Adiwit Ansathammarat
CUE Art Foundation
Adiwit Ansathammarat Curated by Kay Rosen September 10 - October 31, 2009
ŁJT FYIJCJUJPO IBT CFFO TVQQPSUFE JO QBSU CZ 7JLJOH 'PVOEBUJPO
BOARD OF DIRECTORS
CUE FELLOWS
(SFHPSZ "NFOPǴ ŁFPEPSF 4 #FSHFS 1BUSJDJB $BFTBS ŁPNBT ( %FWJOF ŁPNBT , : )TV 7JWJBO ,VBO $PSJOB -BSLJO #SJBO % 4UBSFS
(SFHPSZ "NFOPǴ 1PMMZ "QGFMCBVN ŁFPEPSF 4 #FSHFS Chair *BO $PPQFS 8JMMJBN $PSCFUU &MFBOPS )FBSUOFZ %FCPSBI ,BTT $PSJOB -BSLJO +POBUIBO -FUIFN 3PTTBOB .BSUJOF[ +VBO 4»ODIF[ *SWJOH 4BOEMFS Senior Fellow $BSPMZO 4PNFST -JMMZ 8FJ
CURATORIAL ADVISORY COUNCIL
(SFHPSZ "NFOPǴ #JMM #FSLTPO 8JMMJBN $PSCFUU .JDIFMMF (SBCOFS +POBUIBO -FUIFN -BSJ 1JUUNBO ŁPNBT 3PNB
STAFF
Executive Director +FSFNZ "EBNT Development Director .BSOJ $PSCFUU
.BSKPSJF 8FMJTI
Programs Director #FBUSJDF 8PMFSU 8FFTF Programs Coordinator 3ZBO ŁPNBT Development Coordinator 5BMJB 4QFUUFS
2
CUE Art Foundation is a 501 (c)(3) non-profit forum for contemporary art and cultural exchange that provides opportunities and resources for under-recognized artists. We value the astonishing diversity of creativity that artists provide and the importance of their activity in the social context of the city. CUE provides artists, students, scholars and art professionals resources at many stages of their careers and creative lives. Our programs include exhibitions, publications, professional development seminars, educational outreach, symposia, readings, and performances. Since 2002, we have operated from our 4,500 square foot storefront venue in the heart of New York’s Chelsea Arts District. CUE exhibiting artists are chosen by their peers and a rotating group of advisors and curators from across the country. This pluralistic process ensures that CUE consistently offers diverse viewpoints from multiple disciplines of artistic practice. Simply put, we give artists their CUE to take center stage in the challenging world of art.
3
Artist: Adiwit Ansathammarat
#FGPSF * HP UP CFE * VTVBMMZ TFU NZ BMBSN DMPDL GPS BN JO UIF IPQF UIBU * XJMM HFU VQ BOE CF SFBEZ UP HJWF GPPE PǴFSJOHT UP B #VEEIJTU NPOL )PXFWFS XIFO NZ MPVTZ BMBSN DMPDL TFUT PǴ XJUI JUT PME DMBTTJD SJOH UPOF * OFWFS IFTJUBUF UP TMBN JU SJHIU BXBZ ŁFO * UFMM NZTFMG UIBU * XJMM HFU VQ JO UIF OFYU ǸWF NJOVUFT CVU RVJUF PGUFO * HP CBDL UP TMFFQ "T TPPO BT * PQFO NZ FZFT BHBJO * LOPX * BN BMSFBEZ MBUF )PXFWFS * KVNQ PVU PG CFE XJUI B EJ[[Z GFFMJOH BOE IFBE UP UIF CBUISPPN * CSVTI NZ UFFUI XIJMF UBLJOH B TIPXFS UP TBWF UJNF * MJLF UP VTF IFSCBM TQFBSNJOU UPPUIQBTUF BMUIPVHI NZ NPUIFS TBZT UIBU UIF UBTUF JT UPP TUSPOH "GUFS B TIPXFS * SVTI UP QVU PO DMPUIFT 8JUI TP MJUUMF UJNF UP UIJOL * PGUFO HSBC TPNFUIJOH CMBDL UP HP XJUI B QBJS PG KFBOT /P XPOEFS XIZ NPTU PG UIF JOTUSVDUPST BU UIF 4DIPPM PG UIF "SU *OTUJUVUF PG $IJDBHP XFBS CMBDL /PX * LOPX o8IBU JT UIFSF UP FBU p JT B TFOUFODF UIBU * IBWF CFFO VTJOH FWFSZ EBZ TJODF * XBT ZPVOH /POFUIFMFTT * GFFM TP HMBE UIBU * EPOnU IBWF UP DPPL GPS NZTFMG BOZNPSF MJLF XIFO * TUBZFE JO UIF 4UBUFT * FBU BOZUIJOH KVTU UP ǸMM NZ TUPNBDI VTVBMMZ KVTU UIF CPJMFE SJDF UIBU NZ GBUIFS IBT DPOUJOVPVTMZ IBE GPS CSFBLGBTU GPS NPSF UIBO UIJSUZ ZFBST * TUBSU VQ UIF PME HPMEFO 5PZPUB $BNSZ UIBU * IBWF ESJWFO GPS BMNPTU TFWFO ZFBST UP HP UP XPSL *U UBLFT BCPVU GPSUZ ǸWF NJOVUFT UP ESJWF GSPN NZ IPNF .Z HJSMGSJFOE BMXBZT TBZT UIBU * ESJWF UPP TMPXMZ BT * OFWFS ESJWF NPSF UIBO B IVOESFE LJMPNFUFST QFS IPVS ŁF USBǵD KBNT JO #BOHLPL IBWF CFDPNF TP DPNNPO JO NZ EBJMZ MJGF 4PNFUJNFT * TQFOE VQ UP GPVS IPVST JO UIF DBS r UIBU NFBOT POF TJYUI PG UIF EBZ 4VDI B XBTUF PG UJNF JTOnU JU "GUFS XPSL * PGUFO WJTJU NZ HJSMGSJFOE 4IF SVOT B CBLFSZ OFBSCZ *U JT HPPE UIBU OPX * DBO TFF IFS NPSF PGUFO BGUFS XF XFSF BQBSU GPS GPVS ZFBST * MJLF UP UBLF IFS UP B EVDL OPPEMF SFTUBVSBOU OFBS IFS TIPQ 4IF MPWFT EVDL MFHT TP NVDI UIBU TIF BMXBZT PSEFST UXP * OPSNBMMZ ESJWF NZ HJSMGSJFOE IPNF UXP UP UISFF UJNFT B XFFL *U GFFMT TP MPOFMZ BGUFS * ESPQ IFS PǴ BOE IBWF UP ESJWF CBDL IPNF BMPOF GPS BU MFBTU POF IPVS "OZXBZ XIFO * BSSJWF IPNF * TQFOE B MJUUMF UJNF UBMLJOH UP IFS PO B QIPOF #FGPSF * HP UP CFE BGUFS B QSBZFS * MPWF UP TQFOE UJNF UIJOLJOH BCPVU UIJOHT * IBWF TFFO BOE QFPQMF * IBWF NFU "T VTVBM * OFWFS GPSHFU UP TFU NZ BMBSN DMPDL GPS BN IPQJOH UIBU * XJMM HFU VQ UP HJWF GPPE PǴFSJOHT UP B #VEEIJTU NPOL PO UJNF ŁJT JT KVTU B QBSU PG NZ MJGF BMTP B QBSU PG NZ BSU
4
Biography
"EJXJU "OTBUIBNNBSBU XBT CPSO JO #BOHLPL ŁBJMBOE )F MFGU #BOHLPL BU UIF BHF PG UIJSUFFO UP TUVEZ JO &EJOCVSHI 4DPUMBOE GPS GPVS ZFBST ŁFO IF SFUVSOFE IPNF UP #BOHLPL UP SFTVNF IJT TUVEJFT BOE SFDFJWFE B #'" JO 'JOF BOE "QQMJFE "SUT XJUI TFDPOE DMBTT IPOPST GSPN $IVMBMPOHLPSO 6OJWFSTJUZ UIF PMEFTU BOE POF PG UIF MFBEJOH VOJWFSTJUJFT JO ŁBJMBOE )F SFDFJWFE CPUI QPTU CBDDBMBVSFBUF BOE .'" EFHSFFT GSPN UIF %FQBSUNFOU PG %SBXJOH BOE 1BJOUJOH BU UIF 4DIPPM PG UIF "SU *OTUJUVUF PG $IJDBHP )F IBT SFDFJWFE NBOZ BXBSET GSPN UIF TDIPPM BOE XBT OPNJOBUFE GPS B +PBO .JUDIFMM .'" HSBOU JO )JT XPSL IBT CFFO FYIJCJUFE XJEFMZ JO ŁBJMBOE ,PSFB BOE UIF 6OJUFE 4UBUFT "OTBUIBNNBSBUnT FYIJCJUJPO BU $6& "SU 'PVOEBUJPO NBSLT IJT ǸSTU TPMP TIPX JO /FX :PSL
5
Curator: Kay Rosen
* ǸSTU NFU "EJ JO XIFO IF XBT B TUVEFOU PG NJOF XPSLJOH PO IJT .'" EFHSFF BU UIF 4DIPPM PG UIF "SU *OTUJUVUF PG $IJDBHP "T B TUVEFOU GSPN ŁBJMBOE "EJ IBE TQFOU NBOZ ZFBST OBWJHBUJOH UIF USJDLZ MJOHVJTUJD BOE DVMUVSBM UFSSBJO PG 8FTUFSO TDIPPMJOH JO 4DPUMBOE BOE JO UIF 6OJUFE 4UBUFT * XBT JNQSFTTFE CZ UIF TFSJPVTOFTT BOE UPVHIOFTT XJUI XIJDI IJT XPSL TRVBSFMZ FNCSBDFE UIFTF DIBMMFOHFT BOE * DBNF UP SFBMJ[F UIBU IJT EJTUBODF GSPN IJT OBUJWF IPNF BOE IJT SFMBUJPOTIJQ XJUI IJT BEPQUJWF POF QMBZFE B IVHF SPMF JO IJT BSU BOE GPSNFE UIF DPSF PG JU )JT QBJOUJOHT BOE TDVMQUVSFT XFSF OPVSJTIFE CZ IJT MPOHJOH GPS XIBU IF MFGU CFIJOE )PXFWFS * GFFM TUSPOHMZ UIBU "EJnT GFFU BSF QMBOUFE OPU TP NVDI JO UIF QBTU WFSTVT QSFTFOU PS "TJB WFSTVT /PSUI "NFSJDB CVU SBUIFS JO B [POF TPNFXIFSF JO CFUXFFO XIFSF NFNPSZ ESFBNT BOE GBOUBTZ CMFFE UPHFUIFS 'JMUFSFE UISPVHI UIF ǸOF NFTI PG IJT QFSTPOBM TFOTJCJMJUZ B diary FNFSHFT JO UIF GPSN PG QBJOUJOH PS TDVMQUVSF BCPVU MPTT UJNF EJTUBODF BOE FWFO IVNPS -JLF B QVMTF SFQFUJUJWF QBJOUFE NBSLT BOE DVUT BSF NFBTVSFE PVU BOE SFHVMBUF UIF TVSGBDF PG IJT XPSLT PO QBQFS BOE DBOWBT ŁFZ QBSTF UJNF BT UIFZ EFQJDU OBUVSBM BOE FNPUJPOBM QIFOPNFOB TVDI BT MFBWFT TOPXǺBLFT SBJOESPQT UFBST BOE XPVOET *O TPNF DBTFT UIJT JNBHFSZ GPSNT UIF CBDLHSPVOE JO B TIBMMPX TQBDF HFOUMZ PWFSMBJE PS JOUFSXPWFO XJUI PUIFS FDPOPNJDBMMZ DPEFE JNBHFT *O UIF MBSHF TDBMF DBOWBT XBMM IBOHJOHT SPVHIMZ Y UIFTF PCTFTTJWF NBSLJOHT BSF PGUFO UIF POMZ JNBHFSZ ŁF TDBMF PG UIFTF MBSHF XPSLT TFFNT UP TVHHFTU UIBU UISPVHI TIFFS TJ[F UIFZ NJHIU CSJEHF UIF QBJOGVM TQBDF BOE UJNF CFUXFFO $IJDBHP BOE #BOHLPL *O GBDU BO FYIJCJUJPO PG "EJnT JO $IJDBHP JO XBT UJUMFE Bangkok-Chicago JO XIJDI NFEJVN TJ[FE TDVMQUVSFT BOE MBSHF DBOWBTFT FOHBHFE BMM BTQFDUT PG UIF TQBDF ǺPPST DFJMJOHT XBMMT QVODUVBUJOH JU BU JOUFSNJUUFOU JOUFSWBMT XJUI 3PNBOUJD SFNJOEFST BCPVU EJTUBODF BOE UJNF ŁF TDVMQUVSFT CPUI PMEFS BOE OFX TIBSF TJNJMBS NFTTBHFT FDPOPNZ BOE DSZQUJDOFTT XJUI UIF UXP EJNFOTJPOBM XPSLT CVU UIFJS oPCKFDUOFTTp BOE UIFJS DPOWFSTJPO GSPN FWFSZEBZ NBUFSJBMT MFBUIFS XPPE QMBTUJD NFUBM SVCCFS GPBN QBQFS TQPOHFT TUFFM SPQF TDSFXT BOE OBJMT UP QPXFSGVMMZ BSUJDVMBUF BTTFNCMBHFT DBVTF UIFN UP GVODUJPO NPSF MJLF QSPYJFT GPS SFBM MJGF TJUVBUJPOT BOE FNPUJPOBM TUBUFT ŁF UJUMFT JO "EJnT XPSL BSF FYUFOTJPOT PG UIF XPSL JUTFMG WFSCBMMZ BOOPUBUJOH BOE HJWJOH WPJDF UP IJT FBTUFSO BDDFOUFE WJTVBM WPDBCVMBSZ XJUI QISBTFT UIBU DPVME CF XFTUFSO TPOH MZSJDT ŁFZ FYQSFTT SFHSFU MPOFMJOFTT MPWF BCTFODF 4PNF UJUMFT MJLF Only the lonely BDUVBMMZ BSF TPOH UJUMFT 1SPOPVOT MJLF me, you, I, and we SFJOGPSDF UIF QPJHOBOU JNBHFSZ PG QFSTPOBM SFMBUJPOTIJQT BT JO POF OFX TDVMQUVSF I wish you can come home with me tonight B UJUMF XIPTF BNCJHVJUZ BCPVU UIF JEFOUJUZ PG ZPV NF BOE IPNF BQUMZ EFTDSJCFT B DPNQMFY USJBOHVMBS SFMBUJPOTIJQ UIBU DPVME BT FBTJMZ BQQMZ UP UIF BSUJTU BOE IJT SFMBUJPOTIJQ XJUI UIF XPSME
6
Biography
,BZ 3PTFO JT B .JEXFTU CBTFE BSUJTU XIP UFBDIFT BU UIF 4DIPPM PG UIF "SU *OTUJUVUF PG $IJDBHP 'PS PWFS UIJSUZ ZFBST 3PTFO IBT CFFO DSFBUJOH QBJOUJOHT ESBXJOHT NVMUJQMFT DPMMBHFT BOE JOTUBMMBUJPOT PO XBMMT CJMMCPBSET BOE CVJMEJOHT XIFSF MBOHVBHF JT UIF QSJNBSZ JNBHFSZ 3PTFOnT XPSL IBT CFFO FYIJCJUFE OBUJPOBMMZ BOE JOUFSOBUJPOBMMZ JODMVEJOH BU UIF .VTFVN PG $POUFNQPSBSZ "SU -PT "OHFMFT XIFSF TIF IBE B SFUSPTQFDUJWF FYIJCJUJPO JO UJUMFE Kay Rosen: Lifeli[k]e ."44 .0$" UIF 8IJUOFZ #JFOOJBM La Parola nell’arte ."35r .VTFP EF "SUF .PEFSOB F $POUFNQPSBOFB EJ 5SFOUP F 3PWFSFUP *UBMZ Kay Rosen: Big Talk %VOFEJO 1VCMJD "SU (BMMFSZ /FX ;FBMBOE BOE 1SPTQFDU /FX 0SMFBOT 4PMP FYIJCJUJPOT PG IFS XPSL XFSF QSFTFOUFE JO BU :WPO -BNCFSU (BMMFSZ JO /FX :PSL $JUZ BOE 1BSJT BOE BU *OHMFCZ (BMMFSZ &EJOCVSHI 4DPUMBOE *O UIF GBMM PG TIF XJMM IBWF B TPMP FYIJCJUJPO BU ,MPTUFSGFMEF (BMMFSZ #FSMJO "MM UISFF HBMMFSJFT SFQSFTFOU IFS " CPPL BCPVU 3PTFOnT XPSL Kay Rosen: AKAK XJMM CF QVCMJTIFE CZ 3FHFODZ "SU 1SFTT -UE /FX :PSL $JUZ JO /PWFNCFS 3PTFO IBT SFDFJWFE UISFF /BUJPOBM &OEPXNFOU GPS UIF "SUT 'FMMPXTIJQT 'PS NPSF JOGPSNBUJPO QMFBTF WJTJU XXX LBZSPTFO DPN
7
Adiwit Ansathammarat
You are passing another fox "DSZMJD PO DBOWBT ΧY Χ
9
Where the streets have no name 8BUFSDPMPS PO QBQFS ΧY Χ
10
I wish you can come home with me tonight .FUBM QMBTUJD XPPE SPQF QBJOU Χ Y Χ Y Χ
11
Thank you for wonderful memories, "DSZMJD PO DBOWBT Χ Y Χ
12
I saw you on a roadside but I didn’t stop -FBUIFS SPQF MBUFY SVCCFS GPBN ΧY Χ Y Χ
13
She left me for L.A. "DSZMJD PO DVU DBOWBT ΧY Χ
14
15
He said to me, we need to talk 8BUFSDPMPS PO QBQFS ΧY Χ
16
Sometimes it’s hard to talk to her -FBUIFS XPPE QBJOU Χ Y ΧY Χ
17
30 25 45, 8PPE NFUBM TIFFU QBQFS QBJOU Χ Y Χ Y Χ
18
My mother loves the black dot 8BUFSDPMPS PO QBQFS ΧY Χ
19
All I can do is wait "DSZMJD PO DBOWBT Χ Y Χ
20
Adiwit Ansathammarat: A Diary of Everyday Traumas By Tim Ridlen
This essay was written as part of the Young Art Critics Mentoring Program, a partnership between AICA USA (US section of the International Association of Art Critics) and CUE Art Foundation, which pairs emerging writers with AICA mentors to produce original essays on a specific exhibiting artist. Please visit www.aicausa.org for further information on AICA USA, or www.cueartfoundation.org to learn how to participate in this program. Any quotes are from interviews with the author unless otherwise specified. No part of this essay may be reproduced without prior consent from the author. Elizabeth Baker is AICA's Coordinator for this program for the second season.
8JUI B USBOTDVMUVSBM CBDLHSPVOE PG JODSFBTJOH GBNJMJBSJUZ "EJXJU "OTBUIBNNBSBU XBT CPSO JO ŠBJMBOE XIFSF IF CFHBO IJT FEVDBUJPO JO UIF WJTVBM BSUT IF MFGU IJT IPNF JO #BOHLPL BT B UFFOBHFS UP TUVEZ JO &EJOCVSHI UIFO GPS HSBEVBUF TUVEJFT XFOU PO UP UIF 4DIPPM PG UIF "SU *OTUJUVUF PG $IJDBHP  )F BSSJWFE JO $IJDBHP JO BOE JU XBT UIFSF UIBU * ǸSTU DBNF UP LOPX IJT XPSL $SVDJBM UP IJT MJGFnT TUPSZ "OTBUIBNNBSBUnT EJTQMBDFNFOU UP EJTUBOU OPSUIFSO DJUJFT PQFOT B GSBNF PG SFGFSFODF GPS IJT BCTUSBDU ZFU BMMVTJWF QBJOUJOHT BOE TDVMQUVSFT UIBU SFBE FBTJMZ BDSPTT DPOUJOFOUT "OTBUIBNNBSBUnT QBJOUJOHT NBEF JO $IJDBHP DPOWFZ BO JOUFOTF MPOHJOH UP SFUVSO UP ŠBJMBOE )JT DPMPS TBUVSBUFE ǸFMET PDDVQZ MBSHF DBOWBTFT TUSFXO XJUI UJOZ DVUT BOE HBTIFT UIBU UBLF UIF GPSN PG UFBSESPQT ŠSPVHI UIF UFMMJOH BOE SFUFMMJOH PG QFSTPOBM OBSSBUJWFT XIJDI IF SFGFST UP JO IJT PGUFO QMBJOUJWF UJUMFT "OTBUIBNNBSBU PWFSDPNFT UIF QBJO PG UIF TNBMM USBVNBT  PG UIF FWFSZEBZ )JT JNBHFT BOE PCKFDUT QMBZGVMMZsPS SVFGVMMZsDPVDI NPNFOUT PG FYJTUFOUJBM BOHTU JO UIF NJOVUJBF PG MJWFE FYQFSJFODF "OZPOF GBNJMJBS XJUI UIF MBOETDBQF PG $IJDBHP CPUI MJUFSBM BOE ǸHVSBUJWF XJMM SFDPHOJ[F UIF DJUZ XJUI JUT 21
Adiwit Ansathammarat: A Diary of Everyday Traumas
CPVOUJGVM XJOUFS TOPX BOE CJH TLZ BT UIF TJUF PG IJT JNBHFT ŁF JOǺVFODF PG UIF $IJDBHP *NBHJTU BSUJTUT XJMM BMTP CF BQQBSFOU ŁF TNBMM XPPE NFUBM BOE QBQFS GPSNT PG 20 30 45 SFDBMM UIF CSJHIUMZ MJU XJOEPXT UIBU GSBNF UIF TJMIPVFUUFT PG 3PHFS #SPXOnT BQBSUNFOU EXFMMFST "OTBUIBNNBSBUnT PXO BSDIJUFDUVSBM TJMIPVFUUFT UFOE UP CF EBSLFS BOE HMPPNJFS BOE IJT JNBHFSZ JT GBS NPSF HFOFSBMJ[FE UIBO UIBU PG UIF $IJDBHP *NBHJTUT )JT TJNQMF TIBQFT BOE NBSLT EPOnU TFFN UP CF BCPVU SFQSFTFOUBUJPO BT NVDI BT UIFZ BSF BCPVU UIFJS NBUFSJBMTs BDSZMJD PO DBOWBT PGUFO IVHF VOTUSFUDIFE DBOWBTFT GBTUFOFE UP UIF XBMM BOE MFGU IBOHJOH GSPN DFJMJOH UP ǺPPS XBUFSDPMPST BOE JOL ESBXJOHT PO QBQFS PS TDVMQUVSFT BTTFNCMFE GSPN TJNQMF NBUFSJBMT TVDI BT QBJOUFE XPPE MFBUIFS BOE QMBTUJD ŁF TDVMQUVSFT BSF NPEFTU JO TDBMF BOE TJU EJSFDUMZ PO UIF HSPVOE ŁFZ TIBSF B CSJHIU BOE DPOUSBTUJOH DPMPS SBOHF BT XFMM BT B TJNQMJDJUZ PG DPOTUSVDUJPO BOE GPSN "OTBUIBNNBSBUnT VOTUSFUDIFE DBOWBTFT DBO SBOHF VQ UP n JO UIFJS MBSHFTU EJNFOTJPO BOE JO TPNF DBTFT UIFZ BSF DVU JOUP TIBQFT UIBU NPEJGZ UIF FYQFDUFE SFDUBOHMF ŁFSF BSF BMTP TPNF DPOWFOUJPOBMMZ TUSFUDIFE DBOWBTFT BSPVOE Χ Y Χ TPNF PG UIFN JSSFHVMBSMZ TIBQFE ŁF XBUFSDPMPST VTVBMMZ NBJOUBJO B SFDUBOHVMBS GPSNBU BOE BSF TJ[FE BU B DPOTJTUFOU Χ Y Χ -JLF UIF MBSHF DBOWBTFT UIFZ FNQMPZ DVUUJOH BT B GPSN PG NBSLNBLJOH PO BOE UISPVHI UIF TVSGBDF ŁF IPMFT XIFUIFS DVU UISPVHI DBOWBT PS QBQFS BMMPX MJHIU BOE TIBEPX UP QMBZ PO UIF XBMM CFIJOE ŁF BSUJTUn T IBOE JT FWJEFOU JO UIFTF TNBMM QFSGPSBUJPOT KVTU BT JO UIF NBSLT PG BDSZMJD PS XBUFSDPMPS "GUFS OPUJDJOH UIF QBUUFSOFE IPMFT DVUUJOH UIFJS XBZ UISPVHI UIF TVSGBDFT POF DBOOPU IFMQ CVU TFF TJNJMBS USBOTHSFTTJPOT JO UIF SFTU PG UIF XPSLT XIBUFWFS UIFJS TDBMF BOE NBUFSJBMT #BDL JO #BOHLPL "OTBUIBNNBSBU GPVOE MJGFnT TNBMM EJǵDVUJFT r MJLF TJUUJOH JO USBǵD GPS FYBNQMF PS UIF UFNQPSBSZ BCTFODF PG B MPWFS r XPSUIZ PG OPUJOH JO IJT MBSHF DVU DBOWBTFT %JǵDVMU BǴBJST PG UIF IFBSU PGUFO QMBZ B SPMF JO IJT UJUMFTsOne day I will be with you Goodbye days Only the lonely Trouble sleepingsCVU IJT JNBHFSZ JT OFWFS TQFDJǸD All I can do is wait JT B UBMM WFSUJDBM QBJOUJOH JO XIJDI UIF DBOWBT SFDUBOHMF JT JOUFSSVQUFE CZ BO BXLXBSEMZ SPVOEFE DPSOFS XIFSF UIF BSUJTU IBT DVU JOUP UIF GSBNF PG UIF JNBHF " ǸFME PG NBSLT SFTFNCMJOH EBSL DPMPSFE XBWFT TVHHFTUT B EJTUBOU PDFBO TFFO UISPVHI B SBJO ESFODIFE XJOETIJFME PS UISPVHI ǺPXJOH UFBST ŁF QBJOUJOHnT TVSGBDF JT TVǴVTFE XJUI ESPQT PG DPMPS UIBU POF NVTU XPSL UISPVHI UP QFSDFJWF BOZ JMMVTJPO PG EFQUI " MBSHF BCTUSBDU TIBQF JOWBEFT UIF ǸFME GSPN UIF BCTFOU DPSOFS BU UIF VQQFS MFGU JU TPNFXIBU SFTFNCMFT B MFBG BOE BT UIF XPSLnT UJUMF PCTFSWFT POF DBO POMZ XBJU GPS JU UP GBMMsPS JG JU JT B CVE XIJDI UIF JNBHFSZ BMTP TVHHFTUT UP CMPPN .PSF TQFDJǸDBMMZ QFSTPOBM JT My mother loves the black dot B TNBMM XBUFSDPMPS TZNNFUSJDBM FOPVHI UP TVHHFTU B 3PSTDIBDI JOLCMPU ŁF BSUJTUnT BDU PG OBNJOH
22
JT B MPWJOH SFGFSFODF UP UIF POF XIP OBNFE IJN $FOUFSFE CFOFBUI B ǸFME PG TNBMM PSBOHF NBSLT BOE DVU PVU TUSJQT B SFEEJTI BNPFCJD TIBQF BQQFBST UIBU DPOUBJOT B CMBDL EPU SFTFNCMJOH UIF QVQJM PG BO FZF 5XP CSPXO QBUUFSOFE SFDUBOHVMBS TIBQFT MJLF ǺZJOH DBSQFUT DVU JO EJBHPOBMMZ GSPN FBDI VQQFS DPSOFS SFJUFSBUJOH UIF TZNNFUSJDBM QBUUFSO PG NBSLT BOE DVUT ŁF SFDUBOHVMBS DBSQFU MJLF TIBQF SFBQQFBST BT BO VOBTTVNJOH ǺPPS QJFDF B MFBUIFS BOE XPPE SVH MJLF TDVMQUVSF UJUMFE Sometimes its hard to talk to her BOE ZFU BHBJO JO B DBOWBT PG UIF TBNF ZFBS He said to me, we need to talk ŁF SFQFUJUJPO PG UIJT QBUUFSOFE SFDUBOHMF FMFWBUFT JU UP UIF MFWFM PG HSBQIJD JDPO BMUIPVHI XJUIPVU BOZ DMFBS JOEJDBUJPO PG JUT NFBOJOH ŁSPVHI UIJT TJNQMF SFDPHOJUJPO POF TUBSUT UP HFU BO JEFB PG "OTBUIBNNBSBUnT FMVTJWF ZFU FWPDBUJWF WPDBCVMBSZ BOE TZOUBY ŁF SFQFUJUJPO GPVOE CPUI JO JDPOPHSBQIZ BOE QBUUFSOT JNQMJFT BO FYQSFTTJPO PG DPOUSPM PWFS UIF PUIFSXJTF VODPOUSPMMBCMF QBOHT PG MJWJOH &BDI JUFSBUJPO PG TIBQF QBUUFSO BOE HSBQIJD FMFNFOU GPSNT B MBOHVBHF UIBU MFUT VT SFBE IJT TUPSZ *G QSFTTFE UP OBNF UIJT BSUJTUnT QSFGFSSFE NFEJVN POF NJHIU TBZ oOBSSBUJWF p SBUIFS UIBO BDSZMJD XBUFSDPMPS XPPE NFUBM PS QBQFS *O HFOFSPVTMZ SFDVSSJOH HFTUVSFT IJT EJBSZ UVSOT PVUXBSE BT JG UP MFU VT FOUFS IJT XPSME BOE HBJO BO JEFB PG XIBU JU JT MJLF *O UIBU TFOTF "EJXJU "OTBUIBNNBSBUnT EJBSZ PG TNBMM USBVNBT XJUI JUT TUSPOH WFSCBM DPNQPOFOU JT JO JUT FTTFODF B CPPL PG OBNFT GPS UP OBNF TPNFUIJOH JT BO BDU PG VOEFSTUBOEJOH BDRVJSJOH BOE DPNJOH UP UFSNT
23
24
TIM RIDLEN JT BO BSUJTU BOE XSJUFS XIP
IBT SFDFOUMZ SFMPDBUFE UP /FX :PSL $JUZ GSPN $IJDBHP )F JT UIF 4FOJPS &EJUPS PG Boot Print B QVCMJDBUJPO PVU PG 4U -PVJT BOE IBT XSJUUFO GPS New City and Bad At Sports in $IJDBHP )F JT DVSSFOUMZ QVSTVJOH IJT .'" BU UIF .JMUPO "WFSZ (SBEVBUF 4DIPPM PG UIF "SUT #BSE $PMMFHF
25
ŁF NFOUPS ROBERT BERLIND JT B QBJOUFS BOE XSJUFS XIP MJWFT BOE XPSLT JO /FX :PSL )F IBT CFFO BXBSEFE HSBOUT GSPN UIF /BUJPOBM &OEPXNFOU GPS UIF "SUT BOE UIF 1PMMPDL ,SBTOFS 'PVOEBUJPO BOE IBT SFDFJWFE UIF "NFSJDBO "DBEFNZ PG "SUT BOE -FUUFSTn "XBSE JO 1BJOUJOH BOE UIF /BUJPOBM "DBEFNZnT #FOKBNJO "MUNBO "XBSE JO 1BJOUJOH #FSMJOE XSJUFT PO BSU GPS Art in America, BorderCrossings, The Brooklyn Rail BOE PUIFS QVCMJDBUJPOT )F JT B NFNCFS PG UIF /BUJPOBM "DBEFNZ PG %FTJHO BOE JT BO &NFSJUVT 1SPGFTTPS PG UIF 4DIPPM PG "SU %FTJHO 1VSDIBTF $PMMFHF 46/:
26
CUE Art Foundation’s operations and programs are made possible with the generous support of foundations, corporations, government agencies, individuals, and its members.
MAJOR PROGRAM SUPPORT IS PROVIDED BY: Accademia Charitable Foundation Viking Foundation Agnes Gund The Pollock-Krasner Foundation The Greenwall Foundation The Greenwich Collection Ltd. Milton and Sally Avery Arts Foundation Foundation for Contemporary Arts The Joan Mitchell Foundation The Andy Warhol Foundation for the Visual Arts National Endowment for the Arts New York City Department of Cultural Affairs New York State Council on the Arts (a State agency) William Talbot Hillman Foundation
27
MEDIA SPONSOR:
$PWFS *NBHF She left me for L.A. <EFUBJM> "DSZMJD PO DVU DBOWBT Χ Y Χ "MM BSUXPSL Â&#x192; "EJXJU "OTBUIBNNBSBU
CUE Art Foundation 511 West 25th Street New York, NY 10001 212-206-3583 f 212-206-0321 cueartfoundation.org
*4#/ $BUBMPH EFTJHO FMJ[BCFUI FMMJT 1SJOUFE CZ NBS Y NZMFT JOD Â VTJOH XJOE HFOFSBUFE QPXFS
28
2009/10
CUE Art Foundation 511 West 25th Street, New York, NY 10001 212-206-3583 f 212-206-0321 cueartfoundation.org