an architecture portfolio d a n i e l s e e
Preface Growing up in a creative and imaginative childhood environment, With an intense love for philosophy and all things curious, Architecture is the perfect platform for me to explore and experiment. This portfolio is a journey that will bring you into my world of philosophy, imagination and architecture.
See Hoong Ping Daniel
shp_daniel@hotmail.com
projects
ALFA International College Kuala Lumpur, Malaysia
In my final year of diploma, I am assigned a group research project to conduct an urban research study on Chow Kit, Kuala Lumpur.
ALFA
Final Project : Urban Research, Chow Kit, Kuala Lumpur
The topics and urban issues that are documented includes traffic flows, weather patterns, public ammenities, building topography, land use, etc. Our research brought about a better understanding of the development and problems in a diverse urban pocket.
ALFA
FInal Project : Urban Research, Chow Kit, Kuala Lumpur
After the initial Urban Research, we are tasked to propose a new masterplan to address the issues found by means of upgrading current urban systems or by proposing a complete revival.
ALFA
Final Project : Urban Revival Masterplan, Chow Kit, Kuala Lumpur
ALFA
FInal Project : Urban Revival Masterplan, Chow Kit, Kuala Lumpur
Rimba Belia is a proposed youth creative and lifestyle centre that aims to provide an identity and to instil pride and confidence to the youths living in Chow Kit. This dynamic project also provides spaces and facilities in relation to local youth’s needs that will rejuvenate and create vibrancy in the local community.
ALFA
Final Project : Rimba Belia - Youth Creative and Lifestyle Centre, Chow Kit, Kuala Lumpur
ALFA
Final Project : Rimba Belia - Youth Creative and Lifestyle Centre, Chow Kit, Kuala Lumpur
projects
University of Tasmania Tasmania, Australia
Main Foyer
Entrance Walkway
Flexible Flat Floor Space
This building is sprinkled
Brickwall with rock wool insulation and external corrugated metal sheet cladding FRL -/-/R-Value 3.3
This building is sprinkled
Natural Ventilated
Natural Ventilated
Air Conditioned
Air Conditioned
R.C shear wall with rockwool insulation. FRL 120/60/30 R-Value 3.3
R.C shear wall with rockwool insulation. FRL 120/60/30 R-Value 3.3
Library Study Cove
300 x 300 R.C column FRL 120/-/-
Study pods
300 x 300mm R.C column FRL 120/-/Hardwood timber framing
Unisex toilets with mechanical ventilation
Bi-fold door panels
R.C floor plate R-Valur 1.25
300 x 300 R.C column FRL 120/-/-
Glass casement windows
Bi-fold doors with glass panels and timber framing Timber deck with hardwood timber joist support
Glass lift core FRL -/120/120 Metal sheet roofing with rockwool insulation and 5 degree slope FRL 120/60/30 R-Value 3.2
Fire control panel and hose reel compartment R.C shear wall with rockwool insulation and external vertical timber fins FRL 120/60/30
Metal panel sun shading with metal frame and bracket connected to R.C beam with nut and bolt fixing
400mm thk R.C band beam FRL 120/-/-
Ourdoor dining and sitting area
Study pods
External fixed timber louver sun screen FRL -/-/300 x 150mm R.C beam FRL 120/-/-
R.C and brick planter box with water proofing membrane Soil
Foyer void below
R.C shear wall with rockwool insulation and external vertical timber fins FRL 120/60/30
Kid’s Zone
Ground Floor Plan Sc 1:200
Brickwall with rock wool insulation and external corrugated metal sheet cladding FRL -/-/R-Value 3.3
This building is sprinkled
Second Floor Plan Sc 1:200
This building is sprinkled
Natural Ventilated Air Conditioned
R.C shear wall with rockwool insulation. FRL 120/60/30 R-Value 3.3
400mm thk R.C ground floor beam 200mm thk R.C ground floor slab Metal sheet roofing with rockwool insulation and 5 degree slope FRL 120/60/30
Metal sheet roofing with rockwool insulation and 5 degree slope FRL 120/60/30 R-Value 3.2
Metal roof truss with timber roof batterns FRL 120/-/-
Study pods 200mm thk R.C floor slab FRL 120/120/120
External horizontal timber rod sun screen
Study pods
UTAS
R.C floor plate R-Valur 1.25
DS4 : Science and Design Library, James Cook University, Townsville
External horizontal timber rod sun screen
Horizontal timber louver walkway roof deck with glass panels below
G.I gutter with rainwater downpipe
Year 2 Sem 2
Glass louver window facade FRL -/-/G.I rainwater gutter Glass louver window facade FRL -/-/Casement glass window FRL -/-/-
Void
Void Foyer glass skylight with
This building is sprinkled Natural Ventilated Air Conditioned
Steel balustrade with powder coated finish and timber handrail 200mm thk R.C floor slab FRL 120/120/120 Water sprinkler system
External fixed timber louver sun screen FRL -/-/300 x 150mm R.C beam FRL 120/-/Metal panel sun shading with metal frame and bracket connected to R.C beam with nut and bolt fixing
KDA221 Design Studio 4 Assessment Task 3
Suspended lighting unit
See Hoong Ping Daniel 163931 22 Oct 2012
400mm thk R.C band beam FRL 120/-/300 x 300mm R.C column FRL 120/-/-
Cafe counter top and cabinet unit
Hardwood timber framing Bi-fold doors with glass panels and timber framing Timber deck with hardwood timber joist support R.C and brick planter box with water proofing membrane Soil
Main Foyer
Flexible Flat Floor Space
Library Study Cove
This building is sprinkled
This building is sprinkled
Natural Ventilated
Natural Ventilated
Air Conditioned
Second Floor Plan
R.C shear wall with rockwool insulation. FRL 120/60/30 400mm thk R.C ground floorR-Value beam 3.3
This building is sprinkled
200mm thk R.C ground floor300 slab x 300 R.C
Sc 1:200
Air Conditioned
External timber rod sun screen FRL -/-/Metal sheet roofing with rockwool insulation and 5 degree slope FRL 120/60/30 R-Value 3.2
sitting area
Metal roof truss with timber roof batterns FRL 120/-/-
400mm thk R.C band beam FRL 120/-/300 x 300mm R.C column FRL 120/-/-
Brickwall with rock wool insulation and external corrugated metal sheet cladding FRL -/-/R-Value 3.3
R.C floor plate R-Valur 1.25 Glass lift core FRL -/120/120
d’s Zone
R.C and brick planter box with water proofing membrane Soil
Foyer void below
R.C shear wall with rockwool insulation and external vertical timber fins FRL 120/60/30
Casement glass window FRL -/-/-
Ground Floor Plan Glass lift core with steel Sc 1:200
structure FRL -/120/120
Second Floor Plan Sc 1:200
This building is sprinkled
This building is sprinkled
Natural Ventilated
200mm thk R.C ground floor slab
Air Conditioned
Roof Plan
Sc 1:200
Cafe counter top and cabinet unit
Bi-fold doors with glass panels and timber framing Timber deck with hardwood timber joist support
Glass casement windows
G.I rainwater gutter Glass louver window facade FRL -/-/-
Suspended lighting unit
Hardwood timber framing
Unisex toilets with mechanical ventilation
Glass louver window facade FRL -/-/-
Metal panel sun shading with metal frame and bracket connected to R.C beam with nut and bolt fixing
Sc 1:20
column FRL 120/-/-
Metal sheet roofing with rockwool insulation and 5 degree slope FRL 120/60/30 R-Value 3.2
Steel balustrade with powder coated finish and timber handrail 200mm thk R.C floor slab FRL 120/120/120 Water sprinkler system
Detail Section
Metal sheet roofing with rockwool insulation and 5 degree slope Ourdoor dining and FRL 120/60/30
External horizontal timber rod sun screen
South Courtyard with Kid’s Zone External fixed timber louver sun screen FRL -/-/300 x 150mm R.C beam FRL 120/-/-
Metal sheet roofing with rockwool insulation and 5 degree slope FRL 120/60/30 R-Value 3.2
400mm thk R.C ground floor beam 200mm thk R.C ground floor slab Metal sheet roofing with rockwool insulation and 5 degree slope FRL 120/60/30
Section A-A
Metal roof truss with timber roof batterns FRL 120/-/-
Detail Section
Sc 1:20
External timber rod sun screen FRL -/-/Metal sheet roofing with rockwool insulation and 5 degree slope FRL 120/60/30 R-Value 3.2
Sc 1:100 Brickwall with rock wool insulation and external corrugated metal sheet cladding FRL -/-/R-Value 3.3
200mm thk R.C floor slab FRL 120/120/120
External corrugated metal panel facade External horizontal timber rod sun screen Glass louver window facade FRL -/-/G.I gutter with rainwater downpipe
South Elevation
North Elevation
Sc 1:200
Sc 1:200
G.I rainwater gutter Glass louver window facade FRL -/-/Casement glass window FRL -/-/-
Void
UTAS
Foyer glass skylight with horizontal metal louvers to diffuse light
DS4 : Science and Design Library, James Cook University, Townsville
Year 2 Sem 2 Glass lift core with steel structure FRL -/120/120
200mm thk R.C ground floor slab
The Launceston Gasworks Site is a former coal and gas burning powerplant that is steep in historical, cultural and social significance. This group masterplan project aims to rejuvenate the existing site while highlighting its history through new additions, modifications and extensive adaptive reuse of existing structures with reference to the Australian Burra Charter.
UTAS
DS5 : Proposed Masterplan for Launceston Gasworks Site, Launceston, Tasmania
Year 3 Sem 1
UTAS
DS5 : Proposed Masterplan for Launceston Gasworks Site, Launceston, Tasmania
Year 3 Sem 1
The Urban Warp and Weft is a continuation of the proposed masterplan at the Launceston Gasworks Site. This project further develops the public spaces and adaptive reuse buildings on site. New structures and thresholds are created within and around heritage listed buildings while a community-oriented garment production facility is also included.
UTAS
DS5 : The Urban Warp and Weft at Launceston Gasworks Site, Launceston, Tasmania
Year 3 Sem 1
UTAS
DS5 : The Urban Warp and Weft at Launceston Gasworks Site, Launceston, Tasmania
Year 3 Sem 1
UTAS
DS6 : Basel Pavilion of Culture (BPOC), Basel, Switzerland
Year 3 Sem 2
UTAS
DS6 : Basel Pavilion of Culture (BPOC), Basel, Switzerland
Year 3 Sem 2
The ACIPA masterplan project is the first part of a two-phase final year project. The ACIPA masterplan consist of a new building which will house the UTAS Conservertorium of Music, theaters, performing halls and a back-of-house service area. The whole complex is attached,connected and is an extension to the adjacent heritage-listed Theater Royal building and Hedburg Garage facade. A strong connection to local geography, cultural and social influence and the surrounding buildings is our main design focus in this project.
UTAS
DS6 : Academy of Creative Industries and Performing Arts (ACIPA), Hobart, Tasmania
Year 3 Sem 2
UTAS
DS6 : Academy of Creative Industries and Performing Arts (ACIPA), Hobart, Tasmania
Year 3 Sem 2
tension + connection
The ACIPA Project is unique both in its crossprogrammed function, site condition and its geographical location. The contrast between the new build and heritage buildings, the public theaters and conservertorium of music, and the relationship between the high land mass with the waterfront creates a natural tension within the site. By enhancing the positive tensile energy of the site through space, solid and void extrusion, the project creates a connestion between the various tension elements through visual portals. This visual connection allow the different user group to experience and appreciate the tension of the site.
UTAS
Final Project : Academy of Creative Industries and Performing Arts (ACIPA), Hobart, Tasmania
Year 3 Sem 2
UTAS
Final Project : Academy of Creative Industries and Performing Arts (ACIPA), Hobart, Tasmania
Year 3 Sem 2
UTAS
Final Project : Academy of Creative Industries and Performing Arts (ACIPA), Hobart, Tasmania
Year 3 Sem 2
UTAS
Final Project : Academy of Creative Industries and Performing Arts (ACIPA), Hobart, Tasmania
Year 3 Sem 2
projects
Other Works + Project Models
FORMER
LAUNCES
TON GEN
ERAL HO
SPITAL
General Description
Fig.1. Cornwall Hospital and Infirmary, Launceston, 1854. [Clifford Craig, Launceston General Hospital - First Hundred Years 1863-1963, (Hobart : L.G.Shea Government Printer, 1963),1]
The Former Launceston General Hospital had a long and illustrious history as one of the best equipped hospital outside of any capital city in Australia when it was first built. The former hospital was located at Upper Charles Street and is situated on top of a commanding hilltop site just down south from the city centre. The idea of the Former Launceston General Hospital was conceived by the hospital board in response to the 1935 Parliamentary Inquiry about the state of the old hospital in Mulgrave Square, the Melbourne architecture firm Stephenson and Meldrum was engaged to design the building and later the chief architect for this project was Architect Leighton Irwin. The hospital was completed in stages and the first wing was opened in September 1937, it served as the main hospital and treatment centre for northern Tasmania with facilities such as a deep therapy X-ray plant, wards, cancer clinics and a nurses’ training centre. The former Launceston General Hospital was occupied and linked with a space-age bridge with the current new Launceston General Hospital until 1990 before being vacant. The building was recently being revived and renovated as Charles Hotel, a modern and upscale contemporary luxury hotel.
Fig.2. Launceston General Hospital, Mulgrave Square, Launceston, 1863. [National Trust of Australia (Tasmania), “Launceston General Hospital”, National Trust of Australia (Tasmania), http://www.nationaltrusttas.org.au/]
Historical Analysis Fig.4. Former Launceston General Hospital, Upper Charles Street, Launceston, 1937Fig.3. Launceston General Hospital, Mulgrave Square, Launceston, 1863. 1942, by Stephenson and Meldrum. [National Trust of Australia (Tasmania), “Launceston General Hospital”, National Trust of Australia (Tasmania), http://www.nationaltrusttas.org.au/] [QVMAG : History Online, “Launceston General Hospital”, QVMAG : History Online, http://www.qvmag.tas.gov.au]
Fig.5. Former Launceston General Hospital, Upper Charles Street, Launceston, 1937-1942, by Stephenson and Meldrum. [Thomas Ryan Photography, “Former Launceston Hospital/The Charles”, Thomas Ryan Photography, http://www.tryanphotos.com ]
Fig.6. Former Launceston General Hospital, Upper Charles Street, Launceston, 1937-1942, by Stephenson and Meldrum. [Thomas Ryan Photography, “Former Launceston Hospital/ The Charles”, Thomas Ryan Photography, http://www.tryanphotos.com ]
The first hospital in Launceston was ordered to be built by Major General Macquarie in 1821 not far from the current Holy Trinity Church, it was called His Majesty’s Colonial Hospital. In 1845, St John’s Hospital was opened at the corner of Charles and Frederick Street before operations are moved to Cornwall Hospital in 1854. By 1860, the Cornwall hospital was deemed to be in bad condition and unfit for occupation, a new hospital costing fourteen thousand pounds was built at Mulgrave Square in 1863 which will eventually become the first Launceston General Hospital. The hospital which was built in the pavilion style of architecture was considered to be second to none in the Commonwealth region while making big strides in the advancement of the medical field. However in 1925 when the hospital board engaged Melbourne architects Stephenson and Meldrum to design an extension, they found the building not being adequate for modern medicine requirement, thus a Parliamentary Inquiry was launched in 1935 that will eventually lead to the construction of the Former Launceston General Hospital. The Former Launceston General Hospital at Upper Charles Street was designed by Stephenson and Meldrum from Melbourne and was built at a cost of one hundred and seventy seven thousand pounds. The new building included 214 beds, out-patients wing, X-ray and maternity departments and also a cancer clinic and nurses training centre. The foundation stone of the building was laid in March 1937 and the first stage of the hospital was completed in September 1937. The hospital was planned to be ‘one of the finest hospitals of its kind in the world’ with modern features such as modern heating, lighting and ventilation system, automatic lifts and state-of-the-art X-ray centre. The final building is of reinforced concrete structure with concrete floor, roof slabs and concrete external walls and was designed in the Modern Style. It can be observed that the building is stripped of any ornamentations or decorations with a strong horizontal emphasis across the main building block, an iconic sculptural external staircase was one of the design highlight of this building. By the 1970’s the hospital board proposed to have a new general hospital just across the formal hospital, it was completed in 1982 and was functioning alongside the formal general hospital connected by a space-age bridge linkage. The former general hospital was finally vacated in 1990 and was recently revived in 2010 into the upscale Charles Hotel.
Fig.7. Former Launceston General Hospital, Upper Charles Street, Launceston, 1937-1942, by Stephenson and Meldrum. Close up detail of concrete facade. [Photograph by Daniel See]
Fig.8. Former Launceston General Hospital, Upper Charles Street, Launceston, 1937-1942, by Stephenson and Meldrum. [Thomas Ryan Photography, “Former Launceston Hospital/The Charles”, Thomas Ryan Photography, http://www.tryanphotos.com ]
Fig.10. Charles Hotel, Upper Charles Street, Launceston, 2008-2010, by B. Kennedy. The newly renovated Charles Hotel, a redevelopment of the Former Launceston General Hospital. [Photograph by Daniel See]
Bridging Studio : Hot and cold climate house design
UTAS
Other Works
Fig.9. Former Launceston General Hospital, Upper Charles Street, Launceston, 1937-1942, by Stephenson and Meldrum. [Thomas Ryan Photography, “Former Launceston Hospital/The Charles”, Thomas Ryan Photography, http://www.tryanphotos.com ]
Fig.11. Charles Hotel, Upper Charles Street, Launceston, 2008-2010, by B. Kennedy. Residential units of Charles Hotel. [Photograph by Daniel See]
Bibliography Brown, Lindam. History & Memories of Nursing at the Launceston General Hospital. Launceston: Foot & Playsted Pty Ltd, 1980. Craig, Clifford. Launceston General Hospital - First hundred Years 1863-1963. Hobart: L. G. Shea. Government Printer, 1963. Green, Anne. A Model Municipality - Places of Management, Mentoring & Medicine in Launceston. Launceston: Launceston City Council, 2007. Kell, Diane. Constructional Review. 4th. Vol. 55. Melbourne: Concrete Publishing Co. Pty Ltd, 1982. Launceston Week, Wednesday, 7 March 1990. QVMAG: History Online. http://www.qvmag.tas.gov.au. The Examiner, 2 May 1951 The Examiner, Friday, August 1975. The Examiner, Wednesday, 30 April 1980. The Examiner, Monday, 7 November 1983, p.21. The Examiner, Friday, 23 August 1985. The Examiner, 18 March 1987. Thomas Ryan Photography. http://www.tryanphotos.com/Projects/Former-LauncestonHospitalThe/21209674_Xc9ffh/1416885794_BRpbVXD#!i=1416885794&k=BRpbVXD.
See Hoong Ping Daniel 163931 AT2 : Tasmanian Modern KDA222 History & Theory in Design 4 4 October 2012
HTD4 : Launceston General Hospital heritage analysis
Year 2 Sem 2
Glass roof panel to allow daylight penetration inside the vertical retort building, improving the quality of space.
ORIGINAL
einterpreted
My original garment on the left with my team mate’s jacket on the right.
Original garment back panel.
Original garment front piece.
Original garment sleeves.
4 vertical glass columns reinterpreted as the coal furnace and hoppers. The original furnace and hoppers are preserved and reinstalled outside the building with protective glass housings to provide maximum visual connection with site users.
Reflect
Initial conceptual sketches exploring the design concept of Perforation, Light and Shadow.
The vertical glass columns are engraved with historical information about gas production and coal burning, list of former workers, as well as contemporary artwork by local artists.
Research and Reinterpret An interpretive museum and display area providing users with historical information about the site and building.
Protruded coloured glass bars from the perforated brick facade represents the smoke and heat emitted during the gas production era. This enhanced the visual and lighting dynamics of the building during daytime and night time.
TRANSFORMATION
An interactive space aiming to provoke critical reflection of the gaswork site through Art, Light and Sound installations.
Creating slits and “perforations” on fabric.
Connecting different fabric pieces using staples to enhance visual effect of seams.
Process of taking apart the fabric seams using a cutting blade. Studying and observing the fabric and frayed thread structure.
Relax Lounge, cafe and reception area for social gathering and a relaxed environment.
FINISHED PIECE
Hood with perforated slit screen to provide a controlled view for the user.
CONCEPT
Front garment panel with breast pockets reinterpreted by New jacket’s red inner lining with black pockets.
Sleeves with slits to expose new red inner lining from New jacket.
The back panel is preserved and retained in its original form.
Preserving and Conserving the existing structure and facade while enhancing the building dynamics with an intricate play of Light and Shadow elements, inspired by the light pattern created through the perforated brick facade.
DS5 AT1 SEE HOONG PING DANIEL 163931
DS5 AT1 SEE HOONG PING DANIEL 163931
DS5 : Vertical Retort adaptive reuse + garment modification
UTAS
Other Works
This project places strong emphasis on adaptive reuse and selective modifications based on guidelines from the Australia Burra Charter. This concept of adaptive reuse is then applied on the heritage vertical retort building and on a piece of garment.
Year 3
connecting juncture of overlapping layers found in the historical city of Porto. The building creates a continuum between the heritage and modern city fabric, classical and contemporary music, diverse cultures, society and public spaces through various design strategies. The chiseled sculptural form, carved interior spaces and corrugated glass panels creates contrast, continuity and connection between the building’s inhabitants and the surrounding context. The use of blank materials absorb and reflect the chromatic range of urban setting, reinventing urban meaning. Casa da Musica is constantly redefined by the layers it represents, a dynamic architecture that evolves through the course of time. The maquette is constructed using stacked blank solid and transparent layers that is an abstract representation of the continuum between the physical and intangible layers that define and redefine this project. Casa da Musica. October 24, 2005. http://www.arcspace.com/features/oma/casa-da-musica/. Open Buildings. “Casa da Musica”. Open Buildings. http://openbuildings.com/buildings/ casa-da-musica-profile-1320. Tavares, Zé Luís. ArchiNed. “Casa da Musica Porto by OMA”. ArchiNed. April 19, 2005. http://www.archined.nl/nieuws/casa-da-musica-porto-by-oma/.
conceived to better understand cosmic order on earth architecture. This concept is a response to the increa Modernist movement and International Style that ho making architecture and culture bland and uniform w will and creativity. The monument is presented as a conceptual speculation that resist interpretation and indifferent to topography, unprovocative and neutral Monument represents two opposing ideology, a terri that negates interaction and a sublime future with tim through this opposing force from which a new archi will rise from collective uniformity, enabling human again at the beginning. The maquette aims to explor ideology of terror and uniform serenity.
Architectural Exhibitions and Conferences Archizoom. “Superstudi tions and Conferences Archizoom. http://archizoom.epfl.ch/page-16 Superstudio. “THE CONTINUOUS MONUMENT: AN ARCHITEC TOTAL URBANIZATION”. Superstudio. http://arch122superstudio. continuous-monument-architectural-model_15.html. Terra Politica. “Superstudio’s Continuous Monument to Political A November 29, 2011. http://terrapol.com/blog/2011/11/29/superstud ment-to-indecision/.
AT2Hoong 2013 Ping Daniel 163931 HTD6 See See Hoong Ping Daniel 163931 HTD6 AT2 2013See Hoong Ping Daniel 163931 HTD6 See AT2Hoong 2013 Ping Daniel 163931 HTD6 AT2 2013See Hoong Ping Daniel 163931 HTD6 AT2 2013
OMA/Rem Porto, Portugal Superstudio - Continuous Monument OMA/Rem Koolhaas - Casa da Musica, Porto, PortugalKoolhaas - Casa da Musica, - Continuous Monument Daniel Libeskind - Jewish Museum,Superstudio Berlin, Germany Continuous Monument is an idea that architecture will be created with Situated Casa da Musica is a Continuous Monument is an idea that architecture will be created with Situated in the cultural heart of Europe, Casa da Musicainisthe a cultural heart of Europe, The Jewish Museum explore the experience of journey and spatial a single act, from connecting juncture of overlapping layers found in the historical a single act, from a single design. A singular unifying moderate utopiaa single design. A singular unifying moderate utopia connecting juncture of overlapping layers found in the historical design, as a portal that alter users’ perception of themselves in conceived conceived to better understand cosmic order on earth through to better understand cosmic order on earth through of Porto. continuum between the city of Porto. The building creates a continuumcity between theThe building creates a relation to Jewish history and the modern world. This Spatial design architecture. This concept is a response to the increased globalization, architecture. concept is a response to the increased globalization, heritage and modern city fabric, classical and contemporary heritage and modern city fabric, classical and contemporary strategies such as the three main axes,Modernist the Holocaust Voids Modernist movement movement andand International Style that homogenized the world,and International Style that homogenized the world, music, diverse cultures, society and public spaces through various music, diverse cultures, society and public spaces through various architecture The Garden of Exile are portals designed to evoke self realization, making architecture and culture bland and uniform making while stifling humanand culture bland and uniform while stifling human form, carved interior design strategies. The chiseled sculptural form,design carvedstrategies. interior The chiseled sculptural and creativity. understanding, appreciation and interpretation of the Jewish life, will and creativity. The monument is presented as awill 3 dimensional grid,The a monument is presented as a 3 dimensional grid, a spacescontinuity and corrugated contrast, continuity and speculation spaces and corrugated glass panels creates contrast, and glass panels creates conceptual speculation that resist interpretation andconceptual classification and is that resist interpretation and classification and is society and subsequent Jewish Holocaust. The sub-conscious between the building’s inhabitants and the surrounding indifferent to topography, unprovocative and neutral. Continuous connection between the building’s inhabitants connection and the surrounding to topography, unprovocative and neutral. Continuous knowledge and emotion the building indifferent imparts require the passage Monument represents two opposing ideology, a terrifying architecture The use of blank materials absorb and reflect the represents twoother opposing ideology, a terrifying architecture context. The use of blank materials absorb andcontext. reflect the of time for users to realize the impactMonument and meaning that this that negates interaction chromatic rangeCasa of urban setting, reinventing urban meaning. Casa thatasnegates interaction serenity. It is and a sublime future with timeless serenity. It is chromatic range of urban setting, reinventing urban meaning. time, this other place will have on them individuals and and as aa sublime future with timeless through conception this opposing force from which a new architecture conception is constantly redefined by the layers it represents, a through this opposing force from which a new architecture da Musica is constantly redefined by the layersdait Musica represents, a society. will rise fromliving collective uniformity, enabling humanity to begin living will rise from collective uniformity, enabling humanity to begin the course of time. The dynamic architecture that evolves through the dynamic course ofarchitecture time. The that evolves through The maquette is designed to create voids axes betweenThe surface again theopposing beginning. The maquette aims to explore both the opposing againand at the beginning. maquette aims to explore bothatthe maquette is constructed using stacked blank solid and transparent maquette is constructed using stacked blank solid and transparent planes, each creating a portal that canideology be interpreted ideology of terror and uniform serenity. of terrordifferently and uniform serenity. layers that is an abstract representation of the continuum between layers that is an abstract representation of the continuum between when viewed through from different angles and perspective. the physical and intangible layers that define and redefine this the physical and intangible layers that define and redefine this Architectural Exhibitions Architectural Exhibitions and Conferences Archizoom. “Superstudio”. Architectural Exhibi-and Conferences Archizoom. “Superstudio”. Architectural Exhibiproject. tions and Conferences Archizoom. http://archizoom.epfl.ch/page-16243-en.html. project. tions and Conferences Archizoom. http://archizoom.epfl.ch/page-16243-en.html. Superstudio. “THEFOR CONTINUOUS MONUMENT: AN ARCHITECTURAL MODEL FOR Superstudio. “THE CONTINUOUS MONUMENT: AN ARCHITECTURAL MODEL TOTAL URBANIZATION”. Superstudio. http://arch122superstudio.blogspot.com.au/2012/06/ Casa da Musica. October 24, 2005. http://www.arcspace.com/features/oma/casa-da-musica/. TOTAL URBANIZATION”. Superstudio. http://arch122superstudio.blogspot.com.au/2012/06/ Casa da Musica. October 24, 2005. http://www.arcspace.com/features/oma/casa-da-musica/. continuous-monument-architectural-model_15.html. Open Buildings. “Casa da Musica”. Open Buildings. http://openbuildings.com/buildings/ Studio Daniel Libeskind. “Jewish Museum Berlin”. Studio Daniel Libeskind. http://dancontinuous-monument-architectural-model_15.html. Open Buildings. “Casa da Musica”. Open Buildings. http://openbuildings.com/buildings/ Politica. “Superstudio’s casa-da-musica-profile-1320. iel-libeskind.com/projects/jewish-museum-berlin. Terra Politica. “Superstudio’s Continuous Monument to Political Terra Ambiguity”. Terra Politica. Continuous Monument to Political Ambiguity”. Terra Politica. casa-da-musica-profile-1320. November 29, 2011. http://terrapol.com/blog/2011/11/29/superstudio-the-continuous-monuTavares, Zé Luís. “Casa da Musica PortoThe by OMA”. ArchiNed. April 19, 2005. Libeskind Building. http://www.jmberlin.de/main/EN/04-About-The-Museum/01-ArchiNovember 29, 2011. http://terrapol.com/blog/2011/11/29/superstudio-the-continuous-monuTavares, Zé Luís. ArchiNed. “Casa da Musica Porto by OMA”. ArchiNed. April 19,ArchiNed. 2005. ment-to-indecision/. http://www.archined.nl/nieuws/casa-da-musica-porto-by-oma/. tecture/01-libeskind-Building.php. ment-to-indecision/. http://www.archined.nl/nieuws/casa-da-musica-porto-by-oma/.
See Hoong Ping Daniel 163931 HTD6 AT2 2013See Hoong Ping Daniel 163931 HTD6 AT2 2013
This project is about choosing and analysing an architect’s project style
Libeskind - Jewish Museum, Berlin, Germany Daniel Libeskind - Jewish Museum, Berlin,Daniel Germany and influences, we are then asked to produce a short description and HTD6 : Maquette Jewish The Jewish Museum explore the experience ofThe journey andMuseum spatial explore the experience of journey and spatial model that interpretes the chosen architect. design, as a portal that alter users’ perception of themselves in design, as a portal that alter users’ perception of themselves in relation to Jewish history and the modern world. Spatial design relation to Jewish history and the modern world. Spatial design strategies such as the three main axes, the Holocaust Voids and strategies such as the three main axes, the Holocaust Voids and The Garden of Exile are portals designed to evoke self realization, The Garden of Exile are portals designed to evoke self realization, appreciation and interpretation of the Jewish life, understanding, appreciation and interpretationunderstanding, of the Jewish life, and subsequent Jewish Holocaust. The sub-conscious Year society and subsequent Jewish Holocaust. Thesociety sub-conscious Other Works knowledge and emotion the building imparts require the passage knowledge and emotion the building imparts require the passage of time forthis users to realize the impact and meaning that this other of time for users to realize the impact and meaning that other time, thisand other time, this other place will have on them as individuals as aplace will have on them as individuals and as a society. society.
UTAS
3
ALFA Final Project : Rimbun Dahan
UTAS + ALFA
Project Models
UTAS Final Project : Academy of Creative Industries and Performing Arts (ACIPA)
UTAS DS6 : Basel Pavilion of Culture (BPOC)
projects
Technical Drawings
Wall+Door 73.31 m2 0.1 DF= =0.8 WTOM / A(1-R2) Lecture Hall calculations: T Surface Area/Quantity Absorption coefficient/sabins 21.6 x 0.8 x 90 x 0.8 / 319.35 (1-(0.24)2)Cupboard O ==90 32.44 m2 0.50 Surface Area/Quantity Absorption coefficient/sabins Total Ceiling 96 m2 0.50 1244.16 / 319.35(0.9424) M ==0.8 Windows 21.6 m2 0.09 4.13+ 32.44 + 73,31 +96 Ceiling 0.50 73.31 m2 48 Wall+Door 0.1 A = =21.6 96m2 + 96 = 319.35 m2 Humans 60 0.46 R = (96 x 0.1) + (96 x 0.4) + (21.6 x 0.1) + (77.31 x 0.2) + (32.44 x 0.4) / 319.35 Wall+Door 73.31 m2 0.1 32.44 m2 7.3 Cupboard 0.50 See Hoong Daniel (163931) BTD/ILA.2013.AT3.SEE Lux Levels = Ping 4.13% x+10000 Lux = 9.6 + 38.4 + 2.16 14.67 + 13 / 319.35 Floor 96 m2 0.30 0.50 21.6 m2 16.22 0.09 Windows = Cupboard 0.24 = 413 Lux 32.44 m2
IEQ Calculations for Weft Space: IEQ Calculations for Weft Space
7.3 Total 16.22 48 1.9 7.3 27.6 16.22 28.8 1.9
C
Schedule of Materials and Finishes:
(fullWindows calculations please refer to attached A4 calculation sheet) 21.6 m2 0.09
TOTAL 129.82 (a) Perforated Acoustic Board 1.9 Humans 42 0.46 19.32 Acoustics: DF = WTOM / A(1-R2) (b) 2000 x 2000 Perforated Acoustic Ceiling RT = 0.16V / total of0.46 SA Artificial Lighting: Humans 60 27.6 81.6 m2 0.30 24.48 = 21.6 x 0.8 xunder 90 x 0.8 / 319.35Standards (1-(0.24)2)for Floor (c) Carpet RT requirements Australian Teaching = 0.16 (328) /Space: 129.820.4 - 0.6 RT Power density /requirements teaching space 8 w/m2. = 1244.16 319.35(0.9424) Floor 96under m2 NCC for general 0.30 is 28.8 Tables 14.4 m2 0.1(d) Plywood Panel Wall 1.44 = 0.40 My weft space is used as a Lecture Hall and Tutorial Discussion Hall, both are under teaching space. = 4.13lux levels for teaching space is 320 lux. (e) 400 x 400 Hollow Steel Structure Minimum 118.66 TOTAL 129.82 TOTAL Tutorial Discussion Hall calculations: Lecture Hall calculations: (f) 1500 x 1200 Double-Glazed Top Hung Window Weft Space calculations: Lux=Levels 4.13% 10000 Lux RT = 0.16V / total of SA RT 0.16V =/ total of xSA (g) Steel I-Beam Surface Area/Quantity Absorption coefficient/sabins Total Surface Area/Quantity Absorption coefficient/sabins Total = =413 Lux Direct Lighting (T26 34W) Type of light Avalon = 0.16 (328) / 118.66 (h) Marble Counter Top = 0.16 (328) / 129.82 Ceiling 96 m2 0.50(I) White Board / Projection 48 Ceiling 96 m2 0.50 48 E ==320 Panel = 0.44 0.40 a=6 Wall+Door 0.1(j) Foldable Timber Tables 7.3 Wall+Door 73.31 m2 0.1 73.31 m2 7.3 Artificial Lighting: Hall calculations: Tutorial Discussion b = 16 (k) Foldable Chairs Cupboard m2 16.22 32.44 m2 NCC for general 0.50 32.44 16.22 0.50 Power density requirements under teaching space is 8 w/m2. P* =Cupboard 2.35 Surface Area/Quantity Absorption coefficient/sabins Total PL =Windows 42 lux levels for teaching Windows 0.09 1.9 21.6 m2 0.09 21.6 m2 1.9 Minimum space is 320 lux. Daylight: Ceiling 96 m2 0.50 48 f = 100 (1) Avalon Direct Lighting 1250mm T26 34W Humans 42 lux. 0.46 19.32 Humans 60 0.46 is 320 27.6 Weft Space calculations: DFWall+Door requirements is 2 - 5%. Minimum lux levels for teaching space 73.31 m2 0.1 7.3 (P*=2.35, PL=42)
D
C
D
C
D
Panel
(i) (a)
(b)
WEFT SPACE
Lighting Schedule:
N = EabP* xf Floor 96Lighting m2 0.30 81.6 m2 Type of light/ PL =calculations: Avalon Direct (T26 34W)Floor Weft Space Cupboard 32.44 m2 0.50 E == 320 320 x 6 x 16 x 2.35 / 42 x 100 Tables 14.4 m2 W = 21.6 m2 TOTAL Windows 21.6 m2 0.09 / 4200 a= = 72192 6 T = 0.8 RT b= = =17 160.16V / total of SA 42 0.46 O =Humans 90 P* ==2.35 0.16 (328) / 129.82 RT = 0.16V / total of SA M = 0.8 Floor 0.30 Power Density = 17 x 34W81.6 / 96m2 m2 PL == 42 0.40 + 32.44 + 73,31 + 96 + 96 = 319.35=m2 0.16 (328) / 118.66 A = 21.6 f = 100 Tables = 6 W/m2 14.4 m2 0.1 R = (96Discussion x 0.1) + (96Hall x 0.4) + (21.6 x 0.1) + (77.31 x 0.2) + (32.44 x 0.4) / 319.35 = 0.44 Daylight: Tutorial calculations:
= 9.6 + 38.4 + 2.16 + 14.67 + 13 / 319.35 TOTAL NDF = EabP* / PL x f is 2Area/Quantity requirements - 5%. Minimum lux levels forAbsorption teaching space is 320 lux. Surface coefficient/sabins = 0.24 RT= =320 0.16V SA/ 42 x 100 x 6 /x total 16 x of 2.35 WeftCeiling Space calculations: 96 m2 0.50 = =72192 / 4200/ 118.66 0.16 (328) DF = WTOM / A(1-R2) W = 21.6 m2 = Wall+Door 73.31 m2 0.1 =17 =0.44 21.6 x 0.8 x 90 x 0.8 / 319.35 (1-(0.24)2) T = 0.8 Cupboard 32.44 m2 = 1244.16 / 319.35(0.9424) O = 90Density = 17 x 34W / 96 m2 Power = 4.13 M =Windows 0.8 = 6 W/m2 21.6 m2
0.50 0.09
A = 21.6 + 32.44 + 73,31 + 96 + 96 = 319.35 m2 0.46 LuxHumans Levels = 4.13% x 1000042Lux R = (96 x 0.1) + (96 x 0.4) + (21.6 x 0.1) + (77.31 x 0.2) + (32.44 x 0.4) / 319.35 = 413 Lux 81.6 m2 Floor 0.30 = 9.6 + 38.4 + 2.16 + 14.67 + 13 / 319.35 = 0.24 Tables 14.4 m2 0.1 Artificial Lighting: TOTAL DF = WTOM / A(1-R2) Power density requirements under NCC for general teaching space is 8 w/m2. 21.6 x/ total 0.8 xof90SA x 0.8 / 319.35 (1-(0.24)2) RT ==0.16V Minimum lux levels for teaching space is 320 lux. = 1244.16 / 319.35(0.9424) = 0.16 (328) / 118.66 = 4.13 Weft Space calculations: = 0.44 Type of light= =4.13% Avalon Direct Lighting (T26 34W) Lux Levels x 10000 Lux E = 320 = 413 Lux
28.8 16.22
0.30(2)
24.48coloured fluorescent OSRAM T5 HE 14W lamp (mood lighting) 1.44 (3) Light Switch
19.32
TOTAL
(f)
(f)
129.82 0.1 1.9
118.66
24.48 Diagrams: 1.44
(e)
(f)
118.66 Total
(e)
48
Joinery
7.3 edge of the weft space The outer can be16.22 transformed into an informal alcove with views down to the agora 1.9 and plaza below. This edge can also 19.32 be used for informal tutorial discussion sessions. 24.48
Joinery
(j) (k)
(k)
1.44 118.66
The integrated wall mounted storage unit can be pull and extended out to alter the shape of the space for different discussion sessions.
(d)
(d) (c)
a=6
b = 16 Artificial P* = 2.35Lighting: PL = 42density requirements under NCC for general teaching space is 8 w/m2. Power f = 100 Minimum lux levels for teaching space is 320 lux.
B
B
B
B
A
A
A
A
B
B
A
A
Weft Space/ calculations: N = EabP* PL x f = 320 x 6 x 16 x 2.35 / 42 x 100 Type of light = Avalon Direct Lighting (T26 34W) = 72192 / 4200 E = 320 = 17 a=6 b = 16 Power Density = 17 x 34W / 96 m2 P* = 2.35 = 6 W/m2 PL = 42
(e)
f = 100
(b)
Joinery
N = EabP* / PL x f
(h)
(f)
(a)
See Hoong Ping Daniel 163931 BTD5/ILA.2013.AT3.SEE
= 320 x 6 x 16 x 2.35 / 42 x 100 = 72192 / 4200
(d)
= 17
(k)
Power Density = 17 x 34W / 96 m2 = 6 W/m2
(g)
C
D
Reflected Ceiling Plan
C
Sc 1:50
D
Floor Plan (Lecture Hall)
C
Sc 1:50
D
Floor Plan
(Tutorial Discussion Hall)
Sc 1:50
Section A - A Sc 1:50
(e) (b)
(e)
(e)
(b) (d)
Joinery
(f)
(i)
(c) (d)
(a)
(c)
(a)
(f)
(k)
(g) (g)
Section C - C
Section D - D
Sc 1:50
Sc 1:50
Section B - B Sc 1:50
30mm thk perforated acoustic board
JOINERY
Relationship to Design Ideas: 30mm plywood panel backing
My joinery is an integrated wall mounted storage system for my multi purpose weft space. This integrated storage system enables efficient furniture storage for two different space usage. By responding to my overall design concept of layering materials and spaces, this storage system forms one of the main interior wall facade and acts as an acoustic control by having a perforated acoustic panel facade. Mood lighting is also integrated into the top and bottom edge of the storage unit. The sliding internal storage rack is designed to be an interchangable modular unit to accomodate different furnitures and storage requirements of the weft space. The storage rack shown here is designed for foldable chairs to be slot and hung in layers at the bottom rack and top hook respectively.
60mm diameter track guiding wheel
Steel hook H-section steel sliding track
Rockwool insulation
H-section steel sliding track
Steel plate wheel holder bolted to plywood
Hollow steel section framing 30mm thk plywood board
X
X
OSRAM T5 HE 14W coloured fluorescent lamp for mood lighting
30mm perforated acoustic board Joinery Detail 1 & 2
Steel rack divider bolted to hollow steel section framing Wheel and steel track sliding system
100 x 50mm timber support bolted to floor
100 x 50mm timber support bolted to floor
Joinery Plan Sc 1:10
UTAS
BTD5 : Weft Space at Launceston Gasworks Site
Joinery Section X-X Sc 1:10
Joinery Detail 1
Joinery Detail 2
Sc 1:2
Sc 1:2
Year 3 Sem 1
UTAS
BTD6 : Generic Construction System
Year 3 Sem 2
Haywards Entry Walkway Structure
1000
See Hoong Ping Daniel 163931 BTD6 AT3d Taking inspiration from Crisp Bros Haywards steel fabrication and engineering background, the entry walkway’s design is conceived to be an unfolding metal sheet structure. The design expresses the company’s strive for innovation, precision and excellence in steel engineering design by exposing the intricate contruction of the steel roof supporting structure and intersecting steel branch columns. The multi-facated folding perforated aluminium roof with brushed finish creates a contrasting play of light and shadow, giving users a sense of dynamism and visual lightness to the overall design.
A
A
3000
Perforated aluminium sheet with brushed aluminium finish
1000
Concrete pavement walkway
N
Plan Scale 1:100
5000
1000
1500
1500
1000
Perforated aluminium sheet with brused aluminium finish Steel T-bar support structure with brushed metal finish
Elevation Scale 1:100
565
UTAS
3000
1900
940
Reinforced Concrete footing and walkway slab
960
CHS steel column with brushed metal finish
2100
12500
Perforated aluminium sheet with brushed aluminium finish
CHS steel column with brushed metal finish
1050
1050
Sectional Elevation
Section A-A
Scale 1:50
Scale 1:100
565
BTD6 : Haywards Entry Walkway Structure
Year 3 Sem 2
Vignettes
Back of house spaces are are situated on one level to maximize efficiency and centralise services
Spaces are arrange at the edge of Sun Street to maximize solar gain from the east
Big beam spans are used to open up floor space, allowing flexible space arrangement
A central void is created to allow diffused natural daylight to enter the deep building site
UTAS
BTD6 : FInal Project Details
Year 3
photography
1
2
3
4
1. Manhattan, New York 2. Bird-eye view from Empire State Tower 3. Golden Gate Bridge, San Francisco 4. Storage Hut, Ben Lomond, Tasmania
DANIEL
Photography
6
5 7
5. Aurora Australis, Mt. Wellington, Tasmania 6. Milky Way, Low Head 7. Sunset, West Coast, Tasmania 8. Reflection, Sea Port, Launceston
8
DANIEL
Photography
9
9. Buskers, Salamanca Market 10. Street Art, Melbourne
10
DANIEL
Photography
11
11. South Cape Bay, Tasmania
“ A great building must begin with the unmeasurable, must go through measurable means when it is being designed and in the end must be unmeasurable. “ Louis I. Kahn
d a n i e l s e e