Country & Town House - July/August 2022

Page 62

CULTURE | Sustainability

MY LITTLE GREEN BOOK Orsola de Castro advocates for educating yourself in style, says Lisa Grainger

during washing and ends up the ocean, or takes centuries to break down in the soil]… Then we have H&M recently inciting customers to buy their conscious collection fast. You want to laugh!’ We all need to be informed about the clothes industry, Orsola insists, not only because it generates 10 per cent of the world’s carbon emissions, emits toxic waste into our water and earth and dumps millions of tons of unwanted apparel on poorer countries (about 336,000 tons a year goes to waste in the UK alone). But also because while many fashion companies make enormous profits, its workers are often paid very low wages – or in the case of the Rana Plaza disaster in Bangladesh, are killed at work. It was the collapse of the Rana Plaza fashion factory almost 10 years ago, killing 1,134 workers and injuring more than 2,500, that galvanised de Castro and Somers into forming Fashion Revolution. Since then, the non-profit has helped to make the public aware not only of who made their clothes but what they’re made of, while campaigning for improvements that range from higher wages for artisans in India and cleaner rivers in Brazil to better environmental education in Slovakian schools. The point of the campaigns is not to stop us buying beautiful things, says the fashion-lover. They are to educate us to buy better and to treat what we have with more care: to Clothes are a handwash, mend, alter, repurpose manifestation of who and love what we have (her favourite we are and what we sweater, she says, is more famous believe in, says Orsola than she is: adorned with brooches to cover holes, beads, sequins and colourful darning ‘which I think of as decoration with a memory’). Ultimately, it’s about trying to make us think of our clothes as an extension of our skin, ‘a manifestation of who we are and what we believe in’. As Orsola puts it: ‘The world is in a state of decay. You have to decide whether you are the sort of person who is prepared to plaster over a wound or someone who addresses the cause.’

HOW TO BUY FASHION BETTER READ Orsola’s book, Loved Clothes Last (Penguin Life, £8.99). BUY from small businesses, and always consider #whomademyclothes. TAKE time to sew and mend. THINK long term and buy only quality items that you will pass on. USE tools such as the Fashion Transparency Index, Remake and Greenwash to see how transparent brands are.

PHOTO: TAMSIN HAUGHTON

F

ew women in their fifties are role models to teenagers. But then not everyone is as tapped into the world of sustainable fashion as Orsola de Castro. The 56-year-old Italian-born, Peckham-based fashionlover has been at the forefront of ethical clothing for over a quarter of a century, and there’s very little she doesn’t know about it. In the nineties, before anyone had heard of upcycling, she’d co-founded From Somewhere, producing cool collections using factories’ textile waste. Then she curated Estethica, the first ever showcase of ethical clothing at London Fashion Week, while helping brands such as Topshop, Speedo and Tesco create more sustainable lines, and lecturing at Central St Martin’s. All while advising luxury brands, having four children (one, the influencer Elisalex, who founded the By Hand London sewing-pattern business, and another who’s a professional darner) and publishing a book last year, called Loved Clothes Last (Penguin Life, £8.99). It is Fashion Revolution, though, which has made her a household name around the world. Co-founded in 2013 with Carry Somers, the fashion activism movement has become the biggest on earth, led by academics, designers, organisations and key opinion formers in 92 countries, with billions following its #WhoMadeMyClothes campaign. The organisation has, she admits, ‘become bigger than we ever imagined’, as the demand for accurate information grows. ‘We are in an era of rampant greenwashing,’ she says passionately, ‘and people want to be informed because brands are lying bare-facedly.’ Take the Chinese brand Shein, she says, which has made a big deal of using a small percentage of recycled polyester. ‘That helps at the point of extraction, but not of care – we all know the terrible effects of polyester [which breaks up

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FIVE OF THE BEST Homes for

7min
pages 174-185

LAST WORD Entrepreneurs should lead the fight against climate change,

2min
pages 186-188

PROPERTY OF THE MONTH

1min
page 169

LET’S MOVE TO... Newbury

11min
pages 170-173

PLANT POWER Kew Garden’s new

4min
pages 165-166

BETTER TOGETHER Family breaks

11min
pages 155-159

ON GOOD FORM Add a sculpture to your green space, advises Randle Siddeley

4min
pages 146-148

THE ESCAPIST Travel news

6min
pages 152-154

We’re all searching for so much more than just a spa trip. Find it here with our guide to intelligent wellness. Edited by

1hr
pages 101-136

DESIGN NOTES News

2min
pages 138-139

TAKE IT LYING DOWN Lounging

0
page 137

LET THERE BE LIGHT Can tech

7min
pages 96-100

CASE STUDY A post-war home regenerated with an artist’s eye

2min
pages 144-145

CHILDLIKE WONDER Cavan

6min
pages 78-80

THE CRITICAL CRAFT LIST

6min
pages 92-95

ON LOCATION Battersea Power Station’s regeneration tale

1min
pages 76-77

SCARFES BAR Former health secretary and potential future PM, Jeremy Hunt shares his vision for the NHS

5min
pages 66-67

ARTIST’S STUDIO Sabina Savage

2min
page 61

ROAD TEST An EV to fall in love with

5min
pages 64-65

LITTLE GREEN BOOK Fashion

3min
page 62

BEAUTY BUZZ Nathalie Eleni’s top

2min
pages 51-52

THE EXHIBITIONIST Ed Vaizey

3min
page 60

GET A TASTE OF THIS Oysters

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page 53

TAKE TEN All about eyes

2min
page 50

MY STYLE Dopamine dressing

3min
pages 42-44

THE GOOD LIFE Alice B-B is told

2min
pages 26-27

SPA TREK Rediscover your youth at Chenot Palace Weggis

3min
page 48

BODY LANGUAGE Olivia Falcon

3min
pages 46-47

SUN DAZE Breeze through the summer months in flowing whites

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page 33

BODY & SOUL Ocean promises

2min
page 49

THE RURBANIST Raymond Blanc

2min
pages 28-32

EDITOR’S LETTER

3min
pages 18-21
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