Mak2 - Home Street Home: Feng Shui Painting - House Of Fortune by de Sarthe Gallery

de sarthe

de Sarthe is pleased to present its third solo exhibition for Hong Kong-based conceptual artist Mak2 (Mak Ying Tung 2), titled House

of Fortune . Featuring a new body of installations and videos as well as newly developed works from her iconic series Home Sweet Home (2019-), the exhibition contemplates the correlation between value and belief under the context of Chinese Fengshui and big data in the prevailing digital era. Using herself as the subject, Mak2 aims to dissect the criteria of what constitutes and contributes to value while performing individual experiments on the exhibited works. House of

Fortune opens on 16 October and runs through 4 December. 德薩畫廊欣然呈獻香港概念藝術家麥影彤二的第三次個展「闔家富貴」。展覽將展出一系列全新裝置、影像及其標誌性《美好家園》作品系列（2019年起至今）

的新畫作，探討在中國風水與盛行的數碼時代大數據的背景下，價值與信仰之間的關聯。麥影彤二以自己為實驗對象，對展出作品進行單獨實驗的同時，旨在剖析構成與貢獻價值的標準。「闔家富貴」將於10月16日開幕，展出至12月4日。

Originally named Mak Ying Tung, the artist added the ‘2’ to her name in 2018 after visiting a Fengshui master in the hopes of gaining fame and fortune by perfecting the number of strokes in her Chinese name. The endorsement of her new identity marked the beginning of a selffulfilling prophecy. Attesting to this phenomenon, the artist sought to maximize the success of her exhibition House of Fortune by seeking affirmation from not only theological but scientific authorities. To streamline the Fengshui master’ s prediction made three years ago, Mak Ying Tung 2 shortens her name to Mak2 in 2021. 原名麥影彤的藝術家曾在2018年拜訪一位風水師後，在自己的名字後加上「二」，希望透過完善自己中文名的筆畫數來獲得名氣與好運。這種對她新身份的認同

標誌著一個自我應驗預言（self-fulfilling prophecy）的開始。藝術家為佐證該現象，試圖最大限度地提高其展覽「闔家富貴」的成功，亦從神學以及科學權威

中尋求肯定。麥影彤二為了順應風水師三年前的預測，於2021年將自己的名字縮寫為Mak2。

Mak2’ s multimedia installation Feeding the Multitude comprises a heap of 3D-printed crystals and a projected video of running codes. Borrowing the mythological belief that Chinese celestials bring good fortune, the artist invites a Fengshui master to perform a consecration ritual (Kaiguang) on a digital file that contains the 3D model of a crystal. With the file, the artist prints out a mound of minuscule sculptures, all of which theoretically carrying the master’ s blessing. Played on a loop, innumerable codes run from the ceiling down, across the wall, and onto the pile of printed sculptures. The projection consists of codes generated from the crystals’ 3D model file and from the audio recording of the Kaiguang ritual. While the initial ceremony was performed only on the digital file, the notion that its effect will transfer onto any subsequent products suggests that value will exist as long as it is believed as such. By translating the Fengshui master’ s blessing into an array of different physical forms and media, the installation alludes to the replicability of faith. 麥影彤二的多媒體裝置《五餅二魚》由多個3D打印的水晶與一個包含數字代碼的投影影像組成。藝術家借鑒中國神靈會帶來好運的信念，邀請一位風水師對包

含水晶3D模型的數碼文件開光。藝術家用該文件打印出了數個微型雕塑，理論上所有的雕塑都承載著風水師的祝福。影像循環播放，無數的數字從天花板流動

向下，貫穿牆壁，映射在打印的雕塑上。投影影像都由水晶的3D模型文件生成與

開光儀式的音頻紀錄生成。雖然最初儀式僅在數碼文件上運行，但是它的影響可以被轉移到後續物件的能力則表明，價值只要被相信就會存在。藝術家將風水師的祝福轉化成不同的實體形式與媒介，影射了信仰的可複製性。

A continuation of her ongoing series, Home Sweet Home: Feng Shui

Painting is a sub-series of triptychs on canvas, composed using the popular American life simulation game “The Sims” , with each panel of an artwork painted by a different painter found on the Chinese e-commerce platform Taobao. Using elements of the videogame, Mak2 stages bizarre but idyllic environments that reflect her home city, Hong Kong, projecting into it the unreachable fantasies of real life. She then asks a Fengshui master for spiritual consultation regarding the colors, décor, and positioning of each digital composition. Having optimized the Fengshui, the virtual homescapes are then screen captured, divided into thirds, and sent to separate painters. As the imagery is materialized via paint and brush through the hands of three strangers, the final triptych becomes unpredictable owing to the painters’ inconsistent skill levels, techniques, and use of materials. 《美好家園：風水畫》是持續進行的三聯畫作品系列的子系列。作品透過電子遊戲《模擬人生》（The

Sims）創造，然後再由中國電子購物平台淘寶上的畫家描

繪出來。藝術家運用了遊戲中的元素，以怪誕卻又似桃源般的場景反映她的

家——香港，將現實生活中高不可及的幻想投射其中。其後，她向風水師諮詢每

一幅草圖的顏色、裝飾和擺放位置。虛擬的家園在優化了風水後被截屏，分成三份發送給不同的畫家。由於電子設計是透過三個陌生人手中的顏料和筆觸實體

化的，畫家的技能水平、繪畫技巧和使用的畫材上的不一致而令最終的三聯畫效果變得難以預測。

The added element of Fengshui in this new sub-series explores the idealization of home through the lens of superstition. By allowing a Fengshui master to intervene in a place as intimate as home, the artist implies the notion of belief over one’ s liking. While the original series forms a commentary on the ineluctable disparity between fantasy and reality, the use of superstition in the new paintings speaks to the influence of faith over perception. Utilizing Fengshui properties applicable to both the virtual environments and their resulting triptychs, the artworks are believed to bring good fortune to the exhibition. 新的子系列中增加的風水元素以迷信的視角探索了其對於家庭的理想化。透過

讓風水師介入如家一般的私密場所，藝術家暗示著信仰高於個人喜好的觀念。原系列作品詮釋了幻想與現實間不可避免的差異，而新作品中對迷信的運用則闡明信仰對於感知的影響。利用虛擬環境及其衍生的三聯畫中的風水屬性，這些作品被認為會為展覽帶來好運。

Staged amid the paintings, in the center of the gallery, are two isolated islands fully furnished with beds, nightstands, lamps, rugs, and faux wood flooring, collectively construct two cinematic installations in manifestations of ideal bedrooms as imagined by the artist. In the works, Mak2 compares predictive analysis to fortune-telling. Seemly different, the authorities of science and theology respectively represent in the artworks both attempt to foresee the future by building upon existing information. 兩個配備了床、衣櫃、燈、地氈與人造木地板的獨立空間，在被畫作圍繞的畫廊

中心共同構建了兩個影像裝置，以表現藝術家想像之中的理想睡房。麥影彤二於作品中將演算法與算命結果進行比較。儘管兩者表面看似不同，但是作品中分別代表的科學和神學權威都試圖在現有信息的基礎上預測未來。

Clever Calculation I consists of a LED screen implanted into a queensized bed, the drawers of which are packed with wires, cables, and various electronic components. The displayed video shows a data scientist calculating the trajectory of the artist’ s career using big data analysis. Using data that the artist provided, the calculation naturally results in a positive outcome. With the socio-economic implications of big data, the installation brings forth the idea that the real-life applications of the science may generate the illusion of a self-fulfilling prophecy by guiding its subjects into a cyclical pattern using data mining, selective advertisements, and targeted marketing. Using the bedroom as a symbol for privacy and intimate thoughts, the artwork reveals the interventions of technocapitalism and science. 《機關算盡I》由一張嵌有LED屏幕的加大雙人床和一個塞滿電線、電纜和各種電子元件的抽屜組成。展示的影像中，一名數據科學家正利用大數據計算藝術家的職業軌跡。因為計算使用了藝術家所提供的數據，自然得到了正面的結果。鑒於大數據對社會經濟的影響，該裝置提出透過使用數據挖掘、選擇性廣告及精準營銷引導對象進入循環模式的想法，科學在現實中的應用亦可能會產生自我應

驗預言的幻象。作品將睡房作為隱私與私密想法的象徵，揭示科技資本主義與科學的介入。

Clever Calculation II comprises a single bed, one of which has a LED screen embedded in the mattress. The LED screen shows a video of a hired actress playing the role of a Fengshui master. She predicts that the artist will become famous. Contrary to the making of Home Sweet Home: Feng Shui Painting, the video flaunts the artist’ s transparent manipulation of the result. Casting the lookalike of a local celebrity Fengshui master, the near-parodic video calls into question the legitimacy of fortune-telling. Mak2 drafted the script based on advice obtained from online fortune telling services, furthering her investigation into digital Fengshui and the co-existence of science and superstition in the 21st-century technological era. A fully orchestrated performance, the artwork advocates the existential notion that so-called prophecies are always self-fulfilling and a result of one’ s own will. 《機關算盡II》展示了一張床墊嵌有LED屏幕的單人床。屏幕播放著一段由聘請

的女演員扮演的風水師的影像，預測藝術家將會成名。與《美好家園：風水畫》系列的創作過程相反，該影像宣告了藝術家對於結果的透明操縱。透過模仿本

地一位明星風水師，這段近乎滑稽的影像對算命的合理性提出質疑。麥影彤二根據網上算命的建議起草了該影像作品的劇本，進一步深入她對數碼風水及二十

一世紀科技時代之中科學與迷信共存的調查。作品作為一場精心策劃的表演，倡導了一種存在主義的觀念，即所謂的預言總是自我應驗的，是個人意願的結果。

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Earth 1 2021 Acrylic on canvas, triptych 215 x 380 cm Each panel 215 x 126.7 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Earth 2 2021 Acrylic on canvas, triptych 200 x 150 cm Each panel 66.7 x 150 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Fire 1 2021 Acrylic on canvas, triptych 200 x 150 cm Each panel 66.7 x 150 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Fire 2 2021 Acrylic on canvas, triptych 200 x 150 cm Each panel 66.7 x 150 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Fire 3 2021 Acrylic on canvas, triptych 200 x 150 cm Each panel 66.7 x 150 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Fire 4 2021 Acrylic on canvas, triptych 215 x 380 cm Each panel 215 x 126.7 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Metal 1 2021 Acrylic on canvas, triptych 215 x 380 cm Each panel 215 x 126.7 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Metal 2 2021 Acrylic on canvas, triptych 200 x 150 cm Each panel 66.7 x 150 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Water 1 2021 Acrylic on canvas, triptych 215 x 380 cm Each panel 215 x 126.7 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Water 2 2021 Acrylic on canvas, triptych 215 x 380 cm Each panel 215 x 126.7 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Wood 1 2021 Acrylic on canvas, triptych 215 x 380 cm Each panel 215 x 126.7 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Wood 2 2021 Acrylic on canvas, triptych 200 x 150 cm Each panel 66.7 x 150 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Earth 1 RAW 2021 Acrylic on canvas, triptych 215 x 380 cm Each panel 215 x 126.7 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Earth 2 RAW 2021 Acrylic on canvas, triptych 200 x 150 cm Each panel 66.7 x 150 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Fire 2 RAW 2021 Acrylic on canvas, triptych 200 x 150 cm Each panel 66.7 x 150 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Fire 3 RAW 2021 Acrylic on canvas, triptych 200 x 150 cm Each panel 66.7 x 150 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Fire 4 RAW 2021 Acrylic on canvas, triptych 215 x 380 cm Each panel 215 x 126.7 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Metal 1 RAW 2021 Acrylic on canvas, triptych 215 x 380 cm Each panel 215 x 126.7 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Metal 2 RAW 2021 Acrylic on canvas, triptych 200 x 150 cm Each panel 66.7 x 150 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Water 1 RAW 2021 Acrylic on canvas, triptych 215 x 380 cm Each panel 215 x 126.7 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Water 2 RAW 2021 Acrylic on canvas, triptych 215 x 380 cm Each panel 215 x 126.7 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Wood 1 RAW 2021 Acrylic on canvas, triptych 215 x 380 cm Each panel 215 x 126.7 cm

Mak2 (Mak Ying Tung 2) Home Sweet Home: Feng Shui Painting, Wood 2 RAW 2021 Acrylic on canvas, triptych 200 x 150 cm Each panel 66.7 x 150 cm

Mak2 (Mak Ying Tung 2) b. 1989 in Hong Kong, China

Mak2 (Mak Ying Tung 2, b. 1989, Hong Kong) is a conceptual artist. Her work contemplates 21st century issues through the study of philosophy, art history, culture, shifting socio-political environments, the internet, and new technology. The aesthetic experience she crafts is bound by the dualism of humor and intense inquisitiveness. She creates installations, paintings, drawings, video work, YouTube videos, stand-up comedy routines, and Instagram filters. Mak2's artwork has been exhibited internationally in: Mirage or Reality, Shanghai K11 Art Mall, Shanghai, China (2021); The Principle of Hope , Beijing Inside-Out Art Museum, Beijing, China (2021); How Do We Begin?, X Museum, Beijing, China (2020), Home Sweet Home , de Sarthe, Hong Kong, China (2019); We Didn't Mean To Break It (But It's Ok, We Can Fix It), Pedro Cera, Lisbon, Portugal (2019); Whatever Works, Whatever It Takes , Goethe-Institut China, Beijing (2019); The Anything Machine , de Sarthe, Beijing, China (2018); Invisible Cities , Crow Collection of Asian Art, Dallas, USA (2017-18); com/.cn - Co-presented by KAF and MoMA PS1, K11 Art Foundation, Shanghai, China (2017-18); Reversal Ritual , de Sarthe, Hong Kong, China (2017);

COMEINSIDE: EAT ME , PingPong 129, Hong Kong, China (2017); COMEINSIDE: BABY SHOWER , Gallery Exit, Hong Kong, China (2017); Artists' Film International , Whitechapel Gallery, London, United Kingdom (2016); The Second "CAFAM-Future" Exhibition , CAFA Art Museum, Beijing, China (2015); Artistic or Autistic - The Seventh Annual Exhibition, Inside Out Art Museum, Beijing, China (2014); Almost Empty, Gallery Exit, Hong Kong, China (2014); and SOFT OFF: But I

love it when your mouth is a little shut , ltd Los Angeles, Los Angeles, USA (2013).

麥影彤二（1989年出生於香港）是一位概念藝術家。她的作品通過對哲學、藝術史、文化、多變的社會政治

環境、互聯網和新科技等的研究來反思二十一世紀所面臨的問題。她所創造的觀感體驗，以幽默和強烈好奇心的二元論所連接。她的創作包括裝置、繪畫、錄像作品、YouTube視頻、棟篤笑和Instagram濾鏡等。

麥影彤二的作品曾於世界各地展覽，展覽包括：《真實幻境》，上海K11購物藝術中心，中國上海（2021）；《希

望的原理》，北京中間美術館，中國北京（2021）；《終端>_How Do We Begin?》，X 美術館，中國北京（2020）

；《美好家園》，德薩畫廊，中國香港（2019）;《We Didn't Mean To Break It (But It's Ok, We Can Fix

It)》，Galleria Pedro Cera，葡萄牙里斯本（2019）；《Whatever Works, Whatever It Takes 》，歌德學院，中國北京（2019）；《任意機器》，德薩畫廊，中國北京（2018）;《Invisible

Cities》，Crow

Collection

of Asian Art，美國達拉斯（2017-18）；《.com/.cn》－由KAF和MoMA PS1聯合主辦，K11 藝術基金會，中國上海（2017-18）；《儀式逆轉》，德薩畫廊，中國香港（2017）;《COMEINSIDE: EATME》，PingPong 129，中國香港（2017）；《COMEINSIDE: BABY SHOWER》，安全口，中國香港（2017）；《Artists'Film International》，白教

堂畫廊，英國倫敦（2016）;《The Second “CAFAM-Future” Exhibition》，中央美術學院美術館，中國北京（2016）;《Artistic or Autistic - T he Seventh Annual Exhibition》，中間美術館，中國北京（2014）；《Almost Empty》，安全口，中國香港（2014）；《SOFT OFF: But I love it when your mouth is a little shut》，ltd Los Angeles，美國洛杉磯（2013）。

Artist CV

Mak2 (Mak Ying Tung 2) b. 1989 in Hong Kong, China Solo Exhibitions 2021 House of Fortune , de Sarthe, Hong Kong, China Home Sweet Home , de Sarthe, Hong Kong, China 2019 The Anything Machine, de Sarthe, Beijing, China 2018 COMEINSIDE: EAT ME, PingPong 129, Hong Kong, China 2017 COMEINSIDE: BABY SHOWER, Gallery Exit, Hong Kong, China 2016 Art-It, HOCA Foundation, Hong Kong, China Almost Empty, Gallery Exit, Hong Kong, China 2014 Fotanian Open Studios, Hong Kong, China Funny Stationery, Run Run Shaw Creative Media Centre, Hong Kong, China 2012 Group Exhibitions and Projects 2021 Mirage or Reality, Shanghai K11 Art Mall, Shanghai, China (forthcoming) The Principle of Hope , Beijing Inside-Out Art Museum, Beijing, China Only A Joke Can Save Us , Present Projects, Hong Kong, China What’ s Next?, WOMANBOSS, Hong Kong, China A’ fair, Wan Chai, Hong Kong, China 2020 How Do We Begin? – X Museum Triennial 1st Edition, X Museum, Beijing, China Hot Flows: Pearl River Delta Arts Retrospective , Ox Warehouse, Macau 2019 Whatever Works, Whatever It Takes , Goethe-Institut China, Beijing, China We Didn’ t Mean to Break It (But It’ s Ok, We Can Fix It), Pedro Cera, Lisbon, Portugal Beckoning the Mutation , Club Pro Los Angeles, Los Angeles, California, USA 2018 Invisible Cities , Crow Collection of Asian Art, Dallas, USA .com/.cn – Co-presented by KAF and MoMA PS1, chi K11 Art Museum, Shanghai, China Reversal Ritua l, de Sarthe Gallery, Hong Kong, China 2017 Marching in Circles , Long March, Beijing, China

2016

Artists’ Film International, Whitechapel Gallery, London, United Kingdom COME INSIDE Autograph Signings , OCAT, Shenzhen, China Bori Bunder, Sir JJ College of Art, Mumbai, India A Man Who Doesn’ t Celebrate His Birthday, Clark House Initiative Mumbai, India Bori Bunder, VT Station Platform B, Mumbai, India Performance with C&G @ LUNG CHING Game Zone, Cattle Depot Artist Village, Hong Kong, China Pop-up Shop: Conversations | ruangrupa: Toko Pura-Pura , Asia Art Archive, Hong Kong, China Fashion ID, K11, Hong Kong, China MaD The Free Markerteers Singing Performance with C&G, Hong Kong Cultural Centre, Hong Kong, China 2015 The Second CAFAM-Future Exhibition: Observer・Creator – The Reality Representation of Chinese Young Art , CAFA Art Museum, Beijing, China Sparkle! Regarding Lightness: On Life’ s Way, Oil Street Art Space, Hong Kong, China Under the Influence, Floor 5 1/2, Hong Kong, China After/Image , Studio 52, Hong Kong, China The Second CAFAM-Future Exhibition: Observer・Creator, K11 Art Mall, Hong Kong, China Glossy! Shiny! Fertility!, StarProjects, Hong Kong, China Artistic or Autistic – The Seventh Annual Exhibition , Inside Out Art Museum, Beijing, China 2014 Shampoo Whatever #1 , The A-lift Gallery, Hong Kong, China 2013 Regarding Lightness- The Weight of Lightness: Bio-gravity, Oil Street Art Space, Hong Kong, China BOING!, Osage Gallery, Hong Kong, China SOFT OFF (but I love it when your mouth is a little shut), ltd los angeles, Los Angeles, USA SCM Annual, Run Run Shaw Creative Media Centre, Hong Kong

2012 Cool Kids , Lane Crawford, Hong Kong, China Media Art & The Environment : The Desert Metropolis , Run Run Shaw Creative Media Centre, Hong Kong, China House of Sound , Run Run Shaw Creative Media Centre, Hong Kong, China 2011 Best Before , HKICC Lee Shau Kee School of Creativity, Hong Kong, China Micro Narratives: Invented Time & Space , Blue Room, Hong Kong, China 2010 Public Collections Daisuke Miyatsu Collection, Japan Divide by Zero Art Collection, Hong Kong, China X Museum, Beijing, China JPMorgan Chase Collection, USA UBS Art Collection Awards 2013 Creative Media Award – School of Creative Media, City University of Hong Kong, China Residencies 2016 de Sarthe Artist Residency, de Sarthe, Hong Kong, China 2014 Inside-Out Art Museum, Beijing, China

藝術家簡歷麥影彤二 1989 出生於香港個展 2021 2019 2018 2017 2016 2014 2012 群展 2021

2020 2019 2018 2017

《闔家富貴》，德薩畫廊，香港，中國《美好家園》，德薩畫廊，香港，中國《任意機器》，德薩畫廊，北京，中國《吃掉我》，Ping Pong129，香港，中國《BABY SHOWER》，安全口畫廊，香港，中國《Art-It》，香港當代藝術基金會，香港，中國《Almost Empty》，安全口畫廊，香港，中國《伙炭藝術工作室開放計劃》，火炭華聯工業中心，香港，中國《詼諧文具展》，邵逸夫創意媒體中心，香港，中國《真實幻境》，上海 K11 購物藝術中心，上海，中國（即將來臨）《希望的原理》，北京中間美術館，北京，中國《笑話可以拯救人類》，Present Projects，香港，中國《What’ s Next ?》，WOMANBOSS，香港，中國《阿輝》，灣仔，香港，中國《終端 – 第一屆 X 美術館三年展》，X 美術館，北京，中國《熱煙流 – 2019 珠三角藝術單位觀察展澳門展》，牛房倉庫，澳門《還要什麼自行車》，歌德學院（中國），北京，中國《We Didn’ t Mean to Break It (But It’ s Ok, We Can Fix It)》, Pedro Cera, 里斯本，葡萄牙《Beckoning the Mutation》，Club Pro Los Angeles，洛杉磯，美國《Invisible Cities》，Crow Collection of Asian Art，達拉斯，美國《.com/.cn》，K11 藝術基金會與 MoMA PS1 聯合主辦，chi K11 美術館，上海，中國《儀式逆轉》，德薩畫廊，香港，中國《原地前進》，長征空間，北京，中國

2016

《Artists’ Film International》，白教堂畫廊，倫敦，英國《COME INSIDE 簽名會》，OCAT，深圳，中國《流動倉庫》，JJ 藝術學院，孟買，印度《一個永遠不會慶祝生日的男人》，Clark House Initiative, 孟買，印度《流動倉庫》，Platform 8，孟買，印度《濃情酒館》，牛棚藝術村，香港，中國《Toko Pura-Pura》，亞洲藝術文獻庫，香港，中國《時尚 . I.D》，K11 藝術空間，香港，中國《MaD 創不同，維港耀歌聲 X C&G》，香港文化中心，香港，中國 2015 《第二屆 CAFAM 未來展——創客創客 · 中國青年藝術的現實表徵》，中央美術學院美術館，北京，中國《火花！之於那微不足道：止於廣闊》，油街實現，香港，中國《Under the Influence》，五層半，香港，中國《After/Image》，Studio 52, 香港，中國《第二屆 CAFAM 未來展：創客創客》，K11 購物藝術館，香港，中國《光滑！明亮！缤纷！》，StarProjects，香港，中國 2014 《第七屆 “天真者的藝術”》，中間美術館，北京，中國《Shampoo Whatever 藝術小組聯合展覽》，提 . 藝廊，香港，中國 2013 《之於那微不足道 - 重讀簡歷：藝術家生命之描繪》，油街實現，香港，中國《BOING!》，Osage Gallery，香港，中國《SOFT OFF (but I love it when your mouth is a little shut)》，ltd los angeles，洛杉磯，美國《SCM 年度展》，邵逸夫創意媒體中心，香港，中國 2012 《Cool Kids》，連卡佛，香港，中國《媒體藝術 & 環境：沙漠城市》，邵逸夫創意媒體中心，香港，中國 2011 《House of Sound》，邵逸夫創意媒體中心，香港，中國《此日期前最佳》，兆基創意書院，香港，中國 2010 《微叙事 : 一簇索引 , 滿地熒光錄像投影裝置》，Blue Room，香港，中國

公共收藏宫津大輔收藏，日本 Divide By Zero 收藏，香港，中国 X 美術館，北京，中國摩根大通藝術收藏，美國銀瑞集團藝術收藏獲獎 2013

創意媒體獎－香港城市大學創意媒體學院

駐留項目 2016 流動倉庫 @ [En]Counters 2016 — 香港 X 孟買藝術交流計劃，孟買，印度 2014 中間美術館，北京，中國

16 October – 4 December, 2021 Hong Kong

de sarthe 20/F, Global Trade Square, No.21 Wong Chuk Hang Road, Hong Kong www.desarthe.com Opening hours: Tuesday to Saturday 11am–7pm Tel: +852 2167 8896 Fax: +852 2167 8893 E-mail: hongkong@desarthe.com Texts: Mak2 and Allison Cheung Design and photographs: Hamish Chan

de sarthe 20/F, Global Trade Square, 21 Wong Chuk Hang Road, Wong Chuk Hang, Hong Kong E-mail: hongkong@desarthe.com Tel: 2167 8896 www.desarthe.com