Dear Discussions March 2014

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Monolouge

Before every monolouge space every month turns into a editor complaint section, let’s start talking about what are we going to get ahead. First of all we started working on with Weiss graphic as our partner for supplies of graphic and also Art Direction, since we thought having more people the merrier this publication (and better perhaps).

Currently with more man power were trying to figure out things that would make pur publicating process more efficient. Since most of us are working for the publication in our spare time, things tend to get unorganized and that is probably (or definitely) the reason of our delays. We’ll try to fix that. Sorry!

Last publication discusses about elements of art, while this publication speaks about principles of design. Both being the foundations of art and design. Next few publication we’re aiming for more artworks, more examples upon how the elements and principles are being used in context.

So we hope you enjoy our third publication. Keep discussing.

Cover Image from:

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M A RCH

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PRINCIPLES OF DESIGN

Everything has a principle, a principle is like a foundation, the fundamental base of something. When we understand a principle and execute the principle, we may be able to perform well. Just like with design.

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PRINCIPLES OF DESIGN

P

rinciples of design is the rule of a proper design. Following the principle properly allows the design to have

a proper form. There are various interpretations of the principles. One may name unity as a principle, while some may omit unity as it can be included with balance, another principle. Now we are going to discuss several principles that forms a good design visually. Principles of Ease

various the elements composed

First off is balance. Balance is

has a sense of connection between

a state when elements are in a

them and creates union for the

sense of equableness. There are

artwork or the design. Unity can

two types of balance, symmetrical

be achieved by having balance in

and asymmetrical. Symmetrical

the design, as balance creates a

balance is where the elements

distribution of elements that made

of the design are composed in

the whole design in union.

a, literally, symmetrical way. As if one side is mirrored on the other

Harmony is also related to balance

side. An asymmetrical balance is

and unity. Harmony is also a state

where the elements are composed

of connection between elements of

in a visually symmetrical way. By

the design that creates harmony, a

having a balanced composition the

pleasing effect. Harmony is closely

design would have stability and also

connected with unity, as some

structure.

concludes that the state of harmony is born when unity is present, henceforth relating both principles together.

Symmetry Balance and Asymmetry Balance

Some may include unity as part of balance. Unity is a state where Unity and Harmony

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PRINCIPLES OF DESIGN

Principles of Composition

in a work, making people perceive

Elements that are composed

a sense of space.Contrast can also

repeatedly creates repetition, or

create emphasis. Emphasis is a focal

a pattern as many people may

point of a design, the important

know. Pattern is another design

part that holds the purpose of

principle that promotes unity in a

the design itself. As design is a

design. Repetition may also creates

functional form of art, a purpose

balance, by having a similar element

driven work, the essence of the

being used repeatedly the elements

design should have the focal point

will weight the same between one

of the whole design. While it is not

and another, therefore creating a

always necessary to create emphasis

sense of balance, either symmetrical

with contrast, some find it easy to

or asymmetrical. By creating

do so, since contrast creates a sense

balance and unity in an artwork as

of distinction from the rest of the

previously stated it will also produce

elements, it is in some way aligned

a harmonious feeling.

with the purpose of emphasis.

Repetition

Contrast & Emphasis

Then there is contrast, a

Proximity is also another way for

composition of opposing elements

promoting emphasis. Proximity,

that creates a highlight between

or nearness, creates a relationship

the elements. Contrast can be

between the elements that are

achieved by difference in colors,

composed. Though it doesn’t mean

tone, shape and also different

that the elements must be closely

elements. By creating a contrast

located next to each other, it can

in a design, we are able to create

also mean that the elements must

variety of elements composing the

be connected visually.

artwork. Contrast also creates depth

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PRINCIPLES OF DESIGN

movement. If repetition is the road and movement is the direction, then rhythm is the vehicle that “Literal” Proximity and “Unliteral” Proximity

Movement is a sense of direction that is created by the composition of elements. Some elements that could easily promote movement are the basic elements such as line and shapes. Having movement in

enables us to move with ease. Just like in music, a good rhythm helps people to hear the music well, as a disordered rhythm may confuse some people. In design rhythm enables peoples eye to view the design with ease.

a design helps the viewer eye to venture upon the whole design with ease, from one point to another point, just like a guide. Without

Movement & Rhythm

movement the design would seem

Usage of The Principles

stiff. It is considered a problem if

Principles of design is a guideline

various messages or focal points are

to create an effective design.

placed on a stiff design, because

Although there are some designers

the viewer may seem confused by

that argue that the principles are

how should they see the design.

not that necessary, we think that

This kind of situation makes the

knowing the essence of designing

viewer unable to interpret the whole

is important. Designers that work

design perfectly. But if a design has

in their ideals, like David Carson,

only one focal point it is not always

seemed like he just had abandoned

necessarily to have movement as

the principles judging from his work,

long as the focal point is clearly

but Carson must have designed

emphasized.

following the principles one point at his career. He must’ve understand

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Rhythm is a composition of

the principles to be able to break

elements that has an organized

the principles.

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PRINCIPLES OF DESIGN

People are said to break the rule only because they have understood what the rule is. Without knowing the rule how are we going to break it. The principles of design is not a limitation for designers to work, it is more of a assistant on creating vast creative designs. Many designers agree that when designing without any base or limitations the design produced are usually ‘bad’, out of context and doesn’t serve it’s purpose well. The principles are there to serve as a base for our creative process. Understanding and learning about the principles enables us to do more. At the beginning we would feel like following the principles are a burden on our creative process, but after a lot of practice and thought, we would be able to apply the principles unconsciously. A great designer doesn’t let his creativity be limited by the principles, instead having his creativity being supported by the principles.

The principles of design may also be applied to other kinds of design

Raygun Magazine Cover by David Carson

“It’s not about knowing all the gimmicks and photo tricks. If you haven’t got the eye, no program will give it to you.” David Carson and art. Various product design or art installation make use of the elements to achieve aesthethic and also sophistication to viewers. Let’s take example of a dining room table set. The table and also the chairs usually came in one set, and both do share proximity, and when viewed together as one, they should promote a sense of unity.

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PRINCIPLES OF DESIGN

The kitchen utensils that are used are also made with proximity, while a knife and fork serve different purpose and also have different shapes, they do have a look that are closely

The “Unliteral” proximity between a knife and fork.

Big chance is that there are some principles that we don’t discuss this time, mainly because we felt like the principle is closely related to some principles that we have discussed here.Take example of balance, unity and harmony. They point out a similar point, principles that talk about how the elements are

related as a kitchen utensil set. If

composed so that the viewer may

product designs has a the principles

find ease when seeing the design,

applied, much more interior design

or emphasis and contrast that both

and also architecture. On various

talks about comparing elements to

art installations there are usually a

reach a focal point. Sure they do

message waiting to be perceived

have notable differences, but still

by the viewer. The artist conveys

quite closely related in application.

the message by using the principles

Some of the principles that we do

to drive the viewer’s attention to

not discuss has less differences

the main point of the installation.

compared to the ones whe had

Movement, repetition, contrast,

discuss.

emphasis, all works well to drive and guide the eye to where we

Or we could’ve just simply forget

want them to see.

about them, but hopefully not.

Article References: http://www.j6design.com.au/ClientArea/6fundamentalprincipleofdesign http://www.incredibleart.org/files/elements2.htm http://www.educ.kent.edu/community/vlo/design/principles/unity/index.html

Image References: http://2.bp.blogspot.com/-wVOcJr5O3sA/ULQwGT-aRAI/AAAAAAAACI4/LoIHHyHMuJU/ s1600/david-carsons-ray-gun.jpg http://www.georgjensen.com/media/catalog/product/cache/6/image/9df78eab33525d08d6e5f b8d27136e95/3/3/3335322_bo_bonfils_starters-lunch-dessert_fork_and_knife_giftbox.png

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Next Discussion: Modernist. Or Modernism. A word associated with sophistication. Perhaps true if we look upon the meaning of ‘Modern’ itself. But what does Modernist itself means? It started in the early 20th century. So should something that old be called modern?

We’ll keep quiet for now.

“The Dance” by Henri Matisse

Next publication probably shows more designer and artist works, but expect some modern things toward our next publication.

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