HUMAN-CENTRIC LIGHTING Interiors and architecture from the Gulf, Levant and beyond
Nikita/Chellani
DESIGNING IN THE AGE OF INSTAGRAM
Bassel/Omara
REDUCING CARBON FOOTPRINT
SEE YOU IN
2022 AL JANOUB STADIUM One of Zaha Hadid's last masterpieces was built from scratch to host the 2022 FIFA World Cup
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Vikash/Banwarie
Staturio Marble MARBLE GRANITE QUARTZITE ONYX TRAVERTINE QUARTZ PRECIOUS STONE
Surface Solutions, Designed By Nature
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“SEE YOU IN 2022”
In her design for Al Janoub Stadium, Zaha Hadid was inspired by traditional dhow boats and aimed to highlight Al Wakrah’s traditional industries, including fishing and pearling, along with the city’s exciting future, with her distinctive and futuristic style. The final stadium design was produced by AECOM, in association with Zaha Hadid Architects.
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PHOTOGRAPHY BY HUFTON+CROW
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INTERVIEW Innovation First
TALKING POINT Spotlight On Human-Centric Lighting
Nahel Selo, creative director, Sedar Global, talks about the launch of two stores in Dubai, the latest collection, the rise of e-commerce, and how COVID-19 has made people choose comfort over aesthetics
Vikash Banwarie, Managing Director MET-APACIndia at TRILUX Group, discusses the growing emphasis on human-centric lighting in the face of a pandemic 38
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OP-ED Designing in the age of Instagram Nikita Chellani, interior designer at Roar, on how social media is influencing the designs
TÊTE-À-TÊTE Making designs that make you happy! Kate Instone, the founder and creative director of Blush International, on how the pandemic has given individuals the opportunity to analyse and design their living spaces
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FEATURE Looking Forward With the opening of its Aarhus office, LW, one of the region's premier design firms, is now moving into European markets
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PROJECT Biodiversity & innovation Designed by Danish-based design studio SLA, Al Fay Park is the Middle East’s first urban biodiversity park
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SUPPLIERS Modern partitions
WISHLIST Dream a little dream of me
How screens and partitions can divide a space, lend privacy, and look stylish.
Fruity hues and light-hearted concepts will make your room feel airy and oh-so-relaxing
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THE NEW PLACE TO BE The Harbour Row combines the best of business and leisure providing world-class residences in the heart of Bahrain Financial Harbour. For more information, please call us or WhatsApp us on +973 3304 4044.
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Best Development in MENA
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Editor's note
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his is an exciting issue because it features Al Janoub Stadium on the cover. The 40,000-capacity stadium designed by Zaha Hadid Architect is located in the Southern city of Al Wakrah and is one of the late architect's final projects. Al Janoub Stadium will become a new home for sport and entertainment in southern Qatar after the FIFA World Cup Qatar 2022. Its capacity will be decreased to 20,000 people, ensuring an electrified environment. The remaining 20,000 seats will be donated to football development programmes in other countries, displaying Al Wakrah's inventive spirit and capacity to connect with people from all over the world. Moving on to our feature section, LW, one of the region's leading design firms, has expanded into European markets with the opening of its Aarhus office. The most appealing aspect of this office is the warm, welcoming atmosphere it exudes, along with plenty of Danish influences. We chatted with CEO Jesper Godsk and senior design director Adrian Battisby about the new Denmak office, teamwork, and the future of hotel design. The edition also looks into several vendors in the region who offer modern partitions and room dividers that provide seclusion while also being attractive. In the midst of the current pandemic, it's surprising how popular these partitions have become as a design feature for providing social separation.
CEO WISSAM YOUNANE
wissam@bncpublishing.net DIRECTOR RABIH NAJM
rabih@bncpublishing.net GROUP PUBLISHING DIRECTOR JOAQUIM D’COSTA
jo@bncpublishing.net +971 50 440 2706 BUSINESS DEVELOPMENT DIRECTOR RABIH NADERI
rabih.naderi@bncpublishing.net +966 50 328 9818 EDITOR ROMA ARORA roma@bncpublishing.net CREATIVE LEAD ODETTE KAHWAGI
design@bncpublishing.net
This edition also includes additional intriguing reads and the most recent developments in the world of design and architecture. This month, I'm particularly impressed by the Andromeda ceiling lamp by SICIS, a luxury tile manufacturer. Check out our 'Pick of the Month' section for this wonderful lamp. Roma Arora Editor roma@bncpublishing.net
ART DIRECTOR SIMONA EL KHOURY MARKETING EXECUTIVE AARON JOSHUA
aj@bncpublishing.net DIGITAL MEDIA PRODUCER ALEXANDER BUNGAS
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For all commercial enquiries related to Design Middle East, contact our Group Publishing Director JOAQUIM D’COSTA jo@bncpublishing.net | T +971 504402706 All rights reserved © 2021. Opinions expressed are solely those of the contributors. Design Middle East is exclusively licensed to BNC Publishing. No part of this magazine may be reproduced or transmitted in any form or by any means without written permission of the publisher. Images used in Design Middle East are credited when necessary. Attributed use of copyrighted images with permission.
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Dewan expands with new offices in Riyadh
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ewan Architects + Engineers announces plans to expand its operations in Saudi Arabia with new and extended offices in Riyadh. Established in 1984, Dewan operates in seven countries across Europe, the Middle East, and Asia, specialising in mixed-use, hospitality, residential, commercial, education, retail, and urban planning. Dewan has contributed to some of the region’s top projects, including, The Address Fountain Views and Port de La Mer in Dubai, and Mamsha Al Saadiyat in Abu Dhabi.
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In addition to its projects in the UAE, the multidisciplinary firm has also been a key player in Saudi Arabia’s growth since 2009, helping to build modern infrastructure, mixed-use communities, and world-class entertainment destinations for nearly a dozen different development groups and private clients across the country. With the new offices set to open in July 2021, this expansion aims to address the capacity needs for the booming construction market fueled by His Royal Highness Prince Mohammed bin Salman Al Saud’s Saudi Vision 2030.
Currently, Dewan is fully vested in Saudi and is working on various exciting schemes with the Public Investment Fund initiatives, including The Red Sea Development Company, Amaala, Qiddiya, and several others
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Ideal Standard unveils new silk black finish on a range of innovative products
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Also given a silk black makeover are Ideal Standard’s Ultra Flat New shower trays, featuring one of the slimmest designs on the market. Shower enclosures, wet room panels, bathroom accessories and kitchen fittings complete the collection and ensure no compromise must be made to a room’s design. Frederick Trzcinski, Marketing & Innovation Director at Ideal Standard MENA, said: “We develop our ranges with design excellence in mind and know that finishes have the power to elevate any room in an instant. With silk black, we’re giving designers and homeowners the opportunity to let their true sense of style speak out, whether they’re working on a bespoke new build project, or looking to transform existing rooms in a renovation.”
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deal Standard has unveiled a new silk black finish on a range of its fittings, ceramics and furniture, offering a contemporary alternative to traditional white and chrome bathroom suites. Silk black embodies sophistication, allowing customers to elevate any room in an instant with a bold, all-black effect, or create visual contrast by adding only a touch of black to their designs. The on-trend yet classic finish has been launched across a selection of Ideal Standard’s product ranges, including taps and mixers, basins, toilets, shower trays, shower enclosures, furniture and accessories. Suitable for injecting new life into renovation projects as well as making a statement on new builds, silk black will create an intimate and powerful atmosphere in any hotel or residential bathroom and has been applied to some of the most popular and innovative models from Ideal Standard’s portfolio. Basin mixer taps available in the new finish include Ceraline, with its organic, cylindrical shape, and Cerafine O, which is bolder in design and adds a touch of extravagance to any project. Both are fitted with Ideal Standard’s pioneering and durable FirmaFlow ceramic disc cartridge which enables finer temperature adjustment and helps save water and energy. The Ceratherm T range of thermostatic shower mixers is also now available in silk black. Fitted with FirmaFlow Therm, the most durable thermostatic cartridge, it provides unrivalled levels of safety and performance, while Idealrain complements the range with a wide choice of hand sprays and rain showers. Meanwhile, Tesi brings matching vanity units and furniture, as well as ceramics including toilets and bidets. The slender WCs with their characteristic curves feature AquaBlade® flush technology to deliver a more effective and efficient use of water than traditional toilets, as well as improved hygiene.
Silk black makes for a sleek, premium look, while bringing elegance and refinement when combined with natural materials such as wood, marble, and stone
design-middleeast.com
10 News
Design by Mahsa completes Oporto restaurant at Dubai Festival City
Image courtesy of: Ales-Vyslouzil-Photography
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porto is widely recognised for serving sumptuous flame-grilled chicken, fiery but tasty burgers and its legendary intense flavoured sauce; with all recipes first created on Bondi Beach, Australia, is now spread across all cities within the country and for the first time in the international market. Mahsa Gholizadeh, founder and design director at Design by Mahsa, said: “After we submitted the initial design concept to the Oporto team in Australia for the first time, it was approved for rollout in all the upcoming GCC branches of the franchise. We then developed a full-scale detailed interior design, FF&E specifications as well as the Bill of Quantities for the project. These were received by contractors, KOJ Interiors who took charge of the construction of the project. We also partnered with furniture supplier – Interior 360, fabric supplier – Squisito and our favourite paint supplier – Colortek. Dubai is a cosmopolitan city bustling with different cultures, and so I am particularly excited that for this project we successfully infused a Portuguese menu by an Australian franchise in a Middle Eastern setting through creativity and great partnerships within the local market. We were also keen on paying attention to aesthetics, the use of innovation, sustainability, and functionality in making sure that no detail was left out in bringing the upscale space to life.”
The design guidelines known and used in Australia were vastly different from that which was adopted for its GCC vision. From wall finishing to layout, seating, art and ambience, the design guidelines reflect a one hundred percent representation of the local market requirements. Mahsa Gholizadeh, founder and design director at Design by Mahsa, said: "We were keen on paying attention to aesthetics, the use of innovation, sustainability, and functionality in making sure that no detail was left out in bringing the upscale space to life.”
design-middleeast.com
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Apple Tower Theatre designed by Foster + Partners opens in downtown Los Angeles
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An original stained glass window with a pattern that includes coiled strips of film has also been painstakingly restored, along with a fresco of a blue and cloudy sky that arches over the doubleheight space.
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pple Tower Theatre, Apple’s newest store in the heart of downtown Los Angeles, has opened to visitors. The design seeks to reinvigorate one of LA’s most historic movie theaters by giving the building a new purpose and restoring its lost glory. The unveiling of Apple Tower Theatre is a significant part of the larger urban regeneration of downtown LA that will strengthen urban retail and community life in this part of the city. The design is the result of a close collaboration between the design teams at Apple and Foster + Partners. Designed in 1927, by prolific motion picture theater designer, S Charles Lee, Tower Theatre was the first movie theater in Los Angeles built to show talking movies. The design restores the distinctive clock tower and exterior terracotta facades, enhances historic interiors and improves the marquees and the Broadway Street elevation, while upgrading accessibility to ensure
the building will survive and serve the community long into the future. Stefan Behling, Head of Studio, Foster + Partners, said: “I believe that people love being with people. This is the basis for urbanity all around the world. Apple Tower Theatre will be a new beacon of optimism and resilience for the city and a vote of confidence in Downtown LA. The design brings back the romance and excitement of the birth of cinema, recreating the idea of the ‘place to be’. The exquisite detailing of the interior has been painstakingly restored. From today, Apple Tower Theatre will once again be alive with activity and celebrations that will return the vitality of urban life to Downtown LA.” The design looks to create an active presence on Broadway. Visitors enter a generous lobby at street level. An immaculately restored grand staircase takes visitors to the upper levels, while the lobby opens up to the soaring volume of the main theatre hall at ground level, which has been completely transformed into a majestic display area. The intricate historic plaster detailing on the walls and ceiling, dating back to the 1920s, has been carefully restored and enhanced. The central dome of the theater’s ceiling has been reinterpreted with a fresco of the calming golden sunshine of the southern Californian sky, adding dynamism and color to the space. The movie theate has been transformed into an Apple Store The movie theatre's original balconies remain in situ, and Apple plans to use the space as an auditorium for daily skills workshops and presentations from local filmmakers and musicians.
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ema is a creative and diverse team of global makers, designers and architects.
Say hello to ema! A new design firm launched by former Wilson Associates’ core team
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urther to the closure of Wilson Associates and its Dubai office, managing partners Tim Etherington and Iain McLaughlin launched their interior design firm – Etherington, McLaughlin & Associates (ema). With its headquarters in Dubai Design District, ema will continue to cater to large-scale luxury hospitality, but also to F&B, wellness and corporate workspace markets. Joined by Wilson’s former design directors Maud Capet and Julie Djohan, the key design leaders behind iconic hospitality projects, including yet-to-be-opened Marsa Al Arab, Anantara Mena Al Arab Ras Al Khaimah, MGM The Island, the studio will offer full-service interior design and FF&E services. “We stayed together because of the legacy we’ve built. Our objective remains the same. With a clear vision of strengthening and enhancing a team capable of designing and implementing luxurious projects, ema’s emphasis is on creative excellence, documentation quality,” says Iain McLaughlin, founding partner of ema and a former operations director at Wilson.
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Both Tim and Iain have had extensive experience in the design and architectural business, having designed and managed a wide typology of projects for both small specialist boutique studios through to large global corporate organisations – from luxury yachts and hospitality to flagship retail stores, showrooms and brands. Former managing director of Wilson Dubai and Gensler Shanghai offices, Tim Etherington, a founding partner of ema, brings to the table nearly three decades of multidisciplinary design experience, spanning 15 distinct markets on five different continents. Etherington comments: “As a firm, we want to establish and maintain strong client relationships and deliver excellent creative solutions. The firm’s primary focus centres around creative innovation, talent development, maintaining and developing key client relationships and strategically positioning the business to support and optimise client’s position in their respective sectors”.
design-middleeast.com
14 Interview
Innovation
FIRST Nahel SELO THE CREATIVE DIRECTOR OF SEDAR GLOBAL, TALKS ABOUT THE LAUNCH OF TWO STORES IN DUBAI, THE LATEST COLLECTION, THE RISE OF E-COMMERCE, AND HOW COVID-19 HAS MADE PEOPLE CHOOSE COMFORT OVER AESTHETICS
TOP Nahel Selo, creative director of Sedar global
BOTTOM SPIDER CRACKLE FROM THE CASA BLANCA 2 collection of wallcoverings by Collins & Company. Non woven, washable and strippable
What is your brand philosophy? Our vision is to be a beaming source of inspiration for our customers, by always enriching their lives with new designs and innovations. How do you feel COVID-19 and stayat-home restrictions have affected the way we design and shop for our home? People are looking for comfort over aesthetics these days especially with spending more time at home—products that provide comfort, privacy and protection like our roller blinds, smart home automation products along with our folding doors, and partitions. These provide privacy so people at home can be more comfortable. Could you tell us more about the two new stories? We have two new stores in Dubai Festival City and Dubai Festival Plaza.
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As COVID-19 fuels a surge in online shopping, will e-commerce be the new normal? What do you think? I think many businesses will be become solely online, even if their business models aren't adaptable to online only. Thanks to AR & VR technologies, you can now shop and experience a full end-to-end retail experience from the comfort of your home. You can pick out clothes, try them on, make conversations and exchanges. This will be the new era for retail. Having launched our e-commerce site in February 2020, just before the first world-
wide COVID-19 outbreak, Sedar was able to cater to a significant change in consumer behaviour in shopping over the past 12 months. The brand saw a 33% increase in their Whatsapp chat service, which offered a more interactive and visually engaging platform for Sedar customers to purchase products from home. Bringing this demand for autonomy into the new retail stores, interactive screens give visitors the freedom to fully customise and purchase curtains as well as wallpaper, blinds, pillows, and folding doors. Tell us about your new collection? We have a new line of custom prints, where the customer can print their own design or choose from a wide variety of designs, from geometric, modern, classic and children motifs printed on wallpaper as well as curtains and blinds. We have added Roberto Cavalli to our collection of brands, amongst other international brands, and hand-made jute wallpaper as well as our tailor-made collection.
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They are our latest additions which have adopted the Your Space Your Art fit our theme, giving the customer an immersive retail experience same as that online. The two new retail stores will also showcase stunning SS21 collections from Sedar’s favourite house brands Fujikawa and Marco Polo; as well as internationally renowned brands Missoni Homes, The Versace Home, Armani/Casa, Swarvoski, Somfy, and Jannelli & Volpi.
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ROBERTO CAVALLI HOME VOL. 7 EMILIANA PARATI Creamy grey decorative wallpaper made of non woven fabric in leather, fur and a vinyl upper material
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BOTANICAL , EUPHORBIA BY JANNELLI & VOLPI Decorative wallcovering made of non woven fabric in polyester cellulose and colored with water based inks
What has been your favourite project and why? My favourite project has been the Kempinski Palm Jumeirah Dubai. We were able to deliver in a record time due to their urgency without compromising on quality. What are the current projects you're excited about? I'm excited about the JW Mariott hotel in Qatar along with the Oman Across AgesMuseum in Nizwa. It's a very exciting project showcasing the history of Oman, the commission by Sultan Qaboos, may he Rest In Peace. design-middleeast.com
16 OP-ED
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Designing in the age of Instagram Nikita Chellani
INTERIOR DESIGNER AT ROAR, ON HOW SOCIAL MEDIA IS INFLUENCING THE DESIGNS
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n this day and age, social media is an important tool for design but it is not the sole performance of what we do. It is incredibly difficult to imagine a personal and professional life without social media. But also, why should we? The reach platforms such as Instagram gives designers, retailers, and the like offers support towards brand recognition and connect your target audience with your trade and services – what is not to love as a business? For interior designers, social media is not only a place to virtually showcase their creativity and ingenuity, but also expand their network to connect with like-minded individuals. Instagram has, without a doubt, become an e-commerce conduit, making it imperative for interior designers to have a strong presence on their channels. >>>
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TOP SENSASIA is the largest independent, multi awardwinning spa group in the UAE, with a portfolio of bespoke spa locations, located in premium city spots.
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ere are some key indicators to spot an admired designer on Instagram: - They post visually interesting content that shows off their work - They don’t shy away from giving credit to their sources of inspiration simply by tagging the user, page or website - They give insightful tips to their audience in their caption section - They respond to comments below a post, further engaging with users who are potential new clients Just by creating compelling content, you visually entice your audience to click on the link, either to get more information on the product or even browse the entire range. You can direct them to your website, where they can find exactly what they are looking for, and at the same time learn more about your business, design philosophy and the clients you work with. Specialists expect short-form content like Instagram Stories to become increasingly popular, as studies show users’ attention spans are becoming shorter. They are the perfect podium to display lighter content meant to showcase your personality, interests, or design details you come across spontaneously that you would like to share with your followers, giving them a quick snippet of what you are and what your style is. Individuals working in this industry need to not only stay active and relevant on social channels, but they must be aware of which sites to focus on and how best to attract their target audience. While it is always rewarding to have people browsing through a designer’s work or get inspiration, these visits only benefit the industry when the visitor turns into a paying customer. To every benefit, there is also a downside. It is not unusual for some clients to prefer privacy when it comes to the designs they have opted for, hence are displeased by a designer’s extensive use of social media. We, in the industry, need to be very sensitive as to what type of content we are posting and whether a client has given permission to have their space published. Another disadvantage is through the rise of the social media revolution, designs are very easily being replicated and imitated to recreate the look, leading to original designers sometimes being deemed as unimaginative.
RIGHT MEZZA HOUSE Beyond the framework of gold pipes the ceiling is exposed to maximise the low, existing height. Sprayed with acoustic foam and painted black, however, there is no loss to the dining experience.
As per anecdotal research, 4 out of every 5 interior designers have and maintain a presence on several social network platforms, Instagram being the most widespread. Nevertheless, only 17% of designers state that social media has been of help in promoting their business. In contrast, 85% of designers report word-ofmouth advertising has been of great help to them. However, we shouldn’t forego the way that word-of-mouth publicity is conducted. When a satisfied client tells a friend about a designer’s work they have experienced, it is quite possible that they would, to understand the designers’ aesthetic, browse through their social media pages and website. Despite the growing power of social media, a company website is still a crucial tool for those in the industry. It is quite plausible to believe that social media is
a great catalyst for driving traffic to your website, especially in the design industry, where a company website is of more benefit than social media to cater to large-scale portfolios. Ultimately, social media has become a powerful marketing device, which cannot be ignored but which also cannot be the end goal when designing a project. Design should be about people, about creating beautiful and effective spaces for people to live well in. And whether it ends up on the grid or not!
design-middleeast.com
18 Feature
Looking
Forward
With the opening of its Aarhus office, LW, one of the region's premier design firms, is now moving into European markets
Design Middle East spoke to Jesper Godsk, CEO and founding partner and Adrian Battisby, senior design director at LW about the opening of a new studio in Denmark, the future of the hospitality industry, and how teamwork is the key to LW's success BY ROMA ARORA
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drian Battisby, senior design director at LW, is acknowledged for his incomparable skills and originality Battisby fell in love with Dubai right away and considers relocating to the region to be one of his best moves. He recalls: “In 2003, I wanted to experience something different from the UK, so I travelled around the world and spent time in a variety of locations, which I then compared as places to live and work. Back in 2005, I chose to look for jobs in Dubai because there was so much activity in the construction business in the region, with projects springing up all over the place. It was such an exciting time. The relocation to Dubai accelerated my design career; the projects LW creates are incredible; I am so proud of our work. ”Battisby is excited about the opening of their studio in Denmark. He shared: “LW's Scandinavian founders brought with them the cool and elegant northern European style and design thinking that has been at the heart of all LW projects; >>>
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e is one of the most visible faces of the design business in the region, having spent over two decades displaying inventiveness and executing over 300 hospitality projects. Meet Jesper Godsk, the CEO of LW Design, who founded the company in 1999, with the goal of creating bespoke designs for clientele who value originality and individuality. LW's successful projects include Bull & Bear, St. Trop, Toro Toro, Le Royal Meridien Dubai Beach Resort and Spa, and Lah Lah. Godk, who is originally from Aarhus, Denmark, chose the Middle East in those days because he was impressed by the rich culture and saw a lot of potential in this region. Godsk along with four partners Colin Doyle, Cristina Wakamatsu, Jimmy Hansen, and Adrian Battisby, developed LW from Dubai to the broader Middle East and now the world, with offices in Dubai, Hong Kong, Sao Paulo, and, most recently, Aarhus. So, why LW Aahrus? The new office in Aarhus is a strategic addition to their global operation, and it represents the firm’s ambitious expansion aspirations. Also, it is the home base for both Godsk and Hansen, who have travelled the world, becoming professionals in the hospitality
sector over time, and who, rather than giving up their international expertise, have brought it home with them. As a result, it was only natural to embrace Aarhus' future vibrancy with international flare. “LW brings its expertise in hospitality design to Europe, identifying Denmark as the country's pulsing design heart and establishing a space that seems more like a home than an office. There's a lounge, a shared bar, and even an office labradoodle named Gunar in the building,” explains Godsk. How can Godk stay motivated and relevant after completing so many projects? His frank reply to this question was: “Restaurants are fantastic places to prevent getting too comfortable at work because they force you to look at everything with a fresh perspective.” Godsk attributes LW's success to a motivated workforce with exceptional communication skills. Each of their completed projects is the result of a collaborative effort involving all of their departments. Godsk feels: “I believe that success is never built by a single person. LW Design nurtures their relationships and ensures that their friendship continues, as friends, associates, architects, designers, client representatives, developers – they always remain part of that family.”
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The LW Aarhus office is kept simple and functional. The large windows let in a lot of natural light and make the room appear larger.
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20 Feature
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ADRIAN BATTISBY senior design director at LW is a skilled design consultant specialising in hotel and restaurant design Recognised by clients and industry peers as an innovative and passionate leader in design whose spaces create experiences, Battisby has been the recipient of numerous industry awards.
“THE ROLE OF A LEADER IS NOT TO COME UP WITH ALL THE GREAT IDEAS; THE ROLE OF A LEADER IS TO CREATE AN ENVIRONMENT IN WHICH GREAT IDEAS CAN HAPPEN ”
we are proud of our Scandinavian history, and it shows in our projects. As a result, the opening of our Denmark office has been a return to our roots and the establishment of strong ties between the UAE and Denmark, as seen in our design work.”
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attisby is continuously on the search for creative and interesting ideas to give his clients. “I strive to learn and be on the lookout for new ideas, to hear new voices and be receptive to opposing points of view. With Dubai being such a fast-paced place and construction environment, growth is happening at lightning speed, so keeping up is tricky, and so is telling your design story in a unique and authentic way. It is additionally challenging because clients want results quickly. But it is also nice in that we have
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BOTTOM The LW Aarhus office exudes warm, homey vibes, creating a welcoming environment.
RIGHT PAGE JESPER GODSK, the CEO and founding partner of LW Design, who founded the company in 1999, commonly recognised as its “creative whirlwind”, with the goal of creating bespoke designs According to Godsk, the secret of a successful hospitality project lies in creating a holistic experience.
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was a year of significant change, and how we use the lessons we've learned to become better people will be critical.” Despite the fact that there is a lot going on in the region in terms of design, technology, and creativity, Battisby believes there is still something more he would like to see. He says: “I'd like to see for more grassroots homegrown manufacturers and designers to create ethical, sustainable, and relevant products, and this does not imply more ‘craft markets’. Single-use plastics should be banned and recycling should be made mandatory.” Sustainability is a priority for Battisby. He urges: “We must move to a much more sustainable world, and I mean that in all aspects of our life on this planet. The recent events of the past year have meant that we have been propelled into the future and we must adapt to it, through materiality, artisanal design, creating spaces with purpose and meaning. The world has changed, and we have a duty to design for that. We have always had sustainability and social conscience within our design processes, we now hope the construction industry and new construction methods, products and practices evolve rapidly to provide us with genuine sustainable construction solutions that are affordable, easy to install and maintain.”
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an opportunity to tell the Arabian story in a modern way that is approachable to visitors and guests, who may have had a preconception about this part of the world. It is often romanticised but also greatly misunderstood,” comments Battisby. Battisby is full of admiration for his amazing team and he believes that it is vital for a leader to create an environment that encourages innovative ideas. “The role of a leader is not to come up with all the great ideas; the role of a leader is to create an environment in which great ideas can happen,” he says. As Battisby works with more and more customers, he notices how the pandemic has shifted people's perspectives. “Clients are requesting designs that provide more privacy and personal space, as well as information on visible sanitisation techniques and approaches. This has influenced luxury eco-resorts, private islands, private transportation, which could all be very exciting in terms of potential for design.” Battisby goes on to praise creative technology and how it has accelerated digital networking, cloud sharing, and remote working practices. He further goes on: “Kindness and understanding for one another is much more evident, I think this is because we all experienced COVID-19 together. Obviously, 2020
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design-middleeast.com
22 Suppliers
Modern
PARTITIONS
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OW SCREENS AND PARTITIONS CAN DIVIDE A SPACE, LEND PRIVACY, AND LOOK STYLISH. TAKE A CUE FROM THESE INDUSTRY LEADERS...
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Kaprel Double glazed doors are framed with pivot and sliding options. Doors leafs are either 23mm,46mm or 56mm with sound rating up to 41dB.
KAPREL
Are these partitions effective as a social distancing tool amid pandemic?
KAPREL PARTITIONS WAS ESTABLISHED IN 2014. BORN FROM A DESIRE TO PROVIDE THE MARKET WITH A TOP-QUALITY PRODUCT, IN A SHORT LEAD TIME, WHILST MINIMISING THE OVERALL ENVIRONMENTAL IMPACT OF THE PRODUCT CATEGORY IN THE UAE.
The advantages of these partitions. Kaprel’s products provide some significant advantages over its industry peers. The brand takes performance seriously. The products blend functionality with minimalism – through highly acoustic rated systems in a slim, cost-effective profile. Kaprel’s constant ability to innovate and adapt is a cornerstone to our ever-expanding product portfolio, appreciated by consultants and architects alike. Last but never the least - 90% of Kaprel’s supply chain is
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localised, within the UAE. This saves time, cost and helps reduce the carbon footprints.
What are the popular trends? Some trends include woven material layers between panes of glass, smart glass, and anodised aluminium finishes on our profiles. While people stay at home for longer hours due to the pandemic, many of our clients have chosen to redo their villas with large windows and beautiful, pivoted doors.
While not directly contributing towards social distancing, the great thing about glass partitions is the seclusion of space it provides, while still maintaining an open-office look. Glass operable walls provide another great way to modify the functionality of a large space.
Factors to consider in choosing partitions. Glass partitions are a versatile product that can be suited to most commercial spaces. Some factors to keep in mind are acoustic isolation required and accessibility to the location of installation. Inputs by KHARIS ATKINS MANAGING DIRECTOR, KAPREL
kaprelpartitions.com
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LASVIT
These walls are self-standing, wall-mounted, or the floor-ceiling solutions allow for a variety of customised implementations. The brand offers a wide array of distinctive glass textures and an extensive colour palette that offer personalised character and give a sense of privacy. LASVIt also offers bespoke solutions, perfect for your setting and ambience.
The brand is on top of this game offering different styles. Like, Impasto is a visually impactful glass wall full of vibrant shapes and colours which takes its name from the classic painting technique of post-Impressionist artists. Then LASVIT’s Curtain style gives any interior a sense of privacy and an artful ambience. On the other hand, LASVIT’s Tapestry draws heavily on the legacy of fine craftsmanship, playing with glass in new and unexpected ways. The brand also offers Crystal Wall and Liquidkristal style for those who want something different. Inputs from lasvit.com
Impasto works both as an expressive design element and a partition screen offering a sense of privacy. The screen can either be fixed floor-ceiling or can be self-standing, depending on its intended function and interior set-up
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LASVIT Art Walls offer an abundance of styles that can be combined to create the best-fitting design for hotels, restaurants, private residences, modern yachts, office spaces, or simply any place that is ready
The advantages of these partitions.
What are the popular trends?
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What are art walls?
for a LASVIT Art Wall’s fine vibes. All design concepts are modular in terms of size, pattern, or color-scheme, and are perfect for interior use as partitions or decorative walls.
DESIGN MIDDLE EAST
LASVIT IS A CZECH-BASED DESIGNER AND MANUFACTURER OF BESPOKE LIGHTING INSTALLATIONS, READY-TOSHINE COLLECTIONS, AND GLASS FOR ARCHITECTURE. THE COMPANY WAS FOUNDED IN 2007, YET IS PART OF THE LONG GLASSMAKING HISTORY OF NORTHERN BOHEMIA.
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24 Suppliers
Are these partitions effective as a social distancing tool amid pandemic? Social Distancing guidelines have been enforced in almost all areas of our lives. Therefore, to get back to business and some sort of normal, it is important for people to feel safe. By having a visible barrier between people that isn’t too intrusive will instil confidence in your staff, customers, and students.
Factors to consider in choosing partitions. Every industry has its own factors to take into consideration. At Intermetal we manufacture in metal and wood, therefore, depending on the industry we have options and solutions to meet customer requirements. Customers can avail of our in-house design team to help select the right solution and assist with the floor plan to ensure social distancing guidelines are being adhered to. Inputs by CATHY DI SAVINO MARKETING MANAGER AT INTERMETAL
INTERMETAL
Dubai Investments Park 1 Dubai;
intermetal.com
INTERMETAL HAS BEEN MANUFACTURING QUALITY, SAFE AND DURABLE COMMERCIAL CONTRACT FURNITURE SINCE 1989. OUR HIGH TECH-FACTORY LOCATED IN DUBAI, UAE MANUFACTURES FURNITURE IN METAL AND WOOD, WHICH IS RARE TO FIND WITH ONE COMPANY. OUR PRODUCTS CATER TO HOTELS, RESTAURANTS, EDUCATION, HEALTHCARE, OFFICES, FINANCIAL INSTITUTIONS AND MORE. WE ARE PROUD TO BE THE SPECIFIED SUPPLIER TO PRESTIGIOUS HOTEL AND RESTAURANT GROUPS WORLDWIDE.
The advantages of these partitions. Our range of partitions and room dividers provide unlimited possibilities. Aside from providing privacy, today they act as a line of defence to ensure your safety and the safety of others.
What are the popular trends? Different trends are being seen throughout various industries. As work from home is starting to wind down, the open-concept office is being rethought. Creating physical barriers with transparent partitions and adding partitions to cubicle walls and
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workstations are being widely sought after. To get students back to school safely, we are producing desktop dividers and mobile partitions that keep students distanced while still allowing them the freedom to see one another and collaborate. The food and beverage industry has been the most active when it comes to adding partitions to their venues. To ensure that the aesthetic is not compromised we have been producing simple, sleek designs that are lightweight and easy to reconfigure to keep up with changing government social distancing guidelines.
TOP INTERMETAL offers upholstered, metal, glass or wood desk partitions that provide privacy and the flexibility to adapt to any working environment.
BOTTOM Glass partitioning systems provide a clean, modern appearance that helps attract new clients and staff.
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NEW CITIZEN DESIGN
The advantages of these partitions. Partitions or dividers have multiple functions, they help create privacy, are practical, portable, and also aesthetic. They can be easily moved from one place to another and can be adapted to different purposes, whether it’s creating a division for office space within a room at home, or creating different seating arrangements in a commercial space such as restaurant dining areas for social distancing. They can help to use existing space more practically and efficiently by creating ‘rooms within rooms’ for multi functions and are more time and cost-efficient as there is no construction or installation work needed as they can be used when required but can also be folded and easily stored away.
What are the popular trends? In terms of design, the next big thing in interior and furniture design is 3D printing. It’s a big move in sustainable furniture and it will be interesting to see what brands will come up with.
The pandemic changed our reality, habits and inevitably our ways of working. In terms of commercial use, the partitions play a vital role in most restaurants here in the UAE, creating a sort of private space for customers, a room within a room allowing them to feel safe and protected. Every organization wants to create an environment that’s safe and healthy, in terms of office spaces, partitions are being used as solutions without moving away from the connected, open spaces architects and designers have created. They create that privacy yet still allow for open spaces where teams can collaborate, and individuals can find safe concentrated spaces when they are in the office.
Inputs by JANAIKA ELDERS FOUNDER OF URBAN NEST Available at Vertical Design Showroom, Al Asayel Street, Al Quoz 4, Dubai;
urbannest.ae
VIDER by Winoldi has been designed by Mark Jan Meerdink and serves perfectly for any room as a divider. Be it in private houses or in offices or hospitality applications, VIDER is a stylish, adaptable and functional design for any interior.
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Are these partitions effective as a social distancing tool amid pandemic?
factor to consider is aesthetics, what is the theme of the space you want to use it in, general look and feel of the environment will play a part in the type of material and aesthetic you choose. The height of the partition also makes a big difference, if you want the space to seem more open or closed. It’s all subjective to the purpose of the partition, however, these are the main factors to consider.
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Trends related to workspace solutions are not just focused on product and visual aesthetics, but are there to design a creative space that allows for a change in perspective, separation and allows the room to be inspired.
DESIGN MIDDLE EAST
NEW CITIZEN DESIGN IS A DESIGN PRODUCING COMPANY AND DESIGN THINKER, TAKING THE POINT OF VIEW OF THE NEW CITIZEN AS ITS GUIDING PRINCIPLE FOR SPATIAL AND INTERIOR DESIGN. TYPICAL FOR THE DUTCH APPROACH: ICONIC DESIGNS WITH AN EMBEDDED STIR TO BEHAVIOUR AND WELLBEING. AESTHETIC, CHANGING PERSPECTIVES AND OPENING CONVERSATIONS ABOUT FUTURE URBAN LIVING, WORKING AND HOSPITALITY. NEW CITIZEN DESIGN FOCUSSES ON CONSCIOUSNESS, INTERACTION, INCLUSION, SHARING AND CIRCULARITY, BY DEVELOPING PRODUCTS AND INTERIORS FOR CREATIVE WORKSPACE SOLUTIONS.
Factors to consider in choosing partitions. The first thing to consider is the purpose of the partition, what is it being used for based on that, you need to consider its material and functionality, if you need it to absorb sound, the material needs to be thick and contain fabrics, or if it’s for an office space you need it to be thinner to allow for communication between employees and staff. The second thing to consider is its mobility, is it a permanent fixture or only needed in certain circumstances, and if you need it to be portable it has to be lightweight and foldable for easy storage. Another
design-middleeast.com
26 Talking Point
Human Centric Spotlight on
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Lighting
TRILUX always takes a holistic view of a building, and includes all areas inside the building and the outdoor areas around the building in the planning. The result is tailor-made lighting concepts in which all technical and design aspects are from a single cast.
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Vikash Banwarie, Managing Director MET-APAC-India at TRILUX Group, discusses his present role, diverse client base, and
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the growing emphasis on human-centric lighting in the face of a pandemic hat are your main priorities and goals in your role? Being two years with our firm TRILUX Group, we have put lots of focus on bringing our brand and solutions closer to the key markets in the Middle East and Asia Pacific. The journey started by shifting our regional headquarter for growth markets to Dubai. I firmly believe that you can serve markets at their best when you are as close as possible to your customers. In particular, in today’s environment where digital is
getting more common practice, living and experiencing the markets at first hand is so vital. As the region is very diverse, it helps us to really understand our customers and bring meaningful lighting and building solutions forward to meet their needs. In the same spirit, TRILUX also opened our own office in Singapore and we have tied up with new strong channel partners across Asia and the Pacific. What would you say are the defining philosophies of TRILUX? The brand promises to deliver individual value through end-user driven lighting solutions with leadership in sustainability and digital connectivity. We clearly see in both spaces the innovation cycles and product lifetime are getting shorter. New themes as circular buildings and smart connectedness require an ongoing dialogue with leading customers, architects, lighting designers, and other specifiers. This conversation goes beyond being a knowledge partner for all stakeholders in the building industry, but really involve your market in your innovation roadmap. For example, when it comes to smart buildings and cities, TRILUX works together with different companies beyond lighting and from an open-innovation
mindset bring distinguished value to the building industry. A nice proof point is our collaboration with ZECH Group, a leading international consortium of smart building solutions. What are the challenges facing your industry going forward amid COVID-19? Please allow me to share that our people are the most important asset. In the Middle East and parts of Asia, many of our employees are expats. They have been hit very hard in their mobility to be close to their dear families during the pandemic. Our first and actually only challenge was to protect our employees and their relatives. This was literally our main challenge. As on the other hand business-wise the pandemic has accelerated our creativity to further build our brand through digital programs, opening new markets on a strong nurtured network on distance and dare to enter new channels as EPC in Oil & Gas and run innovation pilots on for example PoE. The pandemic made our teams much more flexible and creative. I am so proud of my teams, who never gave up and delivered a successful 2020 and perspective 2021 is also promising. >>>
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What parts/products of your business are staying busy – or even busier – due to the virus? Though most of the existing known trends continue during the pandemic, there is one that is getting more vast attention: human-centric lighting. Due to the pandemic health and well-being has been in the spotlight more than ever. And with a new norm of partly home working, people will continue to spent now even more time indoors. We clearly notice that the eagerness from the market to learn more about our human-centric lighting solutions and
adopt even human-centric buildings is absolutely breaking through.
Who are your main clients? As with many global companies, we serve a wide range of top box clients in the public and commercial sectors. It's interesting is see that the role of lighting is changing due to the increasing role of themes like circularity and smart buildings, we not only work for more clients but especially we now also deal with different decision-makers who want to know about our value we can forward, from marketing directors to CFO’s and CEO’s from e.g. property developers, airports, universities, hotels as well as infrastructure.
Tell us about some softwares you are working with? A software is more appealing when properly designed and applied. As then it will be the DNA of distinguished services. At TRILUX, we provide a wide spectrum of tailored services. Some nice examples are space occupancy optimisation, crowd control, remote maintenance management, but also proximity marketing in commercial spaces and what to think about
What’s next for your company? The beauty of TRILUX is that we are over more than 100 years always consistent in what we do. Though the lighting industry will demand more complex solutions from companies like us – that is why relevant partnerships are very important in our way forward -, TRILUX simplifies Light! and we will continue to do so. That might explain why we have continued growth also outside Europe.
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daylight simulation in 24 hours spaces like healthcare or logistics. At the end of the day, it is all about getting the business model explained and tested on value creation to our clients.
VIKASH BANWARIE, Managing Director MET-APAC-India at TRILUX Group
DESIGN MIDDLE EAST
«IT'S INTERESTING IS SEE THAT THE ROLE OF LIGHTING IS CHANGING DUE TO THE INCREASING ROLE OF THEMES LIKE CIRCULARITY AND SMART BUILDINGS, WE NOT ONLY WORK FOR MORE CLIENTS BUT ESPECIALLY WE NOW ALSO DEAL WITH DIFFERENT DECISION-MAKERS.»
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28 Cover Story
As one of the eight venues for the Qatar World Cup, Al Janoub Stadium will host group and quarterfinal matches of the tournament and is located in Al Wakrah, a coastal city 23km south of Doha connected to the capital via the Red Line of the new Doha Metro system. The stadium has an operable roof designed by Schlaich Bergermann Partner and a cooling system powered by solar harvesting that ensures the stadium can be used during Qatar’s summer months. Passive design principles along with computer were used to maximise the effectiveness of the stadium enclosure to ensure player and spectator comfort. modelling and wind tunnel tests.
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AL JANOUB/ STADIUM PHOTOGRAPHY BY HUFTON+CROW | COURTESY OF THE SUPREME COMMITTEE FOR DELIVERY & LEGACY OF THE 2022 FIFA WORLD CUP QATAR™
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“SEE YOU IN 2022” THE FIRST VENUE TO BE BUILT FROM SCRATCH FOR THE 2022 FIFA WORLD CUP IS ONE OF ZAHA HADID’S LAST MASTERPIECES BY CHANTAL SACRE
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Al Wakrah, a coastal city 23km South of Doha, was originally a small fishing and pearling village known for its system of dhows, the traditional sailing boats that made possible a steady flow and interchange of ideas, goods, religions, flavours, and skills. The exact origins of the dhow are lost to history, but this sharing of ideas and building of an international community significantly predates the phenomenon of globalisation. Today, Al Wakrah is considered to be the second largest city in Qatar where Al Janoub Stadium, one of the eight venues to host the 2022 FIFA World Cup Qatar, was built.
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30 Cover Story
Zaha Hadid's pioneering vision redefined architecture for the 21st century and captured imaginations across the globe. Each of her projects transformed notions of what can be achieved in concrete, steel, and glass; combining her unwavering optimism for the future and belief in the power of invetion with advanced design, material and construction innovations.
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he purpose in the exceptional design of Al Janoub Stadium was to blend the traditional aspect of Al Wakrah city into modern and sustainable architecture that reflects the cultural references and maritime heritage of the region. Inspired by the traditional dhow boat, legendary architect Zaha Hadid actively participated in the design initiation, and the stadium design was one of her last projects. The “Queen of the Curve,” along with her design team, which included project director Jim Heverin and project architect Johannes Hoffman, created an inverted shell structure, segmented into symmetrical quadrants striated with pleats of aluminium panels. In 2014, her
firm partnered with Aecom to complete the final design stages, resulting in a world-class stadium with graceful lines and flowing curves as an ode to traditional Qatari dhow boats- a futuristic design that strongly connects old and new in an unforgettable visual representation of Qatar’s drive and ambition of expanding its global reach.
DESIGN & PRACTICALITY Global reach To accommodate football fans during the FIFA World Cup Qatar 2022, Al Janoub Stadium has a seating capacity of 40,000. After the tournament winners have been crowned, around 20,000 seats will be removed (which takes advantage of its modular design), and then transported to countries in need of football infrastructure. This will leave Al Wakrah with an arena perfectly suited to local needs, while boosting the game's global reach and enhancing social development abroad. Boosting the local economy A number of Qatari companies have been involved with the delivery of Al Janoub Stadium in Al Wakrah City, including MIDMAC and PORR Qatar. Coastal has manufactured the stadium seats, and Sulb manufactured the steel required for the stadium. More than 50% of the investment to build the stadium has supported the Qatari economy. >>>
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Sustainability Qatar is continuing to make great strides towards achieving the environmental goals set out in its National Vision 2030. Green spaces have been developed around the Al Janoub Stadium complex, with more than 800 new trees and low-water-consumption vegetation. The parkland includes space for horse riding, running tracks and cycle lanes. Al Janoub Stadium in Al Wakrah City has already achieved three sustainability certifications: the Global Sustainability Assessment System (GSAS) Design & Build Certificate (4-star for sustainable design), the GSAS Construction Management Certificate Class A sustainability rating (recognising the project’s extensive efforts to protect the environment during construction), and the Seasonal Energy Efficiency ratio certificate for its energy centre.
A State-Of-The-Art Cooling System There’s more to Al Janoub Stadium than what meets the eye. The view from inside the stadium, resembling a ship's hull, allows light to flood into the arena, alongside an innovative cooling system that defies Qatar’s harsh climate. An optimal shading from an operable roof, designed by Schlaich Bergermann Partner, incorporates a minimal amount of glass, and makes a significant contribution to temperature control. Every detail is built to procure comfort to players, officials and fans. The pitch cooling system comprises eight air handling units: four on the east side and four on the west. Each unit will connect to a plenum that runs along the pitch below the spectator seating. This plenum then feeds a number of jet nozzles that supply air across the pitch and into the field of play.
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32 Cover Story Jim Heverin joined Zaha Hadid Architects in 1997 and has worked on a variety of completed projects from pavilions to offices, museums and sports venues. He became an Associate Director in 2006 and Director in 2013, and is currently responsible for the overall management and delivery of key projects.
How important is it for new buildings to blend in to the natural landscape? Well they can't be invisible as that would take such an effort and wouldn't be the right approach. It needs to be something that people orientate towards and recognise, something that becomes part of the civic fabric of the city. I think Al Wakrah will come to grow around it and that will only make it more successful because then you have a whole series of synergies in terms of other types of uses beside it which start to tie in with the growing city that is Al Wakrah.
JIM HEVERIN
ZHA Project Director, Al Janoub Stadium What inspired you to come up with a design like this? We always challenge ourselves to do something unique. Football stadiums, in particular, are dictated by regulation these days which means they have become a little bit generic and repetitive. We wanted to respond to the client's brief, which was to do something which resonated with Al Wakrah, so we started by looking at the dhow. We didn't want to literally blow up a dhow boat so we looked at abstracting it in order to create something dynamic and organic – something that has multiple interpretations. The stadium is quite circular in terms of its functionality but it's not circular in terms of its appearance. It has different views from different parts of Al Wakrah – which is something we tried to achieve. I feel the design is engaging – to the point where people will like it and want to be associated with it. This project has a very civic aspect to it and the aim is for the stadium to represent Al Wakrah and become part of the iconography of what Al Wakrah is. If the stadium is adopted and well-loved, then it will be used – people will come here, not only on match days, and it will become a destination.
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What would Zaha Hadid make of the finished stadium and how proud was she of being a part of the first FIFA World Cup in this region? Zaha would have loved it. She wasn't really into sport but she loved the spectacle, she loved the glamour and culturally she loved the fact that her part of the world was going to host such a massive event and be part of it. When we participated in London 2012 [by designing the Aquatics Centre], Zaha was really keen to get tickets and enjoy the experience as a spectator, and she would have been the same for football. Zaha was always super excited whenever she went to see a building completed because she had a lot of pain in her early career with failed commissions. This being very close to her homeland – and an area and culture she never lost an affinity and closeness to – would have been really important to her. What do you think she would have said if she was here now? She would have complained at first! But in the end she would be very, very happy. She would have been amazed at how true it is to what we set out to achieve, how well executed it is, with the beautiful folds and beautiful lines, and all the care and attention. When you see a design as reality it is very exciting and we would have been able to judge her excitement by the fact there would have been a few criticisms before she moved on and said how much she liked it.
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The stadium’s opaque roof and wall areas are expressed as pleated cross sections. This feature, which has its origins in Arabic motifs and calligraphy, adds texture to the outer shell and also emphasizes the stadium’s unique geometry. The external cladding materials are deliberately selected from a limited palette of materials and choice of colours; namely white for the roof and wall cladding, and darker colours for the areas below the eaves, including the lower level glazed walls with its ornamental lattice screen print that provides shading.
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34 Cover Story
AL JANOUB STADIUM
KEY FACTS 1/ It’s the first FIFA World Cup Qatar 2022 stadium to be built from scratch
The Supreme Committee for Delivery & Legacy broke ground at Al Wakrah in 2014. Five years later, the stadium has become the first FIFA World Cup Qatar 2022 tournament venue to be built from scratch. It’s the second tournament-ready stadium to be inaugurated after Khalifa International Stadium, which underwent an extensive redevelopment before hosting the 2017 Amir Cup final.
2/ The stadium was designed by legendary architect Zaha Hadid
The late Iraqi-British architect Zaha Hadid was the first woman to receive the Pritzker Architecture Prize in
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2004 and she won the UK’s most prestigious architectural award, the Stirling Prize, in 2010 and 2011. In her design for the stadium, she was inspired by traditional dhow boats and aimed to highlight Al Wakrah’s traditional industries, including fishing and pearling, along with the city’s exciting future, with her distinctive and futuristic style. The final stadium design was produced by AECOM, in association with Zaha Hadid Architects.
3/ The stadium’s cooling technology is state-of-the-art The stadium has a 92m retractable roof that will provide shade to the pitch, contribute to the efficiency of the stadium’s innovative cooling
technology, and protect the interior of the stadium from harsh weather conditions. The heating, ventilation, and air-conditioning system installed at Al Wakrah Stadium is powered by solar harvesting and will cool the spectator areas using under-seat supply terminals at low velocities. More than 100 air ventilation units –split evenly between the lower and upper tiers– will serve the stadium bowl. The pitch cooling system comprises eight air handling units: four on the east side and four on the west. Each unit will connect to a plenum that runs along the pitch below the spectator seating. This plenum then feeds a number of jet nozzles that supply air across the pitch and into the field of play.
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The facades of the stadium are slanted outwards, tapered in elevation and reminiscent of dhow’s sail. The image of the dhow is further emphasised through the large overhang of the stadium’s eaves that incorporates strips of metal cladding echoing the timber structures used in a dhow.
THANI AL ZARRAA
4/ Qatari companies have
made a major contribution to the stadium’s construction
The main contractor was a jointventure between three companies, two from Qatar, Midmac and PORR Qatar, plus Belgian company Sixco. Local company Coastal Qatar has produced the stadium seats at its custom-built factory, while Solb26 has manufactured the steel required for the stadium. Meanwhile, another Qatari company, Urban Concept, laid the turf at the stadium in just 9 hours 15 minutes. More than 50% of the budget for Al Wakrah Stadium has been invested in the local economy.
5/ The stadium is modular and its capacity will be reduced to 20,000 after the FIFA World Cup
During the FIFA World Cup, Al Wakrah will boast a capacity of 40,000 and host matches up to the quarterfinals stage. The top tier of the stadium will be removed after the tournament and donated to a country which needs sporting infrastructure. Post-2022, the stadium will become the home of popular Qatar Stars League side Al Wakrah Sports Club.
hani Al Zarraa was a young engineer when first tasked with managing the construction of Al Janoub Stadium. A structural engineer by profession and a graduate from Griffith University in Australia, Al Zarraa joined the Supreme Committee for Delivery & Legacy (SC) in 2013 and soon started doing feasibility studies for the then proposed host venues for the first FIFA World Cup in the Arab world. "We were looking for sustainable designs that represented Qatar and its culture," said Al Zarraa. "For Al Wakrah Stadium, we had various options from Zaha Hadid and chose the dhow boat representation because it was the most relevant to the city's seafaring past." Shortly after the stadium design was selected and revealed to the world, Al Zarraa was appointed to lead the team that would build the 40,000 capacity venue that would eventually become the first stadium built from scratch for the FIFA World Cup 2022. "When you're first given a multi-million-dollar scope like this you feel it's a big responsibility and, at the same time, a huge honour. Of course, I didn't want to make any mistakes and worked daily with the guidance and follow-up of our senior management," he continued. Al Zarraa is still not sure what he will do when the crowds leave Al Wakrah Stadium after the final and the venue becomes silent again, but as a keen triathlete, cycling, or running around the world-class stadium he has helped deliver may just do the trick until he has to go back to work. For Al Zarraa and us all, the road to 2022 continues.
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Construction Manager, Al Janoub Stadium
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Timeless Elegance
Timeless Elegance
Where modern French art de vivre meets ancient Egyptian charm.
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38 Tête-à-Tête
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MAKING DESIGNS THAT MAKE YOU HAPPY KATE
INSTONE,
Blush's meticulous attention to detail is visible throughout the project, from inception to completion. From space planning to collaborating with specialised curators and lighting designers, the design firm is deeply invested in every step of the process of creating the ideal home.
THE FOUNDER AND CREATIVE DIRECTOR OF BLUSH INTERNATIONAL, DISCUSSES HER CAREER PATH, THE THRILL OF DESIGNING FOR MIDDLE EASTERN CLOSE-KNIT FAMILIES, AND HOW THE PANDEMIC HAS GIVEN INDIVIDUALS THE OPPORTUNITY TO ANALYSE AND DESIGN THEIR LIVING SPACES
K
ate Instone is a well-known name in the interior design field. She founded her company in London 14 years ago, but due to some change in plans, she and her husband relocated to Dubai and made it their home. “We've been here for nine years, and I founded Blush International here. But I was apprehensive about starting work in this location, as more and more people asked me to work here, I made the bold decision to devote my complete attention to the Middle East. So far, the journey has been incredible and fascinating.”
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Instone believes that the market in the Middle East is much different from that in London, but that it is also more rewarding. She's also pleased to see people taking interest in their homes and their functionality amid the pandemic. She elaborates: “When we started, the residential design was incredibly young. A lot of the companies were more interested in commercial design or working on big residential projects such as villa compounds, they were less interested in the individual villa. Now, during the pandemic, there has been a significant increase in interior de-sign for individual residential developments. People are happy about their homes because they truly love them, as Dubai was only a transitory location to reside in before the pandemic. You'd come here for a few weeks and then be on a jet travelling to New York, Paris, London, and other parts of the world, then return, sleep, and forget about your house. People are connecting with their homes now.” Instone thoroughly enjoys designing spaces for families including parents, grandparents, sib-lings. This pandemic has turned our homes into restaurants, our bars, our nurseries, our schools, our offices, our cinemas, our gyms, etc. Family members are spending quality time together, inviting friends over, and we want our homes to be our sanctuaries. >>>
DESIGN MIDDLE EAST
Images courtesy of: Tamara Hamad / Omrania
KATE INSTONE is the founder and creative director at Blush International. Instone takes luxury design beyond the cookie cutter approach deployed by many larger international firms and her reputation is built on a loyal and established client base who appreciates Blush International personalised approach and attention to detail. Instone and her team have completed awardwinning projects for a range of high net worth individuals and corporations and Blush have created some of the most elegant and sophisticated interiors for private residents, superyachts, and private jets.
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40 Tête-à-Tête
“There's a current tendency to put electronics away and spend more time with family. The comeback of bedrooms devoid of all electronic devices is here to stay. "
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“I enjoy working with families and learning about their specific needs. The other thing you have in the Middle East, which is fantastic, is that you have multi-generational families living in the same place. And I adore working on these projects because they are so complex and involve so many different viewpoints. It's amazing how closeknit this region's families are. Working on these houses is a dream come true for me, and I enjoy every minute of it.” So, are there any specific design demands that you're receiving? “There's a current tendency to put electronics away and spend more time with family. The comeback of bedrooms devoid of all electronic devices is here to stay. We're seeing charging stations outside
the bedroom as the bedroom is becoming a designated sleep zone, therefore there are no televisions in the bed-rooms. So, before going to bed, the iPad, phone, and other electronic gadgets are taken out of the room.” Instone speaks her mind and she wants people to understand what they want and proceed ac-cordingly. She emphasises: “One thing I always tell my customers is that they should design their homes for themselves, not for others. In this country, there was a strong desire to pur-chase Fendi sofas or Versace bedding. You're not buying it for yourself, though; you're buying it for others. That is what you believe other people want to see when they mingle with you. And it's about breaking through that barrier and getting to the bottom of what our clients desire. What makes them feel happy, and how you might reflect it in their homes once you've figured out what they want. A home is the reflection of the soul, so personal so interlinked. Instone is quite enthusiastic about connecting designs to customer concepts. Assuring that it is appropriate for them and makes them happy. “If you're happy at home, you'll be pleased in oth-er areas of your life as well. In my opinion, a cluttered house equates to a cluttered mind,” Instone signs off.
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42 Few of My Favourite Things
TOP
PRODUCT DESIGNS
Aljoud Lootah ADMIRES
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roduct designer Aljoud Lootah launched her studio in 2014. Since then, the studio has preserved its unique approach by focussing on the idea of contrasts in form and function while distinctly interpreting the Emirati culture and artisanal techniques through contemporary design. Her creative drive comes from a passion for detail and experimental approaches to materials and aesthetics. This emphasis has resulted in a body of work that is functional, timeless, and unique. Some of the prestigious projects by Lootah include Dubai’s Mandarin Oriental Hotel, the Dubai International Airport, Abu Dhabi’s Etihad Airways, and the UAE’s Ministry of Presidential Affairs.
A BENCH MADE OF DRIED PALM FRONDS, PEELED, ASSEMBLED AND SHAPED TO CREATE A SOLID MATERIAL THAT CAN THEN BE CUT TO FORM VARIOUS OBJECTS.
design-middleeast.com
YEREED draws its inspiration from freshly cut palm mid-ribs, originally used for seating and tables SIZE/ 180 x 50 x 45 cm. MATERIALS/ Ply palm, wood, stainless steel, leather. Image courtesy of Tashkeel. Photography by Jalal Abuthina
LINA GHALEB an Egyptian product and furniture designer based in the UAE A Tashkeel member since 2019, she completed the Tanween design programme at TASHKEEL
YEREED
LINA GHALEB
DESIGN MIDDLE EAST
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THE EMIRATI DESIGNER
MULA.AE /
TRACES OF TIME
ABDALLA ALMULLA
ABDALLA ALMULLA is an architect and designer who established his own studio in 2018. A graduate of Woodbury University in San Diego, USA.
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THE TIMEPIECE 'TRACES OF LIGHT' WAS PRODUCED AS PART OF ABDALLA ALMULLA'S PARTICIPATION IN TANWEEN 2018. EDITION/ Limited edition of 10 SIZE/ 125 (L) x 5 (D) x 47 (H) cm. MATERIALS/ Brush finished antique stainless steel, acrylic and LEDs.
PATRICIA URQUIOLA
LIQUEFY A COLLABORATION WITH GLAS ITALIA RESULTED IN OVAL-SHAPED HIGH AND LOW TABLES THAT CELEBRATE THE FLUIDITY OF GLASS. THE EFFECT ADDS DIMENSION TO THE SURFACE ALLOWING IT TO LOOK DYNAMIC FROM VARIOUS VIEWPOINTS. PATRICIA URQUIOLA Lives and works in Milan. In 2001 she opens her own studio working on product design, architecture, installations. She has won several international prices and awards. PATRICIAURQUIOLA.COM /
DAVIDANDNICOLAS.COM /
JMUALYY 22002211 || D DEESSIIG GN NM MIID DD DLLEE EEAASSTT
DAVID RAFFOUL AND NICOLAS MOUSSALLEM set up their studio, david/ nicolas, in Beirut in 2011. They have staged several exhibitions and collaborated with established international brands like Vista Alegre, CC-Tapis, Moooi, Vogue Italia
DAVID & NICOLAS
LIQUEFY FOR GLAS ITALIA combined the transparent fluidity of glass, with the elegant vein patterns of marble. Tempered, extra-light glass contrasts with the faded and irregular decoration.
CONSTELLATION C041
A WALL HANGING UNCONVENTIONAL CLOCK THAT CELEBRATES THE NATURAL LANDSCAPE OF SAND DUNES FORMATIONS THAT ARE SHAPED AND AFFECTED BY WIND. AS TIME PASSES, THE CLOCK CHANGES COLOUR.
A TABLE INSPIRED BY THE STARS AND BLACK HOLES, PART OF A COLLECTION WHICH EXPLORES THE CONCEPT OF LIFE, DEATH AND REGENERATION. WITH BEIRUT IN MIND, THE DESIGNERS DEVELOPED THIS TABLE TO CREATE A BODY OF WORK THAT WOULD REMIND THEM OF THEIR CITY THAT WAS REBORN OVER AND OVER AGAIN.
CONSTELLATION C041 FOR CARPENTERS WORKSHOP GALLERY LIMITED EDITION OF 8 + 4 AP SIZE/ H: 40 W: 130 L: 130 cm MATERIALS/ Palm wood, brass
design-middleeast.com
MAX LAMB
MAX LAMB A furniture designer whose design sensibility is informed by his extensive knowledge of manufacturing techniques, respect for materials, and skill as a maker. Earned him the Hettich International Design Award (2004) and the Peter Walker Award for Innovation in Furniture Design (2003) MAXLAMB.ORG /
222 LAST SPLATTER STOOL
44 Few of My Favourite Things
THE LAST STOOL SPLATTER is hand-painted and then fired at 800C for a perfect enamel finish. This new addition to our Last Stool collection will be shown in Milan during SALONE DEL MOBILE, along with other exciting new HEM launches.
A CREATIVE TAKE ON THE ATHAN (PRAYER CALLING) WHERE THE DESIGNER COLLABORATED WITH LASVIT TO CREATE AN INTERACTIVE LIGHTING INSTALLATION FEATURING VARIOUS DOMES FROM MOSQUES AROUND THE WORLD THAT WOULD LIGHT UP AT DIFFERENT TIMES OF THE DAY, CALLING FOR PRAYER.
KHALID SHAFAAR X LASVIT
SILENT CALL
SILENT CALL A kinetic light installation adapts to the country’s timezone, synchronises it with the timing of the five prayer calls, and moves five times a day at the specific hour to indicate the actual call to prayer.
design-middleeast.com
KHALID SHAFAAR launched his design studio in 2010, with no peers around him his list of international collaborators now includes the Campana brothers, Kartell and Moissonnier and recently Lasvit. KHALIDSHAFAR.COM /
NADA TAYRAM is an architect with project management experience including Bee’ah’s headquarters designed by Zaha Hadid Architects. She received her Master’s degree in Architecture and Urbanism with Thesis distinction from the Architectural Association School of Architecture’s Design Research Lab (AADRL).
HAJAR CHAIR
NADA TAYRAM ARCHITECTURE & OTHER THINGS
A COLLECTION OF STOOLS MADE OF SINGLE SHEETS OF METAL THAT ARE SHAPED BY SPINNING THE SHEETS AT HIGH SPEED, AND THEN MANUALLY LACQUERED AND SPECKLED WITH VARIOUS PAINT TO CREATE A WONDERFUL ORGANIC PATTERN.
A SAND-CAST CHAIR THAT WAS MADE AS A COLLABORATION WITH IRTHI CONTEMPORARY COUNCIL. IT IS AN EXPERIMENT USING WATER, SAND, CONCRETE, CLAY AND SOIL TO CREATE A ROCK-LIKE MATERIAL THAT IS INSPIRED BY THE MOUNTAINS OF THE UAE HAJJAR CHAIR COLOR beige and brown, grey and brown SIZE/ LxWxH (cm) 50x50x50 MATERIAL/ Sun dried combination of water,sand, concrete, clay, soil, camel leather, and cotton threads
AMMAR KALO is a designer, architect, and educator based in Sharjah, UAE. He’s also the Director of Labs at the College of Architecture Art and Design, American University of Sharjah. His practice, KALO, interrogates the relationship between digital technology and traditional craft.
NUHAYR ZEIN is a UAE-based architect and designer whose work focusses on a symbiosis between nature and design. She is a designer of spaces, furniture and objects that aim to elevate the human experience by connecting them to their surroundings.
NUHAYR
SEEDS MIRROR Limited edition collection SIZE/ W 56 x L 154 x H 2 cm MATERIAL/ Lauceana, aluminium, steel, Belgian reflective glass-brown.
SEEDS MIRROR
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NUHAYR.COM /
COMMISSIONED BY SHARJAH’S BEE’AH, THE DESIGNER EXPLORED THE POTENTIAL OF USING RECYCLED RUBBER FROM TIRES TO CREATE FUNCTIONAL FURNITURE PIECES.
MACARON SEAT The wood shavings from the legs are blended with the rubber surface creating a speckled aesthetic. the seat’s legs leave an x-shaped silhouette print on the bottom surface.
DESIGN MIDDLE EAST
PAUL COCKSEDGE
EXCAVATION Cocksedge extracted hundreds of cylinders of concrete, discovering the Victorian bricks from the building's former life as as stable along the way. After sanding, polishing and cutting the cores, Cocksedge incorporated their circular forms into a series of six pieces that contrasted the coarseness of the concrete with the lightness of glass.
EVICTED EXPLODED CORE TABLE
THE DESIGNER EXCAVATED MATERIAL FROM THE CORE OF THE FOUNDATION OF HIS LONDON STUDIO BY DRILLING INTO THE FLOOR AFTER BEING EVICTED. HE EXTRACTED MANY CONCRETE CYLINDERS WHICH HE SANDED, POLISHED AND CUT TO FORM VARIOUS PRODUCTS INCLUDING THE FEATURED TABLE.
EXCAVATION:
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A SERIES OF PRODUCTS WERE DESIGNED BY NUHAYR TO REPURPOSE ABUNDANT MATERIALS FROM THE REGION. THE MIRROR FEATURES DRIED PODS AND LEAVES OF WHITE POPINAC THAT ARE STITCHED TO FORM A SKIN THAT MIMICS THE FEATHERS OF A FALCON.
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AMMAR KALO
MACARON SEAT
AMMARKALO.COM /
PAUL COCKSEDGE founded Paul Cocksedge studio in london along with his partner Joana Pinho. Since the studio's inception, Cocksedge has gained public recognition for his ambitious interventions and installations that question the nature of human perception. PAULCOCKSEDGESTUDIO. COM /
design-middleeast.com
46 Sustainability
Bassel Omara, lead design architect at Dorsch Group, on how recycling waste can result in a reduction of carbon footprint and save the environment
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Reduce Reuse Recycle
The building of LLFP Meydan School by Dorsch Group has simple masses and blocks that provide visual harmony with the open spaces between them. With well-shaded open areas, the design is climate-responsive and energy-efficient.
design-middleeast.com
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hy should more architect firms turn to recycling materials to reduce the carbon footprint in construction projects? As the need for sustainability becomes more urgent, architects are increasingly turning to recycled materials. On a larger scale, cities are implementing strategies to reduce the carbon footprint of construction and development.
This approach encourages "degrowth" by focussing more energy into the renovation and rehabilitation of spaces through adaptive reuse projects, as opposed to the development of new structures. “The whole world is changing to more sustainable approaches. It is shifting from being a trend to a fundamental requirement that respects our environment and planet.“ Alarmingly, the new report released by the Global Alliance for Buildings and Construction shows that buildings and constructions generate nearly 40% of global greenhouse gas (GHG) emissions. By 2060, construction energy demands might rise by 50% which is a disturbing fact in my humble opinion. Reacting to these threats is overdue and started to cause implications towards our urban fabric and structure. Despite the whole world is one connected hub, yet material manufacturing and transportation contributes significantly to the carbon footprint. Regardless of the advanced technology yet we tend to go to new manufacturing rather than recycling. Recycling materials is a necessary starting point that can save from 40-90% of the energy compared to making those from virgin materials.
When it comes to identifying materials, one of the major key points considered if this material is recycled/recyclable or not. We, as architects, have a big role in directing the suppliers to innovate more towards recycling technologies. Yet the regulations need to be more rewarding to increase the use of recycled and regional materials. During our design for the LLFP Meydan School, we considered recycled content to meet at least 10-15% of the material volume. Example of these materials is reinforced steel, aggregates, concrete blocks, insulation materials, and ceramic/porcelain tiles. On the other hand, a sustainable way is to reuse existing abandoned buildings rather than demolishing them. I have taken the initiative with UNICITI along with a group of volunteers to do deeper research on repurposing and improving the quality of the existing building stock reutilize and improve upon the existing urban fabric. This will help to look at various tactical interventions towards the existing urban fabric to make it more liveable. Understanding to what extend restoring or repurposing these abandoned buildings before demolishing. With these strategies, it is eye-opening towards a more humane environment and reduction of carbon footprint. Overall, concentrating further on more efficient ways to Reduce, Reuse, Recycle our conventional methods will help shape our perceptions of space designing for new structures. Specifications will be standardized to respect the environment more and shift from economical concentric to functional orientation. Net Zero Energy Cities will be common norms and not an achievement for high-quality sustainable living.
discover At Arada, we build high quality communities. Diverse neighbourhoods that come to life when people share, exchange and celebrate.
arada.com
Designed by Danish-based design studio SLA, AL FAY PARK is the Middle East’s first urban biodiversity park With its innovative biodiversity, microclimate and social activities, Al Fay Park in Abu Dhabi is a paradigm shift in how to design and implement nature in the dense megacities of the Middle East.
design-middleeast.com
BIODIVERSITY
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The park design is devised through SLA’s inhouse biologists and planting experts’ yearlong research studies of the region’s unique nature and wildlife. A research published in SLA’s own internal plant book covering all the native plant species of the UAE, their optimal growing and living conditions, and how to integrate them into design.
& INNOVATION
48 Project
A
new kind of urban nature park has seen the light of day in Abu Dhabi. Gone are the water-consuming and soulless ‘Las Vegas landscapes’ of the past. Enter Al Fay Park – a new 27,500sqm public park in downtown Abu Dhabi that signals a new kind of Middle Eastern city development: Driven by inclusive nature rather than iconic buildings. Al Fay Park is Arabic for “The Shade Park”, designed by Danish nature-based design studio SLA for the client Abu Dhabi Department of Municipalities and Transport and is a game-changer in how to design and implement city nature in the dense megacities of the Middle East. The park is the first urban park in UAE that uses biodiversity to enhance the local microclimate as well as the social public realm. The park design is devised through SLA’s in-house biologists and planting experts’ yearlong research studies of the region’s unique nature and wildlife. Research published in SLA’s own internal plant book covering all the native plant species of the UAE, their optimal growing and living conditions, and how to integrate them into the design. “Al Fay Park is a new type of forest park in Abu Dhabi. Through our extensive research in the region’s flora and fauna, we create a new paradigm for how to think and design the public realm in the Middle East. Al Fay Park is a celebration of Abu Dhabi’s native nature and culture and a prime example of how to maximize climate action, increase life-quality, and radically improve the biodiversity of an entire city – all on a former sand site,” says Rasmus Astrup, design principal and partner at SLA. >>>
DESIGN MIDDLE EAST
RIGHT SLA’s 27,500 m2 park is the first urban park in UAE focusing on biodiversity, social activities and microclimate optimization. Designed aesthetically and climatically to be “the coolest place in town”.
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50 Project
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Benefitting from the optimised microclimate, Al Fay Park is buzzing with social activities such as multiple sports facilities, playgrounds, street fitness, climbing walls, minigolf, food trucks, and a host of informal outdoor seating area.
As the first biodiversity park in the UAE, Al Fay Park contains more than 2,000 native trees and bushes – including the national Ghaf trees that have been replanted from desert nurseries into the park – all specifically chosen to strengthen biodiversity for both plants and wildlife and to maximize natural cooling throughout the park. The resulting microclimate reduces traffic noise and temperature and creates a distinct forest-like environment. The specifically designed sloping entrances funnels the cooler southern breeze down into the park while local grasses and bushes reduce sand infiltration. “Al Fay Park is specifically designed to provide both biological, environmental and social benefits to Abu Dhabi. The density of the trees, the soil design, the irrigation using solely
recirculated water, and the sole use of native species not only ensure that the park has radically reduced its irrigation by 40 percent compared to conventional parks. The planting also attracts bees, pollinators, birds and animals, providing a lush and lively atmosphere in the middle of Abu Dhabi – this is a 100 percent birdsong guaranty! Lastly, the microclimate design provides the best possible social ecosystem for play, sports and leisure – making
Al Fay Park both socially and climatically ‘the coolest place in town,” says Astrup. Benefitting from the optimised microclimate, Al Fay Park is buzzing with social activities such as multiple sports facilities, playgrounds, street fitness, climbing walls, minigolf, food trucks, and a host of informal outdoor seating areas. Along the edge of the park, a winding Forest Track invites visitors to explore sensuous and wild nature experiences amongst the flowers and grasses and under the canopies. “The world-class design of Al Fay Park has created an environment that encourages community members to socially engage with one another while also connecting with the nature that surrounds them. We’re looking forward to witnessing the growth of this dynamic park that will benefit Abu Dhabi for future generations to come,” says Latifa Al Hallami, Acting Director of Urban Growth, at the Department of Municipalities and Transport. Al Fay Park is the Middle East’s first showcase of how to strengthen urban biodiversity while creating a cool, comfortable and unique round-the-clock public realm for all residents and visitors to meet, play, and live.
Besides world-class facilities for multiple sports and activities and children’s playgrounds, the winding forest track is one of Al Fay's main attractions. Al Fay Park is designed utilizing the latest knowledge and research in microclimate optimization and urban sustainability.
design-middleeast.com
52 New Appointment
Philip Gillard principal and managing director of HBA MENA. From the gloabl design firm's Dubai studio, he'll lead Middle East operations and will help develop the group’s expansion in the region.
Gillard spent 17 years with US design giant Gensler, playing an important role in the leadership team that recorded revenue rising from $150milliom to $1.2billion.
Power DESIGN
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Philip Gillard will lead Middle East operations and will help develop the HBA’s expansion in the region
How would you describe your new role at HBA? As managing director of HBA EMEA, my new role will be overseeing the teams in London, Dubai, and Riyadh as well as leading HBA EMEA’s continued expansion into new markets. There’s obviously a lot of focus on sustainability now. How has that evolved? Interestingly, my first visit to the Middle East, over 20 years ago now, was for a range of projects which were focused on creating alternate economies for the region rather than its sole reliance on fossil fuels at the time. Since then, sustainability has been through many cycles and forms of accreditation, however, the underlying principles remain true. The continuous themes of nature, biomimicry, and technology transfer remain an important bedrock in my work.
design-middleeast.com
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When you harness the power of design to solve real-world problems it can be extremely rewarding and I found this process working hand-in-hand with the educators, teachers, and students to be extremely successful.
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Msheireb Downtown Doha The integrated engineering strategy for this ambitious development fused ancient Qatari building methods with contemporary, energy efficient strategies.
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Msheireb Downtown Doha Marrying modern design with traditional Arabian architecture to create sustainable urban living that reflects Qatar’s cultural heritage.
DESIGN MIDDLE EAST
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What are you working on now? An exciting and broad variety of projects, mostly confidential, with a growing emphasis on the reuse, repositioning, and adaption of existing building assets. Do you have any particular project from your career that you’re the most proud of or that has given you the most satisfaction? Also, what would be your dream commission? When an architect looks at their career it can often be in five-year pieces, given the duration of projects from concept to completion. As such, the single project that transcended multiple segments was Msheireb Downtown Doha, where I led a huge multi-disciplinary team to complete 30+ buildings within a carefully crafted masterplan near to the Emiri Diwan. At almost 9 years in duration, it is amazing to see a project of such scale and ambition be completed. The project that I’m most proud of for changing peoples lives is the design of new schools for Kent County Council’s BSF programme. When
you harness the power of design to solve real-world problems it can be extremely rewarding and I found this process working hand-in-hand with the educators, teachers, and students to be extremely successful. COVID-19 will force us to reconsider the way we design buildings and cities. Is this an opportunity as much as a challenge? Of course. As the world gets more and more connected via technology we need to work harder to create memorable experiences through design. As humans, we crave these
experiences and as designers, we need to take greater responsibility in considering the sensory emotion of the space we wish to evoke. What do you hope to accomplish in the next 10 years? My mentor, Art Gensler, recently passed away. It would be remiss of me not to pay my respects to him as I considered him a genuinely amazing human being; as well as an exceptional business leader. Suffice to say, if I could accomplish a fraction of Art’s legacy I would feel that my contribution to society was worthwhile.
design-middleeast.com
54 Wishlist MINIMALIST
DREAM a little dream of ME
DESIGN MIDDLE EAST
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FRUITY HUES AND LIGHT-HEARTED CONCEPTS WILL MAKE YOUR ROOM FEEL AIRY AND OH-SO-RELAXING
DELIGHTFUL The Cabbage is an iconic reference of Bordallo Pinheiro’s imaginary. The technical adaptation of the pieces to the decorative lightening segment preserves the characteristics and highlights its unique identity. eu.bordallopinheiro.com
COTTAGE FEEL Brands for Less launches Muy Mucho, the famous Spanish brand bringing the latest in European furniture and home accessories to the GCC region brandsforless.com/en-ae/ muy-mucho
design-middleeast.com
Up, the forthcoming Arkoslight lamp designed by the brand’s product manager, Rubén Saldaña, has taken the Red Dot Design Award: Product Design 2021. arkoslight.com
mydriaz-paris.com/en
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Dorique Armchair by MYDRIAZ in goldenplated polished brass, satin varnish on brushed brass, and is draped with luxury fabric
DESIGN MIDDLE EAST
GREEN WITH ENVY
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56 Wishlist FLORAL FIX Anthropologie opens its doors in the UAE for the first time. The store feature a wide collection of womenswear, home décor, furniture, and accessories. The Dubai Mall
BLOOMING ROSES Homegrown luxury florist, Forever Rose, features a range of exquisite pieces, including Forever and garden rose designs as well as Oud perfumes. myforeverrose.com
ICONIC Pop Medusa chair by Versace Home in glossy pink is an occasional chair. The multifunctional cube can be used as a stool, side or coffee table. It is influenced by an amalgamation of mythology and pop culture. Aati showroom in Dubai and Abu Dhabi
design-middleeast.com
urbannest.ae
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Designed by Dutch designer Pepe Haykoop for Tiny Miracles Foundation, the vase covers are designed as a sustainable solution to upcycling bottles, whether it be glass or plastic
DESIGN MIDDLE EAST
SUSTAINABLE MIRACLES
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58 Wishlist
CLASS APART Cassina Dudet chair deisgned by Patricia Urquiola is part of 2021 brand new collection. Dudet is a modern and comfortable seat that with its wide seat and welcoming backrest, combines elegance, style, and comfort.
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NextSpace, Boulevard Plaza, Tower 1, Downtown Dubai
EYE-CATCHING Michelle Nussbaumer with Paul Montgomery has rolled out the Wanderlust wallpaper collection combining old-world elegance with beautiful patterns. themuralsource.com
NAUTICAL VIBES Renowned Dutch designer Marcel Wanders has collaborated once again with Vista Alegre, having thrown a refreshing twist on the century-old tradition of Delft porcelain. These carefully sculpted and versatile boxes are a perfect addition to your home. vistaalegre.com
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SUMMER HUES Sahrai presents its latest project for rugs, Italian Summer Vibes, a tribute to Italy and its summer colours
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design-middleeast.com
60 Pick of the month
Premier tile maker SICIS introduces
Andromeda ceiling lamp
Spectacular lighting characterised by flattened glass disks similar to accretion disks. Available in brass with champagne finish with decorative glass in three different bronzed or smoked finishes.
design-middleeast.com
Maurizio Leo Placuzzi, founder of SICIS
SICIS is constantly challenging and developing designs that regain strength within the world of design and mosaic. Founded in Milan in 1987, by a visionary spirit Maurizio Leo Placuzzi, SICIS became an undisputed leader worldwide in luxury interior design, furniture, and mosaic art. SICIS lamps are an element that has the extraordinary ability to attract attention as an object on its own and which integrates and completes the environment when taken as a whole. One-of-a-kind Andromeda ceiling lamp is a versatile and fascinating lamp with a fresh, contemporary twist. Combining embellished glass with precious metals
discs in circular shapes, the product brings the play of different nuances in gradation to the SICIS’ Home collection. The ceiling lamp consists of brass with a champagne finish and the decorative glass discs in three different bronzed or smoky finishes. The immersive portfolio of SICIS has been formed from the projects as Burj Al Arab in Dubai, Bellagio and Wynn hotels in Las Vegas, the highest residential Tower in Manhattan and more. As a Platinum Sponsor at the EXPO 2020 Dubai, SICIS is looking forward to welcoming the guests under the slogan of the Italian pavilion – “Beauty Connects People”. www.sicis.com