g in ‘Flashes of Brilliance’, Shorts Anthology’, ‘Digital eath the Rainbow’, ‘Short ‘Ginosko’, ‘Pretty Owl’, d Zoo’. Many of her stories mmunity of which she is a etry books and six smaller d raised in Pittsburgh, PA, writing and avid feminist he San Francisco Bay Area en’s Poetry Salon and works sed PoetryMagazine.com.
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THE GALLERY There are so many incredible and endlessly talented artists who advocate for the LGBTQIA+ community so we wanted to pick an artist that truly captures the essence of multiple creators like no other. So welcome to our longest but best Gallery feature yet: ‘Identity’ by Jasmine Kitterman ‘Identity’ is the title of Jasmine’s photo series that highlights Orlando locals within the LGBTQIA+ community. The series is a celebration of pride and love, while putting the spotlight on a select few amazing individuals!
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Jasmine
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Donald: “Live your truth. Remember to always love yourself and those around you. And remember to celebrate every opportunity that comes your way!” Follow this star on the rise on social media: @donaldjohnstonacts , @DJohnston_ Acts
Taylor: There are people out there who are ready to provide love despite others spewing hate. Love always wins. You deserve to be happy. 23
Keira: All in all, don’t let someone define you by your history. Define yourself by your own feelings and attractions, because only you can create your identity. Follow this unapologetic, confident, and creative woman: @keiraleilani @bubblebabesoap 24
Gabriel: If you’re a young person looking for a local queer community or struggling to find resources and love, reach out to the Zebra Coalition. Follow this thriving role model on Instagram.
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Janna: Growing confidence is a process and certainly may be hard with bullies in this world, but keep trudging forward and live your story to the fullest! Follow this Orlando performer and contributor on social media: @graffiti_honey / @jgetty29 26
Jennifer: She wants everyone coming to terms with their own identity to know “that there are people that are here for you and love that is ready to be given away! Be who you are and embrace it!”Follow this awesome athlete and community contributor on social media: @jennmal21
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Adam: Even if being queer isn’t your number one piece of identity, don’t be afraid to wave that flag and be true to yourself. Follow Adam on Instagram. Dating Kinda Sucks Podcast: @datingkindasucks and everywhere you get your podcasts.
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Niko: Just like the lyrics from the iconic artist Lady Gaga ‘Rejoice and love yourself today ‘Cause baby YOU were born this way.’ Follow Niko on social media and support his journey: @nikoroxx. 30
Leslie: Her sexuality reflects the person she aims to be: someone who spreads love and sunshine everywhere she goes! Find her on instagram here and twitter here. 31
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Razi: Whoever you are, whatever you like, whatever you’re into, don’t be afraid. Love is everywhere. Love always wins! Follow the amazing Razi on Instagram: @raziii
The concept surrounding the photo series, ‘Identity’, was developed to fight against negative assumptions that are placed on the queer community. When someone ‘comes out,’ there is often this presumption that they are a completely different person. Suddenly, everything about that person screams ‘GAY.’ And you know what, you can never overdo a celebration of your identity. But the problem that many others and I have, occurs when someone cannot see past that part of their identity. We are still people. We all still have ambitions, goals, and plans for our future. We want to be coaches, bakers, athletes, celebrities, parents, or whatever else life has in store for us. We want to serve and uplift our community. We want to live freely without prejudice. We are whole people, not just queer people. You can read more about the whole series and the individuals included here. Jasmine is a 22-year-old freelance photographer, videographer, and content creator. Like most young millennials, she is working in the gig economy, listening to podcasts, and dreaming of her next travel destination. You can find more of Jasmine’s work on Instagram and her website.
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Being a Better When we don the pride flag every June for, possibly, in this case, a virtual celebration of Pride Month, we are taking time to reflect on how much society has progressed in accepting and respecting people from all sexual orientations and gender identities. But also, it is a sobering reminder of how much more work we still need to do. In 2019, it was reported by the UK government that over two thirds of people who identify as LGBTQIA+ and took part in this survey stated that they have not held hands with a partner because they were wary of people’s response. For straight people, holding hands is never questioned by society. We as straight people need to place ourselves under a microscope to examine our privileges as we sidestep this continuously. As straight people make statements on social media proclaiming support for the LGBTQIA+ community, how much time do we really take to ponder our privilege as a straight person. How much do you think about your alliance with people who identify as LGBTQIA+? With privilege, comes power. With power, we can be strong allies to communities – if we are needed. Know when to use your voice to speak out against discrimination of any sort, whether it is a passing remark or a blatant attack on someone, and know when you are interrupting. Researching and learning about different communities is one of many ways to understand what communities are going through and why some people may feel they cannot announce their love for someone in public, but you can. Because of the internet, resources have never been so accessible as they are now: for a more local insight, look at LGBT Youth Scotland to explore the incredible support they offer to LGBTQ youth. They are also open to volunteers for different types of roles and are open 34
for donations. Why not ad Habib’s We Have Always Been Queer Muslim Memoir to you list as a starter for your lea you want to find something Disclosure offers an excellen into the portrayal of transgend in the media. These suggestion prescriptive, but they can e you to integrate more educat various communities in your life.
Listen to people. Listening to s experiences including their their thoughts and their feelin as important as a dialogue. when you listen, your connec someone strengthens and t increases. You can learn to stop of the ‘perfect’ thing to say, an learn to just be there for if your friend, work colleagu member or anyone is strugglin misfortune or sailing through b
It is important to remember person that identifies as LQ has a unique experience, w be affected by their ethnicity socio-economic background, a Within the community, peo different experiences. Resp experiences. I hope this is only to your learning journey as you to improve as an ally.
By Nuha Zulkernain. Nuha is a student in Edinburgh. She grad Edinburgh Napier with a degre literature in 2020. She volunteer clusivity Officer for the SYP Sco mittee 2021/2022 and enjoys books by marginalised writers o to expand the literary space. reading dystopian fiction, writin ries, and making playlists for any
r Ally
dd Samra n Here: A ur reading arning? If to watch, nt insight der people ns are not encourage tion about everyday
someone’s r stories, ngs is just . Because ction with the bond p thinking nd instead, someone, ue, family ng through bliss.
that each QBTQIA+ which may y, gender, and more. ople have pect their y the start u continue
a Publishing duated from ee in English rs as the Inotland coms reviewing on Instagram Nuha loves ng short stoy mood.
Photograph by Mercedes Mehling
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Sandi Bassett’s Art By Sandi Bassett. Sandi is a Canadian mixed media artist, currently residing in Vancouver, B.C. Her works are a reflection of her life experiences. Well travelled, she has been enriched by many cultures. Most recently, in Mexico, she produced three large-scale public murals. She also volunteered for five years as the CEO of an art-based NGO in Cambodia that worked with impoverished communities. As a high school art teacher at Nipsihkopahk HS in Maskwacis, Alberta she developed the art program as well as taught in many disciplines such as stone sculpture, ceramics and silkscreening, and traditional fine arts.
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1984
James, as the doctors and staff at St. Mark’s Regional Hospital in San Diego insisted on calling him, applied pancake make-up over the band-aid camouflaging the skin lesion on his chin. He was glad to be home, surrounded by his Nippon figurines, the ornate lampshades with exotic scarves draped over the top, and his trunk of overflowing satin and silk costumes, boas, several strands of pearls, and oodles of costume jewellery. His move to San Diego had been a windfall – the most money he’d ever made doing drag. He lived to entertain. On stage, he was Jasmine and loved. Standingroom only. Now he was sick. How long would he be able to afford his apartment in Hillcrest? The obituaries from three newspapers spread across the coffee table. Circled in black were the names of seven young men. Jasmine wanted to live, to work again at Glitter Glam Drag. But James didn’t. ‘No can do, James. You’re not going to pull me down today. It’s Pride. I’m going to a party. Donna was coming.’ At St. Mark’s, the only person who bathed and dressed him, changed his sheets and consoled him, was Donna, the pretty dyke nurse who was now his source for food, medication, and shots – his entire life. It was Sunday, her day off, and she promised to take him to Pride. Jasmine had never missed a parade, but James’s taunts of looking buttugly opened more scabs than he had on his body. Jasmine dressed in black sweatpants and a gold lámay blouse, brushed her long stringy hair, pulled it into a ponytail, and clipped it with a rhinestone barrette. She applied red lip gloss and blue eyeshadow. When James fell ill and admitted himself to St. Mark’s Regional, the doctor asked how many men he had slept with. Was he kidding? ‘Honey, how many stars are there in the heavens?’ Hundreds, thousands, in parks, bath houses, clubs, from San Francisco to LA and San Diego. The doctor had kept a straight face when James answered. The nurse turned her back on him. Gay liberation tore the hinges off closet doors. Men like him left the Midwest for the coasts and found a bacchanal of men, a confectionery of sex and drugs, a feast for the starving who thought they were alone in the world. James’ life had been about dick and where to get the next fuck. Jasmine’s life was drag,
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antique stores, and Vogue magazine. When his conservative, homophobic, fundamental Christian parents caught him in his mother’s dress and high heels, they demanded, ‘Get out now and don’t you ever come back.’ He promised them, ‘I’ll live up to your expectations. I’ll make the most of a trashy life.’ Jasmine grabbed a green boa from the trunk and wrapped it around her neck. ‘You think that’ll hide your Kaposi’s Sarcoma,’ James baited. Jasmine tugged at the feathers that made her neck feel on fire. Grace Jones’s, ‘Pull up to the Bumper’ boomed from the ghetto blaster. Jasmine wanted to dance, but her legs ached. You can’t even walk, sucker. ‘Shut up, James.’ Jasmine said, pulling herself up and moving to the window. When he heard a car, he backed out of view. James never wanted Donna to know what she meant to Jasmine. He held onto furniture as he made his way to the red velvet couch and sat, poised, waiting. Donna knocked and opened the door. ‘Well, don’t you look jazzy,’ she said, pushing a wheelchair inside with a rainbow flag attached. You’ll look like a sick bastard in that baby buggy, James bullied. Everyone will know you have AIDS. ‘I can’t go.’ ‘It’s up to you.’ ‘Are we so pathetic we need a parade?’ ‘Yes.’ Donna pinned a button that read, Gay by birth, fabulous by choice, on his blouse.’We need to pump ourselves up. If we don’t, who will?’ ‘They want all queers dead. Looks like they’ll get their way.’ ‘Not everyone. The Blood Sisters keep donating blood, and they’re delivering food and medicine.’ ‘Thank God for lesbians,’ he said and wondered if gay men would do the same if lesbians were dying. Donna released the footrests on the wheelchair. ‘I’m not going. Everyone will know I have AIDS.’ ‘You do, James.’ He looked away, not wanting to disappoint the woman who showed him so much compassion and strength. ‘What if I run into someone I know?’
‘You’ll know what to say.’ ‘Like I’m dying of pneumonia. Like all those fake obituaries,’ he said, kicking the coffee table. ‘Fucking closet cases. Even in death.’ Jasmine felt the weepies coming on. James scolded, Be a man. Only sissies cry. But Jasmine was female, too. ‘In my obit, I want you to put that I died of AIDS. I want everyone to know.’ He held onto the seat of the wheelchair and winced as he pulled himself up. The smell of barbecue wafting in from the open door reminded him of summers back in Kansas City, his mom cooking the catfish that he and his dad caught in the Missouri River, his dog, Corky – was she still alive? – joyful memories that always left a wake of loneliness. Today was supposed to be happy, floats with dancing bare-chested boys, banners, dykes on bikes. Donna shoved the wheelchair forward. ‘I’ve brought water and trail mix.’ ‘Poor substitute for poppers and quaaludes.’ Donna laughed, pushed him outside, and shut the door. The ocean air breathed vitality into his frail body. He raised his face to the sun and began to gather life like flowers. A bouquet of drifting purple and orange balloons floated high toward the swirling white splashes in a blue background. He heard applause and whistles as he watched a float pass by on Park Boulevard. ‘Go faster, Donna. I don’t want to miss anything.’ For just one afternoon he wanted to wave the rainbow flag and cheer the parade on and forget about himself and all the dying young men. By DC Diamondopolous. DC Diamondopolous is an award-winning novelette, short story, and flash fiction writer with over 250 stories published internationally in print and online magazines, literary journals, and anthologies. DC’s stories have appeared in: 34th Parallel, So It Goes: The Literary Journal of the Kurt Vonnegut Museum and Library, Lunch Ticket, Raven Chronicles, Silver Pen, Blue Lake Review, and others. Nominated twice for the 2020 Pushcart Award, DC was also nominated in 2017 and in 2020 for Best of the Net Anthology. DC’s short story collection, Stepping Up will be published in 2021. She lives on the California central coast with her wife and animals. You can find more of her work on her website.
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Reid Erich Sc
By Reid Erich Schw visual artist based in educated at The Fas New York. Their signa and pattern emerged an affinity for founta house, and learning from simple arrangem work is a reflection of which continues to d results range from flat and dense studies of of colour and texture. of their mind. Each l musculature or neura energy of a moment on Instagram.
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chwartz’s Art
wartz. Reid is a mixed-media rural southern New Jersey and shion Institute of Technology in ature style of fluid, organic lines at a young age after discovering ain pens at their grandmother’s to create beautiful flourishes ments of line and shape. Their their ethos and need to create, develop in new mediums. The t precise pattern work to layered their motif caught up in storms . The work is an immodest view line unfolds and duplicates like al pathways that are storing the as they grow. Follow the artist
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Things We’re Loving!
I have been watching the second series of Feel Good which recently arrived on Netflix. For those that haven’t seen it yet, it follows a Lesbian couple, stand up comic – Mae and (the slightly repressed) George, as they navigate their way into a relationship and through their respective problems. Its dead-pan comedy style alows the show to ver into some pretty dark themes but remain quiet lighthearted.
This month our graphic designer, Anna McFarlane is sharing some things she’s been loving. This month, I’ve started a new job so sadly I have had much less time to read, listen or watch the things I love. Saying that, what I have been consuming has been very on theme for this issue, so I have put together a selection here which I think does justice to this issue’s Pride theme. By Anna McFarlane
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Watc h
O th sele o int th
I’ve recently discovered a podcast called ‘Lez be honest’ by three Glasgowbased women, who give a really downto-earth account of their own experiences. They talk through classic topics such as labels, coming out and loads more- it is some good easy listening and I find a lot of their stories pretty relatable. Please see the playlist for some carefully selected favourites of mine by LGBTQIA artists (because representation is important!). Bangers featured here include but are not limited to ‘Sun goes down’ by Lil Naz X and Arlo Park’s ‘Eugeine’, spanning a range of vibes. (Aside from the aforementioned iv shamefully played ‘Good 4 U’ by Olivia Rodrigo repeatedly…)
I’ve unfortunately not had very much time for reading this month but I managed to carve out enough to finally finish ‘Girl, Woman, Other’ by Bernardine Evaristo, following he (sometimes) intertwining stories of a ection of women who span the spectrum of sexuality and ethnicity. It’s a look at tersexuality and life for BAME women in he UK. I know I’m late to getting around to this one but I’m very glad that I have and could not recommend it more!
REA D
Listen 43
PLAY Sun Goes Down Lil Nas X
Euge
Arlo P
Kyoto -
Pheobe Bridgers
Did y
girl in
Sofia Clairo
1950
King P
Make Me Feel Janelle Monáe
Peopl
Christin
Time I Love to Waste MAY-A
Girls
Hayle
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Parks
you come? -
n red
0-
Princess
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na and the Queens
s Like Girls-
ey Kiyoko
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Sustainable Art: Audelia Arts T
his month we spoke to artist Philippa McCrea, owner of Audelia Arts, all about the inspiration behind her art.
How did Audelia Arts start? Like others in the pandemic, I was made redundant from my career (in my case, beauty marketing). And honestly, I was also tackling some other hurdles at that time, so I had a choice – I could either let everything get the better of me or I could take control of the situation and make the most of a fabulous opportunity, which is what I decided to do. I grabbed a piece of paper and a stick of charcoal and my love for drawing (after ten years of being buried deep beneath the corporate world and my London life) was reignited. So I threw myself into it, and to my delight I realised that people loved my work, which encouraged me to set up Audelia Arts. The name Audelia means ‘noble strength’. Drawing on my own experiences I found that art gave me exactly that. Offering me a positive focus and an inner strength, and in turn, inspiring me to build a business that I hope can do the same for others. What inspires you to make a piece – and what’s your process to a finished product? The truth is, it’s hard to pinpoint one particular thing as I find it all around me! (No, it’s not Love Actually 2.0!) My style is ever-evolving given that I’m at the early stages of my artistic journey. I thoroughly enjoy experimenting with different styles and techniques as I navigate my way through discovering what feels the most natural but also fulfilling (otherwise what’s the point, hey?!) Something that remains unchanged is my urge and compulsion to transform the inspiration that I find into a work of art. And until I’ve done that I genuinely just can’t let it go. My current obsession is a more abstract look and feel as it’s less restricted and precise and it gives me the sense of freedom which entirely reflects my personality, so watch this space and come follow me on Insta to be a part of my journey! What’s your favourite part of your business – creating the prints or working with a client on a commission and why? Oh, good question! Making art for myself is liberating and the process of learning, evolving and being able to find my personal style brings me so much joy in a way that nothing else has done for a long time. It’s an incredible journey and one that I don’t want to rush the process of. Saying that, working to a brief is a very interesting
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process and provides so “ I could either let much reward. One of the everything get the things I love the most is better of me or I the reaction I get from my finished pieces. I’ve could take control received lots of happy of the situation” tears over commissions that I’ve worked on and it’s magical to know that my work has evoked such genuine emotions, and for me, that’s entirely the point! I love your series on dancers – but is there anything else that you’re working on at the moment that you just love? I’m working on some private commissions at the moment for people’s weddings which is a true privilege, and I’m also working on a new series of abstract pieces, still figurative as this is the main focus of my art, but more paint, more abstract, and basically just more mess and more fun! Is there anything you would like to continue the voice on? Be kind. Be kind to others but importantly, be kind to yourself. It’s crucial to stop and take time to focus on you. My happiest moments are when I sit and lose myself in creating a piece of art. Honestly, I can say that’s when I find myself the most content and at a true sense of inner peace. No matter your situation, I believe that art can bring everyone positivity and enhance their lives, so if you are reading this and feel you need to take your mind off things, pick up a paintbrush or a stick of charcoal and just let it all out! You can find Philippa and Audelia Arts on Instagram and her shop. Audelia Arts has created an exclusive print just for our readers - click here to buy it! Interview by Grace Balfour-Harle
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Tanner MatThew’s Art By Tanner Matthews. Tanner is a self-taught epoxy resin artist based in the San Francisco Bay Area, drawing his inspiration from Mother Nature, personal experiences, and his relationship with life. In 2018, Tanner started his small business, Earth Made Beauty Art Studio, with no intentions of becoming a full time artist. Now, Tanner has started his own brand, not only selling his original artworks, but also manufacturing some of the highest quality art supplies for epoxy resin-specific artworks and artists. Most of his work is based on healing stones, crystals and agates with a goal to invoke deep emotion and healing in anyone who comes across his artwork. Tanner’s ultimate goal in life is to live freely, focusing on the hobbies and lifestyles that make him happiest, and to also share his love for Mother Nature with the world through visual art.
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Resturaunt Highlight: Eyas Restaurant, The Falcon Ho “After a day’s walk, everything has twice its usual value.” – G.M. Trevelyan
H
i there, my name’s Sophie, and I’m the illustrator of Continue the Voice. This month’s restaurant highlight is the Falcon Hotel in Castle Ashby, located a stone’s throw from my home in Northamptonshire, England. I wanted to feature this restaurant in particular because, with restrictions steadily lifting, I sampled the Eyas’ afternoon tea on my birthday. I was so impressed with the decor of the restaurant and the focus on nature and the outdoors. The Eyas is the Falcon Hotel’s restaurant, which boasts a lovely gourmet menu that can be enjoyed overlooking the gardens. The Falcon was an old Coaching Innbuilt in 1594, which has been recently refurbished as a hotel, restaurant and retreat in the heart of Northamptonshire’s peaceful countryside. The bedrooms embody elements from the outdoors, using leather, wool, wood and stone making up the furniture. All the furniture is designed to be slightly off-centre, giving the impression of being collected over time. It gives the overall ambience a homely, comforting feel, ideal as a place to escape to, far from the buzz of city life. As part of the experience, guests can go outdoor swimming in the lake, explore nature trails or enjoy the Yoga Barn, for yoga, gong baths and massage treatments. The Eyas restaurant is led by Chef Russel Bateman, working with suppliers and farmers from the Castle Ashby Estate, creating seasonal menus to nourish the guests during a retreat or relaxing evening out. Eyas does a wonderful Afternoon Tea which I sampled a few weeks ago. The food is served on three tiers; made up of exquisitely fine finger sandwiches, scones with cream and jam, and
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an assortment of cakes. Everything has been thoroughly thought through, and every detail is to be explored. Included in the Afternoon Tea is the Lord Compton cake, made up of seven layers, each symbolising the seven generations of the Northamptonian Lord Compton family. If you find yourself in need of a cal ming weekend away, why not explore the wellness activities and local food the Falcon has to offer. Visit their website at and follow them on instagram By Sophie Freestone
otel
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The Art of Make-up W
hen making the look for this issue it was a very easy decision to use these colours. I am an openly bisexual woman and my pride flag is composed of pink, purple, and blue so those colours were the first to be considered for this look. Pride is not only derived from ourselves but rather from both the communities that we contribute to and participate in. By Alexa Gordon. Lex Gordon is an Aries and also a Canadian university student. She grew up near the city, but on a farm. This means her personality is a wonderful mix of pretentious city slicker and down-to-earth farm girl. The best description she has ever heard about who she is was from Dolly Parton, a Backwoods Barbie. She is obsessed with the art of makeup as it provides a new and fun medium to create stories with. You can find more of her work on Instagram.
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By Naomi Howell-Steven. Naomi is 23 years old, born and raised in South-East London. She is a qualified Early Years Educator and while she does still do some work within the education sector, she is also an aspiring makeup artist. Naomi comes from a performing arts background, having studied musical theatre, acting and still practicing many different styles of dance to this day. You can check out Naomi’s MUA and fashion videos here.
I
didn’t want to go down the traditional rainbow pride makeup look (although that would be very on brand for me as I love rainbows). I have struggled over the past few years to understand where I belong on the sexuality spectrum. Up until recently I realised I have spent the majority of my life in very heteronormative spaces. As a result of this I have been exposed to a lot of casual homophobia, especially (it pains me to say) within my own Black Caribbean culture. And although I have always tried my best to stand up for the queer community within these spaces I was unsure as to whether I was doing this from the place of an ally or a member. The main thing I’ve come to realise now is does it really matter? The best way to take pride in who you are is to just be it unapologetically. I understand that labels are helpful to some, but generally I feel as though it’s pointless trying to put people into boxes. That defeats the object of a spectrum, it is supposed to flow. Much like the visible light spectrum if you zoom in far enough, sure, you’ll be able to identify individual colours but if you view it as a whole it is a beautiful menagerie of everything we see everyday. 53
Small Business Spotlight: Skye and Skulls
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This month we are highlighting a wonderful LGBTQIA+ owned business that specialises in stunning resin and mould pieces, Skye and Skulls. What inspired you to start Skye and Skulls? I was scrolling through Etsy during the first round of lockdowns last April (2020) and I came across a coffin shelf. I noticed that it was made of resin, which then led me down this long rabbit hole of all the different things you could do with resin. I was very intrigued by all the different moulds I saw, and since I’ve always been an artsy person, I decided to give it a go. Do you have a favourite piece that you have created? Or a favourite to make? It’s hard to pick a favourite piece because that keeps changing, but I love making any of my coffin shaped ones (coffin shelf, incense burner, large tray, etc.)! My favourite thing to add in are moths from Moth & Myth, along with the vintage fairies designs I have in my collection. We saw that your business recently turned one year old, congratulations! What kind of things do you have planned for the future? Thank you! My current plan that I’m working on is expanding the mould side of my business. The tarot board mould I recently came out with was a huge hit and I would love to offer more styles of them. Also, there aren’t that many mould makers in Canada, so I would like to be able to provide Canadians with a variety of spooky moulds.
This issue focuses on Pride and this is something we know you’re passionate about. Can you tell us more about your Pride themed creations? Since last year, I was just starting out my business. I wasn’t able to really launch a Pride update. This year I decided to make up for it though! My style is often dark and spooky, so it has been a lot of fun playing around and experimenting with rainbow colours! However, I did try to keep up the spooky theme, but Pride edition. I wanted to offer a variety of pieces to be able to hopefully fit into everybody’s budget, no matter how small. There will be incense burners, celestial goddess trays, and an array of spooky jewellery - all of which are bursting with rainbows! How do you celebrate Pride? Even before the pandemic, I wasn’t much for going out to big events for Pride. I love to hang out with my partner and shower my queer friends with queer themed gifts. I am very grateful to have a lot of supportive people in my corner these days and I’m very proud to be a part of the rainbow.
Is there anything you want to continue the voice on? I want to thank you so much for this opportunity! What advice would you give to other I am truly honoured to be chosen as your small artists and creators starting out with small business of the month for your Pride issue. businesses? Definitely do your research for whatever type Where can our readers find you and your of medium you want to work with! Make sure creations? you have a full understanding of all the risks To shop, you can find me on Etsy. To see what that may be involved. Also, follow and engage I’m up to between shop updates, you can find with other artists and creators on Instagram and me on IG, TikTok, and FB. Tiktok. You’ll be able to build relationships this Interview by Hannah Matheson way and you’ll be surprised at how much you can learn through them. Lastly, not everyone is going to want to share trade secrets with you, and that’s okay! For every one person who doesn’t, there will always be someone who does.
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Coorie M
As the world opens a little more, we wa in life so we are including a monthly fe editor and illustrated by our team’s ill is the definition of Coorie: a Scots wo appropriated and positioned as a ‘lifes of hygge, which involves ideas such as
very single m ing e om h c en at w to y l l f‘ a Ca c si a ro B l’
The moment when you realise how you identify is your business and no-one else’s
When you come into yourself and discover your own sexuality
be
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c au
he na
e oic v r ng you
pa
rit ise d
W
ys
of f
When someone asks you your pronouns
io pr t n se LGB me o m TQ+ rights are for that ll th a
t time usi
Moments
ant to remind you to appreciate the little things eature of Coorie moments written by our head lustrator. For anyone who may not know here, ord meaning “to snuggle, nestle”. It has been style trend’, similar to the Scandinavian concept s cosiness.
your voice to Sea g n s on i Los so e r y v e t i m e ey f Lo v ou be o it lt
ut
Seeing yourself celebrated on the screen, in a book or in a song
Re me m be Dancing th e night away at a same-sex ave h le who wedding celebrating peop long deserved this moment for so
Feeling welcomed and seen by the community that you always yearned for
’v ring ju st how far you
e om c e
Words by Kirsty Taylor & Illustration by Sophie Freestone.
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‘As a member of the LGBTQIA+ community, I try to celebrate Pride as much as I can even if it’s only in the little things that I do. I celebrate Pride through the art that I make which I will then share with others. I celebrate Pride with my loved ones who are also members or allies with the Community. I think the biggest way I celebrate Pride, however, is teaching my parents about the Community. I want to teach people who may not know a lot about it as much as I can as education on the subject leads to a greater understanding of one another.’ Alice Farmer
‘I celebrate Pride by being, firstly, living unapologetically everyday – it has taken long enough to get to this point! One way I do this is by taking my partner out on dates and using every reasonable opportunity to show that we are a couple. I also keep writing gratitudes about my experiences to remind myself that there are many people who are still unable to express themselves as freely. More than anything, though, I am grateful for even having someone with whom to share my life.’ Abdulmugheeth Petersen
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How Do You Prid ‘I celebrate Pride with flags and stickers, bright colours and parades. I celebrate Pride with friends and peers gathering over coffee or wine. I celebrate Pride by a conscious choice each day to live my truth and in creating a space for others to do the same. I celebrate Pride by loving myself and others openly and honestly.’ Alexa Gordon
‘I celebrate Pride by embracing my commonality with other people and respecting our differences.’ John Grey
e is in J art bec I’ve c ness ind P
u Celebrate de?
‘I celebrate Pride by joining the community celebrations of love on Commercial Drive.’ Sandi Bassett
‘I celebrate Pride every day of the year by sharing and celebrating LGBTQIA+ culture. By being unapologetically myself and trying to foster a safe environment for others to do the same. I’d say Pride month is a great reason to gather your friends and actively celebrate what makes everyone unique, but also all the things we share in common. Nothing like having a diverse set of worldviews, cultures, and talents from those around you to constantly draw inspiration from!’ Chay Ruby
‘I celebrate Pride in so many ways throughout my everyday life! We know that simply existing and being authentic in any space s already a form of Pride and protest. But June specifically, I always make some sort of representing the LGBTQIA+ community. It’s come a tradition of sorts to reflect on how far come on my journey of self-identity and queers through the work I create. Finally, I of course dulge in all the stereotypical celebrations of Pride that include glitter, rainbows, friends, and music. There’s never a bad time to celebrate who you are!’ Jasmine Kitterman
‘Well, I really don’t. Pride is something that I consciously practise, on a small scale, every day. I try to identify reasons to feel proud of the person I am today and look forward to new milestones I may reach tomorrow or the next day. I call it practice, but in a way it is a small celebration of self. But just a small personal one.’ Reid Schwartz
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Cont
The Team at Con The driving force
Head Editor: Editors: Grace Balfour-Harle, Be Graphic Designer Illustrator and Edito Secretary and Wri Social Media Coordina
Published twelve times a ye Get in
Share your thoughts, send us your stor
Copyright © 2021 Continue Th of this publication may be repr of the publisher. Artists and wr to their own work so they should permission from them also. T The Voice are not necessarily or publishers. All information information and information on correct at the time of going t not accept any responsibilities information.
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tacts:
ntinue The Voice es behind issue 9
: Kirsty Taylor eth Ralston and Nuha Zulkernain r: Anna McFarlane or: Sophie Freestone iter: Hannah Scott ator: Hannah Matheson
ear by Continue The Voice. Touch
ries, read our blog and buy us a coffee.
he Voice. All rights reserved. No part roduced without written permission riters accredited maintain copyright d not be reproduced without written The views expressed in Continue those of the contributors, editors contained in this magazine is for nly and is, as far as we are aware, to press. Continue The Voice does s for errors or inaccuracies in such
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Issue 9 Pride Follow Continue The Voice
