Sept/Oct Core 2014

sept/OCt 2014 /// issue 88

FREE Monthly

Kaya Scodelario On new movie The Maze Runner Autumn Coats for Women Paul Weller Clothing Label Exclusive Core Offers!

WIN! The Maze Runner movie merchandise!

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CORE ContEnts

CORE Editor’s Note

This month we have an exclusive interview with the rather exotically named Kaya Scodelario who stars in new movie The Maze Runner, of which we have, of course, a tie-in competition.

In Fashion we pick our favourite coats for Autumn and feature details on the new men’s clothing label by Mod Icon Paul Weller.

As you will notice from the contents we have a variety of exclusive Core Offers from some of our advertisers - to take advantage of these special deals simply call and quote Core!

Enjoy!

Drew Hipson, Editor

16

04

CONTENTS & OFFERS entertainment 04 An exclusive interview with Kaya Scodelario.

08 Win exclusive The Maze Runner prizes.

21 Tribute Night listings for The Grange Manor.

fashiOn 10 Womens Fashion - our pick of the best Autumn coats.

13 Fashion News - All Saints Biker Portrait series.

16 Mens Fashion - Paul Weller’s new clothing label.

Offers 12 Exclusive offers with

McLachlan Opticians and The Real Tooth Fairy.

14 An exclusive offer from Westerwood Hotel - Half Price One Day Gym Pass.

23 Exclusive 10% OFF with Advanced Building Solutions and P.McFarlane Home Improvements.

31 Exclusive 10% OFF with Gary Bonar Photography.

prOperty 25 Local Property for sale with Village Estates.

mOney 26 Financial advice with Tom Munro.

to advertise in Core call sharon on: 07776 274 856 Disclaimer. This publication may not be reproduced or transmitted in any form by any means, in whole or in part, without the prior written permission of the publisher.

The publisher assumes no responsibility to any party for the content of any advertisements in this publication, including any errors and omissions therein. By placing an advertisement, the advertiser agrees to indemnify the publisher against any claims relating to the advertisement.

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CORE ExCLUsIvE

s P E C I a L

K

In Wes Ball’s tHE MazE RUnnER Kaya scodelario plays teresa, whose arrival into the mysterious glade takes her fellow teenage captives by surprise: she’s the first girl in their midst. It’s immediately apparent that she has a connection to Dylan o’Brien’s thomas; a connection that may well explain the gladers confinement. speaking in London ahead of the release of the film, scodelario discusses joining the young adult phenomenon, working with Wes Ball and life on the Louisiana set.

How did you hear about the project?

I’d heard about the script going around before I’d read it. A couple of my friends had seen it and said it was really interesting – very different and fun. And then I read it, and I really liked it. I thought it was very cool. It was kind of like a social experiment: how are these kids going to react enclosed in this space? The thought of it made me feel so claustrophobic and so angry. It affected me straight away and I wanted to find out how they got out. And

it was Wes’s energy and passion for it. You could tell he wanted to do something great, and I wanted to be a part of that. So I auditioned for Wes on tape and sent it over and I got really lucky. I got to go to Louisiana and helped audition to find Thomas – to find Dylan [O’Brien]. I knew straight away it was going to be him when he walked through the door. I was sure of it.

What were your thoughts about the char-

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CORE ExCLUsIvE

acters?

The characters were so well defined. Not all of them feel the same: there are people that are willing to settle for life in the Glade and want to make that work. And then you have the ones that want to question it, but don’t feel like they can just yet.

Thomas comes along and is the catalyst for all these other characters to evolve and open up and find themselves. I found that really interesting. It’s totally what would happen. It would be a weird, selforganised world, and where would you fit into that?

What went into finding teresa?

It was scary but also very enjoyable to not have to do any research. She has no memory: she’s just turned up there. I wanted to go into it very instinctually. How would she react? It’s a fight or flight kind of thing.

The first scene I filmed was me coming up in the box and I remember walking over…

I’d met the cast but there were thirty other boys there and I didn’t know any of them.

I’m walking on set and I was petrified. Ten minutes later, I’d got on with everyone and we were all chatting, but it’s like that first day of school feeling. I had to get rid of that in myself, because that’s not how she reacts. Straight away she’s in there fighting, throwing things at them. She’s shouting at them. It was interesting to take it in that direction, and it set her up for me for the rest of the film. she’s strong of will: was that an attraction for you?

Definitely. I’d like to think a lot of girls would react like Teresa in that situation.

She knows a lot more than she lets on and she’s internalising a lot. Keeping a lot to herself. I loved that about her, instead of getting there and needing to talk to everyone and share. She’s just thinking quietly, watching and observing. She’s working it

out in her head. That is a lot truer, and it sets her up for the second and third instalments if that’s where you learn the truth about her. I liked that she was a bit of a mystery. You don’t just get told everything straight away; you have to invest in it.

Mystery is the key word; did reading the script make you want to pick up the other books?

I’ve read the second one now – only recently – because I’d watched this and I thought the time was right. I love it. I think it’s really exciting. I really enjoyed it. Again, it’s another journey. It’s not that everything’s explained straight away. So much is happening and there are lots of new characters.

Was there an element of being the only girl?

I was worried it was going to be really awkward. I knew it wouldn’t be for me, because I have a lot of male friends and I really enjoy male company. I’m really relaxed around boys and I’m quite tomboyish. I was worried they’d be a bit delicate around me. But they weren’t, at all. I got there and they were playing ball games and they were like, “Hi.” And they carried on. It was automatically very relaxed and just a very nice environment.

We all messed around together and had fun together. It was like being on a school trip. [laughs] I really wanted to a survival weekend with the cast and a couple of the other boys weren’t so keen, but I convinced them. But we had to get rescued at 5 o’clock in the morning because there was a flash flood. [laughs] Does it make a difference to be on location?

It makes such a difference on you, because it’s exciting. None of us had ever

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CORE ExCLUsIvE

been there before, and we were in a hotel together, so we could hang out and go together. There was a Hooters nearby and I’d never been to a Hooters. I was like, “We have to go there – that’s really American!” We all enjoyed the experience together.

What did you make of Louisiana?

I liked it a lot because there’s a history there and a culture. There’s different food. I found that really interesting.

But it’s so different from home. The level of noise from wildlife, I couldn’t believe. I’d never heard anything like that.

It was warm, which makes a change. there are four Brits in the lead roles. Was it nice to have some hometown faces on set?

Aml [Ameen] was already there – he was the first person I met before Dylan – and he’s from North London, so it was like home. You can talk a certain way and relax a certain way. It’s really relieving. What was great is that we’re all from different places. You’ve got the English lot and the LA lot and the New York lot. We could all share stories and exchange memories.

We learnt so much from each other. We got to know each other a lot because we were all from different places.

Wes is known for visual effects; how is he with actors?

He really puts story and character first.

We weren’t sure initially; we knew it was his first big film and we knew he was from a visual effects background. But the

second we met him we knew he’d be good. He loves stories. It’s what he’s about. He gets fully into it and immerses himself. It gives you so much energy and makes you want it so much as well. He kept us going the whole way through it.

How much of the look of the film were you able to see on set?

Not a lot, which is kind of cool. Before we got to the Glade they wouldn’t show us anything. As soon as we got there it was like, “Wow!” When it got to the bluescreen stuff, we had a vague idea, but I didn’t think it was going to look as cool as it does. When I was watching it yesterday, I was taken aback by how amazing it looked. He’s done an incredible job with the maze, and made it intimidating but quite beautiful I think. Especially the spacious parts where it’s outside. It’s so not what your brain would think of. It’s not a dark, dingy alley.

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CORE CoMPEtItIon

WIN! THE MAZE RUNNER MOVIE MERCHANDISE

the priZe in another fantastic exclusive Core competition we have 3 the maze runner Goody bags up for grabs! tO enter simply send an email with your name, address, tel number and d.o.b to: allmodicon@hotmail.com Competition closes midnight Oct 16th 2014. editor’s decision is final. Good luck!

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CORE FasHIon

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above Kumiko Faux Fur Coat, Whistles £275

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SKATERS, THE DROWNERS, IO ECHO, WET, ASTR, AND HAUNTED HEARTS CELEBRATE WITH aLLsaInts THE RELEASE OF THE BIKER PoRtRaIt sERIEs PaRt II aLLsaInts release the next instalment of their photography series of inspiring creatives and musicians this October with the BIKER PoRtRaIt sERIEs PaRt II featuring some of the hottest musicians to emerge on the New York music scene.

memorable live gig they’ve ever attended, prompting lively recollections of the Wu-tang Clan in Oslo, Morrissey wooing rioting Londoners, Prince conquering Madison Square Garden, and the Cramps’ manic self-destruction in San Diego.

This latest portfolio is a photographic project that sees the Big Apple’s most exciting new bands captured wearing the brand’s iconic biker jackets. The line-up includes skaters, the Drowners, Io Echo, Wet, astR, and Haunted Hearts featuring Dee Dee Penny from Dum Dum girls.

The definitive ALLSAINTS article, each biker jacket featured in the portfolio encapsulates the spirit of rebellion. Crafted from lightweight Italian nappa, unwashed lambskin and European suede, the iconic styles are individually laundered and hand-treated for a vintage aesthetic. Available in store and online at Allsaints.com now.

Produced in collaboration with Bon Duke, the co-founder and co-curator of the New York Fashion Film Festival, the series focuses on some of the most cutting edge bands from the city .

As well as personally selecting their favourite ALLSAINTS biker jacket for the shoot, all band members discuss the most

Wil Beedle, Creative Director said “the leather jacket has always epitomised freedom and musical rebellion through great craftsmanship – all things that are key to the spirit of AllSaints. From the heart of London to the heart of New York, we’re excited to see our signature look brought alive by the most dynamic bands around.”

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CORE FasHIon

Real Stars Are Rare > Paul Weller launches his own mens clothing label.

Veteran musician Paul Weller has launched new fashion label Real Stars Are Rare, a collaboration with Phil Bickley, owner of London menswear store Tonic.

The clothes have been in the planning, you could say, for forty years. Ever since Paul Weller first cupped his hands and peered through the window of Flaks’ boutique in Woking in the late sixties, enchanted with the fashion and the faces making waves on the local scene.

“The name comes from a line I heard somewhere: ‘REAL STARS ARE RARE... they only come out at night.’ Says Paul Weller, “Make of that what you will but I like it and there’s a lot of truth in it!

Through music and clothes I was able to peek at new worlds and ways of thinking,

imagining, new prospects and possibilities.

Clothes and music, music and clothes, for me they go hand-in-hand.’

Branding for the new label has been created by 101 founding partner Mark Elwood, working with John Brown Media managing director Alex Silcox.

Elwood says he has been working on the branding project for around a year and aimed to instill ‘a start-up mentality’.

He says, ‘The look is all about attention to detail – for the branding all we’ve done is listened a lot to what Paul and Phil were saying and translated that into the identity.’

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CORE money

A future ‘nest-egg’ funded by the government! Tell me more…

I am often asked by existing and prospective clients “What are the most beneficial and tax-efficient ways to accumulate wealth for my children/grandchildren?” There are numerous options of course, from high street deposit accounts, the tax efficient friendly society products and some national savings options, all of which will accommodate regular amounts over the long-term with the initial investment funds usually made available from parents, and of course grandparents. Here’s one idea though that won’t cost you a penny.

Child benefit is currently paid at the rate of £20.50 every four weeks, that’s £984.00 per year. The Benefit stops 31 August on or after your child’s 16th birthday if they leave education or training. Let’s assume you were able to save the regular payment and really putting it to good use over the longterm to your child’s 16th birthday. Saving £984.00 each year by way of direct debit each month [£82.00] into an investment account from day one can produce significant amounts of future capital for additional university funding, accommodation costs, the deposit for that first property or any other essential outlay.

into a tax-efficient Junior ISA account growing at a rate of 6% per annum after charges would produce a lump-sum of £26,700, all funded by the UK government.

My experience has shown this regular sum is seldom used solely for the child in question, often used to pay for other items instead, but taking on the discipline to invest regularly over the long-term can certainly pay dividends. In addition to the child benefit allowance you can add to the regular investment as the Junior ISA account can invest up to £4,000 each tax year.

We all want our children to get the best possible start in adult life. A Junior ISA helps you build a long-term investment, which is tax-free i.e. the fund your plan invests in grows free of income and capital gains tax (other than tax on dividends from UK shares) For a full guide to saving for children and many other saving ideas visit www.tommunro.co.uk See you next month.

In simple terms £984.00 invested each year

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