Copyright Š 2017 by DAHLIA ISMAIL All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review.
TIMELESS THEATORIUM
PROPOSED A THEATRE OF PUBLIC REALM - PERFORMING ART CENTRE AT JALAN IMBI KUALA LUMPUR for aswara
“Forgoing the sanctity of a walled theatre space, with darkened auditorium, fixed seating, prepared audiences, and reassuring reviews, the street performer instead engages and manipulates the urban environment, using its traffic, noise, and passersby as props for his [sic] show...�
“ .. B u s es r um b l e b y; helicopters hover o v e r h ea d ; h e ckl e s i n t e rrupt the rhythm of the p er f o r m an ce ; rai n , co l d, or police can defeat the performer entirely. The audience surrounds t h e s tr ee t pe r f o r m e r, restless, waiting, impatient. Yet the street performer succeeds in t r a ns f o rm i n g ur b an s pa ce into theatre place�
performing art???
street performing??
facts & data
facts & data
it seems that the performing art highly concentrated in the urban city setting even the street performing.
thus, how does architecture can immerse together seamlessly with both of the art performing ??
OVERALL SITE ANALYSIS
SITE ANALYSIS - MACRO
SITE ANALYSIS - MICRO
SITE plan - jalan imbi
aerial view
EXPLODED AXONOMETRIC