Preview Spring 2025 De Gruyter & Deutscher Kunstverlag

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Dear Friends and Readers,

According to its founder Georg Dehio, the Handbuch der deutschen Kunstdenkmäler was created as ‘a reference book for desktop use, and also as a convenient travel guide.’ Conceived as five volumes in 1905, there are now a total of twenty-three publications covering all the German federal states thanks to the work’s continuation by the DEHIO Association. We are now delighted to present the revised edition of Dehio Thüringen, which has expanded into two volumes following the addition of 20th-century architecture. Travelers interested in the cultural treasures and heritage of Thuringia will find it to be an indispensable guide!

The fifth volume of the Handbuch zur Geschichte der Kunst in Ostmitteleuropa (Handbook on the History of Art in East Central Europe) is a further outcome of yearslong original art-historical research. It demonstrates that even in the early modern period, migration and exchange within Europe were essential for the development of the arts.

Many more exciting publications are featured in our spring program, including books on women artists of the Art Informel movement, Japanese graphic artist Tanaka Ryōhei, or life in Berlin’s Hansaviertel district as seen through the camera lens of Bettina Cohnen.

InformELLE Künstlerinnen der 1950er/60er-Jahre – InformELLES: Women Artists and Art Informel in the 1950s/60s 4

Otto Dix – Adolf Dietrich 6

KörperGeometrie. Ilse Leda und Friedrich Vordemberge-Gildewart 10

TANAKA RYŌHEI. Radierungen Japans. Von der Linie zur Landschaft 12

Den Menschen vor Augen. Künstlerische Strategien seiner Darstellung in Italienischen Zeichnungen 1450–1750 14

Die Grafische Sammlung im Schaezlerpalais. Deutsche Zeichnungen des Barock in Augsburg 16

Von der Renaissance zum Barock (1570–1670). Handbuch zur Geschichte der Kunst in Ostmitteleuropa 5 18

Georg Dehio Handbuch der Deutschen Kunstdenkmäler. Thüringen I und II 20

OFFENE FRAGEN. Kunstwerke Erwerbungen Schicksale. Provenienzforschung am Kunstmuseum Basel 22

Die venezianischen Fälle. Eine Sammlung fiktiver Fälle zu NS-Raubgut, Recht und Ethik 24

Restatement of Restitution Rules for Nazi-Confiscated Art. A Comparative Assessment 25

Decolonial Art History. A Methodological Introduction 26

The European Qur ʾ ān. Encounters with the Holy Text of Islam from the Ninth to the Twentieth Century 27

It Hurts! Violence against Women in Art and Psychoanalysis 28

A Show of Hands: Crafting Concepts in Contemporary Art 29

Scalability and its Limits in Photography and (Digital) Sculpture 30

Sculpture in the Augmented Sphere. Reflections at the Intersection of Corporeality, Plasticity and Monumentality 31

Hans-Hendrik Grimmling. Malerei von 1978–2024 34

Der Zustand des Erlebens – The Condition of Experience. Workshop Manuscripts 35

2025. International Yearbook of Futurism Studies 15 36 Chaosbilder. Ikonen ursprünglicher Formlosigkeit 37

The Modern Dream of Order. Victoria, Photography and the Social Imagination 38

Der Ruhm und sein Preis. Die Malerfürstin Vilma Parlaghy 39

Duett der Moderne / Duet of Modernism. Hansaviertel & Karl-Marx-Allee, Berlin 40

Alte Baukunst und Neue Architektur. Wie die Architektur wurde, was sie heute ist 42

Synagogenarchitektur in Deutschland. Die Jahre 1950 bis 1971 44

Pioneers of Design Education. New Perspectives on Schools of Decorative Arts as a Global Phenomenon 45 Landschaft. Kultur-, Natur-, Wirtschafts- und Erfahrungsräume 46 Wastelands? Kultur und Affekträume auf dem Land / Tracing cultural and affective places in rural areas 47

Dichterzimmer im Schloss 48

Lehre – Sammlung – Objekt. Das Mathematisch-Physikalische Kabinett des ehemaligen Jesuitenkollegs in Köln 49 Francesco di Giorgio. Phantastische Antike 50

Populäre Bildkulturen der Vormoderne. Prozesse und Produktion, Distribution und Rezeption 52 Verhüllungsstrategien in höfischen Bild- und Textzeugnissen 53 Medieval Art, Modern Politics 53

BACKLIST

Ausgewählte Titel / Selected Titles 54

Exhibition

Neue Galerie Kassel, October 11, 2024 to January 26, 2025; Kunsthalle Schweinfurt, February 20 to June 22, 2025; Further station: Emil Schumacher Museum, Hagen

Informal art developed into the dominant art movement in Europe from the early 1950s to the early 1960s. The art historical view of this art movement, which is detached from classical principles of form and design, has so far mostly focused on its male representatives. The volume now takes a new look at the art of Informel and honors high-profile positions by 16 female

Hessen Kassel Heritage, Kunsthalle Schweinfurt, Emil Schumacher Museum (Eds.) InformELLE Künstlerinnen der 1950er/60er Jahre –

Women Artists and Art Informel in the 1950s/60s

Schriftenreihe der Forschungsstelle

Informelle Kunst 3

Pages 256

Ills. 160 color

Format 29.0 × 23.0 cm

ENGLISH/GERMAN OCTOBER 2024 DEUTSCHER KUNSTVERLAG

Forgotten artistic positions of the 50s and 60s

16 female artists in portrait

artists. In addition to well-known names such as Maria Lassnig, Brigitte Meier-Denninghoff, Judit Reigl and Maria Helena Vieira da Silva, long-forgotten artists are being rediscovered. Using art-sociological questions about networks, participation in exhibitions and reception, the mechanisms of the art world are also investigated.

With contributions by Dorothee Gerkens, Ann-Kathrin Hinz, Carolin Muysers, Rouven Lotz, Christoph Zuschlag

Exhibition

Adolf Dietrich and Otto Dix both achieved success as representatives of New Objectivity. Different though their artistic work appears initially, as representatives of this movement they covered considerable common ground. Their points of contact can be found in gallery owners and artist friends, in museum collections and group exhibitions. After the National

Andreas Rüfenacht (Ed.) Otto Dix – Adolf Dietrich

Pages 152 Ills. 60 color

Format 27.0 × 22.0 cm

HC 978-3-422-80290-2 Ger

GERMAN APRIL 2025 DEUTSCHER KUNSTVERLAG

First contrast and comparison of two important representatives of New Objectivity: cosmopolitan Otto Dix and outsider Adolf Dietrich

Sharp contrasts and surprising affinities facilitate a fresh perspective on the work of the two artists; including never-before or rarely published works

Socialists removed Dix from his professorship at Dresden Art Academy in 1933, he settled near the Swiss border, initially at Schloss Randegg and from 1936 onwards in Hemmenhofen. Separated by the Untersee, he and Dietrich then lived in close proximity. Both artists found motifs in the landscapes of the Lake Constance region. It is not known whether Dix and Dietrich ever

visited each other, but each was certainly aware of the other. They probably meet for the first time in this publication.

Andreas Rüfenacht, curator of the collection of art up to 1945 at the Museum zu Allerheiligen Schaffhausen

NEW OBJECTIVITY AND NEW BUILDING

Gabriele Köster, Michael Stöneberg (Eds.)

Bunte Stadt – Neues Bauen

Die Baukunst von Carl Krayl

2016. 216 Pages

272 illustrations

28.5 × 24.0 cm

HC € 39.90 / $ 45.99 / £ 36.50

ISBN 978-3-422-07392-0

Rainer Schützeichel (Ed.)

Oskar Pixis

Wohnbauten der 1920er und 1930er Jahre in München

2021. 120 Pages

140 illustrations

24,0 x 17.0 cm

SC € 32.00 / $ 36.99 / £ 29.00

ISBN 978-3-422-98615-2

Christian Antz, Christian Gries, Ute Maasberg, Regina Prinz (Eds.) Neues Bauen Neues Leben Die 20er Jahre in Magdeburg

2018. 252 Pages

190 color illustrations

28.0 x 21.0 cm

SC € 29.90 / $ 34.99 / £ 27.00

ISBN 978-3-422-92628-8

Torsten Blume, Annegret Laabs; Kunstmuseum Kloster Unser lieben Frauen Magdeburg, Stiftung Bauhaus Dessau (Eds.) Xanti Schawinsky Vom Bauhaus in die Welt. From the Bauhaus into the World

2021. 160 Pages

149 illustrations

28.0 x 23,5 cm

HC € 29.90 / $ 34.99 / £ 26.00

English-German edition

ISBN 978-3-422-07470-5

Biographies of more than 100 artists of the “New Objectivity” movement can be found in Artists of the World, the world's largest database of visual artists.

Freely accessible:

Anna-Carola Krausse Lotte Laserstein Meine einzige Wirklichkeit

2022. 248 Pages

164 illustrations

28.0 x 23.0 cm

HC € 29.00 / $ 34.99 / £ 26.00

ISBN 978-3-422-99029-6

Althaus,

Kunst und Leben 1918 bis 1955

2022. 400 Pages

180 illustrations

24.0 × 17.0 cm

SC € 58.00 / $ 66.99 / £ 50.50

ISBN 978-3-422-99066-1

Inge Herold, Johan Holten (Eds.)

Die Neue Sachlichkeit / The New Objectivity Ein Jahrhundertjubiläum / A Centennial 2024. 408 Pages

350 illustrations

27.5 x 23.0 cm

HC € 56.00 / $ 61.99 / £ 49.00

English-German edition

ISBN 978-3-422-80250-6

Johannes Schmidt, Barbara Stark (Eds.)

Franz Lenk

Der entwirklichte Blick 2022. 160 Pages

150 illustrations

26.0 x 21.0 cm

HC € 28.00 / $ 32.99 / £ 24.50

ISBN 978-3-422-98905-4

Karin
Sarah Bock, Lisa Kern, Matthias Mühling, Melanie Wittchow, Städtische Galerie im Lenbachhaus und Kunstbau München (Eds.)

Exhibition Museum Wiesbaden September 2025 to February 2026

Friedrich Vordemberge-Gildewart (1898–1962), an artist associated with many contemporary greats, and Ilse Leda (1906-1981), a dancer, dance teacher and choreographer, met at a time when the international avant-garde of constructive, non-representational abstraction and thus of new approaches to photography, film and dance were defining cultural life in Hanover. Both were deeply impressed

Roman Zieglgänsberger, Arta Valstar-Verhoff (Eds.) KörperGeometrie

Ilse Leda und Friedrich Vordemberge-Gildewart

Pages 224

Ills. 176 color

Format 25.5 × 19.5 cm

HC 978-3-422-80283-4

GERMAN APRIL 2025 DEUTSCHER KUNSTVERLAG

Publication to mark VordembergeGildewart’s 125th birthday

The lives of two artists in photos from the 1920s/1930s taken by Lázló Moholy-Nagy, Hugo Erfurth, Lore Feininger, Albert Renger-Patzsch, Kurt Schwitters, Käte Steinitz, Paul Citroen, Theo van Doesburg etc.

by the grand utopia of a world improved by clarity of design and beauty. They adopted these principles for themselves – also as an expression of their ideas and work – through the times of upheaval, their emigration to Amsterdam, and their arrival at a very personal art of formal reduction and brilliant colours, lightness and enduring humanity. In-depth texts on the artists’ lives and impressive contem-

porary photographs reveal the couple’s respectful coexistence: on an equal footing, supporting and inspiring each other. Dancing images and artistic dance – in conjunction with clear aesthetics in both art and life.

With contributions by Linus Bruhin, Andreas Henning, Arta Valstar-Verhoff, Roman Zieglgänsberger

Exhibition

Museum für Ostasiatische Kunst, Cologne

November 29, 2024 to April 14, 2025

Japanese graphic artist Tanaka Ryōhei (1933–2019) created over 770 etchings during his life, finding his subjects predominantly in rural Japan. Tanaka’s detailed, almost hyper-realistic etchings show the gradually disappearing farmhouses with thatched roofs, barns, and houses. But his favoured motifs also included trees and rice fields, as well as temple roofs and gardens. Japan’s tradition in the mak-

Chris van Otterloo (Ed.) TANAKA

RYŌHEI.

Radierungen Japans

Von der Linie zur Landschaft

Pages 184

Ills. 200 color

Format 29.5 × 24.5 cm

SC 978-3-422-80270-4 Ger € 48.00 $ 52.99 £ 42.00

GERMAN DECEMBER 2024 DEUTSCHER KUNSTVERLAG

Japanese etchings from the post-war period –Tanaka Ryˉohei reveals the world of Japan’s disappearing landscapes

First publication in German to accompany the first major retrospective exhibition in Germany

ing of prints dates back a long way. While woodblock prints from the 18th to early 20th century have been the focus of numerous exhibitions and publications, much less attention has been paid to prints and etchings from the post-war period. This publication is the first German-language monographic work dedicated to the life and work of Tanaka Ryōhei, focusing on those aspects of Japanese print histo-

ry that are still less familiar today. The book contains a detailed introduction to the technique of etching and presents over 150 works by the artist, inviting us to immerse ourselves in the tranquillity and harmony of the Japanese landscape.

Chris van Otterloo, Japanologist, artist and curator

Exhibition

Staatliche Graphische Sammlung Munich

January 23 to April 25, 2025

One of the major achievements of modern art has been the depiction of people. Italian artists developed new strategies in drawing to visualize people. While 15th-century artists worked mainly with silverpoint and pen, new drawing media soon emerged. They made it possible to better present people and their outward appearance, and even to penetrate the realms of

Kurt Zeitler, Staatliche Graphische Sammlung München (Eds.)

Den Menschen vor Augen

Künstlerische Strategien seiner Darstellung in italienischen Zeichnungen 1450–1750

Pages 272 Ills. 150 color

GERMAN JANUARY 2025

DEUTSCHER KUNSTVERLAG

Man at the focus of artistic perception

Drawings from Renaissance to Rococo

emotion and feeling. A selection of 100 sheets from the plentiful Munich collection of nude, garment, and head studies from the Renaissance to the 18th century is presented here. The works show how the artists of various Italian artistic regions and epochs chose their means of drawing to convey an individually characterized image of humanity.

Kurt Zeitler, Staatliche Graphische Sammlung Munich

Exhibition

Schaezlerpalais, Kunstsammlungen und Museen Augsburg

July 31 to September 28, 2025

A selection of 120 drawings from the holdings of the Graphic Art Collection of Augsburg’s Art Collections and Museums provides a comprehensive overview of the art of drawing in German-speaking countries in the period from 1600 to ca. 1780. A particular focus of the collection is on the art of drawing in Augsburg, a city that was one of the most innovative art centres in Germany during the 17th and 18th

Gode Krämer, Peter Prange, Christof Trepesch (Hrsg.)

Die Grafische Sammlung im Schaezlerpalais

Deutsche Zeichnungen des Barock in Augsburg

Pages 416

Ills. 300 color

Format 30.0 × 24.0 cm

HC 978-3-422-80294-0 Ger € 79.00 $ 86.99 £ 69.00

GERMAN JUNE 2025

DEUTSCHER KUNSTVERLAG

Heyday of draughtsmanship in Augsburg, 1600 –1780

centuries. Designs for ceiling frescoes and altarpieces, models for copperplate engravings, sculptures, and album pages are on display, as well as portraits and landscapes. Artists such as Johann Rottenhammer, Johann Heinrich Schönfeld and Joseph Werner epitomize the high quality of drawing in 17th-century Augsburg, while Johann Wolfgang Baumgartner, Johann Georg Bergmüller and Johann

Evangelist Holzer are representative of the 18th century.

Gode Krämer, formerly Kunstsammlungen und Museen Augsburg

Peter Prange, curator and art historian, Munich Christof Trepesch, Kunstsammlungen und Museen Augsburg

The time period from 1570 to 1670 was an epoch of large-scale wars. But during this time of crisis in East-Central Europe the arts were in no way silent. One important factor was the migration of artists within East-Central Europe as well as from the west and south of the continent to this region. The painters and sculptors who worked for the Bohemian, Moravian, or

Agnieszka Gasior, Marius Winzeler (Eds.)

Von der Renaissance zum

Barock (1570−1670)

Handbuch zur Geschichte der Kunst in Ostmitteleuropa 5

Pages 656

Ills. 650 color

Format 27.5 × 21.0 cm

HC 978-3-422-06962-6 Ger € 98.00

$ 112.99

£ 89.00

GERMAN DECEMBER 2024

DEUTSCHER KUNSTVERLAG

Fundamental work on the art history of EastCentral Europe

A new perspective on European networks

With a comprehensive catalog of works by Arcimboldo, Hans von Aachen, Herman Han, Filiberto Lucchese, Carpoforo Tencalla, and many more

Polisch-Lithuanian nobility, the Holy Roman Emperor Rudolf II, who wanted to obtain the best artists in Europe for his court in Prague, and, not least, the religious orders, which brought a new formal language to East-Central Europe in the course of the Counter-Reformation, contributed to multifaceted work during the long transition from the late Renaissance to the Baroque.

Agnieszka Gąsior, The Silesian Museum in Görlitz Marius Winzeler, Dresden State Art Collections, The Green Vault

Volume I Pages 880

Ills. 81 maps and building plans

Format 18.0 × 12.0 cm

HC 978-3-422-80101-1 Ger € 52.00

E-Book 978-3-422-80260-5 Ger $ 57.99

£ 45.50

Dehio Vereinigung e.V. (Ed.), Georg Dehio Dehio – Handbuch der deutschen

Volume II Pages 928

Ills. 115 maps and building plans

Format 18.0 × 12.0 cm

HC 978-3-422-80272-8 Ger € 52.00

E-Book 978-3-422-80273-5 Ger $ 57.99 £ 45.50

Kunstdenkmäler / Thüringen I and II

3rd, revised and extended edition

The new edition of Dehio Thüringen contains necessary amendments of individual errors as well as, above all, extensive updates. Additions have been made based on new research and completed restoration work, and fresh priorities have been set both in the object texts and, to some extent, in the selection of objects. In particular, 20th-century architecture has been given an appropriate and thus significantly greater emphasis.

Kerstin Vogel, Bauhaus University Weimar, and others

Volume I and II

Set 978-3-422-80295-7 Ger € 82.00 $ 90,99

£ 71.50

GERMAN MARCH 2025

DEUTSCHER KUNSTVERLAG

Handbook of monuments and practical reference book for travel as well as desktop use

Clearly organised and equipped with extensive maps and plans

Available separately and as a set

Tessa Friederike Rosebrock, Anita Haldemann (Eds.)

OFFENE FRAGEN. Kunstwerke Erwerbungen

Schicksale

Provenienzforschung am Kunstmuseum Basel

Pages 256 Ills. 150 color

Format 26.0 × 23.0 cm

SC 978-3-422-80277-3

GERMAN MAY 2025 DEUTSCHER KUNSTVERLAG

Comprehensive reappraisal of the previous Jewish owners’ fates based on in-depth scientific research

Selected case studies: Albrecht Altdorfer, Carl Blechen, Carl Gustav Carus, Gustave Courbet, Eugène Delacroix, Käthe Kollwitz, Wilhelm Lehmbruck, Max Liebermann, Aristide Maillol, Hans von Marées, Adolph von Menzel, Otto Meyer-Amden, Henri Rousseau, and Camille Pissarro

This volume takes stock of five years of provenance research at Kunstmuseum Basel. Eleven essays, the result of intense research in archives in Switzerland and abroad, present selected paintings, sculptures and works on paper from the museum’s holdings.

The paths taken by the artworks also reveal the fates of the Jewish families to whom they once belonged. Switzer-

land comes into focus as a country of exile and transit for those fleeing National Socialism. This book strikes a balance between case studies, institutional history, and paying tribute to the former owners. The transparent presentation of research processes opens a discourse on why this research is being conducted and what follows from it. Despite the immense

scholarly endeavour and new findings, open questions remain, inviting critical reflection on the complex case studies.

With contributions by Elena Filipovic, Katharina GeorgiSchaub, Vanessa von Kolpinski, Tessa Friederike Rosebrock, Felix Uhlmann

The aim of disputes over property looted during the National Socialist era is to find a ‘just and fair solution’. But what are ‘just and fair solutions’? And how do you investigate cases of Nazi-looted property? This new kind of publication presents approaches to such cases and the development of solutions. ‘Alternate history’ elements such as Leonardo da Vinci's “Formula of Invisibility”, Antonio Vivaldi's com-

Michael Markus Franz

Die venezianischen Fälle

Eine Sammlung fiktiver Fälle zu NS-Raubgut, Recht und Ethik

Provenire 5 Pages 208 Format 24.0 × 17.0 cm

SC 978-3-68924-149-0 Ger € 19.00

$ 20.99

£ 17.50

E-Book 978-3-68924-015-8 Ger € 19.00

$ 20.99 £ 17.50

GERMAN FEBRUARY 2025 DE GRUYTER

Fictitious cases of Nazi looted property with ‘alternate history’ elements

Consideration of current national and international developments

Innovative handbook for study, teaching and practice

position “The Five Seasons”, or a map from 1506, which mentions a new continent called “America” for the first time are starting points for examining and resolving the cases. The Venetian cases thus provide bridges between art, history, law and ethics. They are accompanied by aspects and models of solutions, as well as a sample restitution agreement.

Michael Markus Franz, German Lost Art Foundation, Magdeburg

The present publication is the outcome of a research project undertaken at the Rheinische Friedrich-WilhelmsUniversität Bonn, which aimed to complete a comprehensive, comparative legal stocktaking and analysis of international restitution practice as well as its underlying concepts of justice. To this end, case material from Germany, Austria, the Netherlands, France, the

German edition

Matthias Weller, Anne Dewey, Annika Dorn, Charis Hahne, Hannah Lehmann, Johannes von Lintig, Ole Nettels, Tessa Scheller, Jordan Schmeller, Antonetta Stephany, Leva Wenzel

Restatement of Restitution Rules for Nazi-Confiscated Art

A Comparative Assessment

Schriftenreihe der Forschungsstelle Provenienzforschung, Kunst- und Kulturgutschutzrecht 11

Pages 928

Format 24.0 × 17.0 cm

HC 978-3-68924-147-6 En € 119.00 $ 130.99 £ 108.50

E-Book 978-3-68924-013-4 En Open Access

ENGLISH

JUNE 2025 DE GRUYTER

English edition

First comprehensive, comparative legal study of international restitution practice

Evaluation of over 1300 international restitution cases

United Kingdom and Switzerland was reviewed and systematized. Rules for just and fair solutions were abstracted and formulated, reflecting the current state of practice, and thus utilizable as an aid to argumentation for the decisive bodies. Commentaries elucidate the rules. Country reports explain practice in the respective jurisdictions.

Matthias Weller, and the research group of “Restatement of Restitution Rules for Nazi-Confiscated Art”, University of Bonn

Matthias Weller, Anne Dewey, Annika Dorn, Charis Hahne, Hannah Lehmann, Johannes von Lintig, Ole Nettels, Tessa Scheller, Jordan Schmeller, Antonetta Stephany, Leva Wenzel

Restatement of Restitution Rules for Nazi-Confiscated Art Eine vergleichende Bestandsaufnahme

Schriftenreihe der Forschungsstelle Provenienzforschung, Kunst- und Kulturgutschutzrecht 10

Pages 928

Format 24.0 × 17.0 cm

HC 978-3-11-138219-7 Ger € 119,00 [D]

E-Book 978-3-11-138288-3 Ger Open Access

GERMAN

MARCH 2025 DE GRUYTER

Decoloniality is a concept of resistance. Decolonization identifies the colonial thought patterns, ideas, and discourses that still exist today, as well as the socio-political, cultural, economic, ecological and psychological power structures and practices based on them. Their mechanisms of hierarchization and subalternization can

Carolin Overhoff Ferreira

Decolonial Art History

A Methodological Introduction

Pages 304 Ills. 102 color

ENGLISH

JANUARY 2025

DEUTSCHER KUNSTVERLAG

English edition

Identifies the colonial thought patterns, concepts and discourses in the History of Art

Suggests a decolonial universal concept of art

thus be made conscious. The aim is to understand them and to assert non-hegemonic art and ist epistemologies as equals that have been suppressed, attacked and marked as “other” by Western discourses. The critique of the Eurocentric Western epistemology that enabled and justified coloniality is therefore crucial.

This book is a groundbreaking and overdue game shifter that accomplishes this for the discipline of History of Art.

Carolin Overhoff Ferreira, Federal University of São Paulo (Unifesp)

Exhibition

Weltmuseum Wien

September 18, 2024 to August 24, 2025

What role does the Holy Scripture of Islam, the Qurʾān, play in the history of European thought? How has it been read and understood in Europe since the first translations in the Middle Ages? The Qurʾān and Islam are traditionally seen as an antithesis to Europe’s self-narrative of cultural achievements: the Enlightenment, secularization, and religious tolerance.

Jan Loop, Naima Afif (Eds.)

The European Qurʾān

Encounters with the Holy Text of Islam from the Ninth to the Twentieth Century

Pages 128

Ills. 43 color

Format 24.0 × 17.0 cm

ENGLISH SEPTEMBER 2024 DE GRUYTER

Presentation of original historical manuscripts

Reflecting on numerous forms of engagement with the Qurʾān in contemporary European society

Tracing the history of the Qurʾān in Europe across one millennium

Some claim that Islam in general and the Qurʾān in particular are alien to Europe’s culture and political institutions. This publication endeavours to counter this popular belief and to tell a different story by documenting the role the Qurʾān has played in the formation of culture, religion, scholarship, and politics in Europe.

Jan Loop, Naima Afif, University of Copenhagen

Psychoanalysis, the study of the unconscious, has provided artists in the 20th and 21st centuries with both a visual language and valuable psychological tools to address the social phenomenon of violence against women. The volume presents groundbreaking research on various representations of gender-based violence in art. The book aims to examine the

Elana Shapira, Daniela Finzi (Eds.) It Hurts!

Violence against Women in Art and Psychoanalysis

Oyster 5 / Edition Angewandte

Pages 184

Ills. 20 b/w, 20 color

Format 24.0 × 17.0 cm

HC SC 978-3-11-133596-4 En/Ger € 72.00 $ 79.99 £ 65.50

E-Book 978-3-11-133607-7 En/Ger € 72.00 $ 79.99 £ 65.50

ENGLISH/GERMAN JUNE 2025 DE GRUYTER

Art and Psychoanalysis

Feminist perspective on art

Adressing violence against women in art

cultural constructions embedded in this phenomenon and to explore the different strategies that have been developed on different continents to counteract it. The artists featured are Oskar Kokoschka, María Izquierdo, Grete Stern, Dorothea Tanning, Ana Mendieta, Kiki Kogelnik, Marina Abramović, Soli Kiani, Sigalit Landau, and Hava Raucher, as well as the film-

maker Ruth Beckermann and the philosopher Hélène Cixous.

Elana Shapira, University of Applied Arts Vienna Daniela Finzi, Sigmund Freud Museum, Vienna

In contrast to the divide between conception and execution advocated by Anglo-American artists in the second half of the 1960s, this book reappraises conceptual art by examining it from the perspective of craft.

The emphasis on craft shifts the focus from the Western art system to its margins, where creators were relegated to the status of mere artisans in

Ileana Parvu (Ed.) A Show of Hands

Crafting Concepts in Contemporary Art

Pages 224 Ills. 9 b/w, 42 color

Format 24.0 × 17.0 cm

E-Book 978-3-11-101873-7 En Open Access

ENGLISH DECEMBER 2024 DE GRUYTER

Re-evaluation of conceptual art from the perspective of craft

Global Art Perspective

the colonial context, on the pretext that attaining that of artists was beyond their reach. From this peripheral point of view, the book shows that work carried out with artisanal means can lead to conceptual practice. Moreover, this shift in perspective provides a new understanding of several positions within conceptualism, which ultimately appears as an on-

going reflection on the role of the hands, making, and craft.

Ileana Parvu, School of Art and Design, HEAD Geneva, Switzerland

This anthology investigates scaling practices as a cultural technique, emphasizing measuring, scanning, transforming, and projecting objects in time and space. It explores the complex intersections between two- and three-dimensionality from the perspectives of art history, visual studies, and media studies. Special attention is paid to photography and (digital)

Buket Altinoba, Maria Männig, Ursula Ströbele (Eds.)

Scalability and its Limits in Photography and (Digital) Sculpture

Pages 256 Ills. 112 color

Format 24.0 × 17.0 cm

978-3-11-137488-8 En Open Access

ENGLISH JUNE 2025 DE GRUYTER

Artistic scaling practices and their aesthetics, epistemology and ontology

Pioneering study of scalability in photography and sculpture

sculpture, two increasingly intertwined fields. The concept of merging dimensions is now cutting-edge in both contemporary digitized photography and digital sculpture. The anthology also delves into the limits of scalability, the aesthetics of disruption, and the glitches that can occur when pushing these boundaries.

Buket Altinoba, University of Munich Maria Männig, University of Kaiserslautern-Landau Ursula Ströbele, Braunschweig University of Art

Mara Kölmel explores the profound impact of digital technologies on the field of sculpture since the 1950s. When artists create their works using AI, custom software, or prototyping technologies, how should we be rethinking the concept of sculpture?

Through the works of Morehshin Allahyari, Alice Channer, Sterling Crispin, as well as an inter-generational group of

Sculpture in the Augmented Sphere

Reflections at the Intersection of Corporeality, Plasticity and Monumentality

Pages 424

Ills. 200 color

Format 24.0 × 17.0 cm

SC 978-3-11-077667-6 En € 89.00 $ 97.99 £ 81.00

E-Book 978-3-11-077688-1 En Open Access

ENGLISH

JUNE 2025 DE GRUYTER

Fundamental expansion of the sculptural through digital technologies since the 1950s

Focus on digital, feminist, and decolonial sculptural practice

Establishment of a research field of the sculptural in the age of the “post-digital”

artists, she examines how plasticity, corporeality, monumentality have been transformed by the digital. Introducing concepts such as more-thanhuman corporeality, digital plasticity, nomadic monumentality, the book encourages a re-evaluation of the sculptural. Systematically and transhistorically, it connects research perspectives on sculpture and digital media,

highlighting how the understanding of the sculptural has evolved into the (post-)digital age.

Mara Kölmel, Head of Art Department, Zeppelin Museum, Friedrichshafen

Silke Vollenhofer Grundlagen der Materialkunde Farbstoffe, Kunststoffe, Textilien, Metalle

2023 Print HC

978-3-0356-2836-4 GER E-Book

978-3-0356-2837-1 GER € 58.00 / $ 63.99 / £ 50.50

Caroline Wohlgemuth Mid-Century Modern –Visionary Furniture Design from Vienna

2021 Print HC

978-3-0356-2409-0 EN E-Book

978-3-0356-2420-5 EN € 49.95 / $ 57.99 / £ 43.50

Baerbel Mueller, Frida Robles, Institute of Achitecture at the University of Applied Arts Vienna (Eds.) Structures of Displacement

2020

Print SC

978-3-0356-2304-8 EN E-Book

978-3-0356-2305-5 EN € 39.95 / $ 45.99 / £ 34.50

Susanne Stacher Architecture en temps de crise Stratégies actuelles et historiques pour la conception de « mondes nouveaux » 2023

978-3-0356-2774-9 FR E-Book

978-3-0356-2776-3 FR € 42.00 / $ 46.99 / £ 37.00

Andrea Graser Light Up – The Potential of Light in Museum Architecture

2023

Print SC

978-3-0356-2705-3 EN E-Book

978-3-0356-2706-0 EN € 42.00 / $ 48.99/ £ 36.50

Klaus Bollinger, Florian Medicus, Institute of Architecture at the University of Applied Arts Vienna, Akademie der Künste, Berlin (Eds.) Endless Kiesler

2015 Print HC

978-3-0356-1962-1 EN/GER € 38.95 / $ 44.99 / £ 34.00

Marcel Bois, Bernadette Reinhold (Eds.) Margarete Schütte-Lihotzky. Architecture. Politics. Gender. New Perspectives on Her Life and Work

2023 Print SC

978-3-0356-2699-5 EN E-Book

978-3-0356-2702-2 EN € 42.00 / $ 48.99/ £ 36.50

Hani Rashid (Ed.)

Re: Action Urban Resilience, Sustainable Growth, and the Vitality of Cities and Ecosystems in the Post-Information Age

2023

Print HC

978-3-0356-2707-7 EN E-Book

978-3-0356-2710-7 EN € 52.00 / $ 59.99 / £ 45.00

Anthologies, documentations, and monographs with a focus on

Klaus Bollinger, Florian Medicus, Kiesler Privatstiftung Wien (Eds.) Endless Kiesler

2015

Print HC

978-3-0356-0624-9 EN/GER

€ 29.95 / $ 42.00 / £ 26.00

The book series of the University of Applied Arts Vienna

Thomas Feuerstein, Jens Hauser, Lucie Strecker (Eds.) Life Is Other A/Biotic Entanglements in Art and Curating

978-3-68924-133-9 EN E-Book

978-3-68924-011-0 EN € 42.00/ $ 46.99 / £ 38.50

Peter Weibel, Katharina Gsöllpointner (Eds.) Ruth Schnell – WORKBOOK Mirrors of the Unseen 2023

Print SC

978-3-11-124998-8 EN E-Book

978-3-11-125010-6 EN € 45.00 / $ 49.99/ £ 41.00

Martina Griesser-Stermscheg, Christine Haupt-Stummer, Renate Höllwart, Beatrice Jaschke, Monika Sommer, Nora Sternfeld, Luisa Ziaja (Eds.) Widersprüche. Kuratorisch handeln zwischen Theorie und Praxis

2022

978-3-11-101452-4 GER E-Book

978-3-11-102717-3 GER € 42.00 / $ 48.99 / £ 38.00

Başak Şenova (Ed.) The Octopus On Diversities, Art Production, Educational Models, and Curatorial Trajectories

2024

Print SC

978-3-11-136534-3 EN E-Book

978-3-11-136554-1 EN € 42.00 / $ 46.99

Alfred Vendl, Martina R. Fröschl (Eds.) Doors to Hidden Worlds The Power of Visualization in Science, Media, and Art 2023

Print HC

978-3-11-125000-7 EN E-Book

978-3-11-125012-0 EN € 52.00 / $ 57.99 / £ 47.50

& Economy Myths of Growth

Payer Gabriel A plus minus Z Payer Gabriel. Abwesenheit –Zufall / Absence – Accidental 2023

Print SC 978-3-11-106624-0 EN/GER E-Book

978-3-11-106658-5 EN/GER € 45.00 / $ 51.99 / £ 41.00

Stefanie Kitzberger, Cosima Rainer, Linda Schädler (Eds.) Friedl Dicker-Brandeis Works from the Collection of the University of Applied Arts Vienna

2022 Print HC

978-3-11-078906-5 EN E-Book

978-3-11-078913-3 EN € 49.95 / $ 57.99 / £ 45.50

Régine Bonnefoit, Bernadette Reinhold (Eds.) Oskar Kokoschka: Neue Einblicke und Perspektiven / New Insights and Perspectives

2021

978-3-11-072420-2

Eva Maria Stadler, Jenni Tischer (Eds.) Abstraction

Exhibition

Kunstmuseum Magdeburg. Kloster Unser Lieben Frauen

September 14, 2024 to February 8, 2025

Hans-Hendrik Grimmling (*1947 in Zwenkau near Leipzig) is one of the most important painters of his generation in Germany, an initiator of the legendary First Leipzig Autumn Salon in 1984, regarded as a milestone exhibition in non-conformist GDR art. For more than 40 years, he has been painting at the fringes of abstraction. He is preoccupied with the experience

Annegret Laabs (Hrsg.)

Hans-Hendrik Grimmling

Subtitle

Pages 132

Ills. 50 color

Format 28.5 × 24.0 cm

SC 978-3-422-80296-4 Ger

GERMAN / ENGLISH

JANUARY 2025

DEUTSCHER KUNSTVERLAG

Retrospective of a non-conformist GDR artist

An overview with works from five decades

of letting go, detaching himself from the figurative and the narrative, from East German identity, thus breaking away from predetermined physical forms. Grimmling visualizes his prime concern: the drama, the struggle, and the tragedy of human existence. Large areas, wide swaths and interlinked bands of black stretch across the canvas. The colour black prevails, becom-

ing intoxicating and, for two decades now, the painter’s only visual content. This publication is the first monographic work to present Grimmling’s complete oeuvre.

With contributions by Christoph Tannert, Annegret Laabs

The special volume ZERO in the Notizen zu Uecker series collates manuscripts from the workshop “Der Zustand des Erlebens”, which took place in Düsseldorf in cooperation with the ZERO foundation in 2023. Invited participants addressed pressing questions regarding artistic action in recent debate. The contributions include approaches focussing on

Katharina Neuburger (Eds.)

Zustand des Erlebens – The Condition of Experience

Workshop Manuscripts

Pages 200

Ills. 80 color

Format 21.0 × 14.8 cm

SC 978-3-422-80293-3 De/En € 28.00 $ 30.99 £ 24.50

GERMAN / ENGLISH

FEBRUARY 2025

DEUTSCHER KUNSTVERLAG

Bilingual German-English

Artistic action, action art, performance, and performativity

Günther Uecker and German postwar art

German post-war art, art historical discourses and political theory in the 1960s, elaborated in contemporary debate about artistic production, the field of action, and experiencing the work and the subject, as well as action art, performance, and performativity. The authors’ varied expertise offers fresh perspectives on a contemporary field of discourse.

With contributions by Klaus Gereon Beuckers, Lisa Beißwanger, Nick Böhnke, Paula Kohlmann, Barbara Könches, Raha Golestani, Konstantin Schönfelder, Georg Winter, Xiao Xiao

Although Futurism is best known for its interest in technology and modern urban life, many artists affiliated with the movement also engaged with Primitivism, both in Italy and in other parts of the world. Vol. 15 (2025) of the International Yearbook of Futurism Studies looks at how Futurist Primitivism responded to and shaped colonialism in Africa, how it related to the

Günter Berghaus (Hrsg.) 2025

International Yearbook of Futurism Studies 15

Pages 544

Ills. 29 b/w, 19 color

Format 23.0 × 15.5 cm

ENGLISH JUNE 2025 DE GRUYTER

New interdisciplinary research on the connection between Futurism and Primitivism

With reviews and exhibition reports as well as a detailed report on new publications on Futurism

national heritage, how it interacted with art practices of indigenous populations and how some of its members self-identified as barbarians, primitives and naïve creators. Eleven scholars explore in this volume Futurist Primitivism as an anti-classicist impulse in Italy, France, Portugal, Russia, Poland, Yugoslavia, Brazil and Peru and show how it proposed new ways of shaping

local, regional, national and individual aesthetics and identities.

Günter Berghaus, University of Bristol

Images of chaos cannot truly exist, as they would show the state of the world before its creation. Nevertheless, from antiquity through the Middle Ages to the present day, there have been repeated attempts to visualize what eludes our experience. Interplay with the conceptual history of chaos forces images of chaos to iconic aporias: this book presents a first compre-

Franz Engel Chaosbilder

Ikonen ursprünglicher Formlosigkeit

Image Word Action 10

Pages 384

Ills. 70 b/w, 65 color

GERMAN JUNE 2025 DE GRUYTER

First comprehensive history of chaos

Investigating the visual concept of origin in Europe and China

hensive examination of such ideas. From the first depiction of chaos in a provincial Roman mosaic, the field of investigation extends into the 18th century and includes excursions into 19th–21st century art. Chaos images are characterized by entangled pagan and Christian ideas. In the Daoist tradition of China, visual concepts of chaos lead to extremely subtle iconic aporias.

Franz Engel, Humboldt-Universität zu Berlin

Recently published

Anja Pawel

Abstraktion und Ausdruck

Bildende Kunst und Tanz im frühen 20. Jahrhundert

Image Word Action 8

Pages 294

Ills. 117 b/w, 31 color

Format 24.0 × 17.0 cm

SC 978-3-11-061510-4 Ger

E-Book 978-3-11-062261-4 Ger

€ 49.95 / $ 57.99 / £ 45.50

GERMAN NOVEMBER 2019 DE GRUYTER

This book redefines the history of modernity by focusing on how people used photography to affirm continuity and social stability during a time defined by rapid transition in every field of life. By the early 1860s, commercial portrait photography had become an everyday experience. Through their daily reception and interpretation, photographs were utilized to construct

Eva Ehninger

The Modern Dream of Order

Victoria, Photography and the Social Imagination

Pages 304 Ills. 130 mostly in color

Format 28.0 × 21.0 cm

HC 978-3-11-112455-1 En € 62.00 $ 68.99 £ 56.50

E-Book 978-3-11-112841-2 En Open Access

ENGLISH

JUNE 2025

DE GRUYTER

Groundbreaking and critical analysis of modernity

Interdisciplinary approach combining art history and the history of photography, as well as gender, cultural and media studies

and consolidate social relations and to imagine social order visually. Queen Victoria’s ubiquitous photographic presence in private and communal contexts demonstrates how the new visual media re-enforced the power of conventional concepts of order and stability. Critical reflection on this mechanism is crucial to understanding current media practices as well.

Eva Ehninger, Humboldt Universität zu Berlin

Glamour, money, intrigue and scandal defined the life of Hungarian portrait painter Vilma Parlaghy (1863–1924), who owed her reputation to the rejection of her works by the major Berlin Art Expositions and to a gold medal she received from Kaiser Wilhelm II. Emperors, kings, ministers, and industrial magnates posed for her, and marriage to a Russian aristocrat earned

Ulrich Schulte-Wülwer

Der Ruhm und sein Preis

Die Malerfürstin Vilma Parlaghy

Pages 128 Ills. 80 color

Format 24.0 × 17.0 cm

E-Book 978-3-422-80275-9 Ger

GERMAN JUNE 2025

DEUTSCHER KUNSTVERLAG

31.50

Rediscovery of a “princely paintress”

Portraits of international high society

Art and society around 1900

her the appellation “Painter Princess”. After her divorce, she continued her career in America, where she painted portraits of steel tycoon Andrew Carnegie, President Theodore Roosevelt, and the ingenious inventor Nikola Tesla. She became a millionaire but lost everything in the end. She died in New York at the age of 60, and is largely forgotten today – not least

because she took her greatest work of art, her own person, with her to the grave.

Ulrich Schulte-Wülwer, formerly Museumsberg in Flensburg, honorary professor at the University of Kiel

Jan Dimog, Hendrik Bohle (Eds.)

Duett der Moderne / Duet of Modernism

Hansaviertel & Karl-Marx-Allee, Berlin. Fotografien von / Photographs by Bettina Cohnen

Pages 128

Ills. 80 color

Format 28.0 × 23.0 cm

SC 978-3-422-80282-7

ENGLISH/GERMAN

MARCH 2025

DEUTSCHER KUNSTVERLAG

Exhibition

Mitte Museum, Berlin

February to September 2025

Art meets architecture: Bettina Cohnen brings together East and West as well as combining a photo essay and photographic art in “Duet of Modernism”. In her photo series, she shows people in the famous post-war Berlin neighbourhoods of Karl-Marx-Allee and the Hansaviertel in their surroundings, with all their complexity and intimacy. At the same time, she traces the idea behind the respective architecture. After all, the essential concern of modernist architects was good and

Stories behind the facades: Photo artist Bettina Cohnen shows people in Berlin’s East and West neighbourhoods, and sets architecture and history into a new artistic context

affordable housing for everyone. This applied as from 1950 to the planning of the ‘Sozialistische Straße’ and later Karl-Marx-Allee in East Berlin as well as to the new Hansaviertel in West Berlin in 1957. Today, the rivalry between the systems has turned into a duet: a duo uniting East and West. The publication combines photo essay and photographic art, the mediation of architectural culture, and the living history of monuments.

With contributions by Christoph Rauhut, Karen Grunow, Ursula Kleefisch-Jobst

Bettina Cohnen, international photo artist with numerous solo and group exhibitions in Germany, Europe and the USA

A fast-moving summary of the history of architecture, retold as the story of a remarkable transformation: from the architecture of antiquity to a new beginning in the Renaissance, and from the evolution of modern architecture to the present day and possible future developments.This approach represents the only way to gain clarity about the state of current architecture

Günther Fischer

Alte Baukunst und Neue Architektur

Wie die Architektur wurde, was sie heute ist Pages 256 Ills. 423 color

Format 25.0 × 19.0 cm

SC 978-3-422-80280-3 Ger

GERMAN JANUARY 2025 DEUTSCHER KUNSTVERLAG

2500 years of architectural history in one volume

Opulently illustrated text with over 400 iconic images

The amazing transformations of architecture are not only described, but also explained

and its confusing manifestations; seeking to understand the overall relationship between the ancient art of building and modern architecture and thus regarding the whole of architecture in a new light. It becomes evident that both manifestations, despite all the breaks between them, constitute a single, coherent field.

Günther Fischer, Professor emeritus of design, architectural history and architectural theory, freelance architect and author

PIAZZA E MONUMENTO

Alessandro Nova / Cornelia Jöchner (Eds.) Platz und Territorium. Urbane Struktur gestaltet politische Räume 2010. 296 Pages

168 b+w illustrations

E-Book ISBN 978-3-422-80061-8

€ 39.90 / $ 45.99 / £ 34.50

Brigitte Sölch / Elmar Kossel (Eds.) Platz-Architekturen. Kontinuität und Wandel öffentlicher Stadträume vom 19. Jahrhundert bis in die Gegenwart 2018. 384 Pages

242 b+w illustrations

E-Book ISBN 978-3-422-80063-2

€ 48.00 / $ 55.99 / £ 41.50

Alessandro Nova / Stephanie Hanke (Eds.) Skulptur und Platz. Raumbesetzung, Raumüberwindung, Interaktion 2014. 397 Pages 198 b+w illustrations

E-Book ISBN 978-3-422-80062-5

€ 48.00 / $ 55.99 / £ 41.50

Stephanie Hanke / Brigitte Sölch (Eds.) Projektionen. Der Platz als Bildthema 2019. 272 Pages 113 illustrations

E-Book ISBN 978-3-422-80064-9

€ 48.00 / $ 55.99 / £ 41.50

Between 1950 and 1971 in Germany, 26 new synagogues were built. The consecration of the synagogues in Saarbrücken in 1951 marked a construction phase of new synagogues and Jewish community centres. The consecration of the synagogue in Karlsruhe in 1971 brought this phase of relatively few projects to a temporary halt. The buildings from this first phase were

Kirsten

Lange-Wittmann

Synagogenarchitektur in Deutschland

Die Jahre 1950 bis 1971

Pages 736

Ills. 400 color

Format 24.0 × 17.0 cm

GERMAN

JANUARY 2025

DEUTSCHER KUNSTVERLAG

Synagogues and Jewish community centres in post-war Germany

Covers East and West Germany

designed largely by unknown Jewish and non-Jewish architects. In this context, the questions arise of which architectural models influenced postwar synagogue construction, and whether it is possible to discern the continuation of a synagogue architectural language developed prior to 1931? The importance of this new synagogue architecture in Germany after

1945, and whether the new buildings’ significance was recognized are additional topics in focus.

Kirsten Lange-Wittmann, Art historian, seminal research on synagogue architecture in post-war Germany

From the middle of the nineteenth century, schools of decorative arts shaped the artistic and technical training of generations of designers. Thus, the schools also influenced the character and quality of a large part of decorative and industrial art production. Nevertheless, the history and significance of schools of decorative arts as a global phenomenon have

Thomas A. Geisler, Anna-Sophie Laug, Sandra König, Alexandra Panzert, Kerstin Stöver (Eds.)

Pioneers of Design Education

New Perspectives on Schools of Decorative Arts as a Global Phenomenon

Pages 336 Ills. 150 color

Format 24.0 × 17.0 cm

HC 978-3-422-80284-1 En € 76,00

ENGLISH JUNE 2025 DEUTSCHER KUNSTVERLAG

First edited volume on the global history of schools of decorative arts

Twenty chapters – from Algeria to Transylvania, from Helsinki to Kyoto

remained largely unexplored. This edited volume is the first to bring together contributions from international experts on schools of decorative arts worldwide. A comparison of the various establishments reveals parallel objectives, e.g. the teaching of stylistic knowledge and the promotion of good taste, the advancement of female education, and, above all, the desire to

compete in a world of intense political and economical rivalry.

With contributions by Stéphane Laurent, Ranjit Menon, Jenny Aland, Lena Rebekka Rehberger, Julia Katona, Miklos Szekely, Darija Alujevič, Mélina Joyeux, Charlotte Samuels, Seishi Namiki et al.

In this volume, various manifestations of landscape provide the basis for questions regarding how it is identified, constructed, and shaped. A look is thus taken at how landscape is quasi mediated medially as an archive, as well as at the activities, values, and meanings inscribed in it and these revealing modes of perception. Understood as an environment in the broad-

Frank Göttmann, Eva-Maria Seng (Eds.)

Landschaft

Kultur-, Natur-, Wirtschafts- und Erfahrungsräume

Reflexe der immateriellen und materiellen Kultur 8

Pages 224

Ills. 2 b/w, 26 color

Format 24.0 × 17.0 cm

HC 978-3-11-047852-5 Ger € 69.00

$ 75.99

£ 63.00

E-Book 978-3-11-048047-4 Ger € 69.00

$ 75.99

£ 63.00

GERMAN

JUNE 2025 DE GRUYTER

Landscape as an experiential space, and as a space for examining nature and functional and aesthetic design

est sense, it assumes a concrete shape both as a space for settlement and economic functions and production and also as a form of existence for biodiversity. The landscape corresponds with this perspective as a location for a designed nature that assists in educating people. The contributions break down the apparent dichotomy between nature and

culture and take into account the complexity of landscape.

Frank Göttmann, University of Paderborn Eva-Maria Seng, Stuttgart State Academy of Art and Design

How do we follow affects in places? And how do they follow us? How can rural places be described as “affective places”? Considering local and global transformations and crises, this book examines the “how” of culture in rural areas. It delves into everyday stories and natural-cultural landscapes in three rural regions of Germany. On the basis of concrete places and institu-

Birgit Althans, Mirjam Lewandowsky, Fiona Schrading, Janna R. Wieland Wastelands?

Kultur und Affekträume auf dem Land / Tracing cultural and affective places in rural areas

Pages ca. 480

Ills. ca. 220

Format 26.0 × 19.0 cm

SC 978-3-11-138984-4 En/Ger € 48.00 $ 52.99 £ 44.00

E-Book 978-3-11-139044-4 En/Ger Open Access

GERMAN / ENGLISH APRIL 2025 DE GRUYTER

An “ethnographic collage” comprising texts, images, audios and videos relating to cultural education in rural regions.

tions, traces and practices of cultural education are also followed; it becomes obvious that rural regions are not “Wastelands”. They offer a wealth of “affective places” to be experienced and lived out. This “ethnographic collage” brings together vignettes, photo essays and reflections at the interface of affect theory, sensory ethnography, artistic research and feminist new

materialism. Digitally available audios and videos add to the picture.

Birgit Althans, Mirjam Lewandowsky, Fiona Schrading, Janna R. Wieland, Kunstakademie Düsseldorf

The “Poet Rooms” in the west wing of Weimar’s Residential Palace are the first ever memorial to Weimar Classicism. Goethe, Schiller, Wieland and Herder are commemorated in four rooms with a high artistic standard of decor. The large, colourful murals in late Nazarene style are particularly impressive. The ensemble was commissioned by Maria Pavlovna, daugh-

Klassik Stiftung Weimar (Ed.) Dichterzimmer im Schloss

Im Fokus Pages 144 Ills. 80 color

Format 23.0 × 15.0 cm

SC 978-3-422-80228-5 Ger € 14.90 $ 16.99 £ 13.00

GERMAN FEBRUARY 2025 DEUTSCHER KUNSTVERLAG

A first memorial to Weimar Classicism with unique Nazarene-style murals

Beginning of memorial culture in Weimar

ter of the Russian Tsar and wife to Grand Duke Carl Friedrich of Saxe-Weimar-Eisenach. She financed the ambitious project and the original designs were created by Berlin architect Karl Friedrich Schinkel. The rooms were opened to visitors immediately after their completion in 1848. Following extensive restoration, since 2020 it has again been possible to

view the interiors and artworks in their original splendour. This volume presents them in fine detail.

With contributions by Kerstin Arnold, Sebastian Dohe, Michael Enterlein, Katharina Krügel, Christian Pönitz

Natural science collections were widespread in the early modern period. This volume focuses on the eventful collection history of the Chamber of Mathematics and Physics of the former Jesuit College in Cologne from its 17th-century beginnings to the present day. Political and (ecclesiastical) historical events influenced the organization, function, and collection of instru-

Henrike

Stein Lehre – Sammlung –Objekt

Das Mathematisch-Physikalische Kabinett des ehemaligen Jesuitenkollegs in Köln

Object Studies in Art History 8

Pages 536

Ills. 148 color

Format 24.0 × 17.0 cm

HC 978-3-68924-130-8 Ger € 89.00

$ 97.99 £ 81.00

E-Book 978-3-68924-008-0 Ger Open Access

GERMAN DECEMBER 2024 DE GRUYTER

A natural science collection from an art and science history perspective

New perspectives on collection research, the material history of science, and Cologne’s city history

ments. As early as the 18th century, but more especially in the French period around 1800, the Jesuit collection developed into one of mathematics and physics, which Georg Simon Ohm later used to prepare for his important discovery of Ohm’s Law. In the context of science’s historical development towards modern natural science, the Cologne chamber played

an active role, helping to shape this major transformation on a small scale.

Henrike Stein, Von der Heydt Museum, Wuppertal

Arnold Nesselrath

Francesco di Giorgio

Phantastische Antike

Pages 344

Ills. 215 color

Format 28.0 × 21.0 cm

HC 978-3-422-80266-7

GERMAN MAY 2025 DEUTSCHER KUNSTVERLAG

This critical edition presents an unpublished album containing drawings of ancient architecture and architectural details, as well as imagined ancient buildings and sculptures by Francesco di Giorgio Martini, the Sienese architect, painter, sculptor and engineer, much admired by Leonardo da Vinci. The folios are tracings and constitute the largest known contigu-

Emphasizing the significance of drawings for the design and documentation processes of architecture

Analyzing unique examples of Renaissance drawings and their tracings that have been preserved

Re-evaluating Francesco di Giorgio’s travel notebook Taccuino dei viaggi

ous set of architectural drawings in the 15th century. They make intelligible the interrelation between the autograph sketches drawn on site and the illustrations in Francesco’s treatises. Throughout the 16th century, Francesco di Giorgio’s studies of antiquity are a benchmark for everyone from Raphael to Palladio and Montano to Borromini. His drawings demonstrate

the parallel practise of stereometric and perspective representations in the 15th century.

Arnold Nesselrath, art historian, museum director, university professor, exhibition curator, Berlin/Rome

In the last few years, manifestations of popularity have increasingly become a focus of cultural studies debate. Taking as its starting point the actuality and ubiquity of popular culture this edited volume is the first to fundamentally ask whether the category “popular” can be applied to the Middle Ages and Early Modern period. The interdisciplinary chapters in this vol-

Ekaterini Kepetzis, Maria Männig (Eds.)

Populäre Bildkulturen der Vormoderne

Prozesse der Produktion, Distribution und Rezeption

Pages 420

Ills. 26 b/w, 90 color

Format 24.0 × 17.0 cm

HC 978-3-11-117128-9 Ger € 99.95

$ 109.99

£ 91.00

E-Book 978-3-11-117268-2 Ger € 99.95

$ 109.99

£ 91.00

GERMAN

DECEMBER 2024 DE GRUYTER

Popularization in the longue durée

Theoretical foundations of the “popular” in the pre-modern period as well as case studies of specific phenomena such as everyday culture, propaganda, the representation of power, production networks

Interdisciplinary perspectives on processes of popularization

ume draw on contemporary theories of popular culture to shed light on both the overarching theoretical and methodological level as well as processes of popularization in the form of case studies. They pay special attention to visual artifacts and phenomena, discussing their distribution, reproduction, variation, and serialization, while also outlining aspects of pop

culture’s politicization, its normative impact, and its anarchic potential.

Ekaterini Kepetzis and Maria Männig, Rheinland-Pfälzische Technische Universität Kaiserslautern-Landau (RPTU), Germany

Verhüllungsstrategien in höfischen Bild- und Textzeugnissen

Literatur – Theorie – Geschichte 32

Pages 578

Ills. 30 color

Format 24.0 × 17.0 cm

HC 978-3-11-154410-6 Ger € 119.95

E-Book 978-3-11-154964-4 Ger $ 131.99 £ 109.50

GERMAN FEBRUARY 2025 DE GRUYTER

Sense, Matter, and Medium 11

Pages 390

Ills. 69 b/w, 69 color

Format 24.0 × 17.0 cm

HC 978-3-11-143681-4 En € 99.95

E-Book 978-3-11-143682-1 En $ 109.99 £ 91.00

Innovatively applies art historical methods to medieval narratives

Decodes courtly aesthetic strategies across media

New impulses for scholarship on image-text relations and visual culture studies

What exactly the reception of works of art looked like in the aristocratic culture of the Middle Ages is a mystery – but this interdisciplinary study takes the bold step of solving this question. Through the lens of art studies reception aesthetics, it comes up with a framework of work-immanent techniques that shape perception, examining works such as Rudolf’s Willehalm von Orlens, Gottfried’s Tristan, Wolfram’s Titurel, and Konrad’s Partonopier und Meliur to argue that the manipulation of the receiver’s viewpoint is a specific aesthetic con-

cept. This study analyzes images and texts together, suggesting that courtly culture had its own codes for the invisible – codes that only become identifiable as concealed instructions for reception when the subtle control of the gaze is revealed in such works as a cross-media aesthetic strategy.

Julika Moos, Philipps-University Marburg, Germany

Innovative perspectives on canonical monuments of medieval art and architecture

Highlights the political uses and misuses of works of art

Transnational examination of how images, objects, and buildings of the past legitimize modern political agendas

Medieval Art, Modern Politics examines the political uses and misuses of medieval images, objects, and the built environment from the 16th to the 20th century. In case studies ranging from Russia to the US and from catacombs, mosques, cathedrals, and feudal castles to museums and textbooks, it demonstrates how the artistic and built legacy has been appropriated in post-medieval times to legitimize varied political agendas. Entities as diverse as the Roman papacy, the Catholic Church, local arts organiza-

tions, private owners of medieval fortresses, or organizers of exhibitions and publishers are examined for the multiple ways they co-opt medieval works of art. Medieval Art, Modern Politics demonstrates the unavoidable (but often ignored) intersection of art history, knowledge, and power.

Brigitte Buettner, Smith College, Northampton, MA, USA

William J. Diebold, Reed College, Portland, OR, USA

Die Neue Sachlichkeit / The New Objectivity Ein Jahrhundertjubiläum / A Centennial

Johan Holten, Inge Herold (Eds.)

2024. 408 pages. 27.5 × 23.0 cm

350 color ills.

HC 978-3-422-80250-6 En/Ger

€ 56.00 / $ 61.99 / £ 49.00

Plakatfrauen. Frauenplakate

subtitle

Peter Forster, Museum Wiesbaden (Ed.), Peter Forster, Petra Eisele

2024. 128 pages. 26.0 × 21.0 cm 77 color ills.

HC 978-3-422-80259-9 Ger

€ 28.00 / $ 30.99 / £ 24.50

Archistories

Körper, Sprache, Raum Staatliche Kunsthalle Karlsruhe (Ed.)

2024. 304 pages. 25.0 × 21.0 cm

180 color ills.

SC 978-3-422-80072-4 Ger

€ 48.00 / $ 55.99 / £ 41.50

Hermann Czech und die Dialektik der Architektur subtitle

Nott Caviezel, Robert Stalla (Ed.), Maximilian Müller

2024. 184 pages. 23.5 × 16.5 cm 102 color ills.

SC 978-3-422-80225-4 Ger

€ 34.90 / $ 38.99 / £ 30.50

Berührung im Entzug

Struktur, Temporalität und Haptik des malerischen Handelns an den frühen Strukturreliefs Günther

Ueckers

Katharina Neuburger (Ed.), Nick Böhnke

2024. 120 pages. 21.0 × 14.8 cm 17 color ills.

SC 978-3-422-80242-1 En/Ger

€ 28.00 / $ 30.99 / £ 24.50

Bilder des Textilen Mode und Stoffe in der Malerei

Pierre-Auguste Renoirs Agnes Sawer

2024. 336 pages. 24.0 × 17.0 cm

35 b/w ills., 34 color ills.

SC 978-3-422-80243-8 Ger

€ 79.00 / $ 86.99 / £ 69.00

E-Book 978-3-422-80246-9 Ger

€ 79.00 / $ 86.99 / £ 69.00

Alberto Giacometti

Surrealistische Entdeckungen | Unveiled Surrealism | Le surréalisme dévoilé

Madeleine Frey, Friederike Voßkamp (Ed.( 2024. 212 pages. 28.0 × 22.0 cm 140 color ills.

HC 978-3-422-80258-2 En/Ger/Fr

€ 42.00 / $ 46.99 / £ 37.00

Jugendstil. Made in Munich

subtitle

Roger Diederen, Anja Huber, Nico Kirchberger, Antonia Voit (Ed.)

2024. 272 pages. 29.0 × 24.0 cm

310 color ills.

HC 978-3-422-80241-4 Ger

€ 45.00 / $ 49.99 / £ 39.50

Heilende Kunst Wege zu einem besseren Leben Sabine Becker, Ksenija Chochkova Giese, Elena Korowin (Ed.)

2024. 144 pages. 21.0 × 14.0 cm 64 color ills.

SC 978-3-422-80226-1 Ger

€ 24.00 / $ 26.99 / £ 21.00

E-Book 978-3-422-80227-8 Ger

€ 24.00 / $ 26.99 / £ 21.00

Helen and Newton Harrison California Work Tatiana Sizonenko

titel subtitle holders

Impressions of the Land The Story of a Photographic Collection of Palestine-Eretz Israel Vivienne Silver-Brody edition

2024. 424 pages. 28.0 × 24.0 cm 300 color ills.

SC 978-3-422-80263-6 En € 88.00 / $ 96.99 / £ 77.00

date. pages. format illustrations HC Graffiti Expressionism

SC

En/Ger

€ 38.00 / $ 41.99 / £ 33.50

Leben im Exil Begegnungen mit Emigranten der Kunstgeschichte

Werner Busch

2024. 112 pages. 24.0 × 17.0 cm 29 color ills.

SC 978-3-422-80253-7 Ger

€ 28.00 / $ 30.99 / £ 24.50

E-Book 978-3-422-80256-8 Ger

€ 28.00 / $ 30.99 / £ 24.50

Friedrich von Amerling. Werkverzeichnis der Gemälde

subtitle

Stella Rollig, Sabine Grabner (Ed.), Sabine Grabner, Katharina Lovecky, Martin Böhm, Udo Felbinger, Sabine Grabner, Katharina Lovecky, Stella Rollig

2024. 336 pages. 31.0 × 24.0 cm 640 color ills.

HC 978-3-422-80223-0 En/Ger

€ 55.00 / $ 60.99 / £ 48.00

E-Book

978-3-422-80224-7 En/Ger

€ 55.00 / $ 60.99 / £ 48.00

Koloniales Erbe in Thüringen subtitle Sahra Rausch, Christiane Bürger (Ed.)

2024. 144 pages. 28.5 × 21.0 cm 50 color ills.

SC

978-3-422-80210-0 En/Ger

€ 32.00 / $ 35.99 / £ 28.00

Georg Eisler. Werkverzeichnis der Gemälde

subtitle

Stella Rollig, Luisa Ziaja, Christian Huemer (Ed.), Ana Petrović, Marjana Uhde, Susanne Berchtold, Alice Hundsdorfer-Zhou, Lucia Klee-Beck, Dieter Kleinpeter, Susanne Neuburger, Ana Petrović, Marjana Uhde, Stella Rollig

2024. 400 pages. 31.0 × 24.0 cm 1400 color ills.

HC

978-3-422-80239-1 En/Ger

€ 68.00 / $ 74.99 / £ 59.50

E-Book

978-3-422-80240-7 En/Ger

€ 68.00 / $ 74.99 / £ 59.50

Hendrik

Friedrich Nerly - Von Erfurt in die Welt

Die Gemälde und Ölstudien des Nerly-Bestandes im Angermuseum Erfurt

Claudia Denk, Kai Uwe Schierz, Thomas von Taschitzki (Ed.)

2024. 560 pages. 29.0 × 25.0 cm 450 color ills.

HC 978-3-422-80257-5 Ger

€ 62.00 / $ 68.99 / £ 54.00

Between Figure and Ground Seeing in Premodernity

Saskia Quené (Ed.)

2024. 652 pages. 20.5 × 14.5 cm 170 color ills.

SC 978-3-422-80121-9 En/Ger

€ 78.00 / $ 85.99 / £ 68.00

E-Book

978-3-422-80122-6 En/Ger

»All’antica« – Bauornamentik der Frührenaissance in Italien

subtitle Joachim Poeschke

2024. 1400 pages. 30.0 × 24.0 cm 1100 b/w ills., 500 color ills.

HC 978-3-422-80229-2 Ger

€ 298.00 / $ 330.00 / £ 259.50

E-Book 978-3-422-80236-0 Ger

€ 298.00 / $ 330.00 / £ 259.50

La France à Potsdam

subtitle Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (Ed.)

2024. 72 pages. 17.0 × 12.0 cm 3 b/w ills., 58 color ills.

SC 978-3-422-80214-8 Fr

€ 6.95 / $ 7.99 / £ 6.50

Park Sanssouci

subtitle Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (Ed.), Saskia Hüneke, Michael Rohde

2nd edition

2024. 52 pages. 17.0 × 12.0 cm 43 color ills.

SC 978-3-422-80249-0 Ger

€ 6.95 / $ 7.99 / £ 6.50

Die Nacht von Sevilla. Fußballdrama in 5 Akten

Ein dokumentarisches Theaterstück

DFB-Stiftung Deutsches Fußballmuseum gGmbH (Ed.), Manuel Neukirchner

2024. 144 pages. 23.5 × 17.0 cm

illustrations

SC 978-3-422-80135-6 Ger

€ 20.00 / $ 22.99 / £ 17.50

E-Book 978-3-422-80136-3 Ger

€ 20.00 / $ 22.99 / £ 17.50

Zwischen den Kulissen Der Maler Otto Erdmann und die Aufführung des 19. Jahrhunderts Maximilian Rück

2024. 376 pages. 24.0 × 17.0 cm 60 color ills.

HC 978-3-422-80254-4 Ger

€ 42.00 / $ 46.99 / £ 37.00

E-Book 978-3-422-80255-1 Ger

€ 42.00 / $ 46.99 / £ 37.00

Übersetzungsfragen Eine Neubewertung der Begriffe ‚Renaissance‘, ,Antik‘ und ‚Klassisch‘ in der Kunstgeschichte Ulrich Pfisterer (Ed.), Maria Fabricius Hansen

2024. 136 pages. 21.0 × 12.5 cm 25 color ills.

SC 978-3-422-80252-0 En/Ger

€ 16.90 / $ 18.99 / £ 15.00

E-Book

978-3-422-80268-1 En/Ger

€ 16.90 / $ 18.99 / £ 15.00

Das Historische Grüne Gewölbe zu Dresden Die barocke Schatzkammer Staatliche Kunstsammlungen Dresden (Ed.), Dirk Syndram, Jutta Kappel, Ulrike Weinhold

4th edition

2024. 180 pages. 28.8 × 25.2 cm 17 b/w ills., 129 color ills.

SC 978-3-422-80247-6 Ger

€ 26.00 / $ 28.99 / £ 23.00

Holland in Potsdam

subtitle Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg (Ed.)

2024. 56 pages. 17.0 × 12.0 cm

0 b/w ills., 61 color ills.

SC 978-3-422-80215-5 Ger

€ 6.95 / $ 7.99 / £ 6.50

Made in Japan

Farbholzschnitte von Hiroshige, Kunisada und Hokusai Judith Rauser, Hans Bjarne Thomsen (Ed.)

2024. 224 pages. 28.0 × 21.0 cm 110 color ills.

SC 978-3-422-80183-7 Ger

€ 42.00 / $ 46.99 / £ 37.00

24! / Fragen an die Konkrete Gegenwart subtitle Mathias Listl, Henrike Holsing, Theres Rohde (Ed.)

2024. 176 pages. 24.0 × 17.0 cm 100 color ills.

SC 978-3-422-80222-3 En/Ger

€ 34.00 / $ 37.99 / £ 30.00

Caspar David Friedrich und die Transparentmalerei

Der Kasseler Mondschein Hessen Kassel Heritage (Ed.), Christiane Lukatis

2024. 88 pages. 22.0 × 14.7 cm 66 color ills.

SC 978-3-422-80244-5 Ger

€ 15.00 / $ 16.99 / £ 13.50

E-Book 978-3-422-80245-2 Ger

€ 15.00 / $ 16.99 / £ 13.50

Transformationen der Antike bei Raffael und seinem Umkreis Concetti anticamente moderni e modernamente antichi in der Sala di Costantino Michail Chatzidakis

2025. 416 pages. 24.0 × 17.0 cm 60 b/w ills., 50 color ills.

Albrecht Dürer und sein Kreis Beschreibender Katalog der Zeichnungen, Band III. Die Zeichnungen des 15. und 16. Jahrhunderts, Teil 2C Öffentliche Kunstsammlung Basel, Kupferstichkabinett (Ed.), Christian Müller

2024. 272 pages. 30.0 × 22.3 cm 270 color ills.

HC 978-3-422-80202-5 Ger

Park Sanssouci für Kinder & Familien subtitle

Dorothee Hohenthal, Silke Hollender, Wilma Otte

2024. 32 pages. 17.0 × 12.0 cm 38 color ills.

SC 978-3-422-80230-8 Ger

€ 6.95 / $ 7.99 / £ 6.50

In Motion Art and Football Manuel Neukirchner (Ed.)

2024. 344 pages. 30.0 × 24.0 cm 120 color ills. HC 978-3-422-80178-3 En € 48.00 / $ 52.99 / £42.00

Michael Müller. Ernstes Spiel. Catalogue Raisonné Vol. 4.1, Am Abgrund der Bilder – „Birkenau“

Michael Müller. Ernstes Spiel. Catalogue Raisonné Vol. 4.2, Lektüre und Ablenkung Alien Athena Foundation for Art, Hubertus von Amelunxen, Anne-Marie Bonnet (Ed.)

2023. 216 pages. 31.5 × 24.0 cm 134 color ills.

HC 978-3-422-80187-5 En/Ger/Cn

€ 58.00 / $ 63.99 / £ 50.50

E-Book

978-3-422-80190-5 En/Ger/Cn

€ 58.00 / $ 63.99 / £ 50.50

Macht und Makel der Bilder

Gedächtnisrufe zu Kunst, Bilderstreit, Kultverbot und Erinnerungskultur

Jacques Picard

2024. 424 pages. 24.0 × 17.0 cm 96 color ills.

HC 978-3-422-80192-9 Ger

€ 48.00 / $ 52.99 / £ 42.00

E-Book 978-3-422-80193-6 Ger

€ 48.00 / $ 52.99 / £ 42.00

Günther Ueckers künstlerische Handlungen

Eine interkulturelle Untersuchung anhand der daoistischen Begriffe wuwei, ganying und ziran Katharina Neuburger (Ed.), Xiao Xiao

2023. 94 pages. 21.0 × 14.8 cm 23 b/w ills.

SC 978-3-422-80133-2 En/Ger

€ 28.00 / $ 30.99 / £ 24.50

„Die wahre Kunst ist immer da, wo man sie nicht erwartet“ / “True art is where it is not expected”

Dubuffet, Chaissac, Soutter, Gill, Held, Wölfli

Brigitte Hausmann, Bezirksamt

Steglitz-Zehlendorf von Berlin (Ed.)

2023. 112 pages. 26.0 × 21.0 cm 40 color ills.

HC 978-3-422-80177-6 En/Ger € 32.00 / $ 35.99 / £ 28.00

Walter Kaesbach und die Kunstakademie Düsseldorf subtitle Vanessa Sondermann (Ed.), Kunibert Bering, Susanne Deicher, John Morgan, Cornelia Nowak, Vanessa Sondermann, Hans-Peter Thurn, Alexander Zschokke

2024. 312 pages. 30.0 × 22.5 cm

96 b/w ills., 105 color ills.

HC 978-3-422-80203-2 Ger

€ 44.00 / $ 48.99 / £ 38.50

Michael Müller. Ernstes Spiel. Catalogue Raisonné Vol. 7.1, Deine Kunst Hubertus von Amelunxen, Anne-Marie Bonnet, Susanne Pfleger (Ed.)

2025. 300 pages. 31.5 × 24.0 cm 150 color ills.

HC 978-3-422-80188-2 En/Ger/Cn

€ 58.00 / $ 63.99 / £ 50.50

E-Book

978-3-422-80189-9 En/Ger/Cn

€ 58.00 / $ 63.99 / £ 50.50

Zeitfenster. Stephan Balkenhol trifft Alte Meister

subtitle

Peter Forster (Ed.)

2024. 120 pages. 28.0 × 24.0 cm 77 color ills.

HC 978-3-422-80209-4 Ger

€ 36.00 / $ 39.99 / £ 31.50

Zeugnis. Zweifel. Zeichen Zeitgeschichte in der abstrakten Malerei in Deutschland nach 1945 Anne-Kathrin Hinz

2024. 456 pages. 24.0 × 17.0 cm 82 color ills.

SC 978-3-422-80200-1 Ger

€ 59.00 / $ 64.99 / £ 51.50

E-Book 978-3-422-80201-8 Ger

€ 59.00 / $ 64.99 / £ 51.50

Hej rup! Die Tschechische Avantgarde im Kontext der Europäischen Moderne subtitle

Tobias Hoffmann (Ed.), Julia Meyer-Brehm

2023. 240 pages. 26.0 × 22.0 cm 150 color ills.

HC 978-3-422-80184-4 Ger

€ 42.00 / $ 46.99 / £ 37.00

Flora ad infinitum

Bead Craft from France and Venice to the World L'artisanat des perles : francais, vénitien et universel

Georg Ragnar Levi

2023. 216 pages. 22.5 × 24.5 cm 186 color ills.

HC 978-3-422-80151-6 En/Fr

€ 48.00 / $ 52.99 / £ 42.00

Frans Hals inspiriert

Der Mann mit dem Schlapphut

Hessen Kassel Heritage (Ed.), Justus Lange, Dorothee Gerkens, Christiane Lukatis

2023. 88 pages. 22.0 × 14.7 cm

5 b/w ills., 50 color ills.

SC 978-3-422-80174-5 Ger

€ 15.00 / $ 16.99 / £ 13.50

Johann Bernhard Fischer von Erlach 1656-1723

Studien zu Werk und Rezeption

Andreas Kreul

2024. 224 pages. 24.0 × 17.0 cm

80 color ills.

SC 978-3-422-80195-0 Ger

€ 38.00 / $ 41.99 / £ 33.50

E-Book 978-3-422-80197-4 Ger

€ 38.00 / $ 41.99 / £ 33.50

Malerei mit Licht und Glas Baugebundene Glaskunst in und aus Magdeburg Landeshauptstadt Magdeburg (Ed.), Cornelia Heller, Doreen Pöschl, Sabine Ullrich, Holger Brülls

2024. 267 pages. 28.0 × 22.0 cm 260 color ills.

HC 978-3-422-80191-2 Ger € 54.00 / $ 59.99 / £ 47.00

SC

Wissenszirkulation zwischen Kunst und Design Akteure - Objekte - Bedeutungen Susanne König

2025. 432 pages. 24.0 × 17.0 cm 120 color ills.

SC 978-3-422-80207-0 Ger

€ 76.00 / $ 83.99 / £ 66.50

E-Book 978-3-422-80208-7 Ger

€ 76.00 / $ 83.99 / £ 66.50

Faulheit in der Kunst Studien zu Acedia und Müßiggang vom Mittelalter bis zur Frühen Neuzeit

Johannes Hartau

2025. 496 pages. 24.0 × 17.0 cm 184 color ills.

HC 978-3-422-80185-1 Ger

€ 98.00 / $ 107.99 / £ 85.50

E-Book 978-3-422-80186-8 Ger

€ 98.00 / $ 107.99 / £ 85.50

Die Barockbaumeister Fischer von Erlach

Bibliographie zu Leben und Werk

Andreas Kreul

2024. 224 pages. 24.0 × 17.0 cm 10 color ills.

SC 978-3-422-80196-7 Ger

€ 38.00 / $ 41.99 / £ 33.50

E-Book

978-3-422-80198-1 Ger

€ 38.00 / $ 41.99 / £ 33.50

Resist, Reclaim, Retrieve

The Long History of the Struggle for the Restitution of Cultural Heritage and Ancestral Remains Taken under Colonial Conditions

Larissa Förster, Jan Hüsgen, Sarah Fründt, Deutsches Zentrum Kulturgutverluste (Eds.)

2024. 208 pages. 24.0 × 17.0 cm

22 color ills.

SC 978-3-11-099968-6 En

€ 49.00 / $ 53.99 / £ 45.00

E-Book 978-3-11-098924-3 En

€ 49.00 / $ 53.99 / £ 45.00

An Anarchitectural Body of Work

Suzanne Harris and the Downtown New York Artists’ Community in the 1970s Friederike Schäfer

2023. 384 pages. 24.0 × 17.0 cm

79 b/w ills., 56 color ills.

SC 978-3-11-073868-1 En

€ 69.00 / $ 75.99 / £ 63.00

E-Book 978-3-11-170439-5 En

€ 69.00 / $ 75.99 / £ 63.00

Under Construction Kunst, Männlichkeiten und Queerness seit 1970

Änne Söll, Maike Wagner, Katharina Boje (Eds.)

2024. 231 pages. 24.0 × 17.0 cm 43 b/w ills.

SC 978-3-11-099109-3 En/Ger

€ 59.00 / $ 64.99 / £ 54.00

E-Book

978-3-11-134732-5 En/Ger

€ 59.00 / $ 64.99 / £ 54.00

L’homme-machine – L’utopie d’un Homme nouveau ? Regards sur la masculinité dans les œuvres des artistes français et allemands de l’avant-garde

Catherine Frèrejean

2024. 390 pages. 24.0 × 17.0 cm

15 b/w ills., 65 color ills.

HC 978-3-11-123904-0 Fr

€ 64.00 / $ 70.99 / £ 58.50

E-Book 978-3-11-123950-7 Fr Open Access

Glass in Architecture from the Pre- to the Post-industrial Era Production, Use and Conservation Sophie Wolf, Laura Hindelang, Francine Giese, Anne Krauter (Eds.)

2024. 335 pages. 24.0 × 17.0 cm 165 color ills.

HC

978-3-11-079340-6 En/Ger/Fr

€ 59.00 / $ 64.99 / £ 54.00

E-Book

978-3-11-079346-8 En/Ger/Fr Open Access

Networks and Practices of Connoisseurship in the Global Eighteenth Century Valérie Kobi, Kristel Smentek, Chonja Lee (Eds.)

2023. 250 pages. 24.0 × 17.0 cm 78 color ills.

SC 978-3-11-099695-1 En

€ 49.00 / $ 53.99 / £ 45.00

E-Book 978-3-11-098508-5 En Open Access

Ambassadors of Beauty Italian Old Master Exhibitions and Fascist Cultural Diplomacy 1930-1940

2025. 552 pages. 24.0 × 17.0 cm

160 b/w ills., 10 color ills.

HC 978-3-11-133125-6 En

€ 72.00 / $ 79.99 / £ 65.50

E-Book 978-3-11-133154-6 En

€ 72.00 / $ 79.99 / £ 65.50

Francis Bacon – In the Mirror of Photography Collecting, Preparatory Practice and Painting Katharina Günther

2022. 446 pages. 24.0 × 17.0 cm 107 b/w ills., 51 color ills., 1 tables

HC 978-3-11-072062-4 En

€ 59.90 / $ 68.99 / £ 52.00

E-Book 978-3-11-072064-8 En

€ 59.90 / $ 68.99 / £ 52.00

Exhibiting Abstraction Strategies in the Propagation of an Avant-garde 1908–1915 Christina Bartosch

2025. 360 pages. 24.0 × 17.0 cm 489 color ills.

SC 978-3-11-075584-8 En € 79.00 / $ 86.99 / £ 72.00

E-Book 978-3-11-075590-9 En Open Access

Lumières nouvelles sur le sacré Arts verriers du Groupe de Saint-Luc Camille Noverraz, Valérie Sauterel, Vitrocentre Romont (Eds.)

2024. 204 pages. 24.0 × 17.0 cm 143 color ills.

HC 978-3-68924-116-2 Fr

€ 59.00 / $ 64.99 / £ 54.00

E-Book 978-3-68924-000-4 Fr Open Access

The Sculptural in the (Post-) Digital Age Mara-Johanna Kölmel, Ursula Ströbele (Eds.)

2023. 242 pages. 24.0 × 17.0 cm 68 b/w ills.

SC 978-3-11-077505-1 En € 59.95 / $ 68.99 / £ 54.50

E-Book 978-3-11-077514-3 En Open Access

China and the West Reconsidering Chinese Reverse Glass Painting Elisa Ambrosio, Francine Giese, Alina Martimyanova, Hans Bjarne Thomsen (Eds.)

2022. 292 pages. 24.0 × 17.0 cm 152 color ills.

HC 978-3-11-071175-2 En

€ 49.95 / $ 57.99 / £ 45.50

E-Book 978-3-11-071177-6 En Open Access

The Colors of Photography

2020. 333 pages. 24.0 × 17.0 cm 113 color ills.

SC

Image Controversies

Contemporary Iconoclasm in Art, Media, and Cultural Heritage

Birgit Mersmann, Christiane Kruse, Arnold Bartetzky (Eds.)

2024. 256 pages. 24.0 × 17.0 cm 14 b/w ills., 62 color ills.

SC 978-3-11-077348-4 En

€ 69.00 / $ 75.99 / £ 63.00

E-Book 978-3-11-077357-6 En Open Access

werkbund – bauhaus - hochschule für gestaltung ulm / werkbund – bauhaus – ulm school of design

Wegmarken des Industriedesigns in Deutschland / Milestones of Industrial Design in Germany

Eva-Maria Seng

2025. 224 pages. 24.0 × 17.0 cm 90 b/w ills., 60 color ills.

HC

978-3-11-077668-3 En/Ger

69.00 / $ 75.99 / £ 63.00 E-Book 978-3-11-079379-6 En/Ger € 69.00 / $ 75.99 / £ 63.00

Réinventer l’art sacré Le Groupe de Saint-Luc (1919–1945)

Vitrocentre Romont (Ed.), Camille Noverraz

2024. 480 pages. 24.0 × 17.0 cm 156 color ills.

HC 978-3-11-138370-5 Fr

€ 82.00 / $ 90.99 / £ 75.00

E-Book 978-3-11-138378-1 Fr Open Access

Objects and Organisms Vivification – Reification –Transformation Ella Beaucamp, Romana Kaske, Thomas Moser (Eds.)

2023. 236 pages. 24.0 × 17.0 cm 59 color ills.

HC

978-3-11-069415-4 En/Ger € 59.95 / $ 68.99 / £ 54.50

E-Book

978-3-11-119970-2 En/Ger

A General History of Chinese Art, vol. 1–6 Xifan Li (Ed.) 2022. 2701 pages. 26.5 × 21.0 cm 185 b/w ills., 545 color ills.

SC 978-3-11-079063-4 En € 799.00 / $ 920.00 / £ 726.50

Bettina Gockel (Ed.), Nadine Jirka, Stella Jungmann

Can Art History be Made Global?

Meditations from the Periphery

Monica Juneja

2023. 348 pages. 24.0 × 17.0 cm

20 b/w ills., 40 color ills.

SC

978-3-11-071629-0 En

€ 49.00 / $ 45.00 / £ 44.50

E-Book 978-3-11-121706-2 En

€ 49.00 / $ 45.00 / £ 44.50

Taking the Alhambra to St. Petersburg Neo-Moorish Russian Architecture and Interiors

1830–1917

Katrin Kaufmann

2023. 312 pages. 28.0 × 21.0 cm

312 color ills.

HC

978-3-11-071065-6 En

€ 84.00 / $ 96.99 / £ 76.50

E-Book 978-3-11-114137-4 En Open Access

New Apelleses and New Apollos Poet-Artists around the Court of Florence (1537–1587)

Diletta Gamberini

2022. 296 pages. 24.0 × 17.0 cm

21 b/w ills., 7 color ills.

HC 978-3-11-074355-5 En

€ 69.95 / $ 80.99 / £ 61.00

E-Book 978-3-11-074366-1 En

€ 69.95 / $ 80.99 / £ 61.00

The Belvedere: 300 Years a Venue for Art subtitle

Stella Rollig, Christian Huemer (Eds.)

2023. 398 pages. 28.0 × 23.0 cm

268 color ills.

HC

978-3-11-118631-3 En

€ 49.00 / $ 56.99 / £ 44.50

978-3-11-118651-1 En

E-Book

€ 49.00 / $ 56.99 / £ 44.50

Bare Bodies – Thresholding Life

Mariella Greil (Ed.)

2023. 208 pages. 24.0 × 16.5 cm

3 b/w ills., 43 color ills.

SC 978-3-11-134137-8 En

€ 42.00 / $ 46.99 / £ 38.50

978-3-11-134144-6 En

E-Book

€ 42.00 / $ 46.99 / £ 38.50

Ricarda Denzer – ganz ohr / all ears

Audio Trouble, Para-Listening, and Sounding Research

Ricarda Denzer, Christian Höller (Ed.)

2023. 192 pages. 23.5 × 16.5 cm

61 b/w ills., 92 color ills.

SC 978-3-11-134216-0 En/Ger

€ 45.00 / $ 49.99 / £ 41.00

E-Book

978-3-11-134223-8 En/Ger

€ 45.00 / $ 49.99 / £ 41.00

Broken Myths

Charles Sheeler’s Industrial Landscapes

Andrea Diederichs

2022. 267 pages. 24.0 × 17.0 cm

102 color ills.

SC 978-3-11-076945-6 En

€ 89.95 / $ 103.99 / £ 82.00

Les Français et la Renaissance Idées et représentations de l’architecture, 1760–1880

Antonio Brucculeri

2024. 408 pages. 24.0 × 17.0 cm 218 color ills.

HC 978-3-11-069956-2 Fr

€ 82.00 / $ 90.99 / £ 75.00

Restoration as Fabrication of Origins

A Material and Political History of Italian Renaissance Art

Henri de Riedmatten, Fabio Gaffo, Mathilde Jaccard (Eds.)

2023. 190 pages. 24.0 × 17.0 cm 92 color ills.

SC 978-3-11-107227-2 En/Fr

€ 49.00 / $ 56.99 / £ 44.50

E-Book 978-3-11-107273-9 En/Fr Open Access

New Media in Art History Tensions, Exchanges, Situations Régine Bonnefoit, Melissa Rérat, Samuel Schellenberg (Eds.)

2023. 144 pages. 21.0 × 14.7 cm 44 color ills.

HC 978-3-11-118592-7 En

€ 42.00 / $ 46.99 / £ 38.50

E-Book 978-3-11-118600-9 En

€ 42.00 / $ 46.99 / £ 38.50

The Octopus On Diversities, Art Production, Educational Models, and Curatorial Trajectories Başak Şenova (Ed.)

2024. 256 pages. 26.0 × 18.0 cm

13 b/w ills., 330 color ills.

SC 978-3-11-136534-3 En

€ 42.00 / $ 46.99 / £ 38.50

E-Book 978-3-11-136554-1 En

€ 42.00 / $ 46.99 / £ 38.50

Ruth Schnell – WORKBOOK Mirrors of the Unseen Peter Weibel, Katharina Gsöllpointner (Ed.)

2023. 360 pages. 27.0 × 21.0 cm

33 b/w ills., 354 color ills.

SC 978-3-11-124998-8 En

€ 45.00 / $ 49.99 / £ 41.00

E-Book 978-3-11-125010-6 En

2021. 528 pages. 28.0 × 21.0 cm 124 b/w ills., 117 color ills. HC 978-3-11-072961-0 En

99.95 / $ 114.99 / £ 87.00

€ 45.00 / $ 49.99 / £ 41.00 Britain and the Continent 1660–1727 Political Crisis and Conflict Resolution in Mural Paintings at Windsor, Chelsea, Chatsworth, Hampton Court and Greenwich Christina Strunck

Wenn der Wind weht / When the Wind Blows Luft, Wind und Atem in der zeitgenössischen Kunst / Air, Wind, and Breath in Contemporary Art

Liddy Scheffknecht, Ernst Strouhal (Eds.)

2022. 232 pages. 30.0 × 24.0 cm

65 b/w ills., 125 color ills.

SC 978-3-11-078520-3 En/Ger

€ 48.00 / $ 55.99 / £ 43.50

E-Book

978-3-11-078524-1 En/Ger

€ 48.00 / $ 55.99 / £ 43.50

Jari Genser – It Is about Time 10 Jahre – 16 Werke / 10 Years – 16 Works

Jari Genser

2023. 132 pages. 32.0 × 24.5 cm

35 b/w ills., 16 color ills.

HC

978-3-11-106650-9 En/Ger

€ 42.00 / $ 48.99 / £ 38.00

E-Book

978-3-11-106656-1 En/Ger € 42.00 / $ 48.99 / £ 38.00

Liddy Scheffknecht –Points in Time

Arbeiten/Works 2010–2020

Ernst Strouhal (Ed.)

2021. 248 pages. 28.0 × 22.0 cm 28 b/w ills., 306 color ills.

HC 978-3-11-076943-2 En/Ger

€ 39.95 / $ 45.99 / £ 36.50

E-Book

978-3-11-076956-2 En/Ger € 39.95 / $ 45.99 / £ 36.50

Toxic Temple An Artistic and Philosophical Adventure into the Toxicity of the Now

Anna Lerchbaumer, Kilian Jörg (Ed.)

2022. 256 pages. 24.0 × 17.0 cm 112 color ills.

HC 978-3-11-076914-2 En

€ 39.95 / $ 45.99 / £ 36.50

978-3-11-076924-1 En

E-Book

€ 39.95 / $ 45.99 / £ 36.50

Oskar Kokoschka: Neue Einblicke und Perspektiven / New Insights and Perspectives

subtitle Régine Bonnefoit, Bernadette Reinhold (Ed.)

2021. 452 pages. 21.0 × 14.7 cm 20 b/w ills., 43 color ills.

SC

978-3-11-072420-2 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

E-Book

978-3-11-072422-6 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

Arts & Dementia Interdisciplinary Perspectives

Ruth Mateus-Berr, L. Vanessa Gruber (Ed.)

2020. 400 pages. 24.2 × 17.0 cm

32 b/w ills., 182 color ills.

HC 978-3-11-072047-1 En

€ 49.95 / $ 57.99 / £ 43.50

E-Book 978-3-11-072055-6 En

€ 49.95 / $ 57.99 / £ 43.50

Friedl Dicker-Brandeis Works from the Collection of the University of Applied Arts Vienna

Stefanie Kitzberger, Cosima Rainer, Linda Schädler (Eds.)

2022. 352 pages. 24.0 × 16.5 cm 50 b/w ills., 120 color ills.

HC 978-3-11-078906-5 En

€ 49.95 / $ 57.99 / £ 45.50

E-Book 978-3-11-078913-3 En

€ 49.95 / $ 57.99 / £ 45.50

Barbara Holub –Stiller Aktivismus / Silent Activism Başak Şenova (Ed.)

ills.

HC

978-3-11-079081-8 En/Ger

€ 49.95 / $ 57.99 / £ 45.50

E-Book

978-3-11-079082-5 En/Ger

€ 49.95 / $ 57.99 / £ 45.50

LINDA BERGER – PEACH-BLOW MONOGRAFIE/MONOGRAPH

Linda Berger, Maria Christine Holter (Eds.)

2021. 224 pages. 25.8 × 21.9 cm 12 b/w ills., 78 color ills.

HC 978-3-11-074475-0 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

E-Book

978-3-11-074703-4 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

inframince infra-mince infra mince TransArts at the University of Applied Arts Vienna / TransArts an der Universität für angewandte Kunst Wien

Stephan Hilge, Roman Pfeffer, Nita Tandon, Gudrun Ratzinger, Franz Thalmair (Ed.)

2021. 304 pages. 21.6 × 16.3 cm 303 color ills.

HC

978-3-11-072418-9 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

E-Book

978-3-11-072424-0 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

Barbis Ruder. Werk – Zyklus – Körper / Work – Cycle – Body Madeleine Frey (Ed.)

SC 978-3-11-106146-7 En/Ger

49.00 / $ 56.99 / £ 44.50

E-Book

Judith P. Fischer –Linie Form Raum / Line Shape Space

Theresia Hauenfels (Ed.)

2022. 256 pages. 26.0 × 20.5 cm 123 b/w ills., 169 color ills.

HC

978-3-11-054250-9 En/Ger

/ $ 45.99 / £ 36.50 E-Book

978-3-11-076986-9 En/Ger

/ £ 36.50

Rini Tandon. to spaces unsigned Works, Concepts, Processes 1976–2020 / Arbeiten, Konzepte, Prozesse 1976–2020

Sabine Folie (Ed.)

2020. 328 pages. 30.0 × 23.0 cm

304 color ills., 96 duplex

SC

978-3-11-070045-9 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

Plastic Ocean: Art and Science Responses to Marine Pollution

subtitle

Ingeborg Reichle (Ed.)

2021. 272 pages. 25.0 × 20.0 cm 164 color ills.

HC

978-3-11-074472-9 En

€ 39.95 / $ 45.99 / £ 34.50

Kabarett Fledermaus @ Bar du Bois Aktualisierung eines Experiments der Wiener Moderne / Update of an Experiment of Viennese Modernism

Cosima Rainer (Ed.)

2020. 176 pages. 29.7 × 21.0 cm 73 b/w ills., 125 color ills.

SC 978-3-11-072306-9 En/Ger

€ 29.95 / $ 34.99 / £ 26.00

COMPANY. Fotografien und Fragmente über das Arbeiten Photographs and Fragments on Working subtitle

Beatrix Zobl, Wolfgang Schneider, Ruth Horak, Monika Mokre, Erzsébet Pilinger, Tasos Zembylas

2019. 296 pages. 24.5 × 21.0 cm Numerous ills.

SC 978-3-11-065766-1 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

Being in Contact: Encountering a Bare Body

subtitle

Mariella Greil

2021. 368 pages. 24.0 × 16.5 cm

168 b/w ills., 365 color ills.

SC 978-3-11-073939-8 En

€ 39.95 / $ 45.99 / £ 34.50

E-Book 978-3-11-073598-7 En

€ 39.95 / $ 45.99 / £ 34.50

The Amden Atelier 1999–2015 Roman Kurzmeyer

2015. 256 pages. 24.0 × 15.5 cm

40 b/w ills., 122 color ills.

SC 978-3-11-044042-3 En

€ 34.95 / $ 49.00 / £ 30.50

5 above Brigitte Meier-Denninghoff (Brigitte und Martin Matschinsky-Denninghoff): Spitzen (Form in Zinn Nr. 1), 1955, brass, tin, 28 × 27 × 13 cm, Berlinische Galerie –Landesmuseum für Moderne Kunst, Fotografie und Architektur, © Stiftung Matschinsky-Denninghoff, Berlin 2024, Foto: Berlinische Galerie, Kai-Annett Becker; below Marie-Louise von Rogister, Fallende Stämme, 1960, oil/ fiberboard, 65 × 53,5 cm, Hessen Kassel Heritage, Neue Galerie, © Nachlass Marie-Louise von Rogister, photo: Ute Brunzel

6 left Otto Dix, Sonnenaufgang in Randegg, 1935, © 2024, ProLitteris, Zurich; right Adolf Dietrich, Frühling in der Stadt, 1923, © 2024, ProLitteris, Zurich

7 above Otto Dix, Aufbrechendes Eis mit Regenbogen über Steckborn, 1940, © 2024, ProLitteris Zurich; below Adolf Dietrich, Abendseebild, 1917, © 2024, ProLitteris, Zurich

10 left Friedrich Vordemberge-Gildewart, K 116, 1940, Museum Wiesbaden; right “March study” of the Ilse Leda - Hanover dance school, photographed by ErnstErnst, 1931, Museum Wiesbaden, Vordemberge-Gildewart archive

11 above Portrait of Ilse Leda, photographed by Hugo Erfurth, 1932, Museum Wiesbaden, Archive Friedrich Vordemberge-Gildewart; bottom Portrait of Friedrich Vordemberge-Gildewart, photographed by Hugo Erfurth, 1932, Museum Wiesbaden, Archive VordembergeGildewart

12 left The Main Hall of TŌ-JI 東寺金堂, Etching and aquatint 30 × 30 cm 1999 ⁄ Edition 100 TR 626; right Summer Day No. 1 夏日 No. 1, Etching and aquatint 27 × 35 cm ⁄ 1985 Edition 120 ⁄ TR 373

13 top Gansen-Ji 岩船寺,Etching ⁄ 24.5 × 21.5 cm 1980 Edition 120 TR 264; below Summer Day No. 2 夏日 No. 2, Etching and aquatint 27 × 35 cm 1985 Edition 120 TR 374

14 left to right Jacopo Amigoni (Naples 1682–1752 Madrid), male head study in profile facing right, ca. 1720, black and white chalk, 285 × 230 mm, Inv.-Nr. 31718 Z (00000922); Jacopo Pontormo (Empoli 1494–1557 Florence), Two standing women, ca. 1520, red chalk in lighter and darker shades, wiped, mounted on paper and outlined in gold pen and ink in several lines, 391 × 261 mm, Inv.-Nr. 14042 Z (00019745); Fra Bartolommeo (Savignano near Prato 1472–1517 Florence), Portrait of a monk with a beard, ca. 1515, black chalk, heightened with a white brush, on paper, 397 × 274 mm, Inv.-Nr. 2157 Z (00057417), all © Staatliche Graphische Sammlung München

15 Federigo Barocci (Urbino ca. 1535 – 1612 Urbino), Studies for the painting “Jesus Christ appears to Mary Magdalene”, 1589/90, black chalk, heightened with

white, traces of red chalk, on blue-grey paper, the contours of the central figure are traced; verso: black pencil, red chalk, heightened with white, 418 × 277 mm, Inv.-Nr. 13759 Z (00017696), © Staatliche Graphische Sammlung München

16 left Johann Evangelist Holzer (Burgeis/ South Tyrol 1709–1740 Clemenswerth), Triumph of Art Over Ignorance and Envy, Pen and brown ink, watercolor, squared in chalk, 84 × 122 mm, Inv. Nr. G 2011-28; right Johann Wolfgang Baumgartner (Ebbs/ Tyrol 1702–1761 Augsburg), Allegory of the Continent Asia, Pen and black ink in black and brown, over traces of pencil sketch, gray wash, heightened with white, 124 × 194 mm, Inv. Nr. G 1997-28, all © Grafische Sammlung, Kunstsammlungen und Museen Augsburg

17 Georg Petel (Weilheim 1601 – 1635 Augsburg), St. Jerome in Penitence, ca. 1630, red chalk, 237/252 × 171 mm, Inv. Nr. G 2024-7, © Grafische Sammlung, Kunstsammlungen und Museen Augsburg

18 left to right Muschelschale mit Bacchusknaben, Ottavio Miseroni and Jan Vermeyen, ca. 1600/1605, Wien, Kunsthistorisches Museum; Die Kunstkammer des Prinzen Wladislaw Sigismund Wasa, Flemish painter at the Warsaw court, 1626; Zamek Królewski w Warszawie; Bibersburg (Červený Kameň), Sala terrena, Fresko, Carpoforo Tencalla, 1654/55, Foto: Martin Mádl

19 Venus and Cupid, standing on a dolphin, Benedikt Wurzelbauer after Nikolaus Pfaff, Nürnberg, 1599, Bronze, Praha, Národní galerie

24 from left to right View of the Julius Freund Collection auction, March 21, 1942, Galerie Fischer, Lucerne, from: DU, Zurich, no. 6/June 1942, p. 2; Leonardo da Vinci (Werkstatt oder Nachfolge), Der heilige Johannes der Täufer (c. 1505), verso, oil on canvas, 71 × 52 cm, Kunstmuseum Basel, inv. no. G 1879; 5-b Minutes of the art commission meeting (Lehmbruck), June 13, 1938, in: Kunstmuseum Basel, archive, B 001.001.016.000

25 above Camille Pissarro, La Maison Rondest, Hermitage, Pontoise (1875), oil/panel, 55 × 46 cm, Kunstmuseum Basel, inv. no. G 2021.2; left Albrecht Altdorfer, Das Martyrium des heiligen Erasmus (1518 – 1520), oil/ fir wood, Kunstmuseum Basel, inv. no. G 1979.19; right Wilhelm Lehmbruck, Weiblicher Torso (1910), cast stone/cement cast, h: 117 cm, inv. no. P 69

26 left to right Na terra sem males, Jaider Esbell, 2021, Archiv Centre George Pompidou, Paris; Mona Lisa Kunha, Denilson Baniwa

28 left Kiki Kogelnik, Untitled (Hanging), ca. 1970, vinyl and chrome-plated metal hanger, 160 × 50 × 4 cm, © 1970 Kiki Kogelnik Foundation. All rights reserved; right Sigalit Landau, Proposal for a Monument, 2023,

bronze casting, 38 × 38 × 32 cm, © Sigalit Landau. Photo: Yotam From

29 left to right Njideka Akunyili Crosby, Home: As You See Me, 2017, acrylic, transfers, colored pencil, charcoal, collage, and commemorative fabric on paper, 213 × 211 cm, © Njideka Akunyili Crosby, courtesy the artist, Victoria Miro, and David Zwirner. Photo: Brian Forrest; Ramses Wissa Wassef, Art Centre, Harrania, Egypt, 1952–74, wool yarns colored with natural vegetable dyes, © Ikram Nosshi; Ana Lupas, Humid Installation, 1970, collective action, Mărgău (Romania), CITAM Archives, Toms Pauli Foundation, Lausanne. Unknown photographer

30 left to right Banz & Bowinkel, Mercury (detail), 2016–2017, interactive virtual reality installation for HTC Vive, computer, head-mounted display (HMD), 3D-printed porcelain interface button, web cameras, monitor, plexiglass, various cables; set up in a black anodized aluminum frame structure, © Banz & Bowinkel; Bruckmann Verlag/unkown photographer, Bust of a Young Man (Museo Archeologico, Naples), bronze, negative with covering in black and red retouching color, 1894, 27.0 × 21.1 cm, Zentralinstitut für Kunstgeschichte, Munich, Photothek/Bildarchiv Bruckmann, Brunn-Denkmäler, Lfg. 73, Taf. 364a; Bruckmann Verlag/unkown photographer, Bust of a Young Man (Museo Archeologico, Naples), bronze, negative with covering in black and red retouching color, 1894, 26.8 × 20.6 cm, Zentralinstitut für Kunstgeschichte, Munich, Photothek/Bildarchiv Bruckmann, Brunn-Denkmäler, Lfg. 73, Taf. 364b

31 left Zach Blas, Fag Face Mask – October 20, 2012, Los Angeles, CA, aus Facial Weaponization Suite 2012, painted, vacuum-formed recycled polyethylene terephthalate. Courtesy of the artist; right Sterling Crispin, Data-Masks, 2013 – 2015, 3D printed nylon, mirror, facial recognition and detection algorithms, genetic algorithms, 46 × 66 cm, installation view, ZKM Karlsruhe, GLOBALE: Infosphere, Karlsruhe 2015. Work Courtesy: The artist, photo: Anatole Serexhe

34 left selbstgefährdung II / self-endangerment II, 2017 / acrylic on canvas, 200 × 270 cm / Courtesy Hans-Hendrik Grimmling, photo: Stefanie Ketzscher, Berlin, © VG Bild-Kunst Bonn, 2024; right selbst-betrachtung / self-reflection, 2023 / acrylic on canvas, 100 × 80 cm / Courtesy Hans-Hendrik Grimmling, photo: Stefanie Ketzscher, Berlin, © VG Bild-Kunst Bonn, 2024

36 left Title page and an illustration from Tytus Czyżewski and Tadeusz Makowski’s Pastorałki (Christmas Pastorals), published in Paris in 1925; right Enrico Prampolini’s African masks for Marinetti’s Cocktail at the Théâtre de la Madelaine, Paris, 1927, reproduced in Leon Moussinac: Tendances nouvelles du théâtre: Choix de décors, costumes, détails et mise en scène utilisés dans les représentations les plus originales de ces quinze années. Paris: Les Éditions

Albert Levy, 1931, p. 34, and Enrico Prampolini’s 1925 sketch of Josephine Baker, on a postcard advertising the 12th season of the Teatro degli Indipendenti in Rome.

38 above Alexander Bassano, Queen Victoria, carbon cabinet card, 1887 (1882), 137 mm × 97 mm, National Portrait Gallery Archive, London, NPG x38284, © National Portrait Gallery, London; below left W. & D. Downey, Queen Victoria (1872), albumen carte de visite, 93 × 57 mm, National Portrait Gallery Archive, London, NPG Ax38601, © National Portrait Gallery, London; below right By and after John Jabez Edwin Mayall, Group of Royal Family (early 1860s), albumen carte de visite photomontage, 83 × 57 mm, National Portrait Gallery Archive, London, NPG x132718, © National Portrait Gallery, London

39 left to right Vilma Parlaghy in front of the completed portrait of Kaiser Wilhelm II in the uniform of the Uniform of the Garde du Corps, 1893, Artothek, Bildagentur der Museen; The Austrian writer and salonière Berta Zuckerkandl, 1886, oil/canvas, Österreichische Nationalbibliothek Wien; The engineer and inventor Nikola Tesla, 1916, oil/canvas., 107 × 93 cm, Nordfriesland Museum. Nissenhaus Husum

40 above Karl-Marx-Allee I – Block G residential complex by Hanns Hopp, © Bettina Cohnen; left Hansaviertel – Row house by Paul Schneider-Esleben, © Bettina Cohnen; right Karl-Marx-Allee II – residential building QP-61 by Josef Kaiser, © Bettina Cohnen

41 above Karl-Marx-Allee II – high-rise point building by Josef Kaiser, © Bettina Cohnen; middle Hansaviertel – Atrium house by Arne Jacobsen with a view of the Schwedenhaus, © Bettina Cohnen; bottom Hansaviertel –Row house by Paul Schneider-Esleben, © Bettina Cohnen

44 left to right Synagoge Trier, Alfons Leitl, 1958, photo privat; Hermann Zvi Guttmann, Ansicht, um 1957, descendants Guttmann and archiv des Jewish museum, Berlin; Walter Brockhaus, draft synagogue Dortmund, not carried out, photo privat

45 left to right Photographer not documented: Class of Otto Rohloff, School at the Museum of Decorative Arts Berlin, around 1902, photograph on collodium paper; © Universität der Künste Berlin, Universitätsarchiv, inv. no.: 305-A 91, 4F; Photographer not documented: Kunstgewerbeschule Bezalel in Jerusalem [School of arts and crafts Bezalel in Jerusalem], c. 1913, © Kunstgewerbeschule Bezalel in Jerusalem, in: Preisverzeichnis der Erzeugnisse der Kunstgewerbeschule Bezalel in Jerusalem, Berlin 1913; Jüdisches Museum Berlin, II.1.2. Preis 38

46 left The “Swan Theatre”, contemporary copy of a lost drawing by Johannes de Witt, ca. 1595/96. Quelle: wikimedia commons: Swan-theatre-johannes-de-witt-ms842-f132r-1596.jpg; right Zurich from the

Waid, steel engraving, ca. 1857, unknown artist. Private property Küster family

48 left West wall of the Goethe Gallery, © Klassik Stiftung Weimar, Fotothek Collection; right Detail of the bronze door from the Goethe Gallery into the Wieland Room, © Klassik Stiftung Weimar, Photographic Collection

49 left Adrian Zeelst (attributed), Astrolabe, ca. 1600 (after 1583), brass, 46 cm diameter, Kölnisches Stadtmuseum, L 184. Photo: Kölner Gymnasial- und Stiftungsfonds; right Johann Georg Vogler, equatorial sundial, ca. 1750, brass, silver, partly gold-plated, 8 cm diameter, Kölnisches Stadtmuseum, L 200. Photo: Kölner Gymnasial- und Stiftungsfonds;

50 left fol. 31, Perspective view of the Arch of Constantine in Rome, pen and brown ink on brown paper, dimensions: 340 mm × 268 mm; right fol. 42, pedestal and base with the shaft base of Trajan’s Column in the Forum of Emperor Trajan in Rome, pen and brown ink on brown paper, 375 mm × 275 mm

51 Francesco di Giorgio Martini, drawings of antique architectural details from Naples; Florence, Uffizi Galleries, inv. 333 A v

52 left Jaques Callot, Die Belagerung von Breda, 1628; London, The British Museum (Mus.-Nr.: 1838,0621.1), © The Trustees of the British Museum, CC BY-NC-SA 4.0.; right Ambrosius Gabler: Ausruffende Personen in Nürnberg mit Prospecten der Stadt. Nürnberg 1790. Nürnberg, Stadtbibliothek

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Dehio, Georg 20

Dewey, Anne 25

Diebold, William J. 53

Dimog, Jan 40

Dohe, Sebastian 48

Dorn, Annika 25

E

Ehninger, Eva 38

Engel, Franz 37

Enterlein, Michael 48

F Finzi, Daniela 28 Fischer, Günther 42 Franz, Michael Markus 24

G

62

Gasior, Agnieszka 18

Geisler, Thomas A. 45

Gerkens, Dorothee 4 Golestani, Raha 35 Göttmann, Frank 46

H

Hahne, Charis 25

Haldemann, Anita 22

Henning, Andreas 10 Hinz, Ann-Kathrin 4

K

Kepetzis, Ekaterini 52

Kohlmann, Paula 35

Kölmel, Mara-Johanna 31

Könches, Barbara 35

König, Sandra 45 Krämer, Gode 16 Krügel, Katharina 48

L Laabs, Annegret 34

Lange-Wittmann, Kirsten 44

Laug, Anna-Sophie 45

Lehmann, Hannah 25

Lewandowsky, Mirjam 47

Lintig, Johannes von 25 Loop, Jan 27

Lotz, Rouven 4

M

Männig, Maria 30, 52

Moos, Julika 53

Muysers, Carolin 4

N Nesselrath, Arnold 50

Nettels, Ole 25

Neuburger, Katharina 35

CONTACT

Dr. Katja Richter

Editorial Director

O

Otterloo, Chris van 12

T +49 (0)89 769 023 13 richter@deutscherkunstverlag.de katja.richter@degruyter.com

Overhoff Ferreira, Carolin 26

P

Kathleen Herfurth

Panzert, Alexandra 45

Parvu, Ileana 29

Pawel, Anja 37

Pönitz, Christian 48

Acquisitions Editor Deutscher Kunstverlag T +49 (0)30 279 076 61 herfurth@deutscherkunstverlag.de

Prange, Peter 16

R

Dr. Pablo Schneider

Rosebrock, Tessa Friederike 22

Rüfenacht, Andreas 6

S

Acquisitions Editor Deutscher Kunstverlag

T +49 (0)30 260 054 50 schneider@deutscherkunstverlag.de

Scheller, Tessa 25

Schmeller, Jordan 25

Schönfelder, Konstantin 35

Dr. Anja Weisenseel

Schrading, Fiona 47

Schulte-Wülwer, Ulrich 39

Acquisitions Editor De Gruyter / Deutscher Kunstverlag

Seng, Eva-Maria 46

Shapira, Elana 28

Stein, Henrike 49

Stephany, Antonetta 25

T +49 (0)89 769 023 88 weisenseel@deutscherkunstverlag.de anja.weisenseel@degruyter.com

Stöver, Kerstin 45

Ströbele, Ursula 30

T

Luzie Diekmann

Editor – Art Guides Deutscher Kunstverlag

Tannert, Christoph 34

Trepesch, Christof 16

M +49 (0)173 385 291 7 diekmann@deutscherkunstverlag.de

V

Valstar-Verhoff, Arta 10

W

Nicole Schwarz

Management Press and Marketing

Weller, Matthias 25

Wenzel, Leva 25

Wieland, Janna R. 47

M +49 (0)174 584 501 7 nicole.schwarz@degruyter.com

Winter, Georg 35

Winzeler, Marius 18

X

Xiao, Xiao 35

Max Dornemann Press and Marketing

T +49 (0)30 260 051 63 max.dornemann@degruyter.com

Z

Zeitler, Kurt 14

Zieglgänsberger, Roman 10

Zuschlag, Christoph 4

Jennifer Harris Social Media

T +49 (0)30 260 051 83 jennifer.harris@degruyter.com

Kevin Schneider Press and Marketing

T +49 (0)30 260 053 70 kevin.schneider@degruyter.com

ARTISTS OF THE WORLD INTERNATIONALE DATENBANK BILDENDER KÜNSTLERLINNEN UND KÜNSTLER

ISSN 2750-6088

LANGUAGE OF PUBLICATION

German

USER INTERFACE

English, German

SUBJECT AREAS

Art, art history, architectural history, photography, design, arts and crafts, new media

READERSHIP

Art History Institutions, Museums, Libraries, Art and Antiquities Trade, Auction houses, Collectors, Art dealers, Curators

 More than 1.2 million editorially reviewed entries on artists and artist groups

 More than 500,000 detailed, signed biographical articles, with searchable full text

 Ongoing addition of new artists (approx. 1,000 entries per year) and updates of the biographical metadata and other information (approx. 3,000 changes per year)

 New articles by over 8000 international experts in areas of focus (e.g. African artists, contemporary architects)

 Various search and lter criteria for professional and scholarly search queries in a user-friendly interface

 Information on places of activity and artists’ networks in the form of maps and lists

 Unlimited number of simultaneous users per campus or institution

 Automatic translations in English on demand for artist biographies

 Auto-complete search for artist names, occupations, countries etc.

 Improved relevancy sorting, sorting options and lter menu

 Fresh design, featuring editorial focuses like African Art or 20th Century Architecture in thematic collections

The database Artists of the World is the world’s most current, reliable, and extensive reference work on artists. It contains authoritative, up-to-date biographical information on more than 1.2 million artists – more than any other database in the world. It contains biographical information on artists and entries on groups of visual artists from all over the world and from all eras. It covers all genres of ne arts, painting, graphics, sculpture, architecture, photography, video, installation art, and much more.

Each biographical entry includes structural data and metadata, which, in addition to name variants with source information, provide geographical and chronological evidence. Entries with detailed articles are supplemented by lists of works, literature, sources, and exhibitions.

For further information, please visit our website at degruyter.com/aow Get your free trial here: degruyter.com/freetrial

PUBLISHER

De Gruyter / Deutscher Kunstverlag

Berlin Office

Genthiner Straße 13 10785 Berlin

T +49 (0)30 279076 0

F +49 (0)30 279076 11 deutscherkunstverlag.de

Munich Office

Neumarkter Straße 28 81673 München

T +49 (0)89 76902 0

F +49 (0)89 76902 491 degruyter.com

CONTACT

Dr. Katja Richter

Editorial Director

T +49 (0)89 769 023 13 richter@deutscherkunstverlag.de katja.richter@degruyter.com

Kathleen Herfurth

Acquisitions Editor Deutscher Kunstverlag

T +49 (0)30 279 076 61 herfurth@deutscherkunstverlag.de

Dr. Pablo Schneider

Acquisitions Editor Deutscher Kunstverlag

T +49 (0)30 260 054 50 schneider@deutscherkunstverlag.de

Dr. Anja Weisenseel

Acquisitions Editor De Gruyter / Deutscher Kunstverlag

T +49 (0)89 769 023 88 weisenseel@deutscherkunstverlag.de anja.weisenseel@degruyter.com

Luzie Diekmann

Editor – Art Guides Deutscher Kunstverlag

M +49 (0)173 385 291 7 diekmann@deutscherkunstverlag.de

Nicole Schwarz

Management Press and Marketing

M +49 (0)174 584 501 7 nicole.schwarz@degruyter.com

Max Dornemann

Press and Marketing

T +49 (0)30 260 051 63 max.dornemann@degruyter.com

Jennifer Harris

Social Media

T +49 (0)30 260 051 83 jennifer.harris@degruyter.com

Kevin Schneider

Press and Marketing

T +49 (0)30 260 053 70 kevin.schneider@degruyter.com

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