The city is like a great house: urban design in Europe
Pierre‐Alain Croset, Politecnico Torino, April 1, 2014
Leon Ba9sta Alber;, 1404‐1472
De Re Aedificatoria, On the Art of Building, 1452
“In fact, if the City, according to the judgment of the philosophers, is like a great House, and the opposite the House is a small City, why don't we say that members of it as the courtyard, the loggias, the Hall, the porch, and all these are sDll the same like small houses? “ Leon Ba;sta Alber= Liber I (Book 1), De Disegni (On Design)
“The house is a small city”
Monastry of Ema, Florence
“The house is a small city”
Monastry of Ema, Florence
“The house is a small city”
Monastry of Ema, Florence
“The house is a small city”
Le Corbusier, Unité d’Habita=on, Marseille, 1945‐52
“The house is a small city”
Le Corbusier, Venice Hospital, 1961‐65
“The house is a small city”
Le Corbusier, Venice Hospital, 1961‐65, ground floor
“The house is a small city”
Le Corbusier, Venice Hospital, 1961‐65, first floor
“The house is a small city”
Shinonome Canal Court, Tokyo, (Riken Yamamomoto,Toyo Ito, Kengo Kuma and al.), 2008‐2010. Housing + SOHOs (Small offices and home offices)
“The house is a small city”
Shinonome Canal Court, Tokyo
“The house is a small city”
Shinonome Canal Court, Tokyo
“The house is a small city”
Riken Yamamoto, Local Community (theore=cal project), 2012
“The house is a small city”
Riken Yamamoto, Local Community (theore=cal project), 2012
“The house is a small city”
Riken Yamamoto, Local Community (theore=cal project), 2012
“The house is a small city”
Riken Yamamoto, Local Community (theore=cal project), 2012
“The city is a great house”
“ I said you elsewhere that the House was a small City. We must therefore consider almost all those things that are enDtled to make a City, i.e. that it is extremely fine, has all the things you need, and finally all the comforts who benefit to live with quiet, peace and gently. “ Leon Ba;sta Alber=, Liber V (Book 5), Degli edifici parDcolari (On Private Buildings)
The Piazza as a Room
Piazza dell’Anfiteatro, Lucca
The Piazza as a Room
Piazza Ducale, Vigevano
The Piazza as a Room
Piazza Ducale, Vigevano
The Piazza as a Room
Piazza Ducale, Vigevano
The Piazza as a Room
Place des Vosges, Paris
The Piazza as a Room
Photo Piazza San Carlo, Torino MB
Piazza San Carlo, Torino
The Piazza as a Room
Piazza San Marco, Venice
Venice in the words of Henry James
“ I was more than ever struck with that queer air of sociability, of cousinship and family life, which makes up half the expression of Venice. Without streets and vehicles, and with its liMle winding ways where people crowd together, where voices sound as in the corridors of a house, where the human step circulates as if it skirted the angles of furniture and shoes never wear out, the place has the character of an immense collec5ve apartment, in which Piazza San Marco is the most ornamented corner and palaces and churches, for the rest, play the part of great divans of repose, tables of entertainment, expanses of decoraDon. And somehow the splendid common domicile, familiar, domes;c, and resonant, also resembles a theater, with actors clicking over bridges and, in straggling processions, tripping along fondamentas. “ Henry James, Aspern Papers, 1888
The Street as a Corridor
A Street café in Rome
The Street as a Corridor
The Street as a Corridor
Soria y Mata, ciudad lineal, Madrid
An Alber;an tradi;on: Ci;es with a formal order
The Ideal City, Pain=ng of an anonyme Floren=ne Ar=st, end of 15th century
An Alber;an tradi;on: Ci;es with a formal order
Plans of “ideal” ci=es: Filarete, Sforzinda Project, 15° century
An Alber;an tradi;on: Ci;es with a formal order
The city of Pienza, 15° century
An Alber;an tradi;on: Ci;es with a formal order
Plans of “ideal” ci=es: Palmanova, 16° century
An Alber;an tradi;on: Ci;es with a formal order
Plans of “ideal” ci=es: Lisbonne Pombal MB
Lisbon, Reconstruc=on aher the earthquake, 18° century
The break of Modernism: the architecture beyond the city
Le Corbusier, A contemporary City, 1922
The break of Modernism: the architecture beyond the city
Le Corbusier: A contemporary City, 1922, perspec=ve: dilata=on of the urban space
The break of Modernism: the architecture beyond the city
Le Corbusier: Plan Voisin for Paris, 1925
The break of Modernism: the architecture beyond the city
Ludwig Hilberseimer, Skyscrapers’s City, 1924
The break of Modernism: the architecture beyond the city
F.L. Wright and Broadacre City = the city of the dispersion
“Autopia” : the cars beyond the City
View of highways in Los Angeles in the post‐war period
“Autopia” : the cars beyond the City
“Autopia” : the cars beyond the City
Hans Scharoun, Plan for the reconstruc=on of Berlin, 1958
The “culturalist” reac;on against Modernism: the ‘50s and ‘60s
Team X: Van Eyck, De Carlo, S=rling, Smithson, Ungers
A protagonist of the ‘70s: Oswald Mathias Ungers (OMU)
Oswald Mathias Ungers, 1926‐2007
OMU Dean at the Cornell University, 1969‐75
Oswald Mathias Ungers with the students at the Cornell University, 1972
OMU and Team Ten at the Cornell University, 1971‐72
Colin Rowe and “Collage City”, 1978
Colin Rowe, 1920‐1999
Colin Rowe and “Collage City”, 1978
Nolli Plan of Rome, 1748
Colin Rowe and “Collage City”, 1978
Figure/ground representa=on of urban structure
OMU and “The green archipelago”: Berlin as a case‐study
Cornell University’s Summer Academy, Berlin, 1977
OMU and OMA (Rem Koolhaas)
Rem Koolhaas as a teaching assistant of OMU at Cornell University, 1977
Rem Koolhaas, Delirious New York, 1978
BERLIN AS A GREEN ARCHIPELAGO
A polycentric model for Berlin: The city within the city
The green archipelago: Berlin, 1978. The wall, the grid, the islands
The wall. Berlin as a divided city
The grid. A neutral structure. No hierarchy
The Islands. The city within the city
Südliche Friedrichstadt as an Island
1938
1945
1977
OMU’s proposal, 1978
IBA Berlin, 1979‐1987
Josef‐Paul Kleihues, 1933‐2004
IBA Berlin, 1979‐1987
Ungers’ and his students’ plan for Südliche Friedrichstadt (1978)
Kleyhues’ Masterplan for the IBA (1981)
Südliche Frie ones
IBA Berlin, 1979‐1987: Architects’ houses for the City
Aldo Rossi
John Hejduk
Peter Eisenman
Alvaro Siza
The fall of the Wall in Berlin, 1989
Josef‐Paul Kleihues, 1933‐2004
Acer the reunifica;on: the future of the Green Archipelago
Alberto Geuna, Diplom Thesis, Politecnico Torino, 2014
Barcelona as a case‐study
The plan Cerda
Barcelona as a case‐study
The Olympic Plan
Barcelona as a case‐study
Oriol Bohigas
Barcelona as a case‐study
The renewal of the Waterfront
Barcelona as a case‐study
The Olympic Village
Barcelona as a case‐study
The Olimpic Village
Barcelona as a case‐study
Montjuic, anillo olimpico
Barcelona as a case‐study
Rambla Raval
Barcelona as a case‐study
Rambla Raval
Barcelona as a case‐study
Renova=on on Plaza Reyal
Barcelona as a case‐study
Plaça del Sol. Gracia
An Alber;an hero: Luigi Snozzi
Biennale di Venezia, Interna=onal Architecture Exhibi=on, 2012
Luigi Snozzi’s Aphorisms
Architecture is the void: you must define it !
Monte Carasso: the exemplarity of a small city
Monte Carasso: the exemplarity of a
Monte Carasso: the exemplarity of a small city
Monte Carasso: the exemplarity of a
Monte Carasso: the exemplarity of a small city
Monte Carasso: the exemplarity of a
Monte Carasso: the exemplarity of a small city
Luigi Snozzi’s first sketch, 1979
Monte Carasso: the exemplarity of a small city
Luigi Snozzi’s first sketch, 1979
Monte Carasso: the search of a center
Luigi Snozzi’s first sketch, 1979
Monte Carasso: the search of a center
Luigi Snozzi’s first sketch, 1979
Monte Carasso: the search of a center
The Monastery as a Piazza, 2010
Monte Carasso: the search of a center
The Monastery as a Piazza, 2010
Monte Carasso: rules for the densifica;on
The Monastery as a Piazza, 2010
Deltametropolis olandese, 2001
Delta Metropolis: a formal order for a large territory
A City is never too small, and never too big: firstly you need to design the
space of the City