CPW AWARDS & BENEFIT AUCTION
STAFF
ADVISORY BOARD
HANNAH FRIESER Executive Director JAN NAGLE Program Manager KATHERINE CLAUSEN Executive Assistant MICHAEL YALAMAS Digital Lab Manager
Koan-Jeff Baysa Philip Cavanaugh Darren Ching Brian Clamp William Hannigan W.M. Hunt Naomi Huth Doug James David Karp Susana Torruella Leval Ellen K. Levy Carlos Loret de Mola David Maloney Babs Mansfield Yossi Milo Jeff Milstein Doug Menuez Sarah Morthland Robert Peacock Roger Ricco Miriam Romais Ernestine Ruben Kathleen Ruiz Ariel Shanberg Gerald Slota Neil Trager
PATT BLUE Gallery Docent DANI CATTAN Events Coordinator DAVID CUNNINGHAM Gallery Docent SEAN HOVENDICK Web Developer ALYSON LECROY Collections Assistant MIRIAM ROMAIS Marketing & Strategic
Development Advisor
BOARD OF DIRECTORS HOWARD GREENBERG Founder, Chair STAN SAGNER President BARRY MAYO Vice President CLINTON CARGILL Treasurer JESSE BLATT Secretary TERRY DAGROSA ALEX DAVIS MICHAEL KNAUTH AARON REZNY WILLIAM VAN RODEN STEVEN WECHSLER
DIRECTOR EMERITA Colleen Kenyon
The Andy Warhol Foundation for the Visual Arts The Edith & Phillip Leonian Foundation The Joy of Giving Something Foundation (JGS) The Thompson Family Foundation
THURSDAY, OCTOBER 3, 2019 AFFIRMATION ARTS 523 WEST 37TH STREET, NYC BENEFITTING THE CENTER FOR PHOTOGRAPHY AT WOODSTOCK’S MISSION TO FOSTER OPPORTUNITIES TO CREATE AND EXPLORE PHOTOGRAPHY, AND CELEBRATE ITS ROLE IN CONTEMPORARY CULTURE.
2019 CPW AWARDS & BENEFIT AUCTION OF EARLY, MODERN AND CONTEMPORARY PHOTOGRAPHS HONORING DAWOUD BEY AND ALAN SIEGEL FEATURING CPW’S 41ST ANNUAL BENEFIT AUCTION
2019 BENEFIT COMMITTEE
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HONORARY BENEFIT CHAIRS Howard Greenberg Michael Knauth
PLATINUM Thomas H. Dittmer
GOLD Clinton Cargill & Thanakorn Jirasevijinda Howard Greenberg Steven McGrath & Janine Shelffo Stan Sagner & Paul Washington
SILVER Michael Knauth & Henry T. Ford
BRONZE Barry Mayo Bill & Jane Pearson Lee & Nancy Simonson Steven Wechsler
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ACKNOWLEDGMENTS
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THANK YOU In addition to the incredible photographers, collectors, galleries and estates, who donated art work, we would like to thank the following: (list at time of publication) AARON REZNY Planning Committee LAURI ANDRETTA JOHN BENNETTE JESSE BLATT Planning Committee CLINTON CARGILL Planning Committee DANI CATTAN ALICIA COLEN Planning Committee TERRY DAGROSA Planning Committee HOWARD GREENBERG
and the staff at the Howard Greenberg Gallery WILLIAM T. HILLMAN W.M. HUNT Dancing Bear DENNIS INCH Archival Methods SNEHA KAPADIA Woodstock Framing Gallery MICHAEL KNAUTH Planning Committee BABS MANSFIELD Phoenicia Soap Co. BARRY MAYO Planning Committee STAN SAGNER Planning Committee ALAN AND SANDY SIEGEL TEVIS TROWER WILLIAM VAN RODEN Planning Committee STEVEN WECHSLER Planning Committee RICK WESTER Rick Wester Fine Art
CPW Interns Pang Fei Chiang, Marissa Contelmo, Josh Girard, Sarah Jurgielewicz, Brendan Mark, Nina Matijacic, Cat Nicholson, Vu Nguyen, Kito Sosnowitz and Anne Whitney
SPONSORS Affirmation Arts Archival Methods Empire Merchants North Howard Greenberg Gallery Mary Giuliani Catering & Events Paddle8 Phoenicia Soap Co. Photograph Magazine Woodstock Framing Gallery …and you
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EVENT INFORMATION
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2019 CPW AWARDS & BENEFIT AUCTION THURSDAY, OCTOBER 3, 2019 AFFIRMATION ARTS, 523 WEST 37TH STREET, NYC HONORING Dawoud Bey and Alan Siegel
AUCTIONEER Rick Wester
AUCTION PREVIEW Auction lots are viewable online at www.paddle8.com
ABSENTEE BIDS Absentee bids for the live auction will be accepted online through Wednesday, October 2 at 2:00 pm EST, at which point the bids transfer to the live event. Online bidding for the silent auction will continue through Thursday, October 3 at 8:00 pm EST. Bids may be submitted in person or online. Prospective buyers are encouraged to view work for sale at paddle8.com. They may contact CPW at (845) 679-9957 or info@cpw.org to request a condition report for lots up until 5:00 pm EST on Tuesday, October 1. See Conditions of Sale on page 59 for details.
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2019 VISION AWARD HONOREE: DAWOUD BEY Each year, the Center for Photography at Woodstock recognizes an outstanding figure in the photography community with the Vision Award. Established in 2004, past honorees have included Vince Aletti, Fred Baldwin & Wendy Watriss, John Dugdale, Howard Greenberg, Willis E. Hartshorn, W.M. Hunt, Kenro Izu, Colleen & Kathleen Kenyon, Nathan Lyons, Sandra S. Phillips, Lilo Raymond, Kathy Ryan, Neil C. Trager, Anne Wilkes Tucker, Dr. Deborah Willis, and the photo agency VII. CPW is pleased to recognize Dawoud Bey with the 2019 Vision Award in acknowledgment of his remarkable achievements and dedication as a photographer, advocate, educator and mentor. He is renowned for his large-scale color portraits of adolescents and other often marginalized subjects. Dawoud is the recipient of the prestigious MacArthur Genius Award, the John Simon Guggenheim Memorial Foundation Fellowship, regional fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, and more. His photographs can be found in major collections throughout the US and internationally. In 2018, University of Texas Press published a major monograph on Dawoud Bey, Seeing Deeply, which has been received with critical acclaim. Please join us as we celebrate Dawoud's formidable accomplishments, extraordinary career and his continued contributions to the field. Photograph courtesy of Whitten Sabbatini
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CELEBRATING DAWOUD BEY
Dawoud Bey began his career as an artist in 1975 with a series of photographs, Harlem, USA, that were later exhibited in his first one-person exhibition at the Studio Museum in Harlem in 1979. His works have since been exhibited at institutions such as the Addison Gallery of American Art, the Art Institute of Chicago, the Brooklyn Museum, the Detroit Institute of Arts, the Fogg Art Museum at Harvard University, the High Museum of Art in Atlanta, the Museum of Contemporary Art Chicago, the Museum of Modern Art, NY, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the National Gallery of Art, and other museums worldwide where his works are also included in institutional collections. In 1995, the Walker Art Center organized a mid-career survey of his work, Dawoud Bey: Portraits 1975-1995, that was curated by Kellie Jones and traveled to institutions throughout the United States and Europe. Class Pictures: Photographs by Dawoud Bey was published by Aperture in 2007. A traveling exhibition of this work toured to museums throughout the country from 2007 to 2011. Harlem, USA was published by Yale University Press in conjunction with the Art Institute of Chicago in 2012, where the work was exhibited in its entirety for the first time since it was first shown at the Studio Museum in Harlem in 1979. A survey exhibition of his work, Picturing People, opened at the Renaissance Society of the University of Chicago in 2012, and traveled to museums around the country. His most recent project Night Coming Tenderly, Black references the presence of The Underground Railroad in the Cleveland, OH, landscape. The work debuted in a site-specific
Dawoud Bey has taught at CPW regularly, often with an emphasis on developing an artist's vision and the use of photography to convey deeper meaning. Photograph by Liz Unterman in 2010.
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installation at the FRONT International Triennial in Cleveland in 2018, and at the Art Institute of Chicago in 2019 for its first museum showing. Born in New York, NY, Dawoud Bey earned his MFA from Yale University School of Art and is currently Professor of Art and a former Distinguished College Artist at Columbia College Chicago. He has been honored with numerous fellowships over the course of his long career, including a recent MacArthur “Genius Award” Fellowship, as well as a United States Artists Fellowship, a John Simon Guggenheim Memorial Foundation Fellowship, and a fellowship from the National Endowment for the Arts, among many others. A 40-year retrospective monograph of his work, Dawoud Bey: Seeing Deeply, was published in 2018 by the University of Texas Press. Bey’s work will be the subject of a retrospective exhibition in 2020 that will open at the San Francisco Museum of Modern Art, travel to the High Museum of Art in Atlanta, and end at the Whitney Museum of American Art in New York.
Left: The University of Texas Press published the book Dawoud Bey: Seeing Deeply in 2018. The 400page book offers a fortyyear career retrospective. It includes photographs from street photography in Harlem to a commemoration of the 1963 Birmingham church bombing. Below: Portrait of Dawoud Bey by Whitten Sabbatini.
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2019 AFFINITY AWARD HONOREE: ALAN SIEGEL The Affinity Award was created in 2016 to acknowledge organizations and individuals, who have made significant contributions to CPW. We could not succeed without friends in the field who support our organization in countless ways. It is our pleasure to give the 2019 Affinity Award to Alan Siegel (1935-2019), who has been a close friend to CPW since our early years. We approached Alan about this award back in December. As usual, his enthusiasm was infectious as we developed plans for the award presentation. Those plans were unexpectedly interrupted, when Alan passed away in March. While we are deeply saddened not to be able to present this well-deserved award to him personally, we will forever be grateful for his kindness, initiative and friendship. Alan served on CPW's board and supported CPW through generosity, compassion and advice. At the helm of The Thompson Family Foundation, he provided a helping hand in small and large ways to numerous art organizations, all the while staying personally engaged in the arts as an accomplished painter and photographer. The Thompson Family Foundation has provided major support to the historic Seventh Regiment Armory, the Whitney Museum of American Art, the Morgan Library & Museum and many art initiatives in New York City and beyond. Please join us as we celebrate Alan's extraordinary life and contributions to the arts. Photograph courtesy of Woodstock School of Art
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CELEBRATING ALAN SIEGEL
“Alan’s intense passion for life and beauty was unfailing.” As perfectly described in the Woodstock Times, Alan Siegel (1935-2019) “was a voracious reader, a talented photographer, an avid painter, and a true lover and patron of the visual and performing arts.” 1 Alan was born in Cleveland, OH, and grew up in Bayonne, NJ. Pursuing an early passion for law, he earned degrees from the University of Pennsylvania, Wharton School, and the New York University Law School specializing in business, corporate, securities and international law. He distinguished himself in a long career that included becoming a partner in the New York office of Baker & McKenzie and later a partner in the law firm Akin, Gump, Strauss, Hauer & Feld, LLC. Never shy to take on committee work, Alan served as the non-executive chairman of The Wet Seal and as director on the board of Thor Industries. He also served on many boards for non-profit and arts organizations. In New York, he served as a trustee of the Museum of the City of New York, and a director of both the American Committee of the Weizmann Institute of Science, as well as Pioneer Works in Brooklyn. In Woodstock, where he and his wife Sandy maintained a home for over 40 years, Alan served as a director of the Center for Photography at Woodstock, before becoming a director and
Alan Siegel during a presentation at the New-York Historical Society and at a black tie event.
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treasurer on the board of the Woodstock School of Art and a trustee of Maverick Concerts. Most recently, Alan served as director, secretary and treasurer of The Thompson Family Foundation, positions he held until his passing in March 2019. The private foundation was created by Wade F.B. Thompson, the founder of Thor Industries. The foundation has been instrumental in the renovation of the Park Avenue Armory in New York, and has provided significant grants for the arts, cancer research and neurological studies. Among many acknowledgements, the Thompson family and Alan Siegel were named the 2016 Outstanding Philanthropists by the Association of Fundraising Professionals. In 2018, the Woodstock School of Art celebrated the naming of The Thompson Family Foundation/Alan and Sandy Siegel Studio for Graphics and Works on Paper, thereby creating a lasting legacy in Woodstock, NY. Alan Siegel and The Thompson Family Foundation lent their support to Woodstock organizations, such as CPW, Maverick Concerts, Opus 40, Woodstock Artists Association & Museum, Woodstock Byrdcliffe Guild, Woodstock Day School, Woodstock Film Festival, Woodstock Land Conservancy, Woodstock School of Art, and more. In the last few years, the foundation helped CPW to purchase an artist house for the artist-in-residence program, Woodstock AIR, and supported a digitization project for CPW's Permanent Print Collection. 1 Woodstock Times, March 26, 2019
Alan Siegel was a passionate photographer and painter, as well as an avid advocate for the arts. Alan relaxing in this undated photograph. Photographs courtesy of Sandy Siegel.
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2019 AUCTIONEER: RICK WESTER Rick Wester's diverse career as gallerist, consultant and auctioneer began forty years ago when the nascent photography market was just beginning to be established internationally. After stints at galleries in New York beginning in college, including at LIGHT, the seminal gallery of contemporary photography on 5th Avenue and 57th Street, Rick became a private dealer and consultant with corporate clients in the law, advertising and insurance fields, as well as an advisor to several private collectors. In 1992, he joined Christie’s Inc., the renowned global auction house as Specialist Department Head of Photographs before advancing to International Head of Photographs. At Christie’s he led the department to majority market share while setting numerous world record prices for artists such as Alfred Stieglitz, Man Ray and many others. He became the department’s auctioneer taking sales in New York, Los Angeles and London. He left Christies after nine years to become a director at Gagosian Gallery, adding to the famed blue-chip gallery’s artist roster. This was followed by a term as Interim Director of the Howard Greenberg Gallery, overseeing the gallery’s move from Soho to its present location in the Fuller Building on 57th Street. He soon incorporated Rick Wester Fine Art (RWFA), a move that returned him to private dealing, consulting and advising. In 2004, he joined the Chelsea-based auction house, Phillips, as International Director of Photographs. In 2007, he fully launched RWFA, which he leads today, representing a wide range of emerging and mid-career artists including photographers, painters and sculptors. RWFA offers its clients a wide range of services, including collection consulting, brokering secondary market sales for both buyers and sellers, as well as USPAP-compliant appraisals, while continuing to serve the community through benefit auctioneering. Photograph courtesy of Rick Wester Fine Art
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41ST ANNUAL BENEFIT AUCTION LIVE AUCTION LOTS
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Measurements provided in height x width
1 LISA LEVINE
Allegro, from the series Swim, 2018, printed 2019, archival pigment print, edition 2 of 10, signed verso, 23 x 31” on 24 x 34” paper. Estimated value: $1,200 Courtesy of the artist
2 VALERIE SHAFF
Lambie, 2017, printed 2019, archival pigment print, edition 2 of 15, signed verso, 36 x 36” on 40 x 40” paper. Estimated value: $2,500 Courtesy of the artist
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3 AARON REZNY
Rock Candy, from the series Candy Land, 2019, printed 2019, archival pigment print, open edition, signed recto, 27.75 x 37” on 30.75 x 40” paper. Estimated value: $2,500 Courtesy of the artist
4 CARLA SHAPIRO
Paradise, 2019, archival pigment print, artist proof, signed and dated in pencil print verso, 22 x 22” on 23 x 22.5” paper. Estimated value: $1,800 Courtesy of the artist
LIVE AUCTION LOTS
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5 LOUIS FAURER
Philadelphia, PA, 1937, printed c.1980, gelatin silver print, signed in pencil print verso, 8.125 x 8.125” on 14 x 11” paper. Condition report available upon request. Estimated value: $4,500 Courtesy of Howard Greenberg Gallery, New York
6 BERENICE ABBOTT
Oyster Houses, South Street and Pike Slip, 1931-32, printed later, gelatin silver print, signed in pencil mount recto, photographer’s “Abbott, Maine” address stamp on mount verso, 13.5 x 10.5” on 20 x 16” board paper, mounted on board. Condition report available upon request. Estimated value: $6,000 Courtesy of Howard Greenberg Gallery, New York
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7 MARTIN MUNKÁCSI
Summer Camp near Bad Kissingen, Germany, 1929, printed 2012, gelatin silver print, edition 17 of 40, stamped, titled and editioned by Lester Nafzger on print verso, 12.625 x 9.875” on 14 x 11” paper. Estimated value: $2,000 Courtesy of Lester Nafzger and Howard Greenberg Gallery, New York
LIVE AUCTION LOTS
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8 ELLIOTT LANDY
Joe Cocker’s Band, View From The Stage, Woodstock Festival, Bethel, NY (1969), 1969, printed 2019, archival pigment print, open edition (first at this size), signed and titled recto in ink, 20 x 50” on 24 x 54” paper, mounted on archival foamcore. This photograph ships framed. Estimated value: $4,400 Courtesy of the artist
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9 JEFFREY MILSTEIN
Gatwick 3, from the series London Aerials, 2015, archival pigment print, edition 1 of 10, signature card attached to back of frame, 36 x 48”, mounted on archival foamcore. This photograph ships framed. Estimated value: $5,000 Courtesy of the artist, Kopeikin Gallery, Los Angeles and Benrubi Gallery, New York
10 BARRY FEINSTEIN
Bob Dylan, Fans Looking in Limo, Royal Albert Hall, London, 1966, printed 2019, archival pigment print, edition 29 of 50. The print is embossed on bottom border of print recto; titled, dated and numbered in pencil; and copyright stamped in archival ink on print verso. Print is accompanied by an artist label and a certificate of authenticity. It is signed in pencil by the executor of the estate. 13.875 x 19” on 17 x 22” paper. Estimated value: $2,550 Courtesy of the Estate of Barry Feinstein/Barry Feinstein Photography, Inc. LIVE AUCTION LOTS
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11 ARTHUR LEIPZIG
Hide and Seek, 1943, printed later, gelatin silver print, signed in pencil, photographer’s and reproduction stamps with date in ink print verso, 10 x 12.75” on 11 x 14” paper. Condition report available upon request. Estimated value: $3,500 Courtesy of Judy Leipzig and Howard Greenberg Gallery, New York
12 ALFRED EISENSTAEDT
Couple in Penn Station sharing farewell kisses before he ships off to war during WWII, NY, 1943, printed 1950-60s, gelatin silver print. Stamps print verso include “Life Photo by Alfred Eisenstaedt,” "Time, Inc." and others. 7.75 x 7.375” on 10 x 8” paper. Condition report available upon request. Estimated value: $8,000 Courtesy of Howard Greenberg Gallery, New York
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13 JUSTINE REYES
Still Life with Bernardaud and Lilies, 2014, printed 2019, digital c-print, edition 1 of 3, signed verso, 11.5 x 9.9” on 14 x 11” paper. Estimated value: $1,200 Courtesy of the artist
LIVE AUCTION LOTS
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14 RAY K. METZKER
58 AR-8, Chicago, 1958, printed 1958, gelatin silver print, edition 1 of 5, annotated by the artist in pencil and RKM archive authentication stamp with print date and edition number in pencil on print verso, 5.375 x 9.5” on 8 x 10” paper. Condition report available upon request. Estimated value: $9,000 Courtesy of the Ray K. Metzker Archive and Howard Greenberg Gallery, New York
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15 DAVID TAYLOR
Border Monument No. 251, from the series Monuments: 276 Views of the United States – Mexico Border, 2010, printed 2019, archival pigment print, edition 2 of 10, titled, dated, editioned and signed in marker on mount verso, studio label, 22.5 x 30” on 29.5 x 36.3” paper, mounted on Dibond. This photograph ships framed. Estimated value: $2,000 Courtesy of the artist and Rick Wester Fine Art, New York
16 DANNY LYON
IRT (subway interior), 1979, printed c.1979-84, gelatin silver print, signed and “Bleak Beauty” print stamp on verso, 8.5 x 13” on 11 x 14” paper. Condition report available upon request. Estimated value: $5,500 Courtesy of Howard Greenberg Gallery, New York
LIVE AUCTION LOTS
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17 DAWOUD BEY
Two Boys on Carrolburg Place, 1989, archival pigment print, trial proof, signed verso, 20 x 15.5�. This photograph ships framed. Estimated value: $5,000 Courtesy of the artist and Stephen Daiter Gallery, Chicago
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18 DOUG MENUEZ
The Oculus #1, New York City, 2017, from the series The Oculus, 2017, printed 2019, archival pigment print, artist proof, certificate of authenticity, mounted on archival foamcore, 27 x 40�. Estimated value: $3,500 Courtesy of the artist
LIVE AUCTION LOTS
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41ST ANNUAL BENEFIT AUCTION SILENT AUCTION LOTS
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19 INA JANG
Oblique, from the series Lucid Dream for The Cut / New York Magazine, 2013, printed 2014, digital c-print, edition 1 of 5 + 1 AP, signed on label, 26 x 18.57”, mounted on Dibond. Estimated value: $3,000 Courtesy of the artist
20 BILL ARMSTRONG
After Roger Fenton, from the series After: Dreaming in Color, 2016, archival pigment print, artist proof. Signed, dated and titled print verso, plus signature label, 16 x 20” on 17 x 22” paper. Estimated value: $1,800 Courtesy of the artist, ClampArt, New York, and HackelBury Fine Art, London
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21 KELIY ANDERSON-STALEY
Album: April 9 2015 10:47 PM, from the series Found Unfound, 2015, wet-plate collodion on blackened aluminum (tintype), unique, signed verso, 14 x 14”. Estimated value: $2,800 Courtesy of the artist and Catherine Edelman Gallery, Chicago
22 SARAH ANTHONY
Untitled #10 (Sisyphus), from the series The Sons of Zeus, 2017, printed 2019, archival pigment print, edition 1 of 5, certificate of authenticity, 17 x 11.25” on 19 x 13” paper. Estimated value: $900 Courtesy of the artist
SILENT AUCTION LOTS
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23 BRITTNEY CATHEY-ADAMS
Drape, 2017, printed 2019, archival pigment print, unnumbered edition (first print of this size), signed verso, 10 x 10’’ on 12 x 12’’ paper. Estimated value: $700 Courtesy of the artist
24 ORESTES GONZALEZ
Dark Shadows from Trump Towers Invade the Beach, 2012, printed 2017, archival pigment print, edition 5 of 10, signed verso, 19 x 23” on 20 x 24” paper. Estimated value: $1,250 Courtesy of the artist
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25 RAYMOND MEEKS
Untitled (Durham, NY June 2016), 2016, gelatin silver print, artist proof, edition of 3, signed, dated and titled in pencil on verso, 9.25 x 11.75” on 11 x 13.375” paper. Estimated value: $1,200 Courtesy of the artist
26 VIVIAN MAIER
Canada, date unknown, printed 2017, gelatin silver print, edition 8 of 15, signed and stamped verso by John Maloof, 12 x 12” on 20 x 16” paper. Condition report available upon request. Estimated value: $3,500 Courtesy of John Maloof and Howard Greenberg Gallery, New York
SILENT AUCTION LOTS
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27 JAMES VAN DER ZEE
Garveyite Family, 1926, printed later, gelatin silver print, edition 4 of 75, signed in pencil with portfolio number VIII and edition number 4/75 on mount recto, 9.5 x 7.75” on 15 x 12.5” paper, mounted on archival board. Condition report available upon request. Estimated value: $3,500 Courtesy of Howard Greenberg Gallery, New York
28 JUDITH TAYLOR
Untitled, 1989, gelatin silver print, edition 2 of 25, signed and dated in pencil print verso, 12.875 x 12.875” on 15.875 x 15.875” paper. Condition report available upon request. Estimated value: $800 Courtesy of Richard March
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29 MICHAEL KENNA
Charles Bridge, Study 4, Prague, Czechoslovakia, 1989, printed 1990, gelatin silver print, edition of 45, signed and dated recto, 9 x 6.25”. Estimated value: $1,500 Courtesy of Michael Knauth and Henry Ford
30 DAN BURKHOLDER
Parade Watchers, Romania, 2019, platinum palladium print, unnumbered artist proof, signed recto, 8 x 8” on 14 x 11” paper. Estimated value: $1,200 Courtesy of the artist
SILENT AUCTION LOTS
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31 RUBEN NATALSAN MIGUEL
Lady Money Sings The Blues, Harlem, NYC, 2011, printed 2019, Kodak Endura metallic chromogenic print, artist proof, signed verso, 15.4375 x 19.4375” on 16 x 20” paper. Estimated value: $1,800 Courtesy of the artist
32 NINA KUO
West Indies Dot Girls, 1991, Kodak Endura metallic chromogenic print, artist proof, edition of 25, signed and titled verso in ink, 10 x 13.875” on 10.875 x 13.875” paper. Condition report available upon request. Estimated value: $400 Courtesy of the artist
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33 PIXY LIAO
Concave vs Convex, 2010, printed 2019, digital c-print, edition 1 of 5, certificate of authenticity, 19.5 x 15.5” on 20 x 16” paper. Estimated value: $2,000 Courtesy of the artist
34 L. KASIMU HARRIS
A Blackness Continuum (Jimmie Lee Jackson), 2015, printed 2016, archival pigment print, artist proof 1 of 2, signed verso, 12.125 x 19.875”. Estimated value: $2,000 Courtesy of the artist
SILENT AUCTION LOTS
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35 STEPHEN MALLON
No Seats Left, from the series Next Stop: Atlantic, 2008, printed 2019, digital c-print, edition 35 of 50, signed verso, 14 x 18” on 16 x 20” paper. Estimated value: $600 Courtesy of the artist and Front Room Gallery, New York
36 PHYLLIS GALEMBO
Curpites, 2017, printed 2019, Fuji Flex c-print, edition 2 of 6, signed, 19 x 19” on 24 x 20” paper. Estimated value: $3,000 Courtesy of the artist
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37 RANIA MATAR
Kefa, Gambier, Ohio, from the series SHE, 2018, archival pigment print, unnumbered edition, signed verso, 12 x 15” on 15 x 18” paper. Estimated value: $2,000 Courtesy of the artist and Robert Klein Gallery, Boston
38 RUSSELL LEE
Haystack and autos of peach tree pickers, Delta County, Oct. 1940, printed 1982-83, dye transfer print, unique, stamped, titled, and dated by Tennyson Schad on print verso, 7 x 10” on 10 x 13.0625” paper. Condition report available upon request. Estimated value: $3,500 Courtesy of Howard Greenberg Gallery, New York
SILENT AUCTION LOTS
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39 JILL ENFIELD
Kadidja, from the series The New Americans, 2007, printed 2012, archival pigment print from a wet plate collodion portrait, open edition (no more than 15), signed recto, 12.75 x 17.5” on 16 x 20” paper. Estimated value: $2,000 Courtesy of Mary Virginia Swanson
40 KRISTA STEINKE
Day 36: pieces of plexiglass: full moon, from the installation 40 Days After the Storm, 2017, printed 2018, dye sublimation print, uneditioned print, part of a larger photo installation, signed on label attached on metal on verso, 13 x 18”, mounted on aluminum. Estimated value: $900 Courtesy of the artist
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41 ROCIO DE ALBA
Remember, 2018, mixed media transfer on wood, unique, signed verso, 14 x 11”. Estimated value: $2,000 Courtesy of the artist
42 WEEGEE
Untitled (Weegee photographing bridal couple), 1940s, printed 1940s, gelatin silver print, annotations in ink on print verso, 8.5 x 7.75” on 10 x 8” paper. Condition report available upon request. Estimated value: $4,000 Courtesy of Howard Greenberg Gallery, New York
SILENT AUCTION LOTS
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43 PATT BLUE
All American Girl, from the series Torn Wing, 1973, printed 2019, archival pigment print, edition 1 of 5, signed verso, 9.213 x 13.5” on 11 x 17” paper. Estimated value: $1,100 Courtesy of the artist
44 DANIEL RAMOS
Pilo in Leaves, from the series The Land of Illustrious Men, 2016, printed 2018, archival pigment print, edition 1 of 18, signed verso, 9.5 x 12.5”. Estimated value: $500 Courtesy of the artist
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45 MARY ELLEN BARTLEY
Cephalopods, from the series Library Copies, 2017, printed 2019, archival pigment print, edition 2 of 7, signature card, 14 x 19” on 17 x 22” paper, mounted on white museum board. Estimated value: $2,400 Courtesy of the artist and Yancey Richardson Gallery, New York
46 GARRY WINOGRAND
Untitled, from the portfolio Women are Beautiful, 1970s, printed c. 1980, gelatin silver print, artist proof 20 of 20, signed and numbered “20/20 AP” in pencil print verso, 8.75 x 13.125” on 11 x 14” paper. Condition report available upon request. Estimated value: $3,500 Courtesy of Howard Greenberg Gallery, New York
SILENT AUCTION LOTS
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47 R.J. KERN
Green with Envy, Hennepin County, Minnesota, USA, from the series Out to Pasture, 2017, printed 2018, archival pigment print, edition 2 of 10, signed on label mount verso and certificate of authenticity, 17.25 x 23” on 20 x 24” paper, mounted on foamcore. Estimated value: $750 Courtesy of the artist and Klompching Gallery, New York
48 RUTH LAUER MANENTI
Hanging Remnant, from the series Remnants, 2018, archival pigment print, edition 3 of 10, signed verso, 14 x 11” on 22 x 17” paper. This photograph ships framed. Estimated value: $1,000 Courtesy of the artist
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49 BRAD TEMKIN
Relics LI - 2009, from the series Relics, 2009, printed 2018, archival pigment print, edition 2 of 15, signed verso, 20 x 25” on 24 x 29” paper. Estimated value: $2,800 Courtesy of the artist and Stephen Daiter Gallery, Chicago
50 SUZANNE OPTON
Citizen: Jude - Daughter of Arma + Ribat (Aman/ Jordan), 2007, archival pigment print, open edition, signed, dated and titled on print verso, 19 x 15”. Estimated value: $1,500 Courtesy of Hannah Frieser
SILENT AUCTION LOTS
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51 PABLO LERMA
Rock, from the series A Place to Disappear, 2017, printed 2018, archival pigment print, edition 3 of 9, certificate of authenticity, 20 x 20”. Estimated value: $800 Courtesy of the artist
52 ERNEST SHAW
Memento Mori, 2018, printed 2019, archival pigment print, edition 7 of 24, signed, dated and editioned recto, 26.6 x 20” on 36 x 24” paper, mounted on archival foamcore. Estimated value: $2,500 Courtesy of the artist
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53 JULIANNE NASH
Invasive Species No. 3 (Focus Stack, 19 Images), from the series Agglomeration, 2017, printed 2019, archival pigment print, unnumbered edition, signed verso, 10 x 10” on 14 x 11” paper. Condition report available upon request. Estimated value: $500 Courtesy of the artist
54 BETH GALTON
Caladium from Foliage Garden, N.Y., N.Y., from the series Roots, 2006, printed 2019, archival pigment print, edition 3 of 10, 2 signed labels, 18.75 x 14” on 20 x 16” paper. Estimated value: $2,400 Courtesy of the artist
SILENT AUCTION LOTS
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55 BARBARA LEVEN
Astoria Sunflower, from the series Enchanted Earth, 2009, archival pigment print, edition 2 of 10, titled, editioned, signed and dated print recto in pen, 11 x 16.5” on 13 x 19” paper. Estimated value: $1,200 Courtesy of Michael Knauth and Henry Ford
56 JOHN HUBA
Martin Scorsese, New York City Studio, 1993, printed 2019, archival pigment print, edition 1 of 5, signed verso in pencil, 23 x 23” on 24 x 24” paper. Estimated value: $3,500 Courtesy of the artist
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57 GERALD SLOTA
Untitled (Thumbprint Mask), from the series After, 2018, archival pigment print, artist proof, signed verso, 12 x 9” on 14 x 11” paper. This photograph is accompanied by a limited edition book, two narcissists walk into a bar, by Gerald Slota and W.M. Hunt. Hardcover, 44 pages, signed. Estimated value: $1,800 Courtesy of the artists
SILENT AUCTION LOTS
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58 WILLIAM CORDOVA
obla-di-obla-da (rara y la limpleza de osun), 2016-2018, three unique Polaroid 600 photographs, unique, signed, titled and dated verso across Polaroid backs, 4 x 3” each, triptych overall size 4 x 9”. Estimated value: $1,000 Courtesy of the artist and Sikkema Jenkins & Co., New York
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BOOK 1
A Vision Shared: A Classic Portrait of America and its People 1935-1943 Göttingen, Germany: Steidl Publishers, 2018. First edition, hardcover, 384 pages, signed. Editor: Hank O’Neal.
BOOK 2
BOOK 3
FRÉDÉRIC BRENNER, An Archeology of Fear and Desire
BRUCE DAVIDSON, England/Scotland 1960
London: MACK, 2014. First edition, hardcover, 72 pages, signed. Out of print.
Göttingen, Germany: Steidl Publishers, 2005. First edition, hardcover, 144 pages, signed. Author: Mark Haworth-Booth.
Estimate: $125
Estimated value $60
Estimated value $125
BOOK 4
BOOK 5
BOOK 6
BILL BURKE, I Want to Take Picture
JESSICA LANGE, In Mexico
JUNGJIN LEE, Unnamed Road
Santa Fe: Twin Palms Publishers, 2007. Second printing, hardcover, 60 pages, signed.
Verona, Italy: Edioriale Bortolazzi Stei S.R.L., 2010. First edition, hardcover, 96 pages, signed. Author: Julio Trujillo.
Estimated value $60
Estimated value $100
London: MACK, 2015. Second printing, hardcover, 106 pages, signed. Estimated value $200
Books 1-6 courtesy of Howard Greenberg Gallery
SILENT AUCTION LOTS
2019 CPW AWARDS & BENEFIT AUCTION 55
BOOK 7
BOOK 8
DAWOUD BEY, Seeing Deeply
ALEJANDRO CARTAGENA, CARLOS LORET DE MOLA, JUAN MADRID, FREDDY MARTINEZ AND FERNANDO GALLEGOS Los Sumergidos Self-published, 2018, softcover, 112 pages. Special edition in custom slip cover with 3 original signed prints and a signed first edition of the book. Donated by Carlos Loret de Mola.
Austin, Texas: University of Texas Press, 2018. First edition, hardcover, 400 pages, signed. Contributors: Sarah Lewis, Deborah Willis, David Travis, Hilton Als, Maurice Berger, et al. Estimated value $100
Estimate: $120
BOOK 9
BOOK 10
MARTÍN WEBER, Map of Latin American Dreams
R.J. KERN, The Sheep and the Goats
Buenos Aires, Argentina: Ediciones Larivière, 2018. First edition, hardcover, 284 pages.
Heidelberg: Kehrer, 2018. First edition, hardcover, 120 pages, signed.
Donated by the artist. Estimate: $60
Donated by the artist. Estimated value: $75
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INDEX OF ARTISTS Please note listings include: page number, lot number
INDEX OF BOOK ARTISTS
Berenice Abbott, 22, Lot 6 Keliy Anderson-Staley, 35, Lot 21 Sarah A. Anthony, 35, Lot 22 Bill Armstrong, 34, Lot 20 Mary Ellen Bartley, 47, Lot 45 Dawoud Bey, 30, Lot 17 Patt Blue, 46, Lot 43 Dan Burkholder, 39, Lot 30 Brittney Cathey-Adams, 36, Lot 23 William Cordova, 54, Lot 58 Rocio De Alba, 45, Lot 41 Alfred Eisenstaedt, 26, Lot 12 Jill Enfield, 44, Lot 39 Louis Faurer, 22, Lot 5 Barry Feinstein, 25, Lot 10 Phyllis Galembo, 42, Lot 36 Beth Galton, 51, Lot 54 Orestes Gonzalez, 36, Lot 24 L. Kasimu Harris, 41, Lot 34 John Huba, 52, Lot 56 Ina Jang, 34, Lot 19 Michael Kenna, 39, Lot 29 R.J. Kern, 48, Lot 47 Nina Kuo, 40, Lot 32 Elliott Landy, 24, Lot 8 Ruth Lauer Manenti, 48, Lot 48 Russell Lee, 43, Lot 38 Arthur Leipzig, 26, Lot 11 Pablo Lerma, 50, Lot 51 Barbara Leven, 52, Lot 55
Lisa Levine, 20, Lot 1 Pixy Liao, 41, Lot 33 Danny Lyon, 29, Lot 16 Vivian Maier, 37, Lot 26 Stephen Mallon, 42, Lot 35 Rania Matar, 43, Lot 37 Raymond Meeks, 37, Lot 25 Doug Menuez, 31, Lot 18 Ray Metzker, 28, Lot 14 Jeffrey Milstein, 25, Lot 9 Martin Munkacsi, 23, Lot 7 Julianne Nash, 51, Lot 53 Ruben Natal-San Miguel, 40, Lot 31 Suzanne Opton, 49, Lot 50 Daniel Ramos, 46, Lot 44 Justine Reyes, 27, Lot 13 Aaron Rezny, 21, Lot 3 Valerie Shaff, 20, Lot 2 Carla Shapiro, 21, Lot 4 Ernest Shaw, 50, Lot 52 Gerald Slota + W.M. Hunt, 53, Lot 57 Krista Steinke, 44, Lot 40 David Taylor, 29, Lot 15 Judith Taylor, 38, Lot 28 Brad Temkin, 49, Lot 49 James Van Der Zee, 38, Lot 27 Weegee, 45, Lot 42 Garry Winogrand, 47, Lot 46
Dawoud Bey, 56, Book 7 Frédéric Brenner, 55, Book 2 Bill Burke, 55, Book 4 Alejandro Cartagena, et al, 56, Book 8 Bruce Davidson, 55, Book 3
R.J. Kern, 56, Book 10 Jessica Lange, 55, Book 5 Jungjin Lee, 55, Book 6 Martín Weber, 56, Book 9 A Vision Shared, 55, Book 1
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CONDITIONS OF SALE
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Thank you for your support of the Center for Photography at Woodstock, whether you are attending our annual benefit event on October 3, 2019 in person or are placing an absentee bid. Please take a moment to read the conditions of sale below that will assist you in participating in CPW’s 41st Annual Benefit Auction. The auctioneer will accept bids from bidders present at the Auction who raise their paddles to signify bidding interest and from absentee bidders who make bids with CPW in advance of the Auction. The highest bidder acknowledged by the auctioneer will be the purchaser; in the event of any dispute between bidders, the auctioneer will have final discretion. The auctioneer may act either by placing consecutive bids up to the amount of the reserve, opening bidding at the reserve, or entering bids in response to salesroom and order bids. CPW staff, board members, and volunteers may bid at the Auction for themselves, and/or they may execute bids for absentee buyers. If the auctioneer decides that any opening bid is below the value of the article offered, s/he may reject the bid and withdraw the article from sale. CPW will record the name or paddle number of the successful bidder upon the fall of the hammer. Each lot is sold “as is” and all purchases are final. CPW does not make any expression or implied warranty or representation as to the condition of any lot offered for sale, and no statement made at any time, whether oral or written, shall constitute such a warranty or representation. Descriptions of condition are not warranties. The descriptions of the conditions of articles
in this catalogue, including all references to damage or repairs, are provided as a service to interested persons. Accordingly, all lots should be viewed personally by prospective buyers or an authorized representative to evaluate the condition of the property offered for sale. Unless a lot is identified as part of a limited edition, no edition limit should be assumed. Unless a lot is identified as having been printed in a certain year, no date of printing can be warranted. All prints are shipped unframed, unless noted otherwise. Payment is due at the evening of sale unless otherwise agreed with CPW staff. Accepted methods of payment are credit card (American Express, Mastercard, Visa), check, money order, cash, or Paypal. New York City sales tax (8.875%) is charged on any purchases picked up or delivered in New York State, unless the purchaser has given CPW a valid resale exemption. Tax-exempt numbers should be registered the night of the sale or placed on absentee bid forms. Purchases shipped outside New York State may be subject to the sales tax of those states. The cost for shipping is not included in the auction bids. Upon request, art work can be mailed by US Mail or FedEx. The buyer agrees to pay the cost of shipping and handling of no less than $125, depending on weight and shipping address. Please contact the CPW staff to determine the exact cost or if you would like to make alternative shipping arrangements. If you have any questions, please call CPW at (845) 679-9957. Most importantly, all proceeds from the Benefit Auction sale will go to fund CPW’s year-round artist-centered programs!
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HOW TO PLACE AN ABSENTEE BID
ABSENTEE BIDDING
CPW’s auction will be posted online at www.paddle8.com/auctions and viewers will be able to place absentee bids electronically. The service is secure and no charges will be placed to your credit card until you have be notified of your successful bids. We encourage you to use this service. You may access it by visiting www.paddle8.com or by downloading the Paddle8 app to your phone. Paddle8 bidding for the live and silent auction will begin at 12:00pm EST, Thursday, September 19, 2019. The silent auction (including books) will close online and on the Paddle8 app at 8:00pm EST, Thursday, October 3. The live auction will close online and on the Paddle8 app at 2:00pm EST, Wednesday, October 2. Live auction proxy bids will be placed by a Paddle8 representative during the live auction at the event. Interested persons attending the event or planning to place bids long distance are encouraged to register through Paddle8.com or by downloading their app. All rules pertaining to online absentee bidding remain the same for absentee bids submitted via mail or via telephone. Order bids may be submitted online, telephoned in, or by special request, via proxy at the live sale. Such bids will be executed at the lowest possible price taking into account the reserve price—if any— and Auction floor bids. This may mean that you will purchase the item for less than your chosen top bid. If matching bids have been entered by two or more parties, the first bid received by CPW will take preference. The photographs for sale and additional information can be viewed online via Paddle8.com. The art may be viewed in person by appointment or at the benefit auction on October 3. Prospective buyers are encouraged to request a condition report for any lot up until Tuesday, October 1 at 5:00pm. Notification of successful bids will be made within ten business days of the auction. The cost for shipping is not included in the auction bids. Upon request, art work can be mailed by US Mail or FedEx. The buyer agrees to pay the cost of shipping and handling of no less than $125, depending on weight and shipping address. Please contact the CPW staff to determine the exact cost or if you would like to make alternative shipping arrangements. If you have any questions, please call CPW at (845) 679-9957. Payment must be made within ten business days of notification or your purchase will be cancelled.
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UNDERWRITERS
2019 CPW AWARDS & BENEFIT AUCTION 61
The magazine dedicated to photo-based art, offering essential, insightful coverage of exhibitions, people, ideas, books, events, and resources. Want a weekly round-up of what’s going on? Sign up for our e-newsletter with updates on openings, news, reviews, and more at photographmag.com photographmagazine
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A one year subscription: $35/US, $40/Canada, $70/all other countries at photographmag.com/subscribe @photographmag
Dedicated to the memory of our trustee, dear friend, and champion of Maverick Concerts, ALAN SIEGEL
WEEKENDS JUNE 29 – SEPTEMBER 1 CLASSICAL • JAZZ • CONTEMPORARY • CHILDREN’S MUSIC www.maverickconcerts.org
646.965.2365
TWENTY YEARS WOODSTOCK AIR I DIDN'T THINK I WOULD HAVE LIFE-CHANGING EPIPHANIES. I DIDN'T THINK I WOULD MEET PEOPLE WHO WOULD CHANGE MY LIFE, BUT I DID. FREDDY MARTINEZ CRITICAL STUDIES ARTIST-IN-RESIDENCE 2015 20 YEARS – 137 LIVES CHANGED THE CENTER FOR PHOTOGRAPHY AT WOODSTOCK
DEDICATIONS
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To Dawoud Bey — A well-deserved award for a man who has added to the history of photography through his lens and as a generous mentor to many talented photographers. THOMAS DITTMER
Thank you to Alan Siegel for his dedication and love of art throughout his life. STAN SAGNER + PAUL WASHINGTON
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With heartfelt thanks and appreciation to Dawoud for his artistry and to Alan for a lifetime of unwavering commitment to the arts. JANINE SHELFFO + STEPHEN MCGRATH
To Alan and Dawoud — Heartfelt thanks and appreciation to two champions of photography. HOWARD GREENBERG GALLERY
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Congratulations, Dawoud, for this honor and for all you have done to expand and enrich the world of photography. BARRY MAYO
Dawoud — Thank you for being such a dedicated friend and mentor to CPW. We can't wait to see what you have in store next. CLINTON CARGILL + TJ JIRASEVIJINDA
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In memory of Alan Siegel whose generosity towards CPW was unparalleled. WITH GRATITUDE, THE STAFF AT CPW
To Dawoud, in recognition of your remarkable dedication as a photographer, advocate, educator and mentor. And to Barry Mayo for his leadership. BILL + JANE PEARSON
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Dawoud, thank you for the incredible work you do — from teaching to photographing to encouraging thought provoking dialogue on memory and history. You truly have a vision. STEPHEN WECHSLER
Dawoud — Congratulations on the Vision Award! Thank you for being an inspiration for so many people. LEE + NANCY SIMONSON
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To Dawoud Bey, whose work provides visibility and voice for marginalized communities in a magnificently powerful way. Thank you! MICHAEL KNAUTH + HENRY FORD
In Memoriam. So thankful for the life and contributions of our good friend and supporter, Alan Siegel. CENTER FOR PHOTOGRAPHY AT WOODSTOCK MAVERICK CONCERTS WOODSTOCK ARTISTS ASSOCIATION AND MUSEUM WOODSTOCK BYRDCLIFFE GUILD WOODSTOCK SCHOOL OF ART
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WITH THANKS AND APPRECIATION TO OUR 2019 BENEFIT SPONSORS: at time of publication
Affirmation Arts
EMPIRE MERCHANTS NORTH
CATALOG DESIGN
COVER IMAGE
williamvanroden.com
JUSTINE REYES
Still Life with Bernardaud and Lilies, 2014, printed 2019, digital c-print, edition 1 of 3, signed verso, 11.5 x 9.9” on 14 x 11” paper. Estimated value: $1,200 Courtesy of the artist
59 Tinker Street, Woodstock, New York 12498 www.cpw.org | info@cpw.org 2019 CPW Awards & Benefit Auction of Early, Modern and Contemporary Photographs Affirmation Arts, 523 West 37th Street, NYC Thursday, October 3, 2019
ABOUT Founded in 1977, the Center for Photography at Woodstock is a vital hub for dialogue and discovery in photography and related media, bringing together a diverse array of artists and a vibrant community with a strong artistic tradition. Through its programs, CPW fosters opportunities to create and explore photography, and celebrate its role in contemporary culture. Please visit www.cpw.org to learn more about CPW’s programs.
SUPPORTERS The Center for Photography at Woodstock’s 2019 programs are made possible in part with the support from Adobe Inc., Archival Methods, Arts Mid-Hudson, B&H Photo Video, Canson Infinity, Epson America, the Gunk Foundation, Hahnemühle USA, Innova Arts, the Joy of Giving Something Foundation, the Edith & Phillip Leonian Foundation, MAC Group, the Milton & Sally Avery Foundation, Museo Fine Art, the National Endowment for the Arts, the New York State Council on the Arts, Red River Paper, Ulster County, the Andy Warhol Foundation for the Visual Arts, the Town of Woodstock, Woodstock Framing Gallery, members, and individuals like you!
