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STORMY WEATHER ARTS FESTIVAL INSIDE

VOL. 47, ISSUE 22

FREE

OCTOBER 27, 2023

CANNONBEACHGAZETTE.COM

The 76th Annual Firefighter Benefit Ham Dinner By DEB ATIYEH

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annon Beach residents showed up at the

Cannon Beach Conference Center on Saturday, October 14th for the 76th Annual Firefighter Benefit Ham Din-

ner. The dinner and donations help raise money for training, equipment and community outreach programs. This

event has a long tradition of bringing the community together with a feeling of loyal camaraderie and support for

our Cannon Beach Volunteer Fire & Rescue Association. Thank you for all that you do for our community!

PHOTOS BY DEB ATIYEH

Lose Yourself in the Moment at Icefire Glassworks in Cannon Beach By BOB ATIYEH

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Jim Kingwell blowing glass PHOTOS BY ICEFIRE GLASSWORKS

im Kingwell was twenty-five when he created his first few pieces of blown glass art on July 5th, 1971. The next day, he sold his entire production of three pieces of blown glass for five dollars. Ever since that first day more than 50 years ago he’s been perfecting the art of glass blowing, and what started out as an experiment turned into a lifelong vocation. After majoring in ceramics at Portland State University, Jim began his life’s work in a geodesic dome named Alder House, located in Gleneden Beach on the central Oregon coast. Working with partner Edward “Buzz” Williams over the next three years, they re-melted empty whiskey bottles from Salishan Lodge

to produce their blown glass art. Jim worked out of an old warehouse in McMinnville for several years in the late 1970’s, a garage in the Dunthorpe area of Portland, and a pole barn near Willamina for another decade before establishing Icefire Glassworks at it’s present location in mid-town Cannon Beach, in September 1991. Jim utilized the business model from an art gallery in Sausalito, California, and Icefire Glassworks is unique in that it contains both a small gallery and a glass blowing operation under one roof. Jim always wanted to be self-employed and explained that his chosen career “is all about problem solving and hopefully not going broke before you solve the problem.” Along with the glass art produced by Jim and his

wife Suzanne Kindland, the Icefire Glassworks gallery displays and represents the work of ten additional glass artists “each of whose work we strongly believe in.” The ancient art of glass blowing dates back to at least the first century in Sidon, located on the Mediterranean coast of Lebanon, though glass ingots have been discovered dating back 3,500 years. Glass blowing is a physically demanding job and takes its toll; affecting the hands, wrists, elbows, shoulders, back and knees, with many glass blowers being afflicted with carpal tunnel syndrome. Besides spending the day standing and walking on concrete, the metal blow pipe weighs over five pounds, and when adding the extra weight of the glass, it’s challenging

to handle the opposite end of the 4-1/2 foot-long pipe. The heavier the weight of the glass on the end of the blow pipe, the shorter the career of the glass blowing artist. It takes an average of about 40 minutes to produce a single piece of blown glass art, but can sometimes be as short as 5 minutes or as long as 2-1/2 hours. The longer times require a joint effort, with the artists taking turns in order to give the other one time to rest. Their personal production is diminishing as they grow older, so they include the production of other artists to keep their gallery stocked with glass art. In addition to blown glass, their gallery displays many artistically intricate and beautiful pieces of fused glass, hot sculpted SEE ICEFIRE GLASSWORKS PAGE A4

Tufted Puffin Numbers on Haystack Rock Increase in 2023 By BOB ATIYEH

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he number of Tufted Puffins nesting on Haystack Rock showed a significant increase in 2023 compared to the previous year. The U.S. Fish and Wildlife Service estimated that 106 Tufted Puffins spent the summer on Haystack Rock, compared to just 74 in 2022, which was the lowest

number ever recorded since annual surveys began in the summer of 2010. Since 2010, annual puffins counts fluctuated but remained fairly stable for almost a decade; reaching a high of 143 in 2013. Counts were less than 100 birds in 2020, 2021 and 2022, so the 2023 increase is good news. Haystack Rock supports the second largest Tufted Puffin colony in

Oregon, with the largest at Finley Rock at Three Arch Rocks National Wildlife Refuge; just offshore of the town of Oceanside. In 2007, the total number of puffins along the Oregon coast was estimated at 4,600, but during a 2021 census the U.S. Fish and Wildlife Service estimated about 550 puffins in 17 separate colonies. Tufted Puffins are con-

sidered pelagic seabirds that spend the majority of their lives far at sea; coming near shore every year, from late spring to late summer, to nest and raise a single chick within their deep burrows in the grassy areas of offshore rocks. The U.S. Fish and Wildlife Service reports that over the past twenty years, Tufted Puffin numbers have declined

throughout the southern portion of their range from British Columbia to northern California, and that the vast majority of the population resides in Alaska where almost 2.3 million puffins breed in nearly 700 colonies. Several factors have likely contributed to the dramatic decline of Tufted Puffins along the Pacific Northwest coast; such as conditions at

breeding sites, at-sea mortality from fishing net “bycatch” and long-term changes in the marine food web that affects reproductive success, winter survival and the distribution of populations. The Tufted Puffin is listed as Endangered in Washington, Sensitive in Oregon and a Species of Concern in California.


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