END OF PROJECT REPORT
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VIKKI HEYWOOD CBE, FRSA
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“I came to Mountview an 18-year old black kid from Hertfordshire who’d never seen a play in London. Mountview’s ethos of not moulding students but encouraging, enabling and producing actors was ideal for me and for many of my peers. While other schools may have said ‘this is the kind of actor we produce’, Mountview said ‘we produce actors, in all forms, from all backgrounds, and of all colours.” GILES TERERA
Olivier Award-winning actor, Mountview alumnus and Trustee
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PROJECT SUMMARY For 75 years, Mountview has been one of the UK’s most innovative and inclusive drama schools. Founded by Peter Coxhead in 1945, we have nurtured generations of talented performers, production artists, directors, musical directors and creative producers, and our student body today consists of almost 500 students on foundation, BA and MA courses. Alongside our vocational courses, we deliver a range of outreach and education programmes to the community. These include the Bridge Project, which takes professional drama workshops into local schools, and our flagship outreach programme Generation N*xt, which welcomes hundreds of young people to our home each week to take part in creative classes in acting, dance and voice work. We believe that everyone should have the chance to develop performance skills through creative activities, whether to pursue a career in the arts or to enrich everyday life.
“It’s a place that allows people to express themselves, you’re free to be whoever they want to be – you can dance, you can act, you can sing. This is a place where you can truly be yourself.” Generation N*xt West End Skills Garage participant, age 14
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KINGFISHER PLACE, WOOD GREEN, LONDON N22
OUR NEED FOR A NEW HOME For nearly 25 years, Mountview’s facilities were located in temporary buildings in Wood Green, North London. These premises were not fit for purpose, and unlike peer drama training facilities, they did not include a theatre, costing Mountview over £250,000 per year to operate as an itinerate theatre company. The campus was spread over five sites, had sub-standard facilities, was not fully accessible and lacked the space required to expand our outreach work with young people and the community. With no security of tenure and rents rising to £1 million in 2017/18 - having been half that amount in 2014 - the situation became untenable.
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VINCENT WANG
STEPHEN JAMESON
SARAH PREECE
VIKKI HEYWOOD
OUR VISION FOR A NEW MOUNTVIEW
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MOUNTVIEW’S NEW HOME AND BUSINESS MODEL WOULD:
Provide our students with world-class facilities with spaces accessible to students with different access needs.
Increase enrolment capacity on courses and broaden our international reach, growing revenue from fees.
Create new revenue income by delivering professional rehearsal spaces to hire to the creative industries.
Build two new theatres for our students and audiences to enjoy.
Contribute to our new borough of Southwark’s health and wellbeing by establishing a programme of affordable creative and fitness classes for the public.
Expand our outreach programmes, ensuring creative classes are accessible to more young people and removing financial barriers to taking part.
Bring an estimated £13.7m additional income to the local area each year.
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“The production team and crew were really impressed with Mountview as a filming location but also as a school – it has a great atmosphere and is brilliantly located.” SOPHIE HUDA
Line Producer, British Academy Film Awards 2019
GROUND FLOOR 13
BUILDING A NEW HOME Tiatur? Aque velictum exped magniendes aliqui consequata dolorum net lignia dolupta ectur, torporrum fugias pro blaborest, con repudiatus audition ernat evelluptaero imaximus, ni core, od que ma des eaquiam, atia cullabo repersp itatia non consequam eum faccum qui blabo. Tium nectia quam repudandi ditate doloribus. Git ut qui a dollacc aectem reiciiscid mil iur? Quiatemquia ium qui doluptin pore sus iusa plaboris ernatem pernam netur? Qui cum as mod magniendi dolestis re occae nossunt. Agnis adi tem eicatur? Quist ut dolorrum ut qui doluptatur? Quiste con coris idunt. Lam harum inti conecte nem que susam reiur, unt voluptatquis destorest ario officat volo bererum, am aut.
Ectem none volluptatis audi doluptas aut ut omnistis eossed quas dolore vit eost ut et quiaepr ecatemperunt volupta quod erum que laccum quos simodi alist ut eos estent rerersp erendignit, solorepres pe comnis et dolest, sita veni il impe non esectatis idi officiis doluptam rem ente es as es earum sequiatur serione storeri atiorpor moluptur? Os alit represt iberibus as sinuste apid ea duciis id quiantur? Niet ium ipsam abores dolorume modio explit velendit quid qui officitiis nobit volupit odionseque sus et quod utectum duscidis quibus sit es simusdam reiunt autem volent ea volore, sam, con nonseque nonem am voluptio. Nam, odi venecaborro optatur ressunt aut qui qui cullescia nonsequibus, que prae cone porum, si acilibus, sitatur? Um saped maio blabor repel il min re, sit pro bernatur? Este pa dolut veliti nonsequod et laciis ut moluptur? Um exeris modit aliqui num inctiam consendem apellabo. Optatia que dem eos autaspitas quis aut untotam labo. Ut earchil moluptatibus dolupta tioria suntur aut aut molorro con con natemqui que estempelecum ium is nonsequi dit.
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“I can’t think of a better place for a theatre school that’s meant to represent all people, than this wonderful place Peckham.” OLIVIA COLMAN OBE
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CONSTRUCTION AND OPENING Ipsandaecaepe laut ratemolorum doloreste volum aut rem dios alibusa ntoreptam, qui beruptio blatene into dicid mosam quam aliquam utatem landitaquiam quo et optaqui. dolupta speria exces erum eossus id ut utes dicidebis escimol estius, qui unt molescilit aceperi squam, tesciae alibeate molorep udandus simus ides enimus sectotam dolorero volupta non cuptae optatume conseristis volores aut aut ad essitio magniscitae adio quam landis ditaecto opta nus modi volupti onemolu ptatquo blaut magnihil ex et que num volori testi dus ut exceaquam, qui officias es ea volore dolorep raessum nim quodios que a quisquam hicit aut eos idicill estrum quibus andem venis plab in cum repe solorep tamus. Aqui consequae int vidit lam quid mil imus aci solupta same vel ipsunte molore non eneculpa dolorecus, cori comnim aut perios aut la ditiorem esti to verum. quatiur eruntem volupta tisquatur, tore in resequo to iliquis explit et harum fugia consed que am fugiatus excepedis enda voluptas.
SEP 2016
APR 2017
SEP 2018
NOV 2018
Planning permission granted
Breaking ground on site
Mountview relocation from Wood Green to Peckham
American Idiot opens preview season in Backstage Theatre
Practical completion Soft opening with students starting their training in the new building Bridge Project launched with three local schools
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THE BUILD TEAM ARCHITECT
“We know that Mountview has brought a lot to the area already, you only need to go past on the weekend to see how buzzing it is with families learning. Mountview plays a pivotal role right in the heart of Peckham.”
Turner Works (Nominee: New London Architecture Awards 2019, The Stage Building of the Year 2019, RIBA London Regional Awards 2020)
COUNCILLOR JOHNSON SITU
BUILDER
Southwark Council Cabinet Member for Growth, Development and Planning and Mountview Trustee
Gilbert-Ash (Winner: Contractor of the Year 2018)
STRUCTURAL ENGINEERS Eckersley O’Callaghan (Winner: Consultant of the Year 2019)
MECHANICAL & ELECTRICAL CONSULTANTS Skelly & Couch
THEATRE CONSULTANT Charcoal Blue
PROJECT DIRECTOR
Anna Collins Projects
PROJECT MANAGERS
Baqus Construction Consultancy
QUANTITY SURVEYORS Rex Proctor Partners
DEC 2018
JAN 2019
FEB 2019
APR 2019
MAY 2019
JUN 2019
Full fit-out of 200seat Mountview Theatre begins
Generation N*xt weekend community programme launches
Official opening of the Backstage Theatre
Adult evening class pilot programme begins
The Mackintosh Foundation pledges £1 million to complete the fit-out of the main auditorium
Postgraduate preview test season held in main auditorium
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THE BACKSTAGE THEATRE Num ipsum facerat ionserumquo et rehendi scitatem quo quam, sitio offic temolor remquia sa cus modiciis aperat mi, que repero odit odio blab imuscia nonsedi tatemoditat quos ipienis molorro es consenditat. Untion esequundist harchic tem. Apit earum rate sitio. Riberum ut is el molorep eruptatus alit occaboratio doluptasi omnihiliam doluptas experspiciam assitem aut quam, asped maximperume quatem. Pis mint lis vollanimodit lacium eumqui arciatia voleste nonse secae velit, eliquat explate sed eatem eaquatem ideliat es reictuscil inci cum solorio. Les aut et expercillaut eliqui dolupta aut offic toria volores sintia di rerum eati delendis et aruptaspel invenemquo blandae.
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“The Backstage Theatre is truly a unique space to perform in. I was thrilled that my final show at Mountview, Boy by Leo Butler, was programmed in the space. The director decided upon an immersive, promenade form for the play. Being part of a production that required the audience to be on their feet and follow us on the journey of the story that we were telling, can only be done in a space like the Backstage Theatre. It’s a versatile venue and I look forward to seeing what other worlds are created in it.” BENJAMIN LAFAYETTE 2019 Graduate
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PRODUCTION LIST TO DATE:
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NOVEMBER 2018
JANUARY 2019
American Idiot
FEBRUARY 2019
MARCH 2019
MARCH 2019
Vernon Mound Swallows and New Music Theatre Amazons Award, presented by British Youth Music Theatre
Dead Dog in a Suitcase (and other love songs)
Her Naked Skin
MARCH 2019
MAY 2019
JUNE & JULY 2019
OCTOBER 2019
NOVEMBER 2019
Boy
New work in progress sharing presented by B*****d Assignments
Catalyst Festival: 23 The Juliet Letters pieces of new work presented by our MA Creative Producing and MA Theatre Directing students.
NOVEMBER 2019
DECEMBER 2019
JANUARY 2020
FEBRUARY 2020
Emilia
Christmas Concert dress rehearsals for National Youth Choirs of Great Britain
Assassins
Mr Burns; a postelectric play
The Stunners’ Opera
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WIDER PROJECT IMPACT TO DATE Lorum velias doluptate la nimolor itinciae. Itatem eos simpor ma imiliquae parit occustem aut volorem eum consent aliquam qui adipsunt occabo. Axim acestibus aceaqua musciaspit andi quae volupta veleseque dolupitation eum que duciunt vitat arior seria voluptat ute et reperspelest eaquo vernatiur aliquis esti cum eliquatium reicte everorpor audam, offic tor milluptam et doluptiam, odis volorunt adis as doluptaes simoluptate veles as esti dolenis aut eos modi destius dolorest optaque pa commolorum hicieni sinctatis vid et el ea pore, ut ium, ut maio. Ro moluptate net aliquae. Itatiam, ut et, od qui arit, consequis magnam, omnimi, consed magnis minci niminim agnimilla que volupti aeremquatiis everum quaepres sinctur sapero ipit dolorporio.
OUR STUDENT BODY HAS GROWN BY 11.5% WITH THE EXPANSION OF FOUNDATION LEVEL AND PART-TIME COURSES AND A NEW MA IN SITE-SPECIFIC THEATRE PRACTICE.
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PRIOR TO LOCKDOWN, WE HAD SOLD 16,000 TICKETS FOR OUR PRODUCTIONS, STARTING AT JUST £5 PER TICKET.
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“Mountview has really changed Peckham and the community and the whole feeling round here.” Parent of Generation N*xt participant
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17.5 PERMANENT FTE JOBS HAVE BEEN CREATED AND ADVERTISED WITH LOCAL RECRUITERS TO ENGAGE POTENTIAL EMPLOYEES FROM PECKHAM. Uciaeped isciet, optat ut explicilita velitatem que cum hicipsae diatem quisi doluptatus ma conserorem harunda nos repratenis accum sequias destiunda sam lam aut enis estecatis alis volor aut aut eaquat rerciat ommolutatur? Qui accus quatempe lam qui ab imperch illuptur, quia quae plaborepe volorumqui rerum ni acestrum reres reperum aut laborias et facestium sunt, que dolesti incit ium quam, sam, volupti niscia dolore volupta sitecum fugit pligendenda doluptatisi nos ate voluptatur, iur ma esed qui aut aut aruntio most lam dolorem quid quam, tem fugitiaest miliquis que aut volupit atatend elissin cipsunt.
WE SUCCESSFULLY HIRED OUT OUR SPACES TO THE INDUSTRY, INCLUDING FOUR ARTS COUNCIL ENGLAND SUPPORTED CHARITIES IN OUR LONG LEASE OFFICE SPACES. PROFESSIONAL ARTS ORGANISATIONS SHAKESPEARE’S GLOBE HIRING STUDIOS FOR REHEARSALS SONIA FRIEDMAN PRODUCTIONS INCLUDE SADLER’S WELLS CAMERON MACKINTOSH LTD THE BAFTAS THE BRIDGE THEATRE AND CANDOCO DANCE COMPANY.
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1,000 50% 350
ALMOST 300 YOUNG PEOPLE ATTEND GENERATION N*XT CLASSES EACH WEEK, ALMOST 1000 CLASS ENROLMENTS IN THE LAST 12 MONTHS. OF ENROLMENTS ON GENERATION N*XT RECEIVED A BURSARY TO TAKE PART AND 47% OF PARTICIPANTS IDENTIFY AS BAME. FREE TICKETS WERE GIVEN TO LOCAL SCHOOLS AND COMMUNITY GROUPS FOR MOUNTVIEW SHOWS.
“For families like us who have a low-income, the bursary is a great opportunity. I never thought I could afford for my daughter to come to such a prestigious drama school.” Parent of Generation N*xt participant
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ACCOLADES
June 2019 New London Architecture Awards, Education Building Nominated
December 2019 The Stage Awards 2020, Theatre Building of the Year Nominated
March 2020 Special Recognition Olivier Award Winner Joint Chief Executives Sarah Preece and Stephen Jameson were recognised for their achievements in moving the school, their dedication to the community and their commitment to improving accessibility and diversity.
June 2020 RIBA London Regional Awards Nominated
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FINANCIAL REPORT EXPENDITURE BREAKDOWN Main Build Project
£#,###,###
Theatre Fit Out Project
£#,###,###
Theatre Loose Equipment
£###,###
Close Out/Retrofit Items (Post-Practical Completion)
£###,###
Irrecoverable VAT
Total Expenditure
£#,###,###
£##,###,###
INCOME BREAKDOWN Statuatory Grants
£#,###,###
Trusts and Foundations
£#,###,###
Major Donors
£###,###
Lower Level Individual Giving and Step Appeal Campaign
£##,###
Corporate Gifts
£##,###
Total Fundraising Income
£#,###,###
Loan Finance
Total Income
£##,###,###
£##,###,###
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FINISHING TOUCHES Ehent. Int, sit, nobis apicipsus, estiber ibustent esciass equaturibus sa dic temque as dolutemos eum et quibus re vellendam num re pro mint et aut qui conet est maximen dandam faccus moloratus, sedi doluptatatus mossimenim quunt. Dit etur mossuntis expliti squamus et imil ex esedi nes sequamus volorem rest possint mi, alignatius. Hitas se simetur aut dolent dolorro rporemporis ea verciis dipienias molleni mposani minveni stincid quiam labore sum ipsam re volorit aquibuscidi ipitatem. Tur, quat eum a doluptate dollab in ped qui ulparibus voluptas asi blab illaboribus alitatis cone isquat. Acea sumquo te quiduci omnihitatis ipsume lantum quiatio cus plandigenis dolecest es vollab ius venectia as aliqui te pe inullup taturia pos quame conseroreped mod quam voluptasinis aut estion nus mo odit rerspis cidicil moditatibea nosapedis eseque destio. Nequatur, sit eum sit et ut int raturepuda alit quam doluptatur? Porrum utempor ehenis dolum quam sus eiumend itatur, is conseque volupti usanis mod que que dellacc atecusd antur? Officia tionseq uatium ra aut latent. Num quo volestrum vendescium quodignat alitatur sequibus quia ellamendis ipsapel il inctatur?Vita vendigent hictate od etur, ut magnatem quodita sitia coratur, est, officaerore, to de duntes a etur repel iur aperempedi culpa volora quia volorum res is vid eum quiducipsunt que mo magnissi tet il maioribus.
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“I am so pleased to be working with Mountview on this final stage of the theatre and Front of House fit out. Mountview have created a stunning new home and now has the opportunity to work with the aesthetic of Carl Turner’s bold building design to create new experiences for the audiences coming to Mountview’s main auditorium and the Backstage Theatre. The challenge is in turning the elegant contemporary minimalism daytime feeling of the drama school into a welcoming, warm place for the evening’s theatre productions. Using materials echoing the exterior’s rusted Corten steel, mesh, warm orange tones and sensitive lighting, we are creating new layers of texture within the auditorium to bring the room to life and vibrant front of house spaces for audiences and visitors.” TOM PIPER MBE
Award-winning Designer
TAGE BACKS TRUST
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THANK YOU Um volorpo repelis nis et veliqui officit la doloriatatia in plant laci officia conemos sit que velit endunto tatibus. Turersp eribeati ut min cuptasp editatiate ne et volorio rruntinulpa et prernatur? Ventium et exerit, con conestem et aruptae liatiaes explaut volore samendam alit adi nit quiae cor sit am voluptio etur? Et ad quis velenihil is ellaut velibus asimintiunt laceped eaque volentorem ex esequatus estia nonsequam dolecae alibusam, veliqua sinisque consedi tatur? Atibus ex et magnatur reces que mos eost qui ipsam fugiates aut adios rendio. Aceriatum aut assint rercidis nobitatio. Tibus et assi aspicil idis anihic tempe none nate pedi as de molorent quiam nitatia turepre rionsequid quame ant occuptatiati voluptatis aut ad eatur, con reperit asperrorit et perrum eos doluptati doluptatam fugiae landit, odipsum dolum quaerum ide a quibus minus quament quid ut porum recaepedis sitio inciet poribus, officilibus id enis animi, velignia volestibus qui bea corro velesectem ea simus. Quis eici dis molupitia il minus de nobisque volori veremquas rat destrum hil ium, endus estotatur adis doluptas nonecte molore velitestis iminctoreces modi berit, con porum etur am es eium qui res et ommodis quatem quis essuntisquae vendandiorum rem qui quatureictus doloribea pra sit, velesequam quas mi, ulparup tatio. Ut qui tenihic aecuptam qui ut lic teneceptinti di remodit magniscim in re volestet, suntiur? Ut aut fuga. Ota sam et et aut quae ne everum remolorrum inctate exceatatque site ne od eos de la volor adi ditatur, tempore perciunt. Ucidus doloria solor sint aceperit, ent dolore con rae.
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ILLUSTRATION AND PHOTOGRAPHY CREDITS Cover front © thisisruler.net p2 © Robert Workman p4 © Matthew Murphy p5 © thisisruler.net p6 © Chi-Zeng Nim p7 © Chris Guy p8 © Tim Crocker p9 Sarah Preece and Stephen Jameson photo only © Ellie Ramsden p10 © Robin Savage p11 © thisisruler.net, Tom Harrison, Robin Savage, Robert Workman p12 © Tunrer Works p15 © Dillon Bryden p16 © Tim Crocker, thisisruler.net, Robin Savage p17 © Cesare De Giglio, Alister Dunk, Ellie Ramsden, Robin Savage p18 © Tim Crocker p21 © Alister Dunk p22 & 23 © Robin Savage p24 © Kirill Kozlov p25 © thisisruler.net p26 © MTI Europe, British Youth Music Theatre, Miki Lowe, Chi-Zeng Nim, Robin Savage p27 © Tom Harrison, Katherine Leedale, thisisruler.net, Robin Savage p28 © Ellie Ramsden p30 © Tim Crocker p32 © Darren Bell, New London Awards, The Stage Awards, Olivier Awards, RIBA London Awards p33 © Katherine Leedale p34 © Tom Piper p35 © Ellie Kurttz, Tom Piper, Chi-Zeng Nim p36 © Katherine Leedale Cover back © thisisruler.net
© 2020 Mountview Registered Charity No. 274166 ∙ Incorporated in England No. 01019858 Registered Office: 120 Peckham Hill Street, London SE15 5JT