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ALEJANDRO ARAVENA GIORGIO ARMANI GURJIT & KOMAL MATHAROO TARUN TAHILIANI YOKO SHIMIZU
Trending Now! FLORAL PRINTS INLAY NOW MUSTARD PINK TACTILE & SENSORY
INDIA INSPIRED
QUINTESSENTIAL MOTIFS & PHOTO ESSAY, ARTISANAL FINDS, EXPERIMENTS WITH MATERIALS AND STREET EATS
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Visit us at India Design 2019 INDIA DESIGN 2019 12 - 15 FEB 2018 STALL NO. 97-98 NSIC GROUNDS, OKHLA, NEW DELHI
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CONTENTS www.elledecor.in
ED ELCLO ER ID Symposium! MEET THE STALWARTS
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FEBRUARY – MARCH 2019, `150
People We Love ALEJANDRO ARAVENA GIORGIO ARMANI GURJIT & KOMAL MATHAROO TARUN TAHILIANI YOKO SHIMIZU
FEB 2019 - MAR 2019
The feature, "COP A FEEL," explores the textural interplay of elements Pg 46 TEXT BY RONITAA ITALIA DHANU
Trending Now! FLORAL PRINTS INLAY NOW MUSTARD PINK TACTILE & SENSORY
VOL 8 NO 2
ON THE COVER
INDIA INSPIRED
QUINTESSENTIAL MOTIFS & PHOTO ESSAY, ARTISANAL FINDS, EXPERIMENTS WITH MATERIALS AND STREET EATS
PHOTOGRAPHY BY ANKUSH MARIA TREND & STYLE DIRECTION SONIA DUTT STYLING BY PRATEEKSHA KACKAR ASSISTED BY CHAVI SOOD
196
HOMES 196
CONCRETE CANVAS Architect Gurjit Matharoo designs a home that celebrates modernism while staying true to Indian tradition
216
258
206 DOUBLE DIBS Designer Tejal Mathur fashions a surreal canvas in the City of Joy
216
SUN KISSED We take you through Italian designer Giorgio Armani’s holiday home in Saint Tropez — designed by the man himself
228 LOCAL PRIDE Immerse yourself in a vibrant journey through India
234 GREY SCALED This elegant home in New Delhi is filled with carefully chosen artefacts and artwork perfectly juxtaposed with a neutral palette
244 BACKWATER BREEZE A contemporary abode
206
designed by Tarun Tahiliani’s Ahilia Homes, rests along the rustic Goan backwaters
FOCUS ON CRAFTS HOT TRENDS 258 MODERN INSET Experiment with patterns and
materials to elevate your living space with unique inlaid flooring tiles
262 WEAVES NOW Create dynamic living spaces with woven furnishings
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ALEXANDER SEATING SYSTEM
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RODOLFO DORDONI DESIGN
DISCOVER MORE AT MINOTTI.COM/ALEXANDER
AHMEDABAD BY DESIGN ITALIANO OPP. SINDHUBHAVAN, SINDHUBHAVAN ROAD, BODAKDEV AHMEDABAD - 380015 GUJARAT (INDIA) T. +91 98 79026328 - INFO@DESIGNITALIANO.IN CUSTOMISED INTERIOR DESIGN SERVICE
CONTENTS www.elledecor.in
ED ELCLO ER ID Symposium! MEET THE STALWARTS
®
FEBRUARY – MARCH 2019, `150
People We Love
www.elledecor.in
ED ELCLO ER ID Symposium! MEET THE STALWARTS
®
FEBRUARY – MARCH 2019, `150
People We Love
ALEJANDRO ARAVENA GIORGIO ARMANI GURJIT & KOMAL MATHAROO TARUN TAHILIANI YOKO SHIMIZU
Trending Now!
FEB 2019 - MAR 2019
FLORAL PRINTS INLAY NOW MUSTARD PINK TACTILE & SENSORY
INDIA INSPIRED
VOL 8 NO 2
QUINTESSENTIAL MOTIFS & PHOTO ESSAY, ARTISANAL FINDS, EXPERIMENTS WITH MATERIALS AND STREET EATS
ALEJANDRO ARAVENA GIORGIO ARMANI GURJIT & KOMAL MATHAROO TARUN TAHILIANI YOKO SHIMIZU
Trending Now! FLORAL PRINTS INLAY NOW MUSTARD PINK TACTILE & SENSORY
INDIA INSPIRED
QUINTESSENTIAL MOTIFS & PHOTO ESSAY, ARTISANAL FINDS, EXPERIMENTS WITH MATERIALS AND STREET EATS
SUBSCRIBE Get your digital edition of ELLE DECOR India for instant access to expert advice and creative decorating ideas. Log on to www.elledecor.in now!
56
TRENDS & ACCESSORIES 36
MADNESS OF FLOWERS Swim against the tide of Indian minimalism with these daring and romantic arrangements
46
COP A FEEL Modern designs that are inspired by materials and textures, beg you to reach out and touch
56
SPRING IN THE SKY Banish the banal to make way for bright, chromatic interiors
62
DECOR WISHLIST Get a dose of the freshest finds from India and around the world. Also spotted: coat stands and hangers to add chic eclecticism to your space
36 46
NOW LOOK 68
ORIENTAL GRANDEUR Triple 8, an immersive restaurant, designed by Iram Sultan and Mohit Kansal of Studio Strato is a modern interpretation of orientalism
86
FLUID INTERACTIONS Opening the doors to a futuristic marvel, Zaha Hadid Architects create a sculptural form, which is laced with intrigue and has a mysterious appeal
96
MODERN REVIVAL David Chipperfield Architects reinvents an iconic address in Central London
98
STYLISHLY SIMPLE Located in the art district of Mumbai, the new Ogaan store exudes a contemporary vibe
106
MODERNIST’S STUDIO Sculptor Aman Khanna of Claymen walks us through his eloquent and minimalistic world
86
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Goa Property ID: 8J8T9P on sir.com
Global Luxury Realty Conclave 3rd Edition | 2019
February 22-23, 2019 ITC Maurya, New Delhi REGISTRATIONS NOW OPEN globalrealtyconclave.com E : marketing@indiasir.com
GOA RERA NO.: AGGO05180157
Each office is independently owned and operated
CONTENTS
FEB 2019 - MAR 2019
VOL 8 NO 2
122 116
113
ART+LIFE 113
YOKO SHIMIZU The Kyoto native turns the natural scientific phenomena occurring around us into striking installations
116
INNER SANCTUM Gallerist Shireen Gandhy of Chemould Prescott Road talks about conceptual architect and artist Bijoy Jain
120
INDIA INSPIRED Art philanthropist Shalini Passi elucidates artistic innovation in India
122
KOCHI-MUZIRIS BIENNALE 2018 We highlight our favourites at the largest contemporary art event in the country
126
A RIOT OF COLOUR Interior designer Sophie Wannenes invites us into her eclectic wunderkammer in Milan
130
IN, THROUGH THE GALLERY Sangeeta Raghavan of Art Musings art gallery gives us a first-hand account of the ever-evolving art scene of the last two decades
136
MOTIFS OF INDIA The doyens of design reveal the story behind their favourite motifs
98
136
DECOR PEOPLE 92
IN CONVERSATION WITH ALEJANDRO ARAVENA The award-winning architect and India Design ID 2019 speaker shares his design philosophy and approach to architecture
94
SACHA WALCKHOFF FOR CHRISTIAN LACROIX Acclaimed designer Sacha Walckhoff takes inspiration from botany and nature to craft stunning designs
148
AND THE GOLDEN PENCIL GOES TO… The second edition of Kohler Bold Design Awards in association with ELLE DECOR India felicitated the best in architecture
92
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CONTENTS
FEB 2019 - MAR 2019
VOL 8 NO 2
163 100
270 NOW STUDIO 72
ARCHITECTURE BRIO We discover Architect Shefali Balwani and Robert Verrijt's creative cave that blurs the line between outdoors and indoors
NOW WORKSPACE 100 MILENNIAL INFLUENCE New York-based Village Marketing offers an opulent penthouse for social media influencers
LEISURE
72
STEAL THIS DEAL
FOOD
270 THE FOOD WE EAT We explore the versatile
street food of India and how eateries are catering to the ever-changing global-desi palate
OUR REGULARS BUZZ 164
STREETS, STORES AND SIGHTINGS The latest trends in products and lifestyles across India
DECOR EVENTS 278
PROMOTION OFFER SUBSCRIBE TODAY! WIN EXCITING GIFTS FROM THE INDIA CIRCUS! MORE ON PG 254
282
AND WE TURNED 18! In December 2018, we celebrated 18 years, along with Red, Blue & Yellow and all our friends from the art and design community
282 KOHLER BOLD DESIGN AWARDS The Kohler Bold Design Awards 2018 took place at the iconic Opera House, Mumbai
LAST PAGE
288 BLUEPRINT- CALCUTTA BUNGALOW
Scenographer Swarup Dutta's blueprint of his award-winning structure that draws inspiration from the old-world charm of Kolkata
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ELLE DECOR www.elledecor.in
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KAVITA BHARTIA
AASHTI BHARTIA
MAHESH NAMBIAR
National Creative Directors & Interim Editors
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SONIA DUTT MRUDUL PATHAK KUNDU
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Features
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VOLUME 8 NO 2 Printed and published by Takesh Mathur on behalf of Ogaan Media Private Limited, and printed at Rajhans Enterprises, 134, 4th Main Road, Industrial Town, Rajajinagar, Bengaluru 44, and published from 201, Nirman Kendra, 20, Dr E Moses Road, Mahalaxmi, Mumbai 11. National Creative Directors & Interim Editors– Sonia Dutt & Mrudul Pathak Kundu. Processed at Reproscan.Distributed in India by Amar Chitra Katha Pvt Ltd, Sumer Plaza, Second Flr, Marol Maroshi Rd, Marol, Andheri (E), Mumbai 59. Copyright © Ogaan Media Pvt Ltd, 1996. Regd Office: H-2, Hauz Khas Village, New Delhi 16. All rights reserved throughout the world. Reproduction strictly prohibited. ELLE DECOR does not take responsibility for returning unsolicited publication material. ELLE DECOR is a registered trademark.
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DELHI: DLF Place Saket, Ph: 011-46024888; Promenade Mall, Ph: 011-41811133; Pacific Mall, Ph: 01141833452; M.G. Road , Ghitorni, Ph: 011-26502271; NOIDA: Mall of India, Ph: 0120-2479804; GURGAON: Ambience Mall, Ph: 0124 4665786; MUMBAI: Infini mall, Ph:02242958042, Viviana Mall, Ph: 022-61701411,39931411; CHANDIGARH: Elante Mall, Ph:- 0172-5069041; LUDHIANA: Pavilion Mall, Ph 0161-4656506; JAIPUR: World Trade Park, Ph: 0141 -2728089; KOLKATA: Quest Mall, Ph- 033 22870850; AHMEDABAD: AlphaOne, Ph: 079- 40029696; BENGALURU: 1 MG Road Mall, Ph: 080-22086561; PUNE: The Pavilion Mall, Ph: 020-66421184.
EDITORIAL
LIVING IN INDIA...
SONIA DUTT & MRUDUL PATHAK KUNDU INTERIM EDITORS & NATIONAL CREATIVE DIRECTORS Write to us on edfeatures@ogaan.co.in. Profile photography by Bajirao Pawar 30
SP 2019 •
ID GN SI
SP
Come, let’s celebrate design 365 Days.
2019 •
Before we sign off, we would like to leave you with a quote by Alejandro Aravena (2016 Pritzker Prize winner and keynote speaker at ID Symposium 2019) that perfectly summarises everything we do at ELLE DECOR: “If there’s any power in design, that’s the power of synthesis. The more complex the problem, the more the need for simplicity.”
• INDIA KER DE EA
ID GN SI
In this edition, the featured homes too reflect a similar energy. Spaces by Komal and Gurjit Matharoo, Giorgio Armani, Namrata Datt and Tarun Tahiliani bring to you a medley of minimalistic to serene themes, coupled with a romantic play of materials and textures. As we move forward towards this exciting journey of celebrating India, our new brand director Kamna Malik offers a peek into all that we have lined up for the 7th edition of India Design ID. Watch out for an absolutely stunning & bold avatar of the show put together by one of India’s best architect and designer (Shh, we can’t tell you who that is just yet), a stellar line up of over 40 international and Indian creative minds, along with exhibits of the best that India has to offer.
Artwork by artist Nilofer Suleman
• INDIA KER DE EA
Have you ever wondered that inspite of belonging to a society that is defined by ancient traditions and rituals, we have embraced so many different cultures and ethos, sometimes being completely oblivious to this change. But, as they say, change is the only constant. So, for ELLE DECOR’S first issue in 2019, we bring to you the story of evolution – of art, craft and design. From architects who are turning artists to pop art’s increasing influence on craft and design, the change is inevitable. And it doesn’t stop there. We bring you the trends and talents to watch out for, along with mesmerising homes, high street and luxury brands that command your attention. When we talk of spring, we’re not only bringing you floral themes, but also colours like mustard and pink that evoke a similar mood. The sensory and tactile trends will compel you to reach out for the pages, over and over again.
To know more about our ID Symposium speakers, do watch out for this stamp in the issue! See you at NSIC Grounds, Okhla, New Delhi from 12-15 February, 2019 as we present India’s Best & Oldest Luxury Design Week, India Design ID 2019.
ACKNOWLEDGMENTS ELLE DECOR introduces our special contributors who are storytellers of spaces and ideas that create unparalleled sensorial experiences
NAMRATA DATT
INTERIOR STYLIST & CURATOR From trekking in the Leh to deep sea diving in the Andamans, the interior stylist and part-time adrenaline junkie finds inspiration in all things nature. Design to you is A visual treat that communicates aesthetics. One signature design note Proportions and de-cluttering – they hold the key to functionality in any space. Home to me is.. Complete when you have collectables which each have a story to tell. In this issue Opens the doors to her stunning home in “Grey Scaled”, Pg 234
SHIREEN GANDHY ART CURATORI
Iram specialises in creating both modern and traditional designs with a unique twist. Design to her is all about storytelling, curated with love and told with passion. Design to you is Timeless, balanced and ever evolving One design district that inspires you I’m enthralled by the city of Rome! Most precious travel souvenir I collect ceramics and Christmas ornaments from the cities I visit – they represent a growing map of my journey In this issue Opens doors to her newly minted restaurant in “Oriental Grandeur”, Pg 68
SONAL SHAH WRITER
Having been surrounded by art and artists as a young girl, the gallerist was naturally drawn to the field and while she received her initial training under her parents, she went on to get a formal education in arts administration in London.
After shuttling between India and USA, the former Columbian University alumni finally set base in Delhi where she enjoys exploring art, anthropology, literature and her beloved city.
Artist on my radar Atul Dodiya
Currently reading Becoming by Michelle Obama
Home to me Is my teacher – he brings art history into his paintings
32
IRAM SULTAN
INTERIOR DESIGNER
Home to me is Where I can be me in every which way there is
One art district that inspires you globally I am really inspired by Chelsea
My most precious travel souvenir My big floppy hat from Italy that goes with me everywhere
In this issue The gallerist talks about her association with architect and artist Bijoy Jain in “Inner Sanctum”, Pg 116
In this issue Highlights from the largest contemporary art event in the country, Kochi-Muziris Biennale 2018, Pg 122
ACKNOWLEDGMENTS ELLE DECOR introduces our special contributors who are storytellers of spaces and ideas that create unparalleled sensorial experiences
SANGEETA RAGHAVAN ART CURATOR
Curator Sangeeta Chopra of Art Musings Gallery, hosts experimental talent by showing works of both modernists along with contemporary artists Destinations on my radar The bucketlist is long! But I would love to see the Northern Lights An artist that inspires me ... Raza-ji, my mentor, guide and friend Home to me is... My comfort zone In this issue Gives us a first-hand account of what it was like to eat, sleep and breathe art during the last 20 years in “In, Through the Gallery”, Pg 130
KOMAL MATHAROO ARCHITECT
The senior architect and a creative force at Matharoo Associates, A design direction to watch out for... Good architecture will always move towards simplicity and materials in a natural form Materials of Choice Any material which is economical and suitable to the climate and comes alive with sunlight Modern Indian Design to me is.. Contemporary language that embodies Indian ethos and sensibilities. In this issue Takes us through a home where modernism and Indian tradition comes alive in “Concrete Canvas”, Pg 196 34
SHALINI PASSI ART CURATOR
Founder and director of the Shalini Passi Art Foundation, Shalini is also an active philanthrophist and been actively involved in educating underprivileged children in Delhi Indian artist that inspires you Anita Dube One art district that inpires you globally The 798 Art District, Beijing Currently reading Frank Lloyd Wright: Force of Nature by Eric Nash and Modern Architecture A-Z by Taschen In this issue Essays her thoughts around artistic innovation in India in “India Inspired”, Pg 120
TRENDS NEXT
The Madness of Flowers Against the current backdrop of Indian minimalism, we see the emergence of daring and romantic arrangements
PHOTOGRAPHY BY MARIE-PIERRE MOREL, NICOLAS TOSI PRODUCED BY CHRISTELE AGEORGES, BARBARA BOURGOIS, EMMANUELLE JAVELLE TRANSLATION RYAN D’SOUZA
A SPRING RECIPE: Poppy fabric in cotton and polyamide, BORDERUNE at Jules & Jim. Enamelled plate, John Derian for ASTIER DE VILLATTE. Nap Star table napkins, SOCIETY LIMONTA. Couteaux butter and cheese on silver metal XIX, MAISON DU BAC. Glass foot, glass press, MERCI. Earthenware decorative flower, COPENHAGEN BRAND. Anatolia fabric in silk enamel, FABRIC D HELENE at Jules & Jim. Earthenware mug, URBAN NATURE CULTURE. Plate of flat red sandstone, PHILLIPPE MODEL. Earthenware plates “Anemone” and “Agapanthe” , by the contemporary painter Gael Dravrinche, Jars for DEMODE. Green steel rifle barrel, ERCUIS at Maison du Bac. 36
LIKE A CLOUD: Rhodora wallpaper, OSBORNE AND LITTLE. Ephemeral cloud of fresh flowers, sculpted by the florist Cécile for OZ GARDEN. Satin black metal chair, upholstered with vintage floral fabric, HERITAGE STUDIO. Painting “Délicatesse 2” by Florence Nérisson, GALERIE ZEUXIS. Table with red marble and metal legs, designed by Piero Lissoni for Knoll, RBC PARIS. Ceramics made from paper pulp; each piece is unique, PAOLA PARONETTO. Delft carpet, digital flower print on polyamide, DESIGNERS GUILD.
37
TRENDS NEXT
The Madness of Flowers
HOUSE OF JADE: On the wall, Edo Mint wallpaper, COORDONNE. Armchair covered with Kandyli fabric, CAROLINA IRVING TEXTILES at CASA LOPEZ. Gräshoppa floor lamp design Greta Magnusson reissued by GuBI, THE CONAN SHOP. The woollen, hand-woven contempary Kilim Rug in Pakistan, GALERIE TRIFF. 38
Craftsmanship just met luxury. Clearly they got along.
Featured above is the Filigree Collection by Taannaz in white bronze medium patina. www.taannaz.in
TRENDS NEXT
The Madness of Flowers
HYMN IN SPRING: Hand-painted wallpaper on silk cloth (custom made, here composed of three panels), DE GOURNAY. Floor lamp in brass and glass, MAGIC CIRCUS (Asteri). Ceramics made from paper pulp, each piece is unique, PAOLA PARONETTO. Modern Line sofa, GUBI, covered with tapestry “Maquis Agave”, LELIEVRE. Warren Platner coffee table in gold-plated metal and clear glass, KNOLL. Garden carpet composed of flowers in relief, design Carlota Verde, FERREIRA DE SA. (Flowers, OZ GARDEN.)
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Two spouts for drinking and domestic use.
Dual Flow
K ITCH E N S I N K M I X E R
With its modern design, high rotatable pipe and ergonomic use, Dual Flow offers unique practicality and ease of use with two water outlets. www.vitra-india.com Customer Care Call Centre: 1800 123 1134
VitrA Experience Centres Mumbai- B-102, Durolite House, Opp. SAB TV Building, New Link Road, Andheri (W), Mumbai- 400 053 Delhi- A-288, Defense Colony, Ground Floor, New Delhi- 110 024
TRENDS NEXT
The Madness of Flowers
AT THE FLEMISH: Pellestrina fabric in velvet, viscose, cotton and polyester, OSBORNE & LITTLE. Porcelain vase, John Derian for ASTIER DE VILLATTE. Wandle fabric, in linen, MORRIS & CO at Sanderson. Marchioness fabric, in linen, BORDERLINE FABRICS at Jules & Jim. Nagel de Stoff candlestick in matte black metal, MAISON M PARIS. Olive-coloured water glass, BITOSSI HOME, Merci. Plate in black sandstone, semi-matte finish, LA TRESORERIE. Berlin table, in black stained pine, LA TRESORERIE. Wabi-Sabi The Roses fabric, in linen, chaise chair, HOME HOLIDAYS. Bouquet of flowers, MAISON VERTUMNE. 42
AD Beatrice Rossetti - Photo Federico Cedrone
CAMPIELLO SECTIONAL SOFA Antonio Citterio Design www.flexform.it
AGENT FOR INDIA VITA MODERNA MUMBAI SHOWROOM info@vitamoderna.in
BANGALORE LIVING ART INTERIORS LLP design@livingartinteriors.in
TRENDS NEXT
The Madness of Flowers
NIGHT FLOWERS: Wild Garden wallpaper, flower print painted by Elena Carozzi, LIZZO. Bench in satin metal, upholstered with floral velvet, CAUSES. Sculpture of fresh flowers, by Cécile for OZ GARDEN. Canvas painted with flowers, LAURENCE AMELIE. Old porcelain coffee cups, THE HOUSE OF THE BAC. Ming stool, with round top in pink lacquer, CFOC. Highback chair in natural wicker, FEELGOOD DESIGN. Delft cushion in cotton velvet digital print, DESIGNERS GUILD. Buttercup cushion in cotton velvet, printed according to a drawing by Gael Davrinche, DEMODE. Garden rug in wool, composed of flowers in relief, gradient colours, design Carlota Verde, FERREIRA DE SA.
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ADVERTORIAL
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Engineer’s Ply
Reimagine your home spaces with sharp aesthetics and custom-built functionality
W
ith nearly two decades of well-rounded experience, thorough product knowledge and excellent international exposure, look out for Engineer and it’s wood-based panel products at India Design ID this year. Pushing the dimensions of this primary raw material, the brand elevates spaces. Expanding customer horizons, this multi-faceted organisation has a wide network both within and outside the country. Among the leading producers of natural wood veneers in India, it is a wood oasis with a stock of more than 150 diverse wood species. Their Experience Centre is specially designed for the clients — the immersive experience lends an in-depth understanding of the products. The manufacturing unit boasts a state-of-the-art facility, equipped with cutting-edge technology, stringent quality checks and premium materials, thus ensuring truly top-of-the-line products in the province of modular kitchens, doors and wardrobes. Their e-commerce portal — www.planmyinterior.com — is interactive, featuring extensive catalogues, high quality materials, speedy installations and transparent warranties. u Sakshi Rai
SEE YOU AT
12TH-15TH FEBRUARY, 2019 DECORATION PAVILION BOOTH 15 - 16 OKHLA, NEW DELHI
CLOCKWISE FROM TOP Smart kitchen panelling with smoke saturn walnut veneer; Santos rosewood textured door; Sleek minimalistic kitchen veenered with vintage oak Address: E-36, Site B, UPSIDC Site B, Surajpur,Greater Noida 20106 Website: www.engineerply.com / www.planmyinterior.com
TRENDS NEXT
COP A FEEL
When the textures look so inviting, you can’t help wanting to reach out and touch! TREND AND STYLE DIRECTION BY SONIA DUTT STYLING BY PRATEEKSHA KACKAR ASSISTED BY CHAVI SOOD PHOTOGRAPHY BY ANKUSH MARIA
46
FACING PAGE, CLOCKWISE FROM TOP LEFT JUTE AND STEEL“EN-
by En-Inde from Shades of India, `14,800 “D.A.
SH14”NECKLACE
GREY DULUX GLOSS READY MIX” PAINT
from Dulux Paints,`460 per ltr CERAMIC PINK FLOWER WALL DÉCOR from Bo Concept, `2,950 POLYRESIN PINK SHELL from Apartment 9, `2,290 TAJ MARBLE TILE from Odyssey, `6,000 per sqft 100% PE “ALICIA” FABRIC from Tulips, `21,500 ON WOOD WORKED PANEL
THIS PAGE, CLOCKWISE FROM LEFT 100% POLYETHYLENE “CALYPSO”
from Tulips, `3,000 LAMP from Vaishali Shandangule, `38,000 TEXTURED CHANDERI “LINES AND DOTS” FABRIC from Vaishali Shandangule, price on request “D.A. FABRIC
CHANDERI “OCEAN WEED”
GREY DULUX GLOSS READY MIX” PAINT
from Dulux Paints,`460 per ltr CONCRETE
ON WOOD WORKED PANEL
SLAB EFFECT “ROMAN STONE 8311”
by Asian Paints from Kripal Paints, price on request
For details, see Addres Book
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TRENDS NEXT Designed by Department of ARCHITECTURE Co. Ltd., the lobby and bar of the Hilton Pattaya occupies the 16th floor of the building. As the elevator doors open, the architectural intervention to the entire ceiling plane, with its dynamic wave lines, leads the movement of the visitors towards the seafront beyond. The fabric installation on the ceiling becomes the main feature in the space, where the simple elements on the ground balance the atmosphere with their tranquil tones. At night, strip lighting from above the fabric pattern lends the entire area a warm glow. The entire volume of the ceiling then becomes a gentle luminous entity Website: www.departmentofarchitecture.co.th
COP A FEEL
...When the sense of touch is evoked through the sense of sight. The dramatic ceiling enhances the “cocoon� effect, making a large, expansive space appear cosy TREND AND STYLE DIRECTION BY SONIA DUTT PRODUCED BY CHAVI SOOD PHOTOGRAPHY BY WISON TUNGTHUNYA
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TRENDS NEXT
COP A FEEL
...Quite literally! We’re thinking of texture so deep that it will make your toes curl TREND AND STYLE DIRECTION BY SONIA DUTT STYLING BY PRATEEKSHA KACKAR ASSISTED BY CHAVI SOOD PHOTOGRAPHY BY ANKUSH MARIA
CLOCKWISE FROM TOP LEFT 100%
from Bo Concept, `1,10,000 WHITE ‘PEBBLE’ BATH MAT from Good Earth, `1,200 100% POLYESTER “RUSKIN” FABRIC from Tulips, `3,250 CHENILLE NON-SLIP “ABSORB” BATHMAT from Miniso, `490 100% COTTON “EKRU DIA” BATHMAT from Gigi Chakra, `3,745 COTTON AND POLYESTER “KEVIN” BATHMAT from Gigi Chakra, `3,945 SPANDEX AND ELASTANE SPONGE TRAY from Muji, `350 STONE FOOT EXFOLIATOR from Amazon,`250 WOOL “PALENCIA GREY” RUG
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TRENDS NEXT
COP A FEEL
...When it sounds good enough to, well, touch! Technology plays its part with this speaker in its intriguing textured avatar TREND AND STYLE DIRECTION BY SONIA DUTT PRODUCED BY PRATEEKSHA KACKAR
Designed by Adela Hatic, Neptune is an artistic bluetooth speaker that combines the representative elements of music — art, technology and the senses. The concept behind Neptune was to create a loudspeaker that allowed the music to not only be heard, but to be visualised and sensed too. The foam makes the sound waves touchable, so the music can be touched and felt. 52
TRENDS NEXT
COP A FEEL ...And make “good touch” your primary sense for the rest of your life TREND AND STYLE DIRECTION BY SONIA DUTT PRODUCED BY CHAVI SOOD
CLOCKWISE, FROM TOP LEFT WOOL AND LYOCELL WITH CROCHET “OCEAN” HANDTUFTED RUG
from Vanessa Barragão BANANA FIBRE PAPER “DANDELIONS ON GLOWING” PENDANT LAMP from Oorjaa MARBLE AND POLYURETHANE FOAM DUST “SCULPTURAL” TABLE from Charlotte Kidger STEEL AND BRASS STRUCTURE UPHOLSTERED WITH FOAM AND SCUBA KNIT “LAWLESS” CHAIR from Evan Fay DEAD SEA SALT STOOL from Erez Nevi Pana WOOD WOOL “ACOUSTIC” TILES by Form Us With Love from Baux PORCELAIN “FOSSILIA”WHITE VASE by Fos Ceramiche from Artemest POLYLACTIC ACID PLASTIC “RISE” CHAIR by Zaha Hadid from Nagami *All prices on request For details, see Address Book
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CUSTOMIZED HANDCRAFTED LIGHTING SOLUTIONS Shop Online
Showrooms:
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Bengaluru: Devatha Plaza, Residency Road, 080-48652955
846-7854-367
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info@foslighting.com
Gurugram: 2nd Floor,The Plaza Mall, M.G. Road, 0124-4101167 Hyderabad: City Center Mall, Road No.1, Banjara Hills, 040-40164229
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Pune: Ishanya Mall, Opp. Golf Course, Airport Road,Yerwada, 020-40004020
FosLighting
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NOW PALETTE
SPRING IN THE SKY
Seek inspiration from our shades of the season – products, textures, patterns and paints that banish the banal to make way for chic, chromatic interiors TREND AND STYLE DIRECTION BY SONIA DUTT PHOTOGRAPHY BY S THIRU STYLING BY CHAVI SOOD
The Inspiration
We love the in-between time of the year that February and March augur. And the pleasant nip in the air is just one of the reasons. Have you ever stopped to admire the Spring sky…at sunrise? Or just before or after the sun has set? It reminds us of a beautiful watercoloured canvas, recently prepped for painting. Shades of ripe mustard sit prettily by dusty pinks, reminding us of flowers that are waiting to bloom. We’d like you to open your doors to the fresh outdoors and bring in, quite literally, the colours of a season we believe stands for transformation and hope. 56
from Seasons, price on request HANDMADE STONE YELLOW JAALI from Rajiv Sanitations, 850 from Tulips, `2,500 per mtr HANDMADE GLAZED “TORINO”TILE from Keramos, `575 per sq ft TEXTURED COTTON FABRIC IN MUSTARD YELLOW from Cottons and Satins, price on request CERAMIC OVAL WASHBASIN BY AZZURA ITALY from Bathline, price on request MIX BLEND POLYSTER “RENZO”FABRIC from Villa d’Este, `1,050 per mtr CERAMIC “SORENTA” PAVING BORDER from Keramos, `830 per sq ft CERAMIC “ODG HANGER PINK” FABRIC from Orient bell, `40 per sq ft PVC “DIAMOND” WALLPAPER from Cottons & Satins, `285 per sq ft GLASS “MOSIAC PINK” TILE from FCML, `425 per sq ft METAL RIBBED DOOR HANDLES from Indian Shelf, price on request LEFT ILLUSTRATION BY AEPSILON FROM SHUTTERSTOCK CLOCKWISE, FROM TOP LEFT RIBBED “SORRENTO CANDY” FABRIC
per pc
100% LINEN ”LILLIANNE” FABRIC
For details, see Address Book
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NOW PALETTE “GOLDEN
“562
YELLOW”
SUNRISE”
“3.1D0323 SECRET GARDEN”
By Dulux from Taneja Paints & Hardware, `460
By Asian Paints from Kripal Paints, `500
By Berger Paints from Gupta Paints & Hardware, `600
The Accents
There’s a softness to the combination of mustard and pink that is inherently effeminate. Your choice of accent pieces in this palette, like these lampshades with extra-long fringes, will add drama and even an element of whimsy to the setting. Reminiscent of gentle blooms and new beginnings, a spring-inspired scheme will effortlessly add warmth and colour to any space. Used as highlights to perk up dull corners, this palette is the perfect choice for accents and accessories. Backdrop Textured Wall from Asian Paints Accessories Custom-made lamp shades Shah & Associates For details, see Address Book 58
NOW PALETTE The Features
Most men may not be too comfortable with the very feminine undertones of mustard and pink as a combination. It may appear “too pretty”, however, we’d like to add here that the right shade of mustard teamed with that particular swatch of deep old rose will definitely work for him too. In this set-up, we’ve pulled in a sleek-looking sofa in dusty pink against a stark mustard wall for sheer contrast. Muted greys and taupes balance the overall picture with chic accessories that enhance the modish feel of the space.
Backdrop Asian Paints Flooring Tiles from Intersekt, Carpet from Hands Furniture Alsorg, Nivasa, Seasons Accessories Bo Concept, CMYK, FCML, Shades of India, The Wishing Chair For details, see Address Book 60
NEW FINDS
DECOR WISHLIST
2 13
5 6
Homegrown bounty – get your latest dose of delightful decoratives diligently sourced from Indian stores and labels PRODUCED BY CHAVI SOOD
4
from Alankaram, `3,45,000 2. ZEN MATTY SLUB “CONGO” CUSHION from Sarita Handa, `4,350 3. 100% WOOL GREEN DIP DYED HAND TUFTED RUG from Imperial Knots, `20,200 4. TERRACOTTA LONG PI TEA POT SET by Sahil Bagga and Sarthak Sengupta for Sahil&Sarthak, `6,800 5. BRASS WITH OFF WHITE SHADE “GRAY” LAMP from Iqrup+ Ritz, `20,880 6. TEAK WOOD “OYESTER” LOUNGE by Ariane Thakore Ginwala for This and That, `2,06,500 For details, see Address Book 1. TEAK WOOD “KITAPLIK” STORAGE UNIT
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ADVERTORIAL
CLOCKWISE FROM THE TOP The focal point of the space is the cantilevered floating wood staircase with the artistic projection in a Prussian blue backdrop; The waiting lobby rests on a contemporary design; Two units connected internally to use the advantage of passive ventilation
TOP OF THE WORLD
Penthouse Pãfekuto
An architectural expression of wonder, know-how and sheer poetry by Conarch Architects
D
esigned for a lively and immersive experience, this multi-level penthouse by Conarch Architects is built on a design vision centered on transforming a generic apartment into a functional and versatile living area. Creating a spacious haven with ample natural light, the customised and luxurious Penthouse Pãfekuto is a melody of balance, contrast, proportion and colour. Set against the Prussian blue backdrop,the highlight of the house is the cantilevered floating wood staircase. Created in a simple style that belies its complexity, this masterpiece of a staircase allows uninterrupted conversation and emphasizes the interconnected relationship between the levels — a masterstroke by architect S K Goel. Changing the perception that high-rise living is synonymous with a detached and solitary existence, most of the enclosures in this penthouse open directly into green outdoor terraces, presenting a view that instantly refreshes and rejuvenates your soul. This design project embraces the myriad desires and wishes of the client and presents an abode of decadence and fine living. u Sakshi Rai Address:VVIP Addresses, Ghaziabad, UP Website : www.conarch.co
NEW FINDS
DECOR WISHLIST
Foreign assets – get your latest dose of delightful decoratives diligently sourced from the global design scene
7
PRODUCED BY CHAVI SOOD
12 3 4 6 5
by Maarten Baas for Nodus Rug 2. GLASS AND MARBLE AND METAL WITH FRINGES “SOUK “MIRROR from Dooq 3. HIGH RESILIENCE FOAM UPHOLSTERED IN KVADRAT DIVINA “ O.” SEATER by Marcel Wanders from Moooi 4. LACQUERED WOOD WITH HANDCRAFTED MELTING BALL IN POLYURETHANE AND GLASS TILES “DICO” CABINET by Rotganzen from Gufram 5. PORCELAIN WITH 24- CARAT GOLD SIP OF GOLD “GLAMOUR GIRL” SPARKLING TUMBLER by Michael Sieger for SIEGER by FÜRSTENBERG 6. PAINTED ZINC ALLOY WITH BRASS-PLATED STEEL “BON”TABLE LAMP from Normann Copenhagen 7. METAL WITH STEEL FRAME “BISTRO” TABLE BY JF Smith for Alma Design *All prices on request For details, see Address Book 1. WOOL WITH ZARI “FLATTER” HANDTUFTED RUG
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NEW FINDS
12
DECOR WISHLIST
7
PRODUCED BY CHAVI SOOD
4
5 6
Chic coat stands and hangers that promise to add a touch of quirk to meh corners
3
1. STEEL TUBE WITH TEAK BASE “PEND”
Hamid Bekradi for Kann Design
by
2. TERAZZO
BASE WITH METAL STRUCTURE AND WOOD “NUÑEZ”
from Mob
3. STEEL STRUCTURE COATED
by Leonardo Talarico from MDF Italia 4. SOLID ASH WOOD WITH STEEL “ROKUMARU” from Nendo 5. ENAMLED STEEL COAT RACK HANGER by Muriel Coleman from Wright20 6. SHEESHAM IN MATT BLACK POWDER “OMBRE”
WOOD WITH STAINLESS STEEL AND CAST BRASS
by Ayush Kasliwal for AKFD Storey and Anantaya,`22,361 7.
“HARVARD” COAT STAND
INTERWOVEN PAINTED METAL RODS “DAY” COAT HANGER by Gino Carollo for Bonaldo,price on request For details, see Address Book
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2019 • ID GN SI
• INDIA KER DE EA
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Quiet corners are created to encourage conversations. The space rests on design notes of subtle layers that unravel naturally
2019 •
Interior designer, Iram Sultan & Mohit Kansal of Studio Strato unveil Triple 8, an immersive dining experience in the Capital
• INDIA KER DE EA
ID GN SI
ORIENTAL GRANDEUR
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NOW LOOK
NOW LOOK
T CLOCKWISE FROM TOP LEFT The staircase links the two floors — the lower floor houses the vibrant bar area whilst the upper floor is a sanctuary for a quiet dinner. Red walls and soft lighting create a classic intimate atmosphere; The colours segue into sepia and ivory and the warm lighting creates the perfect mood setting; The imagery of library shelves, laden with books, adds to the intimate feel and the bespoke dining tables have printed veneer runner running across
riple 8 is a modern telling of all things oriental with none of the cliched elements. The entire space is enveloped in a monochromatic saturation of rubicund tones that are a nod to the Pan Asian reds, offset by accents of crisp black and white. Fluted plaster walls and soft velvet on bespoke furniture that invites you to linger, are drenched in the same tone. Slim-lined arched metal doors are the dominant architectural element. Complementing the sanguine tones are the warm wooden floors and panels, and the potent hues of the black and white Asian culinary-themed photographs that line the walls. The large bar counter glows like a siren call and is detailed with a black-and-white, printed veneer front. Customdesigned lanterns are suspended across the space and the lighting is soft and moody. Bold strokes of brass and black stone tables and elegant chairs tie up the look. The client’s brief and spaces drive the design philosophy that lends a unique narrative to each nook. The restaurant rests on the overall scheme of celebrating sophisticated luxury and subtle elegance. Iram Sultan
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Photographs by Atul Pratap Chauhan
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TILES AND MARBLE For more information, visit www.pietra1556.com, email pietra1556@gmail.com, call 7003552284 or follow @pietra1556 on Instagram
NOW STUDIO
QUICK WORD YOUR DREAM STUDIO LOCATION Shefali: Nestled in the city’s lush gardens Robert: Overlooking the sea ALWAYS ON YOUR DESK Shefali: Stationery essentials and architecture books for inspiration Robert: Pile of sketchbooks CURRENTLY READING Shefali: Four Walls and a Roof: The Complex Nature of a Simple Profession by Reinier de Graaf Robert: Paul Rudolph: The Florida Houses by Christopher Domin
CLOCKWISE FROM LEFT Shefali Balwani and Robert Verrijt of Architecture BRIO at the entryway of their studio; The material palette portrays a robust mood board with metal inlays, leather, switches in brass, cement tiles and wood samples; Bench and printed rugs at the reception area are from Solid Bench and Rug Republic respectively
IN THE STUDIO OF
ARCHITECTURE BRIO
We take you to the workspace of your design favourites, giving you a glimpse of what keeps them ticking – vintage finds, invaluable scribbles, priceless notes and more... PHOTOGRAPHY BY PULKIT SEHGAL TEXT BY NITIJA SHASTRI PRODUCED BY PINKY AKOLA
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NOW STUDIO
THE CENTRAL DESIGN THEME OF THE STUDIO WAS PRIMARILY MINIMALISTIC – CLEAR, BUILT-IN WITH NOT TOO MUCH CLUTTER
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THE SPIRIT OF PROJECT SPAZIO PARTITION WALL SYSTEM, SAIL SLIDING PANELS DESIGN G.BAVUSO
SOURCES UNLIMITED - 356/357 MG ROAD NEXT TO SULTANPUR METRO STATION, NEW DELHI 11 00 30, TEL +91 9560 444 907 - NEWDELHI@RIMADESIO.COM RIMADESIO BANGALORE BY RISE GROUP - 438, 17TH CROSS, SECTOR 4, HSR LAYOUT, BANGALORE 560102, TEL +91 9611533229 /+91 9611855889 - NIVEDITHA@RISEGROUP.IN SCASA 8-2-674/B/3/4B ROAD N. 12, BANJARA HILLS, HYDERABAD - TEL +91 9959755688 NISHA@SCASA.IN SYSTA WORKS - TEL +91 22 2612 8844 - CONTACT@SYSTAWORKS.COM FIND OUT MORE AT RIMADESIO.COM
NOW STUDIO
L
ocated in the heart of a busy street in the financial capital of the country, Shefali Balwani and Robert Verrijt’s Architecture BRIO is a refreshing antidote to its crowded locality. Open spaces that let natural light in, form a striking backdrop to the cactus artwork that dresses the entrance, including an unconventional bench made of solid wood and artful ceramic planters. We climb into their creative cave… .
CLOCKWISE FROM TOP LEFT A spiral staircase leads to the lower level — the creative part of the studio; The entryway to the lower level with a backdrop of the studio space; Bookshelf built with birch plywood holds the duo’s prized books and models; Model of a Riparian house
STUDIO REVIVAL With a view of the bustling city on one side and a lush garden on the other, the studio acts as a buffer between the two, much to the architects’ joy. “It was a stroke of good luck that we stumbled upon this place,” says Shefali. The studio is built in an efficient manner – formal workspace on top and a swirling staircase, which opens up to the lower level with the workshop, mock-ups and a meeting room that flips into a lunch arena at noon. “The whole office is set in an informal tone, with cushions planted in a disorderly manner for a lived-in effect. There is a comfort within the entire space,” asserts Robert. EARTHY ESCAPE “The central design theme was primarily minimalistic — clean, built-in with not too much clutter,” says Shefali. The mood board remains simple — hues of green with the earthy warmth of wood — bringing the outdoors in. Ply is used as a primary material in almost every area and the preexisting flooring made of epoxy gives the basement an underground cocoon feel. “We wanted the studio to be an extension of our personalities...the brand’s aesthetic had to come through,” she concludes.
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NOW LOOK
DIALOGUE BY THE SEA
Architects, LI Hu and HUANG Wenjing, of OPEN Architecture explore the shifting relationship of design and spaces
The complex three-dimensional geometry of the Dune Art Museum’s concrete shell was shaped by hand by local workers in Qinhuangdao
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SEE YOU AT
12TH-15TH FEBRUARY, 2019 DECORATION PAVILION BOOTH 163 & 164 OKHLA, NEW DELHI
Mumbai: Shiv Sagar Estate, Block ‘A’ Basement, Dr. Annie Besant Rd., Worli, 022-24928647/48 Bengaluru: 2nd Floor, KP Towers, 777-A, 100ft Road, Indiranagar, 080-25201120/44 Kolkata: Ground Floor, Aspirations Vintage, 12 Pretoria Street, 033-22907390/91 Jaipur: D-12 Hanuman Nagar, Vaishali Nagar, Jaipur, 0141-2350934
WWW.COCOONCARPETS.COM
NOW LOOK
O
n a quiet beach along the coast of northern China’s Bohai Bay, the UCCA Dune Art Museum is carved into the sand, where it gently disappears. Countless years of wind have pushed the beach’s sand into a dune along the shore several metres high, stabilised by low-rising shrubs and other ground cover. Inspired by children’s tireless digging, the museum lies beneath this dune. “Digging” creates a series of interconnected, organically formed spaces, which resemble caves — the primeval home of man, where the walls were once a canvas for some of humanity’s earliest works of art. Hidden between the sea and the coast, the design of the Dune Art Museum is simple, pure, and touching. The decision to create the art museum underneath the dunes surrounding it was born out of the deep reverence for nature and the desire to protect the vulnerable ecosystem, formed by natural forces over thousands of years. “The context was nature. Because of the museum, these sand dunes will be preserved instead of being levelled, as has happened to many other dunes along the shore”, explains Li.
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CLOCKWISE, FROM TOP LEFT The 930sqmt museum contains 10 galleries and a cafe; The galleries have portal holes that filter sunlight from above into the underground space; Pod-like structures with curved volumes were made possible with small linear wood strips bent into shape
NOW LOOK The exterior of the museum disappears into the landscape, while the interiors resemble caves — one of the first sites of both human habitation and artistic expression
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NOW LOOK
The architects chose to leave the irregular texture of the form work, so these traces of the manual construction can be read across the walls. Sustainability was also key to the project. A series of cell-like contiguous spaces accommodate the museum’s rich and varied programmes. These include galleries of different sizes and a café. After passing through a long, dark tunnel and a small reception area, the space suddenly opens up as you enter the largest multifunctional gallery. There, a beam of daylight from the skylight above silently yet powerfully fills the space. Looking through different openings framed by the building, museum-goers can observe the ever-changing expressions of the sky and sea throughout the day. A spiral staircase leads to a lookout area on top of the sand dune, guiding curious audiences from the dark recesses of the cave-like galleries to the vast openness above. Nestled between the water and land, the museum emerges as a secret shelter — with ever-changing expressions and elements, the sky and sea stimulate boundless creative energy.
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CLOCKWISE, FROM TOP LEFT Skylights infuse the curved interiors with a soft natural light and some overlook the sea through large seamless windows; A spiral staircase links the two floors — the lower floor houses the vibrant bar area and the upper floor is a sanctuary for quiet dinners; The café’s eight tables were designed by the firm — each is shaped like one of the gallery spaces Photographs by Wu Qingshan
Visit us at
IndIa desIgn Id 2019 12-15 February, 2019 Booth 108-109 Hall 1, Decoration
NOW LOOK
FLUID INTERACTION Designed by Zaha Hadid Architects, Macau’s Morpheus hotel bears the hallmarks of the late architect’s signature style
The world’s first free-form high-rise exoskeletal hotel, located in Cotai, Macau, is part of City of Dreams Resort. From the outside, the building abstractly resembles a figure ‘8,’ an auspicious and lucky number in Chinese numerology 86
CLOCKWISE FROM TOP LEFT Most of the panels on the facade are single curved glass; The carved-out volumes allow one to experience the inner and outer faces of Morpheus; The project’s distinctive appearance is informed by jade carving traditions; A series of voids are carved throughout the interiors of the hotel, defining it’s public spaces 87
NOW LOOK
The project includes a visually stunning, cathedral-like central atrium. This space between these towers runs the height of the hotel and is traversed by external voids that connect the North and South facades 88
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Š Tom Blachford, Š Stephan Julliard
MEMORABLE COLLECTION
NOW LOOK
M
orpheus, a new flagship hotel for the City of Dreams Resort in Macau by Zaha Hadid Architects (ZHA), is informed by the fluid forms within China’s rich tradition of jade carving. It combines dramatic public spaces and generous guest rooms with innovative engineering and formal cohesion. One of the last projects in which Hadid herself was intimately involved, it bears all the hallmarks of the late architect’s signature style. It is an intriguing piece of art that blends new-age architecture and technology, accentuated by Hadid’s revolutionising philosophy. Immense importance is placed on creating a design that allows for the sunlight to penetrate into the internal space. Conceived as a vertical extrusion of its rectangular footprint, a series of voids is carved through its centre to create an urban window. The consistent pattern reflecting the integration between the micro-structures creates the freeform exoskeleton and glazing of the building. Viviana Muscettola, ZHA’s project director explains, “Morpheus combines its optimal arrangement with structural integrity and sculptural form. The design is intriguing as it makes no reference to traditional architectural typologies.” Meenakshi Shankar
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Photographs by Ivan Dupont & Virgile Simon Bertrand
CLOCKWISE FROM TOP LEFT The faceted marble reception desk; The wall of white Chinese marble that echoes the building’s exoskeleton; The open-plan layout of the main dining space is choreographed by a collection of dining pods 90
• INDIA KER DE EA
The 2016 Pritzker Prize winner, 2018 RIBA Charles Jencks Award laureate and India Design ID 2019 speaker imparts his inimitable wisdom TEXT BY AMAN MEHTA PHOTOGRAPH BY ANDREA AVEZZÙ
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ID GN SI
• INDIA KER DE EA
ALEJANDRO ARAVENA
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IN CONVERSATION WITH
2019 •
2019 •
ID GN SI
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DECOR PEOPLE
“ARCHITECTURE IS ABOUT GIVING FORM TO THE PLACES WHERE PEOPLE LIVE; IT‘S NOT MORE COMPLICATED THAN THAT, BUT ALSO NOT EASIER THAN THAT.”
“I
was 17 at the time, and I have absolutely no idea why I started studying Architecture. But once I was enrolled in university, I understood that there was a whole body of knowledge that had to be swallowed and that deserved rigorous dedication. And I mean the buildings themselves. I felt like I was already late, so I started drawing and measuring the structures to try to learn from the infinite chain of decisions that a design is.” Alejandro Aravena’s initiation to the field that he is now revered in was not as straightforward as most would assume. After graduating from Universidad Católica de Chile in 1992, with a revitalised passion for his chosen province, he set up his own practice, Alejandro Aravena Architects in 1994. When asked about his sources of inspiration, the maverick’s response is a typically unique one. “We don’t like the word inspiration. We spend time at the beginning designing the question. There is nothing worse than answering the wrong question well. So we work very hard, and carefully at the same time, to identify the forces at play for a given project. Economics, social issues, political goals, the time frame, budget, the environment — these are measurable aspects. But there are also variables that interest us — the expectations, fears, desires, or even anger that different stakeholders may have for the project. We ‘inform the form’ of a building. Only then do we jump into the design. And for that we use a very powerful tool which is intuition, not inspiration.” Alejandro Aravena’s work with ELEMENTAL, a ‘Do Tank’ that he has helmed since 2001, focuses on projects of public interest and social impact. “Working in the field of social housing has been a consequence, not a goal in itself,” says the 2016 Pritzker Prize winner. “Not even for a second would I claim any kind of moral superiority in doing social housing. If anything, social housing is a difficult question
that needs professional quality, not professional charity. Without any false modesty, we think that we are good designers who want to engage with challenges that really matter.” As we delve deeper into the intricacies that define Aravena’s work, the discourse shifts to the people he considers mentors, and the moments that shaped his career. “Of course there are my professors like Fernando Perez, or colleagues like Rafael Iglesia who died prematurely. My first trip to India in 2009 was very important. I found a kind of wisdom that showed me that I actually knew very little about everything. The wisdom of people, buildings, and an entire culture. Meeting Doshi (Balkrishna Vithaldas Doshi) was a revelation for me. Visiting Le Corbusier and Kahn’s works were a hard hit in the face. I felt that my work was not even close to what architecture can potentially be. The Rock Garden in Chandigarh showcased the power and beauty of human ingenuity. There were beautiful contrasts of informal settlements, which at the same time, had problems that needed to be corrected, like access to basic services. But it was also an example of finding a way into the future, despite the circumstances,” says Aravena. The Chilean maestro combines his sophisticated architectural sensibilities with fundamental concepts. He elaborates, “They cross-pollinate each other. Sophisticated architecture (as you call it) trains our designer muscles to the limit. Because in the end, the way we engage in conversation with society is through design. So, when we go into social housing, for example, the economic, social, political and environmental issues are addressed through forms that make a difference. It’s not just about adding good taste; it’s about using form strategically to add value, instead of it being an extra cost. In social housing, you are not given a single millimetre of freedom to do things that are not strictly necessary;
it’s a filter against the superfluous, and that is something extremely desirable.” Aravena’s philosophy is straightforward — “Architecture is about giving form to the places where people live; it‘s not more complicated than that, but also not easier than that. The moment you highlight the three key words in that apparently inoffensive sentence, however, the problem starts: form, place, life.” In his opinion, modern architecture has become a colossal task, but one to relish — “Modern arcitecture is the moment in which the agreed system according to which we could define quality (beauty, pertinence, and clarity) was erased and each project was required to build it again every single time.” Having already achieved what most of his contemporaries only dream of, the doyen of architecture claims that there is still scope for ‘pushing the boundaries’ in his work. To illustrate, he describes the term as a force that works in two directions. “In a centrifugal move, it’s about moving out of the specific knowledge of architecture and engaging the needs and desires that are important to society. We will have to speak and think in a way that makes sense to every single citizen. However, in a centripetal move, it will be about engaging in the most irreducible and mysterious core of the human condition.”
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DID YOU KNOW? Two years after graduating, Alejandro began building the mathematics school, schools of medicine and architecture, and the technology centre — a structure that appears to be two buildings conjoined and thus called the Siamese Towers, for his alma mater.
Alejandro Aravena, Chile WEBSITE: www.elementalchile.cl 93
DECOR INSPIRATION
CHRISTIAN LACROIX
Behind the scene, on the sketchpad of global designers: Discover the stimulus behind their inspired creations PRODUCED BY MEENAKSHI SHANKAR PHOTOGRAPHS BY PHILIPPE GARCIA
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DESIGNER SPEAK: SACHA WALCKHOFF FOR HERBARIAE
INSPIRATION An antique book on the subject of plants and flowers MATERIAL Ceramics
NUNO BARRA
MARKETING AND NEW PRODUCT DEVELOPMENT DIRECTOR AT VISTA ALEGRE This collection harmoniously combines a refined elegance with bold and modern colours to make each piece a stylish yet flexible addition to any home. We invite customers into the world of design and give them the opportunity to play with colour and style.
THE BEGINNING I found this stunning antique book in one of my favourite bookshops situated in the famous left bank neighbourhood in Paris called Le Quartier Latin. The original edition, printed in Latin in the 16th Century, is an engraving of plants and flowers. I decided to have a selection of those delicate engraved flowers reproduced on our new Christian Lacroix porcelain collection. You will recognise the narcissus, the nymphaea, the sedum, The carduus (the thistle) or the papaver (the poppy) on a cup or plate here and there. THE PROCESS We have been working with the 200-yearold Portuguese porcelain manufacturer Vista Alegre for more than five years now and this is our 10th collection. I wanted to work on a collection with softer colours like the satin haute couture dresses of the
past. We borrowed these mellow hues and introduced them into our plates — a hint of powder pink, a sweet vanilla yellow, a marzipan green and a peacock blue. The collection is inspired by the sophistication of the past but the shapes are simple, contemporary and modern. THE PAYOFF There are a few ways to play with this new Herbariae collection. One could use the black and white pieces in order to have an elegant table, mix with a powder pink to make it more personal or experimenting with all the hues to make the setting bold. Inspired by a 19th Century champagne cup cooler, the salad bowl is an interesting piece. The two containers are great pieces that you can use as a vase set. The collection is perfect for a sophisticated dinner, an afternoon tea or even a relaxed, elegant lunch.
THE DNA OF THE CHRISTIAN LACROIX HOUSE IS ALL ABOUT MIXING THE OLD AND THE NEW SACHA WALCKHOFF With French, Swiss, Slavic and African roots, Sacha Walckhoff’s influences are as diverse as his origins. Walckhoff’s long association with fashion icon Christian Lacroix began in 1992. His tenure as hand-groomed successor to Lacroix culminated with his appointment to the post of Creative Director. Photograph by Lionel Balteiro/ LAMOUSSE
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MODERN REVIVAL
David Chipperfield Architects reinvents an iconic address in Central London, providing a glimpse into the future of luxury retail
The department store, in its more recent avatar, is an ad hoc cluster of buildings of varying styles, levels and functions. The new entrance building maintains both structural and visual independence; its dark palette deliberately contrasts the creamcoloured Portland stone of the adjacent ones
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TOP TO BOTTOM Bespoke counters are designed in contrasting materials such as walnut, felt and blue-tinted glass; the flooring is white-on-white terrazzo and the spherical glass light fittings relate to the original 1920s lighting Photographs by Simon Menges
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elfridges, a prominent department store in London, combines architectural heritage with functionality to create a distinguished contemporary retail experience. It has been reinvented as a one-of-a-kind luxury retail experience under David Chipperfield Architects. The 54,000sqft space, crafted by the British firm, comprises of two fundamental components, rolled out in several phases. A new entrance building at the centre of the Duke Street facade replaced the concrete infill building and a new accessories hall spanning the entire East wing was created. Together, these components create a more coherent identity for the store, improving its clarity in circulation while reintroducing the glamour and grandeur of the original building. “Selfridges has a deep understanding of the architectural heritage and urban presence, as well as a clear vision for the future of luxury retail. Our task was to unite these elements while stitching together various buildings along Duke Street,” says David Chipperfield. “It was a challenge to bring together the venue’s original, grand, beaux-arts style building and its somewhat more sober, 1930s Art Deco addition, through a contemporary element that is as discreet as it is fitting.” As one walks through the space, it is evident that the primary elements – floors, ceiling and supporting columns – retain their independence from the retail displays. The historic plaster columns with classic mouldings have been reinstated to their maximum height. David says, “The space sees an interesting interpretation and abstraction of the classical features. There is a reassertion of hierarchy under the strong neoclassical architectural elements of the original building which makes for an immersive experience.” Meenakshi Shankar
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NOW LOOK
STYLISHLY SIMPLE Located in the hip heritage district of Mumbai, the new Ogaan store exudes a modern charm
CLOCKWISE FROM TOP Fluted glass windows and existing columns cast in concrete are left exposed; Clothing on display from Payal Khandwala and Bodice with Tachi jewellery; The whitewashed waxed walls contrast the grey terrazzo flooring Photographs by Tanuj Ahuja 98
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gaan’s multi-brand designer store opens the doors to its flagship retail experience in the heart of Mumbai’s iconic art district, Kala Ghoda. The double-storied retail store is an example of Ogaan’s signature minimalist whitewashed walls, peppered with a design resurgence of natural textures — CLOCKWISE FROM ABOVE Staircase with a grey terrazzo flooring, varnished hardwood banister; Pottery from Claymen; metal and marble racks and Jewellery from House of Tuhina; Clothing from Vrisa and Kiran Uttam Ghosh; Large changing exposed concrete pillars. “We rooms ensure a comfortable retail experience wanted to create a space that’s airy and that draws on the natural light streaming into the store,” says Aashti Bhartia, Director, Ogaan India. A canvas for carefully curated pieces, the store is an inspiring treasure trove designed by Interior architect, Alina Vadera. On the most challenging aspect of crafting the store, Alina, founder of AVA studio says, “The centrally located staircase anchors the entire store. It is a contemporary homage to the staircase in Ogaan’s New Delhi store, the original flagship store created in 1989. I wanted to create a sense of continuity.” The address creates a perfect backdrop to showcase style the way it should be. Nitija Shastri
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MILLENNIAL INFLUENCE
New York-based Village Marketing offers a luxurious penthouse solely for Instagramers and social media influencers for their photoshoots
The expansive living room features a high ceiling with wood-panelled roof Photographs by Seth Caplan courtesy Village Studio
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SEE YOU AT
12TH-15TH FEBRUARY, 2019 OKHLA, NEW DELHI
DELHI SHOWROOM: 218, 233 DLF Grand Mall, Second Floor, Gurgaon | Tel: 124-4108800/9900 MUMBAI OFFICE: 1115-11th Floor, Hubtown Solaris, NS Phadke Marg, Andheri East, Mumbai -400069
www.ravishvohrahome.com
NOW WORKSPACE A vintage-inspired gold mirror leans against the fireplace in the living space. The faux hide rug, marble tabletops and brass table contrast with the navy velvet chairs, which are effective in lending character to a photoshoot or a social media post
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CLOCKWISE FROM ABOVE A distressed rug and textured pillows help to achieve the lived-in and vintage look, as envisioned by Vickie Seagar, the founder; The space has a strong feminine streak with dashes of trendy millennial pink; Blush pink seaters with metallic accents and decorative lighting in the dining room are sourced from Wayfair
ver scrolled through your Instagram feed populated with scenic locations and blissful brunch-in-bed pictures by your favourite blogger while you struggled to get the perfect lighting for your own delectable serving of sushi? Like us, bloggers and social media influencers are always on a quest to find the perfect light, ideal props and largerthan-life settings for their images. To provide both influencers and brands with a canvas for their content creation, New York-based Village Marketing has introduced a rentable luxe apartment called Village Studio. Sprawled over a 2,400sqft area, this dreamy penthouse nestles within New York City’s trendy SoHo neighbourhood. Designed and furnished by Maggie Kanter of American e-commerce giant, Wayfair, the space comes fully furnished with every Insta-worthy arrangement imaginable. As you enter, you will see your Pinterest mood boards come to life. The Mid Century modernthemed space dons hues of white and blush pink, peppered with gold accents and dressed up marble – every millennial’s dream home if there ever was one. “The space has design vignettes that work well for photography and videography,” says Vickie Seagar, founder of Village Marketing and Village Studio. “You will find everything from feature walls, a cosy fireplace, and a gorgeous rooftop overlooking the Manhattan skyline,” she adds. Bring on the ice teas and a strong Wi-Fi connection, we could lounge here all day long! Nitija Shastri
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NOW STUDIO
THE MODERNIST’S STUDIO Sculptor Aman Khanna of Claymen, opens a window to his evocative and minimalistic world
A mix of collections including pieces from Dysfunctional/ Characters, Functional/ Deformed and Functional/ Geometric, these hand moulded collections have varied inspirations like the sculptor’s observations of the common man, a celebration of imperfections and geometry Photographs courtesy Claymen Studio
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®
© 2019 Antolini Luigi & C. S.p.a. - All Rights reserved.
HAUTE NATURE
Amazonite (Quartzite)
Antolini believes in the power of what is real. Mother Nature’s tremendous force distilled into astonishing creations. A fragment of the stream of life, the heartbeat of the ages, the skin of our planet. It is purity in its most perfect form: design, colors and pattern handed to us by history. Designed by nature, perfected in Italy. antolini.com
NOW STUDIO
A Photograph by Prarthna Singh CLOCKWISE FROM TOP LEFT Functional and dysfunctional pieces are placed in a manner that allows every object to breathe; The Commitment from the Dysfunctional/Characters series are kept together; The Clayheads from the Dysfunctional collection in terracotta and stoneware; The wall hanging is inspired by his observation of the common man and his dilemmas
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design studio packed with untold stories and whispered tales, where you can’t help but run your fingers over the objects and the canvas on which they rest. Sculptor Aman Khanna’s Claymen studio in the Capital has a story that is as evocative and minimalistic as his pieces. He says, “Claymen objects simply are what they are: A celebration of a style that is at peace with its own little imperfections. Handmade and functional, the objects are built to be used. Some incarnate the dysfunctionality intrinsic to society by hinting at the fragility of the human condition in a more general sense. And I wanted the studio to reflect exactly that.” Walking us through the space, he adds, “When we found this studio in Dhan Mill compound, it was a cuboid-shaped, empty shell with a tin roof. Reflecting an oldworld charm as it was used as rice storage warehouses, the address is now the new design district of the city, hosting studios like Bharat Sikka, Motherland and Odd Bird theatre to name a few.” The studio rests on the visual storyteller’s design philosophy. Ninety per cent of the display has been reused from
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NOW STUDIO
CLOCKWISE FROM TOP LEFT The industrial decor and colour scheme complement the minimalistic look of the studio. Pieces from the Clayheads series take centre stage in this corner; The stoneware clay observers on stands; Large aluminium grid glass windows allow the dramatic play of natural light into the space. A set of sheer curtains divide the studio in half
his previous space in Hauz Khas village and materials from past exhibitions. “The idea was to reuse and refrain as much as possible from creating anything new.” The restrained fluidity of the space houses the gallery, design studio and a courtyard which doubles as a drying area for newly-produced clay pieces. The 2,100sqft atelier comes alive with technical and structural inputs from architect Saurabh Dakshini of Studio Organon, a dear friend of the sculptor who understood the studio’s need to revel in the drama of natural light. The canvas ensures that every object breathes and shines. Aman adds, “Negative space is important to me. The display areas in the front and middle sections are left bare, which gives us enough mobility to change things around according to whatever I am working on.” The industrial and terracotta hanging lampshades made by the studio make for an interesting addition. He also points out that in the evenings, the space shies away from any form of artificial light and bathes in the afterglow of the setting sun. “The colours and textures take on a whole new dimension and infuse life into the space...like my claymen,” he concludes. Aneesha Bhadri
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DECOR SPECIAL
ART OF LIVING: EXPERT TALK & INSPIRING WORKS
ART + STYLE
YOKO SHIMIZU This contemporary artist and biochemistry researcher creates installations, which are a beautiful alloy of art and science INNER SANCTUM Gallerist Shireen Gandhy gives us a glimpse of the artistic mind and design philosophy of the conceptual architect and artist Bijoy Jain INDIA INSPIRED Art philanthropist Shalini Passi explores the contemporary art scene in India IN, THROUGH THE GALLERY Sangeeta Raghavan of Art Musings art gallery unravels the evolution of art during the last 20 years KOCHI-MUZIRIS BIENNALE 2018 Sonal Shah brings a sneak peak of the largest contemporary art event in the country — a smorgasbord of cutting-edge practices by 94 artists from around the world 112
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The Kyoto native blurs the lines between art and science, turning the infinite natural scientific phenomena taking place around us into stunning installations
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In this project, Anatomy of Flora, anatomical images of various plant species are collected. The digital images are magnified — the inner structures of the species are captured in more detail, and with vibrant colours
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rowing up in the old cultural capital of Japan, Yoko Shimizu was surrounded by nature and traditional art. Frequent visits to the botanical gardens with her parents, art lessons in the midst of Kyoto’s rice paddies, and delightful hours spent in her grandfather’s room with its infinite supply of brushes, paints and materials planted the seed for her future. Even her first word was ‘hana’, meaning flower. When her family shifted to New York, Yoko was enticed by the museums, musicals and other contemporary art the city had to offer. Far from a purely creative bent of mind, however, she studied Biology and Chemistry at Kobe university. “I find it so fascinating that the things around us have all evolved over four billion years” Yoko says, “We don’t usually think about all the scientific processes taking place around us, but by visualizing them and turning them into installations, people can experience them. I want my art to not just be visually stimulating, but also ensure people instinctively understand how beautiful and complex our Earth and universe is by looking at it.” The artist’s work is characterised by intricate processes and attention
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to detail. In an installation titled Gravitropism, tulips bulbs are grown upside down in mid-air through hormonal alterations. The stems gradually turn 180 degrees to face upward, where the light source is located. In Photosynthegraph, graphic print films are attached to plant leaves, allowing the chloroplasts to create starch based on the graphic design. The leaves are then treated chemically to visualize these graphics. The completed images are delicate and beautiful, with a natural vintage feel – reminiscent of the history of life on Earth. “Microorganisms in a petri dish represent a microcosm of a macrocosm. The way things seem to emerge from nothing, proliferate and eventually die, there is a representation of society and life as a whole”, she says, when asked about what she loves most about working with microorganisms. Yoko wanted her studio to have a name that would transcend linguistic and cultural barriers. The characters of her first name can be read as ‘proton’, and +1e is the electric charge of a proton, hence Lab +1e was born. Aman Mehta
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Website www.yokoshimizu.com
CLOCKWISE FROM TOP The Gravitropism installation; Pop Culture - cells are cultivated on colourful agar culture to grow into various graphic patterns and texts; The Photosynthegraph installation; Yoko working on the Photosynthegraph installation Photographs courtesy Yoko Shimizu
ART+LIFE
INNER SANCTUM
In her own words, gallerist Shireen Gandhy of Chemould Prescott Road unravels the conceptual architect and artist that is Bijoy Jain
Architect Bijoy Jain showed at Chemould Prescott Road recently. This piece, Head, terracotta guardian against the ‘evil especially in the south of India, called Nazar Batu, was part of the collection titled Abhaya: In The Palm Of The Hand. Characterised as a purposeful blemish or flawed object created to avoid perfection, the Nazar Batu prevents the adorner from ‘buri nazar’ or the malevolent glare
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t was in 2013 when I visited Bijoy Jain, who had recently been awarded the BSI Swiss Architectural Award, at his studio in Alibagh. I accompanied the then ambassador of Switzerland who was keen to know more about his practice, having been the recipient of this prestigious prize. Until then (as he continues till now), Bijoy was the hallowed architect — elusive, reticent, barely seen in social circles in his city. The visit, however, confounded me! I expected, as one would in an architect’s studio, things related to architecture — models, architectural drawings, etc...But that was the smallest part of the studio practice. What I encountered was an experience of someone who was playing with form, material, structure, colour — all of which could well be present within an architect’s studio — yet there was something else happening. Was I instead in a highly conceptual artist’s studio? There were hundreds of custom-made bricks (a signature material of Bijoy’s architectural style), but the bricks were coloured in (almost) garish colours of pink, green, blue. Installed as open rooms (a section of a structure as if demolished), a cycle that was layered by bricks, large installations of rooms that embodied the memory of a panbeedi shop, the American minimalist Donald Judd-like open structure and netted tents that were temporary homes of construction workers dotted the driveway to the studio.
There were massive structures made of soap — mapped in the shape of the “dhobi ghat” in Mumbai. Blocks of tar structures made from quotidian objects within the studio were lined up in long grids along a large table. Each of these objects, installations and structures were made as an ode to something that was or something that soon would be demolished. There was something tentative and unsettling to what was around. My senses were abuzz! Was I in an art space of a highly experimental artist? We met a few days later and I expressed interest to exhibit what I saw. He took on the opportunity of taking it from an artist studio and installing it within a more public space of a gallery. And that was the beginning of a very open-ended relationship of an artist/ architect within a gallery space. We sold nothing because we were unable to ascertain how to really price these works. At what point did these explorations become works of art? The exhibition felt chaotic, much as the city we live in does. And if one looked hard, one could see the deep engagement that Bijoy had with temporality. Titled, ‘Demolition Series’, this first exhibition dealt with memory, read through material, markings and colour. The clutter and chaos were an intrinsic part of memory, of demolition, of both the past and the very fragile present. Over the years, as he moved Studio Mumbai (from the more rural Alibagh) to its present location in Byculla, the
CLOCKWISE FROM TOP RIGHT Moon Well, from Abhaya, 2018, harnesses the relationship between the moon and water level; Gallerist Shireen Gandhy with architect Bijoy Jain; Demolition series by Bijoy Jain, 2013, explores the idea of allowing discoveries through visual layers; This series presents an environment that is elemental and sensorial 117
ART+LIFE
CLOCKWISE FROM TOP LEFT Sun Tower, part of Abhaya, 2018, shares a striking resemblance with a mandala; Makaloo’s Hut, part of Abhaya, 2018, is raised with bamboo and cow dung intensified with mustard molasses, lime and natural pigments; Uran Khatola, part of Abhaya, 2018, meanders through the space between objects, drawings, traces of lines, cast in shadow and light and one catches glimpses of moments in memory, lapse, and time 118
studio continues to be a laboratory of material and experimentation. There is an emphasis on natural materials: Air, water, sunlight are key. The studio has its own lime pit from where they extract large quantities of lime. Materials also include the karvy plant, cowdung, banana fibre, basalt, or bamboo. Pigments include turmeric, indigo, red sindhur, coal, etc...Both material and pigment among many others are essential to his current practice. Titled, ‘Abhaya: In The Palm Of The Hand’ was Bijoy’s most recent exhibition, his second at Chemould Prescott Road. The show took a 360-degree turn from the first one. While memory will always be a determining factor in Bijoy’s work, the exhibition was paired down to quietude, to listening and feeling. The space became the determining factor — where the large empty room was a vessel not just to be filled but, more importantly, felt. The works were representative of fragments in time for the artist; experienced in continuum, dissipated and anticipated. These transitory, ephemeral structures presented a world that was both infinite and intimate: Impressions through a gaze to places near and far; formation of rocks evoking landscapes of our time, an atmosphere charged in the relationship between the sun, the moon, and us. In one of the works titled, ‘The Moon Well’, the common denominator between the genesis of this work and Bijoy’s architectural practice, is the availability of a water
source. In this particular case, at a site in Chennai, a well was sunk by traditional means of hand-digging, a practice that is over 2000 years old! This custom gives the entry point into his architectural beliefs that exist within his artistic practice. Just before unearthing the surface of the water table, earthy smooth, textured clay was found. Affixed in a circle, this clay drawing was superimposed within an octagon, a symbolic illustration of the universe, harnessing the relationship between the moon and the water levels, lending this work its name. Another example of Bijoy’s work in the exhibition was ‘Makaloo’s Hut’. Built with a vision of portability, this work is raised with bamboo, cowdung, intensified with mustard molasses, lime and natural pigments. The monumentality of this architectural construct is complemented with the humility of materials. A place for repose, this elemental structure mirrors Bijoy’s architectural practice and artistic beliefs that resonate with universal sustainability. And so, as his professional life as an architect continues, his constant explorations with art are an integral part of his practice. If architecture comes with a certain discipline, our collaboration gives him freedom within that structure. For Bijoy, art and architecture are intrinsically intertwined — the separation is so fine, that, in fact, one feeds the other.
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Photographs by Anil Rane
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India Inspired
Art philanthropist Shalini Passi essays her thoughts around artistic innovation in India
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CLOCKWISE, FROM LEFT Shalini Passi alongside artist Mrinalini Mukherjee’s Kusum, a tribute to the female form; Curated by Anita Dube, the artwork transforms a rope — a simple material — into extraordinary sculptural forms; The contemporary artist and curator Sudarshan Shetty explores juxtapositions — the traditional with the modern — in Untitled, which fuse artisanal objects with digital processes
CLOCKWISE, FROM LEFT Artist Manjunath Kamath’s Extended Nostalgia, 2014, marries terracotta, cement and wood, which was showcased at Gallery Espace; In his work Realm of the Senses, artist Avinash Veeraraghavan employs the fine needlework of his embroidery to render images like the pixels of a photograph; Artist Puneet Kaushik’s Barren Red, 2016, rests on woven cotton, jute and wool cord, which was showcased at Gallery Espace
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n my view, the best of contemporary Indian art and design embraces artistic innovation while acknowledging India’s depth of artisanal tradition. When acquiring contemporary pieces from India, I seek works that bear significance to the culture, but are not limited to a heritage craft aesthetic. To me, this does not represent a contradiction, but a philosophy: Art cannot push boundaries if there is no constraint to push against — there is no innovation without tradition. The re-imagining of craft heritage, in the context of the country’s present day issues, represents the fundamental dynamism of Indian contemporary art. While at one point there seemed to be a tendency to record, in a somewhat literal way, the changes that society was undergoing, I feel that Indian art is now steadily becoming more nuanced, resulting in more stimulating and provocative work. I believe that the best contemporary art does not attempt to be
‘Indian’, but to be India — to capture the diversity and complexity of India through a powerful visual language. One such work in my collection is LN Tallur’s Victory Pillar, 2012 (bronze, cement, coin and oil.) It speaks of the rural farmlands where Tallur grew up and which have strongly influenced his work. I love how the piece contrasts the traditional with the contemporary, referencing an inherently Indian experience while still managing to successfully communicate the anxiety of his subject matter to a wider audience. Artist Mrinalini Mukherjee’s work is a cross-over between sculpture and textiles. The intricate curves, folds and drapes have a stronger note of sexuality evoking a very sensuous quality. The work titled Kusum is a woven hemp work representing the female form and its embodiment.
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Website www.shalinipassiartfoundation.com/www.mashindia.com
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ART+LIFE THINGS WE LOVED
Kochi-Muziris Biennale 2018
The largest contemporary art event in the country, it is significant for its conceptual and cutting-edge practices across varied media. We highlight our favourites
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ounded on the premise that art is essential to society, each successive Biennale has emerged stronger in scope and outreach than the previous ones. Curated by Delhi-based artist Anita Dube, the theme of this fourth edition is ‘Possibilities for a Non-alienated Life’. Through installations, performances, workshops, talks and films, 94 artists from across the globe, “ Are engaged in creating a symphony of ideas asking and searching for avenues in the hope of a dialogue.” Spread across multiple locations dotting the coastal town of Kochi, the Biennale, along with the Students Biennale, and various other collaterals makes for a compelling visit. On till March 29, 2019, we strongly recommend a visit! Sonal Shah
Heri Dono, ‘Smiling Angels from the Sky’, mixed media hanging sculptures, 2015 The angels are depicted as a universal symbol of hope by the Indonesian sculptor, providing an optimistic interpretation of the future where East and West are together
Bapi Das, fabric and thread embroidered collages, undated Layered needlework with patched fabric depict Kolkata city streets and everyday life based on his experiences through years of being an auto rickshaw driver 122
Priya Ravish Mehra, ‘Rafoogari’, natural fibres, paper pulp, 2017 The textile weaver and designer used darning, melding together fabrics, paper pulp and threads as an act of “existential repair” — a metaphor depicting her battle with cancer, to which she succumbed last year
Shilpa Gupta, ‘For in Your Tongue, I Cannot fit’, multi media and audio installation, 2011-2018 Created by Mumbai artist Shilpa Gupta, the title is based on a poem by 14th century poet Nesimi. Writings of 100 jailed poets from ninth century onwards are pierced through spokes, arranged in rows like a cemetery. Voices reciting their verses emit from mikes dropped from the ceiling
ART+LIFE
Georges Rousse, site-specific installation, 2018 Inspired by old abandoned structures, the French artist combines paintings and photography to create an optical illusion. By standing on the correct spot the 3D painting gets translated into a 2D image
Ritu and Surya Singh, (WOLF), ‘Eye-Spy’, mixed media installation, 2018 The Jaipur-based duo that go by the moniker WOLF, created a trail of eyes using various found objects asking the viewer to look within and examine preconceived notions. The installation takes you through a process of cleansing of prejudices ending with hope by entering a zone of light and infinite possibilities
Juul Kraijer, ‘Inner Lives that Lie Beneath Our Skin and Bones’, photograph, undated
Lubna Chowdhury, ‘Metropolis’, ceramic, 1991-2017 A 1,000-piece installation of relics from the colonial empire that took 26 years to complete. Encased in a long glass box, the miniature objects can be viewed from different sides, offering a range of perspectives 124
Sue Williamson, ‘Messages from the Atlantic Passage’, glass, metal, water, wood, fishing nets, dimensions variable, 2017 Based in South Africa, Sue worked with actual shipping records for her depiction of the history of slavery. Each bottle represents an individual transported from Africa to the Americas and the glass is engraved with the natives’ details
ART+LIFE Milan-based art gallery, PalermoUno has an interesting selection of works that transforms an eight-roomed house into a consultancy studio for refined design. Seen here is a 1950s Italian armchair, sculpture and a painting by Jean Paul Decroix
A RIOT OF COLOUR
Located in Brera, Milan’s iconic neighbourhood, interior designer Sophie Wannenes invites us into her one-of-a-kind art gallery — a true Wunderkammer with an eclectic vibe
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RIGHT The Ressource Peintures coloured kitchen features vintage chairs by Pierluigi Colli upholstered with Kirkby Design Fabric, 1950s vintage Italian mirrors, Stuff Design wooden cutting boards, Kerameio ceramics and Glab iron trays BELOW The living area includes an antique dog sculpture courtesy of Wannenes, a rug from Ilo Edizioni, lamps by Frama, vintage sofa and cushions from Kirkby Design
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here is nothing simple about PalermoUno, the latest gallery to open its doors to art connoisseurs. A visit to this address is akin to stepping into a design wonderland. Set against the grandeur of an iconic art district, the gallery is saturated in dramatic colours paired with unique art, vintage furniture and contemporary pieces. Sophie Wannenes, a decorator and vintage dealer, says, “Design for me is something aesthetically connected to a handy object of daily use.” It was a chance discovery of a decrepit space that had the designer see beyond the dust and ruin. Sophie set about transforming the eight-room apartment with herringbone parquet into a space where one witnesses a continuous unfolding of changing scenarios and settings in the art and design world. The yellow room captures Sophie’s design philosophy of letting spaces evolve. It was designated to be a storeroom, but when she started experimenting with objets d’art, the room started taking shape and transformed into a yellow studio where most of the objects are circular. Sophie’s work often blurs the lines between contemporary design and vintage 127
ART+LIFE RIGHT Ceramic sculptures by Alessandro Iudici on a Pietro Russo Design bookshelf complement the blue palette from Ressource Peintures; BELOW The Arco curtain from Kirkby Design, dedicated to Gio Ponti is paired with a Lotus lamp by Mason Editions designed by Serena Confalonieri. An Italian vintage chest of drawers and vases are paired with an Anita Pankoff painting
style. Walking us through the space, she says, “Unlike a regular art gallery, PalermoUno maintains its functional connotation, revealing a desire to create an ever-changing space where visitors can discover exhibited objects and purchase them.” The designed products don’t carry the “do not touch” tag. The entire venue is designed to engage you — an organic and interactive space that allows you to experience it with almost all your senses. In a way, the selected works speak with one another in a game of reflections and memories, and invite you to be part of the conversation. The continued aesthetic search is a common thread connecting the wunderkammer where exhibited lamps, ceramics, collages and everyday objects create a sense of awe. Sophie adds, “Moving away from a traditional definition of an art gallery, I wanted to create a space where an experiment with elements would create an immersive experience.” Meenakshi Shankar
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Photographs courtesy PalermoUno
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ART+LIFE
OF THE GOLDEN YEARS
IN, THROUGH THE GALLERY
Sangeeta Raghavan of Art Musings art gallery gives us a first-hand account of what it was like to eat, sleep and breathe art during the last 20 years
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grew up among artists, many of whom were my parents’ friends — FN Souza, B Prabha, B Vithal, KH Ara, Anjolie Ela Menon, among them. During the 1990s, my mother Shanti Chopra and my aunt Kasturi Wadhwani had been sourcing art, advising on the subject and selling art — at first to friends — gradually building up a client base. With their natural gift for connecting with people, they created a comfortable ethos where potential collectors could spend time, engage with art, and not feel the pressure to buy instantly. In 1992, we were invited to present a fashion show for Kumarmangalam Birla at the Prince of Wales Museum (now the CSMVS). We had the opportunity to work with some amazing artists who had agreed to paint on garments that were to be auctioned for charity. Among them were Prabhakar Barwe, Manjit Bawa, Arpita Singh, and Laxman Shreshtha. That event was a catalyst for my mother. Soon, she and my aunt formally began an art consultancy. As their business grew, they needed a space of their own, a gallery. In 1999, they found the perfect one. A charming old-world bungalow nestled in a picturesque corner of South Mumbai became Art
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Musings. Anjolie was great help at this time. With her valuable inputs in conceptualising the space, she helped us create the right design aesthetic for the gallery. When we look around the gallery today, memories come rushing back. I think of Souza, who would often stay with us when he visited Mumbai. He would spend his day at the gallery, painting in the upstairs room that got converted into his makeshift studio. Evenings were spent with my father, cracking jokes. A GOOD START A fellow traveller on Shanti and Kasturi’s journey, I came into the picture more substantially only in 2003. It was exciting and confusing at the same time. The breakthrough moment for our gallery came with SH Raza’s solo exhibition ‘Japa’ in 2004. Raza-ji was the greatest influence in our journey. He was a mentor to us. I had the good fortune of spending hours with him in his Paris studio, watching him paint. We spent quite a few Summers with him in his house in Gorbio, France. He was warm and generous, eager to share his time with us, introducing us to his philosophy of life and living. We went on to do several exhibitions with Raza-ji, once he returned to
India. It was at the end of the first exhibition, ‘Vistaar’ in 2012 that he told me how delighted he was, and that (the show) was everything he “Could have imagined and so much more — thank you for presenting this show with such love and attention.” This was one of our proudest moments, one that we will cherish. THE MICROCOSM The gallery has always been an adda — artists, friends, clients all come by, hang out, chat, see art, chill and gossip. Husain-saab would drop by at the gallery before opening hours, and sit waiting outside – my mom would get a call and she’d rush to get there. We collaborated with him on several art and fashion events. I remember during a fashion show, well before I had formally joined the gallery, Husain-saab was to paint the stage backdrop. This was during the period when he had done a series on Madhuri Dixit and she was the chief guest at the show. It was 4 pm and he still hadn’t shown up — we were all rather stressed. And then he arrived, with a can of black paint. Without any fanfare, he started to paint the backdrop. He was at it for an hour, fast-paced and furious, working non-stop, without so much as stepping back to assess his work.
CLOCKWISE, FROM TOP Solo exhibition of SH Raza, ‘Aarambh @ 93’, Art Musings, 2015; Smriti Dixit’s ‘Feasting and Fasting’, 2012, installation view at the gallery; Anjolie Ela Menon’s solo exhibition at Art Musings in 2015, featuring her famed jharoka works; A group exhibition at the gallery featuring works by Jayasri Burman, 2018; Smriti Dixit’s solo exhibition ‘Memory of Red’, at Art Musings, 2015
We were all struck by his sheer genius and watched in awe, as he painted the entire piece in a single flow from one end to the other. And then he put down his brush and stepped back to see his work. Finally, in one final flourish, with a brush dipped in red, he put a bindi on the head of the woman, and it was done. All in under two hours. What a treat it was to see him at work! FRATERNISING WITH THE BEST All the artists we currently work with and represent have one thing in common — they have their own unique language, their own truth. It has been such an honour to be part of their journey — to have been allowed
to enter their private universe. The most precious times have been those spent in their studios, watching them work. Among the other artists with whom we have shared a long bond since the beginning are Paresh Maity and Jayasri Burman. They are like family. Paresh’s first exhibition in Mumbai was with us, and he shares a deep bond with my mother, Shanti. Jayasri and I are very close friends, her sensitivity in her art is a reflection of her as a person. We have shared some wonderful holidays together. Baiju Parthan is another artist who has been with us since the beginning. He is my go-to person if I need any advice, and not necessarily only about
art. We have spent several afternoons at the gallery and I am always deeply enriched after every meeting. He is generous in sharing ideas, thoughts and experiences, and always brings new and surprising philosophical perspectives to everyday life, deepening my understanding of it. In Baiju, I have found a good friend. The wisdom of the senior artists has helped us realise a vision for the gallery. This has been so vital in the direction of growth. The invaluable advice of Raza-ji, Husain-saab, Souza, KG-sir, Anjolie, Ram Kumar-ji, Saktidada and Kolte-sir has helped lay the foundation for us. Our growth has been charted side by side with the voyages of our artists — Paresh, 131
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A mural by artist and founder of The Fearless Collective, Shilo Shiv Suleman at Sasoon Docks, 2015
Jayasri, Baiju, Smriti, Maite, Maya, Gopikrishna, Nilofer. It’s wonderful how the jouneys of the gallery and the artist are inter-linked. Today, we find ourselves holding the hands of the younger generation, facilitating their creative expressions. The upside to our job is the amazing people we get to collaborate with. We have had some fantastic collaborations with writers and musicians. Ranjit Hoskote has been a close friend of the gallery, and we have done several landmark exhibitions with him in the curator’s seat. The recent retrospective of Sakti Burman, ‘In the Presence of Another Sky’ in 2017 at the National Gallery of Modern Art, Mumbai, cemented our bond. Sakti dada had invited Ranjit and I to Paris and Anthe in the South of France, where we spent a week. It was very special with him, along with his wife Maite and daughter Maya, sharing their homes with us. THE WORK PROCESS The gallery has always believed 132
IT IS GRATIFYING TO WORK WITH ARCHITECTS. THEY HAVE...A CLEAR VISION OF HOW THEY WANT THE SPACE TO LOOK, WHICH MAKES FOR AN INTERESTING COLLABORATION. in documenting the works of our artists. Even now, when so many galleries have discontinued the practice, we still do. There is something special about a book or catalogue, which some how loses its essence in today’s digital format. We have worked closely with Pavan Java on the design and production of the books and catalogues we have produced over the years, under our imprint Afterimage Publications. Writers like Ranjit Hoskote, Nancy Adajania, Ashok Vajpeyi, Alka Pande, Avni Doshi, Leon Tan, Gopal Mirchandani, and Yashodhara Dalmia have all contributed vastly to our quest in this endeavour. While our artists are an integral part of the gallery’s ecosystem, equally important is our client
base. As a gallery, we have been instrumental in nurturing and building several important private collections.
While we have a large variety of art to show clients at any given point, we encourage them to choose instinctively, sometimes even take the artwork home and live with it before deciding. It is also gratifying to work with architects and interior designers. They have a strong aesthetic and a vision of how they want the designed space to look, which makes for an interesting collaboration. It also gives artists a chance to do commissioned works, that are site specific. IN THE HEART OF THINGS Even though ours is a gallery space, it’s tough for us to think of it merely
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CLOCKWISE, FROM TOP LEFT ‘In the Presence of Another Sky’, a retrospective of Sakti Burman at the NGMA, 2017; Baiju Parthan, gallery view of ‘Necessary Illusions’ featuring lenticular works, 2016; KK Raghava’s show; Sangeeta Raghavan with Jayasri Burman, Razaji and Sakti dada respectively
in commercial terms; to see what we do as just part of an art market. This is why we do only five to six exhibitions a year. We are closely involved with the process leading up to each exhibition, which takes the artists two to three years to prep for. Each show runs for a period of 45 to 60 days (to ensure that the work is seen by as many people as possible). Galleries are no longer an intimidating space as they were in the past. There are many more footfalls than the yesteryears — many in the younger generation are keen to participate in the experience. There have been many changes in this direction of opening art up to a wider audience. We all realise that for art to become more accessible, we need to share common platforms. Art fairs play an important role — they are all about the visibility. There are also the Kochi Biennale and the Serendipity Arts Festival — both important events in the Indian art calendar. Initiatives like the Mumbai Gallery Weekend, which brings together several galleries who host amazing art events, has been a vibrant trend, creating a camaraderie among the 134
WHILE WE HAVE A LARGE VARIETY OF ART TO SHOW CLIENTS AT ANY GIVEN POINT, WE ENCOURAGE THEM TO CHOOSE INSTINCTIVELY, SOMETIMES EVEN TAKE THE ARTWORK HOME.... galleries. And then there are the private museums doing so much, like the KNMA and the Piramal Museum. As the medium between the artist and the patron, the gallery also needs to look at public display of art. We have been instrumental in quite a few public installations around the city. We often hold workshops for children with Raghava KK (who has conducted sessions on cartoonmaking) and Nilofer Suleman (whose experience as an art teacher makes the sessions deeply rewarding for the children). These have been very well received, and we regard this as our responsibility towards creating and sustaining a new generation of viewers who may grow up to be artists, collectors or simply friends of the arts. As a gallery, we see our role
as an intermediary between artists and audiences. Every artwork has a destiny, to go where it is meant to go, to settle where it belongs. From the time the artwork takes birth in a very private space in the artist’s head, to when it takes shape within the confines of the studio, to its nesting place in a collection — it is a source of great joy for us to play a part in this process. The first 20 years have been an amazing ride — and it’s been the greatest honour to have worked so closely with some of India’s finest artists. To the trinity of Raza, Husain and Souza, who gave us their support and encouragement, we will forever be grateful. They nourished us and gave us the platform on which we stand today, and with their values and blessings, we move forward.
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Artwork by artist Nilofer Suleman
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MOTIFS FROM INDIA Resting on mysticism and ancient lores, being the raison d’ etre for flamboyant and exotic notes, the doyens of design essay their thoughts over their favourite motifs
It’s interesting to witness the journey of a motif — because it is the most basic unit of a design. On it, comes alive a story that creates a definitive pause. The swirling, intricate patterns, often inspired by nature — like the gentle curves of the lotus, the graceful dance of the peacock, the mighty sway of the warrior elephant,the fine detailing of boteh, the bohemian touch of paisley — the visual feasts unfurled by motifs is unparalleled. Be it in our stories woven around fabrics for fashion, architecture or an inspiration for accents in our home, the compositions with the varied motifs have the power to transform the canvas into a piece de resistance. Going beyond being mere designs and decorations, these ‘story-tellers,’ as we would like to coin them, have become sources of visual knowledge resting on a culture of their own. Spinning an exquisite tale around the motifs, we reach out to the veterans — artists, designers, creative visionaries — who essay their thoughts over one motif that stands above all for them… travelling with them through their collections over time. Meenakshi Shankar
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DAVID ABRAHAM & RAKESH THAKORE
Founder, Abraham & Thakore
Travelling back to the 18th Century, chintz has been a popular motif describing the Indian art to people across the globe. It was originally woodblock printed and used mostly for bed covers, quilts and draperies. With time, the motif became more popular and was used in most of the household furniture. Given our love for heritage textiles, we adapted this motif in our own way and added more charm. During the course of time, we noticed how the designs and colour combinations created captured the imaginations of diverse foreign markets; taking root from the culture, it grew to become an iconic style. Initially, the Chintz motif was done in Kalamkari. Exploring various techniques, we block printed the motif and haven’t looked back since or stopped exploring new design notes with the pattern. Over the years, it has been used by us, and every time, in an innovative way. From screen print to hand work and embroidery, it has woven itself into the fabric effortlessly. Now colours that represent the brand have been added to it, making chintz a very close part of the brand in non-conventional ways. We continue our investigation into some of the classic elements of clothing such as the salwar kameez and ghagra and then re-imagine them in a new collection of richly-patterned floral fabrics inspired by some of the great Indian chintzes.
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DID YOU KNOW ? Known as a smooth shiny glaze, the word chintz, originates from the Hindi word “chitra” meaning many-coloured or spotted. Indian chintz was often coated with a waxy glaze and is made from a Calico, a plain woven form of unbleached cotton.
DID YOU KNOW ? The origins of keri have been blurred along the trans-continental trade routes, which have been in use for more than 2000 years: its Persian roots trace it back to a floral spray, which then saw its apotheosis in the woven ‘cachemire’ of the Mughal period.
MALAVIKA SHIVAKUMAR
Co-founder, Vastrakala For me, the delicate ‘Keri’ is a motif on which my inspiration rests – it was the leitmotif of an India-inspired collection we did over a decade ago. I saw it come alive from a very simple, flat chain stitch with just two colours of cotton threads that we interchanged between the outline and the filling. This created a subtle contrast in the alternating motifs of the lower border of a curtain or the richer antique gold and silver nakshi and zari. We used this to create a voluntary effect of an aged fabric — the motif fading from gold to silver; textiles that have lived and breathed through an era. Recently, a specially
commissioned block-printed paisley, embroidered with gold softwire and beads, catching the light and glow in an embroidered Indian Room in a London townhouse was created for an Italian decorator. Tracing its journey as an ‘unripe mango’ form from India leading to its mass reproduction in what became its English name in the town of Paisley... the Keri’s versatility draws me to it — as a ‘buteh’ or in a composition, woven, printed or embroidered, its interpretation across the crafts makes it at once universally appealing while retaining its locally flavoured origins. 139
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DID YOU KNOW ?
NILOFER SULEMAN
Artist
In Urdu, ‘buta’ means a flower. There is something soft and lilting about the motif. As an artist, it drew me into its folds - taking me back into time where it was one of the most important ornamental motifs of Mughal Indian Art. Gradually, it travelled to India and became an integral element of design. History does dwell over the origins of this early design, but the general consensus is that it is Persian in origin. Fused with the artistic themes of Mughal art, by the 18th Century the motif took on a richer decorative and ornate design. The
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motif’s journey, over the centuries, adapted to suit the Indian aesthetic sensibility and colour palette. Patterns emerged, design flourished and the Persian influence became even more pronounced with the replacement of the roots with the well-known Indo-Persian decorative motif. Inspired by the journey, I started using it in my paintings 10 years ago, to bring in colour, softness and a sense of romance to my work. The fact that it has the power to tell a story of two different cultures is what I love the most about it.
The earliest surviving examples of the boteh motif in India are linked to the weavings of Kashmir found in the third quarter of the 15th Century CE reportedly commissioned by Sultan Zein-al-Abedin.
DID YOU KNOW ? Although the word ‘jali’ has its roots in Urdu, the carving of apertures in repetitive patterns dates as far back as the eighth century, as seen in the architecture of the Kailasa temple at Ellora, Maharashtra, and the Pattadakal temple complex in Karnataka.
PAUL MATHIEU
Designer
Of the many inspirations I have found in India, carved stone Jali screens are particularly special to me and remain a strong influence. Chisthi’s tomb at Fatehpur Sikri, Jaipur’s Palace of the Winds — the beauty and intelligence embodied in these masterworks of light and air inspire me. Channelling familiar motifs like ogee and quatrefoil, or echoing the simple elegance of damask wood block prints, jali is a lesson in eternal style. The carved stone of jali moves the air, so it is more than an aesthetic observation to say that they “breathe” while emanating light. In their motifs, they offer a glimpse of divine harmony and infinite potential
in the repetition of natural and geometric patterns. In this fusion of art and craft, my imagination takes flight. The play of shadows, the recurring shapes appearing on either side of the screens, the patterns on faces and figures passing by, and the moving shadows, which mark the passage of the sun — all continue to make an indelible impression. These notes inspire me — expressed through a single attribute like the wall of illuminated cases inside the Gyan Museum or in pieces from my Contour collection for Luxury Living. At other times, it is more direct, as with the restoration of my Udaipur home.
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PAVITRA RAJARAM
Lead designer, Good Earth The pomegranate or “Anaar” is a motif that has had an enduring impact across cultures. History traces its journey from ancient Persia, where they were smeared on weapons for protection, to Greece, where the pomegranate calyx crown design went on to become the iconic shape for royal hair accessories. Finding its foothold in textiles, the motif, much like the Persian Paisley and other floral patterns, the stylised pomegranate pattern made its way to both East and West through the trade routes of the ancient Silk Road. It dominated the designs of the Renaissance period in textiles, portraits and religious imagery. In
India too, it found its place in textiles as diverse as the Coromandel chintz to the brocades of Benares. I am particularly drawn to its global appeal and yet completely local relevance as well as it’s beautiful deep red and scarlet hue. My fascination with the anaar has spanned textiles, tableware and even bidri work and remains one of the most enduring motifs of my design vocabulary, which has re-invented itself over the years. The most inspiring and beautiful use of the anaar motif I have ever seen is by the Turkish painter Muzaffer Akyol.
DID YOU KNOW ? This stylized design of a central floral image surrounded by wavy stems has its origins in the Ottoman Empire. Aside from its visual beauty, the motif has long been considered sacred — revered as a symbol of fertility and abundance in religions and cultures the world over.
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DID YOU KNOW ? From the ‘Samudra-manthan’ or ‘churning of the ocean’ tale from Hindu mythology to Jain Cosmology and from Turkic mythology to the Meso-american Aztecs and Mayans, the tree of life has had its origin from religious symbolism the world over.
PETER D’ASCOLI
Creative Director, Talianna Studio
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The Tree Of Life motif is an ancient design found in many cultures and contains sacred symbolism including fertility, abundance and our cosmic origins. I first encountered it as a 21-yearold, on assignment for the Indian government in Srinagar, Kashmir. Some months later, I visited Rajasthan, a much different landscape, where again I saw the tree of life motif painted or carved on the walls of forts and palaces – sometimes inlaid with semiprecious stones, and block printed on cotton to be used in interiors or as clothing. When I journeyed further south, to the Coromandel Coast, I saw different versions of the design in
new forms, most notably in the hand-painted Kalamkari fabrics of that region. When I returned to my home in New York, I incorporated this design in my work for garments and home furnishings. Over the years, I have been influenced by the many historic versions of the design. Most recently, my studio created large fabric panels inspired by the tribal paintings of the Saura people of Odisha who use rice flour to decorate their mud houses with sacred motifs such as the Tree Of Life. I was struck by the modernity of their simplistic, graphic approach, which we reinterpreted using modern colours and textures. 143
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Many patterns become inherently associated with certain brands, adding a signature mood board. For me, conceptualising various motifs from scratch allows me to represent the ethos of the designs that my creations rest on. An inspired motif, Daana, finds its notes resting on the regalia of all my creations. The inspiration stems from the historic architectural detailing of Jodhpur’s heritage buildings. As one flips back the pages of history and dives in to take a look at various snapshots of the blue city, multiple references of this motif appear. The motif appears everywhere — from intricate detailing on the boundary walls of old havelis
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Founder, Raghavendra Rathore
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and rawlas, to palaces and stately buildings, to specialised city homes — a symbol of prosperity. It is a cultural totem that mesmerises us with the alluring magic of elements shrouded in anonymity translating into a treasure trove of endless ideas. It is this essence of mystery that gently beckons those of us who seek the richness of our past. This cultural heritage serves as an inspiration. As a designer, I have always craved the need to dive into the attic of the bygone era and germinate ideas that materialise into new products for a more contemporary time, but with the essence of the past. This motif has been an inspiration.
DID YOU KNOW ? Origins of the motif in Raghavendra’s designs come from architectural influences from Jodhpur juxtaposed with an Art Nouveau aesthetic. The motif exemplifies all things regal and refined. These subtle overtures from the past exude elegance.
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ID HONOURS 50 CUttInG-eDGe, One-OF-a-KInD hOMeS & LIVInG SPaCeS aLOnG wIth the PeOPLe BehInD theM. hanDPICKeD BY a SteLLaR JURY, theSe aRe PROJeCtS that haVe ReDeFIneD ReSIDentIaL DeSIGn In InDIa.
JURY
MOHIT GUJRAL
REENA KALLAT
SANJAY GARG
SUNU AIBARA
S TAY T U N E D , T H E W I N N E R S W I L L B E R E V E A L E D I N A N E X C L U S I V E C E R E M O N Y O N LY A T I N D I A D E S I G N I D 2 0 1 9
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DID YOU KNOW ? The motif of the kamal or the
lotus flower is one of the most popular motifs used in Indian art and textiles. A symbol of the eternal order of the union of earth, water and sky, it represents the power of life. Its petals represent the multiplicity of the universe.
SANGITA KATHIAWADA
Owner, Melange
India’s nuanced history has witnessed innumerable motifs passed down the generations as an essential cornerstone of our creative legacy. The one prominent symbol of holiness that still holds court is the aquatic lotus plant. The traditional pattern has served as the muse for Indian textile industry for decades, serving as a beautiful emblem to cinch together varied art forms and traditional embroidery styles. The lotus flower has not only been used for aesthetic purposes, but also symbolises and depicts the timeless allure of the cosmos and the simplistic beauty of things and people. The feelings it evokes are
indicative of the flower itself that grows gracefully in long stalks, towering high above the water, while making roots deep in the mud. It comes as little surprise then, that the lotus is considered a transition symbol from Light to Water to Earth. The motif has moved into modern times by being used not only in traditional outfits, but also finding a stronghold in western and fusion ensembles. This symbol has been interpreted and used in unique ways by different cultures and religions. Due to these spiritual aspects, the flower plays a significant role in Indian textiles like kasuti, kantha embroidery and woven textiles like ikat and Paithani.
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DID YOU KNOW ? In Indian mythology, the elephant is recorded as the most significant and remarkable motif associated with myths and rituals with emphasis on its peaceful aspect. In China, India and Africa the elephant is a symbol of beauty, power, dignity, intelligence and peace.
SRILA CHATTERJEE
Founder, BARO
I dream of a house in a forest with miles of open space, my dogs and an elephant — an elephant that would be a part of my life and home just like the dogs have always been. The pachyderm fantasy has been a part of my life in so many ways. As a design, it helps me bring the tenderness and the grandeur of this amazing creature into everyday life. It’s a motif that I have loved for a long time and, over the years, I have found ways to bring the gentle giant back repeatedly, each time on a different canvas. The elephant can be real as a magnificent beast that belongs in beautiful expanses, or conjured up in 146
the exciting world of safaris and the wild outdoors as the elephant-god Ganesh. As a symbol of intellect and wisdom, it can be royal, evocative of the Maharajas, and a life of grandeur and pomp so characteristic of old Indian kingdoms. It can be the Classic Raj — a symbol of this very distinct period with its unique style that belonged in India. I never feel an elephant is ever out of place — it fits in to so many stories and I always find a way to make it a part of mine. Over the years, it has always travelled with me, becoming a motif that has been a source of immense design inspiration to create show-stoppers.
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DECOR PEOPLE THE BIG REVEAL
AND THE GOLDEN PENCIL GOES TO… The second edition of Kohler Bold Design Awards in association with ELLE DECOR India recognised the best in architecture and interior design across three categories: The Extraordinaries, The Visionaries and Life Time Achievement PRODUCED BY ANEESHA BHADRI
JOHN MICHAEL KOHLER LIFE TIME ACHIEVEMENT AWARD RAJ REWAL
The Ismaili Centre in Lisbon, Portugal TOP RIGHT The State University of Performing & Visual Arts in Rohtak, Haryana 148
ESSENCE OF THE PROJECT For me, the major aspect of architecture has always been merging rational aspects with poetic elements. Whether it’s a rural project or a museum or a housing venture, there should be a sense of humanity about these works. People should enjoy living there and the structures should be sustainable. ON WINNING THE AWARD The award is a great honour for me and for Indian architecture. This kind of exposure and recognition is especially good for emerging architects, it’s a great motivating factor.
COMMERCIAL
SMARAN MALLESH FOR KMYF HOSPITAL
ESSENCE OF THE PROJECT Being contextually sensitive, the dialysis centre was conceived to be a backdrop to the existing historic temple. The billowing layers of the facade block the harsh sunlight. It is finished in white stucco, an ideal backdrop to the colourful shrine. ON WINNING THE AWARD The experience of sharing a platform with some of the best names in the industry was truly a humbling experience for me.
A dialysis centre with a blank white wall and shaded slit openings for windows to counter the heat of the sunlight
RETAIL
KRISHNAN V & PARVEZ CHARANIA FOR DEFURN
ESSENCE OF THE PROJECT Industrial aesthetics were born out of context. The coming together of corten steel, lime plaster, raw timber infused with hints of gold and black metal contemporarised the character of the space. ON WINNING THE AWARD It feels great to win the award! It is highly motivating to be adjudged the best in retail design, especially coming from Elle Decor and Kohler! This sets the bar higher for upcoming projects and we look forward to meeting the challenge head-on.
Defurn marries exquisite interiors with cutting-edge international finds in their store in the heart of Mumbai
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KETAN JAWDEKAR FOR PALLET MICROBREWERY ESSENCE OF THE PROJECT It does not matter what materials we choose. Poetry in design is achieved through repetition of a module to generate patterns and the climax is achieved when the light transforms the whole creation. ON WINNING THE AWARD Winning the KBDA is like a dream come true. It has given a tremendous amount of encouragement to me and the entire team to keep getting better, no matter the design challenges.
The Pallet is a microbrewery where recycled wooden packing pallets have been extensively used as a sustainable solution and to achieve a dynamic patterned look
The Kaleka Houses are grey twin buildings with a windowless facade that creates an immersive experience BELOW Janakee Sadan is an urban retreat
JOINT WINNERS
RESIDENTIAL
SAURABH PRADEEP MALPANI FOR JANAKEE SADAN SAURABH PRADEEP MALPANI: ESSENCE OF THE PROJECT It is a quiet getaway from our busy lives though situated in the heart of a town that connects the past to the future. ON WINNING THE AWARD I am humbled to receive the award and I cherish the moment shared with Virendraji. The golden shavings of the pencil are a perfect metaphor of the design process and what the designer is left with once the project is over!
VERENDRA WAKHLOO FOR KALEKA HOUSE VERENDRA WAKHLOO: ESSENCE OF THE PROJECT The
grey twin buildings reinforce a raw aesthetic, creating a ‘silent canvas’ for the artist’s activities. ON WINNING THE AWARD These awards play a pivotal role in disseminating avant-garde projects that are inspirational for architects as well patrons, two major aspects in the making of architecture. 150
Imagine Studio transforms nondescript industrial buildings and their surrounding landscape into a narrative that celebrates nature, heritage and urbanism BELOW A restored 1920s townhouse representating the golden era in Kolkata’s architecture
JOINT WINNERS
REBUILD & REVIVE STUDIO LOTUS + GPL DESIGN STUDIO FOR IMAGINE STUDIO ATTHE TREES ANKUR CHOKSI: ESSENCE OF THE PROJECT The re-purposing of old structures at Imagine Studio allows for a new way of looking at development in our cities while celebrating the values and legacy of the Godrej Group. ON WINNING THE AWARD We really value this acknowledgement from Kohler, which encourages our collaborative approach. ANUBHAV GUPTA: ESSENCE OF THE PROJECT The Imagine Studio is an experiential complex that pays homage to Godrej’s rich legacy whilst defining thoughtful design and curated place-making. ON WINNING THE AWARD We are delighted to receive this important recognition. we thank kohler and ELLE DECOR for honouring adaptive reuse projects.
SWARUP DUTTA FOR THE CALCUTTA BUNGALOW SWARUP DUTTA: ESSENCE OF THE PROJECT The idea was to preserve the essence of Kolkata by restoring and reusing old ‘non heritage’ tagged houses. ON WINNING THE AWARD We are losing the essence of old ‘Calcutta’ very fast and I want to do whatever I can to save it.
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PUBLIC INSTITUTION DHANANJAY SHINDE FOR UDAJEE EARLY YEARS
DHANANJAY SHINDE: ESSENCE OF THE PROJECT This restoration contributes
to the city’s starved public spaces, making a meaningful intervention in the history and heritage of Nashik. It is a rare chance to create by preserving. ON WINNING THE AWARD: We feel happy and proud to have received this award. Recognition for such type of work would promote and encourage more people to conserve our heritage.
KARAN GROVER FOR SCHOOL FOR HEARING IMPAIRED CHILDREN KARAN GROVER: ESSENCE OF THE PROJECT
The building blocks for the school were a result of using the same soil excavated on site. We took this as an opportunity to engage the students and teachers in this simple construction method by making them form these blocks using the machine. ON WINNING THE AWARD From the minute the award was announced, all the faces of the 237 plus children flashed through my mind deliriously clapping and cheering for and to themselves, the centre and what they had achieved in their lives. It was a proud moment for them – I was actually only the messenger and I felt all their excitement and happiness which was reflected in my buoyant steps to collect their award. TOP TO BOTTOM Udajee Early Years is a boarding school; It has been enhanced with the pedestrian plaza with an outdoor amphitheatre, gardens and long verandahs; The school for hearing impaired children is a structure that marries bamboo and steel with a thatched roof and compressed earth blocks 152
COMMUNITY HARMONY
ABIN CHAUDHURI FOR PAVILION OF CANOPIES ESSENCE OF THE PROJECT As an exercise in abstracting tradition, the plan was a contemporary update of the classical temple pavilion, to circumnavigate through the forest of canopies and arrive at the shrine that housed the deity. ON WINNING THE AWARD The studio’s belief of being unafraid to explore the unfamiliar is strengthened by the recognition.
Built for a religious festival in Kolkata, the pavilion is a contemporary celebration of tribal life, rituals and forests
ENVIRONMENTAL CONSCIOUS
TONY JOSEPH FOR BIENNALE PAVILION
ESSENCE OF THE PROJECT The design is an exploration of recycling materials as a way of reducing the impact on the environment. It is something which evolved from the site, existing for the specific period of the Biennale to function as a contextually-relevant space to assemble, deliberate and celebrate and then, after the Biennale, to dissolve back into nature. ON WINNING THE AWARD We are humbled by the recognition. We are especially happy because people have understood and appreciated the true essence of the project — the fact that our resources are limited and that we have to be responsible in their use.
Built entirely from used materials, the Pavilion at Cabral Yard was one of the works at the Biennale exhibition and a functional gathering space
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DECOR PEOPLE
The Reservoir is an office space that imbibes Indian heritage
THE BIG IDEA
SANJAY PURI FOR THE RESERVOIR
ESSENCE OF THE PROJECT The Reservoir is an office building that engages with its surroundings. The space integrates the ancient Indian step wells whilst creating a water reservoir and public space to engage the community. ON WINNING THE AWARD Winning this coveted award reinforces our quest towards creating contextual architecture.
MATERIAL & SKILL ADAPTATION SAMIR RAUT FOR PAPER PAVILION
In this pavilion, various studies of floor plans of an ideal house emerge to open up to the surrounding landscape Photograph courtesy Sachin Powle
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ESSENCE OF THE PROJECT The paper pavilion is an experiment with paper used as the primary material for its construction. When brought together and combined with the right structural joint, they can hold a sufficient amount of weight. This project is a study of these structural details. ON WINNING THE AWARD It was an honour being recognised by such an accomplished jury. The ceremony itself was beautifully executed and it was wonderful being among and around such talented contemporaries. I would like to congratulate Kohler for bringing about such an experience for everyone.
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FRESH FINDS
CARPET CELLAR Pamper yourself with the finest carpets, crafted in India, that carry on the legacy of intricate design while representing modern times
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he Carpet Cellar is a brand that celebrates progress yet remains rooted in heritage. A range of hand-woven and hand-knotted masterpieces have been carefully curated, by India’s most respected curator of carpets, Sheel Chandra. Their modern and innovative weaves offer a contemporary outlook on design, and their vast collection also includes certified antiques, traditional carpets, kilims, durries and shawls. An exotic selection produced in India illuminates rich cultures stretching from the Black Sea to China, Mongolia, Tibet, Turkey, Mesopotamia, Persia, Afghanistan, Egypt and Morocco, among others, and is expressed through artistry in design and technique. The brand is a rare representation of the largest and finest oriental weaving in India. Premium, handpicked raw materials such as wool and cashmere are used to ensure quality and longevity. Classically-trained artisans, skilled in the art of storytelling through design, make sure that each piece is unique. The Carpet Cellar’s latest line reveals a variety of styles that cater to a diverse audience, while staying true to their essence and values. The Erased Luxe collection highlights the concept of time and was inspired by old masterpieces. How these carpets have withstood the ravages of time and are left with an indelible appearance over a significant period of aging is one of the primary features. The Indo Heriz hand-knotted decorative carpets are made out of the finest merino wool, imported from Australia and New Zealand. This wool has a soft luster and sheen, and looks lighter from one side and darker from the other, giving it a silky appearance. These carpets are also very soft on the
feet, and the designs are inspired by 16th century Persian Safavid workshops. Their collection in wool and silk, coined Safavid, is an ode to one of the most significant ruling dynasties of the Persian empires, with the most artistic accomplishments in carpets, ceramics, metal work and architecture. u Aman Mehta ABOVE An Indo Heriz hand-knotted decorative carpet made out of the finest merino wool, imported from Australia and New Zealand FACING PAGE, CLOCKWISE FROM TOP LEFT A Mughal miniature painting depicted on fine wool and slik; A piece from the Safavid collection; The Erased Luxe collection highlights the concept of time and was inspired by old masterpieces; A piece from The Tree of Life collection Address: Delhi: 1, Anand lok, Khel Gaon Marg, Siri Fort Road, New Delhi-110049 & 348 D, Sultanpur, M G Road, Adjacent to the Sutanpur Metro Station, New Delhi-110030 Website: www.carpetcellar.com
SEE YOU AT
DECORATION PAVILION BOOTH No. 86-87 NSIC GROUNDS, OKHLA NEW DELHI 12-15 FEBRUARY
ID SYMPOSIUM .13.14 FEBRUARY 2019 12 NSIC GROUNDS, NEW DELHI
JOIN US TO HEAR SOME OF THE WORLD’S BEST CREATIVE MINDS SHARE THEIR IDEAS & INSPIRING STORIES
12
FEBRUARY 2019 10.00 AM
REGISTRATION
11.00 AM
OPENING CEREMONY
12.00 PM
Threads and continuities
2.00 PM DIALOGUE
GAURI KHAN WITH REGIS MATHIEU
2.30 PM
CHRIS PRECHT
3.30 PM
AMIT SYNGLE FLYNN TALBOT
SOLO POWERED BY
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SOLO
INDIVIDUAL PRESENTATIONS (ASIAN PAINTS COLOUR TRENDS)
Design as art
The next one tenth of a second
Enchanted: Surreal | Unknown familiar | Exotic
POOJA DHINGRA
Adulting: Non-conformist | Satire | Convenience
MAXIMILIANO MODESTI
Luxe: Bespoke | Pared-down | Ancedote
YOKO SHIZIMU
Harvest: Cultured | Symbiosis | Bio-design
13
14
FEBRUARY 2019 11.00 AM SOLO
12.00 PM
INDIVIDUAL PRESENTATIONS & PANEL DISCUSSION
2.00 PM
PANEL DISCUSSION
FEBRUARY 2019
JAMES LAW
11.00 AM
Transcending boundaries of design
PANEL DISCUSSION
ASIF KHAN, AYAZ BASRAI, KAPIL GUPTA
THERON CARMINE DE SOUSA
Technology and its future in design & architecture
Design is not the destination; it’s the journey. It’s not the end but the means to an end
AMIT KHANNA, DON GURNEY
11.30 AM
(PRESENTED BY ARTIUS)
SOLO
THERESA MILLARD MODERATED BY
12.30 PM PANEL DISCUSSION
The past, present and future of sustainable planning and design
FRANÇOIS GRAMOLI
(PRESENTED BY WEWORK)
SOURABH GUPTA, SONALI RASTOGI Adaptive reuse: Constancy & change
3.30 PM
BOSE KRISHNAMACHARI, IRAM SULTAN, RAGHAVENDRA RATHORE, SANDEEP KHOSLA
Embrace the unknown
SHALINI PASSI
Great designers of our time
AMBRISH ARORA
MORAG MYERSCOUGH
MODERATED BY
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2.30 PM INDIVIDUAL PRESENTATIONS & PANEL DISCUSSION
SAKET SETHI, SEETU KOHLI MODERATED BY
THERON CARMINE DE SOUSA
SOLO
BIKRAM MITTRA
(PRESENTED BY KOHLER)
2.00 PM
SOLO & DIALOGUE
V SUNIL
(PRESENTED BY CARPET CELLAR)
WITH KAMNA MALIK Timeless designs
3.00 PM
PANEL DISCUSSION
Anatomy of emotions in art, design & architecture
RUPANGI KHOSLA (PRESENTED BY SCRIPT) TARUN THAKRAL, VOJTA MALINA (PRESENTED BY PRECIOSA)
MODERATED BY
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Business of design
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IN THIS ISSUE
E L L E DECOR BUZZ Offering the finest and trendiest picks from India, product design musings from across the country, latest shopping ideas, newly-emerging concepts, which revolutionise the design scene. Plus our curated edit of new releases by an array of brands
Our Pick
What happens when you mix a stylish, contemporary Indian brand with an Australian Master Chef? The result is a fresh take on cooking and dining – and plenty of highly collectible products. Chef Gary Mehigan x Nicobar come together to unveil a new cookware line called the Indian Ocean collection, rendered in a palette of ceramic, stone, wood and brass. Website: www.nicobar.com
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DECOR BUZZ THREE REASONS TO VISIT
Nitin Kohli Home
The newly-launched store is renowned for its stunning bespoke furniture and global design aesthetic
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Refreshing vibe: Nitin Kohli’s new collection, Avant Garde, is brimming with radical, experimental silhouettes and forms while presenting an elegant, eye-catching style story
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Unique features: The artistic design is off-set by warm handpicked accessories from across the globe to give an edge to the displayed furniture. Every piece is distinctive!
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Chic contemporary styling: The indoor spaces sing of warmth and effortless elegance. A rare tapestry of bright contemporary hues and classic shades runs through the timeless collection Where Ambawatta One, Mehrauli, New Delhi-30 Website www.nitinkohlihome.wordpress.com
BRING BACK THE BONNY FLORALS Let your tabletops sit pretty with floral servingware and accessories
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ENGLISH FLORALS
BLOSSOMING HEART
LOVE FOR LILAC
Crafted from solid wood and lacquered with a vibrant floral print, Etasaa’s Wood Collection is an ideal gift for the host.
Made of premium bone china, the hand-drawn flowers will provide a bold monochromatic contrast to any muted dinner set-up.
Ceramics have been polished with a touch of floral texture in the lilting Songbird collection of delicate tableware.
Website www.etasaa.com
Website www.villeroy-boch.com
Website www.thedecorkart.com
Metal Magic
Embodying the consolidation of art, craft and technology using various types of metal, the Bauhaus collection depicts designs that have gridlines, chevrons, diagonals and geometric motifs in Mondrian style. Website www.orvi.com
LITTLE LIGHTS
A set of delicately-formed T-lights in the shape of a lotus, devised from thin brass sheets and finished wood. We like! Website www.tranceforme.in
FIVE MINUTES WITH
Aesha & Shikhar Dhawan The power couple introduces DaOne Home, their home decor brand which reflects their ‘family first’ philosophy The inspiration The mutual resonance of personal attributes and warmth shared with the family is what makes a home. We consider our home the soul of our family, and wanted to share this feeling of love and tranquillity combined with good taste and quality with other people. The theme A sophisticated blend of contrasting styles, which make the ambience of one’s home radiant. We have seven collections — White Marvel, Moonstruck, Honey Grey, Heirloom Natural, Boho Blue, Boaster Flicker and Feminine
Neutral. While the names may suggest what they constitute, we wanted to work out luxury that would resonate comfort and a sense of belonging at great prices. What’s unique The cordial contrast of our personalities is reflected in our collections — a classy blend of traditional Indian styles paired with contemporary western influences. The neutral and feminine collections alongside the bold blues and blacks altogether cater to both our tastes. Website www.daonehome.com
COLOUR TONED
Upholstered in cotton ikat, this three-seater sofa has a slightly curved back and arms crafted in teak wood for a chic slender look and feel. Website www.baro-india.com
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DECOR BUZZ BRAND NEW
NAMES TO KNOW
A low-down on the latest design labels making waves with their creations
SIHASN Founder: Ganesh Shankar Design Inspiration: The ajrakh leaf collection is inspired by the rich and vibrant heritage of India. About the Collection: Marrying the vivid textiles of India with sleek mid-century modern structures, Sihasn creates seating furniture with a bold splash of colour. Why We Like It: The collection is a celebration of India’s indigenous textiles — the contrast of contemporary furniture upholstered in traditional fabrics is eye-catching. Website www.sihasn.com
MATERIAL IMMATERIAL Founders: Nitin Barchha and Disney Davis Design Inspiration: The Mirage collection of doorknobs and handles is inspired by the works of architect Carlo Scarpa. About the Collection: The design rests on the play of light and shadow. The studio has created this collection to explore such elements that define spaces. Why We Like It: It features an architectural design that is captivating in its geometric appeal and classic grey tone. Website www.india.materialimmaterial.com
IRA STUDIO Founder: Manasa Prithvi Design Inspiration: It draws inspiration from the landscapes, architecture and cultures of Chandigarh, Jaipur and Kutch. About the Collection: These accent tables are designed to be self-assembled. The blackened zinc, a result of the Bidri process, offsets the subtle burnished glow of the inlay. Why We Like It: The ancient process lends individuality to each piece. And, it doesn’t hurt that it looks uber chic! Website www.irastudio.net
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RARE FINDS
Rich appeal
With their vivid colours and patterns, Jaipur Rugs aims to capture raw emotions in the form of stunning hand-woven rugs
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he breathtaking new collection, Unstring, designed by Kavi, celebrates the beauty of uncertainty. The rugs are a product of the free-flowing imagination in its purest form. The worries of the future are forgotten as the designer creates hand-crafted masterpieces that reflect the essence of the present. A hit in the international market, the roots of the collection burrow deep in the heart of rural India. The best wool is sourced, processed, cleaned and spun into yarn. Skilled weavers make the rugs, executing the designer’s every creative whim and fantasy to absolute perfection. Around 2,00,000 strings are hand-woven into asymmetrical knots that are made of only the finest wool and bamboo silk one can find. Their flexible, modern yet sober designs make this the go-to collection for most architects and designers. Soft to the touch and speckled with varying shades of bright colours, the rugs are a complete sensorial experience. u Sara Shaikh
CLOCKWISE FROM TOP Each rug in the collection has been hand-woven — asymmetric knots formed from the finest hand-spun wool and bamboo silk; The Asthai rug is inspired by the rhythm of coloured warp and weft threads on the handloom; Rugs from the Unstring collection capture human interaction with various processes in a textile studio Website: www.jaipurrugs.com 167
NOW SPACE
WHITE WONDERLAND
What goes into planning and executing a bookstore that is akin to walking into Alice’s Wonderland? Architectural firm Wutopia Lab leads you into a sculptural odyssey
The bookstore comes alive with 300 tons of steel and 30,000mts of light strips Photographs courtesy CreatAR Images
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S
hanghai-based Wutopia Lab’s latest design for a bookstore in Xi’an, one of the most ancient cities of China, holds the promise of unleashing an unparalleled space. Founder and architect, YU Ting, says, “My architectural practice reiterates our everyday life through immense imagination and dramatic artistic expressions. Transforming reality into ‘magic reality’ and creating an illusion that uncovers bits of truths in our life, the Zhongshu Bookstore pays tribute and performs a white Divine Comedy to the capital of 13 dynasties — Xi’an.”
TOP TO BOTTOM The free-flowing bookshelf outlined by a curve has a total of 10 levels. A pillarless white curvy staircase, highlighted by a spiral white panel, surrounded by custom made white acrylic walls, encourages the reader to enter the bookstore created in a surreal design
The basic space of the bookstore consists of popular book recommendation and public reading areas. However, moving away from the ordinary, the idea to create a reading Paradise over the ‘clouds,’ where light and free space are show-stopping elements, started to take shape. Challenging the use of traditional materials, the design firm brought in 5mm thick steel plates to customise curved bookshelves. Digital concepts and cutting-edge technology came into play to craft a canvas where each steel plate was optimised through programming, processed by CNC machine tools, and then assembled on site according to the numbering. The architect adds, “Moving away from a design that allowed for direct entry into the bookstore, a glittering entrance was created in the commercial space.” The futuristic design element of a pillarless, white, curvy staircase creates a surreal effect akin to floating in a cloud. The Zhongshu Bookstore represents the great urban revival that Xi’an is currently experiencing. Meenakshi Shankar
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DECOR BUZZ
RARE FINDS
Making a statement
Nothing short of a masterpiece, the latest collection of rugs from Hands draws heavily from the jewel tones of nature
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The mineral, Zircon’s, lustrous quality is marked by the dual property of silk and the interplay of two primary tones in this rug named the Zircon Red
nspired by the beauty of the natural world, Hands’ latest collection called Mineralogy uses precious minerals and gems as the muse. Stunning stones and minerals were chosen for their aesthetic appeal, lustre, uniqueness and ability to bring in an element of vibrancy. Each piece from the collection — Emery, Zircon, Galena, Celestine — reflects the varying structure, colour, texture and pattern that these exquisite jewels are known for. The brand takes pride in providing their customers with rugs that are woven and hand-knotted to perfection with only the best quality wool and bamboo silk — New Zealand wool is known for its superior quality and long-lasting durability. With kaleidoscopic colours and the use of various techniques, the end result is distinctive in its finish and design. Sara Sheikh
Website: www.handscarpets.com
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M A D E
F O R
R O Y A L T Y
Introducing Senator from the house of CERA C u r a t e d b y r e n o w n e d I t a l i a n d e s i g n e r, E t t o r e G i o r d a n o .
w w w.c e r a - i n d i a . c o m / s e n a t o r
DECOR BUZZ
CLOCKWISE, FROM LEFT The Dome bed has been inspired by old Roman churches and cathedrals; Supernova armchair in brass, wood and fabric; The partition is a combination of different materials
SHOWCASE OF THE SEASON
LIVING GRAND
Resting on design notes that bring together the finest materials and mould them into works of art, Formus celebrates refined luxury living
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nspiration is not something that strikes at some rare, pre-ordained moment, it’s all around you. And when it comes to designing homes, Formus is always on a quest to create a canvas, which is a conversation starter. Their latest collection is an eye-opener because the pieces are woven around a design philosophy that strives to create a piece de resistance for your space. The intent is to produce something extraordinary through a process that involves the meticulous study of the design brief and close collaboration with architects and designers. The bespoke design studio creates timeless pieces that are also a visual delight. Our favourites include the ‘You can’t sit with us’ collection from designers Mozez Singh and Fenny Ganatra which embraces the simplicity of design with its sleek geometric patterns. It is also interesting to witness collections which feature pieces that draw reference from various everyday elements. Every piece has been created to narrate a story and evoke a certain emotion. Sara Shaikh Website: www.madebyformus.com
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DECOR BUZZ FIND OF THE SEASON
BEST BENCH
Ivana Preiss and Filip Vasic of 52hours create a stylish bench that offers privacy and comfort to nursing mothers
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eer might look like a pretty pink futuristic bench, but it’s more than that. It’s a designdriven alternative to those rare, poorly-structured and isolated places designated for breastfeeding. “The idea for Heer first came to us when we witnessed a mother being shamed for breastfeeding in a public place. We thought the solution must be in design,” said Ivana Preiss, the Design Strategy Director at 52Hours, a design and brand consultancy firm in Prague. Her partner and Creative Director Filip Vasic joined forces with Nikola Knez evic, an award-winning industrial designer from Belgrade, to create Heer, the first-of-its-kind breastfeeding bench. ‘Heer’ means ‘here,’ in other words, a mother can stay here, she does not need to go out of her way to find an appropriate place to nurse. ‘Heer’ also comes from the word ‘her’ as in ‘her space.’ During their research, Ivana and Filip found that urban public spaces still lack infrastructure that is adapted to the needs of mothers with babies. Designed and tested through several iterations, it has been specifically customised to suit the needs of a nursing mother and her infant to wrap around you when you take a seat. It gently rocks to create the effect of a crib that lulls the baby to sleep. Heer also includes an adjacent bench that provides seating for the persons accompanying the mother, such as another child, partner or friend. Another important advantage, albeit a technical one, is that it is shaped to adjust to different spaces and allows quick installation. It took four years to develop and the end result is well worth the effort. Mothers’ initial reactions to its functionality and design were overwhelmingly positive. We hope to see more of them around! Aneesha Bhadri Photographs by Marija Gasparovic
CLOCKWISE FROM TOP Heer is a bench made of composite materials designed for breastfeeding mothers; The sides of the chair curve around the mother to offer privacy; The curved top of the chair; It rotates to allow mothers to choose a position that suits them best 174
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DECOR BUZZ
ECO FIND OF THE SEASON
EYE CONTACT
Jenny Kendler’s Birds Watching, a sculpture with 100 eyes, compels you with its unwavering gaze to take a hard look at the terrible consequences of climate change
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here is an installation on the Storm King Art Centre grounds that stands tall and stares back at you. If you rush past it, it looks like an attractive colourful assortment of bubbles or a psychedelic cluster of glossy disks floating in mid-air. If you stop and look, several eyes pin you down with their gaze, some baleful, some bewildered and others dazed. You may find yourself mesmerised, unable to walk away from their hypnotic, multicoloured stares. Birds Watching is a 40ft-long sculpture of 100 eyes of endangered birds. The eyes are reflective sheets fixed on an aluminium frame. The installation, which wraps the base of a grassy hill, comes alive at night, glinting in the
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light of a torch or a camera flash. “As surrealist André Breton suggested, in order to change ways of being, we must first change ways of seeing,” says artist and activist, Jenny Kendler, the creator of this striking sculpture. Jenny wanted to remind viewers that, despite their amazing beauty and diversity, birds are not decorative objects that merely exist to adorn the planet, but beings with a consciousness and feelings. She says, “When we fall into this limited vision, what we see tends to confirm our biases.” Birds Watching urges us to take responsibility for the myriad effects of climate change that impact not only us but other species as well. Aneesha Bhadri
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Birds Watching is a 10ft-high sculpture composed of a ‘flock’ of 100 reflective birds’ eyes mounted on aluminium. Created for Storm King’s exhibition Indicators: Artists on Climate Change, each eye belongs to a species of bird considered threatened or endangered by climate change in the United States. The inspiration for Birds Watching came to Jenny from reading a report of the Audubon Society, which shows that a great number of birds will become endangered because of climate change Photographs by Jenny Kendler
The lighthouse guest house has a minimal foundation, ensuring that there is very little impact on the environment. Designed with glulam timber, this structure is inspired by nature
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2019 • ID GN SI
• INDIA KER DE EA
From crafted window and door systems to Glulam (glue laminate) technology of multi-layering wood, Artius’ green alternatives stand out
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WOOD WORK
2019 •
SUSTAINABLE SOLUTIONS
• INDIA KER DE EA
ID GN SI
SP
DECOR BUZZ
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rtius’ journey began in 2011, with the manufacturing of the premium range of timber door and window systems. Today, the company is taking the notion of building green to a new level – they pioneer Timber Luxury Homes using Glulam post and beam construction methods. “What many overlook is the fact that the structural efficiency of timber is equivalent to that of general purpose concrete, but its self-weight is one-fifth and therefore offers itself to fewer foundation requirements and superior design flexibility”, says Bhawna Sharma, founder of Artius. Adding to this, Vivekabhilash Sharma, Director of Artius says, “Artius truly believes that wood is the material of the future, being the most sustainable and renewable resource around.” Artius’ Glulam TimberTM, their signature product, offers exceptional strength, dimensional stability, and rigidity, therefore countering problems usually associated with wood, such as warping and jamming. Offering flawless aesthetics while integrating quality hardware, locking systems, gaskets and even insect screens — the brand is wellsuited to the Indian lifestyle and the country’s unique weather conditions. In an endeavour to reach out to industry professionals, Artius invested in an education programme in Canada for 17 Indian architects, to help them understand how timber can be used as a major building material. With insights from celebrity architects like Michael Green and Don Gurney, the sessions focused on how wood has been sustainably managed in Canada for a number of years, highlighting its various benefits as well. IndiaDesignID 2019 Symposium speaker Don Gurney is the principal architect at OpenSpace Architecture and a strong promoter of sustainable materials. Being inspired by nature, his work from The Lighthouse Residence, Vista Residence and The Highpoint Residence celebrates timber as the primary material. Artius and Gurney, in collaboration, plan to come up with an innovative product that will inspire Indians towards a healthier and greener tomorrow . Aman Mehta
TOP TO BOTTOM Timber home with Glulam post and beam construction in tough mountainous locations offers spectacular views of pristine mountains and lush forests; the interiors reflect the symbiosis with the natural environment, with glulam timber beams and columns
The ELLE DECOR team travelled to Canada, courtesy Artius. Website www.artius.in
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DECOR BUZZ
BRAND NEWS
Exciting new releases, store launches and the coolest finds in furniture, lighting and home appliances — our curated selection of what you need to look out for this season PRODUCED BY SAKSHI RAI AND ANEESHA BHADRI
DECADENT LIVING
Address Home unleashes a brand new collection, Sauvage, inspired by wildlife. Resting on luxe velveteen textures, this collection lends a touch of decadent French boudoir in vivid jewel tones. Website: www.addresshome.com
RAISE THE BAR
Simple, clean and minimalistic lines come together in a crisp design language to form a vast range of arttd’inox’s Minimal collection. It is inspired by the hollow shell of bullet-casing — the perfect accessories for a stark aesthetic. Website: www.arttdinox.com
A CLASS APART
Alsorg’s new collection of timeless furniture is straight out of a dream — premium, distinctive and detailed. Wrapped in luxury, it ushers you into a world of sophistication and elegance. The bold play of colour and the royal ambience it exudes promises to create a statement space . Website: www.alsorg.com
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MASTER OF THE KITCHEN
Create sharp, structured design spaces with smart furniture from CJ Living’s new collection. Simple, sleek and uncluttered, this dual paletted furniture paves the way for a modern kitchen. Website: www.cjliving.in
TELL TILES
This flawless, custom-built European kitchen bar from Wurfel adds an artsy element to your abode. With a fine origin story weaving around kitchens which are no longer seen as part of the home, but as the epicentre, Wurfel’s design rests on finesse, elegance and innovation. Website: www.wurfel.in
UP YOUR GAME
LIGHTS,CAMERA..
Adapted to changing lifestyles and needs, Panasonic kitchen’s latest collection is a synergy of wooden interiors and minimalistic furniture. Come home to a new way of living. Website: www.
Fashioned with movable reflectors that can be adjusted at any angle along the length of the stem, the new collection of Ligne Roset, available at Iota, adds just the right dose of drama to vamp up your living room. Website: www.
panasonic.net
iotafurniture.com
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TESSELATED HARMONY
Inspired by Buddhism, this collection from The Carpet Cellar features an ultra-modern, simplistic design in muted colours of grey. Ridged between geometric strips of narrow lustrous silk, the matted wool creates a textural contrast — a great experience for your feet as well as your eyes! Website: www.carpetcellar.com
HANGING GLORY
Fall back in time with Swarovski’s new chandelier, inspired from the Baroque art period and embellished with heavy crystals. This magnificent and delicately crafted piece radiates a classic, oldworld charm. Website: www.swarovskigroup.com
WOOED OVER
CRAFTED FOR PROS
The new shower collection by Somany, inspired by elements of French heritage, is smart with just a hint of glamour. Minimalistic and user-friendly, it takes you back to a simpler time. Website: www.somanyceramics.com
TAANNAZ presents the Log Bar Stool in solid bronze, a rustic, handcrafted bar stool, which adds a unique stylistic element to any room. The simple structure has a natural allure and gives an outdoor vibe that complements most settings beautifully. Website: www.taannaz.in
FUR-EVER IN STYLE
Upholstered in beige fur, this teakwood bench from Marigold makes for an attractive and sturdy addition to your space. This unique piece begs you to take a seat and run your hands over it. Website: www.marigoldfurnishers.com
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DECOR BUZZ TACTILE TEXTURES
Break the monotony of a plain wall with the Nero Collection of wall surfaces by Topstona. It is inspired by earthy forms — the natural black stone chisels out a symmetrical geometric pattern. Website www.topstona.com
WARM WATERS Compact, efficient and a saviour in winter, the CERA water heater is made for bathrooms of all kinds. This sleek model has an auto cut-off feature that gives it an extra edge while ensuring safety. Website www.cera-india.com
CLOSETED AFFAIR
Find a creative storage solution for your everyday bath essentials with Duravit’s new vanity unit. With wellspaced shelves, it gives your bathroom an overall chic look. Website www.duravit.in
REWIND
Inspired by old Persia, Isfahan by Cocoon Fine Rugs reminds you of an era gone by. Available at their new Jaipur store, it is truly exquisite — woven with handspun silk and carded wool. Website www.cocooncarpets.com
BEAUTY WITHIN
Perfect for catching keys, jewellery and for serving, the new trays by Gulmohar Lane are pieces of art with their pretty floral patterns and colours. Website www.gulmoharlane.com
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AMBIENTE 2019
An international platform where business and creativity come together — the Mecca of consumer goods and design trends. Delve into the world of new collaborations and innovative designs. This year is all the more special with India being the partner country for 2019! This trade fair is unmissable. Website www. ambiente.messefrankfurt.com
WEAR A SMILE TO WORK
A cheery, well-lit space with entertainment zones, a cosy café and an old-world charm — WeWork Blue One Square redefines our way of working. Unwind in the outdoor area or conduct a meeting under the arches in the main lounge as you strike the right balance between work and play. Website www.wework.com
RUSTIC CHARM
Transcending the four walls and reinventing the idea of home, Fanusta’s new collection of handcrafted furniture captures the spirit of Indian arts and crafts and renders it in simple, sleek lines with a pop of character — the perfect blend of antiquity and functionality. Website www.fanusta.com
BOTANICAL QUEST
Vaya’s Meraki collection draws inspiration from the wild — large shadows of palms trees and grand elephant parades characterise these fabrics. Delicate embroidery on fine linen, rugged warps for upholstery and soft drapes — this collection captures the untamed essence of a jungle and transforms it into an elegant assortment of textures and colours. Website www.vayahome.com
AQUA BLISS
Woven Gold spins a note around pampering our senses. Upgrading your traditional jacuzzi to create a sleek concealed whirlpool bath, their i series whirlpool bath makes you want to sink into warm decadence. Turn on the hot water tap and simply let the experience engulf you. Website www.wovengoldindia.com
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DECOR PEOPLE
MEET THE SPEAKERS
Get to know the global visionaries headlining this year’s ID Symposium, taking place from Feb 12 - 14 at NSIC Grounds, New Delhi
ALEJANDRO ARAVENA 2016 Pritzker Prize Winner & 2018 RIBA Charles Jencks Award laureate, known for benevolent projects.
AMIT SYNGLE Asian Paints’ COO, the man behind India’s only research-based colour trend prediction system.
MARTIN WALLER
CHRIS PRECHT
Founder of iconic furniture brand Andrew Martin, he is also considered the ‘Indiana Jones of Design’.
One of the current global design sensations and also the recipent of the “Emerging Firm of the Year” Award from Architzer.
MORAG MYERSCOUGH Known for her bold designs and colours, she is one of UK’s most prolific designers and also the Royal Designer for Industry.
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ASIF KHAN Awarded as the ‘Architect of the Year’ by the German Design Council, Khan works across the fields of architecture, industrial and furniture design.
POOJA DHINGRA Businesswoman, chef, author and founder of Le15 Patisserie and Studio Fifteen Culinary Centre.
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YOKO SHIMIZU Contemporary artist, biochemistry researcher and founder of Lab +1e, a creative innovation studio in Tokyo.
TARUN THAKRAL Connoisseur of vintage cars, founder of Heritage Transportation Trust (HTT) and Chief Operating Officer at CJ International Hotels Ltd.
FRANÇOIS GRAMOLI Graduated from Rhode Island School of Design, François Gramoli is the Creative Director of WeWork
DON GURNEY Founder of Vancouver-based design firm, OpenSpace Architecture that specialises in timber frame single family and resort residential projects.
VOJTA MALINA He is the Vice President of Preciosa Lighting who has dedicated nearly two decades in promoting Bohemian craftmanship.
THERESA MILLARD
KAPIL GUPTA
She leads the Kohler WasteLAB by taking a nature based abundant view of the world rather than a “lean” approach to waste streams.
The man behind iconic spaces like the Blue Frog Acoustic Lounge and Studios, The Tote, Leo Burnett HQ and many others.
AMIT KHANNA
BRINDA SOMAYA
JAMES LAW
Architect, researcher, professor, author and a recipient of multiple awards including UK’s Moria Barrie Award.
Mumbai-based architect and urban conservationist and also the first woman to win the Wienerberger Golden Architect Award for lifetime achievement.
Hong Kong-based architect, technologist, entrepreneur and founder of Cybertecture. He also runs a design education institution and a charitable organisation.
SP
SHALINI PASSI
IRAM SULTAN
AYAZ BASRAI
Celebrity interior designer and owner of a luxury décor brand, Gauri Khan Designs
Founder and director of the Shalini Passi Art Foundation and MASH (My Art Shalini).
Renowned New Delhi-based interior designer whose design mantra includes three Cs - Create, Curate and Collect.
The creative brain behind more than 100 restuarnts across India, who is known for his innovative design approach and out-of-the-box solutions.
RUPANGI KHOSLA
SAKET SETHI
RAGHAVENDRA RATHORE
MAXIMILLIANO MODESTI
A graduate of JJ School of Art, she is an architect, furniture designer and creative designer at Script
BOSE KRSHNAMACHARI Artistic Director and Co-Curator of Kochi-Muziris Biennale 2012 & President of the Kochi Biennale Foundation.
V SUNIL The man behind iconic campiagns like ‘Made in India’, ‘Incredible India’ and many others. Also the founder of Motherland.
Founder of Archilogics - a collective of avant-garde designers redefining contextual future living from a historical perspective for an international audience.
SOURABH GUPTA A renowned New-Delhi based architect whose signature style is his outof-the-box approach to spatiality, with play of light, volumes and materials.
India’s foremost name in bespoke men’s wear who also put the quintessential Jodhpur Bandhgala Jacket on the fashion world map.
THERON CARMINE DE SOUZA Director of Ferry Wharf Communications and Consulting LLP, a brand strategy and communications firm.
Paris & Mumbai based craft and fashion enterprenur and also the founder of Les Ateliers 2M.
SONALI RASTOGI One of India’s most prolific architects who has numerous awards to her credit, including the Singapore Institute of Architects SIA Getz Award.
KAMNA MALIK
BIKRAM MITTRA
RUE KOTHARI
A law graduate and a design wiz, she is the Brand Director of India Design ID.
Head of Industrial Design, Kohler Kitchen & Bath, India, he is also the founder of Trampoline Design.
Having worked with multiple international magazine titles, she is the Fair Director of Downtown Design.
ID GN SI
• INDIA KER DE EA
GAURI KHAN
SP
HEAR SOME OF THE WORLD’S BEST CREATIVE MINDS SHARE THEIR IDEAS AND INSPIRING STORIES
2019 •
2019 •
ID GN SI
• INDIA KER DE EA
SANDEEP KHOSLA Known for a modern, contemporary design tone, his style is a perfect combination of the old and the new.
SEETU KOHLI The force behind launching brands like Fendi Casa, Ralph Lauren Home, Roberto Cavalli, Bentely Home etc in India.
AMBRISH ARORA Founding member of Studio Lotus, a multidisiciplinary firm that has been a recipient of multiple national & international awards.
REGIUS MATHEU He is the founder of French luxury lighting company Mathieu Lustrerie.
BOOK YOU PASS: If you want to listen to these creative stalwarts, book your ID Symposium pass at www.IndiaDesignID.com
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INDIA’S BEST LUXURY DESIGN WEEK FURNITURE | LIGHTING FURNISHINGS | TABLEWARE SURFACES | BATHROOMS KITCHENS | ACCESSORIES
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ARTFUL JUXTAPOSITIONS: ARRESTING SPACES & RETREATS
E L L E DECOR STYLE Page 196 CONCRETE CANVAS Leads you into a harmonious medley of tradition and modernity composed by architect Gurjit Matharoo Page 206 DOUBLE DIBS Opens doors to designer Tejal Mathur’s brand new canvas in the City of Joy Page 216 SUN KISSED Gives you a sneak peak of Giorgio Armani’s idyllic holiday villa in a seaside Mediterranean town Page 228 LOCAL PRIDE Transports you into an India inspired space where a stunning marriage of the old and new notes comes to fore Page 234 GREY SCALED Beckons you to admire interior designer, Namrata Datt’s curated den Page 244 BACKWATER BREEZE Lures you to ace fashion designer Tarun Tahiliani’s holiday home in the backwaters of Goa, which is quaint with a hint of glamour
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HOME AHMEDABAD
CONCRETE CANVAS
From spatial scale to the play of light and use of material, Gurjit Matharoo’s project in Ahmedabad celebrates the Brutalist movement in architecture with an incredibly modern flair TEXT BY KOMAL AND GURJIT SINGH MATHAROO PHOTOGRAPHY BY JIGNESH JHAVERI/PHOTOLINK PRODUCED BY MRUDUL PATHAK KUNDU
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The curve in the house begins at the entrance and encircles the kitchen to form a utility yard outside
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THIS PAGE, CLOCKWISE FROM TOP LEFT Door in stone veneer to match the cuddapah stone finish; In the basement, the sharp light changes across the day and seasons, and reflects on the polished floor surface and against transparent glass planes forming a profound juxtaposition; The regularity of cuddapah sand stone-clad boxes is broken by a curved wall in bare concrete that extends along all three axes FACING PAGE The door has not been given a frame to add to the spatial aesthetic
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HOME AHMEDABAD
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HOME AHMEDABAD
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The living area rests between two double-storied rectangular blocks. The Pianca coffee table complements the space. The white chair on the left, by Cassina, adds a touch of whimsy
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THIS PAGE, CLOCKWISE FROM TOP LEFT The vaastu-compliant skylight enlivens the centre of the house; The rectangular blocks are parallel to each other and oriented along the North-South axis where a temple and large shaded verandahs open to gardens; The intersecting plane also rises up from the verandah to enclose the lounge at the upper level featuring a B&B Italia chair FACING PAGE Sunlight streams in from the South to illuminate the dining space while Flos lighting adds character
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HOME AHMEDABAD
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HOME AHMEDABAD
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THIS PAGE The master bedroom in the West Block features a Bonaldo bed covered with a handmade quilt in pure cotton by Rajka Designs and flanked by Artemide lamps. The West Block houses the private quarters FACING PAGE Both the cladding stone and the Kota stone of the flooring are Indian sandstones — economical, easy to maintain and in line with the grey tones of the palette. Wooden panelling is used extensively on the interior to bring in warmth
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he house is named “Stripped Mobius” — a pun on the minimalistic approach to the design. We had to adhere to strict Vaastu guidelines that the clients were extremely particular about, and the resultant box-like structure was broken by juxtaposing large sweeping curves onto the composition. The structure consists of a simple construct of two cuddapah-clad double-storied rectangular blocks placed parallel to each other along the north-south axis. One functions as the guest wing with the entrance, formal living room, guest room and kitchen, while the other includes the private quarters like the master bedroom, parents’ room and bedrooms for the children. The void between the two blocks plays host to the family living and dining spaces, a temple and large shaded verandahs that open to gardens on the North and South. Simulating a Mobius strip, it enables the removal of strict boundaries between spaces, modulating them into contradictions that work beautifully together — both inside and outside, contained and yet spilled, lofty as well as intimate. The challenge for large homes is quite similar in our context – generations bound by family business and obliged by ingrained traditional values, choose to live together. This often leads to the creation of autonomous suites within the house. It was important to simultaneously integrate the requirements of the opposing lifestyles of different generations and provide opportunities for family time, while safeguarding the privacy of individual members. Located on a secured plot and abutted by large villas on three sides, another challenge was to maintain privacy. There is an increasing paradox in homes as windows are getting larger but end up remaining closed with curtains at all times. A system of brise-soleil and deep shaded verandahs function as natural screens that hide the house from inadvertently prying eyes. They also double up as elements that cast beautiful, intriguing and ever-changing shadows on the outside at all times.
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HOME KOLKATA
DOUBLE DIBS Designer Tejal Mathur creates a cozy and elegant home with modern touches for two brothers in Kolkata TEXT BY SIMONE MORARKA PHOTOGRAPHY BY NEVILLE SUKHIA
Lightweight concrete panels with crafted wine glass racks form the backdrop for the bar section. Far right, an antique carved wall panel from Rajasthan adorns the wall. Bespoke hardwood barstools add warmth to the space. The Bilbo stool by Alessandra Percalo for Riva was sourced from Zolijns. The custom-cut 3D floor by Vives lends a modern touch to the space
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The outdoor bar wall on the entertainment floor houses a majestic ceiling carving brought in from an antique store in Jodhpur. Distressed pottery by Ironworks adds to the laid-back look with abundant greens and bespoke hardwood barstools
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HOME KOLKATA
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The entertainment pad is appointed with deep wine sofas by Zolijns and the Terra Bass Bianco coffee table by Scarlet Splendour. Corrugated roofing sheets coated a charcoal hue complement the sundownperfect ambience
It is a space exuding modernity, which allows you to enjoy the verdant view whilst relishing a rare bottle of red, fanned by a soft balcony breeze.
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HOME KOLKATA
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It was tempting to look at two identical spaces so differently. Tejal gave one a generous island breakfast bar and the other, an open master bedroom. It changed the way both spaces behave.
THIS PAGE A gunmetal almirah by Ironworks with a steel accent stylishly stands with the plywood ceiling and walls. Distressed pottery breaks the sombre look FACING PAGE Lightweight concrete panels form the backdrop for custom-cut 3D flooring. The community table has a hardwood top with copper wire chairs. A Suspended Flos Match lamp by Vibia adds more lines
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HOME KOLKATA
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Bespoke built-in wardrobes with micro concrete surfaces bring to focus the Heirloom bed set by Restoration Hardware. The Origamipatterned carpet by Busride Studio is a great addition to the private boudoir. The classical armchair by Red Blue Yellow and the rug by Ironworks add to the bedroom ensemble. The wall conceals a study and room library beyond
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HOME KOLKATA
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FACING PAGE Bespoke lightweight concrete panels act as a backdrop to a hardwood bed. Tobacco leather trunks by Ironworks act as nightstands. A less formal study sits against the window with the Eames classic chair THIS PAGE Silent IPS Walls with a strikingly bold artwork aptly named ‘Entitled’ by D. Jayaprakash while, in the background, a calmer Saraswati on Shellac subdues the aggression
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rothers Saket and Pranay Agrawal visited Tejal Mathur in her studio to talk about what they wanted for their apartment in Kolkata and suggested that she give the house an upscale voice instead of going for a traditional look. “Having widely travelled and lived in different international cities, Pranay insisted on a relaxed luxurious space, throwing at me several clippings of wildlife reserves, London lofts and Kerala walls. A quiet personality has been incorporated in the house through Saket’s collection of handpicked art from over the years,” said Tejal. This led her on the inspiring journey of designing their Kolkatta apartment. There are three floors, one each for the two brothers and one for social engagements. The identical floor plans indicated minimalism and gave two different viewpoints in planning. Hence, one was given a vast island breakfast bar and the other, an extensive master bedroom. Several permutations later, a strong dialogue between two simple finishes emerged — the cavernous solitude of micro concrete and the varied grain of Indian teak. The idea was to have a relaxed space where you could walk barefoot, interjected with the sharp lines of white marble tops, bookshelves, and sumptuous wooden window screens to lend a sophisticated look. Edgy accents like Flos lamps, Italian silk couches, and quirky hues help provide a consistent architectural narrative. A10ft-high ceiling clad in plywood warmed it all up. Tejal matched the unique personalities, of each brother by designing an open tub squat in the centre of the walk-in wardrobe for one, while the other preferred a private bathroom suite. Two separate conversations, not without endless deliberations, with distinctive personalities led to a cohesive bungalowlike feel, anchored with memories of skilled carpenters at work, and a nostalgic view of La Martiniere from the west window. It is a space exuding modernity, which allows you enjoy the verdant view whilst enjoying a rare bottle of red. “It was an experience that has left a deep mark on my own creative process,” concludes Tejal.
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HOME ST TROPEZ
SUN-KISSED
It isn’t loud and flamboyant. Nor is it exclusively fortressed. Giorgio Armani’s stunning Saint Tropez getaway is a wonderland. We get an exclusive tour of the inspired space
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The Provenรงal-style house is covered in Portuguese roof tiles. The faรงade in greige stone is characteristic of this region. The garden is planted with cyprus, eucalyptus and date palms
TEXT BY JEREMY CALLAGHAN PHOTOGRAPHS BY GAELLE LE BOULICAUT
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HOME ST TROPEZ FACING PAGE, TOP TO BOTTOM A small sundeck on the upper floor of the home features furniture from the Armani/Casa collection; The dining area has a large rustic table and chairs with accessories from Place Des Lices market, Saint Tropez. A roof curtain diffuses the direct sunlight THIS PAGE The verandah, or winter garden, has a metal frame with a transparent glass enclosure. The green Armani/ Casa lantern, Galeone, on a tray near the Traviata sofa adds a spot of colour
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HOME ST TROPEZ
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FACING PAGE The private dining room showcases Dustin, director’s chair in afrormosia wood, an old wooden table from Milan and golden brass vases from the Armani/Casa collection THIS PAGE, TOP TO BOTTOM Dark afrormosia wood ceiling characterises all of the rooms. The orange cushions on the floor are from an older collection of Armani/Casa; A wall library lends a formal air to the main lounge
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HOME ST TROPEZ
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HOME ST TROPEZ
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iorgio Armarni is a man of choice. He chooses what he likes and what he needs. He chose to buy a home in Saint Tropez after his sister, Rosanna, bought a house in the area back in 1996. The island lives up to its reputation as a party town in Summer, but in the colder seasons, it reverts to its true identity as a charming, Mediterranean seaside village. His house is not ostentatious. It has no views; neither does it gregariously announce itself with high walls and a defensive gate. It is a traditional Mediterranean house, with a beautiful garden, a place to simply relax. “It’s a place where I come to recharge my batteries. For me, staying in Saint Tropez is like a quiet break and very different from what I’m used to.” Textured walls and ceilings are one of Giorgio’s signatures. These two elements contribute to the overall look and feel, which evokes a Japaneselike simplicity. There is a mix of vintage pieces, furniture from his Armani/ Casa line, crafts representing his favourite places and times, as well as works of art. The original house dates back to the late 19th Century; it has undergone several stages of renovations since. Giorgio likes the studio in the house, with its quiet strength, the black leather armchair, the comfortable desk and the Indian handicrafts. “The house and its interiors, even if they are typically Provençal, represent me fully,” said the designer as he talked about renovating the house himself. He has been known to hire superstar architects to design projects — Peter Marino and Massimiliano Fuksas have both collaborated in the past, but Giorgio worked on this one himself. “I like to do my own things. I don’t have anything against architects,” he says, “But if you can design yourself, it’s better.”
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PHOTO ESSAY
# kelewala 228
LOCAL PRIDE Riding on the cusp of modern and traditional, immerse yourself in the subliminal journey of India CONCEPT & STYLING BY SONIA DUTT PHOTOGRAPHY BY TANUJ AHUJA
THIS PAGE SEATERS by Toile Indienne FACING PAGE Photograph Courtesy of Dinesh Khanna
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PHOTO ESSAY
# bandhdarwaza 230
THIS PAGE WOOD AND LEATHER SCREEN from Portside Café FACING PAGE Photograph Courtesy of Amit Mehra
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PHOTO ESSAY
# gulabibai 232
THIS PAGE STAINLESS STEEL MULTI TIER TIFFINS AND FLASKS from Elan FACING PAGE Photograph Courtesy of Eleanor Stanton Ghosh
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HOME NEW DELHI
GREY SCALED
Curator and interiors stylist for Maison 15, Namrata Datt opens doors to her free-spirited home filled with generous lacings of light and colour TEXT BY NAMRATA DATT PHOTOGRAPHS BY TANUJ AHUJA PRODUCED BY SONIA DUTT
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THIS PAGE The dining table, dressed in linen from Maison 15, antique chairs locally sourced from Delhi FACING PAGE A 42-year-old exquisite dinner set from Japan
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HOME NEW DELHI The living space features a refurbished rose-coloured sofa and coffee table with cushions sourced from Maison 15, chinoiserie lampshade and Tara, along with other sacred Buddhist paintings made by monks from Bhutan
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THIS PAGE, CLOCKWISE FROM TOP LEFT Silver condiment set from Frazer and Haws; Silver antique tray from Burma, and the dried floral bouquet from South Africa; Fresh nargis flowers adorn the centre table with Namrata’s current pick of favourite reads; A traditional Balinese gold-leafed wedding headpiece
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HOME NEW DELHI
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RIGHT A classic winged-back chair remodelled with a slick, contemporary twist, featuring black linen and silk stripes rests on a Kashmiri rug BELOW Photo collage of private memories placed alongside an antique camera picked up from a Mussoorie market
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or me, design is a visual treat that tells a story. Whether it is art, textiles or spaces, it must communicate aesthetics. However, styling is more than just aesthetics. It’s about functionality, decluttering and most importantly, infusing the space with love. As an interiors stylist, my home rests on aesthetic notes where proportion is the key element. As a design principle, a definite pause in the form of a piece de resistance is important — larger than life, eclectic, with the power to draw you in. My journey through spaces over the last five years, has propelled me to understand the importance of de-cluttering. Moving thrice, in three completely different spaces has helped me reimagine these interiors and appreciate the art of editing. Home, to me, is inspired by a lesson I gleaned from my years in design school, which re-introduced cursive writing into my design sensibility. The alphabets flowing into each other forming a word would be in chaos if it weren’t for the spaces between the words. Leaning on the same aesthetics, I like to create mood with interspersed empty spaces and layered colour tones. Coming alive with collectibles, one’s home is an essay around one’s journey through the portals of existentialism. When I took up the apartment, I fell in love with the ceiling height — a rarity in most builder flats today. Wanting to highlight and create depth, I experimented with
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WANTING TO HIGHLIGHT AND CREATE DEPTH IN THE SPACE, I EXPERIMENTED WITH A PALETTE RESTING ON GREY TONES.
CLOCKWISE FROM TOP The staircase that leads to the apartment; Along the stairway wall lies a rug from Maison 15. Mesh jars from the store, a camera briefcase and a classic typewriter bought in an antique store in Mussoorie all lend character to the entryway; A 250-year-old antique walnut piano from Germany complemented by a rug from South Africa
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a palette of greys. Drama plays a key role. Bringing colour into the main wall and accentuating it with the Tara artwork opens the space to two interesting dialogues — being a focal point and a conversation starter. The other major change I incorporated was painting all the woodwork white. The play of light and shadows inspires me. The rising sun filters through sheer linen screens inspired by Zen design. Each piece in the apartment has a story to it. Most pieces are restored, repainted and refurbished. The little camera, part of the collage, is symbolic of my travels and my love for photography. The tiny sewing machine is from an antique store in Mussoorie. The trunk is another restored piece, lined with wallpaper and collectibles. The 250-year-old German piano in walnut wood was brought 26 years ago, from Australia, by an aunt who knew I had wanted one since the age of 12. The beautiful 46-year-old Japanese dinner set, a gift from my mother, was bought in Afghanistan. The coffee table books, some extremely rare now, are part of the collection I have had since the age of 21. Everything around me reflects a traveller’s mind. The home is my getaway — a sanctuary of narratives that lead to conversations over intimate dinners in the open, filled with candles and flowers or watching the sliver of light break through the crisp winter mornings.
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THIS PAGE, CLOCKWISE FROM TOP An old trunk wallpapered into a modish coffee table; The lounge outside the bedroom features collectibles, frames from the owner’s personal collection, custom-made sofa, lampshades sourced from Khan Market, Delhi; Antique drawers and candle stands from Paris. FACING PAGE A Santiago bed dressed with printed linen from Maison 15 in the master bedroom
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HOME NEW DELHI
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HOME GOA
BACKWATER BREEZE
Fashion designer Tarun Tahiliani’s newest venture, Ahilia Homes, crafts a contemporary holiday dwelling on the rustic Goan backwaters TEXT BY NITIJA SHASTRI PHOTOGRAPHS BY JIGNESH JHAVERI/PHOTOLINK STYLED BY PINKY AKOLA PRODUCED BY MRUDUL PATHAK KUNDU
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THIS PAGE The living room facing the pool and green lawns, seen through an extension with a sloping wooden roof FACING PAGE The cut-glass fan chandelier in the living room crafted by Royal Arts, Kolkata
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HOME GOA
THIS PAGE The family room enjoys a double height ceiling. Furniture from Marina and Urbanist is paired with locally-crafted pieces FACING PAGE The roof extension is built with rafters and chattai cladding. Sofa and accessories are sourced from Marina and the flooring is from Bharat Floorings
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THIS PAGE, CLOCKWISE FROM LEFT Semi-circular dining table flanked by wooden chairs with banquette seating on either side; A mirror with distressed framework and fluted glass wall sconces from Marina; A classic breakfast setting with poee, a popular Goan leavened bread FACING PAGE The family room features built-in cabinets with dark veneer and swivel doors with closed louvres
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HOME GOA
The monochromatic bathroom displays etched patterned tiles above the dado and grey wall tiles with wooden mouldings FACING PAGE A four poster bed from Urbanist with a quilted bedspread and sheer drapes lends romance to the bedroom
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n unassuming contemporary house sits pretty, satiated with elements of diverse styles — there is country, a bit of modern and a rustic blend of minimalism and jagged elegance. This cosy Goan holiday home built for an industrious couple is a fresh respite from the hustle and bustle of the city. Here, they unwind, host soirées and bask in the warmth of the quiet morning sunshine that trickles through almost every corner of this private dwelling. A few short steps inside and the neutral palette gives way to rich, earthy elements. The high ceiling and outlandish chandeliers in the otherwise sombre decor grab the attention. “I think one requires certain pieces which are striking, everything can’t be dull and sober.” says Bindu Vadera, of Ahilia Homes. The firm, helmed by the country’s favourite couturier, Tarun Tahiliani, fashioned the glamorous yet earthy interiors of the home. The brief was simple, “Classic, fine taste and a
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need for functional spaces that would fit a holiday home,” explains Tarun. To accentuate the rustic frames, rafters and chattai cladding line the extended roof in the living area; this opens up a splendid view of the infinity pool that reflects the bright sky, green lawns and backwaters — a mesmerising sight that soothes the mind and soul. “This is my favourite space in the house. You view the high ceilings with the chandeliered fans as well as the seamlessness of the pool blending into the lawn and backwaters,” he says. The bedroom adorned in muted shades upholstered in neutral colours like cream, taupe, beige, biscuit, sand and toosh invokes languour — leeching away stress, radiating peace. As the sun sets over the horizon, a breathtaking scene unfolds — coconut trees swaying in the breeze and the backwaters shimmering in the light of the dying sun. This is a home that is one with nature.
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YOUR SUBSCRIPTION DETAILS I WOULD LIKE TO SUBSCRIBE FOR c 1 year (6 issues for `630) c 2 years (12 issues for `1,170) c 3 years (18 issues for `1,755) c International (6 issues for US $85 or € 65) c Student (6 + 1 issue free for `675) (For student discount, please enclose photocopy of ID card, attested by your college/institute) Mr/Ms______________________________________________________________________ Date of birth____________________________________________ Address (home/office)________________________________________________________________________________________________________________ ____________________________________________________________________________________________________________________________________ City___________________________________________ Pin__________________________ State___________________________________________________ Profession_____________________________________ Phone________________________ Email__________________________________________________ Enclosed DD/Cheque no*_________________________ Amount______________________ Bank________________________________ Date_____________ *in favour of Ogaan Media Pvt Ltd FILL IN THE ORDER FORM AND MAIL WITH YOUR PAYMENT TO OGAAN MEDIA, 118, FIRST FLOOR, KS HOUSE, SHAHPUR JAT, NEW DELHI 110049 TEL: (011) 48524800 EMAIL: subscriptions@ogaan.co.in
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IDEAS YOU CAN USE
WATCH OUT FOR THE APR-MAY ISSUE
FOCUS ON BATHROOM IN OUR NEXT ISSUE STIR UP A STORM WITH OUR TOP FINDS TO CREATE A BATHROOM OF YOUR DREAMS. BE INSPIRED WITH THE BEST TRENDS FOR THIS SUMMER. PEEK INSIDE BEAUTIFUL HOMES FROM AROUND THE WORLD. PLUS, OUR ALL ENCOMPASSING
IDEAS YOU CAN USE
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COVERAGE OF AMBIENTE AND INDIA DESIGN ID 2019
FOCUS ON CRAFTS
DECOR FOCUS
Ring in the New Year with traditional arts and crafts. A modern re-telling of ancient craftsmanship gives shape to new and profound designs. Use our hot trends to go back to the basics, elevate your interiors and celebrate our heritage of timeless artisanship TREND AND STYLE DIRECTION BY SONIA DUTT PRODUCED BY PRATEEKSHA KACKAR, CHAVI SOOD AND ANEESHA BHADRI
We Love... ...All things handcrafted and contemporary. Give life to your space with simple and stunning hanging lamps that lend raw beauty and pops of colour to the interiors. Seen here, Afreen hanging lamps from Orange Tree exude a rustic and elegant vibe. Website: www.orangetree.co.in
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HOT TREND
MODERN INSET
Transform your space through elevated drama and intricate textures. Witness the magic of modern notes come alive with mesmeric designs and the classic allure of inlay TREND & STYLE DIRECTION SONIA DUTT PRODUCED BY CHAVI SOOD DESIGN AND PHOTOGRAPH COURTESY OF MARCEL WANDERS
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Bespoke design touches and thoughtful organisation make a house a home. In the Private Residence, Amsterdam, details of typical Dutch typology create an atmosphere of grandiosity and elegance. Strong interior design elements such as the semi-circular wall, the intricate wooden parquet flooring with different types of wood inlays and panelled ceiling of cast GRG with relief gives the main living area an iconic presence. Outside, the garden is designed with artificial topiaries and black and white marble tiles, creating a calming oasis to balance the exuberance inside. Website: www.marcelwanders.com
MODERN INSET
Experiment with varied patterns and materials — flooring tiles that blend old-world charm and contemporary chic TREND & STYLE DIRECTION BY SONIA DUTT STYLING BY PRATEEKSHA KACKAR PHOTOGRAPHY BY S. THIRU
CLOCKWISE, FROM LEFT CARRARA MARBLE WITH BRASS INLAY “ARAZZI-05” TILE by Orvi from Intersekt, price on request STONE “MOSAIC” ENGLISH PAVING TILE from Keramos, `890 per sq ft PORCELAIN PORTUGESE PAVING “NIRAMAL” TILE from Keramos, `645 per sq ft MARBLE WITH BRASS WIRE AND MOTHER OF PEARL INSERTS “PERSIAN GARDEN” TILE from FCML, `7,000 per sq ft VITRIFIED “JARICO MRF MANHATTAN BLACK GOLD MTF” TILE from ML Sharma, `660 BLUE AND WHITE MOSAIC NEOGLASS TILE from SICIS, `2,500 per sq ft CEMENT WITH INLAY “VARQ” TILE from Craft Beton, price on request WOOD WITH BONE INLAY COATED IN ZINC TILE from Karigiri, price on request
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The play of textures and patterns lends character to the interiors — transform your space with these gorgeous accessories PRODUCED BY CHAVI SOOD & ANEESHA BHADRI
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5 1. Teakwood Echo side table by Studio Wood www.studiowood.co.in 2. A glitzy console by Ply Mahal www.plymahal.in 3. Outdoor-inspired Turkey Tail – Brackets designed by Ariane Thakore Ginwala www. thisandthat.in 4. A warm-toned Kiwach Tray by Freedom Tree www. freedomtree.in 5. Stennis sideboard by Bent Chair www.bentchair.com 6. Table with mixed materials from Iota www.iotafurniture.com
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7. Banyan offcut by Koy www.koy.store 8. Flower shaped brass exposed table tops with wooden legs by Dtale www.dtaledecor. com 9. Two-tier tray table by Beyond Designs www.beyonddesigns.in 10. Saturn’s hexagon cocktail table by Viya Home www.viyahome. com 11. The Kid by Scarlet Splendour www. scarletsplendour.com 12. Flamingo Console with rose quartz inlay and grey high gloss by Alchemy www.alchemythestore.com
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FOCUS ON CRAFTS The IKIBANA restaurant offers a fusion of Japanese and Brazilian gastronomies and design principles. Japan represents an extraordinary lush landscape, while Brazil is always cheerful and full of colour. The art of flower arrangement, Ikebana, shows respect for nature and gives its name to the restaurant. These artistic arrangements look for the right proportion, composition and equilibrium — creating light, elegant and static compositions. Website: www.ikibana.com
HOT TREND
WEAVES NOW
Assemble one-of-a-kind pieces which rest on the play of the traditional warp and weft in a brand new avatar TREND & STYLE DIRECTION SONIA DUTT PRODUCED BY PRATEEKSHA KACKAR PHOTOGRAPHY BY ADRIÀ GOULA DESIGNED BY EL EQUIPO CREATIVO _ OLIVER FRANZ SCHMIDT + NATALI CANAS DEL POZO
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WEAVES NOW Introduce notes of dynamism and materiality with woven tableware in pastel and earthy tones TREND & STYLE DIRECTION BY SONIA DUTT STYLING BY PRATEEKSHA KACKAR PHOTOGRAPHY BY S. THIRU
ON THE TABLE, FROM LEFT: 100% POLYRESIN “TALI SPHERES” from Sarita Handa, `18,100 set of 3 FRESH FRUITS from Modern Bazaar DRY FLOWERS from Moonriver, `1,500 JUTE CANDLE from Vidaan, `350 BAMBOO SALVER from Nicobar,`1,450 BAMBOO “HAMPER” BOWL BASKET from Good Earth, `600 CERAMIC GREEN SQUARE MESH PLATTER from Moonriver ,`2,500 BAMBOO BASKET from Dilli Haat, price on request 100% BAMBOO BROWN VANITY BOX from Nicobar, `1,850 BRASS OLD CHARM TEA STRAINER from Nicobar, `550 BAMBOO “TANGERINE” PLACEMAT from FCML, `1,175 set of 4 BAMBOO AND CANE WOVEN MUGS from Dilli Haat, price on request BAMBOO AND WOOD FORK from Shades of India, `1,000 set of 6 STAINLESS STEEL WITH METAL SALAD SPOON AND FORK from Ishatvam, `2450 set of 2 BAMBOO “HAMPER” BASKET from Good Earth, `300 POLYACRYLIC “TEXTUS” FABRIC from Tulips, `9,500 TABLE LINEN: LINEN LACE TABLE CLOTH from Maision 15, `6,720 COTTON “GARNISH” RUNNER from Shades of India, `4,000 For details, see Address Book
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WEAVES NOW
Introduce textural elements resting on understated elegance, which create an aura of multilayered aesthetics PRODUCED BY PRATEEKSHA KACKAR & ANEESHA BHADRI
1. Applique bedding by Shades of India www.shadesofindia.com 2. Big donut by 4Seasons Outdoor www.worldbazaarindia.com 3. Seating from M’afrique collection by Amaca www.moroso.it 4. Bench from Krea www. kreaworld.com 5. Romano by Cocoon Fine Rugs www.cocooncarpets.com 6. Coffee table by Ficus Fine Living www.ficusliving.com 7. Cane accent chair by Artisanal Abode www.artisanalabode.com 264
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FOCUS ON CRAFTS 8. Arm chair by Loom Crafts www.loomcrafts.com 9. Cheery cane curve chair by Koy www.koy.store 10. Galaxy inner main by Rumors www.rumorsindia.in 11. Majuli twin seater by Freedom Tree www. freedomtree.in 12. Woven seater by Abaca www.abaca.in 13. Sarita Handa collection www.saritahanda.com
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7TH - 11TH FEBRUARY 2019, NEW DELHI
SHAHPUR SH HPUR JAT NOIDA
DEFE CE COLONY DEFENCE
MG ROAD
GURUGRAM
LADO SARAI GREATER KAILASH
Workshops, pop-ups, design talks and many other exciting activities; this February get inspired by the best of design, decor, lifestyle spaces and restaurants across various design districts in New Delhi.
STRATEGIC PARTNERS
POWERED BY
POWERED BY
HOSPITALITY PARTNER
INDUSTRY PARTNER
STRATEGIC DESIGN PARTNERS
IN THIS ISSUE...
E L L E DECOR LEISURE It’s an explosion of flavours from around the world...enough to induce hunger pangs in the most conservative eaters. The clatter of a ladle on a wok, the sizzling sound as the cheese melts, a hint of sweet and a bite of spice — luxuriate in the visual storytelling of the global flavours that entice you into their culinary folds
India Menu! There is a lot to be said about the range and spread of the street food in our country. There is, without exaggeration, something for everyone. And yes, while we’re extremely tickled by that fact, we’re even more thrilled about how it’s all served. Colourful furniture, delightful table linen, happy faces, al fresco dining set-ups...time to draw our inspiration for the homefront, wouldn’t you say?
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DECOR LEISURE
the Food we eat! From the wok to the griddle and even the tandoor, we love how our streets have started serving fare specific to our global-desi palate! STYLING BY SONIA DUTT PHOTOGRAPHY BY TANUJ AHUJA
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Umrican Choupsey Truly representative of our colourful bazaars, this one now qualifies as a classic!
Food preparation by Happy Chemicals Food Truck, Sector 29, Gurgaon 271
Balti Paneer Pizza India’s answer to the lush mozzarella, our very own cottage cheese is second to none.
Food preparation by Happy Chemicals Food Truck, Sector 29, Gurgaon 272
DECOR LEISURE
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DECOR LEISURE
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Chicken-Sabzi Tacos
Does it get more cosmopolitan than this? This hybrid delight perfectly defines our tastes.
Food preparation by Happy Chemicals Food Truck, Sector 29, Gurgaon 275
Tandoori Momos
One for the highway, especially for those chilly, winter road trips. Who would have thought...?!
Food preparation by Happy Chemicals Food Truck, Sector 29, Gurgaon of the City Waterfront 276
DECOR LEISURE
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DECOR EVENT
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AND WE TURNED 18!
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n the 14th of December 2018, we celebrated 18 years, along with Red, Blue & Yellow. Our birthday party was a night to remember with all our lovely friends from the art and design fraternity in attendance. Special thanks to our food partner Eat Drink Design for curating a special selection of hors d’oeuvres and our celebration partners: Sula, Sula Selections and Aspri Spirits. We bring you the happy faces and a few snapshots of the evening....
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1. Rooshad Shroff 2. Vaishali Shadangule 3. Red Blue & Yellow store 4. Nuru Karim 5. Vijendra Bhardwaj and Vito Dell’Erba 6. Pravin Dabas and Preeti Jhangiani 7. Theron Carmine de Sousa and Ajoy Advani 8. Rashida Baker Asrani and Vivek Asrani 9. Ritu and Tarun Rai with Editor and Content Director Ronitaa Italia Dhanu 10. Arzan Khambatta 11. Delectable hors d’oeuvres by Eat Drink Design 12. Paul Rodrigues, Ritu Nanda and Ranjit Ahuja 13. Nimrat Kaur 14. Asim Merchant and Karishma Bajaj of Red Blue & Yellow 15. Sucheeta Patel, Tejal Mathur and Tapur Chatterjee 6 15 13
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Trojan Design 011919
PA M PE R YOUR SENSES
Shower • Bath Tubs • Spa • Steam • Sauna • Accessories For more details visit our website www.woven-gold.in Call us at toll free / direct line. For general query: info@woven-gold.in Display Centres - Delhi | Ahmedabad | Jaipur | Mumbai | Dehradun | Lucknow Andhra Pradesh & Telangana: 7290070186/ 9343938824 Bihar 8929357541
Chandigarh/Haryana: 9356675994 Chhattisgarh: 9098926393 Chennai: 7290070187/ 9343938824
Cochin: 9711318016 Delhi: 9312435710/ 9599903436, Goa: 9371206064
Gujarat: 9376444456/ 9328888324 Jharkhand: 7290070185 Karnataka: 9343938824
Kerala: 7290070187/ 9343938824 Madhya Pradesh: 9098926393, Maharashtra: 9371206064
Odisha: 8229953396 Punjab: 9555621100 Pune: 9373912697 Raipur: 9711331647
Rajasthan: 9314511081 Tamil Nadu: 9343938824 Uttarakhand: 8881521100
Uttar Pradesh: 9389189540 / 9999686202 West Bengal: 8229953396 West UP: 8929357543
DECOR EVENT
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16. Alessandro Canu, Elisha Saigal and Ambrita Shahani 17. National Creative Director Mrudul Pathak Kundu and Abha Narain Lamba 18. Priyanka and Piyush Mehra 19. Sanjay Puri 20. JĂŠrĂŠmie Horowitz 21. Ravi Vazirani and Durga Gawde 22. Kamna Patel with friend 23. Prateek Sadhu 24. Zahabia and Sohel Contractor 25. Vikram Raizada 26. Richa Bahl 27. Pooja Raheja and Neeraj Sharda of Eat Drink Design 28. Hardik Gandhi 29. Shruti Jalan and Apoorva Shroff 30. Namrata Zakaria 31. Urmee Mehta Mankar 32. Fabien Charuau 33. Rohina Anand Khira 34. Aditya Patel 35. Jignesh Jhaveri 36. Nishita Kamdar 37. Mangesh Lungare
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The who’s who in the architecture and design world came together to honour the Kohler Bold Design Award winners
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n November 30th, 2018, the Royal Opera House opened its doors to distinguished luminaries of the design industry. The second edition of Kohler Bold Design Awards commemorated brilliant designers and architects who see more in a brick than clay, sand and lime. The evening celebrated winners and nominees across three categories — The Extraordinaries, The Visionaires and Life Time Achievement. Hosted by Roshan Abbas, the ceremony covered projects across varied sectors — commercial, residential, public institutions and more.
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1. Swarup Dutta 2. Andre Kikoski 3. President & CEO, Kohler, David Kohler and Arun Rehwal 4. Golden Pencil award 5.Raja Aideri 6. Anand Puri and Monica Bhargava 7. Group President - Kohler Kitchen & Bath, Larry Yuen & President Global Faucets, Kohler Kitchen & Bath Daniel Brohn 8. Pheroza Godrej, Shahrukh Mistry and Sunita Kohli 9. Roshan Abbas 10. Niels Mancini and Karan Grover 11. Ketan Jawdekar 12. Paola Navone 13. Krishna Jaism Rao 14. Kohelika Kohli 15. Jimmy Lim 16. Premnath
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17. Kanika Bawa and Ashutosh Pathare 18. Supraja Rao and Tanya Puri 19. Nicola La Noce, George Seemon, Ankur Choksi, Smaran Mallesh, Akshay Heranjal 20. Hafeez Contractor 21. The opening ceremony of Kohler Bold Design Awards 22. The musical performance by Merlin and Shazneen 23. Ramesh Kohli 24. Jasmine Jhaveri 25 Shilpa and Sameer Balvally 26. Virendra Wakhaloo and Priyank Jain 27. Maparvez Irani and Bharath Lawale 28. Ahaana and Alfaz Miller 29. Jasem Pirani, Namrata Tidke and Huzefa Rangwala 30. Ravi Vazirani 31. Parvez Charania and Krishnan V 32. Fabio Novembre 33. Jaideep Mehrotra 34. Saurabh Pradeep Malpani 35. Dhananjay Shinde and family
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ADDRESS BOOK
DIRECTORY
A quick guide to finding the finest products across the country and abroad
A
ABACA Indo Italian Furniture Co. Pvt Ltd, G-9/G10A, Laxmi Woolen Mill Estate, Shakti Mill Lane, Off Dr. E Moses Road, Mahalaxmi, Mumbai 11. Tel: (91 22) 2493 3522 ADDRESS HOME N 3, GK Part I, N Block, Main Market, New Delhi 48. Tel: (011) 4171 9292 ALANKARAM www.alankaram.in ALCHEMY CRC Building, Second Flr, Mehrauli Gurgaon Road, Near Sultanpur metro station, New Delhi 30.Tel: 91 9910088326 ALSORG SF - 1,2,3,4,5, MGF Mega City Mall, MG Road, Gurugram, Haryana 122001. Tel: (0124) 387 4342 ANANTAYA www.anantayadecor. com APARTMENT 9 N9, N Block Market, Greater Kailash 1, New Delhi 48.Tel: (011) 4902 9287 ext. 86 APPLIANCES INDIA 13, Aurobindo Place Market, Hauz Khas, New Delhi 16. Tel: (011) 2686 8881 ARIANE THAKORE www.thisandthat.in ARTISANAL ABODE A-2/B Abhimanshri Society, Parshan Road, Pune 411008. Tel: 9130044790 ASIAN PAINTS 11, C Patel Tank Road, Mumbai 04.Tel: (022) 2242 1758
BC&D
BATHLINE SENSATIONS A 232, Okhla Phase I main Road, Maa Anandmai Marg, Near Renault Showroom, New Delhi 20. Tel: (011) 4769 0000 BENTCHAIR www.bentchair. com BEYOND DESIGNS Khasra No. 432, 433, 434, Ground Flr, Sultanpur (Pillar No. P 89), New Delhi 30. Tel: (011) 65000697 BOCONCEPT Shop No 1 & 2, Plot No 253/254, Opp Metro Pillar No 54/55, Sultanpur, New Delhi 30. Tel: (011) 4166 3554 CMYK M-75, First Flr, Greater Kailash 2, M Block Market, New Delhi 48. Tel: (011) 2921 1881COCOON FINE RUGS A - Block Basement, Shiv Sagar Estate, Dr. A. B. Road, Worli, Mumbai 18. Tel: (022) 2492 8647 COTTONS AND SATINS 50-52, Meharchand Market, Lodi Colony, New Delhi 03. Tel: (011) 4907 4729 CRAFT BETON Fourth Flr, Hansalaya, 15 Barakhamba Road, New Delhi 01. Tel: (91) 99107 54364 DTALE XVI/IP, 21/573, Seaport-Airport Road, Vidya Nagar Colony, Kakkanad, Kerala 22 Tel: (0) 99471 04710
FG&H
FCML Sultanpur Chowk, Sultanpur Gurgaon Mehrauli road, Near Sultanpur Metro station, New Delhi 30. Tel: (011) 2680 0482 FENNEL Metro Pillar No-28 B M.G Road, Near Sultanpur Metro Station, New Delhi 30. Tel: (91) 88600 44422 FICUS FINE LIVING The New Great Eastern Mills, Next to Salsette 27, 25-29, Dr. Babasaheb Ambedkar Road, Byculla (E), Mumbai 27. Tel : (0) 88755 42300 FREEDOM TREE Block 31 Laxmi Mill Compound, Shakti Mill lane, Off Dr E Moses Road, Mahalaxmi, Mumbai 11. Tel: (022) 24974562 GIGI CHAKRA: Khasra 433, Mehrauli-Gurgaon Road, Ghitorni. Tel: (91) 98180 11007 GOOD EARTH S-06, A-3 District Centre, Second to Fourth Flr, Select City Walk Mall, Saket, New Delhi 17. Tel: (011) 4053 3231 GUPTA PAINTS AND HARDWARE: 863 Madangir, Block C, Doctor Ambedkar Nagar, New Delhi 62. Tel: (91) 9213082367 HANDS Shop No. 372-374, Sultanpur Water Treatment Plant Road, Mittal Garden, Mehrauli, New Delhi 30. Tel: (91) 98110 16475
I&K
INDIA ART PALACE 33, Sunder Nagar Market, New Delhi 03. Tel: (91) 98111 40417 INTERSEKT TILES D-82, Pocket D, Okhla I, Okhla Industrial Area, New Delhi 20. Tel: (011) 4712 9937 ISHATVAM Metro Station, Near, 348D, MehrauliGurgaon Road, Sultanpur, New Delhi 30. Tel: (91) 98734 27993 IQRUP+RITZ 392 Udyog Vihar, Phase IV, Gurugram 15. Tel: (0124) 4237613 IOTA 1/45, WHS Block 2, Block 1, Ware Housing Scheme, Kirti Nagar, New Delhi 15. Tel: (0) 9958492212 KARIGIRI Shop No. 51-52, Meharchand Market, Lodi Colony, New Delhi 03.
Tel: (011) 2462 5152 KERAMOS F-580, Lado Sarai, Near CNG Pump, New Delhi 30. Tel: (011) 4166 5102 KREA 371/1, Empire Estate, Sultanpur, MG Road, New Delhi 30. Tel: (011) 2680 4444 KRIPAL PAINTS HARDWARE & SANITARY STORE Main Market Sikanderpur, Metro Pillar no 56, MG Road, Gurgaon 122002. Tel: (0124) 2352124 KOY 1st Floor, Amenity Building, KOY store, Mundhwa, Pune 36. Tel: (0) 98908 00007
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MAISON15 15, Santushti shopping complex, New Wellington, Camp Race Course Road, New Delhi 03. Tel: (91) 91241 06086 MUJI 02A & 02B, Ground Flr, Multiplex Block Building, Select Citywalk Driveway, Saket District Centre, Sector 6, Pushp Vihar, New Delhi 17. Tel: (011) 4056 6955 ML SHARMA M-48, Shopping Centre, Greater Kailash-II, New Delhi 48. Tel: (011) 4057 2777 MOONRIVER D-16, Defence Colony, New Delhi 24. Tel: (011) 4161 7103
NO&P
NICOBAR Unit No. 215, Second Flr, The Chanakya Mall, Chanakyapuri, New Delhi, 21. Tel: (91) 84480 95480 NIVASA Shop Number 195, Sultanpur MG Road, New Delhi 30. Tel: (011) 2680 3684 ODYSSEY A-106, Udhyog Marg, Block A, Sector 5, Noida 201301. Tel: (91) 88008 92817 ORIENT BELL M-47, East Block Road, Greater Kailash II, Greater Kailash, New Delhi 48. Tel: (011) 4068 7469 OORJA www.oorjaa.in PLY MAHAL B-119, Mansarovar Garden, Opp Police Station, Kirti Nagar, New Delhi 15. Tel: (91) 9811195607
R&S
RAJIV SANITATIONS M-45, Market, W Block Road, Block M, Greater Kailash II, Greater Kailash, New Delhi 48. Tel: (91) 92125 30109 RUMOURS 44/2, Third Flr, Beratena Agrahara, Begur Hobli, Hosur Road, Bangalore 560 100. Tel: (91) 80 6569 4949 SAHIL & SARTHAK www.sahilsarthak. com SARITA HANDA 356-357, Second Flr, MehrauliGurgaon Road, Sultanpur, New Delhi 30. Tel: (91) 95557 33344 SEASON O64, Ring Road, Block O, Lajpat Nagar III, Lajpat Nagar, New Delhi 24. Tel: (91) 98108 63157 SCARLET SPLENDOUR 9B, Wood St, Near Pizza Hut, Kolkata, West Bengal 700016. Tel: 098310 10243 SHADES OF INDIA 127, Meharchand Market, Lodi Colony, New Delhi 03. Tel: (011) 4905 3333 SHAH AND ASSOCIATES 38, Lok Nayak Bhawan, Khan Market Walking Plaza, Sujan Sing Park North, Sujan Singh Park, New Delhi 03. Tel: (011) 2464 1531 SICIS D-5, Block D, Defence Colony, New Delhi 24. Tel: (011) 4611 4811 STUDIOWOOD Shop No 16-17, Near Empire Studio, Wood Row, Veera Desai Road, Industrial Area, Andheri (W), Mumbai 53. Tel: (022) 2673 4422
T&V
TANEJA PAINTS AND HARDWARE: 198/1, Ramesh Market, East of Kailash, New Delhi 65. Tel: (91) 9873407442 THE QUARRY 1012, Devi Dayal compound, Next to Crompton Greaves limited, Kanjur Marg (E), Mumbai 42.Tel: 022-25774005 THE WISHING CHAIR: 86 A, Ground Flr, Near UCO Bank, Shahpur Jat, New Delhi, 49. Tel: (011) 4657 2121 TULIPS: E-2 Defence Colony, Ring Road, Block E, Defence Colony, New Delhi 24. Tel: (91) 72900 04261 VAISHALI SHANDANGULE : 9, Perry Cross Road, Second Flr, Geeta Villa, Bandra (W), Mumbai 50. Tel: (0) 75064 57404 VIDAAN: Shop No. 19, Second Flr, MFG Metropolitan Mall, Saket, New Delhi 17. Tel: (91) 98183 73481 VIYA HOME No 1/31, Second Flr, Kamal Mansion, Arthur Bunder Road, Colaba, Mumbai 05. Tel: (0) 99878 79694
GLOBAL STORES
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BLUE PRINT
THE CALCUTTA BUNGALOW
Scenographer Swarup Dutta gives us a glimpse into the blueprint of his awardwinning "Calcutta Bungalow." Inspired by restoring and reviving the old-world charm of the address, his idea rests on reusing old ‘non heritage’ tagged houses
T
he Calcutta Bungalow, the first B&B project in the North of the city, is an amalgamation of techniques, methods and processes from the past married with contemporary aesthetics. For example, the building has been restored using traditional ‘chuna-surki’ (lime and mortar) process and has a mix of finished walls and exposed brick structures. The restoration was done in a way that would blend with the quaint and quiet neighbourhood. If I could change one thing about the space, it would be to tear down the walls and open the courtyards...and let the space breathe in the dance of light and shadow. I grew up between the North-east and Kolkata — where joint families living in old houses, conversations, laughter and summer holidays have always been the bedrock for inspiration. Resting on nostalgia, the townhouse reminded me of my ‘Nanibari’ — maternal grandparent's house
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